1|THE SONNETS|1|title| 1|THE SONNETS|1|title|1609 1|THE SONNETS|1|title| 1|THE SONNETS|1|title|THE SONNETS 1|THE SONNETS|1|title| 1|THE SONNETS|1|title|by William Shakespeare 1|THE SONNETS|1|title| 1|THE SONNETS|1|title| 1|THE SONNETS|1|title| 1|THE SONNETS|1|title| 1|THE SONNETS|2|Sonnet 1| 1 1|THE SONNETS|2|Sonnet 1| From fairest creatures we desire increase, 1|THE SONNETS|2|Sonnet 1| That thereby beauty's rose might never die, 1|THE SONNETS|2|Sonnet 1| But as the riper should by time decease, 1|THE SONNETS|2|Sonnet 1| His tender heir might bear his memory: 1|THE SONNETS|2|Sonnet 1| But thou contracted to thine own bright eyes, 1|THE SONNETS|2|Sonnet 1| Feed'st thy light's flame with self-substantial fuel, 1|THE SONNETS|2|Sonnet 1| Making a famine where abundance lies, 1|THE SONNETS|2|Sonnet 1| Thy self thy foe, to thy sweet self too cruel: 1|THE SONNETS|2|Sonnet 1| Thou that art now the world's fresh ornament, 1|THE SONNETS|2|Sonnet 1| And only herald to the gaudy spring, 1|THE SONNETS|2|Sonnet 1| Within thine own bud buriest thy content, 1|THE SONNETS|2|Sonnet 1| And tender churl mak'st waste in niggarding: 1|THE SONNETS|2|Sonnet 1| Pity the world, or else this glutton be, 1|THE SONNETS|2|Sonnet 1| To eat the world's due, by the grave and thee. 1|THE SONNETS|2|Sonnet 1| 1|THE SONNETS|2|Sonnet 1| 1|THE SONNETS|3|Sonnet 2| 2 1|THE SONNETS|3|Sonnet 2| When forty winters shall besiege thy brow, 1|THE SONNETS|3|Sonnet 2| And dig deep trenches in thy beauty's field, 1|THE SONNETS|3|Sonnet 2| Thy youth's proud livery so gazed on now, 1|THE SONNETS|3|Sonnet 2| Will be a tattered weed of small worth held: 1|THE SONNETS|3|Sonnet 2| Then being asked, where all thy beauty lies, 1|THE SONNETS|3|Sonnet 2| Where all the treasure of thy lusty days; 1|THE SONNETS|3|Sonnet 2| To say within thine own deep sunken eyes, 1|THE SONNETS|3|Sonnet 2| Were an all-eating shame, and thriftless praise. 1|THE SONNETS|3|Sonnet 2| How much more praise deserved thy beauty's use, 1|THE SONNETS|3|Sonnet 2| If thou couldst answer 'This fair child of mine 1|THE SONNETS|3|Sonnet 2| Shall sum my count, and make my old excuse' 1|THE SONNETS|3|Sonnet 2| Proving his beauty by succession thine. 1|THE SONNETS|3|Sonnet 2| This were to be new made when thou art old, 1|THE SONNETS|3|Sonnet 2| And see thy blood warm when thou feel'st it cold. 1|THE SONNETS|3|Sonnet 2| 1|THE SONNETS|3|Sonnet 2| 1|THE SONNETS|4|Sonnet 3| 3 1|THE SONNETS|4|Sonnet 3| Look in thy glass and tell the face thou viewest, 1|THE SONNETS|4|Sonnet 3| Now is the time that face should form another, 1|THE SONNETS|4|Sonnet 3| Whose fresh repair if now thou not renewest, 1|THE SONNETS|4|Sonnet 3| Thou dost beguile the world, unbless some mother. 1|THE SONNETS|4|Sonnet 3| For where is she so fair whose uneared womb 1|THE SONNETS|4|Sonnet 3| Disdains the tillage of thy husbandry? 1|THE SONNETS|4|Sonnet 3| Or who is he so fond will be the tomb, 1|THE SONNETS|4|Sonnet 3| Of his self-love to stop posterity? 1|THE SONNETS|4|Sonnet 3| Thou art thy mother's glass and she in thee 1|THE SONNETS|4|Sonnet 3| Calls back the lovely April of her prime, 1|THE SONNETS|4|Sonnet 3| So thou through windows of thine age shalt see, 1|THE SONNETS|4|Sonnet 3| Despite of wrinkles this thy golden time. 1|THE SONNETS|4|Sonnet 3| But if thou live remembered not to be, 1|THE SONNETS|4|Sonnet 3| Die single and thine image dies with thee. 1|THE SONNETS|4|Sonnet 3| 1|THE SONNETS|4|Sonnet 3| 1|THE SONNETS|5|Sonnet 4| 4 1|THE SONNETS|5|Sonnet 4| Unthrifty loveliness why dost thou spend, 1|THE SONNETS|5|Sonnet 4| Upon thy self thy beauty's legacy? 1|THE SONNETS|5|Sonnet 4| Nature's bequest gives nothing but doth lend, 1|THE SONNETS|5|Sonnet 4| And being frank she lends to those are free: 1|THE SONNETS|5|Sonnet 4| Then beauteous niggard why dost thou abuse, 1|THE SONNETS|5|Sonnet 4| The bounteous largess given thee to give? 1|THE SONNETS|5|Sonnet 4| Profitless usurer why dost thou use 1|THE SONNETS|5|Sonnet 4| So great a sum of sums yet canst not live? 1|THE SONNETS|5|Sonnet 4| For having traffic with thy self alone, 1|THE SONNETS|5|Sonnet 4| Thou of thy self thy sweet self dost deceive, 1|THE SONNETS|5|Sonnet 4| Then how when nature calls thee to be gone, 1|THE SONNETS|5|Sonnet 4| What acceptable audit canst thou leave? 1|THE SONNETS|5|Sonnet 4| Thy unused beauty must be tombed with thee, 1|THE SONNETS|5|Sonnet 4| Which used lives th' executor to be. 1|THE SONNETS|5|Sonnet 4| 1|THE SONNETS|5|Sonnet 4| 1|THE SONNETS|6|Sonnet 5| 5 1|THE SONNETS|6|Sonnet 5| Those hours that with gentle work did frame 1|THE SONNETS|6|Sonnet 5| The lovely gaze where every eye doth dwell 1|THE SONNETS|6|Sonnet 5| Will play the tyrants to the very same, 1|THE SONNETS|6|Sonnet 5| And that unfair which fairly doth excel: 1|THE SONNETS|6|Sonnet 5| For never-resting time leads summer on 1|THE SONNETS|6|Sonnet 5| To hideous winter and confounds him there, 1|THE SONNETS|6|Sonnet 5| Sap checked with frost and lusty leaves quite gone, 1|THE SONNETS|6|Sonnet 5| Beauty o'er-snowed and bareness every where: 1|THE SONNETS|6|Sonnet 5| Then were not summer's distillation left 1|THE SONNETS|6|Sonnet 5| A liquid prisoner pent in walls of glass, 1|THE SONNETS|6|Sonnet 5| Beauty's effect with beauty were bereft, 1|THE SONNETS|6|Sonnet 5| Nor it nor no remembrance what it was. 1|THE SONNETS|6|Sonnet 5| But flowers distilled though they with winter meet, 1|THE SONNETS|6|Sonnet 5| Leese but their show, their substance still lives sweet. 1|THE SONNETS|6|Sonnet 5| 1|THE SONNETS|6|Sonnet 5| 1|THE SONNETS|7|Sonnet 6| 6 1|THE SONNETS|7|Sonnet 6| Then let not winter's ragged hand deface, 1|THE SONNETS|7|Sonnet 6| In thee thy summer ere thou be distilled: 1|THE SONNETS|7|Sonnet 6| Make sweet some vial; treasure thou some place, 1|THE SONNETS|7|Sonnet 6| With beauty's treasure ere it be self-killed: 1|THE SONNETS|7|Sonnet 6| That use is not forbidden usury, 1|THE SONNETS|7|Sonnet 6| Which happies those that pay the willing loan; 1|THE SONNETS|7|Sonnet 6| That's for thy self to breed another thee, 1|THE SONNETS|7|Sonnet 6| Or ten times happier be it ten for one, 1|THE SONNETS|7|Sonnet 6| Ten times thy self were happier than thou art, 1|THE SONNETS|7|Sonnet 6| If ten of thine ten times refigured thee: 1|THE SONNETS|7|Sonnet 6| Then what could death do if thou shouldst depart, 1|THE SONNETS|7|Sonnet 6| Leaving thee living in posterity? 1|THE SONNETS|7|Sonnet 6| Be not self-willed for thou art much too fair, 1|THE SONNETS|7|Sonnet 6| To be death's conquest and make worms thine heir. 1|THE SONNETS|7|Sonnet 6| 1|THE SONNETS|7|Sonnet 6| 1|THE SONNETS|8|Sonnet 7| 7 1|THE SONNETS|8|Sonnet 7| Lo in the orient when the gracious light 1|THE SONNETS|8|Sonnet 7| Lifts up his burning head, each under eye 1|THE SONNETS|8|Sonnet 7| Doth homage to his new-appearing sight, 1|THE SONNETS|8|Sonnet 7| Serving with looks his sacred majesty, 1|THE SONNETS|8|Sonnet 7| And having climbed the steep-up heavenly hill, 1|THE SONNETS|8|Sonnet 7| Resembling strong youth in his middle age, 1|THE SONNETS|8|Sonnet 7| Yet mortal looks adore his beauty still, 1|THE SONNETS|8|Sonnet 7| Attending on his golden pilgrimage: 1|THE SONNETS|8|Sonnet 7| But when from highmost pitch with weary car, 1|THE SONNETS|8|Sonnet 7| Like feeble age he reeleth from the day, 1|THE SONNETS|8|Sonnet 7| The eyes (fore duteous) now converted are 1|THE SONNETS|8|Sonnet 7| From his low tract and look another way: 1|THE SONNETS|8|Sonnet 7| So thou, thy self out-going in thy noon: 1|THE SONNETS|8|Sonnet 7| Unlooked on diest unless thou get a son. 1|THE SONNETS|8|Sonnet 7| 1|THE SONNETS|8|Sonnet 7| 1|THE SONNETS|9|Sonnet 8| 8 1|THE SONNETS|9|Sonnet 8| Music to hear, why hear'st thou music sadly? 1|THE SONNETS|9|Sonnet 8| Sweets with sweets war not, joy delights in joy: 1|THE SONNETS|9|Sonnet 8| Why lov'st thou that which thou receiv'st not gladly, 1|THE SONNETS|9|Sonnet 8| Or else receiv'st with pleasure thine annoy? 1|THE SONNETS|9|Sonnet 8| If the true concord of well-tuned sounds, 1|THE SONNETS|9|Sonnet 8| By unions married do offend thine ear, 1|THE SONNETS|9|Sonnet 8| They do but sweetly chide thee, who confounds 1|THE SONNETS|9|Sonnet 8| In singleness the parts that thou shouldst bear: 1|THE SONNETS|9|Sonnet 8| Mark how one string sweet husband to another, 1|THE SONNETS|9|Sonnet 8| Strikes each in each by mutual ordering; 1|THE SONNETS|9|Sonnet 8| Resembling sire, and child, and happy mother, 1|THE SONNETS|9|Sonnet 8| Who all in one, one pleasing note do sing: 1|THE SONNETS|9|Sonnet 8| Whose speechless song being many, seeming one, 1|THE SONNETS|9|Sonnet 8| Sings this to thee, 'Thou single wilt prove none'. 1|THE SONNETS|9|Sonnet 8| 1|THE SONNETS|9|Sonnet 8| 1|THE SONNETS|10|Sonnet 9| 9 1|THE SONNETS|10|Sonnet 9| Is it for fear to wet a widow's eye, 1|THE SONNETS|10|Sonnet 9| That thou consum'st thy self in single life? 1|THE SONNETS|10|Sonnet 9| Ah, if thou issueless shalt hap to die, 1|THE SONNETS|10|Sonnet 9| The world will wail thee like a makeless wife, 1|THE SONNETS|10|Sonnet 9| The world will be thy widow and still weep, 1|THE SONNETS|10|Sonnet 9| That thou no form of thee hast left behind, 1|THE SONNETS|10|Sonnet 9| When every private widow well may keep, 1|THE SONNETS|10|Sonnet 9| By children's eyes, her husband's shape in mind: 1|THE SONNETS|10|Sonnet 9| Look what an unthrift in the world doth spend 1|THE SONNETS|10|Sonnet 9| Shifts but his place, for still the world enjoys it; 1|THE SONNETS|10|Sonnet 9| But beauty's waste hath in the world an end, 1|THE SONNETS|10|Sonnet 9| And kept unused the user so destroys it: 1|THE SONNETS|10|Sonnet 9| No love toward others in that bosom sits 1|THE SONNETS|10|Sonnet 9| That on himself such murd'rous shame commits. 1|THE SONNETS|10|Sonnet 9| 1|THE SONNETS|10|Sonnet 9| 1|THE SONNETS|11|Sonnet 10| 10 1|THE SONNETS|11|Sonnet 10| For shame deny that thou bear'st love to any 1|THE SONNETS|11|Sonnet 10| Who for thy self art so unprovident. 1|THE SONNETS|11|Sonnet 10| Grant if thou wilt, thou art beloved of many, 1|THE SONNETS|11|Sonnet 10| But that thou none lov'st is most evident: 1|THE SONNETS|11|Sonnet 10| For thou art so possessed with murd'rous hate, 1|THE SONNETS|11|Sonnet 10| That 'gainst thy self thou stick'st not to conspire, 1|THE SONNETS|11|Sonnet 10| Seeking that beauteous roof to ruinate 1|THE SONNETS|11|Sonnet 10| Which to repair should be thy chief desire: 1|THE SONNETS|11|Sonnet 10| O change thy thought, that I may change my mind, 1|THE SONNETS|11|Sonnet 10| Shall hate be fairer lodged than gentle love? 1|THE SONNETS|11|Sonnet 10| Be as thy presence is gracious and kind, 1|THE SONNETS|11|Sonnet 10| Or to thy self at least kind-hearted prove, 1|THE SONNETS|11|Sonnet 10| Make thee another self for love of me, 1|THE SONNETS|11|Sonnet 10| That beauty still may live in thine or thee. 1|THE SONNETS|11|Sonnet 10| 1|THE SONNETS|11|Sonnet 10| 1|THE SONNETS|12|Sonnet 11| 11 1|THE SONNETS|12|Sonnet 11| As fast as thou shalt wane so fast thou grow'st, 1|THE SONNETS|12|Sonnet 11| In one of thine, from that which thou departest, 1|THE SONNETS|12|Sonnet 11| And that fresh blood which youngly thou bestow'st, 1|THE SONNETS|12|Sonnet 11| Thou mayst call thine, when thou from youth convertest, 1|THE SONNETS|12|Sonnet 11| Herein lives wisdom, beauty, and increase, 1|THE SONNETS|12|Sonnet 11| Without this folly, age, and cold decay, 1|THE SONNETS|12|Sonnet 11| If all were minded so, the times should cease, 1|THE SONNETS|12|Sonnet 11| And threescore year would make the world away: 1|THE SONNETS|12|Sonnet 11| Let those whom nature hath not made for store, 1|THE SONNETS|12|Sonnet 11| Harsh, featureless, and rude, barrenly perish: 1|THE SONNETS|12|Sonnet 11| Look whom she best endowed, she gave thee more; 1|THE SONNETS|12|Sonnet 11| Which bounteous gift thou shouldst in bounty cherish: 1|THE SONNETS|12|Sonnet 11| She carved thee for her seal, and meant thereby, 1|THE SONNETS|12|Sonnet 11| Thou shouldst print more, not let that copy die. 1|THE SONNETS|12|Sonnet 11| 1|THE SONNETS|12|Sonnet 11| 1|THE SONNETS|13|Sonnet 12| 12 1|THE SONNETS|13|Sonnet 12| When I do count the clock that tells the time, 1|THE SONNETS|13|Sonnet 12| And see the brave day sunk in hideous night, 1|THE SONNETS|13|Sonnet 12| When I behold the violet past prime, 1|THE SONNETS|13|Sonnet 12| And sable curls all silvered o'er with white: 1|THE SONNETS|13|Sonnet 12| When lofty trees I see barren of leaves, 1|THE SONNETS|13|Sonnet 12| Which erst from heat did canopy the herd 1|THE SONNETS|13|Sonnet 12| And summer's green all girded up in sheaves 1|THE SONNETS|13|Sonnet 12| Borne on the bier with white and bristly beard: 1|THE SONNETS|13|Sonnet 12| Then of thy beauty do I question make 1|THE SONNETS|13|Sonnet 12| That thou among the wastes of time must go, 1|THE SONNETS|13|Sonnet 12| Since sweets and beauties do themselves forsake, 1|THE SONNETS|13|Sonnet 12| And die as fast as they see others grow, 1|THE SONNETS|13|Sonnet 12| And nothing 'gainst Time's scythe can make defence 1|THE SONNETS|13|Sonnet 12| Save breed to brave him, when he takes thee hence. 1|THE SONNETS|13|Sonnet 12| 1|THE SONNETS|13|Sonnet 12| 1|THE SONNETS|14|Sonnet 13| 13 1|THE SONNETS|14|Sonnet 13| O that you were your self, but love you are 1|THE SONNETS|14|Sonnet 13| No longer yours, than you your self here live, 1|THE SONNETS|14|Sonnet 13| Against this coming end you should prepare, 1|THE SONNETS|14|Sonnet 13| And your sweet semblance to some other give. 1|THE SONNETS|14|Sonnet 13| So should that beauty which you hold in lease 1|THE SONNETS|14|Sonnet 13| Find no determination, then you were 1|THE SONNETS|14|Sonnet 13| Your self again after your self's decease, 1|THE SONNETS|14|Sonnet 13| When your sweet issue your sweet form should bear. 1|THE SONNETS|14|Sonnet 13| Who lets so fair a house fall to decay, 1|THE SONNETS|14|Sonnet 13| Which husbandry in honour might uphold, 1|THE SONNETS|14|Sonnet 13| Against the stormy gusts of winter's day 1|THE SONNETS|14|Sonnet 13| And barren rage of death's eternal cold? 1|THE SONNETS|14|Sonnet 13| O none but unthrifts, dear my love you know, 1|THE SONNETS|14|Sonnet 13| You had a father, let your son say so. 1|THE SONNETS|14|Sonnet 13| 1|THE SONNETS|14|Sonnet 13| 1|THE SONNETS|15|Sonnet 14| 14 1|THE SONNETS|15|Sonnet 14| Not from the stars do I my judgement pluck, 1|THE SONNETS|15|Sonnet 14| And yet methinks I have astronomy, 1|THE SONNETS|15|Sonnet 14| But not to tell of good, or evil luck, 1|THE SONNETS|15|Sonnet 14| Of plagues, of dearths, or seasons' quality, 1|THE SONNETS|15|Sonnet 14| Nor can I fortune to brief minutes tell; 1|THE SONNETS|15|Sonnet 14| Pointing to each his thunder, rain and wind, 1|THE SONNETS|15|Sonnet 14| Or say with princes if it shall go well 1|THE SONNETS|15|Sonnet 14| By oft predict that I in heaven find. 1|THE SONNETS|15|Sonnet 14| But from thine eyes my knowledge I derive, 1|THE SONNETS|15|Sonnet 14| And constant stars in them I read such art 1|THE SONNETS|15|Sonnet 14| As truth and beauty shall together thrive 1|THE SONNETS|15|Sonnet 14| If from thy self, to store thou wouldst convert: 1|THE SONNETS|15|Sonnet 14| Or else of thee this I prognosticate, 1|THE SONNETS|15|Sonnet 14| Thy end is truth's and beauty's doom and date. 1|THE SONNETS|15|Sonnet 14| 1|THE SONNETS|15|Sonnet 14| 1|THE SONNETS|16|Sonnet 15| 15 1|THE SONNETS|16|Sonnet 15| When I consider every thing that grows 1|THE SONNETS|16|Sonnet 15| Holds in perfection but a little moment. 1|THE SONNETS|16|Sonnet 15| That this huge stage presenteth nought but shows 1|THE SONNETS|16|Sonnet 15| Whereon the stars in secret influence comment. 1|THE SONNETS|16|Sonnet 15| When I perceive that men as plants increase, 1|THE SONNETS|16|Sonnet 15| Cheered and checked even by the self-same sky: 1|THE SONNETS|16|Sonnet 15| Vaunt in their youthful sap, at height decrease, 1|THE SONNETS|16|Sonnet 15| And wear their brave state out of memory. 1|THE SONNETS|16|Sonnet 15| Then the conceit of this inconstant stay, 1|THE SONNETS|16|Sonnet 15| Sets you most rich in youth before my sight, 1|THE SONNETS|16|Sonnet 15| Where wasteful time debateth with decay 1|THE SONNETS|16|Sonnet 15| To change your day of youth to sullied night, 1|THE SONNETS|16|Sonnet 15| And all in war with Time for love of you, 1|THE SONNETS|16|Sonnet 15| As he takes from you, I engraft you new. 1|THE SONNETS|16|Sonnet 15| 1|THE SONNETS|16|Sonnet 15| 1|THE SONNETS|17|Sonnet 16| 16 1|THE SONNETS|17|Sonnet 16| But wherefore do not you a mightier way 1|THE SONNETS|17|Sonnet 16| Make war upon this bloody tyrant Time? 1|THE SONNETS|17|Sonnet 16| And fortify your self in your decay 1|THE SONNETS|17|Sonnet 16| With means more blessed than my barren rhyme? 1|THE SONNETS|17|Sonnet 16| Now stand you on the top of happy hours, 1|THE SONNETS|17|Sonnet 16| And many maiden gardens yet unset, 1|THE SONNETS|17|Sonnet 16| With virtuous wish would bear you living flowers, 1|THE SONNETS|17|Sonnet 16| Much liker than your painted counterfeit: 1|THE SONNETS|17|Sonnet 16| So should the lines of life that life repair 1|THE SONNETS|17|Sonnet 16| Which this (Time's pencil) or my pupil pen 1|THE SONNETS|17|Sonnet 16| Neither in inward worth nor outward fair 1|THE SONNETS|17|Sonnet 16| Can make you live your self in eyes of men. 1|THE SONNETS|17|Sonnet 16| To give away your self, keeps your self still, 1|THE SONNETS|17|Sonnet 16| And you must live drawn by your own sweet skill. 1|THE SONNETS|17|Sonnet 16| 1|THE SONNETS|17|Sonnet 16| 1|THE SONNETS|18|Sonnet 17| 17 1|THE SONNETS|18|Sonnet 17| Who will believe my verse in time to come 1|THE SONNETS|18|Sonnet 17| If it were filled with your most high deserts? 1|THE SONNETS|18|Sonnet 17| Though yet heaven knows it is but as a tomb 1|THE SONNETS|18|Sonnet 17| Which hides your life, and shows not half your parts: 1|THE SONNETS|18|Sonnet 17| If I could write the beauty of your eyes, 1|THE SONNETS|18|Sonnet 17| And in fresh numbers number all your graces, 1|THE SONNETS|18|Sonnet 17| The age to come would say this poet lies, 1|THE SONNETS|18|Sonnet 17| Such heavenly touches ne'er touched earthly faces. 1|THE SONNETS|18|Sonnet 17| So should my papers (yellowed with their age) 1|THE SONNETS|18|Sonnet 17| Be scorned, like old men of less truth than tongue, 1|THE SONNETS|18|Sonnet 17| And your true rights be termed a poet's rage, 1|THE SONNETS|18|Sonnet 17| And stretched metre of an antique song. 1|THE SONNETS|18|Sonnet 17| But were some child of yours alive that time, 1|THE SONNETS|18|Sonnet 17| You should live twice in it, and in my rhyme. 1|THE SONNETS|18|Sonnet 17| 1|THE SONNETS|18|Sonnet 17| 1|THE SONNETS|19|Sonnet 18| 18 1|THE SONNETS|19|Sonnet 18| Shall I compare thee to a summer's day? 1|THE SONNETS|19|Sonnet 18| Thou art more lovely and more temperate: 1|THE SONNETS|19|Sonnet 18| Rough winds do shake the darling buds of May, 1|THE SONNETS|19|Sonnet 18| And summer's lease hath all too short a date: 1|THE SONNETS|19|Sonnet 18| Sometime too hot the eye of heaven shines, 1|THE SONNETS|19|Sonnet 18| And often is his gold complexion dimmed, 1|THE SONNETS|19|Sonnet 18| And every fair from fair sometime declines, 1|THE SONNETS|19|Sonnet 18| By chance, or nature's changing course untrimmed: 1|THE SONNETS|19|Sonnet 18| But thy eternal summer shall not fade, 1|THE SONNETS|19|Sonnet 18| Nor lose possession of that fair thou ow'st, 1|THE SONNETS|19|Sonnet 18| Nor shall death brag thou wand'rest in his shade, 1|THE SONNETS|19|Sonnet 18| When in eternal lines to time thou grow'st, 1|THE SONNETS|19|Sonnet 18| So long as men can breathe or eyes can see, 1|THE SONNETS|19|Sonnet 18| So long lives this, and this gives life to thee. 1|THE SONNETS|19|Sonnet 18| 1|THE SONNETS|19|Sonnet 18| 1|THE SONNETS|20|Sonnet 19| 19 1|THE SONNETS|20|Sonnet 19| Devouring Time blunt thou the lion's paws, 1|THE SONNETS|20|Sonnet 19| And make the earth devour her own sweet brood, 1|THE SONNETS|20|Sonnet 19| Pluck the keen teeth from the fierce tiger's jaws, 1|THE SONNETS|20|Sonnet 19| And burn the long-lived phoenix, in her blood, 1|THE SONNETS|20|Sonnet 19| Make glad and sorry seasons as thou fleet'st, 1|THE SONNETS|20|Sonnet 19| And do whate'er thou wilt swift-footed Time 1|THE SONNETS|20|Sonnet 19| To the wide world and all her fading sweets: 1|THE SONNETS|20|Sonnet 19| But I forbid thee one most heinous crime, 1|THE SONNETS|20|Sonnet 19| O carve not with thy hours my love's fair brow, 1|THE SONNETS|20|Sonnet 19| Nor draw no lines there with thine antique pen, 1|THE SONNETS|20|Sonnet 19| Him in thy course untainted do allow, 1|THE SONNETS|20|Sonnet 19| For beauty's pattern to succeeding men. 1|THE SONNETS|20|Sonnet 19| Yet do thy worst old Time: despite thy wrong, 1|THE SONNETS|20|Sonnet 19| My love shall in my verse ever live young. 1|THE SONNETS|20|Sonnet 19| 1|THE SONNETS|20|Sonnet 19| 1|THE SONNETS|21|Sonnet 20| 20 1|THE SONNETS|21|Sonnet 20| A woman's face with nature's own hand painted, 1|THE SONNETS|21|Sonnet 20| Hast thou the master mistress of my passion, 1|THE SONNETS|21|Sonnet 20| A woman's gentle heart but not acquainted 1|THE SONNETS|21|Sonnet 20| With shifting change as is false women's fashion, 1|THE SONNETS|21|Sonnet 20| An eye more bright than theirs, less false in rolling: 1|THE SONNETS|21|Sonnet 20| Gilding the object whereupon it gazeth, 1|THE SONNETS|21|Sonnet 20| A man in hue all hues in his controlling, 1|THE SONNETS|21|Sonnet 20| Which steals men's eyes and women's souls amazeth. 1|THE SONNETS|21|Sonnet 20| And for a woman wert thou first created, 1|THE SONNETS|21|Sonnet 20| Till nature as she wrought thee fell a-doting, 1|THE SONNETS|21|Sonnet 20| And by addition me of thee defeated, 1|THE SONNETS|21|Sonnet 20| By adding one thing to my purpose nothing. 1|THE SONNETS|21|Sonnet 20| But since she pricked thee out for women's pleasure, 1|THE SONNETS|21|Sonnet 20| Mine be thy love and thy love's use their treasure. 1|THE SONNETS|21|Sonnet 20| 1|THE SONNETS|21|Sonnet 20| 1|THE SONNETS|22|Sonnet 21| 21 1|THE SONNETS|22|Sonnet 21| So is it not with me as with that muse, 1|THE SONNETS|22|Sonnet 21| Stirred by a painted beauty to his verse, 1|THE SONNETS|22|Sonnet 21| Who heaven it self for ornament doth use, 1|THE SONNETS|22|Sonnet 21| And every fair with his fair doth rehearse, 1|THE SONNETS|22|Sonnet 21| Making a couplement of proud compare 1|THE SONNETS|22|Sonnet 21| With sun and moon, with earth and sea's rich gems: 1|THE SONNETS|22|Sonnet 21| With April's first-born flowers and all things rare, 1|THE SONNETS|22|Sonnet 21| That heaven's air in this huge rondure hems. 1|THE SONNETS|22|Sonnet 21| O let me true in love but truly write, 1|THE SONNETS|22|Sonnet 21| And then believe me, my love is as fair, 1|THE SONNETS|22|Sonnet 21| As any mother's child, though not so bright 1|THE SONNETS|22|Sonnet 21| As those gold candles fixed in heaven's air: 1|THE SONNETS|22|Sonnet 21| Let them say more that like of hearsay well, 1|THE SONNETS|22|Sonnet 21| I will not praise that purpose not to sell. 1|THE SONNETS|22|Sonnet 21| 1|THE SONNETS|22|Sonnet 21| 1|THE SONNETS|23|Sonnet 22| 22 1|THE SONNETS|23|Sonnet 22| My glass shall not persuade me I am old, 1|THE SONNETS|23|Sonnet 22| So long as youth and thou are of one date, 1|THE SONNETS|23|Sonnet 22| But when in thee time's furrows I behold, 1|THE SONNETS|23|Sonnet 22| Then look I death my days should expiate. 1|THE SONNETS|23|Sonnet 22| For all that beauty that doth cover thee, 1|THE SONNETS|23|Sonnet 22| Is but the seemly raiment of my heart, 1|THE SONNETS|23|Sonnet 22| Which in thy breast doth live, as thine in me, 1|THE SONNETS|23|Sonnet 22| How can I then be elder than thou art? 1|THE SONNETS|23|Sonnet 22| O therefore love be of thyself so wary, 1|THE SONNETS|23|Sonnet 22| As I not for my self, but for thee will, 1|THE SONNETS|23|Sonnet 22| Bearing thy heart which I will keep so chary 1|THE SONNETS|23|Sonnet 22| As tender nurse her babe from faring ill. 1|THE SONNETS|23|Sonnet 22| Presume not on thy heart when mine is slain, 1|THE SONNETS|23|Sonnet 22| Thou gav'st me thine not to give back again. 1|THE SONNETS|23|Sonnet 22| 1|THE SONNETS|23|Sonnet 22| 1|THE SONNETS|24|Sonnet 23| 23 1|THE SONNETS|24|Sonnet 23| As an unperfect actor on the stage, 1|THE SONNETS|24|Sonnet 23| Who with his fear is put beside his part, 1|THE SONNETS|24|Sonnet 23| Or some fierce thing replete with too much rage, 1|THE SONNETS|24|Sonnet 23| Whose strength's abundance weakens his own heart; 1|THE SONNETS|24|Sonnet 23| So I for fear of trust, forget to say, 1|THE SONNETS|24|Sonnet 23| The perfect ceremony of love's rite, 1|THE SONNETS|24|Sonnet 23| And in mine own love's strength seem to decay, 1|THE SONNETS|24|Sonnet 23| O'ercharged with burthen of mine own love's might: 1|THE SONNETS|24|Sonnet 23| O let my looks be then the eloquence, 1|THE SONNETS|24|Sonnet 23| And dumb presagers of my speaking breast, 1|THE SONNETS|24|Sonnet 23| Who plead for love, and look for recompense, 1|THE SONNETS|24|Sonnet 23| More than that tongue that more hath more expressed. 1|THE SONNETS|24|Sonnet 23| O learn to read what silent love hath writ, 1|THE SONNETS|24|Sonnet 23| To hear with eyes belongs to love's fine wit. 1|THE SONNETS|24|Sonnet 23| 1|THE SONNETS|24|Sonnet 23| 1|THE SONNETS|25|Sonnet 24| 24 1|THE SONNETS|25|Sonnet 24| Mine eye hath played the painter and hath stelled, 1|THE SONNETS|25|Sonnet 24| Thy beauty's form in table of my heart, 1|THE SONNETS|25|Sonnet 24| My body is the frame wherein 'tis held, 1|THE SONNETS|25|Sonnet 24| And perspective it is best painter's art. 1|THE SONNETS|25|Sonnet 24| For through the painter must you see his skill, 1|THE SONNETS|25|Sonnet 24| To find where your true image pictured lies, 1|THE SONNETS|25|Sonnet 24| Which in my bosom's shop is hanging still, 1|THE SONNETS|25|Sonnet 24| That hath his windows glazed with thine eyes: 1|THE SONNETS|25|Sonnet 24| Now see what good turns eyes for eyes have done, 1|THE SONNETS|25|Sonnet 24| Mine eyes have drawn thy shape, and thine for me 1|THE SONNETS|25|Sonnet 24| Are windows to my breast, where-through the sun 1|THE SONNETS|25|Sonnet 24| Delights to peep, to gaze therein on thee; 1|THE SONNETS|25|Sonnet 24| Yet eyes this cunning want to grace their art, 1|THE SONNETS|25|Sonnet 24| They draw but what they see, know not the heart. 1|THE SONNETS|25|Sonnet 24| 1|THE SONNETS|25|Sonnet 24| 1|THE SONNETS|26|Sonnet 25| 25 1|THE SONNETS|26|Sonnet 25| Let those who are in favour with their stars, 1|THE SONNETS|26|Sonnet 25| Of public honour and proud titles boast, 1|THE SONNETS|26|Sonnet 25| Whilst I whom fortune of such triumph bars 1|THE SONNETS|26|Sonnet 25| Unlooked for joy in that I honour most; 1|THE SONNETS|26|Sonnet 25| Great princes' favourites their fair leaves spread, 1|THE SONNETS|26|Sonnet 25| But as the marigold at the sun's eye, 1|THE SONNETS|26|Sonnet 25| And in themselves their pride lies buried, 1|THE SONNETS|26|Sonnet 25| For at a frown they in their glory die. 1|THE SONNETS|26|Sonnet 25| The painful warrior famoused for fight, 1|THE SONNETS|26|Sonnet 25| After a thousand victories once foiled, 1|THE SONNETS|26|Sonnet 25| Is from the book of honour razed quite, 1|THE SONNETS|26|Sonnet 25| And all the rest forgot for which he toiled: 1|THE SONNETS|26|Sonnet 25| Then happy I that love and am beloved 1|THE SONNETS|26|Sonnet 25| Where I may not remove nor be removed. 1|THE SONNETS|26|Sonnet 25| 1|THE SONNETS|26|Sonnet 25| 1|THE SONNETS|27|Sonnet 26| 26 1|THE SONNETS|27|Sonnet 26| Lord of my love, to whom in vassalage 1|THE SONNETS|27|Sonnet 26| Thy merit hath my duty strongly knit; 1|THE SONNETS|27|Sonnet 26| To thee I send this written embassage 1|THE SONNETS|27|Sonnet 26| To witness duty, not to show my wit. 1|THE SONNETS|27|Sonnet 26| Duty so great, which wit so poor as mine 1|THE SONNETS|27|Sonnet 26| May make seem bare, in wanting words to show it; 1|THE SONNETS|27|Sonnet 26| But that I hope some good conceit of thine 1|THE SONNETS|27|Sonnet 26| In thy soul's thought (all naked) will bestow it: 1|THE SONNETS|27|Sonnet 26| Till whatsoever star that guides my moving, 1|THE SONNETS|27|Sonnet 26| Points on me graciously with fair aspect, 1|THE SONNETS|27|Sonnet 26| And puts apparel on my tattered loving, 1|THE SONNETS|27|Sonnet 26| To show me worthy of thy sweet respect, 1|THE SONNETS|27|Sonnet 26| Then may I dare to boast how I do love thee, 1|THE SONNETS|27|Sonnet 26| Till then, not show my head where thou mayst prove me. 1|THE SONNETS|27|Sonnet 26| 1|THE SONNETS|27|Sonnet 26| 1|THE SONNETS|28|Sonnet 27| 27 1|THE SONNETS|28|Sonnet 27| Weary with toil, I haste me to my bed, 1|THE SONNETS|28|Sonnet 27| The dear respose for limbs with travel tired, 1|THE SONNETS|28|Sonnet 27| But then begins a journey in my head 1|THE SONNETS|28|Sonnet 27| To work my mind, when body's work's expired. 1|THE SONNETS|28|Sonnet 27| For then my thoughts (from far where I abide) 1|THE SONNETS|28|Sonnet 27| Intend a zealous pilgrimage to thee, 1|THE SONNETS|28|Sonnet 27| And keep my drooping eyelids open wide, 1|THE SONNETS|28|Sonnet 27| Looking on darkness which the blind do see. 1|THE SONNETS|28|Sonnet 27| Save that my soul's imaginary sight 1|THE SONNETS|28|Sonnet 27| Presents thy shadow to my sightless view, 1|THE SONNETS|28|Sonnet 27| Which like a jewel (hung in ghastly night) 1|THE SONNETS|28|Sonnet 27| Makes black night beauteous, and her old face new. 1|THE SONNETS|28|Sonnet 27| Lo thus by day my limbs, by night my mind, 1|THE SONNETS|28|Sonnet 27| For thee, and for my self, no quiet find. 1|THE SONNETS|28|Sonnet 27| 1|THE SONNETS|28|Sonnet 27| 1|THE SONNETS|29|Sonnet 28| 28 1|THE SONNETS|29|Sonnet 28| How can I then return in happy plight 1|THE SONNETS|29|Sonnet 28| That am debarred the benefit of rest? 1|THE SONNETS|29|Sonnet 28| When day's oppression is not eased by night, 1|THE SONNETS|29|Sonnet 28| But day by night and night by day oppressed. 1|THE SONNETS|29|Sonnet 28| And each (though enemies to either's reign) 1|THE SONNETS|29|Sonnet 28| Do in consent shake hands to torture me, 1|THE SONNETS|29|Sonnet 28| The one by toil, the other to complain 1|THE SONNETS|29|Sonnet 28| How far I toil, still farther off from thee. 1|THE SONNETS|29|Sonnet 28| I tell the day to please him thou art bright, 1|THE SONNETS|29|Sonnet 28| And dost him grace when clouds do blot the heaven: 1|THE SONNETS|29|Sonnet 28| So flatter I the swart-complexioned night, 1|THE SONNETS|29|Sonnet 28| When sparkling stars twire not thou gild'st the even. 1|THE SONNETS|29|Sonnet 28| But day doth daily draw my sorrows longer, 1|THE SONNETS|29|Sonnet 28| And night doth nightly make grief's length seem stronger 1|THE SONNETS|29|Sonnet 28| 1|THE SONNETS|29|Sonnet 28| 1|THE SONNETS|30|Sonnet 29| 29 1|THE SONNETS|30|Sonnet 29| When in disgrace with Fortune and men's eyes, 1|THE SONNETS|30|Sonnet 29| I all alone beweep my outcast state, 1|THE SONNETS|30|Sonnet 29| And trouble deaf heaven with my bootless cries, 1|THE SONNETS|30|Sonnet 29| And look upon my self and curse my fate, 1|THE SONNETS|30|Sonnet 29| Wishing me like to one more rich in hope, 1|THE SONNETS|30|Sonnet 29| Featured like him, like him with friends possessed, 1|THE SONNETS|30|Sonnet 29| Desiring this man's art, and that man's scope, 1|THE SONNETS|30|Sonnet 29| With what I most enjoy contented least, 1|THE SONNETS|30|Sonnet 29| Yet in these thoughts my self almost despising, 1|THE SONNETS|30|Sonnet 29| Haply I think on thee, and then my state, 1|THE SONNETS|30|Sonnet 29| (Like to the lark at break of day arising 1|THE SONNETS|30|Sonnet 29| From sullen earth) sings hymns at heaven's gate, 1|THE SONNETS|30|Sonnet 29| For thy sweet love remembered such wealth brings, 1|THE SONNETS|30|Sonnet 29| That then I scorn to change my state with kings. 1|THE SONNETS|30|Sonnet 29| 1|THE SONNETS|30|Sonnet 29| 1|THE SONNETS|31|Sonnet 30| 30 1|THE SONNETS|31|Sonnet 30| When to the sessions of sweet silent thought, 1|THE SONNETS|31|Sonnet 30| I summon up remembrance of things past, 1|THE SONNETS|31|Sonnet 30| I sigh the lack of many a thing I sought, 1|THE SONNETS|31|Sonnet 30| And with old woes new wail my dear time's waste: 1|THE SONNETS|31|Sonnet 30| Then can I drown an eye (unused to flow) 1|THE SONNETS|31|Sonnet 30| For precious friends hid in death's dateless night, 1|THE SONNETS|31|Sonnet 30| And weep afresh love's long since cancelled woe, 1|THE SONNETS|31|Sonnet 30| And moan th' expense of many a vanished sight. 1|THE SONNETS|31|Sonnet 30| Then can I grieve at grievances foregone, 1|THE SONNETS|31|Sonnet 30| And heavily from woe to woe tell o'er 1|THE SONNETS|31|Sonnet 30| The sad account of fore-bemoaned moan, 1|THE SONNETS|31|Sonnet 30| Which I new pay as if not paid before. 1|THE SONNETS|31|Sonnet 30| But if the while I think on thee (dear friend) 1|THE SONNETS|31|Sonnet 30| All losses are restored, and sorrows end. 1|THE SONNETS|31|Sonnet 30| 1|THE SONNETS|31|Sonnet 30| 1|THE SONNETS|32|Sonnet 31| 31 1|THE SONNETS|32|Sonnet 31| Thy bosom is endeared with all hearts, 1|THE SONNETS|32|Sonnet 31| Which I by lacking have supposed dead, 1|THE SONNETS|32|Sonnet 31| And there reigns love and all love's loving parts, 1|THE SONNETS|32|Sonnet 31| And all those friends which I thought buried. 1|THE SONNETS|32|Sonnet 31| How many a holy and obsequious tear 1|THE SONNETS|32|Sonnet 31| Hath dear religious love stol'n from mine eye, 1|THE SONNETS|32|Sonnet 31| As interest of the dead, which now appear, 1|THE SONNETS|32|Sonnet 31| But things removed that hidden in thee lie. 1|THE SONNETS|32|Sonnet 31| Thou art the grave where buried love doth live, 1|THE SONNETS|32|Sonnet 31| Hung with the trophies of my lovers gone, 1|THE SONNETS|32|Sonnet 31| Who all their parts of me to thee did give, 1|THE SONNETS|32|Sonnet 31| That due of many, now is thine alone. 1|THE SONNETS|32|Sonnet 31| Their images I loved, I view in thee, 1|THE SONNETS|32|Sonnet 31| And thou (all they) hast all the all of me. 1|THE SONNETS|32|Sonnet 31| 1|THE SONNETS|32|Sonnet 31| 1|THE SONNETS|33|Sonnet 32| 32 1|THE SONNETS|33|Sonnet 32| If thou survive my well-contented day, 1|THE SONNETS|33|Sonnet 32| When that churl death my bones with dust shall cover 1|THE SONNETS|33|Sonnet 32| And shalt by fortune once more re-survey 1|THE SONNETS|33|Sonnet 32| These poor rude lines of thy deceased lover: 1|THE SONNETS|33|Sonnet 32| Compare them with the bett'ring of the time, 1|THE SONNETS|33|Sonnet 32| And though they be outstripped by every pen, 1|THE SONNETS|33|Sonnet 32| Reserve them for my love, not for their rhyme, 1|THE SONNETS|33|Sonnet 32| Exceeded by the height of happier men. 1|THE SONNETS|33|Sonnet 32| O then vouchsafe me but this loving thought, 1|THE SONNETS|33|Sonnet 32| 'Had my friend's Muse grown with this growing age, 1|THE SONNETS|33|Sonnet 32| A dearer birth than this his love had brought 1|THE SONNETS|33|Sonnet 32| To march in ranks of better equipage: 1|THE SONNETS|33|Sonnet 32| But since he died and poets better prove, 1|THE SONNETS|33|Sonnet 32| Theirs for their style I'll read, his for his love'. 1|THE SONNETS|33|Sonnet 32| 1|THE SONNETS|33|Sonnet 32| 1|THE SONNETS|34|Sonnet 33| 33 1|THE SONNETS|34|Sonnet 33| Full many a glorious morning have I seen, 1|THE SONNETS|34|Sonnet 33| Flatter the mountain tops with sovereign eye, 1|THE SONNETS|34|Sonnet 33| Kissing with golden face the meadows green; 1|THE SONNETS|34|Sonnet 33| Gilding pale streams with heavenly alchemy: 1|THE SONNETS|34|Sonnet 33| Anon permit the basest clouds to ride, 1|THE SONNETS|34|Sonnet 33| With ugly rack on his celestial face, 1|THE SONNETS|34|Sonnet 33| And from the forlorn world his visage hide 1|THE SONNETS|34|Sonnet 33| Stealing unseen to west with this disgrace: 1|THE SONNETS|34|Sonnet 33| Even so my sun one early morn did shine, 1|THE SONNETS|34|Sonnet 33| With all triumphant splendour on my brow, 1|THE SONNETS|34|Sonnet 33| But out alack, he was but one hour mine, 1|THE SONNETS|34|Sonnet 33| The region cloud hath masked him from me now. 1|THE SONNETS|34|Sonnet 33| Yet him for this, my love no whit disdaineth, 1|THE SONNETS|34|Sonnet 33| Suns of the world may stain, when heaven's sun staineth. 1|THE SONNETS|34|Sonnet 33| 1|THE SONNETS|34|Sonnet 33| 1|THE SONNETS|35|Sonnet 34| 34 1|THE SONNETS|35|Sonnet 34| Why didst thou promise such a beauteous day, 1|THE SONNETS|35|Sonnet 34| And make me travel forth without my cloak, 1|THE SONNETS|35|Sonnet 34| To let base clouds o'ertake me in my way, 1|THE SONNETS|35|Sonnet 34| Hiding thy brav'ry in their rotten smoke? 1|THE SONNETS|35|Sonnet 34| 'Tis not enough that through the cloud thou break, 1|THE SONNETS|35|Sonnet 34| To dry the rain on my storm-beaten face, 1|THE SONNETS|35|Sonnet 34| For no man well of such a salve can speak, 1|THE SONNETS|35|Sonnet 34| That heals the wound, and cures not the disgrace: 1|THE SONNETS|35|Sonnet 34| Nor can thy shame give physic to my grief, 1|THE SONNETS|35|Sonnet 34| Though thou repent, yet I have still the loss, 1|THE SONNETS|35|Sonnet 34| Th' offender's sorrow lends but weak relief 1|THE SONNETS|35|Sonnet 34| To him that bears the strong offence's cross. 1|THE SONNETS|35|Sonnet 34| Ah but those tears are pearl which thy love sheds, 1|THE SONNETS|35|Sonnet 34| And they are rich, and ransom all ill deeds. 1|THE SONNETS|35|Sonnet 34| 1|THE SONNETS|35|Sonnet 34| 1|THE SONNETS|36|Sonnet 35| 35 1|THE SONNETS|36|Sonnet 35| No more be grieved at that which thou hast done, 1|THE SONNETS|36|Sonnet 35| Roses have thorns, and silver fountains mud, 1|THE SONNETS|36|Sonnet 35| Clouds and eclipses stain both moon and sun, 1|THE SONNETS|36|Sonnet 35| And loathsome canker lives in sweetest bud. 1|THE SONNETS|36|Sonnet 35| All men make faults, and even I in this, 1|THE SONNETS|36|Sonnet 35| Authorizing thy trespass with compare, 1|THE SONNETS|36|Sonnet 35| My self corrupting salving thy amiss, 1|THE SONNETS|36|Sonnet 35| Excusing thy sins more than thy sins are: 1|THE SONNETS|36|Sonnet 35| For to thy sensual fault I bring in sense, 1|THE SONNETS|36|Sonnet 35| Thy adverse party is thy advocate, 1|THE SONNETS|36|Sonnet 35| And 'gainst my self a lawful plea commence: 1|THE SONNETS|36|Sonnet 35| Such civil war is in my love and hate, 1|THE SONNETS|36|Sonnet 35| That I an accessary needs must be, 1|THE SONNETS|36|Sonnet 35| To that sweet thief which sourly robs from me. 1|THE SONNETS|36|Sonnet 35| 1|THE SONNETS|36|Sonnet 35| 1|THE SONNETS|37|Sonnet 36| 36 1|THE SONNETS|37|Sonnet 36| Let me confess that we two must be twain, 1|THE SONNETS|37|Sonnet 36| Although our undivided loves are one: 1|THE SONNETS|37|Sonnet 36| So shall those blots that do with me remain, 1|THE SONNETS|37|Sonnet 36| Without thy help, by me be borne alone. 1|THE SONNETS|37|Sonnet 36| In our two loves there is but one respect, 1|THE SONNETS|37|Sonnet 36| Though in our lives a separable spite, 1|THE SONNETS|37|Sonnet 36| Which though it alter not love's sole effect, 1|THE SONNETS|37|Sonnet 36| Yet doth it steal sweet hours from love's delight. 1|THE SONNETS|37|Sonnet 36| I may not evermore acknowledge thee, 1|THE SONNETS|37|Sonnet 36| Lest my bewailed guilt should do thee shame, 1|THE SONNETS|37|Sonnet 36| Nor thou with public kindness honour me, 1|THE SONNETS|37|Sonnet 36| Unless thou take that honour from thy name: 1|THE SONNETS|37|Sonnet 36| But do not so, I love thee in such sort, 1|THE SONNETS|37|Sonnet 36| As thou being mine, mine is thy good report. 1|THE SONNETS|37|Sonnet 36| 1|THE SONNETS|37|Sonnet 36| 1|THE SONNETS|38|Sonnet 37| 37 1|THE SONNETS|38|Sonnet 37| As a decrepit father takes delight, 1|THE SONNETS|38|Sonnet 37| To see his active child do deeds of youth, 1|THE SONNETS|38|Sonnet 37| So I, made lame by Fortune's dearest spite 1|THE SONNETS|38|Sonnet 37| Take all my comfort of thy worth and truth. 1|THE SONNETS|38|Sonnet 37| For whether beauty, birth, or wealth, or wit, 1|THE SONNETS|38|Sonnet 37| Or any of these all, or all, or more 1|THE SONNETS|38|Sonnet 37| Entitled in thy parts, do crowned sit, 1|THE SONNETS|38|Sonnet 37| I make my love engrafted to this store: 1|THE SONNETS|38|Sonnet 37| So then I am not lame, poor, nor despised, 1|THE SONNETS|38|Sonnet 37| Whilst that this shadow doth such substance give, 1|THE SONNETS|38|Sonnet 37| That I in thy abundance am sufficed, 1|THE SONNETS|38|Sonnet 37| And by a part of all thy glory live: 1|THE SONNETS|38|Sonnet 37| Look what is best, that best I wish in thee, 1|THE SONNETS|38|Sonnet 37| This wish I have, then ten times happy me. 1|THE SONNETS|38|Sonnet 37| 1|THE SONNETS|38|Sonnet 37| 1|THE SONNETS|39|Sonnet 38| 38 1|THE SONNETS|39|Sonnet 38| How can my muse want subject to invent 1|THE SONNETS|39|Sonnet 38| While thou dost breathe that pour'st into my verse, 1|THE SONNETS|39|Sonnet 38| Thine own sweet argument, too excellent, 1|THE SONNETS|39|Sonnet 38| For every vulgar paper to rehearse? 1|THE SONNETS|39|Sonnet 38| O give thy self the thanks if aught in me, 1|THE SONNETS|39|Sonnet 38| Worthy perusal stand against thy sight, 1|THE SONNETS|39|Sonnet 38| For who's so dumb that cannot write to thee, 1|THE SONNETS|39|Sonnet 38| When thou thy self dost give invention light? 1|THE SONNETS|39|Sonnet 38| Be thou the tenth Muse, ten times more in worth 1|THE SONNETS|39|Sonnet 38| Than those old nine which rhymers invocate, 1|THE SONNETS|39|Sonnet 38| And he that calls on thee, let him bring forth 1|THE SONNETS|39|Sonnet 38| Eternal numbers to outlive long date. 1|THE SONNETS|39|Sonnet 38| If my slight muse do please these curious days, 1|THE SONNETS|39|Sonnet 38| The pain be mine, but thine shall be the praise. 1|THE SONNETS|39|Sonnet 38| 1|THE SONNETS|39|Sonnet 38| 1|THE SONNETS|40|Sonnet 39| 39 1|THE SONNETS|40|Sonnet 39| O how thy worth with manners may I sing, 1|THE SONNETS|40|Sonnet 39| When thou art all the better part of me? 1|THE SONNETS|40|Sonnet 39| What can mine own praise to mine own self bring: 1|THE SONNETS|40|Sonnet 39| And what is't but mine own when I praise thee? 1|THE SONNETS|40|Sonnet 39| Even for this, let us divided live, 1|THE SONNETS|40|Sonnet 39| And our dear love lose name of single one, 1|THE SONNETS|40|Sonnet 39| That by this separation I may give: 1|THE SONNETS|40|Sonnet 39| That due to thee which thou deserv'st alone: 1|THE SONNETS|40|Sonnet 39| O absence what a torment wouldst thou prove, 1|THE SONNETS|40|Sonnet 39| Were it not thy sour leisure gave sweet leave, 1|THE SONNETS|40|Sonnet 39| To entertain the time with thoughts of love, 1|THE SONNETS|40|Sonnet 39| Which time and thoughts so sweetly doth deceive. 1|THE SONNETS|40|Sonnet 39| And that thou teachest how to make one twain, 1|THE SONNETS|40|Sonnet 39| By praising him here who doth hence remain. 1|THE SONNETS|40|Sonnet 39| 1|THE SONNETS|40|Sonnet 39| 1|THE SONNETS|41|Sonnet 40| 40 1|THE SONNETS|41|Sonnet 40| Take all my loves, my love, yea take them all, 1|THE SONNETS|41|Sonnet 40| What hast thou then more than thou hadst before? 1|THE SONNETS|41|Sonnet 40| No love, my love, that thou mayst true love call, 1|THE SONNETS|41|Sonnet 40| All mine was thine, before thou hadst this more: 1|THE SONNETS|41|Sonnet 40| Then if for my love, thou my love receivest, 1|THE SONNETS|41|Sonnet 40| I cannot blame thee, for my love thou usest, 1|THE SONNETS|41|Sonnet 40| But yet be blamed, if thou thy self deceivest 1|THE SONNETS|41|Sonnet 40| By wilful taste of what thy self refusest. 1|THE SONNETS|41|Sonnet 40| I do forgive thy robbery gentle thief 1|THE SONNETS|41|Sonnet 40| Although thou steal thee all my poverty: 1|THE SONNETS|41|Sonnet 40| And yet love knows it is a greater grief 1|THE SONNETS|41|Sonnet 40| To bear greater wrong, than hate's known injury. 1|THE SONNETS|41|Sonnet 40| Lascivious grace, in whom all ill well shows, 1|THE SONNETS|41|Sonnet 40| Kill me with spites yet we must not be foes. 1|THE SONNETS|41|Sonnet 40| 1|THE SONNETS|41|Sonnet 40| 1|THE SONNETS|42|Sonnet 41| 41 1|THE SONNETS|42|Sonnet 41| Those pretty wrongs that liberty commits, 1|THE SONNETS|42|Sonnet 41| When I am sometime absent from thy heart, 1|THE SONNETS|42|Sonnet 41| Thy beauty, and thy years full well befits, 1|THE SONNETS|42|Sonnet 41| For still temptation follows where thou art. 1|THE SONNETS|42|Sonnet 41| Gentle thou art, and therefore to be won, 1|THE SONNETS|42|Sonnet 41| Beauteous thou art, therefore to be assailed. 1|THE SONNETS|42|Sonnet 41| And when a woman woos, what woman's son, 1|THE SONNETS|42|Sonnet 41| Will sourly leave her till he have prevailed? 1|THE SONNETS|42|Sonnet 41| Ay me, but yet thou mightst my seat forbear, 1|THE SONNETS|42|Sonnet 41| And chide thy beauty, and thy straying youth, 1|THE SONNETS|42|Sonnet 41| Who lead thee in their riot even there 1|THE SONNETS|42|Sonnet 41| Where thou art forced to break a twofold truth: 1|THE SONNETS|42|Sonnet 41| Hers by thy beauty tempting her to thee, 1|THE SONNETS|42|Sonnet 41| Thine by thy beauty being false to me. 1|THE SONNETS|42|Sonnet 41| 1|THE SONNETS|42|Sonnet 41| 1|THE SONNETS|43|Sonnet 42| 42 1|THE SONNETS|43|Sonnet 42| That thou hast her it is not all my grief, 1|THE SONNETS|43|Sonnet 42| And yet it may be said I loved her dearly, 1|THE SONNETS|43|Sonnet 42| That she hath thee is of my wailing chief, 1|THE SONNETS|43|Sonnet 42| A loss in love that touches me more nearly. 1|THE SONNETS|43|Sonnet 42| Loving offenders thus I will excuse ye, 1|THE SONNETS|43|Sonnet 42| Thou dost love her, because thou know'st I love her, 1|THE SONNETS|43|Sonnet 42| And for my sake even so doth she abuse me, 1|THE SONNETS|43|Sonnet 42| Suff'ring my friend for my sake to approve her. 1|THE SONNETS|43|Sonnet 42| If I lose thee, my loss is my love's gain, 1|THE SONNETS|43|Sonnet 42| And losing her, my friend hath found that loss, 1|THE SONNETS|43|Sonnet 42| Both find each other, and I lose both twain, 1|THE SONNETS|43|Sonnet 42| And both for my sake lay on me this cross, 1|THE SONNETS|43|Sonnet 42| But here's the joy, my friend and I are one, 1|THE SONNETS|43|Sonnet 42| Sweet flattery, then she loves but me alone. 1|THE SONNETS|43|Sonnet 42| 1|THE SONNETS|43|Sonnet 42| 1|THE SONNETS|44|Sonnet 43| 43 1|THE SONNETS|44|Sonnet 43| When most I wink then do mine eyes best see, 1|THE SONNETS|44|Sonnet 43| For all the day they view things unrespected, 1|THE SONNETS|44|Sonnet 43| But when I sleep, in dreams they look on thee, 1|THE SONNETS|44|Sonnet 43| And darkly bright, are bright in dark directed. 1|THE SONNETS|44|Sonnet 43| Then thou whose shadow shadows doth make bright 1|THE SONNETS|44|Sonnet 43| How would thy shadow's form, form happy show, 1|THE SONNETS|44|Sonnet 43| To the clear day with thy much clearer light, 1|THE SONNETS|44|Sonnet 43| When to unseeing eyes thy shade shines so! 1|THE SONNETS|44|Sonnet 43| How would (I say) mine eyes be blessed made, 1|THE SONNETS|44|Sonnet 43| By looking on thee in the living day, 1|THE SONNETS|44|Sonnet 43| When in dead night thy fair imperfect shade, 1|THE SONNETS|44|Sonnet 43| Through heavy sleep on sightless eyes doth stay! 1|THE SONNETS|44|Sonnet 43| All days are nights to see till I see thee, 1|THE SONNETS|44|Sonnet 43| And nights bright days when dreams do show thee me. 1|THE SONNETS|44|Sonnet 43| 1|THE SONNETS|44|Sonnet 43| 1|THE SONNETS|45|Sonnet 44| 44 1|THE SONNETS|45|Sonnet 44| If the dull substance of my flesh were thought, 1|THE SONNETS|45|Sonnet 44| Injurious distance should not stop my way, 1|THE SONNETS|45|Sonnet 44| For then despite of space I would be brought, 1|THE SONNETS|45|Sonnet 44| From limits far remote, where thou dost stay, 1|THE SONNETS|45|Sonnet 44| No matter then although my foot did stand 1|THE SONNETS|45|Sonnet 44| Upon the farthest earth removed from thee, 1|THE SONNETS|45|Sonnet 44| For nimble thought can jump both sea and land, 1|THE SONNETS|45|Sonnet 44| As soon as think the place where he would be. 1|THE SONNETS|45|Sonnet 44| But ah, thought kills me that I am not thought 1|THE SONNETS|45|Sonnet 44| To leap large lengths of miles when thou art gone, 1|THE SONNETS|45|Sonnet 44| But that so much of earth and water wrought, 1|THE SONNETS|45|Sonnet 44| I must attend, time's leisure with my moan. 1|THE SONNETS|45|Sonnet 44| Receiving nought by elements so slow, 1|THE SONNETS|45|Sonnet 44| But heavy tears, badges of either's woe. 1|THE SONNETS|45|Sonnet 44| 1|THE SONNETS|45|Sonnet 44| 1|THE SONNETS|46|Sonnet 45| 45 1|THE SONNETS|46|Sonnet 45| The other two, slight air, and purging fire, 1|THE SONNETS|46|Sonnet 45| Are both with thee, wherever I abide, 1|THE SONNETS|46|Sonnet 45| The first my thought, the other my desire, 1|THE SONNETS|46|Sonnet 45| These present-absent with swift motion slide. 1|THE SONNETS|46|Sonnet 45| For when these quicker elements are gone 1|THE SONNETS|46|Sonnet 45| In tender embassy of love to thee, 1|THE SONNETS|46|Sonnet 45| My life being made of four, with two alone, 1|THE SONNETS|46|Sonnet 45| Sinks down to death, oppressed with melancholy. 1|THE SONNETS|46|Sonnet 45| Until life's composition be recured, 1|THE SONNETS|46|Sonnet 45| By those swift messengers returned from thee, 1|THE SONNETS|46|Sonnet 45| Who even but now come back again assured, 1|THE SONNETS|46|Sonnet 45| Of thy fair health, recounting it to me. 1|THE SONNETS|46|Sonnet 45| This told, I joy, but then no longer glad, 1|THE SONNETS|46|Sonnet 45| I send them back again and straight grow sad. 1|THE SONNETS|46|Sonnet 45| 1|THE SONNETS|46|Sonnet 45| 1|THE SONNETS|47|Sonnet 46| 46 1|THE SONNETS|47|Sonnet 46| Mine eye and heart are at a mortal war, 1|THE SONNETS|47|Sonnet 46| How to divide the conquest of thy sight, 1|THE SONNETS|47|Sonnet 46| Mine eye, my heart thy picture's sight would bar, 1|THE SONNETS|47|Sonnet 46| My heart, mine eye the freedom of that right, 1|THE SONNETS|47|Sonnet 46| My heart doth plead that thou in him dost lie, 1|THE SONNETS|47|Sonnet 46| (A closet never pierced with crystal eyes) 1|THE SONNETS|47|Sonnet 46| But the defendant doth that plea deny, 1|THE SONNETS|47|Sonnet 46| And says in him thy fair appearance lies. 1|THE SONNETS|47|Sonnet 46| To side this title is impanelled 1|THE SONNETS|47|Sonnet 46| A quest of thoughts, all tenants to the heart, 1|THE SONNETS|47|Sonnet 46| And by their verdict is determined 1|THE SONNETS|47|Sonnet 46| The clear eye's moiety, and the dear heart's part. 1|THE SONNETS|47|Sonnet 46| As thus, mine eye's due is thy outward part, 1|THE SONNETS|47|Sonnet 46| And my heart's right, thy inward love of heart. 1|THE SONNETS|47|Sonnet 46| 1|THE SONNETS|47|Sonnet 46| 1|THE SONNETS|48|Sonnet 47| 47 1|THE SONNETS|48|Sonnet 47| Betwixt mine eye and heart a league is took, 1|THE SONNETS|48|Sonnet 47| And each doth good turns now unto the other, 1|THE SONNETS|48|Sonnet 47| When that mine eye is famished for a look, 1|THE SONNETS|48|Sonnet 47| Or heart in love with sighs himself doth smother; 1|THE SONNETS|48|Sonnet 47| With my love's picture then my eye doth feast, 1|THE SONNETS|48|Sonnet 47| And to the painted banquet bids my heart: 1|THE SONNETS|48|Sonnet 47| Another time mine eye is my heart's guest, 1|THE SONNETS|48|Sonnet 47| And in his thoughts of love doth share a part. 1|THE SONNETS|48|Sonnet 47| So either by thy picture or my love, 1|THE SONNETS|48|Sonnet 47| Thy self away, art present still with me, 1|THE SONNETS|48|Sonnet 47| For thou not farther than my thoughts canst move, 1|THE SONNETS|48|Sonnet 47| And I am still with them, and they with thee. 1|THE SONNETS|48|Sonnet 47| Or if they sleep, thy picture in my sight 1|THE SONNETS|48|Sonnet 47| Awakes my heart, to heart's and eye's delight. 1|THE SONNETS|48|Sonnet 47| 1|THE SONNETS|48|Sonnet 47| 1|THE SONNETS|49|Sonnet 48| 48 1|THE SONNETS|49|Sonnet 48| How careful was I when I took my way, 1|THE SONNETS|49|Sonnet 48| Each trifle under truest bars to thrust, 1|THE SONNETS|49|Sonnet 48| That to my use it might unused stay 1|THE SONNETS|49|Sonnet 48| From hands of falsehood, in sure wards of trust! 1|THE SONNETS|49|Sonnet 48| But thou, to whom my jewels trifles are, 1|THE SONNETS|49|Sonnet 48| Most worthy comfort, now my greatest grief, 1|THE SONNETS|49|Sonnet 48| Thou best of dearest, and mine only care, 1|THE SONNETS|49|Sonnet 48| Art left the prey of every vulgar thief. 1|THE SONNETS|49|Sonnet 48| Thee have I not locked up in any chest, 1|THE SONNETS|49|Sonnet 48| Save where thou art not, though I feel thou art, 1|THE SONNETS|49|Sonnet 48| Within the gentle closure of my breast, 1|THE SONNETS|49|Sonnet 48| From whence at pleasure thou mayst come and part, 1|THE SONNETS|49|Sonnet 48| And even thence thou wilt be stol'n I fear, 1|THE SONNETS|49|Sonnet 48| For truth proves thievish for a prize so dear. 1|THE SONNETS|49|Sonnet 48| 1|THE SONNETS|49|Sonnet 48| 1|THE SONNETS|50|Sonnet 49| 49 1|THE SONNETS|50|Sonnet 49| Against that time (if ever that time come) 1|THE SONNETS|50|Sonnet 49| When I shall see thee frown on my defects, 1|THE SONNETS|50|Sonnet 49| When as thy love hath cast his utmost sum, 1|THE SONNETS|50|Sonnet 49| Called to that audit by advised respects, 1|THE SONNETS|50|Sonnet 49| Against that time when thou shalt strangely pass, 1|THE SONNETS|50|Sonnet 49| And scarcely greet me with that sun thine eye, 1|THE SONNETS|50|Sonnet 49| When love converted from the thing it was 1|THE SONNETS|50|Sonnet 49| Shall reasons find of settled gravity; 1|THE SONNETS|50|Sonnet 49| Against that time do I ensconce me here 1|THE SONNETS|50|Sonnet 49| Within the knowledge of mine own desert, 1|THE SONNETS|50|Sonnet 49| And this my hand, against my self uprear, 1|THE SONNETS|50|Sonnet 49| To guard the lawful reasons on thy part, 1|THE SONNETS|50|Sonnet 49| To leave poor me, thou hast the strength of laws, 1|THE SONNETS|50|Sonnet 49| Since why to love, I can allege no cause. 1|THE SONNETS|50|Sonnet 49| 1|THE SONNETS|50|Sonnet 49| 1|THE SONNETS|51|Sonnet 50| 50 1|THE SONNETS|51|Sonnet 50| How heavy do I journey on the way, 1|THE SONNETS|51|Sonnet 50| When what I seek (my weary travel's end) 1|THE SONNETS|51|Sonnet 50| Doth teach that case and that repose to say 1|THE SONNETS|51|Sonnet 50| 'Thus far the miles are measured from thy friend.' 1|THE SONNETS|51|Sonnet 50| The beast that bears me, tired with my woe, 1|THE SONNETS|51|Sonnet 50| Plods dully on, to bear that weight in me, 1|THE SONNETS|51|Sonnet 50| As if by some instinct the wretch did know 1|THE SONNETS|51|Sonnet 50| His rider loved not speed being made from thee: 1|THE SONNETS|51|Sonnet 50| The bloody spur cannot provoke him on, 1|THE SONNETS|51|Sonnet 50| That sometimes anger thrusts into his hide, 1|THE SONNETS|51|Sonnet 50| Which heavily he answers with a groan, 1|THE SONNETS|51|Sonnet 50| More sharp to me than spurring to his side, 1|THE SONNETS|51|Sonnet 50| For that same groan doth put this in my mind, 1|THE SONNETS|51|Sonnet 50| My grief lies onward and my joy behind. 1|THE SONNETS|51|Sonnet 50| 1|THE SONNETS|51|Sonnet 50| 1|THE SONNETS|52|Sonnet 51| 51 1|THE SONNETS|52|Sonnet 51| Thus can my love excuse the slow offence, 1|THE SONNETS|52|Sonnet 51| Of my dull bearer, when from thee I speed, 1|THE SONNETS|52|Sonnet 51| From where thou art, why should I haste me thence? 1|THE SONNETS|52|Sonnet 51| Till I return of posting is no need. 1|THE SONNETS|52|Sonnet 51| O what excuse will my poor beast then find, 1|THE SONNETS|52|Sonnet 51| When swift extremity can seem but slow? 1|THE SONNETS|52|Sonnet 51| Then should I spur though mounted on the wind, 1|THE SONNETS|52|Sonnet 51| In winged speed no motion shall I know, 1|THE SONNETS|52|Sonnet 51| Then can no horse with my desire keep pace, 1|THE SONNETS|52|Sonnet 51| Therefore desire (of perfect'st love being made) 1|THE SONNETS|52|Sonnet 51| Shall neigh (no dull flesh) in his fiery race, 1|THE SONNETS|52|Sonnet 51| But love, for love, thus shall excuse my jade, 1|THE SONNETS|52|Sonnet 51| Since from thee going, he went wilful-slow, 1|THE SONNETS|52|Sonnet 51| Towards thee I'll run, and give him leave to go. 1|THE SONNETS|52|Sonnet 51| 1|THE SONNETS|52|Sonnet 51| 1|THE SONNETS|53|Sonnet 52| 52 1|THE SONNETS|53|Sonnet 52| So am I as the rich whose blessed key, 1|THE SONNETS|53|Sonnet 52| Can bring him to his sweet up-locked treasure, 1|THE SONNETS|53|Sonnet 52| The which he will not every hour survey, 1|THE SONNETS|53|Sonnet 52| For blunting the fine point of seldom pleasure. 1|THE SONNETS|53|Sonnet 52| Therefore are feasts so solemn and so rare, 1|THE SONNETS|53|Sonnet 52| Since seldom coming in that long year set, 1|THE SONNETS|53|Sonnet 52| Like stones of worth they thinly placed are, 1|THE SONNETS|53|Sonnet 52| Or captain jewels in the carcanet. 1|THE SONNETS|53|Sonnet 52| So is the time that keeps you as my chest 1|THE SONNETS|53|Sonnet 52| Or as the wardrobe which the robe doth hide, 1|THE SONNETS|53|Sonnet 52| To make some special instant special-blest, 1|THE SONNETS|53|Sonnet 52| By new unfolding his imprisoned pride. 1|THE SONNETS|53|Sonnet 52| Blessed are you whose worthiness gives scope, 1|THE SONNETS|53|Sonnet 52| Being had to triumph, being lacked to hope. 1|THE SONNETS|53|Sonnet 52| 1|THE SONNETS|53|Sonnet 52| 1|THE SONNETS|54|Sonnet 53| 53 1|THE SONNETS|54|Sonnet 53| What is your substance, whereof are you made, 1|THE SONNETS|54|Sonnet 53| That millions of strange shadows on you tend? 1|THE SONNETS|54|Sonnet 53| Since every one, hath every one, one shade, 1|THE SONNETS|54|Sonnet 53| And you but one, can every shadow lend: 1|THE SONNETS|54|Sonnet 53| Describe Adonis and the counterfeit, 1|THE SONNETS|54|Sonnet 53| Is poorly imitated after you, 1|THE SONNETS|54|Sonnet 53| On Helen's cheek all art of beauty set, 1|THE SONNETS|54|Sonnet 53| And you in Grecian tires are painted new: 1|THE SONNETS|54|Sonnet 53| Speak of the spring, and foison of the year, 1|THE SONNETS|54|Sonnet 53| The one doth shadow of your beauty show, 1|THE SONNETS|54|Sonnet 53| The other as your bounty doth appear, 1|THE SONNETS|54|Sonnet 53| And you in every blessed shape we know. 1|THE SONNETS|54|Sonnet 53| In all external grace you have some part, 1|THE SONNETS|54|Sonnet 53| But you like none, none you for constant heart. 1|THE SONNETS|54|Sonnet 53| 1|THE SONNETS|54|Sonnet 53| 1|THE SONNETS|55|Sonnet 54| 54 1|THE SONNETS|55|Sonnet 54| O how much more doth beauty beauteous seem, 1|THE SONNETS|55|Sonnet 54| By that sweet ornament which truth doth give! 1|THE SONNETS|55|Sonnet 54| The rose looks fair, but fairer we it deem 1|THE SONNETS|55|Sonnet 54| For that sweet odour, which doth in it live: 1|THE SONNETS|55|Sonnet 54| The canker blooms have full as deep a dye, 1|THE SONNETS|55|Sonnet 54| As the perfumed tincture of the roses, 1|THE SONNETS|55|Sonnet 54| Hang on such thorns, and play as wantonly, 1|THE SONNETS|55|Sonnet 54| When summer's breath their masked buds discloses: 1|THE SONNETS|55|Sonnet 54| But for their virtue only is their show, 1|THE SONNETS|55|Sonnet 54| They live unwooed, and unrespected fade, 1|THE SONNETS|55|Sonnet 54| Die to themselves. Sweet roses do not so, 1|THE SONNETS|55|Sonnet 54| Of their sweet deaths, are sweetest odours made: 1|THE SONNETS|55|Sonnet 54| And so of you, beauteous and lovely youth, 1|THE SONNETS|55|Sonnet 54| When that shall vade, by verse distills your truth. 1|THE SONNETS|55|Sonnet 54| 1|THE SONNETS|55|Sonnet 54| 1|THE SONNETS|56|Sonnet 55| 55 1|THE SONNETS|56|Sonnet 55| Not marble, nor the gilded monuments 1|THE SONNETS|56|Sonnet 55| Of princes shall outlive this powerful rhyme, 1|THE SONNETS|56|Sonnet 55| But you shall shine more bright in these contents 1|THE SONNETS|56|Sonnet 55| Than unswept stone, besmeared with sluttish time. 1|THE SONNETS|56|Sonnet 55| When wasteful war shall statues overturn, 1|THE SONNETS|56|Sonnet 55| And broils root out the work of masonry, 1|THE SONNETS|56|Sonnet 55| Nor Mars his sword, nor war's quick fire shall burn: 1|THE SONNETS|56|Sonnet 55| The living record of your memory. 1|THE SONNETS|56|Sonnet 55| 'Gainst death, and all-oblivious enmity 1|THE SONNETS|56|Sonnet 55| Shall you pace forth, your praise shall still find room, 1|THE SONNETS|56|Sonnet 55| Even in the eyes of all posterity 1|THE SONNETS|56|Sonnet 55| That wear this world out to the ending doom. 1|THE SONNETS|56|Sonnet 55| So till the judgment that your self arise, 1|THE SONNETS|56|Sonnet 55| You live in this, and dwell in lovers' eyes. 1|THE SONNETS|56|Sonnet 55| 1|THE SONNETS|56|Sonnet 55| 1|THE SONNETS|57|Sonnet 56| 56 1|THE SONNETS|57|Sonnet 56| Sweet love renew thy force, be it not said 1|THE SONNETS|57|Sonnet 56| Thy edge should blunter be than appetite, 1|THE SONNETS|57|Sonnet 56| Which but to-day by feeding is allayed, 1|THE SONNETS|57|Sonnet 56| To-morrow sharpened in his former might. 1|THE SONNETS|57|Sonnet 56| So love be thou, although to-day thou fill 1|THE SONNETS|57|Sonnet 56| Thy hungry eyes, even till they wink with fulness, 1|THE SONNETS|57|Sonnet 56| To-morrow see again, and do not kill 1|THE SONNETS|57|Sonnet 56| The spirit of love, with a perpetual dulness: 1|THE SONNETS|57|Sonnet 56| Let this sad interim like the ocean be 1|THE SONNETS|57|Sonnet 56| Which parts the shore, where two contracted new, 1|THE SONNETS|57|Sonnet 56| Come daily to the banks, that when they see: 1|THE SONNETS|57|Sonnet 56| Return of love, more blest may be the view. 1|THE SONNETS|57|Sonnet 56| Or call it winter, which being full of care, 1|THE SONNETS|57|Sonnet 56| Makes summer's welcome, thrice more wished, more rare. 1|THE SONNETS|57|Sonnet 56| 1|THE SONNETS|57|Sonnet 56| 1|THE SONNETS|58|Sonnet 57| 57 1|THE SONNETS|58|Sonnet 57| Being your slave what should I do but tend, 1|THE SONNETS|58|Sonnet 57| Upon the hours, and times of your desire? 1|THE SONNETS|58|Sonnet 57| I have no precious time at all to spend; 1|THE SONNETS|58|Sonnet 57| Nor services to do till you require. 1|THE SONNETS|58|Sonnet 57| Nor dare I chide the world-without-end hour, 1|THE SONNETS|58|Sonnet 57| Whilst I (my sovereign) watch the clock for you, 1|THE SONNETS|58|Sonnet 57| Nor think the bitterness of absence sour, 1|THE SONNETS|58|Sonnet 57| When you have bid your servant once adieu. 1|THE SONNETS|58|Sonnet 57| Nor dare I question with my jealous thought, 1|THE SONNETS|58|Sonnet 57| Where you may be, or your affairs suppose, 1|THE SONNETS|58|Sonnet 57| But like a sad slave stay and think of nought 1|THE SONNETS|58|Sonnet 57| Save where you are, how happy you make those. 1|THE SONNETS|58|Sonnet 57| So true a fool is love, that in your will, 1|THE SONNETS|58|Sonnet 57| (Though you do any thing) he thinks no ill. 1|THE SONNETS|58|Sonnet 57| 1|THE SONNETS|58|Sonnet 57| 1|THE SONNETS|59|Sonnet 58| 58 1|THE SONNETS|59|Sonnet 58| That god forbid, that made me first your slave, 1|THE SONNETS|59|Sonnet 58| I should in thought control your times of pleasure, 1|THE SONNETS|59|Sonnet 58| Or at your hand th' account of hours to crave, 1|THE SONNETS|59|Sonnet 58| Being your vassal bound to stay your leisure. 1|THE SONNETS|59|Sonnet 58| O let me suffer (being at your beck) 1|THE SONNETS|59|Sonnet 58| Th' imprisoned absence of your liberty, 1|THE SONNETS|59|Sonnet 58| And patience tame to sufferance bide each check, 1|THE SONNETS|59|Sonnet 58| Without accusing you of injury. 1|THE SONNETS|59|Sonnet 58| Be where you list, your charter is so strong, 1|THE SONNETS|59|Sonnet 58| That you your self may privilage your time 1|THE SONNETS|59|Sonnet 58| To what you will, to you it doth belong, 1|THE SONNETS|59|Sonnet 58| Your self to pardon of self-doing crime. 1|THE SONNETS|59|Sonnet 58| I am to wait, though waiting so be hell, 1|THE SONNETS|59|Sonnet 58| Not blame your pleasure be it ill or well. 1|THE SONNETS|59|Sonnet 58| 1|THE SONNETS|59|Sonnet 58| 1|THE SONNETS|60|Sonnet 59| 59 1|THE SONNETS|60|Sonnet 59| If there be nothing new, but that which is, 1|THE SONNETS|60|Sonnet 59| Hath been before, how are our brains beguiled, 1|THE SONNETS|60|Sonnet 59| Which labouring for invention bear amis 1|THE SONNETS|60|Sonnet 59| The second burthen of a former child! 1|THE SONNETS|60|Sonnet 59| O that record could with a backward look, 1|THE SONNETS|60|Sonnet 59| Even of five hundred courses of the sun, 1|THE SONNETS|60|Sonnet 59| Show me your image in some antique book, 1|THE SONNETS|60|Sonnet 59| Since mind at first in character was done. 1|THE SONNETS|60|Sonnet 59| That I might see what the old world could say, 1|THE SONNETS|60|Sonnet 59| To this composed wonder of your frame, 1|THE SONNETS|60|Sonnet 59| Whether we are mended, or whether better they, 1|THE SONNETS|60|Sonnet 59| Or whether revolution be the same. 1|THE SONNETS|60|Sonnet 59| O sure I am the wits of former days, 1|THE SONNETS|60|Sonnet 59| To subjects worse have given admiring praise. 1|THE SONNETS|60|Sonnet 59| 1|THE SONNETS|60|Sonnet 59| 1|THE SONNETS|61|Sonnet 60| 60 1|THE SONNETS|61|Sonnet 60| Like as the waves make towards the pebbled shore, 1|THE SONNETS|61|Sonnet 60| So do our minutes hasten to their end, 1|THE SONNETS|61|Sonnet 60| Each changing place with that which goes before, 1|THE SONNETS|61|Sonnet 60| In sequent toil all forwards do contend. 1|THE SONNETS|61|Sonnet 60| Nativity once in the main of light, 1|THE SONNETS|61|Sonnet 60| Crawls to maturity, wherewith being crowned, 1|THE SONNETS|61|Sonnet 60| Crooked eclipses 'gainst his glory fight, 1|THE SONNETS|61|Sonnet 60| And Time that gave, doth now his gift confound. 1|THE SONNETS|61|Sonnet 60| Time doth transfix the flourish set on youth, 1|THE SONNETS|61|Sonnet 60| And delves the parallels in beauty's brow, 1|THE SONNETS|61|Sonnet 60| Feeds on the rarities of nature's truth, 1|THE SONNETS|61|Sonnet 60| And nothing stands but for his scythe to mow. 1|THE SONNETS|61|Sonnet 60| And yet to times in hope, my verse shall stand 1|THE SONNETS|61|Sonnet 60| Praising thy worth, despite his cruel hand. 1|THE SONNETS|61|Sonnet 60| 1|THE SONNETS|61|Sonnet 60| 1|THE SONNETS|62|Sonnet 61| 61 1|THE SONNETS|62|Sonnet 61| Is it thy will, thy image should keep open 1|THE SONNETS|62|Sonnet 61| My heavy eyelids to the weary night? 1|THE SONNETS|62|Sonnet 61| Dost thou desire my slumbers should be broken, 1|THE SONNETS|62|Sonnet 61| While shadows like to thee do mock my sight? 1|THE SONNETS|62|Sonnet 61| Is it thy spirit that thou send'st from thee 1|THE SONNETS|62|Sonnet 61| So far from home into my deeds to pry, 1|THE SONNETS|62|Sonnet 61| To find out shames and idle hours in me, 1|THE SONNETS|62|Sonnet 61| The scope and tenure of thy jealousy? 1|THE SONNETS|62|Sonnet 61| O no, thy love though much, is not so great, 1|THE SONNETS|62|Sonnet 61| It is my love that keeps mine eye awake, 1|THE SONNETS|62|Sonnet 61| Mine own true love that doth my rest defeat, 1|THE SONNETS|62|Sonnet 61| To play the watchman ever for thy sake. 1|THE SONNETS|62|Sonnet 61| For thee watch I, whilst thou dost wake elsewhere, 1|THE SONNETS|62|Sonnet 61| From me far off, with others all too near. 1|THE SONNETS|62|Sonnet 61| 1|THE SONNETS|62|Sonnet 61| 1|THE SONNETS|63|Sonnet 62| 62 1|THE SONNETS|63|Sonnet 62| Sin of self-love possesseth all mine eye, 1|THE SONNETS|63|Sonnet 62| And all my soul, and all my every part; 1|THE SONNETS|63|Sonnet 62| And for this sin there is no remedy, 1|THE SONNETS|63|Sonnet 62| It is so grounded inward in my heart. 1|THE SONNETS|63|Sonnet 62| Methinks no face so gracious is as mine, 1|THE SONNETS|63|Sonnet 62| No shape so true, no truth of such account, 1|THE SONNETS|63|Sonnet 62| And for my self mine own worth do define, 1|THE SONNETS|63|Sonnet 62| As I all other in all worths surmount. 1|THE SONNETS|63|Sonnet 62| But when my glass shows me my self indeed 1|THE SONNETS|63|Sonnet 62| beated and chopt with tanned antiquity, 1|THE SONNETS|63|Sonnet 62| Mine own self-love quite contrary I read: 1|THE SONNETS|63|Sonnet 62| Self, so self-loving were iniquity. 1|THE SONNETS|63|Sonnet 62| 'Tis thee (my self) that for my self I praise, 1|THE SONNETS|63|Sonnet 62| Painting my age with beauty of thy days. 1|THE SONNETS|63|Sonnet 62| 1|THE SONNETS|63|Sonnet 62| 1|THE SONNETS|64|Sonnet 63| 63 1|THE SONNETS|64|Sonnet 63| Against my love shall be as I am now 1|THE SONNETS|64|Sonnet 63| With Time's injurious hand crushed and o'erworn, 1|THE SONNETS|64|Sonnet 63| When hours have drained his blood and filled his brow 1|THE SONNETS|64|Sonnet 63| With lines and wrinkles, when his youthful morn 1|THE SONNETS|64|Sonnet 63| Hath travelled on to age's steepy night, 1|THE SONNETS|64|Sonnet 63| And all those beauties whereof now he's king 1|THE SONNETS|64|Sonnet 63| Are vanishing, or vanished out of sight, 1|THE SONNETS|64|Sonnet 63| Stealing away the treasure of his spring: 1|THE SONNETS|64|Sonnet 63| For such a time do I now fortify 1|THE SONNETS|64|Sonnet 63| Against confounding age's cruel knife, 1|THE SONNETS|64|Sonnet 63| That he shall never cut from memory 1|THE SONNETS|64|Sonnet 63| My sweet love's beauty, though my lover's life. 1|THE SONNETS|64|Sonnet 63| His beauty shall in these black lines be seen, 1|THE SONNETS|64|Sonnet 63| And they shall live, and he in them still green. 1|THE SONNETS|64|Sonnet 63| 1|THE SONNETS|64|Sonnet 63| 1|THE SONNETS|65|Sonnet 64| 64 1|THE SONNETS|65|Sonnet 64| When I have seen by Time's fell hand defaced 1|THE SONNETS|65|Sonnet 64| The rich-proud cost of outworn buried age, 1|THE SONNETS|65|Sonnet 64| When sometime lofty towers I see down-rased, 1|THE SONNETS|65|Sonnet 64| And brass eternal slave to mortal rage. 1|THE SONNETS|65|Sonnet 64| When I have seen the hungry ocean gain 1|THE SONNETS|65|Sonnet 64| Advantage on the kingdom of the shore, 1|THE SONNETS|65|Sonnet 64| And the firm soil win of the watery main, 1|THE SONNETS|65|Sonnet 64| Increasing store with loss, and loss with store. 1|THE SONNETS|65|Sonnet 64| When I have seen such interchange of State, 1|THE SONNETS|65|Sonnet 64| Or state it self confounded, to decay, 1|THE SONNETS|65|Sonnet 64| Ruin hath taught me thus to ruminate 1|THE SONNETS|65|Sonnet 64| That Time will come and take my love away. 1|THE SONNETS|65|Sonnet 64| This thought is as a death which cannot choose 1|THE SONNETS|65|Sonnet 64| But weep to have, that which it fears to lose. 1|THE SONNETS|65|Sonnet 64| 1|THE SONNETS|65|Sonnet 64| 1|THE SONNETS|66|Sonnet 65| 65 1|THE SONNETS|66|Sonnet 65| Since brass, nor stone, nor earth, nor boundless sea, 1|THE SONNETS|66|Sonnet 65| But sad mortality o'ersways their power, 1|THE SONNETS|66|Sonnet 65| How with this rage shall beauty hold a plea, 1|THE SONNETS|66|Sonnet 65| Whose action is no stronger than a flower? 1|THE SONNETS|66|Sonnet 65| O how shall summer's honey breath hold out, 1|THE SONNETS|66|Sonnet 65| Against the wrackful siege of batt'ring days, 1|THE SONNETS|66|Sonnet 65| When rocks impregnable are not so stout, 1|THE SONNETS|66|Sonnet 65| Nor gates of steel so strong but time decays? 1|THE SONNETS|66|Sonnet 65| O fearful meditation, where alack, 1|THE SONNETS|66|Sonnet 65| Shall Time's best jewel from Time's chest lie hid? 1|THE SONNETS|66|Sonnet 65| Or what strong hand can hold his swift foot back, 1|THE SONNETS|66|Sonnet 65| Or who his spoil of beauty can forbid? 1|THE SONNETS|66|Sonnet 65| O none, unless this miracle have might, 1|THE SONNETS|66|Sonnet 65| That in black ink my love may still shine bright. 1|THE SONNETS|66|Sonnet 65| 1|THE SONNETS|66|Sonnet 65| 1|THE SONNETS|67|Sonnet 66| 66 1|THE SONNETS|67|Sonnet 66| Tired with all these for restful death I cry, 1|THE SONNETS|67|Sonnet 66| As to behold desert a beggar born, 1|THE SONNETS|67|Sonnet 66| And needy nothing trimmed in jollity, 1|THE SONNETS|67|Sonnet 66| And purest faith unhappily forsworn, 1|THE SONNETS|67|Sonnet 66| And gilded honour shamefully misplaced, 1|THE SONNETS|67|Sonnet 66| And maiden virtue rudely strumpeted, 1|THE SONNETS|67|Sonnet 66| And right perfection wrongfully disgraced, 1|THE SONNETS|67|Sonnet 66| And strength by limping sway disabled 1|THE SONNETS|67|Sonnet 66| And art made tongue-tied by authority, 1|THE SONNETS|67|Sonnet 66| And folly (doctor-like) controlling skill, 1|THE SONNETS|67|Sonnet 66| And simple truth miscalled simplicity, 1|THE SONNETS|67|Sonnet 66| And captive good attending captain ill. 1|THE SONNETS|67|Sonnet 66| Tired with all these, from these would I be gone, 1|THE SONNETS|67|Sonnet 66| Save that to die, I leave my love alone. 1|THE SONNETS|67|Sonnet 66| 1|THE SONNETS|67|Sonnet 66| 1|THE SONNETS|68|Sonnet 67| 67 1|THE SONNETS|68|Sonnet 67| Ah wherefore with infection should he live, 1|THE SONNETS|68|Sonnet 67| And with his presence grace impiety, 1|THE SONNETS|68|Sonnet 67| That sin by him advantage should achieve, 1|THE SONNETS|68|Sonnet 67| And lace it self with his society? 1|THE SONNETS|68|Sonnet 67| Why should false painting imitate his cheek, 1|THE SONNETS|68|Sonnet 67| And steal dead seeming of his living hue? 1|THE SONNETS|68|Sonnet 67| Why should poor beauty indirectly seek, 1|THE SONNETS|68|Sonnet 67| Roses of shadow, since his rose is true? 1|THE SONNETS|68|Sonnet 67| Why should he live, now nature bankrupt is, 1|THE SONNETS|68|Sonnet 67| Beggared of blood to blush through lively veins, 1|THE SONNETS|68|Sonnet 67| For she hath no exchequer now but his, 1|THE SONNETS|68|Sonnet 67| And proud of many, lives upon his gains? 1|THE SONNETS|68|Sonnet 67| O him she stores, to show what wealth she had, 1|THE SONNETS|68|Sonnet 67| In days long since, before these last so bad. 1|THE SONNETS|68|Sonnet 67| 1|THE SONNETS|68|Sonnet 67| 1|THE SONNETS|69|Sonnet 68| 68 1|THE SONNETS|69|Sonnet 68| Thus is his cheek the map of days outworn, 1|THE SONNETS|69|Sonnet 68| When beauty lived and died as flowers do now, 1|THE SONNETS|69|Sonnet 68| Before these bastard signs of fair were born, 1|THE SONNETS|69|Sonnet 68| Or durst inhabit on a living brow: 1|THE SONNETS|69|Sonnet 68| Before the golden tresses of the dead, 1|THE SONNETS|69|Sonnet 68| The right of sepulchres, were shorn away, 1|THE SONNETS|69|Sonnet 68| To live a second life on second head, 1|THE SONNETS|69|Sonnet 68| Ere beauty's dead fleece made another gay: 1|THE SONNETS|69|Sonnet 68| In him those holy antique hours are seen, 1|THE SONNETS|69|Sonnet 68| Without all ornament, it self and true, 1|THE SONNETS|69|Sonnet 68| Making no summer of another's green, 1|THE SONNETS|69|Sonnet 68| Robbing no old to dress his beauty new, 1|THE SONNETS|69|Sonnet 68| And him as for a map doth Nature store, 1|THE SONNETS|69|Sonnet 68| To show false Art what beauty was of yore. 1|THE SONNETS|69|Sonnet 68| 1|THE SONNETS|69|Sonnet 68| 1|THE SONNETS|70|Sonnet 69| 69 1|THE SONNETS|70|Sonnet 69| Those parts of thee that the world's eye doth view, 1|THE SONNETS|70|Sonnet 69| Want nothing that the thought of hearts can mend: 1|THE SONNETS|70|Sonnet 69| All tongues (the voice of souls) give thee that due, 1|THE SONNETS|70|Sonnet 69| Uttering bare truth, even so as foes commend. 1|THE SONNETS|70|Sonnet 69| Thy outward thus with outward praise is crowned, 1|THE SONNETS|70|Sonnet 69| But those same tongues that give thee so thine own, 1|THE SONNETS|70|Sonnet 69| In other accents do this praise confound 1|THE SONNETS|70|Sonnet 69| By seeing farther than the eye hath shown. 1|THE SONNETS|70|Sonnet 69| They look into the beauty of thy mind, 1|THE SONNETS|70|Sonnet 69| And that in guess they measure by thy deeds, 1|THE SONNETS|70|Sonnet 69| Then churls their thoughts (although their eyes were kind) 1|THE SONNETS|70|Sonnet 69| To thy fair flower add the rank smell of weeds: 1|THE SONNETS|70|Sonnet 69| But why thy odour matcheth not thy show, 1|THE SONNETS|70|Sonnet 69| The soil is this, that thou dost common grow. 1|THE SONNETS|70|Sonnet 69| 1|THE SONNETS|70|Sonnet 69| 1|THE SONNETS|71|Sonnet 70| 70 1|THE SONNETS|71|Sonnet 70| That thou art blamed shall not be thy defect, 1|THE SONNETS|71|Sonnet 70| For slander's mark was ever yet the fair, 1|THE SONNETS|71|Sonnet 70| The ornament of beauty is suspect, 1|THE SONNETS|71|Sonnet 70| A crow that flies in heaven's sweetest air. 1|THE SONNETS|71|Sonnet 70| So thou be good, slander doth but approve, 1|THE SONNETS|71|Sonnet 70| Thy worth the greater being wooed of time, 1|THE SONNETS|71|Sonnet 70| For canker vice the sweetest buds doth love, 1|THE SONNETS|71|Sonnet 70| And thou present'st a pure unstained prime. 1|THE SONNETS|71|Sonnet 70| Thou hast passed by the ambush of young days, 1|THE SONNETS|71|Sonnet 70| Either not assailed, or victor being charged, 1|THE SONNETS|71|Sonnet 70| Yet this thy praise cannot be so thy praise, 1|THE SONNETS|71|Sonnet 70| To tie up envy, evermore enlarged, 1|THE SONNETS|71|Sonnet 70| If some suspect of ill masked not thy show, 1|THE SONNETS|71|Sonnet 70| Then thou alone kingdoms of hearts shouldst owe. 1|THE SONNETS|71|Sonnet 70| 1|THE SONNETS|71|Sonnet 70| 1|THE SONNETS|72|Sonnet 71| 71 1|THE SONNETS|72|Sonnet 71| No longer mourn for me when I am dead, 1|THE SONNETS|72|Sonnet 71| Than you shall hear the surly sullen bell 1|THE SONNETS|72|Sonnet 71| Give warning to the world that I am fled 1|THE SONNETS|72|Sonnet 71| From this vile world with vilest worms to dwell: 1|THE SONNETS|72|Sonnet 71| Nay if you read this line, remember not, 1|THE SONNETS|72|Sonnet 71| The hand that writ it, for I love you so, 1|THE SONNETS|72|Sonnet 71| That I in your sweet thoughts would be forgot, 1|THE SONNETS|72|Sonnet 71| If thinking on me then should make you woe. 1|THE SONNETS|72|Sonnet 71| O if (I say) you look upon this verse, 1|THE SONNETS|72|Sonnet 71| When I (perhaps) compounded am with clay, 1|THE SONNETS|72|Sonnet 71| Do not so much as my poor name rehearse; 1|THE SONNETS|72|Sonnet 71| But let your love even with my life decay. 1|THE SONNETS|72|Sonnet 71| Lest the wise world should look into your moan, 1|THE SONNETS|72|Sonnet 71| And mock you with me after I am gone. 1|THE SONNETS|72|Sonnet 71| 1|THE SONNETS|72|Sonnet 71| 1|THE SONNETS|73|Sonnet 72| 72 1|THE SONNETS|73|Sonnet 72| O lest the world should task you to recite, 1|THE SONNETS|73|Sonnet 72| What merit lived in me that you should love 1|THE SONNETS|73|Sonnet 72| After my death (dear love) forget me quite, 1|THE SONNETS|73|Sonnet 72| For you in me can nothing worthy prove. 1|THE SONNETS|73|Sonnet 72| Unless you would devise some virtuous lie, 1|THE SONNETS|73|Sonnet 72| To do more for me than mine own desert, 1|THE SONNETS|73|Sonnet 72| And hang more praise upon deceased I, 1|THE SONNETS|73|Sonnet 72| Than niggard truth would willingly impart: 1|THE SONNETS|73|Sonnet 72| O lest your true love may seem false in this, 1|THE SONNETS|73|Sonnet 72| That you for love speak well of me untrue, 1|THE SONNETS|73|Sonnet 72| My name be buried where my body is, 1|THE SONNETS|73|Sonnet 72| And live no more to shame nor me, nor you. 1|THE SONNETS|73|Sonnet 72| For I am shamed by that which I bring forth, 1|THE SONNETS|73|Sonnet 72| And so should you, to love things nothing worth. 1|THE SONNETS|73|Sonnet 72| 1|THE SONNETS|73|Sonnet 72| 1|THE SONNETS|74|Sonnet 73| 73 1|THE SONNETS|74|Sonnet 73| That time of year thou mayst in me behold, 1|THE SONNETS|74|Sonnet 73| When yellow leaves, or none, or few do hang 1|THE SONNETS|74|Sonnet 73| Upon those boughs which shake against the cold, 1|THE SONNETS|74|Sonnet 73| Bare ruined choirs, where late the sweet birds sang. 1|THE SONNETS|74|Sonnet 73| In me thou seest the twilight of such day, 1|THE SONNETS|74|Sonnet 73| As after sunset fadeth in the west, 1|THE SONNETS|74|Sonnet 73| Which by and by black night doth take away, 1|THE SONNETS|74|Sonnet 73| Death's second self that seals up all in rest. 1|THE SONNETS|74|Sonnet 73| In me thou seest the glowing of such fire, 1|THE SONNETS|74|Sonnet 73| That on the ashes of his youth doth lie, 1|THE SONNETS|74|Sonnet 73| As the death-bed, whereon it must expire, 1|THE SONNETS|74|Sonnet 73| Consumed with that which it was nourished by. 1|THE SONNETS|74|Sonnet 73| This thou perceiv'st, which makes thy love more strong, 1|THE SONNETS|74|Sonnet 73| To love that well, which thou must leave ere long. 1|THE SONNETS|74|Sonnet 73| 1|THE SONNETS|74|Sonnet 73| 1|THE SONNETS|75|Sonnet 74| 74 1|THE SONNETS|75|Sonnet 74| But be contented when that fell arrest, 1|THE SONNETS|75|Sonnet 74| Without all bail shall carry me away, 1|THE SONNETS|75|Sonnet 74| My life hath in this line some interest, 1|THE SONNETS|75|Sonnet 74| Which for memorial still with thee shall stay. 1|THE SONNETS|75|Sonnet 74| When thou reviewest this, thou dost review, 1|THE SONNETS|75|Sonnet 74| The very part was consecrate to thee, 1|THE SONNETS|75|Sonnet 74| The earth can have but earth, which is his due, 1|THE SONNETS|75|Sonnet 74| My spirit is thine the better part of me, 1|THE SONNETS|75|Sonnet 74| So then thou hast but lost the dregs of life, 1|THE SONNETS|75|Sonnet 74| The prey of worms, my body being dead, 1|THE SONNETS|75|Sonnet 74| The coward conquest of a wretch's knife, 1|THE SONNETS|75|Sonnet 74| Too base of thee to be remembered, 1|THE SONNETS|75|Sonnet 74| The worth of that, is that which it contains, 1|THE SONNETS|75|Sonnet 74| And that is this, and this with thee remains. 1|THE SONNETS|75|Sonnet 74| 1|THE SONNETS|75|Sonnet 74| 1|THE SONNETS|76|Sonnet 75| 75 1|THE SONNETS|76|Sonnet 75| So are you to my thoughts as food to life, 1|THE SONNETS|76|Sonnet 75| Or as sweet-seasoned showers are to the ground; 1|THE SONNETS|76|Sonnet 75| And for the peace of you I hold such strife 1|THE SONNETS|76|Sonnet 75| As 'twixt a miser and his wealth is found. 1|THE SONNETS|76|Sonnet 75| Now proud as an enjoyer, and anon 1|THE SONNETS|76|Sonnet 75| Doubting the filching age will steal his treasure, 1|THE SONNETS|76|Sonnet 75| Now counting best to be with you alone, 1|THE SONNETS|76|Sonnet 75| Then bettered that the world may see my pleasure, 1|THE SONNETS|76|Sonnet 75| Sometime all full with feasting on your sight, 1|THE SONNETS|76|Sonnet 75| And by and by clean starved for a look, 1|THE SONNETS|76|Sonnet 75| Possessing or pursuing no delight 1|THE SONNETS|76|Sonnet 75| Save what is had, or must from you be took. 1|THE SONNETS|76|Sonnet 75| Thus do I pine and surfeit day by day, 1|THE SONNETS|76|Sonnet 75| Or gluttoning on all, or all away. 1|THE SONNETS|76|Sonnet 75| 1|THE SONNETS|76|Sonnet 75| 1|THE SONNETS|77|Sonnet 76| 76 1|THE SONNETS|77|Sonnet 76| Why is my verse so barren of new pride? 1|THE SONNETS|77|Sonnet 76| So far from variation or quick change? 1|THE SONNETS|77|Sonnet 76| Why with the time do I not glance aside 1|THE SONNETS|77|Sonnet 76| To new-found methods, and to compounds strange? 1|THE SONNETS|77|Sonnet 76| Why write I still all one, ever the same, 1|THE SONNETS|77|Sonnet 76| And keep invention in a noted weed, 1|THE SONNETS|77|Sonnet 76| That every word doth almost tell my name, 1|THE SONNETS|77|Sonnet 76| Showing their birth, and where they did proceed? 1|THE SONNETS|77|Sonnet 76| O know sweet love I always write of you, 1|THE SONNETS|77|Sonnet 76| And you and love are still my argument: 1|THE SONNETS|77|Sonnet 76| So all my best is dressing old words new, 1|THE SONNETS|77|Sonnet 76| Spending again what is already spent: 1|THE SONNETS|77|Sonnet 76| For as the sun is daily new and old, 1|THE SONNETS|77|Sonnet 76| So is my love still telling what is told. 1|THE SONNETS|77|Sonnet 76| 1|THE SONNETS|77|Sonnet 76| 1|THE SONNETS|78|Sonnet 77| 77 1|THE SONNETS|78|Sonnet 77| Thy glass will show thee how thy beauties wear, 1|THE SONNETS|78|Sonnet 77| Thy dial how thy precious minutes waste, 1|THE SONNETS|78|Sonnet 77| These vacant leaves thy mind's imprint will bear, 1|THE SONNETS|78|Sonnet 77| And of this book, this learning mayst thou taste. 1|THE SONNETS|78|Sonnet 77| The wrinkles which thy glass will truly show, 1|THE SONNETS|78|Sonnet 77| Of mouthed graves will give thee memory, 1|THE SONNETS|78|Sonnet 77| Thou by thy dial's shady stealth mayst know, 1|THE SONNETS|78|Sonnet 77| Time's thievish progress to eternity. 1|THE SONNETS|78|Sonnet 77| Look what thy memory cannot contain, 1|THE SONNETS|78|Sonnet 77| Commit to these waste blanks, and thou shalt find 1|THE SONNETS|78|Sonnet 77| Those children nursed, delivered from thy brain, 1|THE SONNETS|78|Sonnet 77| To take a new acquaintance of thy mind. 1|THE SONNETS|78|Sonnet 77| These offices, so oft as thou wilt look, 1|THE SONNETS|78|Sonnet 77| Shall profit thee, and much enrich thy book. 1|THE SONNETS|78|Sonnet 77| 1|THE SONNETS|78|Sonnet 77| 1|THE SONNETS|79|Sonnet 78| 78 1|THE SONNETS|79|Sonnet 78| So oft have I invoked thee for my muse, 1|THE SONNETS|79|Sonnet 78| And found such fair assistance in my verse, 1|THE SONNETS|79|Sonnet 78| As every alien pen hath got my use, 1|THE SONNETS|79|Sonnet 78| And under thee their poesy disperse. 1|THE SONNETS|79|Sonnet 78| Thine eyes, that taught the dumb on high to sing, 1|THE SONNETS|79|Sonnet 78| And heavy ignorance aloft to fly, 1|THE SONNETS|79|Sonnet 78| Have added feathers to the learned's wing, 1|THE SONNETS|79|Sonnet 78| And given grace a double majesty. 1|THE SONNETS|79|Sonnet 78| Yet be most proud of that which I compile, 1|THE SONNETS|79|Sonnet 78| Whose influence is thine, and born of thee, 1|THE SONNETS|79|Sonnet 78| In others' works thou dost but mend the style, 1|THE SONNETS|79|Sonnet 78| And arts with thy sweet graces graced be. 1|THE SONNETS|79|Sonnet 78| But thou art all my art, and dost advance 1|THE SONNETS|79|Sonnet 78| As high as learning, my rude ignorance. 1|THE SONNETS|79|Sonnet 78| 1|THE SONNETS|79|Sonnet 78| 1|THE SONNETS|80|Sonnet 79| 79 1|THE SONNETS|80|Sonnet 79| Whilst I alone did call upon thy aid, 1|THE SONNETS|80|Sonnet 79| My verse alone had all thy gentle grace, 1|THE SONNETS|80|Sonnet 79| But now my gracious numbers are decayed, 1|THE SONNETS|80|Sonnet 79| And my sick muse doth give an other place. 1|THE SONNETS|80|Sonnet 79| I grant (sweet love) thy lovely argument 1|THE SONNETS|80|Sonnet 79| Deserves the travail of a worthier pen, 1|THE SONNETS|80|Sonnet 79| Yet what of thee thy poet doth invent, 1|THE SONNETS|80|Sonnet 79| He robs thee of, and pays it thee again, 1|THE SONNETS|80|Sonnet 79| He lends thee virtue, and he stole that word, 1|THE SONNETS|80|Sonnet 79| From thy behaviour, beauty doth he give 1|THE SONNETS|80|Sonnet 79| And found it in thy cheek: he can afford 1|THE SONNETS|80|Sonnet 79| No praise to thee, but what in thee doth live. 1|THE SONNETS|80|Sonnet 79| Then thank him not for that which he doth say, 1|THE SONNETS|80|Sonnet 79| Since what he owes thee, thou thy self dost pay. 1|THE SONNETS|80|Sonnet 79| 1|THE SONNETS|80|Sonnet 79| 1|THE SONNETS|81|Sonnet 80| 80 1|THE SONNETS|81|Sonnet 80| O how I faint when I of you do write, 1|THE SONNETS|81|Sonnet 80| Knowing a better spirit doth use your name, 1|THE SONNETS|81|Sonnet 80| And in the praise thereof spends all his might, 1|THE SONNETS|81|Sonnet 80| To make me tongue-tied speaking of your fame. 1|THE SONNETS|81|Sonnet 80| But since your worth (wide as the ocean is) 1|THE SONNETS|81|Sonnet 80| The humble as the proudest sail doth bear, 1|THE SONNETS|81|Sonnet 80| My saucy bark (inferior far to his) 1|THE SONNETS|81|Sonnet 80| On your broad main doth wilfully appear. 1|THE SONNETS|81|Sonnet 80| Your shallowest help will hold me up afloat, 1|THE SONNETS|81|Sonnet 80| Whilst he upon your soundless deep doth ride, 1|THE SONNETS|81|Sonnet 80| Or (being wrecked) I am a worthless boat, 1|THE SONNETS|81|Sonnet 80| He of tall building, and of goodly pride. 1|THE SONNETS|81|Sonnet 80| Then if he thrive and I be cast away, 1|THE SONNETS|81|Sonnet 80| The worst was this, my love was my decay. 1|THE SONNETS|81|Sonnet 80| 1|THE SONNETS|81|Sonnet 80| 1|THE SONNETS|82|Sonnet 81| 81 1|THE SONNETS|82|Sonnet 81| Or I shall live your epitaph to make, 1|THE SONNETS|82|Sonnet 81| Or you survive when I in earth am rotten, 1|THE SONNETS|82|Sonnet 81| From hence your memory death cannot take, 1|THE SONNETS|82|Sonnet 81| Although in me each part will be forgotten. 1|THE SONNETS|82|Sonnet 81| Your name from hence immortal life shall have, 1|THE SONNETS|82|Sonnet 81| Though I (once gone) to all the world must die, 1|THE SONNETS|82|Sonnet 81| The earth can yield me but a common grave, 1|THE SONNETS|82|Sonnet 81| When you entombed in men's eyes shall lie, 1|THE SONNETS|82|Sonnet 81| Your monument shall be my gentle verse, 1|THE SONNETS|82|Sonnet 81| Which eyes not yet created shall o'er-read, 1|THE SONNETS|82|Sonnet 81| And tongues to be, your being shall rehearse, 1|THE SONNETS|82|Sonnet 81| When all the breathers of this world are dead, 1|THE SONNETS|82|Sonnet 81| You still shall live (such virtue hath my pen) 1|THE SONNETS|82|Sonnet 81| Where breath most breathes, even in the mouths of men. 1|THE SONNETS|82|Sonnet 81| 1|THE SONNETS|82|Sonnet 81| 1|THE SONNETS|83|Sonnet 82| 82 1|THE SONNETS|83|Sonnet 82| I grant thou wert not married to my muse, 1|THE SONNETS|83|Sonnet 82| And therefore mayst without attaint o'erlook 1|THE SONNETS|83|Sonnet 82| The dedicated words which writers use 1|THE SONNETS|83|Sonnet 82| Of their fair subject, blessing every book. 1|THE SONNETS|83|Sonnet 82| Thou art as fair in knowledge as in hue, 1|THE SONNETS|83|Sonnet 82| Finding thy worth a limit past my praise, 1|THE SONNETS|83|Sonnet 82| And therefore art enforced to seek anew, 1|THE SONNETS|83|Sonnet 82| Some fresher stamp of the time-bettering days. 1|THE SONNETS|83|Sonnet 82| And do so love, yet when they have devised, 1|THE SONNETS|83|Sonnet 82| What strained touches rhetoric can lend, 1|THE SONNETS|83|Sonnet 82| Thou truly fair, wert truly sympathized, 1|THE SONNETS|83|Sonnet 82| In true plain words, by thy true-telling friend. 1|THE SONNETS|83|Sonnet 82| And their gross painting might be better used, 1|THE SONNETS|83|Sonnet 82| Where cheeks need blood, in thee it is abused. 1|THE SONNETS|83|Sonnet 82| 1|THE SONNETS|83|Sonnet 82| 1|THE SONNETS|84|Sonnet 83| 83 1|THE SONNETS|84|Sonnet 83| I never saw that you did painting need, 1|THE SONNETS|84|Sonnet 83| And therefore to your fair no painting set, 1|THE SONNETS|84|Sonnet 83| I found (or thought I found) you did exceed, 1|THE SONNETS|84|Sonnet 83| That barren tender of a poet's debt: 1|THE SONNETS|84|Sonnet 83| And therefore have I slept in your report, 1|THE SONNETS|84|Sonnet 83| That you your self being extant well might show, 1|THE SONNETS|84|Sonnet 83| How far a modern quill doth come too short, 1|THE SONNETS|84|Sonnet 83| Speaking of worth, what worth in you doth grow. 1|THE SONNETS|84|Sonnet 83| This silence for my sin you did impute, 1|THE SONNETS|84|Sonnet 83| Which shall be most my glory being dumb, 1|THE SONNETS|84|Sonnet 83| For I impair not beauty being mute, 1|THE SONNETS|84|Sonnet 83| When others would give life, and bring a tomb. 1|THE SONNETS|84|Sonnet 83| There lives more life in one of your fair eyes, 1|THE SONNETS|84|Sonnet 83| Than both your poets can in praise devise. 1|THE SONNETS|84|Sonnet 83| 1|THE SONNETS|84|Sonnet 83| 1|THE SONNETS|85|Sonnet 84| 84 1|THE SONNETS|85|Sonnet 84| Who is it that says most, which can say more, 1|THE SONNETS|85|Sonnet 84| Than this rich praise, that you alone, are you? 1|THE SONNETS|85|Sonnet 84| In whose confine immured is the store, 1|THE SONNETS|85|Sonnet 84| Which should example where your equal grew. 1|THE SONNETS|85|Sonnet 84| Lean penury within that pen doth dwell, 1|THE SONNETS|85|Sonnet 84| That to his subject lends not some small glory, 1|THE SONNETS|85|Sonnet 84| But he that writes of you, if he can tell, 1|THE SONNETS|85|Sonnet 84| That you are you, so dignifies his story. 1|THE SONNETS|85|Sonnet 84| Let him but copy what in you is writ, 1|THE SONNETS|85|Sonnet 84| Not making worse what nature made so clear, 1|THE SONNETS|85|Sonnet 84| And such a counterpart shall fame his wit, 1|THE SONNETS|85|Sonnet 84| Making his style admired every where. 1|THE SONNETS|85|Sonnet 84| You to your beauteous blessings add a curse, 1|THE SONNETS|85|Sonnet 84| Being fond on praise, which makes your praises worse. 1|THE SONNETS|85|Sonnet 84| 1|THE SONNETS|85|Sonnet 84| 1|THE SONNETS|86|Sonnet 85| 85 1|THE SONNETS|86|Sonnet 85| My tongue-tied muse in manners holds her still, 1|THE SONNETS|86|Sonnet 85| While comments of your praise richly compiled, 1|THE SONNETS|86|Sonnet 85| Reserve their character with golden quill, 1|THE SONNETS|86|Sonnet 85| And precious phrase by all the Muses filed. 1|THE SONNETS|86|Sonnet 85| I think good thoughts, whilst other write good words, 1|THE SONNETS|86|Sonnet 85| And like unlettered clerk still cry Amen, 1|THE SONNETS|86|Sonnet 85| To every hymn that able spirit affords, 1|THE SONNETS|86|Sonnet 85| In polished form of well refined pen. 1|THE SONNETS|86|Sonnet 85| Hearing you praised, I say 'tis so, 'tis true, 1|THE SONNETS|86|Sonnet 85| And to the most of praise add something more, 1|THE SONNETS|86|Sonnet 85| But that is in my thought, whose love to you 1|THE SONNETS|86|Sonnet 85| (Though words come hindmost) holds his rank before, 1|THE SONNETS|86|Sonnet 85| Then others, for the breath of words respect, 1|THE SONNETS|86|Sonnet 85| Me for my dumb thoughts, speaking in effect. 1|THE SONNETS|86|Sonnet 85| 1|THE SONNETS|86|Sonnet 85| 1|THE SONNETS|87|Sonnet 86| 86 1|THE SONNETS|87|Sonnet 86| Was it the proud full sail of his great verse, 1|THE SONNETS|87|Sonnet 86| Bound for the prize of (all too precious) you, 1|THE SONNETS|87|Sonnet 86| That did my ripe thoughts in my brain inhearse, 1|THE SONNETS|87|Sonnet 86| Making their tomb the womb wherein they grew? 1|THE SONNETS|87|Sonnet 86| Was it his spirit, by spirits taught to write, 1|THE SONNETS|87|Sonnet 86| Above a mortal pitch, that struck me dead? 1|THE SONNETS|87|Sonnet 86| No, neither he, nor his compeers by night 1|THE SONNETS|87|Sonnet 86| Giving him aid, my verse astonished. 1|THE SONNETS|87|Sonnet 86| He nor that affable familiar ghost 1|THE SONNETS|87|Sonnet 86| Which nightly gulls him with intelligence, 1|THE SONNETS|87|Sonnet 86| As victors of my silence cannot boast, 1|THE SONNETS|87|Sonnet 86| I was not sick of any fear from thence. 1|THE SONNETS|87|Sonnet 86| But when your countenance filled up his line, 1|THE SONNETS|87|Sonnet 86| Then lacked I matter, that enfeebled mine. 1|THE SONNETS|87|Sonnet 86| 1|THE SONNETS|87|Sonnet 86| 1|THE SONNETS|88|Sonnet 87| 87 1|THE SONNETS|88|Sonnet 87| Farewell! thou art too dear for my possessing, 1|THE SONNETS|88|Sonnet 87| And like enough thou know'st thy estimate, 1|THE SONNETS|88|Sonnet 87| The charter of thy worth gives thee releasing: 1|THE SONNETS|88|Sonnet 87| My bonds in thee are all determinate. 1|THE SONNETS|88|Sonnet 87| For how do I hold thee but by thy granting, 1|THE SONNETS|88|Sonnet 87| And for that riches where is my deserving? 1|THE SONNETS|88|Sonnet 87| The cause of this fair gift in me is wanting, 1|THE SONNETS|88|Sonnet 87| And so my patent back again is swerving. 1|THE SONNETS|88|Sonnet 87| Thy self thou gav'st, thy own worth then not knowing, 1|THE SONNETS|88|Sonnet 87| Or me to whom thou gav'st it, else mistaking, 1|THE SONNETS|88|Sonnet 87| So thy great gift upon misprision growing, 1|THE SONNETS|88|Sonnet 87| Comes home again, on better judgement making. 1|THE SONNETS|88|Sonnet 87| Thus have I had thee as a dream doth flatter, 1|THE SONNETS|88|Sonnet 87| In sleep a king, but waking no such matter. 1|THE SONNETS|88|Sonnet 87| 1|THE SONNETS|88|Sonnet 87| 1|THE SONNETS|89|Sonnet 88| 88 1|THE SONNETS|89|Sonnet 88| When thou shalt be disposed to set me light, 1|THE SONNETS|89|Sonnet 88| And place my merit in the eye of scorn, 1|THE SONNETS|89|Sonnet 88| Upon thy side, against my self I'll fight, 1|THE SONNETS|89|Sonnet 88| And prove thee virtuous, though thou art forsworn: 1|THE SONNETS|89|Sonnet 88| With mine own weakness being best acquainted, 1|THE SONNETS|89|Sonnet 88| Upon thy part I can set down a story 1|THE SONNETS|89|Sonnet 88| Of faults concealed, wherein I am attainted: 1|THE SONNETS|89|Sonnet 88| That thou in losing me, shalt win much glory: 1|THE SONNETS|89|Sonnet 88| And I by this will be a gainer too, 1|THE SONNETS|89|Sonnet 88| For bending all my loving thoughts on thee, 1|THE SONNETS|89|Sonnet 88| The injuries that to my self I do, 1|THE SONNETS|89|Sonnet 88| Doing thee vantage, double-vantage me. 1|THE SONNETS|89|Sonnet 88| Such is my love, to thee I so belong, 1|THE SONNETS|89|Sonnet 88| That for thy right, my self will bear all wrong. 1|THE SONNETS|89|Sonnet 88| 1|THE SONNETS|89|Sonnet 88| 1|THE SONNETS|90|Sonnet 89| 89 1|THE SONNETS|90|Sonnet 89| Say that thou didst forsake me for some fault, 1|THE SONNETS|90|Sonnet 89| And I will comment upon that offence, 1|THE SONNETS|90|Sonnet 89| Speak of my lameness, and I straight will halt: 1|THE SONNETS|90|Sonnet 89| Against thy reasons making no defence. 1|THE SONNETS|90|Sonnet 89| Thou canst not (love) disgrace me half so ill, 1|THE SONNETS|90|Sonnet 89| To set a form upon desired change, 1|THE SONNETS|90|Sonnet 89| As I'll my self disgrace, knowing thy will, 1|THE SONNETS|90|Sonnet 89| I will acquaintance strangle and look strange: 1|THE SONNETS|90|Sonnet 89| Be absent from thy walks and in my tongue, 1|THE SONNETS|90|Sonnet 89| Thy sweet beloved name no more shall dwell, 1|THE SONNETS|90|Sonnet 89| Lest I (too much profane) should do it wronk: 1|THE SONNETS|90|Sonnet 89| And haply of our old acquaintance tell. 1|THE SONNETS|90|Sonnet 89| For thee, against my self I'll vow debate, 1|THE SONNETS|90|Sonnet 89| For I must ne'er love him whom thou dost hate. 1|THE SONNETS|90|Sonnet 89| 1|THE SONNETS|90|Sonnet 89| 1|THE SONNETS|91|Sonnet 90| 90 1|THE SONNETS|91|Sonnet 90| Then hate me when thou wilt, if ever, now, 1|THE SONNETS|91|Sonnet 90| Now while the world is bent my deeds to cross, 1|THE SONNETS|91|Sonnet 90| join with the spite of fortune, make me bow, 1|THE SONNETS|91|Sonnet 90| And do not drop in for an after-loss: 1|THE SONNETS|91|Sonnet 90| Ah do not, when my heart hath 'scaped this sorrow, 1|THE SONNETS|91|Sonnet 90| Come in the rearward of a conquered woe, 1|THE SONNETS|91|Sonnet 90| Give not a windy night a rainy morrow, 1|THE SONNETS|91|Sonnet 90| To linger out a purposed overthrow. 1|THE SONNETS|91|Sonnet 90| If thou wilt leave me, do not leave me last, 1|THE SONNETS|91|Sonnet 90| When other petty griefs have done their spite, 1|THE SONNETS|91|Sonnet 90| But in the onset come, so shall I taste 1|THE SONNETS|91|Sonnet 90| At first the very worst of fortune's might. 1|THE SONNETS|91|Sonnet 90| And other strains of woe, which now seem woe, 1|THE SONNETS|91|Sonnet 90| Compared with loss of thee, will not seem so. 1|THE SONNETS|91|Sonnet 90| 1|THE SONNETS|91|Sonnet 90| 1|THE SONNETS|92|Sonnet 91| 91 1|THE SONNETS|92|Sonnet 91| Some glory in their birth, some in their skill, 1|THE SONNETS|92|Sonnet 91| Some in their wealth, some in their body's force, 1|THE SONNETS|92|Sonnet 91| Some in their garments though new-fangled ill: 1|THE SONNETS|92|Sonnet 91| Some in their hawks and hounds, some in their horse. 1|THE SONNETS|92|Sonnet 91| And every humour hath his adjunct pleasure, 1|THE SONNETS|92|Sonnet 91| Wherein it finds a joy above the rest, 1|THE SONNETS|92|Sonnet 91| But these particulars are not my measure, 1|THE SONNETS|92|Sonnet 91| All these I better in one general best. 1|THE SONNETS|92|Sonnet 91| Thy love is better than high birth to me, 1|THE SONNETS|92|Sonnet 91| Richer than wealth, prouder than garments' costs, 1|THE SONNETS|92|Sonnet 91| Of more delight than hawks and horses be: 1|THE SONNETS|92|Sonnet 91| And having thee, of all men's pride I boast. 1|THE SONNETS|92|Sonnet 91| Wretched in this alone, that thou mayst take, 1|THE SONNETS|92|Sonnet 91| All this away, and me most wretchcd make. 1|THE SONNETS|92|Sonnet 91| 1|THE SONNETS|92|Sonnet 91| 1|THE SONNETS|93|Sonnet 92| 92 1|THE SONNETS|93|Sonnet 92| But do thy worst to steal thy self away, 1|THE SONNETS|93|Sonnet 92| For term of life thou art assured mine, 1|THE SONNETS|93|Sonnet 92| And life no longer than thy love will stay, 1|THE SONNETS|93|Sonnet 92| For it depends upon that love of thine. 1|THE SONNETS|93|Sonnet 92| Then need I not to fear the worst of wrongs, 1|THE SONNETS|93|Sonnet 92| When in the least of them my life hath end, 1|THE SONNETS|93|Sonnet 92| I see, a better state to me belongs 1|THE SONNETS|93|Sonnet 92| Than that, which on thy humour doth depend. 1|THE SONNETS|93|Sonnet 92| Thou canst not vex me with inconstant mind, 1|THE SONNETS|93|Sonnet 92| Since that my life on thy revolt doth lie, 1|THE SONNETS|93|Sonnet 92| O what a happy title do I find, 1|THE SONNETS|93|Sonnet 92| Happy to have thy love, happy to die! 1|THE SONNETS|93|Sonnet 92| But what's so blessed-fair that fears no blot? 1|THE SONNETS|93|Sonnet 92| Thou mayst be false, and yet I know it not. 1|THE SONNETS|93|Sonnet 92| 1|THE SONNETS|93|Sonnet 92| 1|THE SONNETS|94|Sonnet 93| 93 1|THE SONNETS|94|Sonnet 93| So shall I live, supposing thou art true, 1|THE SONNETS|94|Sonnet 93| Like a deceived husband, so love's face, 1|THE SONNETS|94|Sonnet 93| May still seem love to me, though altered new: 1|THE SONNETS|94|Sonnet 93| Thy looks with me, thy heart in other place. 1|THE SONNETS|94|Sonnet 93| For there can live no hatred in thine eye, 1|THE SONNETS|94|Sonnet 93| Therefore in that I cannot know thy change, 1|THE SONNETS|94|Sonnet 93| In many's looks, the false heart's history 1|THE SONNETS|94|Sonnet 93| Is writ in moods and frowns and wrinkles strange. 1|THE SONNETS|94|Sonnet 93| But heaven in thy creation did decree, 1|THE SONNETS|94|Sonnet 93| That in thy face sweet love should ever dwell, 1|THE SONNETS|94|Sonnet 93| Whate'er thy thoughts, or thy heart's workings be, 1|THE SONNETS|94|Sonnet 93| Thy looks should nothing thence, but sweetness tell. 1|THE SONNETS|94|Sonnet 93| How like Eve's apple doth thy beauty grow, 1|THE SONNETS|94|Sonnet 93| If thy sweet virtue answer not thy show. 1|THE SONNETS|94|Sonnet 93| 1|THE SONNETS|94|Sonnet 93| 1|THE SONNETS|95|Sonnet 94| 94 1|THE SONNETS|95|Sonnet 94| They that have power to hurt, and will do none, 1|THE SONNETS|95|Sonnet 94| That do not do the thing, they most do show, 1|THE SONNETS|95|Sonnet 94| Who moving others, are themselves as stone, 1|THE SONNETS|95|Sonnet 94| Unmoved, cold, and to temptation slow: 1|THE SONNETS|95|Sonnet 94| They rightly do inherit heaven's graces, 1|THE SONNETS|95|Sonnet 94| And husband nature's riches from expense, 1|THE SONNETS|95|Sonnet 94| Tibey are the lords and owners of their faces, 1|THE SONNETS|95|Sonnet 94| Others, but stewards of their excellence: 1|THE SONNETS|95|Sonnet 94| The summer's flower is to the summer sweet, 1|THE SONNETS|95|Sonnet 94| Though to it self, it only live and die, 1|THE SONNETS|95|Sonnet 94| But if that flower with base infection meet, 1|THE SONNETS|95|Sonnet 94| The basest weed outbraves his dignity: 1|THE SONNETS|95|Sonnet 94| For sweetest things turn sourest by their deeds, 1|THE SONNETS|95|Sonnet 94| Lilies that fester, smell far worse than weeds. 1|THE SONNETS|95|Sonnet 94| 1|THE SONNETS|95|Sonnet 94| 1|THE SONNETS|96|Sonnet 95| 95 1|THE SONNETS|96|Sonnet 95| How sweet and lovely dost thou make the shame, 1|THE SONNETS|96|Sonnet 95| Which like a canker in the fragrant rose, 1|THE SONNETS|96|Sonnet 95| Doth spot the beauty of thy budding name! 1|THE SONNETS|96|Sonnet 95| O in what sweets dost thou thy sins enclose! 1|THE SONNETS|96|Sonnet 95| That tongue that tells the story of thy days, 1|THE SONNETS|96|Sonnet 95| (Making lascivious comments on thy sport) 1|THE SONNETS|96|Sonnet 95| Cannot dispraise, but in a kind of praise, 1|THE SONNETS|96|Sonnet 95| Naming thy name, blesses an ill report. 1|THE SONNETS|96|Sonnet 95| O what a mansion have those vices got, 1|THE SONNETS|96|Sonnet 95| Which for their habitation chose out thee, 1|THE SONNETS|96|Sonnet 95| Where beauty's veil doth cover every blot, 1|THE SONNETS|96|Sonnet 95| And all things turns to fair, that eyes can see! 1|THE SONNETS|96|Sonnet 95| Take heed (dear heart) of this large privilege, 1|THE SONNETS|96|Sonnet 95| The hardest knife ill-used doth lose his edge. 1|THE SONNETS|96|Sonnet 95| 1|THE SONNETS|96|Sonnet 95| 1|THE SONNETS|97|Sonnet 96| 96 1|THE SONNETS|97|Sonnet 96| Some say thy fault is youth, some wantonness, 1|THE SONNETS|97|Sonnet 96| Some say thy grace is youth and gentle sport, 1|THE SONNETS|97|Sonnet 96| Both grace and faults are loved of more and less: 1|THE SONNETS|97|Sonnet 96| Thou mak'st faults graces, that to thee resort: 1|THE SONNETS|97|Sonnet 96| As on the finger of a throned queen, 1|THE SONNETS|97|Sonnet 96| The basest jewel will be well esteemed: 1|THE SONNETS|97|Sonnet 96| So are those errors that in thee are seen, 1|THE SONNETS|97|Sonnet 96| To truths translated, and for true things deemed. 1|THE SONNETS|97|Sonnet 96| How many lambs might the stern wolf betray, 1|THE SONNETS|97|Sonnet 96| If like a lamb he could his looks translate! 1|THE SONNETS|97|Sonnet 96| How many gazers mightst thou lead away, 1|THE SONNETS|97|Sonnet 96| if thou wouldst use the strength of all thy state! 1|THE SONNETS|97|Sonnet 96| But do not so, I love thee in such sort, 1|THE SONNETS|97|Sonnet 96| As thou being mine, mine is thy good report. 1|THE SONNETS|97|Sonnet 96| 1|THE SONNETS|97|Sonnet 96| 1|THE SONNETS|98|Sonnet 97| 97 1|THE SONNETS|98|Sonnet 97| How like a winter hath my absence been 1|THE SONNETS|98|Sonnet 97| From thee, the pleasure of the fleeting year! 1|THE SONNETS|98|Sonnet 97| What freezings have I felt, what dark days seen! 1|THE SONNETS|98|Sonnet 97| What old December's bareness everywhere! 1|THE SONNETS|98|Sonnet 97| And yet this time removed was summer's time, 1|THE SONNETS|98|Sonnet 97| The teeming autumn big with rich increase, 1|THE SONNETS|98|Sonnet 97| Bearing the wanton burden of the prime, 1|THE SONNETS|98|Sonnet 97| Like widowed wombs after their lords' decease: 1|THE SONNETS|98|Sonnet 97| Yet this abundant issue seemed to me 1|THE SONNETS|98|Sonnet 97| But hope of orphans, and unfathered fruit, 1|THE SONNETS|98|Sonnet 97| For summer and his pleasures wait on thee, 1|THE SONNETS|98|Sonnet 97| And thou away, the very birds are mute. 1|THE SONNETS|98|Sonnet 97| Or if they sing, 'tis with so dull a cheer, 1|THE SONNETS|98|Sonnet 97| That leaves look pale, dreading the winter's near. 1|THE SONNETS|98|Sonnet 97| 1|THE SONNETS|98|Sonnet 97| 1|THE SONNETS|99|Sonnet 98| 98 1|THE SONNETS|99|Sonnet 98| From you have I been absent in the spring, 1|THE SONNETS|99|Sonnet 98| When proud-pied April (dressed in all his trim) 1|THE SONNETS|99|Sonnet 98| Hath put a spirit of youth in every thing: 1|THE SONNETS|99|Sonnet 98| That heavy Saturn laughed and leaped with him. 1|THE SONNETS|99|Sonnet 98| Yet nor the lays of birds, nor the sweet smell 1|THE SONNETS|99|Sonnet 98| Of different flowers in odour and in hue, 1|THE SONNETS|99|Sonnet 98| Could make me any summer's story tell: 1|THE SONNETS|99|Sonnet 98| Or from their proud lap pluck them where they grew: 1|THE SONNETS|99|Sonnet 98| Nor did I wonder at the lily's white, 1|THE SONNETS|99|Sonnet 98| Nor praise the deep vermilion in the rose, 1|THE SONNETS|99|Sonnet 98| They were but sweet, but figures of delight: 1|THE SONNETS|99|Sonnet 98| Drawn after you, you pattern of all those. 1|THE SONNETS|99|Sonnet 98| Yet seemed it winter still, and you away, 1|THE SONNETS|99|Sonnet 98| As with your shadow I with these did play. 1|THE SONNETS|99|Sonnet 98| 1|THE SONNETS|99|Sonnet 98| 1|THE SONNETS|100|Sonnet 99| 99 1|THE SONNETS|100|Sonnet 99| The forward violet thus did I chide, 1|THE SONNETS|100|Sonnet 99| Sweet thief, whence didst thou steal thy sweet that smells, 1|THE SONNETS|100|Sonnet 99| If not from my love's breath? The purple pride 1|THE SONNETS|100|Sonnet 99| Which on thy soft check for complexion dwells, 1|THE SONNETS|100|Sonnet 99| In my love's veins thou hast too grossly dyed. 1|THE SONNETS|100|Sonnet 99| The lily I condemned for thy hand, 1|THE SONNETS|100|Sonnet 99| And buds of marjoram had stol'n thy hair, 1|THE SONNETS|100|Sonnet 99| The roses fearfully on thorns did stand, 1|THE SONNETS|100|Sonnet 99| One blushing shame, another white despair: 1|THE SONNETS|100|Sonnet 99| A third nor red, nor white, had stol'n of both, 1|THE SONNETS|100|Sonnet 99| And to his robbery had annexed thy breath, 1|THE SONNETS|100|Sonnet 99| But for his theft in pride of all his growth 1|THE SONNETS|100|Sonnet 99| A vengeful canker eat him up to death. 1|THE SONNETS|100|Sonnet 99| More flowers I noted, yet I none could see, 1|THE SONNETS|100|Sonnet 99| But sweet, or colour it had stol'n from thee. 1|THE SONNETS|100|Sonnet 99| 1|THE SONNETS|100|Sonnet 99| 1|THE SONNETS|101|Sonnet 100| 100 1|THE SONNETS|101|Sonnet 100| Where art thou Muse that thou forget'st so long, 1|THE SONNETS|101|Sonnet 100| To speak of that which gives thee all thy might? 1|THE SONNETS|101|Sonnet 100| Spend'st thou thy fury on some worthless song, 1|THE SONNETS|101|Sonnet 100| Darkening thy power to lend base subjects light? 1|THE SONNETS|101|Sonnet 100| Return forgetful Muse, and straight redeem, 1|THE SONNETS|101|Sonnet 100| In gentle numbers time so idly spent, 1|THE SONNETS|101|Sonnet 100| Sing to the ear that doth thy lays esteem, 1|THE SONNETS|101|Sonnet 100| And gives thy pen both skill and argument. 1|THE SONNETS|101|Sonnet 100| Rise resty Muse, my love's sweet face survey, 1|THE SONNETS|101|Sonnet 100| If time have any wrinkle graven there, 1|THE SONNETS|101|Sonnet 100| If any, be a satire to decay, 1|THE SONNETS|101|Sonnet 100| And make time's spoils despised everywhere. 1|THE SONNETS|101|Sonnet 100| Give my love fame faster than Time wastes life, 1|THE SONNETS|101|Sonnet 100| So thou prevent'st his scythe, and crooked knife. 1|THE SONNETS|101|Sonnet 100| 1|THE SONNETS|101|Sonnet 100| 1|THE SONNETS|102|Sonnet 101| 101 1|THE SONNETS|102|Sonnet 101| O truant Muse what shall be thy amends, 1|THE SONNETS|102|Sonnet 101| For thy neglect of truth in beauty dyed? 1|THE SONNETS|102|Sonnet 101| Both truth and beauty on my love depends: 1|THE SONNETS|102|Sonnet 101| So dost thou too, and therein dignified: 1|THE SONNETS|102|Sonnet 101| Make answer Muse, wilt thou not haply say, 1|THE SONNETS|102|Sonnet 101| 'Truth needs no colour with his colour fixed, 1|THE SONNETS|102|Sonnet 101| Beauty no pencil, beauty's truth to lay: 1|THE SONNETS|102|Sonnet 101| But best is best, if never intermixed'? 1|THE SONNETS|102|Sonnet 101| Because he needs no praise, wilt thou be dumb? 1|THE SONNETS|102|Sonnet 101| Excuse not silence so, for't lies in thee, 1|THE SONNETS|102|Sonnet 101| To make him much outlive a gilded tomb: 1|THE SONNETS|102|Sonnet 101| And to be praised of ages yet to be. 1|THE SONNETS|102|Sonnet 101| Then do thy office Muse, I teach thee how, 1|THE SONNETS|102|Sonnet 101| To make him seem long hence, as he shows now. 1|THE SONNETS|102|Sonnet 101| 1|THE SONNETS|102|Sonnet 101| 1|THE SONNETS|103|Sonnet 102| 102 1|THE SONNETS|103|Sonnet 102| My love is strengthened though more weak in seeming, 1|THE SONNETS|103|Sonnet 102| I love not less, though less the show appear, 1|THE SONNETS|103|Sonnet 102| That love is merchandized, whose rich esteeming, 1|THE SONNETS|103|Sonnet 102| The owner's tongue doth publish every where. 1|THE SONNETS|103|Sonnet 102| Our love was new, and then but in the spring, 1|THE SONNETS|103|Sonnet 102| When I was wont to greet it with my lays, 1|THE SONNETS|103|Sonnet 102| As Philomel in summer's front doth sing, 1|THE SONNETS|103|Sonnet 102| And stops her pipe in growth of riper days: 1|THE SONNETS|103|Sonnet 102| Not that the summer is less pleasant now 1|THE SONNETS|103|Sonnet 102| Than when her mournful hymns did hush the night, 1|THE SONNETS|103|Sonnet 102| But that wild music burthens every bough, 1|THE SONNETS|103|Sonnet 102| And sweets grown common lose their dear delight. 1|THE SONNETS|103|Sonnet 102| Therefore like her, I sometime hold my tongue: 1|THE SONNETS|103|Sonnet 102| Because I would not dull you with my song. 1|THE SONNETS|103|Sonnet 102| 1|THE SONNETS|103|Sonnet 102| 1|THE SONNETS|104|Sonnet 103| 103 1|THE SONNETS|104|Sonnet 103| Alack what poverty my muse brings forth, 1|THE SONNETS|104|Sonnet 103| That having such a scope to show her pride, 1|THE SONNETS|104|Sonnet 103| The argument all bare is of more worth 1|THE SONNETS|104|Sonnet 103| Than when it hath my added praise beside. 1|THE SONNETS|104|Sonnet 103| O blame me not if I no more can write! 1|THE SONNETS|104|Sonnet 103| Look in your glass and there appears a face, 1|THE SONNETS|104|Sonnet 103| That over-goes my blunt invention quite, 1|THE SONNETS|104|Sonnet 103| Dulling my lines, and doing me disgrace. 1|THE SONNETS|104|Sonnet 103| Were it not sinful then striving to mend, 1|THE SONNETS|104|Sonnet 103| To mar the subject that before was well? 1|THE SONNETS|104|Sonnet 103| For to no other pass my verses tend, 1|THE SONNETS|104|Sonnet 103| Than of your graces and your gifts to tell. 1|THE SONNETS|104|Sonnet 103| And more, much more than in my verse can sit, 1|THE SONNETS|104|Sonnet 103| Your own glass shows you, when you look in it. 1|THE SONNETS|104|Sonnet 103| 1|THE SONNETS|104|Sonnet 103| 1|THE SONNETS|105|Sonnet 104| 104 1|THE SONNETS|105|Sonnet 104| To me fair friend you never can be old, 1|THE SONNETS|105|Sonnet 104| For as you were when first your eye I eyed, 1|THE SONNETS|105|Sonnet 104| Such seems your beauty still: three winters cold, 1|THE SONNETS|105|Sonnet 104| Have from the forests shook three summers' pride, 1|THE SONNETS|105|Sonnet 104| Three beauteous springs to yellow autumn turned, 1|THE SONNETS|105|Sonnet 104| In process of the seasons have I seen, 1|THE SONNETS|105|Sonnet 104| Three April perfumes in three hot Junes burned, 1|THE SONNETS|105|Sonnet 104| Since first I saw you fresh which yet are green. 1|THE SONNETS|105|Sonnet 104| Ah yet doth beauty like a dial hand, 1|THE SONNETS|105|Sonnet 104| Steal from his figure, and no pace perceived, 1|THE SONNETS|105|Sonnet 104| So your sweet hue, which methinks still doth stand 1|THE SONNETS|105|Sonnet 104| Hath motion, and mine eye may be deceived. 1|THE SONNETS|105|Sonnet 104| For fear of which, hear this thou age unbred, 1|THE SONNETS|105|Sonnet 104| Ere you were born was beauty's summer dead. 1|THE SONNETS|105|Sonnet 104| 1|THE SONNETS|105|Sonnet 104| 1|THE SONNETS|106|Sonnet 105| 105 1|THE SONNETS|106|Sonnet 105| Let not my love be called idolatry, 1|THE SONNETS|106|Sonnet 105| Nor my beloved as an idol show, 1|THE SONNETS|106|Sonnet 105| Since all alike my songs and praises be 1|THE SONNETS|106|Sonnet 105| To one, of one, still such, and ever so. 1|THE SONNETS|106|Sonnet 105| Kind is my love to-day, to-morrow kind, 1|THE SONNETS|106|Sonnet 105| Still constant in a wondrous excellence, 1|THE SONNETS|106|Sonnet 105| Therefore my verse to constancy confined, 1|THE SONNETS|106|Sonnet 105| One thing expressing, leaves out difference. 1|THE SONNETS|106|Sonnet 105| Fair, kind, and true, is all my argument, 1|THE SONNETS|106|Sonnet 105| Fair, kind, and true, varying to other words, 1|THE SONNETS|106|Sonnet 105| And in this change is my invention spent, 1|THE SONNETS|106|Sonnet 105| Three themes in one, which wondrous scope affords. 1|THE SONNETS|106|Sonnet 105| Fair, kind, and true, have often lived alone. 1|THE SONNETS|106|Sonnet 105| Which three till now, never kept seat in one. 1|THE SONNETS|106|Sonnet 105| 1|THE SONNETS|106|Sonnet 105| 1|THE SONNETS|107|Sonnet 106| 106 1|THE SONNETS|107|Sonnet 106| When in the chronicle of wasted time, 1|THE SONNETS|107|Sonnet 106| I see descriptions of the fairest wights, 1|THE SONNETS|107|Sonnet 106| And beauty making beautiful old rhyme, 1|THE SONNETS|107|Sonnet 106| In praise of ladies dead, and lovely knights, 1|THE SONNETS|107|Sonnet 106| Then in the blazon of sweet beauty's best, 1|THE SONNETS|107|Sonnet 106| Of hand, of foot, of lip, of eye, of brow, 1|THE SONNETS|107|Sonnet 106| I see their antique pen would have expressed, 1|THE SONNETS|107|Sonnet 106| Even such a beauty as you master now. 1|THE SONNETS|107|Sonnet 106| So all their praises are but prophecies 1|THE SONNETS|107|Sonnet 106| Of this our time, all you prefiguring, 1|THE SONNETS|107|Sonnet 106| And for they looked but with divining eyes, 1|THE SONNETS|107|Sonnet 106| They had not skill enough your worth to sing: 1|THE SONNETS|107|Sonnet 106| For we which now behold these present days, 1|THE SONNETS|107|Sonnet 106| Have eyes to wonder, but lack tongues to praise. 1|THE SONNETS|107|Sonnet 106| 1|THE SONNETS|107|Sonnet 106| 1|THE SONNETS|108|Sonnet 107| 107 1|THE SONNETS|108|Sonnet 107| Not mine own fears, nor the prophetic soul, 1|THE SONNETS|108|Sonnet 107| Of the wide world, dreaming on things to come, 1|THE SONNETS|108|Sonnet 107| Can yet the lease of my true love control, 1|THE SONNETS|108|Sonnet 107| Supposed as forfeit to a confined doom. 1|THE SONNETS|108|Sonnet 107| The mortal moon hath her eclipse endured, 1|THE SONNETS|108|Sonnet 107| And the sad augurs mock their own presage, 1|THE SONNETS|108|Sonnet 107| Incertainties now crown themselves assured, 1|THE SONNETS|108|Sonnet 107| And peace proclaims olives of endless age. 1|THE SONNETS|108|Sonnet 107| Now with the drops of this most balmy time, 1|THE SONNETS|108|Sonnet 107| My love looks fresh, and death to me subscribes, 1|THE SONNETS|108|Sonnet 107| Since spite of him I'll live in this poor rhyme, 1|THE SONNETS|108|Sonnet 107| While he insults o'er dull and speechless tribes. 1|THE SONNETS|108|Sonnet 107| And thou in this shalt find thy monument, 1|THE SONNETS|108|Sonnet 107| When tyrants' crests and tombs of brass are spent. 1|THE SONNETS|108|Sonnet 107| 1|THE SONNETS|108|Sonnet 107| 1|THE SONNETS|109|Sonnet 108| 108 1|THE SONNETS|109|Sonnet 108| What's in the brain that ink may character, 1|THE SONNETS|109|Sonnet 108| Which hath not figured to thee my true spirit, 1|THE SONNETS|109|Sonnet 108| What's new to speak, what now to register, 1|THE SONNETS|109|Sonnet 108| That may express my love, or thy dear merit? 1|THE SONNETS|109|Sonnet 108| Nothing sweet boy, but yet like prayers divine, 1|THE SONNETS|109|Sonnet 108| I must each day say o'er the very same, 1|THE SONNETS|109|Sonnet 108| Counting no old thing old, thou mine, I thine, 1|THE SONNETS|109|Sonnet 108| Even as when first I hallowed thy fair name. 1|THE SONNETS|109|Sonnet 108| So that eternal love in love's fresh case, 1|THE SONNETS|109|Sonnet 108| Weighs not the dust and injury of age, 1|THE SONNETS|109|Sonnet 108| Nor gives to necessary wrinkles place, 1|THE SONNETS|109|Sonnet 108| But makes antiquity for aye his page, 1|THE SONNETS|109|Sonnet 108| Finding the first conceit of love there bred, 1|THE SONNETS|109|Sonnet 108| Where time and outward form would show it dead. 1|THE SONNETS|109|Sonnet 108| 1|THE SONNETS|109|Sonnet 108| 1|THE SONNETS|110|Sonnet 109| 109 1|THE SONNETS|110|Sonnet 109| O never say that I was false of heart, 1|THE SONNETS|110|Sonnet 109| Though absence seemed my flame to qualify, 1|THE SONNETS|110|Sonnet 109| As easy might I from my self depart, 1|THE SONNETS|110|Sonnet 109| As from my soul which in thy breast doth lie: 1|THE SONNETS|110|Sonnet 109| That is my home of love, if I have ranged, 1|THE SONNETS|110|Sonnet 109| Like him that travels I return again, 1|THE SONNETS|110|Sonnet 109| Just to the time, not with the time exchanged, 1|THE SONNETS|110|Sonnet 109| So that my self bring water for my stain, 1|THE SONNETS|110|Sonnet 109| Never believe though in my nature reigned, 1|THE SONNETS|110|Sonnet 109| All frailties that besiege all kinds of blood, 1|THE SONNETS|110|Sonnet 109| That it could so preposterously be stained, 1|THE SONNETS|110|Sonnet 109| To leave for nothing all thy sum of good: 1|THE SONNETS|110|Sonnet 109| For nothing this wide universe I call, 1|THE SONNETS|110|Sonnet 109| Save thou my rose, in it thou art my all. 1|THE SONNETS|110|Sonnet 109| 1|THE SONNETS|110|Sonnet 109| 1|THE SONNETS|111|Sonnet 110| 110 1|THE SONNETS|111|Sonnet 110| Alas 'tis true, I have gone here and there, 1|THE SONNETS|111|Sonnet 110| And made my self a motley to the view, 1|THE SONNETS|111|Sonnet 110| Gored mine own thoughts, sold cheap what is most dear, 1|THE SONNETS|111|Sonnet 110| Made old offences of affections new. 1|THE SONNETS|111|Sonnet 110| Most true it is, that I have looked on truth 1|THE SONNETS|111|Sonnet 110| Askance and strangely: but by all above, 1|THE SONNETS|111|Sonnet 110| These blenches gave my heart another youth, 1|THE SONNETS|111|Sonnet 110| And worse essays proved thee my best of love. 1|THE SONNETS|111|Sonnet 110| Now all is done, have what shall have no end, 1|THE SONNETS|111|Sonnet 110| Mine appetite I never more will grind 1|THE SONNETS|111|Sonnet 110| On newer proof, to try an older friend, 1|THE SONNETS|111|Sonnet 110| A god in love, to whom I am confined. 1|THE SONNETS|111|Sonnet 110| Then give me welcome, next my heaven the best, 1|THE SONNETS|111|Sonnet 110| Even to thy pure and most most loving breast. 1|THE SONNETS|111|Sonnet 110| 1|THE SONNETS|111|Sonnet 110| 1|THE SONNETS|112|Sonnet 111| 111 1|THE SONNETS|112|Sonnet 111| O for my sake do you with Fortune chide, 1|THE SONNETS|112|Sonnet 111| The guilty goddess of my harmful deeds, 1|THE SONNETS|112|Sonnet 111| That did not better for my life provide, 1|THE SONNETS|112|Sonnet 111| Than public means which public manners breeds. 1|THE SONNETS|112|Sonnet 111| Thence comes it that my name receives a brand, 1|THE SONNETS|112|Sonnet 111| And almost thence my nature is subdued 1|THE SONNETS|112|Sonnet 111| To what it works in, like the dyer's hand: 1|THE SONNETS|112|Sonnet 111| Pity me then, and wish I were renewed, 1|THE SONNETS|112|Sonnet 111| Whilst like a willing patient I will drink, 1|THE SONNETS|112|Sonnet 111| Potions of eisel 'gainst my strong infection, 1|THE SONNETS|112|Sonnet 111| No bitterness that I will bitter think, 1|THE SONNETS|112|Sonnet 111| Nor double penance to correct correction. 1|THE SONNETS|112|Sonnet 111| Pity me then dear friend, and I assure ye, 1|THE SONNETS|112|Sonnet 111| Even that your pity is enough to cure me. 1|THE SONNETS|112|Sonnet 111| 1|THE SONNETS|112|Sonnet 111| 1|THE SONNETS|113|Sonnet 112| 112 1|THE SONNETS|113|Sonnet 112| Your love and pity doth th' impression fill, 1|THE SONNETS|113|Sonnet 112| Which vulgar scandal stamped upon my brow, 1|THE SONNETS|113|Sonnet 112| For what care I who calls me well or ill, 1|THE SONNETS|113|Sonnet 112| So you o'er-green my bad, my good allow? 1|THE SONNETS|113|Sonnet 112| You are my all the world, and I must strive, 1|THE SONNETS|113|Sonnet 112| To know my shames and praises from your tongue, 1|THE SONNETS|113|Sonnet 112| None else to me, nor I to none alive, 1|THE SONNETS|113|Sonnet 112| That my steeled sense or changes right or wrong. 1|THE SONNETS|113|Sonnet 112| In so profound abysm I throw all care 1|THE SONNETS|113|Sonnet 112| Of others' voices, that my adder's sense, 1|THE SONNETS|113|Sonnet 112| To critic and to flatterer stopped are: 1|THE SONNETS|113|Sonnet 112| Mark how with my neglect I do dispense. 1|THE SONNETS|113|Sonnet 112| You are so strongly in my purpose bred, 1|THE SONNETS|113|Sonnet 112| That all the world besides methinks are dead. 1|THE SONNETS|113|Sonnet 112| 1|THE SONNETS|113|Sonnet 112| 1|THE SONNETS|114|Sonnet 113| 113 1|THE SONNETS|114|Sonnet 113| Since I left you, mine eye is in my mind, 1|THE SONNETS|114|Sonnet 113| And that which governs me to go about, 1|THE SONNETS|114|Sonnet 113| Doth part his function, and is partly blind, 1|THE SONNETS|114|Sonnet 113| Seems seeing, but effectually is out: 1|THE SONNETS|114|Sonnet 113| For it no form delivers to the heart 1|THE SONNETS|114|Sonnet 113| Of bird, of flower, or shape which it doth latch, 1|THE SONNETS|114|Sonnet 113| Of his quick objects hath the mind no part, 1|THE SONNETS|114|Sonnet 113| Nor his own vision holds what it doth catch: 1|THE SONNETS|114|Sonnet 113| For if it see the rud'st or gentlest sight, 1|THE SONNETS|114|Sonnet 113| The most sweet favour or deformed'st creature, 1|THE SONNETS|114|Sonnet 113| The mountain, or the sea, the day, or night: 1|THE SONNETS|114|Sonnet 113| The crow, or dove, it shapes them to your feature. 1|THE SONNETS|114|Sonnet 113| Incapable of more, replete with you, 1|THE SONNETS|114|Sonnet 113| My most true mind thus maketh mine untrue. 1|THE SONNETS|114|Sonnet 113| 1|THE SONNETS|114|Sonnet 113| 1|THE SONNETS|115|Sonnet 114| 114 1|THE SONNETS|115|Sonnet 114| Or whether doth my mind being crowned with you 1|THE SONNETS|115|Sonnet 114| Drink up the monarch's plague this flattery? 1|THE SONNETS|115|Sonnet 114| Or whether shall I say mine eye saith true, 1|THE SONNETS|115|Sonnet 114| And that your love taught it this alchemy? 1|THE SONNETS|115|Sonnet 114| To make of monsters, and things indigest, 1|THE SONNETS|115|Sonnet 114| Such cherubins as your sweet self resemble, 1|THE SONNETS|115|Sonnet 114| Creating every bad a perfect best 1|THE SONNETS|115|Sonnet 114| As fast as objects to his beams assemble: 1|THE SONNETS|115|Sonnet 114| O 'tis the first, 'tis flattery in my seeing, 1|THE SONNETS|115|Sonnet 114| And my great mind most kingly drinks it up, 1|THE SONNETS|115|Sonnet 114| Mine eye well knows what with his gust is 'greeing, 1|THE SONNETS|115|Sonnet 114| And to his palate doth prepare the cup. 1|THE SONNETS|115|Sonnet 114| If it be poisoned, 'tis the lesser sin, 1|THE SONNETS|115|Sonnet 114| That mine eye loves it and doth first begin. 1|THE SONNETS|115|Sonnet 114| 1|THE SONNETS|115|Sonnet 114| 1|THE SONNETS|116|Sonnet 115| 115 1|THE SONNETS|116|Sonnet 115| Those lines that I before have writ do lie, 1|THE SONNETS|116|Sonnet 115| Even those that said I could not love you dearer, 1|THE SONNETS|116|Sonnet 115| Yet then my judgment knew no reason why, 1|THE SONNETS|116|Sonnet 115| My most full flame should afterwards burn clearer, 1|THE SONNETS|116|Sonnet 115| But reckoning time, whose millioned accidents 1|THE SONNETS|116|Sonnet 115| Creep in 'twixt vows, and change decrees of kings, 1|THE SONNETS|116|Sonnet 115| Tan sacred beauty, blunt the sharp'st intents, 1|THE SONNETS|116|Sonnet 115| Divert strong minds to the course of alt'ring things: 1|THE SONNETS|116|Sonnet 115| Alas why fearing of time's tyranny, 1|THE SONNETS|116|Sonnet 115| Might I not then say 'Now I love you best,' 1|THE SONNETS|116|Sonnet 115| When I was certain o'er incertainty, 1|THE SONNETS|116|Sonnet 115| Crowning the present, doubting of the rest? 1|THE SONNETS|116|Sonnet 115| Love is a babe, then might I not say so 1|THE SONNETS|116|Sonnet 115| To give full growth to that which still doth grow. 1|THE SONNETS|116|Sonnet 115| 1|THE SONNETS|116|Sonnet 115| 1|THE SONNETS|117|Sonnet 116| 116 1|THE SONNETS|117|Sonnet 116| Let me not to the marriage of true minds 1|THE SONNETS|117|Sonnet 116| Admit impediments, love is not love 1|THE SONNETS|117|Sonnet 116| Which alters when it alteration finds, 1|THE SONNETS|117|Sonnet 116| Or bends with the remover to remove. 1|THE SONNETS|117|Sonnet 116| O no, it is an ever-fixed mark 1|THE SONNETS|117|Sonnet 116| That looks on tempests and is never shaken; 1|THE SONNETS|117|Sonnet 116| It is the star to every wand'ring bark, 1|THE SONNETS|117|Sonnet 116| Whose worth's unknown, although his height be taken. 1|THE SONNETS|117|Sonnet 116| Love's not Time's fool, though rosy lips and cheeks 1|THE SONNETS|117|Sonnet 116| Within his bending sickle's compass come, 1|THE SONNETS|117|Sonnet 116| Love alters not with his brief hours and weeks, 1|THE SONNETS|117|Sonnet 116| But bears it out even to the edge of doom: 1|THE SONNETS|117|Sonnet 116| If this be error and upon me proved, 1|THE SONNETS|117|Sonnet 116| I never writ, nor no man ever loved. 1|THE SONNETS|117|Sonnet 116| 1|THE SONNETS|117|Sonnet 116| 1|THE SONNETS|118|Sonnet 117| 117 1|THE SONNETS|118|Sonnet 117| Accuse me thus, that I have scanted all, 1|THE SONNETS|118|Sonnet 117| Wherein I should your great deserts repay, 1|THE SONNETS|118|Sonnet 117| Forgot upon your dearest love to call, 1|THE SONNETS|118|Sonnet 117| Whereto all bonds do tie me day by day, 1|THE SONNETS|118|Sonnet 117| That I have frequent been with unknown minds, 1|THE SONNETS|118|Sonnet 117| And given to time your own dear-purchased right, 1|THE SONNETS|118|Sonnet 117| That I have hoisted sail to all the winds 1|THE SONNETS|118|Sonnet 117| Which should transport me farthest from your sight. 1|THE SONNETS|118|Sonnet 117| Book both my wilfulness and errors down, 1|THE SONNETS|118|Sonnet 117| And on just proof surmise, accumulate, 1|THE SONNETS|118|Sonnet 117| Bring me within the level of your frown, 1|THE SONNETS|118|Sonnet 117| But shoot not at me in your wakened hate: 1|THE SONNETS|118|Sonnet 117| Since my appeal says I did strive to prove 1|THE SONNETS|118|Sonnet 117| The constancy and virtue of your love. 1|THE SONNETS|118|Sonnet 117| 1|THE SONNETS|118|Sonnet 117| 1|THE SONNETS|119|Sonnet 118| 118 1|THE SONNETS|119|Sonnet 118| Like as to make our appetite more keen 1|THE SONNETS|119|Sonnet 118| With eager compounds we our palate urge, 1|THE SONNETS|119|Sonnet 118| As to prevent our maladies unseen, 1|THE SONNETS|119|Sonnet 118| We sicken to shun sickness when we purge. 1|THE SONNETS|119|Sonnet 118| Even so being full of your ne'er-cloying sweetness, 1|THE SONNETS|119|Sonnet 118| To bitter sauces did I frame my feeding; 1|THE SONNETS|119|Sonnet 118| And sick of welfare found a kind of meetness, 1|THE SONNETS|119|Sonnet 118| To be diseased ere that there was true needing. 1|THE SONNETS|119|Sonnet 118| Thus policy in love t' anticipate 1|THE SONNETS|119|Sonnet 118| The ills that were not, grew to faults assured, 1|THE SONNETS|119|Sonnet 118| And brought to medicine a healthful state 1|THE SONNETS|119|Sonnet 118| Which rank of goodness would by ill be cured. 1|THE SONNETS|119|Sonnet 118| But thence I learn and find the lesson true, 1|THE SONNETS|119|Sonnet 118| Drugs poison him that so feil sick of you. 1|THE SONNETS|119|Sonnet 118| 1|THE SONNETS|119|Sonnet 118| 1|THE SONNETS|120|Sonnet 119| 119 1|THE SONNETS|120|Sonnet 119| What potions have I drunk of Siren tears 1|THE SONNETS|120|Sonnet 119| Distilled from limbecks foul as hell within, 1|THE SONNETS|120|Sonnet 119| Applying fears to hopes, and hopes to fears, 1|THE SONNETS|120|Sonnet 119| Still losing when I saw my self to win! 1|THE SONNETS|120|Sonnet 119| What wretched errors hath my heart committed, 1|THE SONNETS|120|Sonnet 119| Whilst it hath thought it self so blessed never! 1|THE SONNETS|120|Sonnet 119| How have mine eyes out of their spheres been fitted 1|THE SONNETS|120|Sonnet 119| In the distraction of this madding fever! 1|THE SONNETS|120|Sonnet 119| O benefit of ill, now I find true 1|THE SONNETS|120|Sonnet 119| That better is, by evil still made better. 1|THE SONNETS|120|Sonnet 119| And ruined love when it is built anew 1|THE SONNETS|120|Sonnet 119| Grows fairer than at first, more strong, far greater. 1|THE SONNETS|120|Sonnet 119| So I return rebuked to my content, 1|THE SONNETS|120|Sonnet 119| And gain by ills thrice more than I have spent. 1|THE SONNETS|120|Sonnet 119| 1|THE SONNETS|120|Sonnet 119| 1|THE SONNETS|121|Sonnet 120| 120 1|THE SONNETS|121|Sonnet 120| That you were once unkind befriends me now, 1|THE SONNETS|121|Sonnet 120| And for that sorrow, which I then did feel, 1|THE SONNETS|121|Sonnet 120| Needs must I under my transgression bow, 1|THE SONNETS|121|Sonnet 120| Unless my nerves were brass or hammered steel. 1|THE SONNETS|121|Sonnet 120| For if you were by my unkindness shaken 1|THE SONNETS|121|Sonnet 120| As I by yours, y'have passed a hell of time, 1|THE SONNETS|121|Sonnet 120| And I a tyrant have no leisure taken 1|THE SONNETS|121|Sonnet 120| To weigh how once I suffered in your crime. 1|THE SONNETS|121|Sonnet 120| O that our night of woe might have remembered 1|THE SONNETS|121|Sonnet 120| My deepest sense, how hard true sorrow hits, 1|THE SONNETS|121|Sonnet 120| And soon to you, as you to me then tendered 1|THE SONNETS|121|Sonnet 120| The humble salve, which wounded bosoms fits! 1|THE SONNETS|121|Sonnet 120| But that your trespass now becomes a fee, 1|THE SONNETS|121|Sonnet 120| Mine ransoms yours, and yours must ransom me. 1|THE SONNETS|121|Sonnet 120| 1|THE SONNETS|121|Sonnet 120| 1|THE SONNETS|122|Sonnet 121| 121 1|THE SONNETS|122|Sonnet 121| 'Tis better to be vile than vile esteemed, 1|THE SONNETS|122|Sonnet 121| When not to be, receives reproach of being, 1|THE SONNETS|122|Sonnet 121| And the just pleasure lost, which is so deemed, 1|THE SONNETS|122|Sonnet 121| Not by our feeling, but by others' seeing. 1|THE SONNETS|122|Sonnet 121| For why should others' false adulterate eyes 1|THE SONNETS|122|Sonnet 121| Give salutation to my sportive blood? 1|THE SONNETS|122|Sonnet 121| Or on my frailties why are frailer spies, 1|THE SONNETS|122|Sonnet 121| Which in their wills count bad what I think good? 1|THE SONNETS|122|Sonnet 121| No, I am that I am, and they that level 1|THE SONNETS|122|Sonnet 121| At my abuses, reckon up their own, 1|THE SONNETS|122|Sonnet 121| I may be straight though they themselves be bevel; 1|THE SONNETS|122|Sonnet 121| By their rank thoughts, my deeds must not be shown 1|THE SONNETS|122|Sonnet 121| Unless this general evil they maintain, 1|THE SONNETS|122|Sonnet 121| All men are bad and in their badness reign. 1|THE SONNETS|122|Sonnet 121| 1|THE SONNETS|122|Sonnet 121| 1|THE SONNETS|123|Sonnet 122| 122 1|THE SONNETS|123|Sonnet 122| Thy gift, thy tables, are within my brain 1|THE SONNETS|123|Sonnet 122| Full charactered with lasting memory, 1|THE SONNETS|123|Sonnet 122| Which shall above that idle rank remain 1|THE SONNETS|123|Sonnet 122| Beyond all date even to eternity. 1|THE SONNETS|123|Sonnet 122| Or at the least, so long as brain and heart 1|THE SONNETS|123|Sonnet 122| Have faculty by nature to subsist, 1|THE SONNETS|123|Sonnet 122| Till each to razed oblivion yield his part 1|THE SONNETS|123|Sonnet 122| Of thee, thy record never can be missed: 1|THE SONNETS|123|Sonnet 122| That poor retention could not so much hold, 1|THE SONNETS|123|Sonnet 122| Nor need I tallies thy dear love to score, 1|THE SONNETS|123|Sonnet 122| Therefore to give them from me was I bold, 1|THE SONNETS|123|Sonnet 122| To trust those tables that receive thee more: 1|THE SONNETS|123|Sonnet 122| To keep an adjunct to remember thee 1|THE SONNETS|123|Sonnet 122| Were to import forgetfulness in me. 1|THE SONNETS|123|Sonnet 122| 1|THE SONNETS|123|Sonnet 122| 1|THE SONNETS|124|Sonnet 123| 123 1|THE SONNETS|124|Sonnet 123| No! Time, thou shalt not boast that I do change, 1|THE SONNETS|124|Sonnet 123| Thy pyramids built up with newer might 1|THE SONNETS|124|Sonnet 123| To me are nothing novel, nothing strange, 1|THE SONNETS|124|Sonnet 123| They are but dressings Of a former sight: 1|THE SONNETS|124|Sonnet 123| Our dates are brief, and therefore we admire, 1|THE SONNETS|124|Sonnet 123| What thou dost foist upon us that is old, 1|THE SONNETS|124|Sonnet 123| And rather make them born to our desire, 1|THE SONNETS|124|Sonnet 123| Than think that we before have heard them told: 1|THE SONNETS|124|Sonnet 123| Thy registers and thee I both defy, 1|THE SONNETS|124|Sonnet 123| Not wond'ring at the present, nor the past, 1|THE SONNETS|124|Sonnet 123| For thy records, and what we see doth lie, 1|THE SONNETS|124|Sonnet 123| Made more or less by thy continual haste: 1|THE SONNETS|124|Sonnet 123| This I do vow and this shall ever be, 1|THE SONNETS|124|Sonnet 123| I will be true despite thy scythe and thee. 1|THE SONNETS|124|Sonnet 123| 1|THE SONNETS|124|Sonnet 123| 1|THE SONNETS|125|Sonnet 124| 124 1|THE SONNETS|125|Sonnet 124| If my dear love were but the child of state, 1|THE SONNETS|125|Sonnet 124| It might for Fortune's bastard be unfathered, 1|THE SONNETS|125|Sonnet 124| As subject to time's love or to time's hate, 1|THE SONNETS|125|Sonnet 124| Weeds among weeds, or flowers with flowers gathered. 1|THE SONNETS|125|Sonnet 124| No it was builded far from accident, 1|THE SONNETS|125|Sonnet 124| It suffers not in smiling pomp, nor falls 1|THE SONNETS|125|Sonnet 124| Under the blow of thralled discontent, 1|THE SONNETS|125|Sonnet 124| Whereto th' inviting time our fashion calls: 1|THE SONNETS|125|Sonnet 124| It fears not policy that heretic, 1|THE SONNETS|125|Sonnet 124| Which works on leases of short-numbered hours, 1|THE SONNETS|125|Sonnet 124| But all alone stands hugely politic, 1|THE SONNETS|125|Sonnet 124| That it nor grows with heat, nor drowns with showers. 1|THE SONNETS|125|Sonnet 124| To this I witness call the fools of time, 1|THE SONNETS|125|Sonnet 124| Which die for goodness, who have lived for crime. 1|THE SONNETS|125|Sonnet 124| 1|THE SONNETS|125|Sonnet 124| 1|THE SONNETS|126|Sonnet 125| 125 1|THE SONNETS|126|Sonnet 125| Were't aught to me I bore the canopy, 1|THE SONNETS|126|Sonnet 125| With my extern the outward honouring, 1|THE SONNETS|126|Sonnet 125| Or laid great bases for eternity, 1|THE SONNETS|126|Sonnet 125| Which proves more short than waste or ruining? 1|THE SONNETS|126|Sonnet 125| Have I not seen dwellers on form and favour 1|THE SONNETS|126|Sonnet 125| Lose all, and more by paying too much rent 1|THE SONNETS|126|Sonnet 125| For compound sweet; forgoing simple savour, 1|THE SONNETS|126|Sonnet 125| Pitiful thrivers in their gazing spent? 1|THE SONNETS|126|Sonnet 125| No, let me be obsequious in thy heart, 1|THE SONNETS|126|Sonnet 125| And take thou my oblation, poor but free, 1|THE SONNETS|126|Sonnet 125| Which is not mixed with seconds, knows no art, 1|THE SONNETS|126|Sonnet 125| But mutual render, only me for thee. 1|THE SONNETS|126|Sonnet 125| Hence, thou suborned informer, a true soul 1|THE SONNETS|126|Sonnet 125| When most impeached, stands least in thy control. 1|THE SONNETS|126|Sonnet 125| 1|THE SONNETS|126|Sonnet 125| 1|THE SONNETS|127|Sonnet 126| 126 1|THE SONNETS|127|Sonnet 126| O thou my lovely boy who in thy power, 1|THE SONNETS|127|Sonnet 126| Dost hold Time's fickle glass his fickle hour: 1|THE SONNETS|127|Sonnet 126| Who hast by waning grown, and therein show'st, 1|THE SONNETS|127|Sonnet 126| Thy lovers withering, as thy sweet self grow'st. 1|THE SONNETS|127|Sonnet 126| If Nature (sovereign mistress over wrack) 1|THE SONNETS|127|Sonnet 126| As thou goest onwards still will pluck thee back, 1|THE SONNETS|127|Sonnet 126| She keeps thee to this purpose, that her skill 1|THE SONNETS|127|Sonnet 126| May time disgrace, and wretched minutes kill. 1|THE SONNETS|127|Sonnet 126| Yet fear her O thou minion of her pleasure, 1|THE SONNETS|127|Sonnet 126| She may detain, but not still keep her treasure! 1|THE SONNETS|127|Sonnet 126| Her audit (though delayed) answered must be, 1|THE SONNETS|127|Sonnet 126| And her quietus is to render thee. 1|THE SONNETS|127|Sonnet 126| 1|THE SONNETS|127|Sonnet 126| 1|THE SONNETS|128|Sonnet 127| 127 1|THE SONNETS|128|Sonnet 127| In the old age black was not counted fair, 1|THE SONNETS|128|Sonnet 127| Or if it were it bore not beauty's name: 1|THE SONNETS|128|Sonnet 127| But now is black beauty's successive heir, 1|THE SONNETS|128|Sonnet 127| And beauty slandered with a bastard shame, 1|THE SONNETS|128|Sonnet 127| For since each hand hath put on nature's power, 1|THE SONNETS|128|Sonnet 127| Fairing the foul with art's false borrowed face, 1|THE SONNETS|128|Sonnet 127| Sweet beauty hath no name no holy bower, 1|THE SONNETS|128|Sonnet 127| But is profaned, if not lives in disgrace. 1|THE SONNETS|128|Sonnet 127| Therefore my mistress' eyes are raven black, 1|THE SONNETS|128|Sonnet 127| Her eyes so suited, and they mourners seem, 1|THE SONNETS|128|Sonnet 127| At such who not born fair no beauty lack, 1|THE SONNETS|128|Sonnet 127| Slandering creation with a false esteem, 1|THE SONNETS|128|Sonnet 127| Yet so they mourn becoming of their woe, 1|THE SONNETS|128|Sonnet 127| That every tongue says beauty should look so. 1|THE SONNETS|128|Sonnet 127| 1|THE SONNETS|128|Sonnet 127| 1|THE SONNETS|129|Sonnet 128| 128 1|THE SONNETS|129|Sonnet 128| How oft when thou, my music, music play'st, 1|THE SONNETS|129|Sonnet 128| Upon that blessed wood whose motion sounds 1|THE SONNETS|129|Sonnet 128| With thy sweet fingers when thou gently sway'st 1|THE SONNETS|129|Sonnet 128| The wiry concord that mine ear confounds, 1|THE SONNETS|129|Sonnet 128| Do I envy those jacks that nimble leap, 1|THE SONNETS|129|Sonnet 128| To kiss the tender inward of thy hand, 1|THE SONNETS|129|Sonnet 128| Whilst my poor lips which should that harvest reap, 1|THE SONNETS|129|Sonnet 128| At the wood's boldness by thee blushing stand. 1|THE SONNETS|129|Sonnet 128| To be so tickled they would change their state 1|THE SONNETS|129|Sonnet 128| And situation with those dancing chips, 1|THE SONNETS|129|Sonnet 128| O'er whom thy fingers walk with gentle gait, 1|THE SONNETS|129|Sonnet 128| Making dead wood more blest than living lips, 1|THE SONNETS|129|Sonnet 128| Since saucy jacks so happy are in this, 1|THE SONNETS|129|Sonnet 128| Give them thy fingers, me thy lips to kiss. 1|THE SONNETS|129|Sonnet 128| 1|THE SONNETS|129|Sonnet 128| 1|THE SONNETS|130|Sonnet 129| 129 1|THE SONNETS|130|Sonnet 129| Th' expense of spirit in a waste of shame 1|THE SONNETS|130|Sonnet 129| Is lust in action, and till action, lust 1|THE SONNETS|130|Sonnet 129| Is perjured, murd'rous, bloody full of blame, 1|THE SONNETS|130|Sonnet 129| Savage, extreme, rude, cruel, not to trust, 1|THE SONNETS|130|Sonnet 129| Enjoyed no sooner but despised straight, 1|THE SONNETS|130|Sonnet 129| Past reason hunted, and no sooner had 1|THE SONNETS|130|Sonnet 129| Past reason hated as a swallowed bait, 1|THE SONNETS|130|Sonnet 129| On purpose laid to make the taker mad. 1|THE SONNETS|130|Sonnet 129| Mad in pursuit and in possession so, 1|THE SONNETS|130|Sonnet 129| Had, having, and in quest, to have extreme, 1|THE SONNETS|130|Sonnet 129| A bliss in proof and proved, a very woe, 1|THE SONNETS|130|Sonnet 129| Before a joy proposed behind a dream. 1|THE SONNETS|130|Sonnet 129| All this the world well knows yet none knows well, 1|THE SONNETS|130|Sonnet 129| To shun the heaven that leads men to this hell. 1|THE SONNETS|130|Sonnet 129| 1|THE SONNETS|130|Sonnet 129| 1|THE SONNETS|131|Sonnet 130| 130 1|THE SONNETS|131|Sonnet 130| My mistress' eyes are nothing like the sun, 1|THE SONNETS|131|Sonnet 130| Coral is far more red, than her lips red, 1|THE SONNETS|131|Sonnet 130| If snow be white, why then her breasts are dun: 1|THE SONNETS|131|Sonnet 130| If hairs be wires, black wires grow on her head: 1|THE SONNETS|131|Sonnet 130| I have seen roses damasked, red and white, 1|THE SONNETS|131|Sonnet 130| But no such roses see I in her cheeks, 1|THE SONNETS|131|Sonnet 130| And in some perfumes is there more delight, 1|THE SONNETS|131|Sonnet 130| Than in the breath that from my mistress reeks. 1|THE SONNETS|131|Sonnet 130| I love to hear her speak, yet well I know, 1|THE SONNETS|131|Sonnet 130| That music hath a far more pleasing sound: 1|THE SONNETS|131|Sonnet 130| I grant I never saw a goddess go, 1|THE SONNETS|131|Sonnet 130| My mistress when she walks treads on the ground. 1|THE SONNETS|131|Sonnet 130| And yet by heaven I think my love as rare, 1|THE SONNETS|131|Sonnet 130| As any she belied with false compare. 1|THE SONNETS|131|Sonnet 130| 1|THE SONNETS|131|Sonnet 130| 1|THE SONNETS|132|Sonnet 131| 131 1|THE SONNETS|132|Sonnet 131| Thou art as tyrannous, so as thou art, 1|THE SONNETS|132|Sonnet 131| As those whose beauties proudly make them cruel; 1|THE SONNETS|132|Sonnet 131| For well thou know'st to my dear doting heart 1|THE SONNETS|132|Sonnet 131| Thou art the fairest and most precious jewel. 1|THE SONNETS|132|Sonnet 131| Yet in good faith some say that thee behold, 1|THE SONNETS|132|Sonnet 131| Thy face hath not the power to make love groan; 1|THE SONNETS|132|Sonnet 131| To say they err, I dare not be so bold, 1|THE SONNETS|132|Sonnet 131| Although I swear it to my self alone. 1|THE SONNETS|132|Sonnet 131| And to be sure that is not false I swear, 1|THE SONNETS|132|Sonnet 131| A thousand groans but thinking on thy face, 1|THE SONNETS|132|Sonnet 131| One on another's neck do witness bear 1|THE SONNETS|132|Sonnet 131| Thy black is fairest in my judgment's place. 1|THE SONNETS|132|Sonnet 131| In nothing art thou black save in thy deeds, 1|THE SONNETS|132|Sonnet 131| And thence this slander as I think proceeds. 1|THE SONNETS|132|Sonnet 131| 1|THE SONNETS|132|Sonnet 131| 1|THE SONNETS|133|Sonnet 132| 132 1|THE SONNETS|133|Sonnet 132| Thine eyes I love, and they as pitying me, 1|THE SONNETS|133|Sonnet 132| Knowing thy heart torment me with disdain, 1|THE SONNETS|133|Sonnet 132| Have put on black, and loving mourners be, 1|THE SONNETS|133|Sonnet 132| Looking with pretty ruth upon my pain. 1|THE SONNETS|133|Sonnet 132| And truly not the morning sun of heaven 1|THE SONNETS|133|Sonnet 132| Better becomes the grey cheeks of the east, 1|THE SONNETS|133|Sonnet 132| Nor that full star that ushers in the even 1|THE SONNETS|133|Sonnet 132| Doth half that glory to the sober west 1|THE SONNETS|133|Sonnet 132| As those two mourning eyes become thy face: 1|THE SONNETS|133|Sonnet 132| O let it then as well beseem thy heart 1|THE SONNETS|133|Sonnet 132| To mourn for me since mourning doth thee grace, 1|THE SONNETS|133|Sonnet 132| And suit thy pity like in every part. 1|THE SONNETS|133|Sonnet 132| Then will I swear beauty herself is black, 1|THE SONNETS|133|Sonnet 132| And all they foul that thy complexion lack. 1|THE SONNETS|133|Sonnet 132| 1|THE SONNETS|133|Sonnet 132| 1|THE SONNETS|134|Sonnet 133| 133 1|THE SONNETS|134|Sonnet 133| Beshrew that heart that makes my heart to groan 1|THE SONNETS|134|Sonnet 133| For that deep wound it gives my friend and me; 1|THE SONNETS|134|Sonnet 133| Is't not enough to torture me alone, 1|THE SONNETS|134|Sonnet 133| But slave to slavery my sweet'st friend must be? 1|THE SONNETS|134|Sonnet 133| Me from my self thy cruel eye hath taken, 1|THE SONNETS|134|Sonnet 133| And my next self thou harder hast engrossed, 1|THE SONNETS|134|Sonnet 133| Of him, my self, and thee I am forsaken, 1|THE SONNETS|134|Sonnet 133| A torment thrice three-fold thus to be crossed: 1|THE SONNETS|134|Sonnet 133| Prison my heart in thy steel bosom's ward, 1|THE SONNETS|134|Sonnet 133| But then my friend's heart let my poor heart bail, 1|THE SONNETS|134|Sonnet 133| Whoe'er keeps me, let my heart be his guard, 1|THE SONNETS|134|Sonnet 133| Thou canst not then use rigour in my gaol. 1|THE SONNETS|134|Sonnet 133| And yet thou wilt, for I being pent in thee, 1|THE SONNETS|134|Sonnet 133| Perforce am thine and all that is in me. 1|THE SONNETS|134|Sonnet 133| 1|THE SONNETS|134|Sonnet 133| 1|THE SONNETS|135|Sonnet 134| 134 1|THE SONNETS|135|Sonnet 134| So now I have confessed that he is thine, 1|THE SONNETS|135|Sonnet 134| And I my self am mortgaged to thy will, 1|THE SONNETS|135|Sonnet 134| My self I'll forfeit, so that other mine, 1|THE SONNETS|135|Sonnet 134| Thou wilt restore to be my comfort still: 1|THE SONNETS|135|Sonnet 134| But thou wilt not, nor he will not be free, 1|THE SONNETS|135|Sonnet 134| For thou art covetous, and he is kind, 1|THE SONNETS|135|Sonnet 134| He learned but surety-like to write for me, 1|THE SONNETS|135|Sonnet 134| Under that bond that him as fist doth bind. 1|THE SONNETS|135|Sonnet 134| The statute of thy beauty thou wilt take, 1|THE SONNETS|135|Sonnet 134| Thou usurer that put'st forth all to use, 1|THE SONNETS|135|Sonnet 134| And sue a friend, came debtor for my sake, 1|THE SONNETS|135|Sonnet 134| So him I lose through my unkind abuse. 1|THE SONNETS|135|Sonnet 134| Him have I lost, thou hast both him and me, 1|THE SONNETS|135|Sonnet 134| He pays the whole, and yet am I not free. 1|THE SONNETS|135|Sonnet 134| 1|THE SONNETS|135|Sonnet 134| 1|THE SONNETS|136|Sonnet 135| 135 1|THE SONNETS|136|Sonnet 135| Whoever hath her wish, thou hast thy will, 1|THE SONNETS|136|Sonnet 135| And 'Will' to boot, and 'Will' in over-plus, 1|THE SONNETS|136|Sonnet 135| More than enough am I that vex thee still, 1|THE SONNETS|136|Sonnet 135| To thy sweet will making addition thus. 1|THE SONNETS|136|Sonnet 135| Wilt thou whose will is large and spacious, 1|THE SONNETS|136|Sonnet 135| Not once vouchsafe to hide my will in thine? 1|THE SONNETS|136|Sonnet 135| Shall will in others seem right gracious, 1|THE SONNETS|136|Sonnet 135| And in my will no fair acceptance shine? 1|THE SONNETS|136|Sonnet 135| The sea all water, yet receives rain still, 1|THE SONNETS|136|Sonnet 135| And in abundance addeth to his store, 1|THE SONNETS|136|Sonnet 135| So thou being rich in will add to thy will 1|THE SONNETS|136|Sonnet 135| One will of mine to make thy large will more. 1|THE SONNETS|136|Sonnet 135| Let no unkind, no fair beseechers kill, 1|THE SONNETS|136|Sonnet 135| Think all but one, and me in that one 'Will.' 1|THE SONNETS|136|Sonnet 135| 1|THE SONNETS|136|Sonnet 135| 1|THE SONNETS|137|Sonnet 136| 136 1|THE SONNETS|137|Sonnet 136| If thy soul check thee that I come so near, 1|THE SONNETS|137|Sonnet 136| Swear to thy blind soul that I was thy 'Will', 1|THE SONNETS|137|Sonnet 136| And will thy soul knows is admitted there, 1|THE SONNETS|137|Sonnet 136| Thus far for love, my love-suit sweet fulfil. 1|THE SONNETS|137|Sonnet 136| 'Will', will fulfil the treasure of thy love, 1|THE SONNETS|137|Sonnet 136| Ay, fill it full with wills, and my will one, 1|THE SONNETS|137|Sonnet 136| In things of great receipt with case we prove, 1|THE SONNETS|137|Sonnet 136| Among a number one is reckoned none. 1|THE SONNETS|137|Sonnet 136| Then in the number let me pass untold, 1|THE SONNETS|137|Sonnet 136| Though in thy store's account I one must be, 1|THE SONNETS|137|Sonnet 136| For nothing hold me, so it please thee hold, 1|THE SONNETS|137|Sonnet 136| That nothing me, a something sweet to thee. 1|THE SONNETS|137|Sonnet 136| Make but my name thy love, and love that still, 1|THE SONNETS|137|Sonnet 136| And then thou lov'st me for my name is Will. 1|THE SONNETS|137|Sonnet 136| 1|THE SONNETS|137|Sonnet 136| 1|THE SONNETS|138|Sonnet 137| 137 1|THE SONNETS|138|Sonnet 137| Thou blind fool Love, what dost thou to mine eyes, 1|THE SONNETS|138|Sonnet 137| That they behold and see not what they see? 1|THE SONNETS|138|Sonnet 137| They know what beauty is, see where it lies, 1|THE SONNETS|138|Sonnet 137| Yet what the best is, take the worst to be. 1|THE SONNETS|138|Sonnet 137| If eyes corrupt by over-partial looks, 1|THE SONNETS|138|Sonnet 137| Be anchored in the bay where all men ride, 1|THE SONNETS|138|Sonnet 137| Why of eyes' falsehood hast thou forged hooks, 1|THE SONNETS|138|Sonnet 137| Whereto the judgment of my heart is tied? 1|THE SONNETS|138|Sonnet 137| Why should my heart think that a several plot, 1|THE SONNETS|138|Sonnet 137| Which my heart knows the wide world's common place? 1|THE SONNETS|138|Sonnet 137| Or mine eyes seeing this, say this is not 1|THE SONNETS|138|Sonnet 137| To put fair truth upon so foul a face? 1|THE SONNETS|138|Sonnet 137| In things right true my heart and eyes have erred, 1|THE SONNETS|138|Sonnet 137| And to this false plague are they now transferred. 1|THE SONNETS|138|Sonnet 137| 1|THE SONNETS|138|Sonnet 137| 1|THE SONNETS|139|Sonnet 138| 138 1|THE SONNETS|139|Sonnet 138| When my love swears that she is made of truth, 1|THE SONNETS|139|Sonnet 138| I do believe her though I know she lies, 1|THE SONNETS|139|Sonnet 138| That she might think me some untutored youth, 1|THE SONNETS|139|Sonnet 138| Unlearned in the world's false subtleties. 1|THE SONNETS|139|Sonnet 138| Thus vainly thinking that she thinks me young, 1|THE SONNETS|139|Sonnet 138| Although she knows my days are past the best, 1|THE SONNETS|139|Sonnet 138| Simply I credit her false-speaking tongue, 1|THE SONNETS|139|Sonnet 138| On both sides thus is simple truth suppressed: 1|THE SONNETS|139|Sonnet 138| But wherefore says she not she is unjust? 1|THE SONNETS|139|Sonnet 138| And wherefore say not I that I am old? 1|THE SONNETS|139|Sonnet 138| O love's best habit is in seeming trust, 1|THE SONNETS|139|Sonnet 138| And age in love, loves not to have years told. 1|THE SONNETS|139|Sonnet 138| Therefore I lie with her, and she with me, 1|THE SONNETS|139|Sonnet 138| And in our faults by lies we flattered be. 1|THE SONNETS|139|Sonnet 138| 1|THE SONNETS|139|Sonnet 138| 1|THE SONNETS|140|Sonnet 139| 139 1|THE SONNETS|140|Sonnet 139| O call not me to justify the wrong, 1|THE SONNETS|140|Sonnet 139| That thy unkindness lays upon my heart, 1|THE SONNETS|140|Sonnet 139| Wound me not with thine eye but with thy tongue, 1|THE SONNETS|140|Sonnet 139| Use power with power, and slay me not by art, 1|THE SONNETS|140|Sonnet 139| Tell me thou lov'st elsewhere; but in my sight, 1|THE SONNETS|140|Sonnet 139| Dear heart forbear to glance thine eye aside, 1|THE SONNETS|140|Sonnet 139| What need'st thou wound with cunning when thy might 1|THE SONNETS|140|Sonnet 139| Is more than my o'erpressed defence can bide? 1|THE SONNETS|140|Sonnet 139| Let me excuse thee, ah my love well knows, 1|THE SONNETS|140|Sonnet 139| Her pretty looks have been mine enemies, 1|THE SONNETS|140|Sonnet 139| And therefore from my face she turns my foes, 1|THE SONNETS|140|Sonnet 139| That they elsewhere might dart their injuries: 1|THE SONNETS|140|Sonnet 139| Yet do not so, but since I am near slain, 1|THE SONNETS|140|Sonnet 139| Kill me outright with looks, and rid my pain. 1|THE SONNETS|140|Sonnet 139| 1|THE SONNETS|140|Sonnet 139| 1|THE SONNETS|141|Sonnet 140| 140 1|THE SONNETS|141|Sonnet 140| Be wise as thou art cruel, do not press 1|THE SONNETS|141|Sonnet 140| My tongue-tied patience with too much disdain: 1|THE SONNETS|141|Sonnet 140| Lest sorrow lend me words and words express, 1|THE SONNETS|141|Sonnet 140| The manner of my pity-wanting pain. 1|THE SONNETS|141|Sonnet 140| If I might teach thee wit better it were, 1|THE SONNETS|141|Sonnet 140| Though not to love, yet love to tell me so, 1|THE SONNETS|141|Sonnet 140| As testy sick men when their deaths be near, 1|THE SONNETS|141|Sonnet 140| No news but health from their physicians know. 1|THE SONNETS|141|Sonnet 140| For if I should despair I should grow mad, 1|THE SONNETS|141|Sonnet 140| And in my madness might speak ill of thee, 1|THE SONNETS|141|Sonnet 140| Now this ill-wresting world is grown so bad, 1|THE SONNETS|141|Sonnet 140| Mad slanderers by mad ears believed be. 1|THE SONNETS|141|Sonnet 140| That I may not be so, nor thou belied, 1|THE SONNETS|141|Sonnet 140| Bear thine eyes straight, though thy proud heart go wide. 1|THE SONNETS|141|Sonnet 140| 1|THE SONNETS|141|Sonnet 140| 1|THE SONNETS|142|Sonnet 141| 141 1|THE SONNETS|142|Sonnet 141| In faith I do not love thee with mine eyes, 1|THE SONNETS|142|Sonnet 141| For they in thee a thousand errors note, 1|THE SONNETS|142|Sonnet 141| But 'tis my heart that loves what they despise, 1|THE SONNETS|142|Sonnet 141| Who in despite of view is pleased to dote. 1|THE SONNETS|142|Sonnet 141| Nor are mine cars with thy tongue's tune delighted, 1|THE SONNETS|142|Sonnet 141| Nor tender feeling to base touches prone, 1|THE SONNETS|142|Sonnet 141| Nor taste, nor smell, desire to be invited 1|THE SONNETS|142|Sonnet 141| To any sensual feast with thee alone: 1|THE SONNETS|142|Sonnet 141| But my five wits, nor my five senses can 1|THE SONNETS|142|Sonnet 141| Dissuade one foolish heart from serving thee, 1|THE SONNETS|142|Sonnet 141| Who leaves unswayed the likeness of a man, 1|THE SONNETS|142|Sonnet 141| Thy proud heart's slave and vassal wretch to be: 1|THE SONNETS|142|Sonnet 141| Only my plague thus far I count my gain, 1|THE SONNETS|142|Sonnet 141| That she that makes me sin, awards me pain. 1|THE SONNETS|142|Sonnet 141| 1|THE SONNETS|142|Sonnet 141| 1|THE SONNETS|143|Sonnet 142| 142 1|THE SONNETS|143|Sonnet 142| Love is my sin, and thy dear virtue hate, 1|THE SONNETS|143|Sonnet 142| Hate of my sin, grounded on sinful loving, 1|THE SONNETS|143|Sonnet 142| O but with mine, compare thou thine own state, 1|THE SONNETS|143|Sonnet 142| And thou shalt find it merits not reproving, 1|THE SONNETS|143|Sonnet 142| Or if it do, not from those lips of thine, 1|THE SONNETS|143|Sonnet 142| That have profaned their scarlet ornaments, 1|THE SONNETS|143|Sonnet 142| And sealed false bonds of love as oft as mine, 1|THE SONNETS|143|Sonnet 142| Robbed others' beds' revenues of their rents. 1|THE SONNETS|143|Sonnet 142| Be it lawful I love thee as thou lov'st those, 1|THE SONNETS|143|Sonnet 142| Whom thine eyes woo as mine importune thee, 1|THE SONNETS|143|Sonnet 142| Root pity in thy heart that when it grows, 1|THE SONNETS|143|Sonnet 142| Thy pity may deserve to pitied be. 1|THE SONNETS|143|Sonnet 142| If thou dost seek to have what thou dost hide, 1|THE SONNETS|143|Sonnet 142| By self-example mayst thou be denied. 1|THE SONNETS|143|Sonnet 142| 1|THE SONNETS|143|Sonnet 142| 1|THE SONNETS|144|Sonnet 143| 143 1|THE SONNETS|144|Sonnet 143| Lo as a careful huswife runs to catch, 1|THE SONNETS|144|Sonnet 143| One of her feathered creatures broke away, 1|THE SONNETS|144|Sonnet 143| Sets down her babe and makes all swift dispatch 1|THE SONNETS|144|Sonnet 143| In pursuit of the thing she would have stay: 1|THE SONNETS|144|Sonnet 143| Whilst her neglected child holds her in chase, 1|THE SONNETS|144|Sonnet 143| Cries to catch her whose busy care is bent, 1|THE SONNETS|144|Sonnet 143| To follow that which flies before her face: 1|THE SONNETS|144|Sonnet 143| Not prizing her poor infant's discontent; 1|THE SONNETS|144|Sonnet 143| So run'st thou after that which flies from thee, 1|THE SONNETS|144|Sonnet 143| Whilst I thy babe chase thee afar behind, 1|THE SONNETS|144|Sonnet 143| But if thou catch thy hope turn back to me: 1|THE SONNETS|144|Sonnet 143| And play the mother's part, kiss me, be kind. 1|THE SONNETS|144|Sonnet 143| So will I pray that thou mayst have thy Will, 1|THE SONNETS|144|Sonnet 143| If thou turn back and my loud crying still. 1|THE SONNETS|144|Sonnet 143| 1|THE SONNETS|144|Sonnet 143| 1|THE SONNETS|145|Sonnet 144| 144 1|THE SONNETS|145|Sonnet 144| Two loves I have of comfort and despair, 1|THE SONNETS|145|Sonnet 144| Which like two spirits do suggest me still, 1|THE SONNETS|145|Sonnet 144| The better angel is a man right fair: 1|THE SONNETS|145|Sonnet 144| The worser spirit a woman coloured ill. 1|THE SONNETS|145|Sonnet 144| To win me soon to hell my female evil, 1|THE SONNETS|145|Sonnet 144| Tempteth my better angel from my side, 1|THE SONNETS|145|Sonnet 144| And would corrupt my saint to be a devil: 1|THE SONNETS|145|Sonnet 144| Wooing his purity with her foul pride. 1|THE SONNETS|145|Sonnet 144| And whether that my angel be turned fiend, 1|THE SONNETS|145|Sonnet 144| Suspect I may, yet not directly tell, 1|THE SONNETS|145|Sonnet 144| But being both from me both to each friend, 1|THE SONNETS|145|Sonnet 144| I guess one angel in another's hell. 1|THE SONNETS|145|Sonnet 144| Yet this shall I ne'er know but live in doubt, 1|THE SONNETS|145|Sonnet 144| Till my bad angel fire my good one out. 1|THE SONNETS|145|Sonnet 144| 1|THE SONNETS|145|Sonnet 144| 1|THE SONNETS|146|Sonnet 145| 145 1|THE SONNETS|146|Sonnet 145| Those lips that Love's own hand did make, 1|THE SONNETS|146|Sonnet 145| Breathed forth the sound that said 'I hate', 1|THE SONNETS|146|Sonnet 145| To me that languished for her sake: 1|THE SONNETS|146|Sonnet 145| But when she saw my woeful state, 1|THE SONNETS|146|Sonnet 145| Straight in her heart did mercy come, 1|THE SONNETS|146|Sonnet 145| Chiding that tongue that ever sweet, 1|THE SONNETS|146|Sonnet 145| Was used in giving gentle doom: 1|THE SONNETS|146|Sonnet 145| And taught it thus anew to greet: 1|THE SONNETS|146|Sonnet 145| 'I hate' she altered with an end, 1|THE SONNETS|146|Sonnet 145| That followed it as gentle day, 1|THE SONNETS|146|Sonnet 145| Doth follow night who like a fiend 1|THE SONNETS|146|Sonnet 145| From heaven to hell is flown away. 1|THE SONNETS|146|Sonnet 145| 'I hate', from hate away she threw, 1|THE SONNETS|146|Sonnet 145| And saved my life saying 'not you'. 1|THE SONNETS|146|Sonnet 145| 1|THE SONNETS|146|Sonnet 145| 1|THE SONNETS|147|Sonnet 146| 146 1|THE SONNETS|147|Sonnet 146| Poor soul the centre of my sinful earth, 1|THE SONNETS|147|Sonnet 146| My sinful earth these rebel powers array, 1|THE SONNETS|147|Sonnet 146| Why dost thou pine within and suffer dearth 1|THE SONNETS|147|Sonnet 146| Painting thy outward walls so costly gay? 1|THE SONNETS|147|Sonnet 146| Why so large cost having so short a lease, 1|THE SONNETS|147|Sonnet 146| Dost thou upon thy fading mansion spend? 1|THE SONNETS|147|Sonnet 146| Shall worms inheritors of this excess 1|THE SONNETS|147|Sonnet 146| Eat up thy charge? is this thy body's end? 1|THE SONNETS|147|Sonnet 146| Then soul live thou upon thy servant's loss, 1|THE SONNETS|147|Sonnet 146| And let that pine to aggravate thy store; 1|THE SONNETS|147|Sonnet 146| Buy terms divine in selling hours of dross; 1|THE SONNETS|147|Sonnet 146| Within be fed, without be rich no more, 1|THE SONNETS|147|Sonnet 146| So shall thou feed on death, that feeds on men, 1|THE SONNETS|147|Sonnet 146| And death once dead, there's no more dying then. 1|THE SONNETS|147|Sonnet 146| 1|THE SONNETS|147|Sonnet 146| 1|THE SONNETS|148|Sonnet 147| 147 1|THE SONNETS|148|Sonnet 147| My love is as a fever longing still, 1|THE SONNETS|148|Sonnet 147| For that which longer nurseth the disease, 1|THE SONNETS|148|Sonnet 147| Feeding on that which doth preserve the ill, 1|THE SONNETS|148|Sonnet 147| Th' uncertain sickly appetite to please: 1|THE SONNETS|148|Sonnet 147| My reason the physician to my love, 1|THE SONNETS|148|Sonnet 147| Angry that his prescriptions are not kept 1|THE SONNETS|148|Sonnet 147| Hath left me, and I desperate now approve, 1|THE SONNETS|148|Sonnet 147| Desire is death, which physic did except. 1|THE SONNETS|148|Sonnet 147| Past cure I am, now reason is past care, 1|THE SONNETS|148|Sonnet 147| And frantic-mad with evermore unrest, 1|THE SONNETS|148|Sonnet 147| My thoughts and my discourse as mad men's are, 1|THE SONNETS|148|Sonnet 147| At random from the truth vainly expressed. 1|THE SONNETS|148|Sonnet 147| For I have sworn thee fair, and thought thee bright, 1|THE SONNETS|148|Sonnet 147| Who art as black as hell, as dark as night. 1|THE SONNETS|148|Sonnet 147| 1|THE SONNETS|148|Sonnet 147| 1|THE SONNETS|149|Sonnet 148| 148 1|THE SONNETS|149|Sonnet 148| O me! what eyes hath love put in my head, 1|THE SONNETS|149|Sonnet 148| Which have no correspondence with true sight, 1|THE SONNETS|149|Sonnet 148| Or if they have, where is my judgment fled, 1|THE SONNETS|149|Sonnet 148| That censures falsely what they see aright? 1|THE SONNETS|149|Sonnet 148| If that be fair whereon my false eyes dote, 1|THE SONNETS|149|Sonnet 148| What means the world to say it is not so? 1|THE SONNETS|149|Sonnet 148| If it be not, then love doth well denote, 1|THE SONNETS|149|Sonnet 148| Love's eye is not so true as all men's: no, 1|THE SONNETS|149|Sonnet 148| How can it? O how can love's eye be true, 1|THE SONNETS|149|Sonnet 148| That is so vexed with watching and with tears? 1|THE SONNETS|149|Sonnet 148| No marvel then though I mistake my view, 1|THE SONNETS|149|Sonnet 148| The sun it self sees not, till heaven clears. 1|THE SONNETS|149|Sonnet 148| O cunning love, with tears thou keep'st me blind, 1|THE SONNETS|149|Sonnet 148| Lest eyes well-seeing thy foul faults should find. 1|THE SONNETS|149|Sonnet 148| 1|THE SONNETS|149|Sonnet 148| 1|THE SONNETS|150|Sonnet 149| 149 1|THE SONNETS|150|Sonnet 149| Canst thou O cruel, say I love thee not, 1|THE SONNETS|150|Sonnet 149| When I against my self with thee partake? 1|THE SONNETS|150|Sonnet 149| Do I not think on thee when I forgot 1|THE SONNETS|150|Sonnet 149| Am of my self, all-tyrant, for thy sake? 1|THE SONNETS|150|Sonnet 149| Who hateth thee that I do call my friend, 1|THE SONNETS|150|Sonnet 149| On whom frown'st thou that I do fawn upon, 1|THE SONNETS|150|Sonnet 149| Nay if thou lour'st on me do I not spend 1|THE SONNETS|150|Sonnet 149| Revenge upon my self with present moan? 1|THE SONNETS|150|Sonnet 149| What merit do I in my self respect, 1|THE SONNETS|150|Sonnet 149| That is so proud thy service to despise, 1|THE SONNETS|150|Sonnet 149| When all my best doth worship thy defect, 1|THE SONNETS|150|Sonnet 149| Commanded by the motion of thine eyes? 1|THE SONNETS|150|Sonnet 149| But love hate on for now I know thy mind, 1|THE SONNETS|150|Sonnet 149| Those that can see thou lov'st, and I am blind. 1|THE SONNETS|150|Sonnet 149| 1|THE SONNETS|150|Sonnet 149| 1|THE SONNETS|151|Sonnet 150| 150 1|THE SONNETS|151|Sonnet 150| O from what power hast thou this powerful might, 1|THE SONNETS|151|Sonnet 150| With insufficiency my heart to sway, 1|THE SONNETS|151|Sonnet 150| To make me give the lie to my true sight, 1|THE SONNETS|151|Sonnet 150| And swear that brightness doth not grace the day? 1|THE SONNETS|151|Sonnet 150| Whence hast thou this becoming of things ill, 1|THE SONNETS|151|Sonnet 150| That in the very refuse of thy deeds, 1|THE SONNETS|151|Sonnet 150| There is such strength and warrantise of skill, 1|THE SONNETS|151|Sonnet 150| That in my mind thy worst all best exceeds? 1|THE SONNETS|151|Sonnet 150| Who taught thee how to make me love thee more, 1|THE SONNETS|151|Sonnet 150| The more I hear and see just cause of hate? 1|THE SONNETS|151|Sonnet 150| O though I love what others do abhor, 1|THE SONNETS|151|Sonnet 150| With others thou shouldst not abhor my state. 1|THE SONNETS|151|Sonnet 150| If thy unworthiness raised love in me, 1|THE SONNETS|151|Sonnet 150| More worthy I to be beloved of thee. 1|THE SONNETS|151|Sonnet 150| 1|THE SONNETS|151|Sonnet 150| 1|THE SONNETS|152|Sonnet 151| 151 1|THE SONNETS|152|Sonnet 151| Love is too young to know what conscience is, 1|THE SONNETS|152|Sonnet 151| Yet who knows not conscience is born of love? 1|THE SONNETS|152|Sonnet 151| Then gentle cheater urge not my amiss, 1|THE SONNETS|152|Sonnet 151| Lest guilty of my faults thy sweet self prove. 1|THE SONNETS|152|Sonnet 151| For thou betraying me, I do betray 1|THE SONNETS|152|Sonnet 151| My nobler part to my gross body's treason, 1|THE SONNETS|152|Sonnet 151| My soul doth tell my body that he may, 1|THE SONNETS|152|Sonnet 151| Triumph in love, flesh stays no farther reason, 1|THE SONNETS|152|Sonnet 151| But rising at thy name doth point out thee, 1|THE SONNETS|152|Sonnet 151| As his triumphant prize, proud of this pride, 1|THE SONNETS|152|Sonnet 151| He is contented thy poor drudge to be, 1|THE SONNETS|152|Sonnet 151| To stand in thy affairs, fall by thy side. 1|THE SONNETS|152|Sonnet 151| No want of conscience hold it that I call, 1|THE SONNETS|152|Sonnet 151| Her love, for whose dear love I rise and fall. 1|THE SONNETS|152|Sonnet 151| 1|THE SONNETS|152|Sonnet 151| 1|THE SONNETS|153|Sonnet 152| 152 1|THE SONNETS|153|Sonnet 152| In loving thee thou know'st I am forsworn, 1|THE SONNETS|153|Sonnet 152| But thou art twice forsworn to me love swearing, 1|THE SONNETS|153|Sonnet 152| In act thy bed-vow broke and new faith torn, 1|THE SONNETS|153|Sonnet 152| In vowing new hate after new love bearing: 1|THE SONNETS|153|Sonnet 152| But why of two oaths' breach do I accuse thee, 1|THE SONNETS|153|Sonnet 152| When I break twenty? I am perjured most, 1|THE SONNETS|153|Sonnet 152| For all my vows are oaths but to misuse thee: 1|THE SONNETS|153|Sonnet 152| And all my honest faith in thee is lost. 1|THE SONNETS|153|Sonnet 152| For I have sworn deep oaths of thy deep kindness: 1|THE SONNETS|153|Sonnet 152| Oaths of thy love, thy truth, thy constancy, 1|THE SONNETS|153|Sonnet 152| And to enlighten thee gave eyes to blindness, 1|THE SONNETS|153|Sonnet 152| Or made them swear against the thing they see. 1|THE SONNETS|153|Sonnet 152| For I have sworn thee fair: more perjured I, 1|THE SONNETS|153|Sonnet 152| To swear against the truth so foul a be. 1|THE SONNETS|153|Sonnet 152| 1|THE SONNETS|153|Sonnet 152| 1|THE SONNETS|154|Sonnet 153| 153 1|THE SONNETS|154|Sonnet 153| Cupid laid by his brand and fell asleep, 1|THE SONNETS|154|Sonnet 153| A maid of Dian's this advantage found, 1|THE SONNETS|154|Sonnet 153| And his love-kindling fire did quickly steep 1|THE SONNETS|154|Sonnet 153| In a cold valley-fountain of that ground: 1|THE SONNETS|154|Sonnet 153| Which borrowed from this holy fire of Love, 1|THE SONNETS|154|Sonnet 153| A dateless lively heat still to endure, 1|THE SONNETS|154|Sonnet 153| And grew a seeting bath which yet men prove, 1|THE SONNETS|154|Sonnet 153| Against strange maladies a sovereign cure: 1|THE SONNETS|154|Sonnet 153| But at my mistress' eye Love's brand new-fired, 1|THE SONNETS|154|Sonnet 153| The boy for trial needs would touch my breast, 1|THE SONNETS|154|Sonnet 153| I sick withal the help of bath desired, 1|THE SONNETS|154|Sonnet 153| And thither hied a sad distempered guest. 1|THE SONNETS|154|Sonnet 153| But found no cure, the bath for my help lies, 1|THE SONNETS|154|Sonnet 153| Where Cupid got new fire; my mistress' eyes. 1|THE SONNETS|154|Sonnet 153| 1|THE SONNETS|154|Sonnet 153| 1|THE SONNETS|155|Sonnet 154| 154 1|THE SONNETS|155|Sonnet 154| The little Love-god lying once asleep, 1|THE SONNETS|155|Sonnet 154| Laid by his side his heart-inflaming brand, 1|THE SONNETS|155|Sonnet 154| Whilst many nymphs that vowed chaste life to keep, 1|THE SONNETS|155|Sonnet 154| Came tripping by, but in her maiden hand, 1|THE SONNETS|155|Sonnet 154| The fairest votary took up that fire, 1|THE SONNETS|155|Sonnet 154| Which many legions of true hearts had warmed, 1|THE SONNETS|155|Sonnet 154| And so the general of hot desire, 1|THE SONNETS|155|Sonnet 154| Was sleeping by a virgin hand disarmed. 1|THE SONNETS|155|Sonnet 154| This brand she quenched in a cool well by, 1|THE SONNETS|155|Sonnet 154| Which from Love's fire took heat perpetual, 1|THE SONNETS|155|Sonnet 154| Growing a bath and healthful remedy, 1|THE SONNETS|155|Sonnet 154| For men discased, but I my mistress' thrall, 1|THE SONNETS|155|Sonnet 154| Came there for cure and this by that I prove, 1|THE SONNETS|155|Sonnet 154| Love's fire heats water, water cools not love. 1|THE SONNETS|155|Sonnet 154| 1|THE SONNETS|155|Sonnet 154| 1|THE SONNETS|156|End|THE END 2|ALLS WELL THAT ENDS WELL|1|title| 2|ALLS WELL THAT ENDS WELL|1|title|1603 2|ALLS WELL THAT ENDS WELL|1|title| 2|ALLS WELL THAT ENDS WELL|1|title|ALLS WELL THAT ENDS WELL 2|ALLS WELL THAT ENDS WELL|1|title| 2|ALLS WELL THAT ENDS WELL|1|title|by William Shakespeare 2|ALLS WELL THAT ENDS WELL|1|title| 2|ALLS WELL THAT ENDS WELL|1|title| 2|ALLS WELL THAT ENDS WELL|1|title| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|Dramatis Personae 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| KING OF FRANCE 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| THE DUKE OF FLORENCE 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| BERTRAM, Count of Rousillon 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| LAFEU, an old lord 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| PAROLLES, a follower of Bertram 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| TWO FRENCH LORDS, serving with Bertram 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| STEWARD, Servant to the Countess of Rousillon 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| LAVACHE, a clown and Servant to the Countess of Rousillon 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| A PAGE, Servant to the Countess of Rousillon 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| COUNTESS OF ROUSILLON, mother to Bertram 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| HELENA, a gentlewoman protected by the Countess 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| A WIDOW OF FLORENCE. 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| DIANA, daughter to the Widow 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| VIOLENTA, neighbour and friend to the Widow 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| MARIANA, neighbour and friend to the Widow 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| Lords, Officers, Soldiers, etc., French and Florentine 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae| 2|ALLS WELL THAT ENDS WELL|3|Scene|SCENE: 2|ALLS WELL THAT ENDS WELL|3|Scene|Rousillon; Paris; Florence; Marseilles 2|ALLS WELL THAT ENDS WELL|3|Scene| 2|ALLS WELL THAT ENDS WELL|3|Scene| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|ACT I. SCENE 1. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|Enter BERTRAM, the COUNTESS OF ROUSILLON, HELENA, and LAFEU, all in black 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. In delivering my son from me, I bury a second husband. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| BERTRAM. And I in going, madam, weep o'er my father's death anew; 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| but I must attend his Majesty's command, to whom I am now in 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| ward, evermore in subjection. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. You shall find of the King a husband, madam; you, sir, a 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| father. He that so generally is at all times good must of 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| necessity hold his virtue to you, whose worthiness would stir it 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| up where it wanted, rather than lack it where there is such 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| abundance. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. What hope is there of his Majesty's amendment? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. He hath abandon'd his physicians, madam; under whose 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| practices he hath persecuted time with hope, and finds no other 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| advantage in the process but only the losing of hope by time. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. This young gentlewoman had a father- O, that 'had,' how 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| sad a passage 'tis!-whose skill was almost as great as his 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| honesty; had it stretch'd so far, would have made nature 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| immortal, and death should have play for lack of work. Would, for 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| the King's sake, he were living! I think it would be the death of 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| the King's disease. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. How call'd you the man you speak of, madam? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. He was famous, sir, in his profession, and it was his 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| great right to be so- Gerard de Narbon. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. He was excellent indeed, madam; the King very lately spoke 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| of him admiringly and mourningly; he was skilful enough to have 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| liv'd still, if knowledge could be set up against mortality. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| BERTRAM. What is it, my good lord, the King languishes of? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. A fistula, my lord. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| BERTRAM. I heard not of it before. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. I would it were not notorious. Was this gentlewoman the 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| daughter of Gerard de Narbon? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. His sole child, my lord, and bequeathed to my 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| overlooking. I have those hopes of her good that her education 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| promises; her dispositions she inherits, which makes fair gifts 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| fairer; for where an unclean mind carries virtuous qualities, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| there commendations go with pity-they are virtues and traitors 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| too. In her they are the better for their simpleness; she derives 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| her honesty, and achieves her goodness. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. Your commendations, madam, get from her tears. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. 'Tis the best brine a maiden can season her praise in. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| The remembrance of her father never approaches her heart but the 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| tyranny of her sorrows takes all livelihood from her cheek. No 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| more of this, Helena; go to, no more, lest it be rather thought 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| you affect a sorrow than to have- 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. I do affect a sorrow indeed, but I have it too. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. Moderate lamentation is the right of the dead: excessive 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| grief the enemy to the living. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. If the living be enemy to the grief, the excess makes it 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| soon mortal. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| BERTRAM. Madam, I desire your holy wishes. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. How understand we that? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. Be thou blest, Bertram, and succeed thy father 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| In manners, as in shape! Thy blood and virtue 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Contend for empire in thee, and thy goodness 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Share with thy birthright! Love all, trust a few, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Do wrong to none; be able for thine enemy 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Rather in power than use, and keep thy friend 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Under thy own life's key; be check'd for silence, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| But never tax'd for speech. What heaven more will, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That thee may furnish, and my prayers pluck down, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Fall on thy head! Farewell. My lord, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 'Tis an unseason'd courtier; good my lord, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Advise him. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. He cannot want the best 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That shall attend his love. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| COUNTESS. Heaven bless him! Farewell, Bertram. Exit 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| BERTRAM. The best wishes that can be forg'd in your thoughts be 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| servants to you! [To HELENA] Be comfortable to my mother, your 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| mistress, and make much of her. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| LAFEU. Farewell, pretty lady; you must hold the credit of your 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| father. Exeunt BERTRAM and LAFEU 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. O, were that all! I think not on my father; 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| And these great tears grace his remembrance more 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Than those I shed for him. What was he like? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| I have forgot him; my imagination 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Carries no favour in't but Bertram's. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| I am undone; there is no living, none, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| If Bertram be away. 'Twere all one 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That I should love a bright particular star 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| And think to wed it, he is so above me. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| In his bright radiance and collateral light 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Must I be comforted, not in his sphere. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Th' ambition in my love thus plagues itself: 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| The hind that would be mated by the lion 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Must die for love. 'Twas pretty, though a plague, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| To see him every hour; to sit and draw 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| His arched brows, his hawking eye, his curls, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| In our heart's table-heart too capable 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Of every line and trick of his sweet favour. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| But now he's gone, and my idolatrous fancy 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Must sanctify his relics. Who comes here? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Enter PAROLLES 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| [Aside] One that goes with him. I love him for his sake; 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| And yet I know him a notorious liar, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Think him a great way fool, solely a coward; 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Yet these fix'd evils sit so fit in him 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That they take place when virtue's steely bones 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Looks bleak i' th' cold wind; withal, full oft we see 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Cold wisdom waiting on superfluous folly. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Save you, fair queen! 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. And you, monarch! 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. No. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. And no. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Are you meditating on virginity? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. Ay. You have some stain of soldier in you; let me ask you a 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| question. Man is enemy to virginity; how may we barricado it 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| against him? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Keep him out. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. But he assails; and our virginity, though valiant in the 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| defence, yet is weak. Unfold to us some warlike resistance. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. There is none. Man, setting down before you, will 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| undermine you and blow you up. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. Bless our poor virginity from underminers and blowers-up! 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Is there no military policy how virgins might blow up men? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Virginity being blown down, man will quicklier be blown 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| up; marry, in blowing him down again, with the breach yourselves 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| made, you lose your city. It is not politic in the commonwealth 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| of nature to preserve virginity. Loss of virginity is rational 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| increase; and there was never virgin got till virginity was first 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| lost. That you were made of is metal to make virgins. Virginity 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| by being once lost may be ten times found; by being ever kept, it 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| is ever lost. 'Tis too cold a companion; away with't. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. I will stand for 't a little, though therefore I die a 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| virgin. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. There's little can be said in 't; 'tis against the rule 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| of nature. To speak on the part of virginity is to accuse your 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| mothers; which is most infallible disobedience. He that hangs 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| himself is a virgin; virginity murders itself, and should be 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| buried in highways, out of all sanctified limit, as a desperate 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| offendress against nature. Virginity breeds mites, much like a 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| cheese; consumes itself to the very paring, and so dies with 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| feeding his own stomach. Besides, virginity is peevish, proud, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| idle, made of self-love, which is the most inhibited sin in the 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| canon. Keep it not; you cannot choose but lose by't. Out with't. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Within ten year it will make itself ten, which is a goodly 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| increase; and the principal itself not much the worse. Away 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| with't. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. How might one do, sir, to lose it to her own liking? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Let me see. Marry, ill to like him that ne'er it likes. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 'Tis a commodity will lose the gloss with lying; the longer kept, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| the less worth. Off with't while 'tis vendible; answer the time 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| of request. Virginity, like an old courtier, wears her cap out of 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| fashion, richly suited but unsuitable; just like the brooch and 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| the toothpick, which wear not now. Your date is better in your 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| pie and your porridge than in your cheek. And your virginity, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| your old virginity, is like one of our French wither'd pears: it 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| looks ill, it eats drily; marry, 'tis a wither'd pear; it was 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| formerly better; marry, yet 'tis a wither'd pear. Will you 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| anything with it? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. Not my virginity yet. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| There shall your master have a thousand loves, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| A mother, and a mistress, and a friend, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| A phoenix, captain, and an enemy, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| A guide, a goddess, and a sovereign, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| A counsellor, a traitress, and a dear; 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| His humble ambition, proud humility, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| His jarring concord, and his discord dulcet, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| His faith, his sweet disaster; with a world 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Of pretty, fond, adoptious christendoms 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That blinking Cupid gossips. Now shall he- 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| I know not what he shall. God send him well! 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| The court's a learning-place, and he is one- 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. What one, i' faith? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. That I wish well. 'Tis pity- 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. What's pity? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. That wishing well had not a body in't 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Which might be felt; that we, the poorer born, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Whose baser stars do shut us up in wishes, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Might with effects of them follow our friends 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| And show what we alone must think, which never 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Returns us thanks. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Enter PAGE 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAGE. Monsieur Parolles, my lord calls for you. Exit PAGE 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Little Helen, farewell; if I can remember thee, I will 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| think of thee at court. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. Monsieur Parolles, you were born under a charitable star. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Under Mars, I. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. I especially think, under Mars. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Why under Man? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. The wars hath so kept you under that you must needs be born 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| under Mars. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. When he was predominant. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. When he was retrograde, I think, rather. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. Why think you so? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. You go so much backward when you fight. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. That's for advantage. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. So is running away, when fear proposes the safety: but the 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| composition that your valour and fear makes in you is a virtue of 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| a good wing, and I like the wear well. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| PAROLLES. I am so full of business I cannot answer thee acutely. I 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| will return perfect courtier; in the which my instruction shall 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| serve to naturalize thee, so thou wilt be capable of a courtier's 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| counsel, and understand what advice shall thrust upon thee; else 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| thou diest in thine unthankfulness, and thine ignorance makes 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| thee away. Farewell. When thou hast leisure, say thy prayers; 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| when thou hast none, remember thy friends. Get thee a good 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| husband and use him as he uses thee. So, farewell. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Exit 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| HELENA. Our remedies oft in ourselves do lie, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Which we ascribe to heaven. The fated sky 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Gives us free scope; only doth backward pull 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Our slow designs when we ourselves are dull. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| What power is it which mounts my love so high, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That makes me see, and cannot feed mine eye? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| The mightiest space in fortune nature brings 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| To join like likes, and kiss like native things. 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Impossible be strange attempts to those 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| That weigh their pains in sense, and do suppose 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| What hath been cannot be. Who ever strove 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| To show her merit that did miss her love? 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| The King's disease-my project may deceive me, 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| But my intents are fix'd, and will not leave me. Exit 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|ACT I. SCENE 2. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|Paris. The KING'S palace 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|Flourish of cornets. Enter the KING OF FRANCE, with letters, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|and divers ATTENDANTS 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. The Florentines and Senoys are by th' ears; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Have fought with equal fortune, and continue 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| A braving war. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| FIRST LORD. So 'tis reported, sir. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. Nay, 'tis most credible. We here receive it, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| A certainty, vouch'd from our cousin Austria, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| With caution, that the Florentine will move us 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| For speedy aid; wherein our dearest friend 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Prejudicates the business, and would seem 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| To have us make denial. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| FIRST LORD. His love and wisdom, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Approv'd so to your Majesty, may plead 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| For amplest credence. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. He hath arm'd our answer, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| And Florence is denied before he comes; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Yet, for our gentlemen that mean to see 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| The Tuscan service, freely have they leave 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| To stand on either part. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| SECOND LORD. It well may serve 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| A nursery to our gentry, who are sick 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| For breathing and exploit. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. What's he comes here? 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Enter BERTRAM, LAFEU, and PAROLLES 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| FIRST LORD. It is the Count Rousillon, my good lord, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Young Bertram. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. Youth, thou bear'st thy father's face; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Frank nature, rather curious than in haste, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Hath well compos'd thee. Thy father's moral parts 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Mayst thou inherit too! Welcome to Paris. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| BERTRAM. My thanks and duty are your Majesty's. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. I would I had that corporal soundness now, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| As when thy father and myself in friendship 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| First tried our soldiership. He did look far 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Into the service of the time, and was 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Discipled of the bravest. He lasted long; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| But on us both did haggish age steal on, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| And wore us out of act. It much repairs me 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| To talk of your good father. In his youth 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| He had the wit which I can well observe 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| To-day in our young lords; but they may jest 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Till their own scorn return to them unnoted 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Ere they can hide their levity in honour. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| So like a courtier, contempt nor bitterness 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Were in his pride or sharpness; if they were, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| His equal had awak'd them; and his honour, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Clock to itself, knew the true minute when 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Exception bid him speak, and at this time 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| His tongue obey'd his hand. Who were below him 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| He us'd as creatures of another place; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| And bow'd his eminent top to their low ranks, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Making them proud of his humility 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| In their poor praise he humbled. Such a man 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Might be a copy to these younger times; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Which, followed well, would demonstrate them now 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| But goers backward. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| BERTRAM. His good remembrance, sir, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Lies richer in your thoughts than on his tomb; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| So in approof lives not his epitaph 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| As in your royal speech. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. Would I were with him! He would always say- 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Methinks I hear him now; his plausive words 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| He scatter'd not in ears, but grafted them 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| To grow there, and to bear- 'Let me not live'- 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| This his good melancholy oft began, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| On the catastrophe and heel of pastime, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| When it was out-'Let me not live' quoth he 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 'After my flame lacks oil, to be the snuff 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Of younger spirits, whose apprehensive senses 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| All but new things disdain; whose judgments are 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Mere fathers of their garments; whose constancies 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Expire before their fashions.' This he wish'd. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| I, after him, do after him wish too, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Since I nor wax nor honey can bring home, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| I quickly were dissolved from my hive, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| To give some labourers room. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| SECOND LORD. You're loved, sir; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| They that least lend it you shall lack you first. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. I fill a place, I know't. How long is't, Count, 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Since the physician at your father's died? 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| He was much fam'd. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| BERTRAM. Some six months since, my lord. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| KING. If he were living, I would try him yet- 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Lend me an arm-the rest have worn me out 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| With several applications. Nature and sickness 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| Debate it at their leisure. Welcome, Count; 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| My son's no dearer. 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| BERTRAM. Thank your Majesty. Exeunt [Flourish] 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|ACT I. SCENE 3. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|Enter COUNTESS, STEWARD, and CLOWN 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. I will now hear; what say you of this gentlewoman? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| STEWARD. Madam, the care I have had to even your content I wish 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| might be found in the calendar of my past endeavours; for then we 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| wound our modesty, and make foul the clearness of our deservings, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| when of ourselves we publish them. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. What does this knave here? Get you gone, sirrah. The 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| complaints I have heard of you I do not all believe; 'tis my 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| slowness that I do not, for I know you lack not folly to commit 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| them and have ability enough to make such knaveries yours. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. 'Tis not unknown to you, madam, I am a poor fellow. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Well, sir. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. No, madam, 'tis not so well that I am poor, though many of 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| the rich are damn'd; but if I may have your ladyship's good will 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| to go to the world, Isbel the woman and I will do as we may. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Wilt thou needs be a beggar? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. I do beg your good will in this case. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. In what case? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. In Isbel's case and mine own. Service is no heritage; and I 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| think I shall never have the blessing of God till I have issue o' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| my body; for they say bames are blessings. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Tell me thy reason why thou wilt marry. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. My poor body, madam, requires it. I am driven on by the 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| flesh; and he must needs go that the devil drives. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Is this all your worship's reason? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. Faith, madam, I have other holy reasons, such as they are. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. May the world know them? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. I have been, madam, a wicked creature, as you and all flesh 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| and blood are; and, indeed, I do marry that I may repent. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Thy marriage, sooner than thy wickedness. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. I am out o' friends, madam, and I hope to have friends for 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| my wife's sake. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Such friends are thine enemies, knave. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. Y'are shallow, madam-in great friends; for the knaves come 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| to do that for me which I am aweary of. He that ears my land 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| spares my team, and gives me leave to in the crop. If I be his 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| cuckold, he's my drudge. He that comforts my wife is the 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| cherisher of my flesh and blood; he that cherishes my flesh and 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| blood loves my flesh and blood; he that loves my flesh and blood 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| is my friend; ergo, he that kisses my wife is my friend. If men 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| could be contented to be what they are, there were no fear in 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| marriage; for young Charbon the puritan and old Poysam the 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| papist, howsome'er their hearts are sever'd in religion, their 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| heads are both one; they may jowl horns together like any deer 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| i' th' herd. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Wilt thou ever be a foul-mouth'd and calumnious knave? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. A prophet I, madam; and I speak the truth the next way: 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| For I the ballad will repeat, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Which men full true shall find: 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Your marriage comes by destiny, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Your cuckoo sings by kind. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Get you gone, sir; I'll talk with you more anon. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| STEWARD. May it please you, madam, that he bid Helen come to you. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Of her I am to speak. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Sirrah, tell my gentlewoman I would speak with her; Helen 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I mean. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. [Sings] 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 'Was this fair face the cause' quoth she 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 'Why the Grecians sacked Troy? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Fond done, done fond, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Was this King Priam's joy?' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| With that she sighed as she stood, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| With that she sighed as she stood, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| And gave this sentence then: 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 'Among nine bad if one be good, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Among nine bad if one be good, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| There's yet one good in ten.' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. What, one good in ten? You corrupt the song, sirrah. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. One good woman in ten, madam, which is a purifying o' th' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| song. Would God would serve the world so all the year! We'd find 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| no fault with the tithe-woman, if I were the parson. One in ten, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| quoth 'a! An we might have a good woman born before every blazing 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| star, or at an earthquake, 'twould mend the lottery well: a man 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| may draw his heart out ere 'a pluck one. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. You'll be gone, sir knave, and do as I command you. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| CLOWN. That man should be at woman's command, and yet no hurt done! 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Though honesty be no puritan, yet it will do no hurt; it will 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| wear the surplice of humility over the black gown of a big heart. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I am going, forsooth. The business is for Helen to come hither. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Exit 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Well, now. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| STEWARD. I know, madam, you love your gentlewoman entirely. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Faith I do. Her father bequeath'd her to me; and she 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| herself, without other advantage, may lawfully make title to as 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| much love as she finds. There is more owing her than is paid; and 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| more shall be paid her than she'll demand. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| STEWARD. Madam, I was very late more near her than I think she 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| wish'd me. Alone she was, and did communicate to herself her own 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| words to her own ears; she thought, I dare vow for her, they 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| touch'd not any stranger sense. Her matter was, she loved your 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| son. Fortune, she said, was no goddess, that had put such 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| difference betwixt their two estates; Love no god, that would not 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| extend his might only where qualities were level; Diana no queen 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| of virgins, that would suffer her poor knight surpris'd without 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| rescue in the first assault, or ransom afterward. This she 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| deliver'd in the most bitter touch of sorrow that e'er I heard 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| virgin exclaim in; which I held my duty speedily to acquaint you 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| withal; sithence, in the loss that may happen, it concerns you 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| something to know it. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. YOU have discharg'd this honestly; keep it to yourself. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Many likelihoods inform'd me of this before, which hung so 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| tott'ring in the balance that I could neither believe nor 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| misdoubt. Pray you leave me. Stall this in your bosom; and I 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| thank you for your honest care. I will speak with you further 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| anon. Exit STEWARD 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Enter HELENA 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Even so it was with me when I was young. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| If ever we are nature's, these are ours; this thorn 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Doth to our rose of youth rightly belong; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Our blood to us, this to our blood is born. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| It is the show and seal of nature's truth, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Where love's strong passion is impress'd in youth. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| By our remembrances of days foregone, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Such were our faults, or then we thought them none. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Her eye is sick on't; I observe her now. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. What is your pleasure, madam? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. You know, Helen, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I am a mother to you. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Mine honourable mistress. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Nay, a mother. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Why not a mother? When I said 'a mother,' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Methought you saw a serpent. What's in 'mother' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That you start at it? I say I am your mother, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| And put you in the catalogue of those 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That were enwombed mine. 'Tis often seen 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Adoption strives with nature, and choice breeds 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| A native slip to us from foreign seeds. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| You ne'er oppress'd me with a mother's groan, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Yet I express to you a mother's care. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| God's mercy, maiden! does it curd thy blood 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To say I am thy mother? What's the matter, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That this distempered messenger of wet, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The many-colour'd Iris, rounds thine eye? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Why, that you are my daughter? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. That I am not. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. I say I am your mother. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Pardon, madam. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The Count Rousillon cannot be my brother: 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I am from humble, he from honoured name; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| No note upon my parents, his all noble. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| My master, my dear lord he is; and I 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| His servant live, and will his vassal die. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| He must not be my brother. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Nor I your mother? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. You are my mother, madam; would you were- 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| So that my lord your son were not my brother- 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Indeed my mother! Or were you both our mothers, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I care no more for than I do for heaven, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| So I were not his sister. Can't no other, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| But, I your daughter, he must be my brother? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Yes, Helen, you might be my daughter-in-law. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| God shield you mean it not! 'daughter' and 'mother' 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| So strive upon your pulse. What! pale again? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| My fear hath catch'd your fondness. Now I see 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The myst'ry of your loneliness, and find 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Your salt tears' head. Now to all sense 'tis gross 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| You love my son; invention is asham'd, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Against the proclamation of thy passion, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To say thou dost not. Therefore tell me true; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| But tell me then, 'tis so; for, look, thy cheeks 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Confess it, th' one to th' other; and thine eyes 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| See it so grossly shown in thy behaviours 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That in their kind they speak it; only sin 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| And hellish obstinacy tie thy tongue, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That truth should be suspected. Speak, is't so? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| If it be so, you have wound a goodly clew; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| If it be not, forswear't; howe'er, I charge thee, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| As heaven shall work in me for thine avail, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To tell me truly. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Good madam, pardon me. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Do you love my son? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Your pardon, noble mistress. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Love you my son? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Do not you love him, madam? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Go not about; my love hath in't a bond 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Whereof the world takes note. Come, come, disclose 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The state of your affection; for your passions 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Have to the full appeach'd. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Then I confess, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Here on my knee, before high heaven and you, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That before you, and next unto high heaven, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I love your son. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| My friends were poor, but honest; so's my love. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Be not offended, for it hurts not him 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That he is lov'd of me; I follow him not 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| By any token of presumptuous suit, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Nor would I have him till I do deserve him; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Yet never know how that desert should be. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I know I love in vain, strive against hope; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Yet in this captious and intenible sieve 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| I still pour in the waters of my love, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| And lack not to lose still. Thus, Indian-like, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Religious in mine error, I adore 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The sun that looks upon his worshipper 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| But knows of him no more. My dearest madam, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Let not your hate encounter with my love, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| For loving where you do; but if yourself, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Whose aged honour cites a virtuous youth, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Did ever in so true a flame of liking 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Wish chastely and love dearly that your Dian 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Was both herself and Love; O, then, give pity 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To her whose state is such that cannot choose 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| But lend and give where she is sure to lose; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| That seeks not to find that her search implies, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| But, riddle-like, lives sweetly where she dies! 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Had you not lately an intent-speak truly- 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To go to Paris? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Madam, I had. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Wherefore? Tell true. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. I will tell truth; by grace itself I swear. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| You know my father left me some prescriptions 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Of rare and prov'd effects, such as his reading 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| And manifest experience had collected 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| For general sovereignty; and that he will'd me 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| In heedfull'st reservation to bestow them, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| As notes whose faculties inclusive were 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| More than they were in note. Amongst the rest 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| There is a remedy, approv'd, set down, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To cure the desperate languishings whereof 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The King is render'd lost. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. This was your motive 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| For Paris, was it? Speak. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. My lord your son made me to think of this, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Else Paris, and the medicine, and the King, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Had from the conversation of my thoughts 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Haply been absent then. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. But think you, Helen, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| If you should tender your supposed aid, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| He would receive it? He and his physicians 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Are of a mind: he, that they cannot help him; 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| They, that they cannot help. How shall they credit 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| A poor unlearned virgin, when the schools, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Embowell'd of their doctrine, have let off 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The danger to itself? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. There's something in't 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| More than my father's skill, which was the great'st 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Of his profession, that his good receipt 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Shall for my legacy be sanctified 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| By th' luckiest stars in heaven; and, would your honour 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| But give me leave to try success, I'd venture 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| The well-lost life of mine on his Grace's cure. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| By such a day and hour. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Dost thou believe't? 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| HELENA. Ay, madam, knowingly. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| COUNTESS. Why, Helen, thou shalt have my leave and love, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Means and attendants, and my loving greetings 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| To those of mine in court. I'll stay at home, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| And pray God's blessing into thy attempt. 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Be gone to-morrow; and be sure of this, 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| What I can help thee to thou shalt not miss. Exeunt 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|ACT II. SCENE 1. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|Paris. The KING'S palace 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|Flourish of cornets. Enter the KING with divers young LORDS taking leave 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|for the Florentine war; BERTRAM and PAROLLES; ATTENDANTS 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Farewell, young lords; these war-like principles 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Do not throw from you. And you, my lords, farewell; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Share the advice betwixt you; if both gain all, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| The gift doth stretch itself as 'tis receiv'd, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And is enough for both. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| FIRST LORD. 'Tis our hope, sir, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| After well-ent'red soldiers, to return 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And find your Grace in health. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. No, no, it cannot be; and yet my heart 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Will not confess he owes the malady 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That doth my life besiege. Farewell, young lords; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Whether I live or die, be you the sons 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Of worthy Frenchmen; let higher Italy- 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Those bated that inherit but the fall 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Of the last monarchy-see that you come 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Not to woo honour, but to wed it; when 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| The bravest questant shrinks, find what you seek, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That fame may cry you aloud. I say farewell. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| SECOND LORD. Health, at your bidding, serve your Majesty! 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Those girls of Italy, take heed of them; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| They say our French lack language to deny, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| If they demand; beware of being captives 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Before you serve. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| BOTH. Our hearts receive your warnings. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Farewell. [To ATTENDANTS] Come hither to me. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| The KING retires attended 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| FIRST LORD. O my sweet lord, that you will stay behind us! 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. 'Tis not his fault, the spark. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| SECOND LORD. O, 'tis brave wars! 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. Most admirable! I have seen those wars. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| BERTRAM. I am commanded here and kept a coil with 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 'Too young' and next year' and "Tis too early.' 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. An thy mind stand to 't, boy, steal away bravely. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| BERTRAM. I shall stay here the forehorse to a smock, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Creaking my shoes on the plain masonry, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Till honour be bought up, and no sword worn 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But one to dance with. By heaven, I'll steal away. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| FIRST LORD. There's honour in the theft. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. Commit it, Count. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| SECOND LORD. I am your accessary; and so farewell. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| BERTRAM. I grow to you, and our parting is a tortur'd body. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| FIRST LORD. Farewell, Captain. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| SECOND LORD. Sweet Monsieur Parolles! 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. Noble heroes, my sword and yours are kin. Good sparks and 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| lustrous, a word, good metals: you shall find in the regiment of 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| the Spinii one Captain Spurio, with his cicatrice, an emblem of 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| war, here on his sinister cheek; it was this very sword 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| entrench'd it. Say to him I live; and observe his reports for me. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| FIRST LORD. We shall, noble Captain. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. Mars dote on you for his novices! Exeunt LORDS 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| What will ye do? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Re-enter the KING 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| BERTRAM. Stay; the King! 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. Use a more spacious ceremony to the noble lords; you have 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| restrain'd yourself within the list of too cold an adieu. Be more 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| expressive to them; for they wear themselves in the cap of the 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| time; there do muster true gait; eat, speak, and move, under the 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| influence of the most receiv'd star; and though the devil lead 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| the measure, such are to be followed. After them, and take a more 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| dilated farewell. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| BERTRAM. And I will do so. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| PAROLLES. Worthy fellows; and like to prove most sinewy sword-men. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Exeunt BERTRAM and PAROLLES 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Enter LAFEU 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. [Kneeling] Pardon, my lord, for me and for my tidings. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. I'll fee thee to stand up. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. Then here's a man stands that has brought his pardon. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| I would you had kneel'd, my lord, to ask me mercy; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And that at my bidding you could so stand up. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. I would I had; so I had broke thy pate, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And ask'd thee mercy for't. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. Good faith, across! 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But, my good lord, 'tis thus: will you be cur'd 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Of your infirmity? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. No. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. O, will you eat 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| No grapes, my royal fox? Yes, but you will 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| My noble grapes, an if my royal fox 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Could reach them: I have seen a medicine 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That's able to breathe life into a stone, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Quicken a rock, and make you dance canary 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| With spritely fire and motion; whose simple touch 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Is powerful to araise King Pepin, nay, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| To give great Charlemain a pen in's hand 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And write to her a love-line. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. What her is this? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. Why, Doctor She! My lord, there's one arriv'd, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| If you will see her. Now, by my faith and honour, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| If seriously I may convey my thoughts 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| In this my light deliverance, I have spoke 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| With one that in her sex, her years, profession, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Wisdom, and constancy, hath amaz'd me more 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Than I dare blame my weakness. Will you see her, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| For that is her demand, and know her business? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That done, laugh well at me. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Now, good Lafeu, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Bring in the admiration, that we with the 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| May spend our wonder too, or take off thine 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| By wond'ring how thou took'st it. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. Nay, I'll fit you, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And not be all day neither. Exit LAFEU 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Thus he his special nothing ever prologues. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Re-enter LAFEU with HELENA 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. Nay, come your ways. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. This haste hath wings indeed. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| LAFEU. Nay, come your ways; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| This is his Majesty; say your mind to him. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| A traitor you do look like; but such traitors 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| His Majesty seldom fears. I am Cressid's uncle, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That dare leave two together. Fare you well. Exit 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Now, fair one, does your business follow us? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. Ay, my good lord. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Gerard de Narbon was my father, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| In what he did profess, well found. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. I knew him. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. The rather will I spare my praises towards him; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Knowing him is enough. On's bed of death 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Many receipts he gave me; chiefly one, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Which, as the dearest issue of his practice, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And of his old experience th' only darling, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| He bade me store up as a triple eye, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Safer than mine own two, more dear. I have so: 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And, hearing your high Majesty is touch'd 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| With that malignant cause wherein the honour 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Of my dear father's gift stands chief in power, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| I come to tender it, and my appliance, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| With all bound humbleness. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. We thank you, maiden; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But may not be so credulous of cure, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| When our most learned doctors leave us, and 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| The congregated college have concluded 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That labouring art can never ransom nature 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| From her inaidable estate-I say we must not 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| So stain our judgment, or corrupt our hope, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| To prostitute our past-cure malady 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| To empirics; or to dissever so 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Our great self and our credit to esteem 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| A senseless help, when help past sense we deem. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. My duty then shall pay me for my pains. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| I will no more enforce mine office on you; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Humbly entreating from your royal thoughts 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| A modest one to bear me back again. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. I cannot give thee less, to be call'd grateful. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Thou thought'st to help me; and such thanks I give 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| As one near death to those that wish him live. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But what at full I know, thou know'st no part; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| I knowing all my peril, thou no art. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. What I can do can do no hurt to try, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Since you set up your rest 'gainst remedy. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| He that of greatest works is finisher 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Oft does them by the weakest minister. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| So holy writ in babes hath judgment shown, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| When judges have been babes. Great floods have flown 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| From simple sources, and great seas have dried 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| When miracles have by the greatest been denied. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Oft expectation fails, and most oft there 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Where most it promises; and oft it hits 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Where hope is coldest, and despair most fits. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. I must not hear thee. Fare thee well, kind maid; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Thy pains, not us'd, must by thyself be paid; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Proffers not took reap thanks for their reward. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. Inspired merit so by breath is barr'd. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| It is not so with Him that all things knows, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| As 'tis with us that square our guess by shows; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But most it is presumption in us when 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| The help of heaven we count the act of men. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Dear sir, to my endeavours give consent; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Of heaven, not me, make an experiment. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| I am not an impostor, that proclaim 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Myself against the level of mine aim; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But know I think, and think I know most sure, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| My art is not past power nor you past cure. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Art thou so confident? Within what space 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Hop'st thou my cure? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. The greatest Grace lending grace. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Ere twice the horses of the sun shall bring 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Their fiery torcher his diurnal ring, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Ere twice in murk and occidental damp 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Moist Hesperus hath quench'd his sleepy lamp, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Or four and twenty times the pilot's glass 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Hath told the thievish minutes how they pass, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| What is infirm from your sound parts shall fly, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Health shall live free, and sickness freely die. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Upon thy certainty and confidence 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| What dar'st thou venture? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. Tax of impudence, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| A strumpet's boldness, a divulged shame, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Traduc'd by odious ballads; my maiden's name 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Sear'd otherwise; ne worse of worst-extended 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| With vilest torture let my life be ended. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Methinks in thee some blessed spirit doth speak 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| His powerful sound within an organ weak; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And what impossibility would slay 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| In common sense, sense saves another way. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Thy life is dear; for all that life can rate 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Worth name of life in thee hath estimate: 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Youth, beauty, wisdom, courage, all 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That happiness and prime can happy call. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Thou this to hazard needs must intimate 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Skill infinite or monstrous desperate. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Sweet practiser, thy physic I will try, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| That ministers thine own death if I die. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. If I break time, or flinch in property 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Of what I spoke, unpitied let me die; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| And well deserv'd. Not helping, death's my fee; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But, if I help, what do you promise me? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Make thy demand. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. But will you make it even? 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Ay, by my sceptre and my hopes of heaven. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| HELENA. Then shalt thou give me with thy kingly hand 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| What husband in thy power I will command. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Exempted be from me the arrogance 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| To choose from forth the royal blood of France, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| My low and humble name to propagate 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| With any branch or image of thy state; 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| But such a one, thy vassal, whom I know 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Is free for me to ask, thee to bestow. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| KING. Here is my hand; the premises observ'd, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Thy will by my performance shall be serv'd. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| So make the choice of thy own time, for I, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Thy resolv'd patient, on thee still rely. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| More should I question thee, and more I must, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Though more to know could not be more to trust, 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| From whence thou cam'st, how tended on. But rest 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Unquestion'd welcome and undoubted blest. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| Give me some help here, ho! If thou proceed 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| As high as word, my deed shall match thy deed. 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| [Flourish. Exeunt] 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1| 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|ACT II. SCENE 2. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|Enter COUNTESS and CLOWN 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Come on, sir; I shall now put you to the height of your 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| breeding. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. I will show myself highly fed and lowly taught. I know my 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| business is but to the court. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. To the court! Why, what place make you special, when you 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| put off that with such contempt? But to the court! 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. Truly, madam, if God have lent a man any manners, he may 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| easily put it off at court. He that cannot make a leg, put off's 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| cap, kiss his hand, and say nothing, has neither leg, hands, lip, 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| nor cap; and indeed such a fellow, to say precisely, were not for 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| the court; but for me, I have an answer will serve all men. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Marry, that's a bountiful answer that fits all questions. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. It is like a barber's chair, that fits all buttocks-the pin 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| buttock, the quatch buttock, the brawn buttock, or any buttock. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Will your answer serve fit to all questions? 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. As fit as ten groats is for the hand of an attorney, as your 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| French crown for your taffety punk, as Tib's rush for Tom's 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| forefinger, as a pancake for Shrove Tuesday, a morris for Mayday, 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| as the nail to his hole, the cuckold to his horn, as a scolding 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| quean to a wrangling knave, as the nun's lip to the friar's 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| mouth; nay, as the pudding to his skin. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Have you, I, say, an answer of such fitness for all 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| questions? 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. From below your duke to beneath your constable, it will fit 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| any question. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. It must be an answer of most monstrous size that must fit 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| all demands. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. But a trifle neither, in good faith, if the learned should 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| speak truth of it. Here it is, and all that belongs to't. Ask me 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| if I am a courtier: it shall do you no harm to learn. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. To be young again, if we could, I will be a fool in 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| question, hoping to be the wiser by your answer. I pray you, sir, 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| are you a courtier? 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. O Lord, sir!-There's a simple putting off. More, more, a 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| hundred of them. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Sir, I am a poor friend of yours, that loves you. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. O Lord, sir!-Thick, thick; spare not me. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. I think, sir, you can eat none of this homely meat. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. O Lord, sir!-Nay, put me to't, I warrant you. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. You were lately whipp'd, sir, as I think. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. O Lord, sir!-Spare not me. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Do you cry 'O Lord, sir!' at your whipping, and 'spare 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| not me'? Indeed your 'O Lord, sir!' is very sequent to your 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| whipping. You would answer very well to a whipping, if you were 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| but bound to't. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. I ne'er had worse luck in my life in my 'O Lord, sir!' I see 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| thing's may serve long, but not serve ever. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. I play the noble housewife with the time, 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| To entertain it so merrily with a fool. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. O Lord, sir!-Why, there't serves well again. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. An end, sir! To your business: give Helen this, 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| And urge her to a present answer back; 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| Commend me to my kinsmen and my son. This is not much. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. Not much commendation to them? 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Not much employment for you. You understand me? 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| CLOWN. Most fruitfully; I am there before my legs. 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| COUNTESS. Haste you again. Exeunt 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| 2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|ACT II. SCENE 3. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|Paris. The KING'S palace 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|Enter BERTRAM, LAFEU, and PAROLLES 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. They say miracles are past; and we have our philosophical 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| persons to make modern and familiar things supernatural and 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| causeless. Hence is it that we make trifles of terrors, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| ensconcing ourselves into seeming knowledge when we should submit 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| ourselves to an unknown fear. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Why, 'tis the rarest argument of wonder that hath shot 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| out in our latter times. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. And so 'tis. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. To be relinquish'd of the artists- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. So I say-both of Galen and Paracelsus. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Of all the learned and authentic fellows- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Right; so I say. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. That gave him out incurable- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Why, there 'tis; so say I too. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Not to be help'd- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Right; as 'twere a man assur'd of a- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Uncertain life and sure death. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Just; you say well; so would I have said. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. I may truly say it is a novelty to the world. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. It is indeed. If you will have it in showing, you shall 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| read it in what-do-ye-call't here. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. [Reading the ballad title] 'A Showing of a Heavenly 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Effect in an Earthly Actor.' 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. That's it; I would have said the very same. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Why, your dolphin is not lustier. 'Fore me, I speak in 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| respect- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Nay, 'tis strange, 'tis very strange; that is the brief 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| and the tedious of it; and he's of a most facinerious spirit that 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| will not acknowledge it to be the- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Very hand of heaven. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Ay; so I say. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. In a most weak- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. And debile minister, great power, great transcendence; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| which should, indeed, give us a further use to be made than alone 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| the recov'ry of the King, as to be- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Generally thankful. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Enter KING, HELENA, and ATTENDANTS 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. I would have said it; you say well. Here comes the King. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Lustig, as the Dutchman says. I'll like a maid the better, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| whilst I have a tooth in my head. Why, he's able to lead her a 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| coranto. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Mort du vinaigre! Is not this Helen? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. 'Fore God, I think so. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Go, call before me all the lords in court. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Exit an ATTENDANT 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Sit, my preserver, by thy patient's side; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And with this healthful hand, whose banish'd sense 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Thou has repeal'd, a second time receive 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The confirmation of my promis'd gift, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Which but attends thy naming. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Enter three or four LORDS 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Fair maid, send forth thine eye. This youthful parcel 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Of noble bachelors stand at my bestowing, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| O'er whom both sovereign power and father's voice 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I have to use. Thy frank election make; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Thou hast power to choose, and they none to forsake. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. To each of you one fair and virtuous mistress 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Fall, when love please. Marry, to each but one! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. I'd give bay Curtal and his furniture 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| My mouth no more were broken than these boys', 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And writ as little beard. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Peruse them well. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Not one of those but had a noble father. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. Gentlemen, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Heaven hath through me restor'd the King to health. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| ALL. We understand it, and thank heaven for you. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. I am a simple maid, and therein wealthiest 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| That I protest I simply am a maid. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Please it your Majesty, I have done already. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The blushes in my cheeks thus whisper me: 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 'We blush that thou shouldst choose; but, be refused, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Let the white death sit on thy cheek for ever, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| We'll ne'er come there again.' 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Make choice and see: 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Who shuns thy love shuns all his love in me. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. Now, Dian, from thy altar do I fly, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And to imperial Love, that god most high, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Do my sighs stream. Sir, will you hear my suit? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| FIRST LORD. And grant it. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. Thanks, sir; all the rest is mute. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. I had rather be in this choice than throw ames-ace for my 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| life. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. The honour, sir, that flames in your fair eyes, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Before I speak, too threat'ningly replies. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Love make your fortunes twenty times above 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Her that so wishes, and her humble love! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| SECOND LORD. No better, if you please. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. My wish receive, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Which great Love grant; and so I take my leave. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Do all they deny her? An they were sons of mine I'd have 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| them whipt; or I would send them to th' Turk to make eunuchs of. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. Be not afraid that I your hand should take; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I'll never do you wrong for your own sake. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Blessing upon your vows; and in your bed 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Find fairer fortune, if you ever wed! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. These boys are boys of ice; they'll none have her. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Sure, they are bastards to the English; the French ne'er got 'em. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. You are too young, too happy, and too good, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| To make yourself a son out of my blood. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| FOURTH LORD. Fair one, I think not so. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. There's one grape yet; I am sure thy father drunk wine-but 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| if thou be'st not an ass, I am a youth of fourteen; I have known 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| thee already. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. [To BERTRAM] I dare not say I take you; but I give 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Me and my service, ever whilst I live, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Into your guiding power. This is the man. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Why, then, young Bertram, take her; she's thy wife. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. My wife, my liege! I shall beseech your Highness, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| In such a business give me leave to use 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The help of mine own eyes. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Know'st thou not, Bertram, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| What she has done for me? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. Yes, my good lord; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| But never hope to know why I should marry her. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Thou know'st she has rais'd me from my sickly bed. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. But follows it, my lord, to bring me down 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Must answer for your raising? I know her well: 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| She had her breeding at my father's charge. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| A poor physician's daughter my wife! Disdain 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Rather corrupt me ever! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. 'Tis only title thou disdain'st in her, the which 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I can build up. Strange is it that our bloods, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Of colour, weight, and heat, pour'd all together, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Would quite confound distinction, yet stand off 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| In differences so mighty. If she be 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| All that is virtuous-save what thou dislik'st, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| A poor physician's daughter-thou dislik'st 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Of virtue for the name; but do not so. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| From lowest place when virtuous things proceed, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The place is dignified by the doer's deed; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Where great additions swell's, and virtue none, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| It is a dropsied honour. Good alone 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Is good without a name. Vileness is so: 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The property by what it is should go, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Not by the title. She is young, wise, fair; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| In these to nature she's immediate heir; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And these breed honour. That is honour's scorn 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Which challenges itself as honour's born 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And is not like the sire. Honours thrive 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| When rather from our acts we them derive 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Than our fore-goers. The mere word's a slave, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Debauch'd on every tomb, on every grave 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| A lying trophy; and as oft is dumb 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Where dust and damn'd oblivion is the tomb 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Of honour'd bones indeed. What should be said? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| If thou canst like this creature as a maid, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I can create the rest. Virtue and she 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Is her own dower; honour and wealth from me. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. I cannot love her, nor will strive to do 't. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Thou wrong'st thyself, if thou shouldst strive to choose. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| HELENA. That you are well restor'd, my lord, I'm glad. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Let the rest go. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. My honour's at the stake; which to defeat, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I must produce my power. Here, take her hand, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Proud scornful boy, unworthy this good gift, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| That dost in vile misprision shackle up 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| My love and her desert; that canst not dream 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| We, poising us in her defective scale, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Shall weigh thee to the beam; that wilt not know 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| It is in us to plant thine honour where 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| We please to have it grow. Check thy contempt; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Obey our will, which travails in thy good; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Believe not thy disdain, but presently 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Do thine own fortunes that obedient right 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Which both thy duty owes and our power claims; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Or I will throw thee from my care for ever 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Into the staggers and the careless lapse 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Of youth and ignorance; both my revenge and hate 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Loosing upon thee in the name of justice, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Without all terms of pity. Speak; thine answer. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. Pardon, my gracious lord; for I submit 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| My fancy to your eyes. When I consider 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| What great creation and what dole of honour 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Flies where you bid it, I find that she which late 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Was in my nobler thoughts most base is now 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The praised of the King; who, so ennobled, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Is as 'twere born so. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Take her by the hand, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And tell her she is thine; to whom I promise 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| A counterpoise, if not to thy estate 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| A balance more replete. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. I take her hand. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| KING. Good fortune and the favour of the King 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Smile upon this contract; whose ceremony 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Shall seem expedient on the now-born brief, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And be perform'd to-night. The solemn feast 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Shall more attend upon the coming space, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Expecting absent friends. As thou lov'st her, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Thy love's to me religious; else, does err. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Exeunt all but LAFEU and PAROLLES who stay behind, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| commenting of this wedding 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Do you hear, monsieur? A word with you. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Your pleasure, sir? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Your lord and master did well to make his recantation. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Recantation! My Lord! my master! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Ay; is it not a language I speak? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. A most harsh one, and not to be understood without bloody 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| succeeding. My master! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Are you companion to the Count Rousillon? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. To any count; to all counts; to what is man. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. To what is count's man: count's master is of another style. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. You are too old, sir; let it satisfy you, you are too 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| old. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. I must tell thee, sirrah, I write man; to which title age 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| cannot bring thee. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. What I dare too well do, I dare not do. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. I did think thee, for two ordinaries, to be a pretty wise 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| fellow; thou didst make tolerable vent of thy travel; it might 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| pass. Yet the scarfs and the bannerets about thee did manifoldly 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| dissuade me from believing thee a vessel of too great a burden. I 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| have now found thee; when I lose thee again I care not; yet art 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| thou good for nothing but taking up; and that thou'rt scarce 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| worth. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Hadst thou not the privilege of antiquity upon thee- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Do not plunge thyself too far in anger, lest thou hasten thy 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| trial; which if-Lord have mercy on thee for a hen! So, my good 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| window of lattice, fare thee well; thy casement I need not open, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| for I look through thee. Give me thy hand. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. My lord, you give me most egregious indignity. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Ay, with all my heart; and thou art worthy of it. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. I have not, my lord, deserv'd it. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Yes, good faith, ev'ry dram of it; and I will not bate thee 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| a scruple. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Well, I shall be wiser. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Ev'n as soon as thou canst, for thou hast to pull at a smack 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| o' th' contrary. If ever thou be'st bound in thy scarf and 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| beaten, thou shalt find what it is to be proud of thy bondage. I 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| have a desire to hold my acquaintance with thee, or rather my 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| knowledge, that I may say in the default 'He is a man I know.' 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. My lord, you do me most insupportable vexation. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. I would it were hell pains for thy sake, and my poor doing 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| eternal; for doing I am past, as I will by thee, in what motion 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| age will give me leave. Exit 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Well, thou hast a son shall take this disgrace off me: 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| scurvy, old, filthy, scurvy lord! Well, I must be patient; there 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| is no fettering of authority. I'll beat him, by my life, if I can 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| meet him with any convenience, an he were double and double a 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| lord. I'll have no more pity of his age than I would have of- 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I'll beat him, and if I could but meet him again. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Re-enter LAFEU 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Sirrah, your lord and master's married; there's news for 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| you; you have a new mistress. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. I most unfeignedly beseech your lordship to make some 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| reservation of your wrongs. He is my good lord: whom I serve 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| above is my master. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Who? God? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Ay, sir. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. The devil it is that's thy master. Why dost thou garter up 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| thy arms o' this fashion? Dost make hose of thy sleeves? Do other 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| servants so? Thou wert best set thy lower part where thy nose 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| stands. By mine honour, if I were but two hours younger, I'd beat 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| thee. Methink'st thou art a general offence, and every man should 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| beat thee. I think thou wast created for men to breathe 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| themselves upon thee. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. This is hard and undeserved measure, my lord. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| LAFEU. Go to, sir; you were beaten in Italy for picking a kernel 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| out of a pomegranate; you are a vagabond, and no true traveller; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| you are more saucy with lords and honourable personages than the 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| commission of your birth and virtue gives you heraldry. You are 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| not worth another word, else I'd call you knave. I leave you. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Exit 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Enter BERTRAM 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Good, very, good, it is so then. Good, very good; let it 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| be conceal'd awhile. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. Undone, and forfeited to cares for ever! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. What's the matter, sweetheart? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. Although before the solemn priest I have sworn, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I will not bed her. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. What, what, sweetheart? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. O my Parolles, they have married me! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I'll to the Tuscan wars, and never bed her. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. France is a dog-hole, and it no more merits 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The tread of a man's foot. To th' wars! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. There's letters from my mother; what th' import is I know 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| not yet. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Ay, that would be known. To th' wars, my boy, to th' 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| wars! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| He wears his honour in a box unseen 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| That hugs his kicky-wicky here at home, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Spending his manly marrow in her arms, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Which should sustain the bound and high curvet 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Of Mars's fiery steed. To other regions! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| France is a stable; we that dwell in't jades; 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Therefore, to th' war! 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. It shall be so; I'll send her to my house, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Acquaint my mother with my hate to her, 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| And wherefore I am fled; write to the King 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| That which I durst not speak. His present gift 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Shall furnish me to those Italian fields 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Where noble fellows strike. War is no strife 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| To the dark house and the detested wife. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Will this capriccio hold in thee, art sure? 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| BERTRAM. Go with me to my chamber and advise me. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I'll send her straight away. To-morrow 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| I'll to the wars, she to her single sorrow. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| PAROLLES. Why, these balls bound; there's noise in it. 'Tis hard: 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| A young man married is a man that's marr'd. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Therefore away, and leave her bravely; go. 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| The King has done you wrong; but, hush, 'tis so. Exeunt 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|ACT II. SCENE 4. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|Paris. The KING'S palace 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|Enter HELENA and CLOWN 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. My mother greets me kindly; is she well? 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. She is not well, but yet she has her health; she's very 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| merry, but yet she is not well. But thanks be given, she's very 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| well, and wants nothing i' th' world; but yet she is not well. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. If she be very well, what does she ail that she's not very 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| well? 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. Truly, she's very well indeed, but for two things. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. What two things? 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. One, that she's not in heaven, whither God send her quickly! 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| The other, that she's in earth, from whence God send her quickly! 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Enter PAROLLES 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. Bless you, my fortunate lady! 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. I hope, sir, I have your good will to have mine own good 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| fortunes. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. You had my prayers to lead them on; and to keep them on, 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| have them still. O, my knave, how does my old lady? 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. So that you had her wrinkles and I her money, I would she 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| did as you say. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. Why, I say nothing. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. Marry, you are the wiser man; for many a man's tongue shakes 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| out his master's undoing. To say nothing, to do nothing, to know 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| nothing, and to have nothing, is to be a great part of your 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| title, which is within a very little of nothing. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. Away! th'art a knave. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. You should have said, sir, 'Before a knave th'art a knave'; 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| that's 'Before me th'art a knave.' This had been truth, sir. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. Go to, thou art a witty fool; I have found thee. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| CLOWN. Did you find me in yourself, sir, or were you taught to find 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| me? The search, sir, was profitable; and much fool may you find 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| in you, even to the world's pleasure and the increase of 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| laughter. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. A good knave, i' faith, and well fed. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Madam, my lord will go away to-night: 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| A very serious business calls on him. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| The great prerogative and rite of love, 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Which, as your due, time claims, he does acknowledge; 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| But puts it off to a compell'd restraint; 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Whose want, and whose delay, is strew'd with sweets, 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Which they distil now in the curbed time, 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| To make the coming hour o'erflow with joy 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| And pleasure drown the brim. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. What's his else? 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. That you will take your instant leave o' th' King, 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| And make this haste as your own good proceeding, 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Strength'ned with what apology you think 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| May make it probable need. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. What more commands he? 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. That, having this obtain'd, you presently 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Attend his further pleasure. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. In everything I wait upon his will. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| PAROLLES. I shall report it so. 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| HELENA. I pray you. Exit PAROLLES 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| Come, sirrah. Exeunt 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|ACT II. SCENE 5. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|Paris. The KING'S palace 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|Enter LAFEU and BERTRAM 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. But I hope your lordship thinks not him a soldier. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Yes, my lord, and of very valiant approof. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. You have it from his own deliverance. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. And by other warranted testimony. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. Then my dial goes not true; I took this lark for a bunting. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. I do assure you, my lord, he is very great in knowledge, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| and accordingly valiant. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. I have then sinn'd against his experience and transgress'd 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| against his valour; and my state that way is dangerous, since I 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| cannot yet find in my heart to repent. Here he comes; I pray you 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| make us friends; I will pursue the amity 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Enter PAROLLES 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. [To BERTRAM] These things shall be done, sir. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. Pray you, sir, who's his tailor? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. Sir! 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. O, I know him well. Ay, sir; he, sir, 's a good workman, a 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| very good tailor. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. [Aside to PAROLLES] Is she gone to the King? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. She is. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Will she away to-night? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. As you'll have her. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. I have writ my letters, casketed my treasure, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Given order for our horses; and to-night, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| When I should take possession of the bride, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| End ere I do begin. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. A good traveller is something at the latter end of a dinner; 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| but one that lies three-thirds and uses a known truth to pass a 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| thousand nothings with, should be once heard and thrice beaten. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| God save you, Captain. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Is there any unkindness between my lord and you, monsieur? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. I know not how I have deserved to run into my lord's 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| displeasure. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. You have made shift to run into 't, boots and spurs and all, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| like him that leapt into the custard; and out of it you'll run 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| again, rather than suffer question for your residence. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. It may be you have mistaken him, my lord. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| LAFEU. And shall do so ever, though I took him at's prayers. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Fare you well, my lord; and believe this of me: there can be no 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| kernal in this light nut; the soul of this man is his clothes; 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| trust him not in matter of heavy consequence; I have kept of them 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| tame, and know their natures. Farewell, monsieur; I have spoken 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| better of you than you have or will to deserve at my hand; but we 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| must do good against evil. Exit 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. An idle lord, I swear. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. I think so. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. Why, do you not know him? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Yes, I do know him well; and common speech 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Gives him a worthy pass. Here comes my clog. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Enter HELENA 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. I have, sir, as I was commanded from you, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Spoke with the King, and have procur'd his leave 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| For present parting; only he desires 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Some private speech with you. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. I shall obey his will. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| You must not marvel, Helen, at my course, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Which holds not colour with the time, nor does 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| The ministration and required office 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| On my particular. Prepar'd I was not 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| For such a business; therefore am I found 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| So much unsettled. This drives me to entreat you 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| That presently you take your way for home, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| And rather muse than ask why I entreat you; 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| For my respects are better than they seem, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| And my appointments have in them a need 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Greater than shows itself at the first view 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| To you that know them not. This to my mother. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| [Giving a letter] 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 'Twill be two days ere I shall see you; so 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| I leave you to your wisdom. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. Sir, I can nothing say 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| But that I am your most obedient servant. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Come, come, no more of that. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. And ever shall 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| With true observance seek to eke out that 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Wherein toward me my homely stars have fail'd 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| To equal my great fortune. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Let that go. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| My haste is very great. Farewell; hie home. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. Pray, sir, your pardon. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Well, what would you say? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. I am not worthy of the wealth I owe, 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Nor dare I say 'tis mine, and yet it is; 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| But, like a timorous thief, most fain would steal 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| What law does vouch mine own. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. What would you have? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. Something; and scarce so much; nothing, indeed. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| I would not tell you what I would, my lord. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Faith, yes: 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Strangers and foes do sunder and not kiss. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. I pray you, stay not, but in haste to horse. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| HELENA. I shall not break your bidding, good my lord. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| BERTRAM. Where are my other men, monsieur? 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Farewell! Exit HELENA 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Go thou toward home, where I will never come 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Whilst I can shake my sword or hear the drum. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| Away, and for our flight. 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| PAROLLES. Bravely, coragio! Exeunt 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5| 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|ACT III. SCENE 1. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|Florence. The DUKE's palace 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Flourish. Enter the DUKE OF FLORENCE, attended; two 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| FRENCH LORDS, with a TROOP OF SOLDIERS 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| DUKE. So that, from point to point, now have you hear 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| The fundamental reasons of this war; 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Whose great decision hath much blood let forth 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| And more thirsts after. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| FIRST LORD. Holy seems the quarrel 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Upon your Grace's part; black and fearful 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| On the opposer. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| DUKE. Therefore we marvel much our cousin France 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Would in so just a business shut his bosom 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Against our borrowing prayers. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| SECOND LORD. Good my lord, 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| The reasons of our state I cannot yield, 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| But like a common and an outward man 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| That the great figure of a council frames 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| By self-unable motion; therefore dare not 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Say what I think of it, since I have found 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Myself in my incertain grounds to fail 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| As often as I guess'd. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| DUKE. Be it his pleasure. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| FIRST LORD. But I am sure the younger of our nature, 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| That surfeit on their ease, will day by day 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Come here for physic. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| DUKE. Welcome shall they be 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| And all the honours that can fly from us 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| Shall on them settle. You know your places well; 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| When better fall, for your avails they fell. 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| To-morrow to th' field. Flourish. Exeunt 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| 2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|ACT III. SCENE 2. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|Enter COUNTESS and CLOWN 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. It hath happen'd all as I would have had it, save that he 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| comes not along with her. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. By my troth, I take my young lord to be a very melancholy 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| man. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. By what observance, I pray you? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. Why, he will look upon his boot and sing; mend the ruff and 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| sing; ask questions and sing; pick his teeth and sing. I know a 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| man that had this trick of melancholy sold a goodly manor for a 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| song. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Let me see what he writes, and when he means to come. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| [Opening a letter] 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. I have no mind to Isbel since I was at court. Our old ling 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| and our Isbels o' th' country are nothing like your old ling and 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| your Isbels o' th' court. The brains of my Cupid's knock'd out; 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| and I begin to love, as an old man loves money, with no stomach. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. What have we here? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. E'en that you have there. Exit 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. [Reads] 'I have sent you a daughter-in-law; she hath 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| recovered the King and undone me. I have wedded her, not bedded 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| her; and sworn to make the "not" eternal. You shall hear I am run 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| away; know it before the report come. If there be breadth enough 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| in the world, I will hold a long distance. My duty to you. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Your unfortunate son, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| BERTRAM.' 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| This is not well, rash and unbridled boy, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| To fly the favours of so good a king, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| To pluck his indignation on thy head 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| By the misprizing of a maid too virtuous 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| For the contempt of empire. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Re-enter CLOWN 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. O madam, yonder is heavy news within between two soldiers 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| and my young lady. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. What is the -matter? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. Nay, there is some comfort in the news, some comfort; your 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| son will not be kill'd so soon as I thought he would. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Why should he be kill'd? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| CLOWN. So say I, madam, if he run away, as I hear he does the 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| danger is in standing to 't; that's the loss of men, though it be 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| the getting of children. Here they come will tell you more. For my 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| part, I only hear your son was run away. Exit 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Enter HELENA and the two FRENCH GENTLEMEN 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| SECOND GENTLEMAN. Save you, good madam. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| HELENA. Madam, my lord is gone, for ever gone. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| FIRST GENTLEMAN. Do not say so. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Think upon patience. Pray you, gentlemen- 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| I have felt so many quirks of joy and grief 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That the first face of neither, on the start, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Can woman me unto 't. Where is my son, I pray you? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| FIRST GENTLEMAN. Madam, he's gone to serve the Duke of Florence. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| We met him thitherward; for thence we came, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| And, after some dispatch in hand at court, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Thither we bend again. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| HELENA. Look on this letter, madam; here's my passport. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| [Reads] 'When thou canst get the ring upon my finger, which 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| never shall come off, and show me a child begotten of thy body 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| that I am father to, then call me husband; but in such a "then" I 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| write a "never." 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| This is a dreadful sentence. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Brought you this letter, gentlemen? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| FIRST GENTLEMAN. Ay, madam; 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| And for the contents' sake are sorry for our pains. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. I prithee, lady, have a better cheer; 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| If thou engrossest all the griefs are thine, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Thou robb'st me of a moiety. He was my son; 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| But I do wash his name out of my blood, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| And thou art all my child. Towards Florence is he? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| FIRST GENTLEMAN. Ay, madam. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. And to be a soldier? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| FIRST GENTLEMAN. Such is his noble purpose; and, believe 't, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| The Duke will lay upon him all the honour 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That good convenience claims. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Return you thither? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| SECOND GENTLEMAN. Ay, madam, with the swiftest wing of speed. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| HELENA. [Reads] 'Till I have no wife, I have nothing in France.' 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 'Tis bitter. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Find you that there? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| HELENA. Ay, madam. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| SECOND GENTLEMAN. 'Tis but the boldness of his hand haply, which 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| his heart was not consenting to. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Nothing in France until he have no wife! 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| There's nothing here that is too good for him 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| But only she; and she deserves a lord 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That twenty such rude boys might tend upon, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| And call her hourly mistress. Who was with him? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| SECOND GENTLEMAN. A servant only, and a gentleman 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Which I have sometime known. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Parolles, was it not? 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| SECOND GENTLEMAN. Ay, my good lady, he. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. A very tainted fellow, and full of wickedness. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| My son corrupts a well-derived nature 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| With his inducement. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| SECOND GENTLEMAN. Indeed, good lady, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| The fellow has a deal of that too much 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Which holds him much to have. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Y'are welcome, gentlemen. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| I will entreat you, when you see my son, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| To tell him that his sword can never win 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| The honour that he loses. More I'll entreat you 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Written to bear along. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| FIRST GENTLEMAN. We serve you, madam, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| In that and all your worthiest affairs. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| COUNTESS. Not so, but as we change our courtesies. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Will you draw near? Exeunt COUNTESS and GENTLEMEN 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| HELENA. 'Till I have no wife, I have nothing in France.' 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Nothing in France until he has no wife! 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Thou shalt have none, Rousillon, none in France 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Then hast thou all again. Poor lord! is't 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That chase thee from thy country, and expose 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Those tender limbs of thine to the event 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Of the non-sparing war? And is it I 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That drive thee from the sportive court, where thou 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Wast shot at with fair eyes, to be the mark 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Of smoky muskets? O you leaden messengers, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That ride upon the violent speed of fire, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Fly with false aim; move the still-piecing air, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That sings with piercing; do not touch my lord. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Whoever shoots at him, I set him there; 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Whoever charges on his forward breast, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| I am the caitiff that do hold him to't; 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| And though I kill him not, I am the cause 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| His death was so effected. Better 'twere 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| I met the ravin lion when he roar'd 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| With sharp constraint of hunger; better 'twere 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That all the miseries which nature owes 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Were mine at once. No; come thou home, Rousillon, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Whence honour but of danger wins a scar, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| As oft it loses all. I will be gone. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| My being here it is that holds thee hence. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| Shall I stay here to do 't? No, no, although 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| The air of paradise did fan the house, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| And angels offic'd all. I will be gone, 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| That pitiful rumour may report my flight 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| To consolate thine ear. Come, night; end, day. 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| For with the dark, poor thief, I'll steal away. Exit 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2| 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|ACT III. SCENE 3. 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|Florence. Before the DUKE's palace 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|Flourish. Enter the DUKE OF FLORENCE, BERTRAM, PAROLLES, SOLDIERS, 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|drum and trumpets 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| DUKE. The General of our Horse thou art; and we, 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| Great in our hope, lay our best love and credence 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| Upon thy promising fortune. 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| BERTRAM. Sir, it is 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| A charge too heavy for my strength; but yet 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| We'll strive to bear it for your worthy sake 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| To th' extreme edge of hazard. 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| DUKE. Then go thou forth; 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| And Fortune play upon thy prosperous helm, 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| As thy auspicious mistress! 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| BERTRAM. This very day, 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| Great Mars, I put myself into thy file; 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| Make me but like my thoughts, and I shall prove 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| A lover of thy drum, hater of love. Exeunt 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| 2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3| 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|ACT III. SCENE 4. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|Enter COUNTESS and STEWARD 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| COUNTESS. Alas! and would you take the letter of her? 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Might you not know she would do as she has done 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| By sending me a letter? Read it again. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| STEWARD. [Reads] 'I am Saint Jaques' pilgrim, thither gone. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Ambitious love hath so in me offended 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| That barefoot plod I the cold ground upon, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| With sainted vow my faults to have amended. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Write, write, that from the bloody course of war 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| My dearest master, your dear son, may hie. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Bless him at home in peace, whilst I from far 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| His name with zealous fervour sanctify. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| His taken labours bid him me forgive; 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| I, his despiteful Juno, sent him forth 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| From courtly friends, with camping foes to live, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Where death and danger dogs the heels of worth. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| He is too good and fair for death and me; 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Whom I myself embrace to set him free.' 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| COUNTESS. Ah, what sharp stings are in her mildest words! 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Rinaldo, you did never lack advice so much 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| As letting her pass so; had I spoke with her, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| I could have well diverted her intents, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Which thus she hath prevented. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| STEWARD. Pardon me, madam; 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| If I had given you this at over-night, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| She might have been o'er ta'en; and yet she writes 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Pursuit would be but vain. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| COUNTESS. What angel shall 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Bless this unworthy husband? He cannot thrive, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Unless her prayers, whom heaven delights to hear 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| And loves to grant, reprieve him from the wrath 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Of greatest justice. Write, write, Rinaldo, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| To this unworthy husband of his wife; 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Let every word weigh heavy of her worth 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| That he does weigh too light. My greatest grief, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Though little he do feel it, set down sharply. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Dispatch the most convenient messenger. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| When haply he shall hear that she is gone 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| He will return; and hope I may that she, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Hearing so much, will speed her foot again, 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Led hither by pure love. Which of them both 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Is dearest to me I have no skill in sense 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| To make distinction. Provide this messenger. 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| My heart is heavy, and mine age is weak; 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| Grief would have tears, and sorrow bids me speak. Exeunt 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| 2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|ACT III. SCENE 5. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|Without the walls of Florence 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|A tucket afar off. Enter an old WIDOW OF FLORENCE, her daughter DIANA, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|VIOLENTA, and MARIANA, with other CITIZENS 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. Nay, come; for if they do approach the city we shall lose 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| all the sight. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. They say the French count has done most honourable service. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. It is reported that he has taken their great'st commander; 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| and that with his own hand he slew the Duke's brother. [Tucket] 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| We have lost our labour; they are gone a contrary way. Hark! you 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| may know by their trumpets. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| MARIANA. Come, let's return again, and suffice ourselves with the 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| report of it. Well, Diana, take heed of this French earl; the 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| honour of a maid is her name, and no legacy is so rich as 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| honesty. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. I have told my neighbour how you have been solicited by a 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| gentleman his companion. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| MARIANA. I know that knave, hang him! one Parolles; a filthy 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| officer he is in those suggestions for the young earl. Beware of 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| them, Diana: their promises, enticements, oaths, tokens, and all 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| these engines of lust, are not the things they go under; many a 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| maid hath been seduced by them; and the misery is, example, that 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| so terrible shows in the wreck of maidenhood, cannot for all that 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| dissuade succession, but that they are limed with the twigs that 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| threatens them. I hope I need not to advise you further; but I 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| hope your own grace will keep you where you are, though there 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| were no further danger known but the modesty which is so lost. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. You shall not need to fear me. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Enter HELENA in the dress of a pilgrim 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. I hope so. Look, here comes a pilgrim. I know she will lie 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| at my house: thither they send one another. I'll question her. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| God save you, pilgrim! Whither are bound? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. To Saint Jaques le Grand. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Where do the palmers lodge, I do beseech you? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. At the Saint Francis here, beside the port. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. Is this the way? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| [A march afar] 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. Ay, marry, is't. Hark you! They come this way. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| If you will tarry, holy pilgrim, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| But till the troops come by, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| I will conduct you where you shall be lodg'd; 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| The rather for I think I know your hostess 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| As ample as myself. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. Is it yourself? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. If you shall please so, pilgrim. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. I thank you, and will stay upon your leisure. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. You came, I think, from France? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. I did so. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. Here you shall see a countryman of yours 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| That has done worthy service. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. His name, I pray you. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. The Count Rousillon. Know you such a one? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. But by the ear, that hears most nobly of him; 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| His face I know not. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. What some'er he is, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| He's bravely taken here. He stole from France, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| As 'tis reported, for the King had married him 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Against his liking. Think you it is so? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. Ay, surely, mere the truth; I know his lady. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. There is a gentleman that serves the Count 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Reports but coarsely of her. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. What's his name? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. Monsieur Parolles. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. O, I believe with him, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| In argument of praise, or to the worth 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Of the great Count himself, she is too mean 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| To have her name repeated; all her deserving 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Is a reserved honesty, and that 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| I have not heard examin'd. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. Alas, poor lady! 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 'Tis a hard bondage to become the wife 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Of a detesting lord. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. I sweet, good creature, wheresoe'er she is 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Her heart weighs sadly. This young maid might do her 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| A shrewd turn, if she pleas'd. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. How do you mean? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| May be the amorous Count solicits her 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| In the unlawful purpose. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. He does, indeed; 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| And brokes with all that can in such a suit 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Corrupt the tender honour of a maid; 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| But she is arm'd for him, and keeps her guard 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| In honestest defence. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Enter, with drum and colours, BERTRAM, PAROLLES, and the 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| whole ARMY 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| MARIANA. The gods forbid else! 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. So, now they come. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| That is Antonio, the Duke's eldest son; 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| That, Escalus. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. Which is the Frenchman? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. He- 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| That with the plume; 'tis a most gallant fellow. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| I would he lov'd his wife; if he were honester 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| He were much goodlier. Is't not a handsome gentleman? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. I like him well. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. 'Tis pity he is not honest. Yond's that same knave 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| That leads him to these places; were I his lady 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| I would poison that vile rascal. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. Which is he? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| DIANA. That jack-an-apes with scarfs. Why is he melancholy? 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. Perchance he's hurt i' th' battle. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| PAROLLES. Lose our drum! well. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| MARIANA. He's shrewdly vex'd at something. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Look, he has spied us. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. Marry, hang you! 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| MARIANA. And your courtesy, for a ring-carrier! 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Exeunt BERTRAM, PAROLLES, and ARMY 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| WIDOW. The troop is past. Come, pilgrim, I will bring you 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Where you shall host. Of enjoin'd penitents 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| There's four or five, to great Saint Jaques bound, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Already at my house. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| HELENA. I humbly thank you. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Please it this matron and this gentle maid 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| To eat with us to-night; the charge and thanking 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Shall be for me, and, to requite you further, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| I will bestow some precepts of this virgin, 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| Worthy the note. 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| BOTH. We'll take your offer kindly. Exeunt 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|ACT III. SCENE 6. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|Camp before Florence 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|Enter BERTRAM, and the two FRENCH LORDS 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. Nay, good my lord, put him to't; let him have his way. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. If your lordship find him not a hiding, hold me no more 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| in your respect. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. On my life, my lord, a bubble. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. Do you think I am so far deceived in him? 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. Believe it, my lord, in mine own direct knowledge, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| without any malice, but to speak of him as my kinsman, he's a 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| most notable coward, an infinite and endless liar, an hourly 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| promise-breaker, the owner of no one good quality worthy your 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| lordship's entertainment. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. It were fit you knew him; lest, reposing too far in his 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| virtue, which he hath not, he might at some great and trusty 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| business in a main danger fail you. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. I would I knew in what particular action to try him. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. None better than to let him fetch off his drum, which 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| you hear him so confidently undertake to do. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. I with a troop of Florentines will suddenly surprise 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| him; such I will have whom I am sure he knows not from the enemy. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| We will bind and hoodwink him so that he shall suppose no other 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| but that he is carried into the leaguer of the adversaries when 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| we bring him to our own tents. Be but your lordship present at 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| his examination; if he do not, for the promise of his life and in 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| the highest compulsion of base fear, offer to betray you and 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| deliver all the intelligence in his power against you, and that 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| with the divine forfeit of his soul upon oath, never trust my 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| judgment in anything. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. O, for the love of laughter, let him fetch his drum; he 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| says he has a stratagem for't. When your lordship sees the bottom 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| of his success in't, and to what metal this counterfeit lump of 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| ore will be melted, if you give him not John Drum's 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| entertainment, your inclining cannot be removed. Here he comes. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| Enter PAROLLES 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. O, for the love of laughter, hinder not the honour of 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| his design; let him fetch off his drum in any hand. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. How now, monsieur! This drum sticks sorely in your 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| disposition. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. A pox on 't; let it go; 'tis but a drum. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. But a drum! Is't but a drum? A drum so lost! There was 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| excellent command: to charge in with our horse upon our own 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| wings, and to rend our own soldiers! 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. That was not to be blam'd in the command of the 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| service; it was a disaster of war that Caesar himself could not 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| have prevented, if he had been there to command. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. Well, we cannot greatly condemn our success. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| Some dishonour we had in the loss of that drum; but it is not to 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| be recovered. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. It might have been recovered. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. It might, but it is not now. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. It is to be recovered. But that the merit of service is 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| seldom attributed to the true and exact performer, I would have 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| that drum or another, or 'hic jacet.' 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. Why, if you have a stomach, to't, monsieur. If you think 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| your mystery in stratagem can bring this instrument of honour 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| again into his native quarter, be magnanimous in the enterprise, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| and go on; I will grace the attempt for a worthy exploit. If you 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| speed well in it, the Duke shall both speak of it and extend to 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| you what further becomes his greatness, even to the utmost 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| syllable of our worthiness. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. By the hand of a soldier, I will undertake it. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. But you must not now slumber in it. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. I'll about it this evening; and I will presently pen 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| down my dilemmas, encourage myself in my certainty, put myself 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| into my mortal preparation; and by midnight look to hear further 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| from me. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. May I be bold to acquaint his Grace you are gone about it? 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. I know not what the success will be, my lord, but the 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| attempt I vow. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. I know th' art valiant; and, to the of thy soldiership, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| will subscribe for thee. Farewell. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| PAROLLES. I love not many words. Exit 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. No more than a fish loves water. Is not this a strange 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| fellow, my lord, that so confidently seems to undertake this 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| business, which he knows is not to be done; damns himself to do, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| and dares better be damn'd than to do 't. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. You do not know him, my lord, as we do. Certain it is 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| that he will steal himself into a man's favour, and for a week 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| escape a great deal of discoveries; but when you find him out, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| you have him ever after. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. Why, do you think he will make no deed at all of this that 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| so seriously he does address himself unto? 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. None in the world; but return with an invention, and 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| clap upon you two or three probable lies. But we have almost 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| emboss'd him. You shall see his fall to-night; for indeed he is 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| not for your lordship's respect. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. We'll make you some sport with the fox ere we case him. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| He was first smok'd by the old Lord Lafeu. When his disguise and 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| he is parted, tell me what a sprat you shall find him; which you 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| shall see this very night. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. I must go look my twigs; he shall be caught. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. Your brother, he shall go along with me. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| SECOND LORD. As't please your lordship. I'll leave you. Exit 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. Now will I lead you to the house, and show you 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| The lass I spoke of. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. But you say she's honest. 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| BERTRAM. That's all the fault. I spoke with her but once, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| And found her wondrous cold; but I sent to her, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| By this same coxcomb that we have i' th' wind, 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| Tokens and letters which she did re-send; 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| And this is all I have done. She's a fair creature; 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| Will you go see her? 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| FIRST LORD. With all my heart, my lord. Exeunt 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|ACT III. SCENE 7. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|Florence. The WIDOW'S house 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|Enter HELENA and WIDOW 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| HELENA. If you misdoubt me that I am not she, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| I know not how I shall assure you further 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| But I shall lose the grounds I work upon. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| WIDOW. Though my estate be fall'n, I was well born, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Nothing acquainted with these businesses; 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| And would not put my reputation now 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| In any staining act. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| HELENA. Nor would I wish you. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| FIRST give me trust the Count he is my husband, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| And what to your sworn counsel I have spoken 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Is so from word to word; and then you cannot, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| By the good aid that I of you shall borrow, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Err in bestowing it. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| WIDOW. I should believe you; 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| For you have show'd me that which well approves 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Y'are great in fortune. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| HELENA. Take this purse of gold, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| And let me buy your friendly help thus far, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Which I will over-pay and pay again 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| When I have found it. The Count he woos your daughter 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Lays down his wanton siege before her beauty, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Resolv'd to carry her. Let her in fine consent, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| As we'll direct her how 'tis best to bear it. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Now his important blood will nought deny 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| That she'll demand. A ring the County wears 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| That downward hath succeeded in his house 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| From son to son some four or five descents 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Since the first father wore it. This ring he holds 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| In most rich choice; yet, in his idle fire, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| To buy his will, it would not seem too dear, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Howe'er repented after. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| WIDOW. Now I see 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| The bottom of your purpose. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| HELENA. You see it lawful then. It is no more 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| But that your daughter, ere she seems as won, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Desires this ring; appoints him an encounter; 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| In fine, delivers me to fill the time, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Herself most chastely absent. After this, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| To marry her, I'll add three thousand crowns 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| To what is pass'd already. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| WIDOW. I have yielded. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Instruct my daughter how she shall persever, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| That time and place with this deceit so lawful 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| May prove coherent. Every night he comes 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| With musics of all sorts, and songs compos'd 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| To her unworthiness. It nothing steads us 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| To chide him from our eaves, for he persists 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| As if his life lay on 't. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| HELENA. Why then to-night 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Let us assay our plot; which, if it speed, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Is wicked meaning in a lawful deed, 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| And lawful meaning in a lawful act; 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| Where both not sin, and yet a sinful fact. 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| But let's about it. Exeunt 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|ACT IV. SCENE 1. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|Without the Florentine camp 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|Enter SECOND FRENCH LORD with five or six other SOLDIERS in ambush 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. He can come no other way but by this hedge-corner. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| When you sally upon him, speak what terrible language you will; 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| though you understand it not yourselves, no matter; for we must 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| not seem to understand him, unless some one among us, whom we 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| must produce for an interpreter. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. Good captain, let me be th' interpreter. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Art not acquainted with him? Knows he not thy voice? 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. No, sir, I warrant you. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. But what linsey-woolsey has thou to speak to us again? 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. E'en such as you speak to me. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. He must think us some band of strangers i' th' 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| adversary's entertainment. Now he hath a smack of all 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| neighbouring languages, therefore we must every one be a man of 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| his own fancy; not to know what we speak one to another, so we 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| seem to know, is to know straight our purpose: choughs' language, 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| gabble enough, and good enough. As for you, interpreter, you must 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| seem very politic. But couch, ho! here he comes; to beguile two 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| hours in a sleep, and then to return and swear the lies he forges. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Enter PAROLLES 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. Ten o'clock. Within these three hours 'twill be time 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| enough to go home. What shall I say I have done? It must be a 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| very plausive invention that carries it. They begin to smoke me; 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| and disgraces have of late knock'd to often at my door. I find my 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| tongue is too foolhardy; but my heart hath the fear of Mars 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| before it, and of his creatures, not daring the reports of my 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| tongue. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. This is the first truth that e'er thine own tongue was 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| guilty of. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. What the devil should move me to undertake the recovery 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| of this drum, being not ignorant of the impossibility, and 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| knowing I had no such purpose? I must give myself some hurts, and 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| say I got them in exploit. Yet slight ones will not carry it. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| They will say 'Came you off with so little?' And great ones I 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| dare not give. Wherefore, what's the instance? Tongue, I must put 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| you into a butterwoman's mouth, and buy myself another of 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Bajazet's mule, if you prattle me into these perils. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Is it possible he should know what he is, and be that 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| he is? 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. I would the cutting of my garments would serve the turn, 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| or the breaking of my Spanish sword. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. We cannot afford you so. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. Or the baring of my beard; and to say it was in 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| stratagem. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. 'Twould not do. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. Or to drown my clothes, and say I was stripp'd. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Hardly serve. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. Though I swore I leap'd from the window of the citadel- 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. How deep? 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. Thirty fathom. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Three great oaths would scarce make that be believed. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. I would I had any drum of the enemy's; I would swear I 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| recover'd it. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. You shall hear one anon. [Alarum within] 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. A drum now of the enemy's! 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Throca movousus, cargo, cargo, cargo. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| ALL. Cargo, cargo, cargo, villianda par corbo, cargo. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. O, ransom, ransom! Do not hide mine eyes. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| [They blindfold him] 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. Boskos thromuldo boskos. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. I know you are the Muskos' regiment, 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| And I shall lose my life for want of language. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| If there be here German, or Dane, Low Dutch, 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Italian, or French, let him speak to me; 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| I'll discover that which shall undo the Florentine. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. Boskos vauvado. I understand thee, and can speak thy 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| tongue. Kerely-bonto, sir, betake thee to thy faith, for 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| seventeen poniards are at thy bosom. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. O! 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. O, pray, pray, pray! Manka revania dulche. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Oscorbidulchos volivorco. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. The General is content to spare thee yet; 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| And, hoodwink'd as thou art, will lead thee on 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| To gather from thee. Haply thou mayst inform 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Something to save thy life. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. O, let me live, 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| And all the secrets of our camp I'll show, 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Their force, their purposes. Nay, I'll speak that 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Which you will wonder at. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. But wilt thou faithfully? 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| PAROLLES. If I do not, damn me. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| FIRST SOLDIER. Acordo linta. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Come on; thou art granted space. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Exit, PAROLLES guarded. A short alarum within 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Go, tell the Count Rousillon and my brother 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| We have caught the woodcock, and will keep him muffled 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Till we do hear from them. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND SOLDIER. Captain, I will. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. 'A will betray us all unto ourselves- 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Inform on that. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND SOLDIER. So I will, sir. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| SECOND LORD. Till then I'll keep him dark and safely lock'd. 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| Exeunt 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1| 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|ACT IV. SCENE 2. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|Florence. The WIDOW'S house 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|Enter BERTRAM and DIANA 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. They told me that your name was Fontibell. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. No, my good lord, Diana. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. Titled goddess; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| And worth it, with addition! But, fair soul, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| In your fine frame hath love no quality? 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| If the quick fire of youth light not your mind, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| You are no maiden, but a monument; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When you are dead, you should be such a one 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| As you are now, for you are cold and stern; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| And now you should be as your mother was 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When your sweet self was got. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. She then was honest. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. So should you be. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. No. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| My mother did but duty; such, my lord, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| As you owe to your wife. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. No more o'that! 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| I prithee do not strive against my vows. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| I was compell'd to her; but I love the 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| By love's own sweet constraint, and will for ever 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Do thee all rights of service. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. Ay, so you serve us 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Till we serve you; but when you have our roses 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| You barely leave our thorns to prick ourselves, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| And mock us with our bareness. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. How have I sworn! 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. 'Tis not the many oaths that makes the truth, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| But the plain single vow that is vow'd true. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| What is not holy, that we swear not by, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| But take the High'st to witness. Then, pray you, tell me: 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| If I should swear by Jove's great attributes 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| I lov'd you dearly, would you believe my oaths 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When I did love you ill? This has no holding, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| To swear by him whom I protest to love 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| That I will work against him. Therefore your oaths 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Are words and poor conditions, but unseal'd- 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| At least in my opinion. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. Change it, change it; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Be not so holy-cruel. Love is holy; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| And my integrity ne'er knew the crafts 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| That you do charge men with. Stand no more off, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| But give thyself unto my sick desires, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Who then recovers. Say thou art mine, and ever 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| My love as it begins shall so persever. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. I see that men make ropes in such a scarre 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| That we'll forsake ourselves. Give me that ring. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. I'll lend it thee, my dear, but have no power 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| To give it from me. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. Will you not, my lord? 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. It is an honour 'longing to our house, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Bequeathed down from many ancestors; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Which were the greatest obloquy i' th' world 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| In me to lose. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. Mine honour's such a ring: 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| My chastity's the jewel of our house, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Bequeathed down from many ancestors; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Which were the greatest obloquy i' th' world 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| In me to lose. Thus your own proper wisdom 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Brings in the champion Honour on my part 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Against your vain assault. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. Here, take my ring; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| My house, mine honour, yea, my life, be thine, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| And I'll be bid by thee. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. When midnight comes, knock at my chamber window; 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| I'll order take my mother shall not hear. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Now will I charge you in the band of truth, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When you have conquer'd my yet maiden bed, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Remain there but an hour, nor speak to me: 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| My reasons are most strong; and you shall know them 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When back again this ring shall be deliver'd. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| And on your finger in the night I'll put 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Another ring, that what in time proceeds 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| May token to the future our past deeds. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Adieu till then; then fail not. You have won 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| A wife of me, though there my hope be done. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| BERTRAM. A heaven on earth I have won by wooing thee. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Exit 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| DIANA. For which live long to thank both heaven and me! 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| You may so in the end. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| My mother told me just how he would woo, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| As if she sat in's heart; she says all men 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Have the like oaths. He had sworn to marry me 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When his wife's dead; therefore I'll lie with him 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| When I am buried. Since Frenchmen are so braid, 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Marry that will, I live and die a maid. 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Only, in this disguise, I think't no sin 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| To cozen him that would unjustly win. Exit 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| 2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|ACT IV. SCENE 3. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|The Florentine camp 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Enter the two FRENCH LORDS, and two or three SOLDIERS 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. You have not given him his mother's letter? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. I have deliv'red it an hour since. There is something 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| in't that stings his nature; for on the reading it he chang'd 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| almost into another man. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. He has much worthy blame laid upon him for shaking off 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| so good a wife and so sweet a lady. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Especially he hath incurred the everlasting displeasure 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of the King, who had even tun'd his bounty to sing happiness to 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| him. I will tell you a thing, but you shall let it dwell darkly 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| with you. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. When you have spoken it, 'tis dead, and I am the grave 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of it. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. He hath perverted a young gentlewoman here in Florence, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of a most chaste renown; and this night he fleshes his will in 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the spoil of her honour. He hath given her his monumental ring, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| and thinks himself made in the unchaste composition. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Now, God delay our rebellion! As we are ourselves, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| what things are we! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Merely our own traitors. And as in the common course of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| all treasons we still see them reveal themselves till they attain 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| to their abhorr'd ends; so he that in this action contrives 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| against his own nobility, in his proper stream, o'erflows 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| himself. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Is it not meant damnable in us to be trumpeters of our 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| unlawful intents? We shall not then have his company to-night? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Not till after midnight; for he is dieted to his hour. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. That approaches apace. I would gladly have him see his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| company anatomiz'd, that he might take a measure of his own 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| judgments, wherein so curiously he had set this counterfeit. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. We will not meddle with him till he come; for his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| presence must be the whip of the other. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. In the meantime, what hear you of these wars? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. I hear there is an overture of peace. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Nay, I assure you, a peace concluded. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. What will Count Rousillon do then? Will he travel 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| higher, or return again into France? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. I perceive, by this demand, you are not altogether 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of his counsel. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Let it be forbid, sir! So should I be a great deal 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of his act. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Sir, his wife, some two months since, fled from his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| house. Her pretence is a pilgrimage to Saint Jaques le Grand; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| which holy undertaking with most austere sanctimony she 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| accomplish'd; and, there residing, the tenderness of her nature 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| became as a prey to her grief; in fine, made a groan of her last 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| breath, and now she sings in heaven. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. How is this justified? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. The stronger part of it by her own letters, which 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| makes her story true even to the point of her death. Her death 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| itself, which could not be her office to say is come, was 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| faithfully confirm'd by the rector of the place. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Hath the Count all this intelligence? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Ay, and the particular confirmations, point from 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| point, to the full arming of the verity. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. I am heartily sorry that he'll be glad of this. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. How mightily sometimes we make us comforts of our 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| losses! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. And how mightily some other times we drown our gain in 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| tears! The great dignity that his valour hath here acquir'd for 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| him shall at home be encount'red with a shame as ample. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. The web of our life is of a mingled yarn, good and ill 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| together. Our virtues would be proud if our faults whipt them 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| not; and our crimes would despair if they were not cherish'd by 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| our virtues. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Enter a MESSENGER 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| How now? Where's your master? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SERVANT. He met the Duke in the street, sir; of whom he hath taken 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| a solemn leave. His lordship will next morning for France. The 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Duke hath offered him letters of commendations to the King. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. They shall be no more than needful there, if they were 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| more than they can commend. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. They cannot be too sweet for the King's tartness. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Here's his lordship now. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Enter BERTRAM 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| How now, my lord, is't not after midnight? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. I have to-night dispatch'd sixteen businesses, a month's 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| length apiece; by an abstract of success: I have congied with the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Duke, done my adieu with his nearest; buried a wife, mourn'd for 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| her; writ to my lady mother I am returning; entertain'd my 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| convoy; and between these main parcels of dispatch effected many 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| nicer needs. The last was the greatest, but that I have not ended 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| yet. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. If the business be of any difficulty and this morning 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| your departure hence, it requires haste of your lordship. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. I mean the business is not ended, as fearing to hear of it 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| hereafter. But shall we have this dialogue between the Fool and 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the Soldier? Come, bring forth this counterfeit module has 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| deceiv'd me like a double-meaning prophesier. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Bring him forth. [Exeunt SOLDIERS] Has sat i' th' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| stocks all night, poor gallant knave. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. No matter; his heels have deserv'd it, in usurping his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| spurs so long. How does he carry himself? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. I have told your lordship already the stocks carry 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| him. But to answer you as you would be understood: he weeps like 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| a wench that had shed her milk; he hath confess'd himself to 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Morgan, whom he supposes to be a friar, from the time of his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| remembrance to this very instant disaster of his setting i' th' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| stocks. And what think you he hath confess'd? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. Nothing of me, has 'a? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. His confession is taken, and it shall be read to his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| face; if your lordship be in't, as I believe you are, you must 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| have the patience to hear it. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Enter PAROLLES guarded, and 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER as interpreter 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. A plague upon him! muffled! He can say nothing of me. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Hush, hush! Hoodman comes. Portotartarossa. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. He calls for the tortures. What will you say without 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 'em? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. I will confess what I know without constraint; if ye 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| pinch me like a pasty, I can say no more. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Bosko chimurcho. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Boblibindo chicurmurco. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. YOU are a merciful general. Our General bids you 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| answer to what I shall ask you out of a note. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. And truly, as I hope to live. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. 'First demand of him how many horse the Duke is 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| strong.' What say you to that? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Five or six thousand; but very weak and unserviceable. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| The troops are all scattered, and the commanders very poor 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| rogues, upon my reputation and credit, and as I hope to live. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Shall I set down your answer so? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Do; I'll take the sacrament on 't, how and which way you 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| will. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. All's one to him. What a past-saving slave is this! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Y'are deceiv'd, my lord; this is Monsieur Parolles, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the gallant militarist-that was his own phrase-that had the whole 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| theoric of war in the knot of his scarf, and the practice in the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| chape of his dagger. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. I will never trust a man again for keeping his sword 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| clean; nor believe he can have everything in him by wearing his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| apparel neatly. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Well, that's set down. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. 'Five or six thousand horse' I said-I will say true- 'or 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| thereabouts' set down, for I'll speak truth. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. He's very near the truth in this. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. But I con him no thanks for't in the nature he delivers it. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. 'Poor rogues' I pray you say. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Well, that's set down. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. I humbly thank you, sir. A truth's a truth-the rogues are 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| marvellous poor. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. 'Demand of him of what strength they are a-foot.' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| What say you to that? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. By my troth, sir, if I were to live this present hour, I 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| will tell true. Let me see: Spurio, a hundred and fifty; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Sebastian, so many; Corambus, so many; Jaques, so many; Guiltian, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Cosmo, Lodowick, and Gratii, two hundred fifty each; mine own 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| company, Chitopher, Vaumond, Bentii, two hundred fifty each; so 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| that the muster-file, rotten and sound, upon my life, amounts not 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| to fifteen thousand poll; half of the which dare not shake the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| snow from off their cassocks lest they shake themselves to 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| pieces. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. What shall be done to him? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Nothing, but let him have thanks. Demand of him my 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| condition, and what credit I have with the Duke. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Well, that's set down. 'You shall demand of him 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| whether one Captain Dumain be i' th' camp, a Frenchman; what his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| reputation is with the Duke, what his valour, honesty, expertness 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| in wars; or whether he thinks it were not possible, with 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| well-weighing sums of gold, to corrupt him to a revolt.' What say 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| you to this? What do you know of it? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. I beseech you, let me answer to the particular of the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| inter'gatories. Demand them singly. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Do you know this Captain Dumain? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. I know him: 'a was a botcher's prentice in Paris, from 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| whence he was whipt for getting the shrieve's fool with child-a 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| dumb innocent that could not say him nay. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. Nay, by your leave, hold your hands; though I know his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| brains are forfeit to the next tile that falls. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Well, is this captain in the Duke of Florence's 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| camp? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Upon my knowledge, he is, and lousy. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Nay, look not so upon me; we shall hear of your 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| lordship anon. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. What is his reputation with the Duke? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. The Duke knows him for no other but a poor officer of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| mine; and writ to me this other day to turn him out o' th' band. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| I think I have his letter in my pocket. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Marry, we'll search. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. In good sadness, I do not know; either it is there or it 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| is upon a file with the Duke's other letters in my tent. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Here 'tis; here's a paper. Shall I read it to you? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. I do not know if it be it or no. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. Our interpreter does it well. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Excellently. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. [Reads] 'Dian, the Count's a fool, and full of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| gold.' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. That is not the Duke's letter, sir; that is an 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| advertisement to a proper maid in Florence, one Diana, to take 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| heed of the allurement of one Count Rousillon, a foolish idle 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| boy, but for all that very ruttish. I pray you, sir, put it up 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| again. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. Nay, I'll read it first by your favour. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. My meaning in't, I protest, was very honest in the behalf 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of the maid; for I knew the young Count to be a dangerous and 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| lascivious boy, who is a whale to virginity, and devours up all 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the fry it finds. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. Damnable both-sides rogue! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. [Reads] 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 'When he swears oaths, bid him drop gold, and take it; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| After he scores, he never pays the score. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Half won is match well made; match, and well make it; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| He ne'er pays after-debts, take it before. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| And say a soldier, Dian, told thee this: 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Men are to mell with, boys are not to kiss; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| For count of this, the Count's a fool, I know it, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Who pays before, but not when he does owe it. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Thine, as he vow'd to thee in thine ear, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES.' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. He shall be whipt through the army with this rhyme in's 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| forehead. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. This is your devoted friend, sir, the manifold 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| linguist, and the amnipotent soldier. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. I could endure anything before but a cat, and now he's a 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| cat to me. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. I perceive, sir, by our General's looks we shall be 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| fain to hang you. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. My life, sir, in any case! Not that I am afraid to die, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| but that, my offences being many, I would repent out the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| remainder of nature. Let me live, sir, in a dungeon, i' th' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| stocks, or anywhere, so I may live. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. We'll see what may be done, so you confess freely; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| therefore, once more to this Captain Dumain: you have answer'd to 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| his reputation with the Duke, and to his valour; what is his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| honesty? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. He will steal, sir, an egg out of a cloister; for rapes 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| and ravishments he parallels Nessus. He professes not keeping of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| oaths; in breaking 'em he is stronger than Hercules. He will lie, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| sir, with such volubility that you would think truth were a fool. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Drunkenness is his best virtue, for he will be swine-drunk; and 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| in his sleep he does little harm, save to his bedclothes about 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| him; but they know his conditions and lay him in straw. I have 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| but little more to say, sir, of his honesty. He has everything 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| that an honest man should not have; what an honest man should 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| have he has nothing. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. I begin to love him for this. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. For this description of thine honesty? A pox upon him! For 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| me, he's more and more a cat. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. What say you to his expertness in war? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Faith, sir, has led the drum before the English 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| tragedians-to belie him I will not-and more of his soldier-ship 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| I know not, except in that country he had the honour to be the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| officer at a place there called Mile-end to instruct for the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| doubling of files-I would do the man what honour I can-but of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| this I am not certain. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. He hath out-villain'd villainy so far that the rarity 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| redeems him. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. A pox on him! he's a cat still. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. His qualities being at this poor price, I need not 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| to ask you if gold will corrupt him to revolt. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Sir, for a cardecue he will sell the fee-simple of his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| salvation, the inheritance of it; and cut th' entail from all 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| remainders and a perpetual succession for it perpetually. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. What's his brother, the other Captain Dumain? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Why does he ask him of me? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. What's he? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. E'en a crow o' th' same nest; not altogether so great as 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the first in goodness, but greater a great deal in evil. He 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| excels his brother for a coward; yet his brother is reputed one 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of the best that is. In a retreat he outruns any lackey: marry, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| in coming on he has the cramp. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. If your life be saved, will you undertake to betray 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the Florentine? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Ay, and the Captain of his Horse, Count Rousillon. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. I'll whisper with the General, and know his 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| pleasure. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. [Aside] I'll no more drumming. A plague of all drums! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Only to seem to deserve well, and to beguile the supposition of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| that lascivious young boy the Count, have I run into this danger. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Yet who would have suspected an ambush where I was taken? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. There is no remedy, sir, but you must die. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| The General says you that have so traitorously discover'd the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| secrets of your army, and made such pestiferous reports of men 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| very nobly held, can serve the world for no honest use; therefore 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| you must die. Come, headsman, of with his head. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. O Lord, sir, let me live, or let me see my death! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. That shall you, and take your leave of all your 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| friends. [Unmuffling him] So look about you; know you any here? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| BERTRAM. Good morrow, noble Captain. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. God bless you, Captain Parolles. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. God save you, noble Captain. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST LORD. Captain, what greeting will you to my Lord Lafeu? I am 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| for France. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| SECOND LORD. Good Captain, will you give me a copy of the sonnet 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| you writ to Diana in behalf of the Count Rousillon? An I were not 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| a very coward I'd compel it of you; but fare you well. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Exeunt BERTRAM and LORDS 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. You are undone, Captain, all but your scarf; that 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| has a knot on 't yet. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Who cannot be crush'd with a plot? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| FIRST SOLDIER. If you could find out a country where but women were 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| that had received so much shame, you might begin an impudent 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| nation. Fare ye well, sir; I am for France too; we shall speak of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| you there. Exit with SOLDIERS 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| PAROLLES. Yet am I thankful. If my heart were great, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 'Twould burst at this. Captain I'll be no more; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| But I will eat, and drink, and sleep as soft 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| As captain shall. Simply the thing I am 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Shall make me live. Who knows himself a braggart, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Let him fear this; for it will come to pass 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| That every braggart shall be found an ass. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Rust, sword; cool, blushes; and, Parolles, live 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Safest in shame. Being fool'd, by fool'ry thrive. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| There's place and means for every man alive. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| I'll after them. Exit 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|ACT IV SCENE 4. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|The WIDOW'S house 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Enter HELENA, WIDOW, and DIANA 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| HELENA. That you may well perceive I have not wrong'd you! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| One of the greatest in the Christian world 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Shall be my surety; fore whose throne 'tis needful, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Ere I can perfect mine intents, to kneel. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Time was I did him a desired office, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Dear almost as his life; which gratitude 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Through flinty Tartar's bosom would peep forth, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| And answer 'Thanks.' I duly am inform'd 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| His Grace is at Marseilles, to which place 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| We have convenient convoy. You must know 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| I am supposed dead. The army breaking, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| My husband hies him home; where, heaven aiding, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| And by the leave of my good lord the King, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| We'll be before our welcome. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| WIDOW. Gentle madam, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| You never had a servant to whose trust 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Your business was more welcome. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| HELENA. Nor you, mistress, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Ever a friend whose thoughts more truly labour 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| To recompense your love. Doubt not but heaven 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Hath brought me up to be your daughter's dower, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| As it hath fated her to be my motive 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| And helper to a husband. But, O strange men! 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| That can such sweet use make of what they hate, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| When saucy trusting of the cozen'd thoughts 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Defiles the pitchy night. So lust doth play 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| With what it loathes, for that which is away. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| But more of this hereafter. You, Diana, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Under my poor instructions yet must suffer 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Something in my behalf. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| DIANA. Let death and honesty 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Go with your impositions, I am yours 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Upon your will to suffer. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| HELENA. Yet, I pray you: 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| But with the word the time will bring on summer, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| When briers shall have leaves as well as thorns 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| And be as sweet as sharp. We must away; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Our waggon is prepar'd, and time revives us. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| All's Well that Ends Well. Still the fine's the crown. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Whate'er the course, the end is the renown. Exeunt 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|ACT IV SCENE 5. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Enter COUNTESS, LAFEU, and CLOWN 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. No, no, no, son was misled with a snipt-taffeta fellow 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| there, whose villainous saffron would have made all the unbak'd 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| and doughy youth of a nation in his colour. Your daughter-in-law 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| had been alive at this hour, and your son here at home, more 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| advanc'd by the King than by that red-tail'd humble-bee I speak 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| of. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| COUNTESS. I would I had not known him. It was the death of the most 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| virtuous gentlewoman that ever nature had praise for creating. If 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| she had partaken of my flesh, and cost me the dearest groans of a 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| mother. I could not have owed her a more rooted love. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. 'Twas a good lady, 'twas a good lady. We may pick a thousand 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| sallets ere we light on such another herb. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. Indeed, sir, she was the sweet-marjoram of the sallet, or, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| rather, the herb of grace. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. They are not sallet-herbs, you knave; they are nose-herbs. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. I am no great Nebuchadnezzar, sir; I have not much skill in 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| grass. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Whether dost thou profess thyself-a knave or a fool? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. A fool, sir, at a woman's service, and a knave at a man's. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Your distinction? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. I would cozen the man of his wife, and do his service. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. So you were a knave at his service, indeed. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. And I would give his wife my bauble, sir, to do her service. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. I will subscribe for thee; thou art both knave and fool. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. At your service. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. No, no, no. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. Why, sir, if I cannot serve you, I can serve as great a 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| prince as you are. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Who's that? A Frenchman? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. Faith, sir, 'a has an English name; but his fisnomy is more 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| hotter in France than there. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. What prince is that? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. The Black Prince, sir; alias, the Prince of Darkness; alias, 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the devil. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Hold thee, there's my purse. I give thee not this to suggest 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| thee from thy master thou talk'st of; serve him still. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. I am a woodland fellow, sir, that always loved a great fire; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| and the master I speak of ever keeps a good fire. But, sure, he 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| is the prince of the world; let his nobility remain in's court. I 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| am for the house with the narrow gate, which I take to be too 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| little for pomp to enter. Some that humble themselves may; but 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| the many will be too chill and tender: and they'll be for the 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| flow'ry way that leads to the broad gate and the great fire. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Go thy ways, I begin to be aweary of thee; and I tell thee 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| so before, because I would not fall out with thee. Go thy ways; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| let my horses be well look'd to, without any tricks. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. If I put any tricks upon 'em, sir, they shall be jades' 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| tricks, which are their own right by the law of nature. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Exit 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. A shrewd knave, and an unhappy. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| COUNTESS. So 'a is. My lord that's gone made himself much sport 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| out of him. By his authority he remains here, which he thinks is 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| a patent for his sauciness; and indeed he has no pace, but runs 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| where he will. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. I like him well; 'tis not amiss. And I was about to tell 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| you, since I heard of the good lady's death, and that my lord 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| your son was upon his return home, I moved the King my master to 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| speak in the behalf of my daughter; which, in the minority of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| them both, his Majesty out of a self-gracious remembrance did 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| first propose. His Highness hath promis'd me to do it; and, to 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| stop up the displeasure he hath conceived against your son, there 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| is no fitter matter. How does your ladyship like it? 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| COUNTESS. With very much content, my lord; and I wish it happily 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| effected. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. His Highness comes post from Marseilles, of as able body as 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| when he number'd thirty; 'a will be here to-morrow, or I am 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| deceiv'd by him that in such intelligence hath seldom fail'd. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| COUNTESS. It rejoices me that I hope I shall see him ere I die. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| I have letters that my son will be here to-night. I shall beseech 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| your lordship to remain with me tal they meet together. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Madam, I was thinking with what manners I might safely be 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| admitted. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| COUNTESS. You need but plead your honourable privilege. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Lady, of that I have made a bold charter; but, I thank my 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| God, it holds yet. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Re-enter CLOWN 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. O madam, yonder's my lord your son with a patch of velvet 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| on's face; whether there be a scar under 't or no, the velvet 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| knows; but 'tis a goodly patch of velvet. His left cheek is a 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| cheek of two pile and a half, but his right cheek is worn bare. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. A scar nobly got, or a noble scar, is a good liv'ry of 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| honour; so belike is that. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. But it is your carbonado'd face. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| LAFEU. Let us go see your son, I pray you; 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| I long to talk with the young noble soldier. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| CLOWN. Faith, there's a dozen of 'em, with delicate fine hats, and 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| most courteous feathers, which bow the head and nod at every man. 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Exeunt 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|ACT V. SCENE 1. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Marseilles. A street 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Enter HELENA, WIDOW, and DIANA, with two ATTENDANTS 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. But this exceeding posting day and night 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Must wear your spirits low; we cannot help it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| But since you have made the days and nights as one, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To wear your gentle limbs in my affairs, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Be bold you do so grow in my requital 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| As nothing can unroot you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter a GENTLEMAN 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| In happy time! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| This man may help me to his Majesty's ear, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| If he would spend his power. God save you, sir. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. And you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. Sir, I have seen you in the court of France. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. I have been sometimes there. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. I do presume, sir, that you are not fall'n 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| From the report that goes upon your goodness; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And therefore, goaded with most sharp occasions, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Which lay nice manners by, I put you to 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The use of your own virtues, for the which 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I shall continue thankful. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. What's your will? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. That it will please you 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To give this poor petition to the King; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And aid me with that store of power you have 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To come into his presence. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. The King's not here. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. Not here, sir? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. Not indeed. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He hence remov'd last night, and with more haste 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Than is his use. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| WIDOW. Lord, how we lose our pains! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. All's Well That Ends Well yet, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Though time seem so adverse and means unfit. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I do beseech you, whither is he gone? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. Marry, as I take it, to Rousillon; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whither I am going. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. I do beseech you, sir, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Since you are like to see the King before me, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Commend the paper to his gracious hand; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Which I presume shall render you no blame, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| But rather make you thank your pains for it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I will come after you with what good speed 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Our means will make us means. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. This I'll do for you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. And you shall find yourself to be well thank'd, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whate'er falls more. We must to horse again; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Go, go, provide. Exeunt 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|ACT V SCENE 2. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Rousillon. The inner court of the COUNT'S palace 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Enter CLOWN and PAROLLES 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. Good Monsieur Lavache, give my Lord Lafeu this letter. I 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| have ere now, sir, been better known to you, when I have held 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| familiarity with fresher clothes; but I am now, sir, muddied in 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Fortune's mood, and smell somewhat strong of her strong 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| displeasure. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| CLOWN. Truly, Fortune's displeasure is but sluttish, if it smell 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| so strongly as thou speak'st of. I will henceforth eat no fish 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| of Fortune's butt'ring. Prithee, allow the wind. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. Nay, you need not to stop your nose, sir; I spake but by 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| a metaphor. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| CLOWN. Indeed, sir, if your metaphor stink, I will stop my nose; or 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| against any man's metaphor. Prithee, get thee further. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. Pray you, sir, deliver me this paper. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| CLOWN. Foh! prithee stand away. A paper from Fortune's close-stool 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| to give to a nobleman! Look here he comes himself. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter LAFEU 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Here is a pur of Fortune's, sir, or of Fortune's cat, but not 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| a musk-cat, that has fall'n into the unclean fishpond of her 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| displeasure, and, as he says, is muddied withal. Pray you, sir, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| use the carp as you may; for he looks like a poor, decayed, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| ingenious, foolish, rascally knave. I do pity his distress 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| in my similes of comfort, and leave him to your lordship. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Exit 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. My lord, I am a man whom Fortune hath cruelly scratch'd. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. And what would you have me to do? 'Tis too late to pare her 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| nails now. Wherein have you played the knave with Fortune, that 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| she should scratch you, who of herself is a good lady and would 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| not have knaves thrive long under her? There's a cardecue for 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| you. Let the justices make you and Fortune friends; I am for 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| other business. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. I beseech your honour to hear me one single word. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. You beg a single penny more; come, you shall ha't; save your 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| word. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. My name, my good lord, is Parolles. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. You beg more than word then. Cox my passion! give me your 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| hand. How does your drum? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. O my good lord, you were the first that found me. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. Was I, in sooth? And I was the first that lost thee. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. It lies in you, my lord, to bring me in some grace, for 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| you did bring me out. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. Out upon thee, knave! Dost thou put upon me at once both the 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| office of God and the devil? One brings the in grace, and the 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| other brings thee out. [Trumpets sound] The King's coming; I 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| know by his trumpets. Sirrah, inquire further after me; I had 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| talk of you last night. Though you are a fool and a knave, you 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| shall eat. Go to; follow. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. I praise God for you. Exeunt 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|ACT V SCENE 3. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Rousillon. The COUNT'S palace 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Flourish. Enter KING, COUNTESS, LAFEU, the two FRENCH LORDS, with ATTENDANTS 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. We lost a jewel of her, and our esteem 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Was made much poorer by it; but your son, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| As mad in folly, lack'd the sense to know 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Her estimation home. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| COUNTESS. 'Tis past, my liege; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And I beseech your Majesty to make it 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Natural rebellion, done i' th' blaze of youth, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| When oil and fire, too strong for reason's force, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| O'erbears it and burns on. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. My honour'd lady, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I have forgiven and forgotten all; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Though my revenges were high bent upon him 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And watch'd the time to shoot. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. This I must say- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| But first, I beg my pardon: the young lord 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Did to his Majesty, his mother, and his lady, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Offence of mighty note; but to himself 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The greatest wrong of all. He lost a wife 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whose beauty did astonish the survey 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Of richest eyes; whose words all ears took captive; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whose dear perfection hearts that scorn'd to serve 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Humbly call'd mistress. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Praising what is lost 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Makes the remembrance dear. Well, call him hither; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| We are reconcil'd, and the first view shall kill 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| All repetition. Let him not ask our pardon; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The nature of his great offence is dead, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And deeper than oblivion do we bury 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Th' incensing relics of it; let him approach, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| A stranger, no offender; and inform him 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| So 'tis our will he should. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. I shall, my liege. Exit GENTLEMAN 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. What says he to your daughter? Have you spoke? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. All that he is hath reference to your Highness. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Then shall we have a match. I have letters sent me 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That sets him high in fame. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter BERTRAM 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. He looks well on 't. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. I am not a day of season, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| For thou mayst see a sunshine and a hail 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| In me at once. But to the brightest beams 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Distracted clouds give way; so stand thou forth; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The time is fair again. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. My high-repented blames, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Dear sovereign, pardon to me. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. All is whole; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Not one word more of the consumed time. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Let's take the instant by the forward top; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| For we are old, and on our quick'st decrees 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Th' inaudible and noiseless foot of Time 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Steals ere we can effect them. You remember 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The daughter of this lord? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. Admiringly, my liege. At first 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I stuck my choice upon her, ere my heart 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Durst make too bold herald of my tongue; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Where the impression of mine eye infixing, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Contempt his scornful perspective did lend me, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Which warp'd the line of every other favour, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Scorn'd a fair colour or express'd it stol'n, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Extended or contracted all proportions 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To a most hideous object. Thence it came 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That she whom all men prais'd, and whom myself, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Since I have lost, have lov'd, was in mine eye 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The dust that did offend it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Well excus'd. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That thou didst love her, strikes some scores away 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| From the great compt; but love that comes too late, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Like a remorseful pardon slowly carried, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To the great sender turns a sour offence, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Crying 'That's good that's gone.' Our rash faults 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Make trivial price of serious things we have, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Not knowing them until we know their grave. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Oft our displeasures, to ourselves unjust, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Destroy our friends, and after weep their dust; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Our own love waking cries to see what's done, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| While shameful hate sleeps out the afternoon. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Be this sweet Helen's knell. And now forget her. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Send forth your amorous token for fair Maudlin. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The main consents are had; and here we'll stay 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To see our widower's second marriage-day. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| COUNTESS. Which better than the first, O dear heaven, bless! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Or, ere they meet, in me, O nature, cesse! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. Come on, my son, in whom my house's name 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Must be digested; give a favour from you, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To sparkle in the spirits of my daughter, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That she may quickly come. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| [BERTRAM gives a ring] 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| By my old beard, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And ev'ry hair that's on 't, Helen, that's dead, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Was a sweet creature; such a ring as this, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The last that e'er I took her leave at court, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I saw upon her finger. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. Hers it was not. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Now, pray you, let me see it; for mine eye, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| While I was speaking, oft was fasten'd to't. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| This ring was mine; and when I gave it Helen 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I bade her, if her fortunes ever stood 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Necessitied to help, that by this token 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I would relieve her. Had you that craft to reave her 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Of what should stead her most? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. My gracious sovereign, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Howe'er it pleases you to take it so, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The ring was never hers. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| COUNTESS. Son, on my life, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I have seen her wear it; and she reckon'd it 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| At her life's rate. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. I am sure I saw her wear it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. You are deceiv'd, my lord; she never saw it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| In Florence was it from a casement thrown me, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Wrapp'd in a paper, which contain'd the name 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Of her that threw it. Noble she was, and thought 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I stood engag'd; but when I had subscrib'd 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To mine own fortune, and inform'd her fully 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I could not answer in that course of honour 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| As she had made the overture, she ceas'd, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| In heavy satisfaction, and would never 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Receive the ring again. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Plutus himself, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That knows the tinct and multiplying med'cine, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Hath not in nature's mystery more science 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Than I have in this ring. 'Twas mine, 'twas Helen's, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whoever gave it you. Then, if you know 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That you are well acquainted with yourself, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Confess 'twas hers, and by what rough enforcement 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| You got it from her. She call'd the saints to surety 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That she would never put it from her finger 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Unless she gave it to yourself in bed- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Where you have never come- or sent it us 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Upon her great disaster. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. She never saw it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Thou speak'st it falsely, as I love mine honour; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And mak'st conjectural fears to come into me 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Which I would fain shut out. If it should prove 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That thou art so inhuman- 'twill not prove so. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And yet I know not- thou didst hate her deadly, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And she is dead; which nothing, but to close 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Her eyes myself, could win me to believe 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| More than to see this ring. Take him away. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| [GUARDS seize BERTRAM] 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| My fore-past proofs, howe'er the matter fall, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Shall tax my fears of little vanity, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Having vainly fear'd too little. Away with him. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| We'll sift this matter further. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. If you shall prove 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| This ring was ever hers, you shall as easy 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Prove that I husbanded her bed in Florence, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Where she yet never was. Exit, guarded 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. I am wrapp'd in dismal thinkings. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter a GENTLEMAN 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| GENTLEMAN. Gracious sovereign, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whether I have been to blame or no, I know not: 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Here's a petition from a Florentine, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Who hath, for four or five removes, come short 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To tender it herself. I undertook it, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Vanquish'd thereto by the fair grace and speech 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Of the poor suppliant, who by this, I know, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Is here attending; her business looks in her 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| With an importing visage; and she told me 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| In a sweet verbal brief it did concern 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Your Highness with herself. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. [Reads the letter] 'Upon his many protestations to marry me 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| when his wife was dead, I blush to say it, he won me. Now is the 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Count Rousillon a widower; his vows are forfeited to me, and my 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| honour's paid to him. He stole from Florence, taking no leave, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| and I follow him to his country for justice. Grant it me, O King! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| in you it best lies; otherwise a seducer flourishes, and a poor 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| maid is undone. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA CAPILET.' 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. I will buy me a son-in-law in a fair, and toll for this. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I'll none of him. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. The heavens have thought well on thee, Lafeu, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To bring forth this discov'ry. Seek these suitors. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Go speedily, and bring again the Count. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Exeunt ATTENDANTS 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I am afeard the life of Helen, lady, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Was foully snatch'd. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| COUNTESS. Now, justice on the doers! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter BERTRAM, guarded 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. I wonder, sir, sith wives are monsters to you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And that you fly them as you swear them lordship, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Yet you desire to marry. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter WIDOW and DIANA 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| What woman's that? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I am, my lord, a wretched Florentine, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Derived from the ancient Capilet. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| My suit, as I do understand, you know, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And therefore know how far I may be pitied. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| WIDOW. I am her mother, sir, whose age and honour 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Both suffer under this complaint we bring, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And both shall cease, without your remedy. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Come hither, Count; do you know these women? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. My lord, I neither can nor will deny 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| But that I know them. Do they charge me further? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Why do you look so strange upon your wife? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. She's none of mine, my lord. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. If you shall marry, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| You give away this hand, and that is mine; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| You give away heaven's vows, and those are mine; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| You give away myself, which is known mine; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| For I by vow am so embodied yours 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That she which marries you must marry me, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Either both or none. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. [To BERTRAM] Your reputation comes too short for 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| my daughter; you are no husband for her. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. My lord, this is a fond and desp'rate creature 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whom sometime I have laugh'd with. Let your Highness 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Lay a more noble thought upon mine honour 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Than for to think that I would sink it here. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Sir, for my thoughts, you have them ill to friend 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Till your deeds gain them. Fairer prove your honour 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Than in my thought it lies! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Good my lord, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Ask him upon his oath if he does think 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He had not my virginity. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. What say'st thou to her? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. She's impudent, my lord, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And was a common gamester to the camp. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. He does me wrong, my lord; if I were so 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He might have bought me at a common price. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Do not believe him. o, behold this ring, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whose high respect and rich validity 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Did lack a parallel; yet, for all that, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He gave it to a commoner o' th' camp, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| If I be one. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| COUNTESS. He blushes, and 'tis it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Of six preceding ancestors, that gem 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Conferr'd by testament to th' sequent issue, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Hath it been ow'd and worn. This is his wife: 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That ring's a thousand proofs. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Methought you said 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| You saw one here in court could witness it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I did, my lord, but loath am to produce 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| So bad an instrument; his name's Parolles. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. I saw the man to-day, if man he be. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Find him, and bring him hither. Exit an ATTENDANT 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. What of him? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He's quoted for a most perfidious slave, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| With all the spots o' th' world tax'd and debauch'd, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Whose nature sickens but to speak a truth. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Am I or that or this for what he'll utter 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| That will speak anything? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. She hath that ring of yours. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. I think she has. Certain it is I lik'd her, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And boarded her i' th' wanton way of youth. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| She knew her distance, and did angle for me, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Madding my eagerness with her restraint, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| As all impediments in fancy's course 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Are motives of more fancy; and, in fine, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Her infinite cunning with her modern grace 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Subdu'd me to her rate. She got the ring; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And I had that which any inferior might 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| At market-price have bought. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I must be patient. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| You that have turn'd off a first so noble wife 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| May justly diet me. I pray you yet- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Since you lack virtue, I will lose a husband- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Send for your ring, I will return it home, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And give me mine again. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. I have it not. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. What ring was yours, I pray you? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Sir, much like 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The same upon your finger. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Know you this ring? This ring was his of late. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. And this was it I gave him, being abed. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. The story, then, goes false you threw it him 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Out of a casement. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I have spoke the truth. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Enter PAROLLES 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. My lord, I do confess the ring was hers. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. You boggle shrewdly; every feather starts you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Is this the man you speak of? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Ay, my lord. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Tell me, sirrah-but tell me true I charge you, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Not fearing the displeasure of your master, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Which, on your just proceeding, I'll keep off- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| By him and by this woman here what know you? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. So please your Majesty, my master hath been an honourable 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| gentleman; tricks he hath had in him, which gentlemen have. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Come, come, to th' purpose. Did he love this woman? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. Faith, sir, he did love her; but how? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. How, I pray you? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. He did love her, sir, as a gentleman loves a woman. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. How is that? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. He lov'd her, sir, and lov'd her not. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. As thou art a knave and no knave. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| What an equivocal companion is this! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. I am a poor man, and at your Majesty's command. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. He's a good drum, my lord, but a naughty orator. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Do you know he promis'd me marriage? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. Faith, I know more than I'll speak. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. But wilt thou not speak all thou know'st? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| PAROLLES. Yes, so please your Majesty. I did go between them, as I 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| said; but more than that, he loved her-for indeed he was mad for 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| her, and talk'd of Satan, and of Limbo, and of Furies, and I know 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| not what. Yet I was in that credit with them at that time that I 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| knew of their going to bed; and of other motions, as promising 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| her marriage, and things which would derive me ill will to speak 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| of; therefore I will not speak what I know. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Thou hast spoken all already, unless thou canst say they are 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| married; but thou art too fine in thy evidence; therefore stand 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| aside. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| This ring, you say, was yours? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Ay, my good lord. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Where did you buy it? Or who gave it you? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. It was not given me, nor I did not buy it. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Who lent it you? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. It was not lent me neither. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Where did you find it then? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I found it not. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. If it were yours by none of all these ways, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| How could you give it him? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I never gave it him. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. This woman's an easy glove, my lord; she goes of and on at 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| pleasure. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. This ring was mine, I gave it his first wife. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. It might be yours or hers, for aught I know. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Take her away, I do not like her now; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To prison with her. And away with him. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Unless thou tell'st me where thou hadst this ring, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Thou diest within this hour. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I'll never tell you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Take her away. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. I'll put in bail, my liege. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. I think thee now some common customer. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. By Jove, if ever I knew man, 'twas you. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Wherefore hast thou accus'd him all this while? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Because he's guilty, and he is not guilty. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He knows I am no maid, and he'll swear to't: 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I'll swear I am a maid, and he knows not. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Great King, I am no strumpet, by my life; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I am either maid, or else this old man's wife. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| [Pointing to LAFEU] 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. She does abuse our ears; to prison with her. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| DIANA. Good mother, fetch my bail. Stay, royal sir; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Exit WIDOW 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The jeweller that owes the ring is sent for, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And he shall surety me. But for this lord 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Who hath abus'd me as he knows himself, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Though yet he never harm'd me, here I quit him. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| He knows himself my bed he hath defil'd; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And at that time he got his wife with child. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Dead though she be, she feels her young one kick; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| So there's my riddle: one that's dead is quick- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And now behold the meaning. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Re-enter WIDOW with HELENA 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Is there no exorcist 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Beguiles the truer office of mine eyes? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Is't real that I see? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. No, my good lord; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 'Tis but the shadow of a wife you see, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The name and not the thing. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. Both, both; o, pardon! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. O, my good lord, when I was like this maid, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I found you wondrous kind. There is your ring, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And, look you, here's your letter. This it says: 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 'When from my finger you can get this ring, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| And are by me with child,' etc. This is done. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Will you be mine now you are doubly won? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| BERTRAM. If she, my liege, can make me know this clearly, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| I'll love her dearly, ever, ever dearly. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| HELENA. If it appear not plain, and prove untrue, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Deadly divorce step between me and you! 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| O my dear mother, do I see you living? 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| LAFEU. Mine eyes smell onions; I shall weep anon. [To PAROLLES] 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Good Tom Drum, lend me a handkercher. So, I 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| thank thee. Wait on me home, I'll make sport with thee; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| let thy curtsies alone, they are scurvy ones. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| KING. Let us from point to point this story know, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| To make the even truth in pleasure flow. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| [To DIANA] If thou beest yet a fresh uncropped flower, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Choose thou thy husband, and I'll pay thy dower; 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| For I can guess that by thy honest aid 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Thou kept'st a wife herself, thyself a maid.- 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Of that and all the progress, more and less, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Resolvedly more leisure shall express. 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| All yet seems well; and if it end so meet, 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| The bitter past, more welcome is the sweet. [Flourish] 2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| 2|ALLS WELL THAT ENDS WELL|23|Epilogue|EPILOGUE 2|ALLS WELL THAT ENDS WELL|23|Epilogue| EPILOGUE. 2|ALLS WELL THAT ENDS WELL|23|Epilogue| 2|ALLS WELL THAT ENDS WELL|23|Epilogue| KING. The King's a beggar, now the play is done. 2|ALLS WELL THAT ENDS WELL|23|Epilogue| All is well ended if this suit be won, 2|ALLS WELL THAT ENDS WELL|23|Epilogue| That you express content; which we will pay 2|ALLS WELL THAT ENDS WELL|23|Epilogue| With strife to please you, day exceeding day. 2|ALLS WELL THAT ENDS WELL|23|Epilogue| Ours be your patience then, and yours our parts; 2|ALLS WELL THAT ENDS WELL|23|Epilogue| Your gentle hands lend us, and take our hearts. 2|ALLS WELL THAT ENDS WELL|23|Epilogue| Exeunt omnes 2|ALLS WELL THAT ENDS WELL|23|Epilogue| 2|ALLS WELL THAT ENDS WELL|23|Epilogue| 2|ALLS WELL THAT ENDS WELL|24|End|THE END 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|1607 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|THE TRAGEDY OF ANTONY AND CLEOPATRA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|by William Shakespeare 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|DRAMATIS PERSONAE 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| MARK ANTONY, Triumvirs 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| OCTAVIUS CAESAR, " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| M. AEMILIUS LEPIDUS, " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| SEXTUS POMPEIUS, " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| DOMITIUS ENOBARBUS, friend to Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| VENTIDIUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| EROS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| SCARUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| DERCETAS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| DEMETRIUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| PHILO, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| MAECENAS, friend to Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| AGRIPPA, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| DOLABELLA, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| PROCULEIUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| THYREUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| GALLUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| MENAS, friend to Pompey 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| MENECRATES, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| VARRIUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| TAURUS, Lieutenant-General to Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| CANIDIUS, Lieutenant-General to Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| SILIUS, an Officer in Ventidius's army 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| EUPHRONIUS, an Ambassador from Antony to Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| ALEXAS, attendant on Cleopatra 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| MARDIAN, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| SELEUCUS, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| DIOMEDES, " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| A SOOTHSAYER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| A CLOWN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| CLEOPATRA, Queen of Egypt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| OCTAVIA, sister to Caesar and wife to Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| CHARMIAN, lady attending on Cleopatra 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| IRAS, " " " " 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| Officers, Soldiers, Messengers, and Attendants 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|3|Scene|SCENE: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|3|Scene|The Roman Empire 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|3|Scene| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|ACT I. SCENE I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|Enter DEMETRIUS and PHILO 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| PHILO. Nay, but this dotage of our general's 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| O'erflows the measure. Those his goodly eyes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| That o'er the files and musters of the war 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Have glow'd like plated Mars, now bend, now turn, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| The office and devotion of their view 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Upon a tawny front. His captain's heart, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Which in the scuffles of great fights hath burst 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| The buckles on his breast, reneges all temper, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| And is become the bellows and the fan 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| To cool a gipsy's lust. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Flourish. Enter ANTONY, CLEOPATRA, her LADIES, the train, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| with eunuchs fanning her 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Look where they come! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Take but good note, and you shall see in him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| The triple pillar of the world transform'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Into a strumpet's fool. Behold and see. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| CLEOPATRA. If it be love indeed, tell me how much. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. There's beggary in the love that can be reckon'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| CLEOPATRA. I'll set a bourn how far to be belov'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. Then must thou needs find out new heaven, new earth. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Enter a MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| MESSENGER. News, my good lord, from Rome. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. Grates me the sum. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| CLEOPATRA. Nay, hear them, Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Fulvia perchance is angry; or who knows 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| If the scarce-bearded Caesar have not sent 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| His pow'rful mandate to you: 'Do this or this; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Take in that kingdom and enfranchise that; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Perform't, or else we damn thee.' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. How, my love? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| CLEOPATRA. Perchance? Nay, and most like, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| You must not stay here longer; your dismission 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Is come from Caesar; therefore hear it, Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Where's Fulvia's process? Caesar's I would say? Both? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Call in the messengers. As I am Egypt's Queen, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Thou blushest, Antony, and that blood of thine 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Is Caesar's homager. Else so thy cheek pays shame 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| When shrill-tongu'd Fulvia scolds. The messengers! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. Let Rome in Tiber melt, and the wide arch 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Of the rang'd empire fall! Here is my space. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Kingdoms are clay; our dungy earth alike 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Feeds beast as man. The nobleness of life 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Is to do thus [emhracing], when such a mutual pair 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| And such a twain can do't, in which I bind, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| On pain of punishment, the world to weet 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| We stand up peerless. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| CLEOPATRA. Excellent falsehood! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Why did he marry Fulvia, and not love her? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| I'll seem the fool I am not. Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Will be himself. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. But stirr'd by Cleopatra. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Now for the love of Love and her soft hours, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Let's not confound the time with conference harsh; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| There's not a minute of our lives should stretch 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Without some pleasure now. What sport to-night? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| CLEOPATRA. Hear the ambassadors. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| ANTONY. Fie, wrangling queen! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Whom everything becomes- to chide, to laugh, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| To weep; whose every passion fully strives 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| To make itself in thee fair and admir'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| No messenger but thine, and all alone 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| To-night we'll wander through the streets and note 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| The qualities of people. Come, my queen; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Last night you did desire it. Speak not to us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Exeunt ANTONY and CLEOPATRA, with the train 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| DEMETRIUS. Is Caesar with Antonius priz'd so slight? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| PHILO. Sir, sometimes when he is not Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| He comes too short of that great property 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Which still should go with Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| DEMETRIUS. I am full sorry 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| That he approves the common liar, who 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Thus speaks of him at Rome; but I will hope 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| Of better deeds to-morrow. Rest you happy! Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|SCENE II. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|Enter CHARMIAN, IRAS, ALEXAS, and a SOOTHSAYER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Lord Alexas, sweet Alexas, most anything Alexas, almost 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| most absolute Alexas, where's the soothsayer that you prais'd so 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| to th' Queen? O that I knew this husband, which you say must 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| charge his horns with garlands! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. Soothsayer! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. Your will? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Is this the man? Is't you, sir, that know things? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. In nature's infinite book of secrecy 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| A little I can read. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. Show him your hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Enter ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Bring in the banquet quickly; wine enough 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Cleopatra's health to drink. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Good, sir, give me good fortune. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. I make not, but foresee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Pray, then, foresee me one. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. You shall be yet far fairer than you are. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. He means in flesh. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. No, you shall paint when you are old. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Wrinkles forbid! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. Vex not his prescience; be attentive. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Hush! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. You shall be more beloving than beloved. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. I had rather heat my liver with drinking. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. Nay, hear him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Good now, some excellent fortune! Let me be married to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| three kings in a forenoon, and widow them all. Let me have a 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| child at fifty, to whom Herod of Jewry may do homage. Find me to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| marry me with Octavius Caesar, and companion me with my mistress. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. You shall outlive the lady whom you serve. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. O, excellent! I love long life better than figs. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. You have seen and prov'd a fairer former fortune 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Than that which is to approach. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Then belike my children shall have no names. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Prithee, how many boys and wenches must I have? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. If every of your wishes had a womb, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| And fertile every wish, a million. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Out, fool! I forgive thee for a witch. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. You think none but your sheets are privy to your wishes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Nay, come, tell Iras hers. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. We'll know all our fortunes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Mine, and most of our fortunes, to-night, shall be- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| drunk to bed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. There's a palm presages chastity, if nothing else. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. E'en as the o'erflowing Nilus presageth famine. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. Go, you wild bedfellow, you cannot soothsay. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Nay, if an oily palm be not a fruitful prognostication, I 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| cannot scratch mine ear. Prithee, tell her but worky-day fortune. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. Your fortunes are alike. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. But how, but how? Give me particulars. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SOOTHSAYER. I have said. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. Am I not an inch of fortune better than she? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Well, if you were but an inch of fortune better than I, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| where would you choose it? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. Not in my husband's nose. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Our worser thoughts heavens mend! Alexas- come, his 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| fortune, his fortune! O, let him marry a woman that cannot go, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| sweet Isis, I beseech thee! And let her die too, and give him a 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| worse! And let worse follow worse, till the worst of all follow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| him laughing to his grave, fiftyfold a cuckold! Good Isis, hear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| me this prayer, though thou deny me a matter of more weight; good 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Isis, I beseech thee! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| IRAS. Amen. Dear goddess, hear that prayer of the people! For, as 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| it is a heartbreaking to see a handsome man loose-wiv'd, so it is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| a deadly sorrow to behold a foul knave uncuckolded. Therefore, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| dear Isis, keep decorum, and fortune him accordingly! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Amen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. Lo now, if it lay in their hands to make me a cuckold, they 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| would make themselves whores but they'ld do't! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Enter CLEOPATRA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Hush! Here comes Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. Not he; the Queen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CLEOPATRA. Saw you my lord? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. No, lady. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CLEOPATRA. Was he not here? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CHARMIAN. No, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CLEOPATRA. He was dispos'd to mirth; but on the sudden 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| A Roman thought hath struck him. Enobarbus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Madam? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CLEOPATRA. Seek him, and bring him hither. Where's Alexas? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ALEXAS. Here, at your service. My lord approaches. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Enter ANTONY, with a MESSENGER and attendants 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| CLEOPATRA. We will not look upon him. Go with us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Exeunt CLEOPATRA, ENOBARBUS, and the rest 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| MESSENGER. Fulvia thy wife first came into the field. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Against my brother Lucius? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| MESSENGER. Ay. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| But soon that war had end, and the time's state 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Made friends of them, jointing their force 'gainst Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Whose better issue in the war from Italy 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Upon the first encounter drave them. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Well, what worst? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| MESSENGER. The nature of bad news infects the teller. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. When it concerns the fool or coward. On! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Things that are past are done with me. 'Tis thus: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Who tells me true, though in his tale lie death, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| I hear him as he flatter'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| MESSENGER. Labienus- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| This is stiff news- hath with his Parthian force 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Extended Asia from Euphrates, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| His conquering banner shook from Syria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| To Lydia and to Ionia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Whilst- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Antony, thou wouldst say. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| MESSENGER. O, my lord! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Speak to me home; mince not the general tongue; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Name Cleopatra as she is call'd in Rome. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Rail thou in Fulvia's phrase, and taunt my faults 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| With such full licence as both truth and malice 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Have power to utter. O, then we bring forth weeds 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| When our quick minds lie still, and our ills told us 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Is as our earing. Fare thee well awhile. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| MESSENGER. At your noble pleasure. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. From Sicyon, ho, the news! Speak there! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| FIRST ATTENDANT. The man from Sicyon- is there such an one? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SECOND ATTENDANT. He stays upon your will. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Let him appear. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| These strong Egyptian fetters I must break, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Or lose myself in dotage. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Enter another MESSENGER with a letter 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| What are you? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SECOND MESSENGER. Fulvia thy wife is dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Where died she? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| SECOND MESSENGER. In Sicyon. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Her length of sickness, with what else more serious 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Importeth thee to know, this bears. [Gives the letter] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Forbear me. Exit MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| There's a great spirit gone! Thus did I desire it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| What our contempts doth often hurl from us 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| We wish it ours again; the present pleasure, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| By revolution low'ring, does become 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| The opposite of itself. She's good, being gone; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| The hand could pluck her back that shov'd her on. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| I must from this enchanting queen break off. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Ten thousand harms, more than the ills I know, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| My idleness doth hatch. How now, Enobarbus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Re-enter ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. What's your pleasure, sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. I must with haste from hence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Why, then we kill all our women. We see how mortal an 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| unkindness is to them; if they suffer our departure, death's the 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| word. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. I must be gone. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Under a compelling occasion, let women die. It were pity 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| to cast them away for nothing, though between them and a great 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| cause they should be esteemed nothing. Cleopatra, catching but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| the least noise of this, dies instantly; I have seen her die 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| twenty times upon far poorer moment. I do think there is mettle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| in death, which commits some loving act upon her, she hath such a 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| celerity in dying. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. She is cunning past man's thought. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Alack, sir, no! Her passions are made of nothing but the 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| finest part of pure love. We cannot call her winds and waters 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| sighs and tears; they are greater storms and tempests than 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| almanacs can report. This cannot be cunning in her; if it be, she 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| makes a show'r of rain as well as Jove. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Would I had never seen her! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. O Sir, you had then left unseen a wonderful piece of 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| work, which not to have been blest withal would have discredited 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| your travel. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Fulvia is dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Fulvia is dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Fulvia? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. Dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. Why, sir, give the gods a thankful sacrifice. When it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| pleaseth their deities to take the wife of a man from him, it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| shows to man the tailors of the earth; comforting therein that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| when old robes are worn out there are members to make new. If 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| there were no more women but Fulvia, then had you indeed a cut, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| and the case to be lamented. This grief is crown'd with 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| consolation: your old smock brings forth a new petticoat; and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| indeed the tears live in an onion that should water this sorrow. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. The business she hath broached in the state 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Cannot endure my absence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. And the business you have broach'd here cannot be 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| without you; especially that of Cleopatra's, which wholly depends 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| on your abode. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ANTONY. No more light answers. Let our officers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Have notice what we purpose. I shall break 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| The cause of our expedience to the Queen, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| And get her leave to part. For not alone 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| The death of Fulvia, with more urgent touches, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Do strongly speak to us; but the letters to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Of many our contriving friends in Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Petition us at home. Sextus Pompeius 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Hath given the dare to Caesar, and commands 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| The empire of the sea; our slippery people, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Whose love is never link'd to the deserver 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Till his deserts are past, begin to throw 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Pompey the Great and all his dignities 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Upon his son; who, high in name and power, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Higher than both in blood and life, stands up 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| For the main soldier; whose quality, going on, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| The sides o' th' world may danger. Much is breeding 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Which, like the courser's hair, hath yet but life 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| And not a serpent's poison. Say our pleasure, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| To such whose place is under us, requires 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| Our quick remove from hence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| ENOBARBUS. I shall do't. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|SCENE III. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Where is he? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CHARMIAN. I did not see him since. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. See where he is, who's with him, what he does. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| I did not send you. If you find him sad, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Say I am dancing; if in mirth, report 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| That I am sudden sick. Quick, and return. Exit ALEXAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CHARMIAN. Madam, methinks, if you did love him dearly, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| You do not hold the method to enforce 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| The like from him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. What should I do I do not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CHARMIAN. In each thing give him way; cross him in nothing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Thou teachest like a fool- the way to lose him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CHARMIAN. Tempt him not so too far; I wish, forbear; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| In time we hate that which we often fear. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Enter ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| But here comes Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. I am sick and sullen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. I am sorry to give breathing to my purpose- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Help me away, dear Charmian; I shall fall. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| It cannot be thus long; the sides of nature 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Will not sustain it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Now, my dearest queen- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Pray you, stand farther from me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. What's the matter? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. I know by that same eye there's some good news. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| What says the married woman? You may go. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Would she had never given you leave to come! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Let her not say 'tis I that keep you here- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| I have no power upon you; hers you are. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. The gods best know- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. O, never was there queen 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| So mightily betray'd! Yet at the first 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| I saw the treasons planted. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Cleopatra- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Why should I think you can be mine and true, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Though you in swearing shake the throned gods, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Who have been false to Fulvia? Riotous madness, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| To be entangled with those mouth-made vows, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Which break themselves in swearing! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Most sweet queen- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Nay, pray you seek no colour for your going, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| But bid farewell, and go. When you sued staying, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Then was the time for words. No going then! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Eternity was in our lips and eyes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Bliss in our brows' bent, none our parts so poor 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| But was a race of heaven. They are so still, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Or thou, the greatest soldier of the world, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Art turn'd the greatest liar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. How now, lady! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. I would I had thy inches. Thou shouldst know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| There were a heart in Egypt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Hear me, queen: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| The strong necessity of time commands 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Our services awhile; but my full heart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Remains in use with you. Our Italy 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Shines o'er with civil swords: Sextus Pompeius 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Makes his approaches to the port of Rome; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Equality of two domestic powers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Breed scrupulous faction; the hated, grown to strength, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Are newly grown to love. The condemn'd Pompey, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Rich in his father's honour, creeps apace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Into the hearts of such as have not thrived 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Upon the present state, whose numbers threaten; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| And quietness, grown sick of rest, would purge 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| By any desperate change. My more particular, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| And that which most with you should safe my going, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Is Fulvia's death. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Though age from folly could not give me freedom, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| It does from childishness. Can Fulvia die? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. She's dead, my Queen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Look here, and at thy sovereign leisure read 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| The garboils she awak'd. At the last, best. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| See when and where she died. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. O most false love! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Where be the sacred vials thou shouldst fill 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| With sorrowful water? Now I see, I see, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| In Fulvia's death how mine receiv'd shall be. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Quarrel no more, but be prepar'd to know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| The purposes I bear; which are, or cease, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| As you shall give th' advice. By the fire 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| That quickens Nilus' slime, I go from hence 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Thy soldier, servant, making peace or war 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| As thou affects. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Cut my lace, Charmian, come! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| But let it be; I am quickly ill and well- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| So Antony loves. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. My precious queen, forbear, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| And give true evidence to his love, which stands 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| An honourable trial. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. So Fulvia told me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| I prithee turn aside and weep for her; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Then bid adieu to me, and say the tears 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Belong to Egypt. Good now, play one scene 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Of excellent dissembling, and let it look 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Like perfect honour. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. You'll heat my blood; no more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. You can do better yet; but this is meetly. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Now, by my sword- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. And target. Still he mends; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| But this is not the best. Look, prithee, Charmian, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| How this Herculean Roman does become 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| The carriage of his chafe. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. I'll leave you, lady. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. Courteous lord, one word. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Sir, you and I must part- but that's not it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Sir, you and I have lov'd- but there's not it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| That you know well. Something it is I would- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| O, my oblivion is a very Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| And I am all forgotten! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. But that your royalty 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Holds idleness your subject, I should take you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| For idleness itself. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| CLEOPATRA. 'Tis sweating labour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| To bear such idleness so near the heart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| As Cleopatra this. But, sir, forgive me; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Since my becomings kill me when they do not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Eye well to you. Your honour calls you hence; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Therefore be deaf to my unpitied folly, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| And all the gods go with you! Upon your sword 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Sit laurel victory, and smooth success 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Be strew'd before your feet! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| ANTONY. Let us go. Come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Our separation so abides and flies 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| That thou, residing here, goes yet with me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| And I, hence fleeting, here remain with thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| Away! Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|SCENE IV. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|Rome. CAESAR'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|Enter OCTAVIUS CAESAR, reading a letter; LEPIDUS, and their train 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. You may see, Lepidus, and henceforth know, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| It is not Caesar's natural vice to hate 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Our great competitor. From Alexandria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| This is the news: he fishes, drinks, and wastes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| The lamps of night in revel; is not more manlike 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Than Cleopatra, nor the queen of Ptolemy 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| More womanly than he; hardly gave audience, or 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Vouchsaf'd to think he had partners. You shall find there 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| A man who is the abstract of all faults 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| That all men follow. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| LEPIDUS. I must not think there are 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Evils enow to darken all his goodness. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| His faults, in him, seem as the spots of heaven, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| More fiery by night's blackness; hereditary 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Rather than purchas'd; what he cannot change 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Than what he chooses. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. You are too indulgent. Let's grant it is not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Amiss to tumble on the bed of Ptolemy, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| To give a kingdom for a mirth, to sit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| And keep the turn of tippling with a slave, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| To reel the streets at noon, and stand the buffet 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| With knaves that smell of sweat. Say this becomes him- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| As his composure must be rare indeed 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Whom these things cannot blemish- yet must Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| No way excuse his foils when we do bear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| So great weight in his lightness. If he fill'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| His vacancy with his voluptuousness, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Full surfeits and the dryness of his bones 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Call on him for't! But to confound such time 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| That drums him from his sport and speaks as loud 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| As his own state and ours- 'tis to be chid 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| As we rate boys who, being mature in knowledge, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Pawn their experience to their present pleasure, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| And so rebel to judgment. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Enter a MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| LEPIDUS. Here's more news. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| MESSENGER. Thy biddings have been done; and every hour, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Most noble Caesar, shalt thou have report 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| How 'tis abroad. Pompey is strong at sea, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| And it appears he is belov'd of those 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| That only have fear'd Caesar. To the ports 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| The discontents repair, and men's reports 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Give him much wrong'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. I should have known no less. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| It hath been taught us from the primal state 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| That he which is was wish'd until he were; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| And the ebb'd man, ne'er lov'd till ne'er worth love, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Comes dear'd by being lack'd. This common body, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Like to a vagabond flag upon the stream, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Goes to and back, lackeying the varying tide, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| To rot itself with motion. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| MESSENGER. Caesar, I bring thee word 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Menecrates and Menas, famous pirates, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Make the sea serve them, which they ear and wound 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| With keels of every kind. Many hot inroads 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| They make in Italy; the borders maritime 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Lack blood to think on't, and flush youth revolt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| No vessel can peep forth but 'tis as soon 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Taken as seen; for Pompey's name strikes more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Than could his war resisted. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Leave thy lascivious wassails. When thou once 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Was beaten from Modena, where thou slew'st 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Hirtius and Pansa, consuls, at thy heel 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Did famine follow; whom thou fought'st against, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Though daintily brought up, with patience more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Than savages could suffer. Thou didst drink 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| The stale of horses and the gilded puddle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Which beasts would cough at. Thy palate then did deign 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| The roughest berry on the rudest hedge; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Yea, like the stag when snow the pasture sheets, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| The barks of trees thou brows'd. On the Alps 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| It is reported thou didst eat strange flesh, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Which some did die to look on. And all this- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| It wounds thine honour that I speak it now- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Was borne so like a soldier that thy cheek 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| So much as lank'd not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| LEPIDUS. 'Tis pity of him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. Let his shames quickly 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Drive him to Rome. 'Tis time we twain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Did show ourselves i' th' field; and to that end 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Assemble we immediate council. Pompey 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Thrives in our idleness. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| LEPIDUS. To-morrow, Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| I shall be furnish'd to inform you rightly 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Both what by sea and land I can be able 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| To front this present time. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. Till which encounter 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| It is my business too. Farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| LEPIDUS. Farewell, my lord. What you shall know meantime 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| Of stirs abroad, I shall beseech you, sir, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| To let me be partaker. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| CAESAR. Doubt not, sir; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| I knew it for my bond. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|SCENE V. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Charmian! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. Madam? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Ha, ha! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Give me to drink mandragora. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. Why, madam? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. That I might sleep out this great gap of time 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| My Antony is away. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. You think of him too much. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. O, 'tis treason! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. Madam, I trust, not so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Thou, eunuch Mardian! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| MARDIAN. What's your Highness' pleasure? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Not now to hear thee sing; I take no pleasure 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| In aught an eunuch has. 'Tis well for thee 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| That, being unseminar'd, thy freer thoughts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| May not fly forth of Egypt. Hast thou affections? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| MARDIAN. Yes, gracious madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Indeed? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| MARDIAN. Not in deed, madam; for I can do nothing 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| But what indeed is honest to be done. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Yet have I fierce affections, and think 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| What Venus did with Mars. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. O Charmian, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Where think'st thou he is now? Stands he or sits he? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Or does he walk? or is he on his horse? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| O happy horse, to bear the weight of Antony! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Do bravely, horse; for wot'st thou whom thou mov'st? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| The demi-Atlas of this earth, the arm 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| And burgonet of men. He's speaking now, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Or murmuring 'Where's my serpent of old Nile?' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| For so he calls me. Now I feed myself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| With most delicious poison. Think on me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| That am with Phoebus' amorous pinches black, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| And wrinkled deep in time? Broad-fronted Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| When thou wast here above the ground, I was 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| A morsel for a monarch; and great Pompey 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Would stand and make his eyes grow in my brow; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| There would he anchor his aspect and die 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| With looking on his life. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Enter ALEXAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| ALEXAS. Sovereign of Egypt, hail! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. How much unlike art thou Mark Antony! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Yet, coming from him, that great med'cine hath 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| With his tinct gilded thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| How goes it with my brave Mark Antony? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| ALEXAS. Last thing he did, dear Queen, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| He kiss'd- the last of many doubled kisses- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| This orient pearl. His speech sticks in my heart. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Mine ear must pluck it thence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| ALEXAS. 'Good friend,' quoth he 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 'Say the firm Roman to great Egypt sends 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| This treasure of an oyster; at whose foot, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| To mend the petty present, I will piece 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Her opulent throne with kingdoms. All the East, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Say thou, shall call her mistress.' So he nodded, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| And soberly did mount an arm-gaunt steed, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Who neigh'd so high that what I would have spoke 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Was beastly dumb'd by him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. What, was he sad or merry? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| ALEXAS. Like to the time o' th' year between the extremes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Of hot and cold; he was nor sad nor merry. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. O well-divided disposition! Note him, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Note him, good Charmian; 'tis the man; but note him! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| He was not sad, for he would shine on those 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| That make their looks by his; he was not merry, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Which seem'd to tell them his remembrance lay 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| In Egypt with his joy; but between both. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| O heavenly mingle! Be'st thou sad or merry, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| The violence of either thee becomes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| So does it no man else. Met'st thou my posts? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| ALEXAS. Ay, madam, twenty several messengers. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Why do you send so thick? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Who's born that day 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| When I forget to send to Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Shall die a beggar. Ink and paper, Charmian. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Welcome, my good Alexas. Did I, Charmian, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Ever love Caesar so? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. O that brave Caesar! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. Be chok'd with such another emphasis! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Say 'the brave Antony.' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. The valiant Caesar! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. By Isis, I will give thee bloody teeth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| If thou with Caesar paragon again 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| My man of men. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CHARMIAN. By your most gracious pardon, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| I sing but after you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| CLEOPATRA. My salad days, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| When I was green in judgment, cold in blood, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| To say as I said then. But come, away! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Get me ink and paper. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| He shall have every day a several greeting, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| Or I'll unpeople Egypt. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|ACT II. SCENE I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|Messina. POMPEY'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|Enter POMPEY, MENECRATES, and MENAS, in warlike manner 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. If the great gods be just, they shall assist 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| The deeds of justest men. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| MENECRATES. Know, worthy Pompey, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| That what they do delay they not deny. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. Whiles we are suitors to their throne, decays 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| The thing we sue for. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| MENECRATES. We, ignorant of ourselves, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Beg often our own harms, which the wise pow'rs 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Deny us for our good; so find we profit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| By losing of our prayers. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. I shall do well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| The people love me, and the sea is mine; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| My powers are crescent, and my auguring hope 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Says it will come to th' full. Mark Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| In Egypt sits at dinner, and will make 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| No wars without doors. Caesar gets money where 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| He loses hearts. Lepidus flatters both, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Of both is flatter'd; but he neither loves, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Nor either cares for him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| MENAS. Caesar and Lepidus 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Are in the field. A mighty strength they carry. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. Where have you this? 'Tis false. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| MENAS. From Silvius, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. He dreams. I know they are in Rome together, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Looking for Antony. But all the charms of love, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Salt Cleopatra, soften thy wan'd lip! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Let witchcraft join with beauty, lust with both; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Tie up the libertine in a field of feasts, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Keep his brain fuming. Epicurean cooks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Sharpen with cloyless sauce his appetite, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| That sleep and feeding may prorogue his honour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Even till a Lethe'd dullness- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Enter VARRIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| How now, Varrius! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| VARRIUS. This is most certain that I shall deliver: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Mark Antony is every hour in Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Expected. Since he went from Egypt 'tis 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| A space for farther travel. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. I could have given less matter 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| A better ear. Menas, I did not think 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| This amorous surfeiter would have donn'd his helm 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| For such a petty war; his soldiership 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Is twice the other twain. But let us rear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| The higher our opinion, that our stirring 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Can from the lap of Egypt's widow pluck 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| The ne'er-lust-wearied Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| MENAS. I cannot hope 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Caesar and Antony shall well greet together. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| His wife that's dead did trespasses to Caesar; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| His brother warr'd upon him; although, I think, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Not mov'd by Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| POMPEY. I know not, Menas, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| How lesser enmities may give way to greater. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Were't not that we stand up against them all, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 'Twere pregnant they should square between themselves; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| For they have entertained cause enough 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| To draw their swords. But how the fear of us 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| May cement their divisions, and bind up 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| The petty difference we yet not know. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Be't as our gods will have't! It only stands 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Our lives upon to use our strongest hands. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| Come, Menas. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|SCENE II. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|Rome. The house of LEPIDUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|Enter ENOBARBUS and LEPIDUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Good Enobarbus, 'tis a worthy deed, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And shall become you well, to entreat your captain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To soft and gentle speech. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. I shall entreat him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To answer like himself. If Caesar move him, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Let Antony look over Caesar's head 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And speak as loud as Mars. By Jupiter, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Were I the wearer of Antonius' beard, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| I would not shave't to-day. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. 'Tis not a time 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| For private stomaching. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Every time 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Serves for the matter that is then born in't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. But small to greater matters must give way. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Not if the small come first. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Your speech is passion; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| But pray you stir no embers up. Here comes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The noble Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Enter ANTONY and VENTIDIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. And yonder, Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Enter CAESAR, MAECENAS, and AGRIPPA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. If we compose well here, to Parthia. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Hark, Ventidius. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. I do not know, Maecenas. Ask Agrippa. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Noble friends, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| That which combin'd us was most great, and let not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| A leaner action rend us. What's amiss, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| May it be gently heard. When we debate 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Our trivial difference loud, we do commit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Murder in healing wounds. Then, noble partners, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The rather for I earnestly beseech, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Touch you the sourest points with sweetest terms, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Nor curstness grow to th' matter. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. 'Tis spoken well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Were we before our arinies, and to fight, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| I should do thus. [Flourish] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Welcome to Rome. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Thank you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Sit. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Sit, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Nay, then. [They sit] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. I learn you take things ill which are not so, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Or being, concern you not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. I must be laugh'd at 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| If, or for nothing or a little, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Should say myself offended, and with you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Chiefly i' the world; more laugh'd at that I should 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Once name you derogately when to sound your name 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| It not concern'd me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. My being in Egypt, Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| What was't to you? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. No more than my residing here at Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Might be to you in Egypt. Yet, if you there 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Did practise on my state, your being in Egypt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Might be my question. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. How intend you- practis'd? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. You may be pleas'd to catch at mine intent 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| By what did here befall me. Your wife and brother 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Made wars upon me, and their contestation 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Was theme for you; you were the word of war. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. You do mistake your business; my brother never 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Did urge me in his act. I did inquire it, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And have my learning from some true reports 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| That drew their swords with you. Did he not rather 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Discredit my authority with yours, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And make the wars alike against my stomach, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Having alike your cause? Of this my letters 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Before did satisfy you. If you'll patch a quarrel, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| As matter whole you have not to make it with, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| It must not be with this. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. You praise yourself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| By laying defects of judgment to me; but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| You patch'd up your excuses. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Not so, not so; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| I know you could not lack, I am certain on't, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Very necessity of this thought, that I, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Your partner in the cause 'gainst which he fought, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Could not with graceful eyes attend those wars 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Which fronted mine own peace. As for my wife, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| I would you had her spirit in such another! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The third o' th' world is yours, which with a snaffle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| You may pace easy, but not such a wife. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Would we had all such wives, that the men might go to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| wars with the women! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. So much uncurbable, her garboils, Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Made out of her impatience- which not wanted 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Shrewdness of policy too- I grieving grant 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Did you too much disquiet. For that you must 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| But say I could not help it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. I wrote to you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| When rioting in Alexandria; you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Did pocket up my letters, and with taunts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Did gibe my missive out of audience. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Sir, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| He fell upon me ere admitted. Then 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Three kings I had newly feasted, and did want 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Of what I was i' th' morning; but next day 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| I told him of myself, which was as much 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| As to have ask'd him pardon. Let this fellow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Be nothing of our strife; if we contend, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Out of our question wipe him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. You have broken 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The article of your oath, which you shall never 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Have tongue to charge me with. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Soft, Caesar! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. No; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Lepidus, let him speak. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The honour is sacred which he talks on now, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Supposing that I lack'd it. But on, Caesar: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The article of my oath- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. To lend me arms and aid when I requir'd them, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The which you both denied. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Neglected, rather; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And then when poisoned hours had bound me up 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| From mine own knowledge. As nearly as I may, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| I'll play the penitent to you; but mine honesty 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Shall not make poor my greatness, nor my power 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Work without it. Truth is, that Fulvia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To have me out of Egypt, made wars here; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| For which myself, the ignorant motive, do 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| So far ask pardon as befits mine honour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To stoop in such a case. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. 'Tis noble spoken. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. If it might please you to enforce no further 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The griefs between ye- to forget them quite 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Were to remember that the present need 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Speaks to atone you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Worthily spoken, Maecenas. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Or, if you borrow one another's love for the instant, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| you may, when you hear no more words of Pompey, return it again. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| You shall have time to wrangle in when you have nothing else to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| do. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Thou art a soldier only. Speak no more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. That truth should be silent I had almost forgot. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. You wrong this presence; therefore speak no more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Go to, then- your considerate stone! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. I do not much dislike the matter, but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The manner of his speech; for't cannot be 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| We shall remain in friendship, our conditions 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| So diff'ring in their acts. Yet if I knew 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| What hoop should hold us stanch, from edge to edge 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| O' th' world, I would pursue it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. Give me leave, Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Speak, Agrippa. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. Thou hast a sister by the mother's side, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Admir'd Octavia. Great Mark Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Is now a widower. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Say not so, Agrippa. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| If Cleopatra heard you, your reproof 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Were well deserv'd of rashness. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. I am not married, Caesar. Let me hear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Agrippa further speak. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. To hold you in perpetual amity, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To make you brothers, and to knit your hearts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| With an unslipping knot, take Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Octavia to his wife; whose beauty claims 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| No worse a husband than the best of men; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Whose virtue and whose general graces speak 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| That which none else can utter. By this marriage 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| All little jealousies, which now seem great, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And all great fears, which now import their dangers, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Would then be nothing. Truths would be tales, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Where now half tales be truths. Her love to both 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Would each to other, and all loves to both, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Draw after her. Pardon what I have spoke; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| For 'tis a studied, not a present thought, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| By duty ruminated. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Will Caesar speak? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Not till he hears how Antony is touch'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| With what is spoke already. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. What power is in Agrippa, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| If I would say 'Agrippa, be it so,' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To make this good? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. The power of Caesar, and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| His power unto Octavia. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. May I never 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To this good purpose, that so fairly shows, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Dream of impediment! Let me have thy hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Further this act of grace; and from this hour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The heart of brothers govern in our loves 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And sway our great designs! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. There is my hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| A sister I bequeath you, whom no brother 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Did ever love so dearly. Let her live 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To join our kingdoms and our hearts; and never 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Fly off our loves again! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Happily, amen! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. I did not think to draw my sword 'gainst Pompey; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| For he hath laid strange courtesies and great 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Of late upon me. I must thank him only, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Lest my remembrance suffer ill report; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| At heel of that, defy him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Time calls upon's. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Of us must Pompey presently be sought, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Or else he seeks out us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Where lies he? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. About the Mount Misenum. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. What is his strength by land? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. Great and increasing; but by sea 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| He is an absolute master. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. So is the fame. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Would we had spoke together! Haste we for it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Yet, ere we put ourselves in arms, dispatch we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The business we have talk'd of. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| CAESAR. With most gladness; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And do invite you to my sister's view, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Whither straight I'll lead you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ANTONY. Let us, Lepidus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Not lack your company. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| LEPIDUS. Noble Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Not sickness should detain me. [Flourish] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Exeunt all but ENOBARBUS, AGRIPPA, MAECENAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. Welcome from Egypt, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Half the heart of Caesar, worthy Maecenas! My honourable 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| friend, Agrippa! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. Good Enobarbus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. We have cause to be glad that matters are so well 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| digested. You stay'd well by't in Egypt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Ay, sir; we did sleep day out of countenance and made 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| the night light with drinking. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. Eight wild boars roasted whole at a breakfast, and but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| twelve persons there. Is this true? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. This was but as a fly by an eagle. We had much more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| monstrous matter of feast, which worthily deserved noting. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. She's a most triumphant lady, if report be square to her. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. When she first met Mark Antony she purs'd up his heart, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| upon the river of Cydnus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. There she appear'd indeed! Or my reporter devis'd well for 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| her. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. I will tell you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The barge she sat in, like a burnish'd throne, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Burn'd on the water. The poop was beaten gold; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Purple the sails, and so perfumed that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The winds were love-sick with them; the oars were silver, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Which to the tune of flutes kept stroke, and made 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The water which they beat to follow faster, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| As amorous of their strokes. For her own person, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| It beggar'd all description. She did lie 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| In her pavilion, cloth-of-gold, of tissue, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| O'erpicturing that Venus where we see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The fancy out-work nature. On each side her 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Stood pretty dimpled boys, like smiling Cupids, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| With divers-colour'd fans, whose wind did seem 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| To glow the delicate cheeks which they did cool, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And what they undid did. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. O, rare for Antony! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Her gentlewomen, like the Nereides, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| So many mermaids, tended her i' th' eyes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And made their bends adornings. At the helm 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| A seeming mermaid steers. The silken tackle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Swell with the touches of those flower-soft hands 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| That yarely frame the office. From the barge 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| A strange invisible perfume hits the sense 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Of the adjacent wharfs. The city cast 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Her people out upon her; and Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Enthron'd i' th' market-place, did sit alone, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Whistling to th' air; which, but for vacancy, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Had gone to gaze on Cleopatra too, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And made a gap in nature. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. Rare Egyptian! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Upon her landing, Antony sent to her, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Invited her to supper. She replied 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| It should be better he became her guest; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Which she entreated. Our courteous Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Whom ne'er the word of 'No' woman heard speak, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Being barber'd ten times o'er, goes to the feast, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And for his ordinary pays his heart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| For what his eyes eat only. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. Royal wench! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| She made great Caesar lay his sword to bed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| He ploughed her, and she cropp'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. I saw her once 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Hop forty paces through the public street; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And, having lost her breath, she spoke, and panted, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| That she did make defect perfection, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| And, breathless, pow'r breathe forth. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. Now Antony must leave her utterly. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Never! He will not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Age cannot wither her, nor custom stale 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Her infinite variety. Other women cloy 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The appetites they feed, but she makes hungry 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Where most she satisfies; for vilest things 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Become themselves in her, that the holy priests 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Bless her when she is riggish. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| MAECENAS. If beauty, wisdom, modesty, can settle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| The heart of Antony, Octavia is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| A blessed lottery to him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| AGRIPPA. Let us go. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Good Enobarbus, make yourself my guest 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| Whilst you abide here. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| ENOBARBUS. Humbly, sir, I thank you. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|SCENE III. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|Rome. CAESAR'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|Enter ANTONY, CAESAR, OCTAVIA between them 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. The world and my great office will sometimes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Divide me from your bosom. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| OCTAVIA. All which time 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Before the gods my knee shall bow my prayers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| To them for you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. Good night, sir. My Octavia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Read not my blemishes in the world's report. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| I have not kept my square; but that to come 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Shall all be done by th' rule. Good night, dear lady. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| OCTAVIA. Good night, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| CAESAR. Good night. Exeunt CAESAR and OCTAVIA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Enter SOOTHSAYER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. Now, sirrah, you do wish yourself in Egypt? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| SOOTHSAYER. Would I had never come from thence, nor you thither! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. If you can- your reason. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| SOOTHSAYER. I see it in my motion, have it not in my tongue; but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| yet hie you to Egypt again. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. Say to me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Whose fortunes shall rise higher, Caesar's or mine? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| SOOTHSAYER. Caesar's. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Therefore, O Antony, stay not by his side. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Thy daemon, that thy spirit which keeps thee, is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Noble, courageous, high, unmatchable, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Where Caesar's is not; but near him thy angel 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Becomes a fear, as being o'erpow'r'd. Therefore 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Make space enough between you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. Speak this no more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| SOOTHSAYER. To none but thee; no more but when to thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| If thou dost play with him at any game, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Thou art sure to lose; and of that natural luck 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| He beats thee 'gainst the odds. Thy lustre thickens 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| When he shines by. I say again, thy spirit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Is all afraid to govern thee near him; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| But, he away, 'tis noble. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| ANTONY. Get thee gone. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Say to Ventidius I would speak with him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Exit SOOTHSAYER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| He shall to Parthia.- Be it art or hap, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| He hath spoken true. The very dice obey him; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| And in our sports my better cunning faints 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Under his chance. If we draw lots, he speeds; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| His cocks do win the battle still of mine, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| When it is all to nought, and his quails ever 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Beat mine, inhoop'd, at odds. I will to Egypt; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| And though I make this marriage for my peace, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| I' th' East my pleasure lies. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Enter VENTIDIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| O, come, Ventidius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| You must to Parthia. Your commission's ready; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| Follow me and receive't. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|SCENE IV. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|Rome. A street 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|Enter LEPIDUS, MAECENAS, and AGRIPPA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| LEPIDUS. Trouble yourselves no further. Pray you hasten 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| Your generals after. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| AGRIPPA. Sir, Mark Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| Will e'en but kiss Octavia, and we'll follow. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| LEPIDUS. Till I shall see you in your soldier's dress, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| Which will become you both, farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| MAECENAS. We shall, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| As I conceive the journey, be at th' Mount 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| Before you, Lepidus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| LEPIDUS. Your way is shorter; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| My purposes do draw me much about. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| You'll win two days upon me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| BOTH. Sir, good success! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| LEPIDUS. Farewell. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|SCENE V. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Give me some music- music, moody food 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Of us that trade in love. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| ALL. The music, ho! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Enter MARDIAN the eunuch 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Let it alone! Let's to billiards. Come, Charmian. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CHARMIAN. My arm is sore; best play with Mardian. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. As well a woman with an eunuch play'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| As with a woman. Come, you'll play with me, sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MARDIAN. As well as I can, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. And when good will is show'd, though't come too short, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The actor may plead pardon. I'll none now. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Give me mine angle- we'll to th' river. There, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| My music playing far off, I will betray 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Tawny-finn'd fishes; my bended hook shall pierce 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Their slimy jaws; and as I draw them up 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I'll think them every one an Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| And say 'Ah ha! Y'are caught.' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CHARMIAN. 'Twas merry when 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| You wager'd on your angling; when your diver 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Did hang a salt fish on his hook, which he 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| With fervency drew up. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. That time? O times 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I laughed him out of patience; and that night 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I laugh'd him into patience; and next morn, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Ere the ninth hour, I drunk him to his bed, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Then put my tires and mantles on him, whilst 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I wore his sword Philippan. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Enter a MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| O! from Italy? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Ram thou thy fruitful tidings in mine ears, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| That long time have been barren. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Madam, madam- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Antony's dead! If thou say so, villain, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Thou kill'st thy mistress; but well and free, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| If thou so yield him, there is gold, and here 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| My bluest veins to kiss- a hand that kings 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Have lipp'd, and trembled kissing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. First, madam, he is well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Why, there's more gold. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| But, sirrah, mark, we use 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| To say the dead are well. Bring it to that, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The gold I give thee will I melt and pour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Down thy ill-uttering throat. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Good madam, hear me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Well, go to, I will. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| But there's no goodness in thy face. If Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Be free and healthful- why so tart a favour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| To trumpet such good tidings? If not well, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Thou shouldst come like a Fury crown'd with snakes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Not like a formal man. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Will't please you hear me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. I have a mind to strike thee ere thou speak'st. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Yet, if thou say Antony lives, is well, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Or friends with Caesar, or not captive to him, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I'll set thee in a shower of gold, and hail 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Rich pearls upon thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Madam, he's well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Well said. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. And friends with Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Th'art an honest man. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Caesar and he are greater friends than ever. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Make thee a fortune from me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. But yet, madam- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. I do not like 'but yet.' It does allay 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The good precedence; fie upon 'but yet'! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 'But yet' is as a gaoler to bring forth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Some monstrous malefactor. Prithee, friend, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Pour out the pack of matter to mine ear, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The good and bad together. He's friends with Caesar; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| In state of health, thou say'st; and, thou say'st, free. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Free, madam! No; I made no such report. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| He's bound unto Octavia. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. For what good turn? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. For the best turn i' th' bed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. I am pale, Charmian. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Madam, he's married to Octavia. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. The most infectious pestilence upon thee! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| [Strikes him down] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Good madam, patience. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. What say you? Hence, [Strikes him] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Horrible villain! or I'll spurn thine eyes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Like balls before me; I'll unhair thy head; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| [She hales him up and down] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Thou shalt be whipp'd with wire and stew'd in brine, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Smarting in ling'ring pickle. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Gracious madam, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I that do bring the news made not the match. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Say 'tis not so, a province I will give thee, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| And make thy fortunes proud. The blow thou hadst 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Shall make thy peace for moving me to rage; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| And I will boot thee with what gift beside 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Thy modesty can beg. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. He's married, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Rogue, thou hast liv'd too long. [Draws a knife] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Nay, then I'll run. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| What mean you, madam? I have made no fault. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CHARMIAN. Good madam, keep yourself within yourself: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The man is innocent. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Some innocents scape not the thunderbolt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Melt Egypt into Nile! and kindly creatures 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Turn all to serpents! Call the slave again. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Though I am mad, I will not bite him. Call! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CHARMIAN. He is afear'd to come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. I will not hurt him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| These hands do lack nobility, that they strike 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| A meaner than myself; since I myself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Have given myself the cause. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Enter the MESSENGER again 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Come hither, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Though it be honest, it is never good 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| To bring bad news. Give to a gracious message 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| An host of tongues; but let ill tidings tell 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Themselves when they be felt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. I have done my duty. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. Is he married? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I cannot hate thee worser than I do 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| If thou again say 'Yes.' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. He's married, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. The gods confound thee! Dost thou hold there still? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Should I lie, madam? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. O, I would thou didst, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| So half my Egypt were submerg'd and made 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| A cistern for scal'd snakes! Go, get thee hence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Hadst thou Narcissus in thy face, to me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Thou wouldst appear most ugly. He is married? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. I crave your Highness' pardon. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. He is married? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| MESSENGER. Take no offence that I would not offend you; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| To punish me for what you make me do 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Seems much unequal. He's married to Octavia. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. O, that his fault should make a knave of thee 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| That art not what th'art sure of! Get thee hence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The merchandise which thou hast brought from Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Are all too dear for me. Lie they upon thy hand, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| And be undone by 'em! Exit MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CHARMIAN. Good your Highness, patience. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. In praising Antony I have disprais'd Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CHARMIAN. Many times, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| CLEOPATRA. I am paid for't now. Lead me from hence, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| I faint. O Iras, Charmian! 'Tis no matter. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Go to the fellow, good Alexas; bid him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Report the feature of Octavia, her years, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Her inclination; let him not leave out 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The colour of her hair. Bring me word quickly. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Exit ALEXAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Let him for ever go- let him not, Charmian- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Though he be painted one way like a Gorgon, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| The other way's a Mars. [To MARDIAN] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Bid you Alexas 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| Bring me word how tall she is.- Pity me, Charmian, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| But do not speak to me. Lead me to my chamber. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|SCENE VI. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|Near Misenum 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|Flourish. Enter POMPEY and MENAS at one door, with drum and trumpet; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|at another, CAESAR, ANTONY, LEPIDUS, ENOBARBUS, MAECENAS, AGRIPPA, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|with soldiers marching 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Your hostages I have, so have you mine; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| And we shall talk before we fight. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| CAESAR. Most meet 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| That first we come to words; and therefore have we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Our written purposes before us sent; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Which if thou hast considered, let us know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| If 'twill tie up thy discontented sword 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| And carry back to Sicily much tall youth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| That else must perish here. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. To you all three, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| The senators alone of this great world, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Chief factors for the gods: I do not know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Wherefore my father should revengers want, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Having a son and friends, since Julius Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Who at Philippi the good Brutus ghosted, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| There saw you labouring for him. What was't 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| That mov'd pale Cassius to conspire? and what 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Made the all-honour'd honest Roman, Brutus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| With the arm'd rest, courtiers of beauteous freedom, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| To drench the Capitol, but that they would 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Have one man but a man? And that is it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Hath made me rig my navy, at whose burden 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| The anger'd ocean foams; with which I meant 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| To scourge th' ingratitude that despiteful Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Cast on my noble father. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| CAESAR. Take your time. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. Thou canst not fear us, Pompey, with thy sails; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| We'll speak with thee at sea; at land thou know'st 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| How much we do o'er-count thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. At land, indeed, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Thou dost o'er-count me of my father's house. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| But since the cuckoo builds not for himself, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Remain in't as thou mayst. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| LEPIDUS. Be pleas'd to tell us- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| For this is from the present- how you take 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| The offers we have sent you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| CAESAR. There's the point. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. Which do not be entreated to, but weigh 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| What it is worth embrac'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| CAESAR. And what may follow, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| To try a larger fortune. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. You have made me offer 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Of Sicily, Sardinia; and I must 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Rid all the sea of pirates; then to send 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Measures of wheat to Rome; this 'greed upon, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| To part with unhack'd edges and bear back 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Our targes undinted. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ALL. That's our offer. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Know, then, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| I came before you here a man prepar'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| To take this offer; but Mark Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Put me to some impatience. Though I lose 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| The praise of it by telling, you must know, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| When Caesar and your brother were at blows, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Your mother came to Sicily and did find 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Her welcome friendly. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. I have heard it, Pompey, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| And am well studied for a liberal thanks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Which I do owe you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Let me have your hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| I did not think, sir, to have met you here. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. The beds i' th' East are soft; and thanks to you, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| That call'd me timelier than my purpose hither; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| For I have gained by't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| CAESAR. Since I saw you last 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| There is a change upon you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Well, I know not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| What counts harsh fortune casts upon my face; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| But in my bosom shall she never come 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| To make my heart her vassal. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| LEPIDUS. Well met here. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. I hope so, Lepidus. Thus we are agreed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| I crave our composition may be written, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| And seal'd between us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| CAESAR. That's the next to do. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. We'll feast each other ere we part, and let's 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Draw lots who shall begin. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. That will I, Pompey. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. No, Antony, take the lot; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| But, first or last, your fine Egyptian cookery 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Shall have the fame. I have heard that Julius Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Grew fat with feasting there. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. You have heard much. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. I have fair meanings, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ANTONY. And fair words to them. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Then so much have I heard; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| And I have heard Apollodorus carried- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. No more of that! He did so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. What, I pray you? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. A certain queen to Caesar in a mattress. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. I know thee now. How far'st thou, soldier? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. Well; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| And well am like to do, for I perceive 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Four feasts are toward. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Let me shake thy hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| I never hated thee; I have seen thee fight, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| When I have envied thy behaviour. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. Sir, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| I never lov'd you much; but I ha' prais'd ye 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| When you have well deserv'd ten times as much 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| As I have said you did. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Enjoy thy plainness; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| It nothing ill becomes thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Aboard my galley I invite you all. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Will you lead, lords? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ALL. Show's the way, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| POMPEY. Come. Exeunt all but ENOBARBUS and MENAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. [Aside] Thy father, Pompey, would ne'er have made this 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| treaty.- You and I have known, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. At sea, I think. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. We have, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. You have done well by water. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. And you by land. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. I Will praise any man that will praise me; though it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| cannot be denied what I have done by land. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. Nor what I have done by water. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. Yes, something you can deny for your own safety: you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| have been a great thief by sea. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. And you by land. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. There I deny my land service. But give me your hand, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Menas; if our eyes had authority, here they might take two 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| thieves kissing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. All men's faces are true, whatsome'er their hands are. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. But there is never a fair woman has a true face. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. No slander: they steal hearts. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. We came hither to fight with you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. For my part, I am sorry it is turn'd to a drinking. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| Pompey doth this day laugh away his fortune. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. If he do, sure he cannot weep't back again. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. Y'have said, sir. We look'd not for Mark Antony here. Pray 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| you, is he married to Cleopatra? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. Caesar' sister is call'd Octavia. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. True, sir; she was the wife of Caius Marcellus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. But she is now the wife of Marcus Antonius. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. Pray ye, sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. 'Tis true. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. Then is Caesar and he for ever knit together. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. If I were bound to divine of this unity, I would not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| prophesy so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. I think the policy of that purpose made more in the marriage 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| than the love of the parties. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. I think so too. But you shall find the band that seems 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| to tie their friendship together will be the very strangler of 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| their amity: Octavia is of a holy, cold, and still conversation. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. Who would not have his wife so? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. Not he that himself is not so; which is Mark Antony. He 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| will to his Egyptian dish again; then shall the sighs of Octavia 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| blow the fire up in Caesar, and, as I said before, that which is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| the strength of their amity shall prove the immediate author of 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| their variance. Antony will use his affection where it is; he 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| married but his occasion here. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. And thus it may be. Come, sir, will you aboard? I have a 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| health for you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| ENOBARBUS. I shall take it, sir. We have us'd our throats in Egypt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| MENAS. Come, let's away. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| SCENE VII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| On board POMPEY'S galley, off Misenum 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Music plays. Enter two or three SERVANTS with a banquet 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| FIRST SERVANT. Here they'll be, man. Some o' their plants are 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ill-rooted already; the least wind i' th' world will blow them 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| down. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| SECOND SERVANT. Lepidus is high-colour'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| FIRST SERVANT. They have made him drink alms-drink. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| SECOND SERVANT. As they pinch one another by the disposition, he 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| cries out 'No more!'; reconciles them to his entreaty and himself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| to th' drink. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| FIRST SERVANT. But it raises the greater war between him and his 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| discretion. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| SECOND SERVANT. Why, this it is to have a name in great men's 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| fellowship. I had as lief have a reed that will do me no service 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| as a partizan I could not heave. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| FIRST SERVANT. To be call'd into a huge sphere, and not to be seen 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| to move in't, are the holes where eyes should be, which pitifully 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| disaster the cheeks. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| A sennet sounded. Enter CAESAR, ANTONY, LEPIDUS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY, AGRIPPA, MAECENAS, ENOBARBUS, MENAS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| with other CAPTAINS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. [To CAESAR] Thus do they, sir: they take the flow o' th' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Nile 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| By certain scales i' th' pyramid; they know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| By th' height, the lowness, or the mean, if dearth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Or foison follow. The higher Nilus swells 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| The more it promises; as it ebbs, the seedsman 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Upon the slime and ooze scatters his grain, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And shortly comes to harvest. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. Y'have strange serpents there. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. Ay, Lepidus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. Your serpent of Egypt is bred now of your mud by the 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| operation of your sun; so is your crocodile. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. They are so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Sit- and some wine! A health to Lepidus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. I am not so well as I should be, but I'll ne'er out. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. Not till you have slept. I fear me you'll be in till 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| then. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. Nay, certainly, I have heard the Ptolemies' pyramises are 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| very goodly things. Without contradiction I have heard that. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. [Aside to POMPEY] Pompey, a word. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. [Aside to MENAS] Say in mine ear; what is't? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. [Aside to POMPEY] Forsake thy seat, I do beseech thee, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Captain, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And hear me speak a word. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. [ Whispers in's ear ] Forbear me till anon- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| This wine for Lepidus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. What manner o' thing is your crocodile? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. It is shap'd, sir, like itself, and it is as broad as it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| hath breadth; it is just so high as it is, and moves with it own 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| organs. It lives by that which nourisheth it, and the elements 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| once out of it, it transmigrates. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. What colour is it of? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. Of it own colour too. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| LEPIDUS. 'Tis a strange serpent. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. 'Tis so. And the tears of it are wet. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| CAESAR. Will this description satisfy him? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. With the health that Pompey gives him, else he is a very 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| epicure. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. [Aside to MENAS] Go, hang, sir, hang! Tell me of that! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Away! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Do as I bid you.- Where's this cup I call'd for? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. [Aside to POMPEY] If for the sake of merit thou wilt hear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Rise from thy stool. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. [Aside to MENAS] I think th'art mad. [Rises and walks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| aside] The matter? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. I have ever held my cap off to thy fortunes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Thou hast serv'd me with much faith. What's else to say?- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Be jolly, lords. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. These quicksands, Lepidus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Keep off them, for you sink. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. Wilt thou be lord of all the world? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. What say'st thou? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. Wilt thou be lord of the whole world? That's twice. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. How should that be? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. But entertain it, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And though you think me poor, I am the man 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Will give thee all the world. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Hast thou drunk well? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. No, Pompey, I have kept me from the cup. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Thou art, if thou dar'st be, the earthly Jove; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Whate'er the ocean pales or sky inclips 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Is thine, if thou wilt ha't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Show me which way. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. These three world-sharers, these competitors, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Are in thy vessel. Let me cut the cable; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And when we are put off, fall to their throats. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| All there is thine. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Ah, this thou shouldst have done, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And not have spoke on't. In me 'tis villainy: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| In thee't had been good service. Thou must know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 'Tis not my profit that does lead mine honour: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Mine honour, it. Repent that e'er thy tongue 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Hath so betray'd thine act. Being done unknown, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| I should have found it afterwards well done, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| But must condemn it now. Desist, and drink. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. [Aside] For this, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| I'll never follow thy pall'd fortunes more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Who seeks, and will not take when once 'tis offer'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Shall never find it more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. This health to Lepidus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. Bear him ashore. I'll pledge it for him, Pompey. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. Here's to thee, Menas! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. Enobarbus, welcome! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Fill till the cup be hid. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. There's a strong fellow, Menas. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| [Pointing to the servant who carries off LEPIDUS] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. Why? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. 'A bears the third part of the world, man; see'st not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. The third part, then, is drunk. Would it were all, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| That it might go on wheels! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. Drink thou; increase the reels. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. Come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. This is not yet an Alexandrian feast. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. It ripens towards it. Strike the vessels, ho! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Here's to Caesar! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| CAESAR. I could well forbear't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| It's monstrous labour when I wash my brain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And it grows fouler. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. Be a child o' th' time. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| CAESAR. Possess it, I'll make answer. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| But I had rather fast from all four days 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Than drink so much in one. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. [To ANTONY] Ha, my brave emperor! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Shall we dance now the Egyptian Bacchanals 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| And celebrate our drink? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. Let's ha't, good soldier. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. Come, let's all take hands, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Till that the conquering wine hath steep'd our sense 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| In soft and delicate Lethe. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. All take hands. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Make battery to our ears with the loud music, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| The while I'll place you; then the boy shall sing; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| The holding every man shall bear as loud 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| As his strong sides can volley. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| [Music plays. ENOBARBUS places them hand in hand] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| THE SONG 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Come, thou monarch of the vine, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Plumpy Bacchus with pink eyne! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| In thy fats our cares be drown'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| With thy grapes our hairs be crown'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Cup us till the world go round, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Cup us till the world go round! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| CAESAR. What would you more? Pompey, good night. Good brother, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Let me request you off; our graver business 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Frowns at this levity. Gentle lords, let's part; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| You see we have burnt our cheeks. Strong Enobarb 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Is weaker than the wine, and mine own tongue 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Splits what it speaks. The wild disguise hath almost 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Antick'd us all. What needs more words? Good night. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Good Antony, your hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. I'll try you on the shore. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ANTONY. And shall, sir. Give's your hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| POMPEY. O Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| You have my father's house- but what? We are friends. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Come, down into the boat. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. Take heed you fall not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Exeunt all but ENOBARBUS and MENAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Menas, I'll not on shore. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. No, to my cabin. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| These drums! these trumpets, flutes! what! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| Let Neptune hear we bid a loud farewell 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| To these great fellows. Sound and be hang'd, sound out! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| [Sound a flourish, with drums] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| ENOBARBUS. Hoo! says 'a. There's my cap. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| MENAS. Hoo! Noble Captain, come. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| ACT III. SCENE I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| A plain in Syria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Enter VENTIDIUS, as it were in triumph, with SILIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| and other Romans, OFFICERS and soldiers; the dead body 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| of PACORUS borne before him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| VENTIDIUS. Now, darting Parthia, art thou struck, and now 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Pleas'd fortune does of Marcus Crassus' death 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Make me revenger. Bear the King's son's body 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Before our army. Thy Pacorus, Orodes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Pays this for Marcus Crassus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| SILIUS. Noble Ventidius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Whilst yet with Parthian blood thy sword is warm 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| The fugitive Parthians follow; spur through Media, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Mesopotamia, and the shelters whither 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| The routed fly. So thy grand captain, Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Shall set thee on triumphant chariots and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Put garlands on thy head. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| VENTIDIUS. O Silius, Silius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| I have done enough. A lower place, note well, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| May make too great an act; for learn this, Silius: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Better to leave undone than by our deed 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Acquire too high a fame when him we serve's away. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Caesar and Antony have ever won 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| More in their officer, than person. Sossius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| One of my place in Syria, his lieutenant, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| For quick accumulation of renown, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Which he achiev'd by th' minute, lost his favour. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Who does i' th' wars more than his captain can 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Becomes his captain's captain; and ambition, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| The soldier's virtue, rather makes choice of loss 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Than gain which darkens him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| I could do more to do Antonius good, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| But 'twould offend him; and in his offence 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Should my performance perish. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| SILIUS. Thou hast, Ventidius, that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Without the which a soldier and his sword 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Grants scarce distinction. Thou wilt write to Antony? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| VENTIDIUS. I'll humbly signify what in his name, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| That magical word of war, we have effected; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| How, with his banners, and his well-paid ranks, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| The ne'er-yet-beaten horse of Parthia 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| We have jaded out o' th' field. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| SILIUS. Where is he now? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| VENTIDIUS. He purposeth to Athens; whither, with what haste 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| The weight we must convey with's will permit, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| We shall appear before him.- On, there; pass along. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| SCENE II. Rome. CAESAR'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Enter AGRIPPA at one door, ENOBARBUS at another 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. What, are the brothers parted? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. They have dispatch'd with Pompey; he is gone; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| The other three are sealing. Octavia weeps 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| To part from Rome; Caesar is sad; and Lepidus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Since Pompey's feast, as Menas says, is troubled 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| With the green sickness. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. 'Tis a noble Lepidus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. A very fine one. O, how he loves Caesar! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. Nay, but how dearly he adores Mark Antony! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. Caesar? Why he's the Jupiter of men. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. What's Antony? The god of Jupiter. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. Spake you of Caesar? How! the nonpareil! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. O, Antony! O thou Arabian bird! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. Would you praise Caesar, say 'Caesar'- go no further. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. Indeed, he plied them both with excellent praises. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. But he loves Caesar best. Yet he loves Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Hoo! hearts, tongues, figures, scribes, bards, poets, cannot 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Think, speak, cast, write, sing, number- hoo!- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| His love to Antony. But as for Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Kneel down, kneel down, and wonder. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. Both he loves. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. They are his shards, and he their beetle. [Trumpets 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| within] So- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| This is to horse. Adieu, noble Agrippa. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. Good fortune, worthy soldier, and farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Enter CAESAR, ANTONY, LEPIDUS, and OCTAVIA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. No further, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. You take from me a great part of myself; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Use me well in't. Sister, prove such a wife 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| As my thoughts make thee, and as my farthest band 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Shall pass on thy approof. Most noble Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Let not the piece of virtue which is set 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Betwixt us as the cement of our love 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| To keep it builded be the ram to batter 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| The fortress of it; for better might we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Have lov'd without this mean, if on both parts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| This be not cherish'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. Make me not offended 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| In your distrust. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. I have said. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. You shall not find, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Though you be therein curious, the least cause 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| For what you seem to fear. So the gods keep you, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| And make the hearts of Romans serve your ends! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| We will here part. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. Farewell, my dearest sister, fare thee well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| The elements be kind to thee and make 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Thy spirits all of comfort! Fare thee well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| OCTAVIA. My noble brother! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. The April's in her eyes. It is love's spring, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| And these the showers to bring it on. Be cheerful. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| OCTAVIA. Sir, look well to my husband's house; and- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. What, Octavia? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| OCTAVIA. I'll tell you in your ear. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. Her tongue will not obey her heart, nor can 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Her heart inform her tongue- the swan's down feather, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| That stands upon the swell at the full of tide, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| And neither way inclines. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. [Aside to AGRIPPA] Will Caesar weep? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. [Aside to ENOBARBUS] He has a cloud in's face. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. [Aside to AGRIPPA] He were the worse for that, were he a 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| horse; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| So is he, being a man. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| AGRIPPA. [Aside to ENOBARBUS] Why, Enobarbus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| When Antony found Julius Caesar dead, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| He cried almost to roaring; and he wept 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| When at Philippi he found Brutus slain. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ENOBARBUS. [Aside to AGRIPPA] That year, indeed, he was troubled 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| with a rheum; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| What willingly he did confound he wail'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Believe't- till I weep too. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. No, sweet Octavia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| You shall hear from me still; the time shall not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Out-go my thinking on you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. Come, sir, come; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| I'll wrestle with you in my strength of love. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| Look, here I have you; thus I let you go, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| And give you to the gods. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. Adieu; be happy! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| LEPIDUS. Let all the number of the stars give light 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| To thy fair way! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| CAESAR. Farewell, farewell! [Kisses OCTAVIA] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| ANTONY. Farewell! Trumpets sound. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| SCENE III. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Where is the fellow? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| ALEXAS. Half afeard to come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Go to, go to. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Enter the MESSENGER as before 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Come hither, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| ALEXAS. Good Majesty, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Herod of Jewry dare not look upon you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| But when you are well pleas'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. That Herod's head 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| I'll have. But how, when Antony is gone, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Through whom I might command it? Come thou near. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Most gracious Majesty! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Didst thou behold Octavia? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Ay, dread Queen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Where? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Madam, in Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| I look'd her in the face, and saw her led 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Between her brother and Mark Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Is she as tall as me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. She is not, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Didst hear her speak? Is she shrill-tongu'd or low? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Madam, I heard her speak: she is low-voic'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. That's not so good. He cannot like her long. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. Like her? O Isis! 'tis impossible. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. I think so, Charmian. Dull of tongue and dwarfish! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| What majesty is in her gait? Remember, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| If e'er thou look'dst on majesty. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. She creeps. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Her motion and her station are as one; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| She shows a body rather than a life, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| A statue than a breather. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Is this certain? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Or I have no observance. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. Three in Egypt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Cannot make better note. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. He's very knowing; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| I do perceive't. There's nothing in her yet. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| The fellow has good judgment. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. Excellent. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Guess at her years, I prithee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Madam, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| She was a widow. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Widow? Charmian, hark! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. And I do think she's thirty. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Bear'st thou her face in mind? Is't long or round? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Round even to faultiness. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. For the most part, too, they are foolish that are so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Her hair, what colour? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| MESSENGER. Brown, madam; and her forehead 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| As low as she would wish it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. There's gold for thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Thou must not take my former sharpness ill. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| I will employ thee back again; I find thee 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Most fit for business. Go make thee ready; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Our letters are prepar'd. Exeunt MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. A proper man. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. Indeed, he is so. I repent me much 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| That so I harried him. Why, methinks, by him, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| This creature's no such thing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. Nothing, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. The man hath seen some majesty, and should know. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. Hath he seen majesty? Isis else defend, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| And serving you so long! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CLEOPATRA. I have one thing more to ask him yet, good Charmian. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| But 'tis no matter; thou shalt bring him to me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| Where I will write. All may be well enough. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| CHARMIAN. I warrant you, madam. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| SCENE IV. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Athens. ANTONY'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Enter ANTONY and OCTAVIA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| ANTONY. Nay, nay, Octavia, not only that- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| That were excusable, that and thousands more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Of semblable import- but he hath wag'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| New wars 'gainst Pompey; made his will, and read it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| To public ear; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Spoke scandy of me; when perforce he could not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| But pay me terms of honour, cold and sickly 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| He vented them, most narrow measure lent me; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| When the best hint was given him, he not took't, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Or did it from his teeth. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| OCTAVIA. O my good lord, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Believe not all; or if you must believe, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Stomach not all. A more unhappy lady, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| If this division chance, ne'er stood between, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Praying for both parts. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| The good gods will mock me presently 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| When I shall pray 'O, bless my lord and husband!' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Undo that prayer by crying out as loud 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| 'O, bless my brother!' Husband win, win brother, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Prays, and destroys the prayer; no mid-way 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| 'Twixt these extremes at all. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| ANTONY. Gentle Octavia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Let your best love draw to that point which seeks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Best to preserve it. If I lose mine honour, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| I lose myself; better I were not yours 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Than yours so branchless. But, as you requested, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Yourself shall go between's. The meantime, lady, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| I'll raise the preparation of a war 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Shall stain your brother. Make your soonest haste; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| So your desires are yours. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| OCTAVIA. Thanks to my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| The Jove of power make me, most weak, most weak, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Your reconciler! Wars 'twixt you twain would be 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| As if the world should cleave, and that slain men 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Should solder up the rift. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| ANTONY. When it appears to you where this begins, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Turn your displeasure that way, for our faults 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Can never be so equal that your love 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Can equally move with them. Provide your going; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Choose your own company, and command what cost 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| Your heart has mind to. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| SCENE V. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| Athens. ANTONY'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| Enter ENOBARBUS and EROS, meeting 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| ENOBARBUS. How now, friend Eros! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| EROS. There's strange news come, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| ENOBARBUS. What, man? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| EROS. Caesar and Lepidus have made wars upon Pompey. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| ENOBARBUS. This is old. What is the success? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| EROS. Caesar, having made use of him in the wars 'gainst Pompey, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| presently denied him rivality, would not let him partake in the 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| glory of the action; and not resting here, accuses him of letters 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| he had formerly wrote to Pompey; upon his own appeal, seizes him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| So the poor third is up, till death enlarge his confine. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| ENOBARBUS. Then, world, thou hast a pair of chaps- no more; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| And throw between them all the food thou hast, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| They'll grind the one the other. Where's Antony? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| EROS. He's walking in the garden- thus, and spurns 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| The rush that lies before him; cries 'Fool Lepidus!' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| And threats the throat of that his officer 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| That murd'red Pompey. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| ENOBARBUS. Our great navy's rigg'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| EROS. For Italy and Caesar. More, Domitius: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| My lord desires you presently; my news 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| I might have told hereafter. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| ENOBARBUS. 'Twill be naught; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| But let it be. Bring me to Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| EROS. Come, sir. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| SCENE VI. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Rome. CAESAR'S house 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Enter CAESAR, AGRIPPA, and MAECENAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Contemning Rome, he has done all this and more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| In Alexandria. Here's the manner of't: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| I' th' market-place, on a tribunal silver'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Cleopatra and himself in chairs of gold 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Were publicly enthron'd; at the feet sat 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Caesarion, whom they call my father's son, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And all the unlawful issue that their lust 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Since then hath made between them. Unto her 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| He gave the stablishment of Egypt; made her 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Of lower Syria, Cyprus, Lydia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Absolute queen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| MAECENAS. This in the public eye? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. I' th' common show-place, where they exercise. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| His sons he there proclaim'd the kings of kings: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Great Media, Parthia, and Armenia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| He gave to Alexander; to Ptolemy he assign'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Syria, Cilicia, and Phoenicia. She 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| In th' habiliments of the goddess Isis 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| That day appear'd; and oft before gave audience, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| As 'tis reported, so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| MAECENAS. Let Rome be thus 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Inform'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| AGRIPPA. Who, queasy with his insolence 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Already, will their good thoughts call from him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. The people knows it, and have now receiv'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| His accusations. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| AGRIPPA. Who does he accuse? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Caesar; and that, having in Sicily 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Sextus Pompeius spoil'd, we had not rated him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| His part o' th' isle. Then does he say he lent me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Some shipping, unrestor'd. Lastly, he frets 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| That Lepidus of the triumvirate 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Should be depos'd; and, being, that we detain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| All his revenue. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| AGRIPPA. Sir, this should be answer'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. 'Tis done already, and messenger gone. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| I have told him Lepidus was grown too cruel, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| That he his high authority abus'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And did deserve his change. For what I have conquer'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| I grant him part; but then, in his Armenia 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And other of his conquer'd kingdoms, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Demand the like. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| MAECENAS. He'll never yield to that. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Nor must not then be yielded to in this. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Enter OCTAVIA, with her train 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. Hail, Caesar, and my lord! hail, most dear Caesar! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. That ever I should call thee cast-away! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. You have not call'd me so, nor have you cause. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Why have you stol'n upon us thus? You come not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Like Caesar's sister. The wife of Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Should have an army for an usher, and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| The neighs of horse to tell of her approach 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Long ere she did appear. The trees by th' way 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Should have borne men, and expectation fainted, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Longing for what it had not. Nay, the dust 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Should have ascended to the roof of heaven, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Rais'd by your populous troops. But you are come 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| A market-maid to Rome, and have prevented 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| The ostentation of our love, which left unshown 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Is often left unlov'd. We should have met you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| By sea and land, supplying every stage 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| With an augmented greeting. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. Good my lord, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| To come thus was I not constrain'd, but did it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| On my free will. My lord, Mark Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Hearing that you prepar'd for war, acquainted 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| My grieved ear withal; whereon I begg'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| His pardon for return. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Which soon he granted, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Being an obstruct 'tween his lust and him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. Do not say so, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. I have eyes upon him, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And his affairs come to me on the wind. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Where is he now? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. My lord, in Athens. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. No, my most wronged sister: Cleopatra 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Hath nodded him to her. He hath given his empire 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Up to a whore, who now are levying 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| The kings o' th' earth for war. He hath assembled 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Bocchus, the king of Libya; Archelaus 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Of Cappadocia; Philadelphos, king 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Of Paphlagonia; the Thracian king, Adallas; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| King Manchus of Arabia; King of Pont; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Herod of Jewry; Mithridates, king 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Of Comagene; Polemon and Amyntas, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| The kings of Mede and Lycaonia, with 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| More larger list of sceptres. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. Ay me most wretched, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| That have my heart parted betwixt two friends, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| That does afflict each other! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Welcome hither. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Your letters did withhold our breaking forth, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Till we perceiv'd both how you were wrong led 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And we in negligent danger. Cheer your heart; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Be you not troubled with the time, which drives 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| O'er your content these strong necessities, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| But let determin'd things to destiny 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Hold unbewail'd their way. Welcome to Rome; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Nothing more dear to me. You are abus'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Beyond the mark of thought, and the high gods, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| To do you justice, make their ministers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Of us and those that love you. Best of comfort, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And ever welcome to us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| AGRIPPA. Welcome, lady. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| MAECENAS. Welcome, dear madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Each heart in Rome does love and pity you; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Only th' adulterous Antony, most large 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| In his abominations, turns you off, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| And gives his potent regiment to a trull 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| That noises it against us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| OCTAVIA. Is it so, sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| CAESAR. Most certain. Sister, welcome. Pray you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| Be ever known to patience. My dear'st sister! Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| SCENE VII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY'S camp near Actium 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Enter CLEOPATRA and ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. I will be even with thee, doubt it not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. But why, why, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. Thou hast forspoke my being in these wars, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And say'st it is not fit. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. Well, is it, is it? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. Is't not denounc'd against us? Why should not we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Be there in person? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. [Aside] Well, I could reply: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| If we should serve with horse and mares together 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| The horse were merely lost; the mares would bear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| A soldier and his horse. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. What is't you say? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. Your presence needs must puzzle Antony; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Take from his heart, take from his brain, from's time, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| What should not then be spar'd. He is already 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Traduc'd for levity; and 'tis said in Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| That Photinus an eunuch and your maids 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Manage this war. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. Sink Rome, and their tongues rot 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| That speak against us! A charge we bear i' th' war, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And, as the president of my kingdom, will 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Appear there for a man. Speak not against it; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| I will not stay behind. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Enter ANTONY and CANIDIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. Nay, I have done. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Here comes the Emperor. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. Is it not strange, Canidius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| That from Tarentum and Brundusium 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| He could so quickly cut the Ionian sea, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And take in Toryne?- You have heard on't, sweet? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. Celerity is never more admir'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Than by the negligent. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. A good rebuke, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Which might have well becom'd the best of men 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| To taunt at slackness. Canidius, we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Will fight with him by sea. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. By sea! What else? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. Why will my lord do so? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. For that he dares us to't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. So hath my lord dar'd him to single fight. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. Ay, and to wage this battle at Pharsalia, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Where Caesar fought with Pompey. But these offers, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Which serve not for his vantage, he shakes off; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And so should you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. Your ships are not well mann'd; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Your mariners are muleteers, reapers, people 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Ingross'd by swift impress. In Caesar's fleet 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Are those that often have 'gainst Pompey fought; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Their ships are yare; yours heavy. No disgrace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Shall fall you for refusing him at sea, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Being prepar'd for land. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. By sea, by sea. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ENOBARBUS. Most worthy sir, you therein throw away 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| The absolute soldiership you have by land; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Distract your army, which doth most consist 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Of war-mark'd footmen; leave unexecuted 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Your own renowned knowledge; quite forgo 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| The way which promises assurance; and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Give up yourself merely to chance and hazard 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| From firm security. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. I'll fight at sea. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CLEOPATRA. I have sixty sails, Caesar none better. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. Our overplus of shipping will we burn, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And, with the rest full-mann'd, from th' head of Actium 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Beat th' approaching Caesar. But if we fail, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| We then can do't at land. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Enter a MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Thy business? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| MESSENGER. The news is true, my lord: he is descried; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Caesar has taken Toryne. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. Can he be there in person? 'Tis impossible- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Strange that his power should be. Canidius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Our nineteen legions thou shalt hold by land, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And our twelve thousand horse. We'll to our ship. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Away, my Thetis! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Enter a SOLDIER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| How now, worthy soldier? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| SOLDIER. O noble Emperor, do not fight by sea; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Trust not to rotten planks. Do you misdoubt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| This sword and these my wounds? Let th' Egyptians 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And the Phoenicians go a-ducking; we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Have us'd to conquer standing on the earth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And fighting foot to foot. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| ANTONY. Well, well- away. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Exeunt ANTONY, CLEOPATRA, and ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| SOLDIER. By Hercules, I think I am i' th' right. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. Soldier, thou art; but his whole action grows 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Not in the power on't. So our leader's led, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| And we are women's men. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| SOLDIER. You keep by land 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| The legions and the horse whole, do you not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. Marcus Octavius, Marcus Justeius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Publicola, and Caelius are for sea; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| But we keep whole by land. This speed of Caesar's 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Carries beyond belief. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| SOLDIER. While he was yet in Rome, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| His power went out in such distractions as 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Beguil'd all spies. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. Who's his lieutenant, hear you? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| SOLDIER. They say one Taurus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. Well I know the man. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Enter a MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| MESSENGER. The Emperor calls Canidius. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| CANIDIUS. With news the time's with labour and throes forth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| Each minute some. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| SCENE VIII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| A plain near Actium 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| Enter CAESAR, with his army, marching 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| CAESAR. Taurus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| TAURUS. My lord? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| CAESAR. Strike not by land; keep whole; provoke not battle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| Till we have done at sea. Do not exceed 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| The prescript of this scroll. Our fortune lies 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| Upon this jump. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| SCENE IX. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| Another part of the plain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| Enter ANTONY and ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| ANTONY. Set we our squadrons on yon side o' th' hill, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| In eye of Caesar's battle; from which place 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| We may the number of the ships behold, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| And so proceed accordingly. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| SCENE X. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Another part of the plain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| CANIDIUS marcheth with his land army one way 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| over the stage, and TAURUS, the Lieutenant of 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| CAESAR, the other way. After their going in is heard 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| the noise of a sea-fight 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Alarum. Enter ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. Naught, naught, all naught! I can behold no longer. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Th' Antoniad, the Egyptian admiral, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| With all their sixty, fly and turn the rudder. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| To see't mine eyes are blasted. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Enter SCARUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| SCARUS. Gods and goddesses, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| All the whole synod of them! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. What's thy passion? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| SCARUS. The greater cantle of the world is lost 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| With very ignorance; we have kiss'd away 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Kingdoms and provinces. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. How appears the fight? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| SCARUS. On our side like the token'd pestilence, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Where death is sure. Yon ribaudred nag of Egypt- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Whom leprosy o'ertake!- i' th' midst o' th' fight, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| When vantage like a pair of twins appear'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Both as the same, or rather ours the elder- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| The breese upon her, like a cow in June- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Hoists sails and flies. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. That I beheld; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Mine eyes did sicken at the sight and could not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Endure a further view. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| SCARUS. She once being loof'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| The noble ruin of her magic, Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Claps on his sea-wing, and, like a doting mallard, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Leaving the fight in height, flies after her. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| I never saw an action of such shame; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Experience, manhood, honour, ne'er before 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Did violate so itself. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. Alack, alack! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Enter CANIDIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| CANIDIUS. Our fortune on the sea is out of breath, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| And sinks most lamentably. Had our general 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Been what he knew himself, it had gone well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| O, he has given example for our flight 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Most grossly by his own! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. Ay, are you thereabouts? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Why then, good night indeed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| CANIDIUS. Toward Peloponnesus are they fled. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| SCARUS. 'Tis easy to't; and there I will attend 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| What further comes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| CANIDIUS. To Caesar will I render 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| My legions and my horse; six kings already 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Show me the way of yielding. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| ENOBARBUS. I'll yet follow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| The wounded chance of Antony, though my reason 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| Sits in the wind against me. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| SCENE XI. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Enter ANTONY With attendants 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. Hark! the land bids me tread no more upon't; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| It is asham'd to bear me. Friends, come hither. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| I am so lated in the world that I 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Have lost my way for ever. I have a ship 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Laden with gold; take that; divide it. Fly, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| And make your peace with Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ALL. Fly? Not we! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. I have fled myself, and have instructed cowards 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| To run and show their shoulders. Friends, be gone; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| I have myself resolv'd upon a course 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Which has no need of you; be gone. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| My treasure's in the harbour, take it. O, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| I follow'd that I blush to look upon. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| My very hairs do mutiny; for the white 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Reprove the brown for rashness, and they them 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| For fear and doting. Friends, be gone; you shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Have letters from me to some friends that will 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Sweep your way for you. Pray you look not sad, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Nor make replies of loathness; take the hint 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Which my despair proclaims. Let that be left 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Which leaves itself. To the sea-side straight way. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| I will possess you of that ship and treasure. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Leave me, I pray, a little; pray you now; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Nay, do so, for indeed I have lost command; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Therefore I pray you. I'll see you by and by. [Sits down] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Enter CLEOPATRA, led by CHARMIAN and IRAS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS following 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. Nay, gentle madam, to him! Comfort him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| IRAS. Do, most dear Queen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CHARMIAN. Do? Why, what else? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CLEOPATRA. Let me sit down. O Juno! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. No, no, no, no, no. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. See you here, sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. O, fie, fie, fie! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CHARMIAN. Madam! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| IRAS. Madam, O good Empress! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. Sir, sir! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. Yes, my lord, yes. He at Philippi kept 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| His sword e'en like a dancer, while I struck 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| The lean and wrinkled Cassius; and 'twas I 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| That the mad Brutus ended; he alone 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Dealt on lieutenantry, and no practice had 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| In the brave squares of war. Yet now- no matter. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CLEOPATRA. Ah, stand by! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. The Queen, my lord, the Queen! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| IRAS. Go to him, madam, speak to him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| He is unqualitied with very shame. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CLEOPATRA. Well then, sustain me. O! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. Most noble sir, arise; the Queen approaches. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Her head's declin'd, and death will seize her but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Your comfort makes the rescue. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. I have offended reputation- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| A most unnoble swerving. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. Sir, the Queen. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. O, whither hast thou led me, Egypt? See 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| How I convey my shame out of thine eyes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| By looking back what I have left behind 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 'Stroy'd in dishonour. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CLEOPATRA. O my lord, my lord, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Forgive my fearful sails! I little thought 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| You would have followed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. Egypt, thou knew'st too well 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| My heart was to thy rudder tied by th' strings, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| And thou shouldst tow me after. O'er my spirit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Thy full supremacy thou knew'st, and that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Thy beck might from the bidding of the gods 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Command me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CLEOPATRA. O, my pardon! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. Now I must 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| To the young man send humble treaties, dodge 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| And palter in the shifts of lowness, who 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| With half the bulk o' th' world play'd as I pleas'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Making and marring fortunes. You did know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| How much you were my conqueror, and that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| My sword, made weak by my affection, would 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Obey it on all cause. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| CLEOPATRA. Pardon, pardon! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| ANTONY. Fall not a tear, I say; one of them rates 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| All that is won and lost. Give me a kiss; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Even this repays me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| We sent our schoolmaster; is 'a come back? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Love, I am full of lead. Some wine, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| Within there, and our viands! Fortune knows 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| We scorn her most when most she offers blows. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| SCENE XII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR'S camp in Egypt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Enter CAESAR, AGRIPPA, DOLABELLA, THYREUS, with others 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR. Let him appear that's come from Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Know you him? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| DOLABELLA. Caesar, 'tis his schoolmaster: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| An argument that he is pluck'd, when hither 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| He sends so poor a pinion of his wing, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Which had superfluous kings for messengers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Not many moons gone by. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Enter EUPHRONIUS, Ambassador from ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR. Approach, and speak. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| EUPHRONIUS. Such as I am, I come from Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| I was of late as petty to his ends 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| As is the morn-dew on the myrtle leaf 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| To his grand sea. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR. Be't so. Declare thine office. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| EUPHRONIUS. Lord of his fortunes he salutes thee, and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Requires to live in Egypt; which not granted, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| He lessens his requests and to thee sues 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| To let him breathe between the heavens and earth, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| A private man in Athens. This for him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Next, Cleopatra does confess thy greatness, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Submits her to thy might, and of thee craves 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| The circle of the Ptolemies for her heirs, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Now hazarded to thy grace. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR. For Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| I have no ears to his request. The Queen 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Of audience nor desire shall fail, so she 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| From Egypt drive her all-disgraced friend, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Or take his life there. This if she perform, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| She shall not sue unheard. So to them both. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| EUPHRONIUS. Fortune pursue thee! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR. Bring him through the bands. Exit EUPHRONIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| [To THYREUS] To try thy eloquence, now 'tis time. Dispatch; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| From Antony win Cleopatra. Promise, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| And in our name, what she requires; add more, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| From thine invention, offers. Women are not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| In their best fortunes strong; but want will perjure 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| The ne'er-touch'd vestal. Try thy cunning, Thyreus; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Make thine own edict for thy pains, which we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| Will answer as a law. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| THYREUS. Caesar, I go. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| CAESAR. Observe how Antony becomes his flaw, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| And what thou think'st his very action speaks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| In every power that moves. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| THYREUS. Caesar, I shall. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| SCENE XIII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Alexandria. CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. What shall we do, Enobarbus? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. Think, and die. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Is Antony or we in fault for this? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. Antony only, that would make his will 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Lord of his reason. What though you fled 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| From that great face of war, whose several ranges 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Frighted each other? Why should he follow? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The itch of his affection should not then 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Have nick'd his captainship, at such a point, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| When half to half the world oppos'd, he being 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The mered question. 'Twas a shame no less 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Than was his loss, to course your flying flags 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And leave his navy gazing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Prithee, peace. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Enter EUPHRONIUS, the Ambassador; with ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Is that his answer? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| EUPHRONIUS. Ay, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. The Queen shall then have courtesy, so she 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Will yield us up. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| EUPHRONIUS. He says so. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Let her know't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To the boy Caesar send this grizzled head, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And he will fill thy wishes to the brim 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| With principalities. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. That head, my lord? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. To him again. Tell him he wears the rose 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Of youth upon him; from which the world should note 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Something particular. His coin, ships, legions, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| May be a coward's whose ministers would prevail 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Under the service of a child as soon 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| As i' th' command of Caesar. I dare him therefore 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To lay his gay comparisons apart, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And answer me declin'd, sword against sword, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Ourselves alone. I'll write it. Follow me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Exeunt ANTONY and EUPHRONIUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| EUPHRONIUS. [Aside] Yes, like enough high-battled Caesar will 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Unstate his happiness, and be stag'd to th' show 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Against a sworder! I see men's judgments are 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| A parcel of their fortunes, and things outward 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Do draw the inward quality after them, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To suffer all alike. That he should dream, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Knowing all measures, the full Caesar will 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Answer his emptiness! Caesar, thou hast subdu'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| His judgment too. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Enter a SERVANT 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| SERVANT. A messenger from Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. What, no more ceremony? See, my women! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Against the blown rose may they stop their nose 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| That kneel'd unto the buds. Admit him, sir. Exit SERVANT 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. [Aside] Mine honesty and I begin to square. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The loyalty well held to fools does make 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Our faith mere folly. Yet he that can endure 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To follow with allegiance a fall'n lord 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Does conquer him that did his master conquer, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And earns a place i' th' story. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Enter THYREUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Caesar's will? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. Hear it apart. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. None but friends: say boldly. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. So, haply, are they friends to Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. He needs as many, sir, as Caesar has, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Or needs not us. If Caesar please, our master 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Will leap to be his friend. For us, you know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Whose he is we are, and that is Caesar's. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. So. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Thus then, thou most renown'd: Caesar entreats 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Not to consider in what case thou stand'st 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Further than he is Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Go on. Right royal! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. He knows that you embrace not Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| As you did love, but as you fear'd him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. O! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. The scars upon your honour, therefore, he 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Does pity, as constrained blemishes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Not as deserv'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. He is a god, and knows 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| What is most right. Mine honour was not yielded, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| But conquer'd merely. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. [Aside] To be sure of that, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| I will ask Antony. Sir, sir, thou art so leaky 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| That we must leave thee to thy sinking, for 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Thy dearest quit thee. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. Shall I say to Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| What you require of him? For he partly begs 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To be desir'd to give. It much would please him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| That of his fortunes you should make a staff 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To lean upon. But it would warm his spirits 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To hear from me you had left Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And put yourself under his shroud, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The universal landlord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. What's your name? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. My name is Thyreus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Most kind messenger, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Say to great Caesar this: in deputation 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| I kiss his conquring hand. Tell him I am prompt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To lay my crown at 's feet, and there to kneel. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Tell him from his all-obeying breath I hear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The doom of Egypt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. 'Tis your noblest course. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Wisdom and fortune combating together, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| If that the former dare but what it can, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| No chance may shake it. Give me grace to lay 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| My duty on your hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Your Caesar's father oft, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| When he hath mus'd of taking kingdoms in, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Bestow'd his lips on that unworthy place, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| As it rain'd kisses. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Re-enter ANTONY and ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Favours, by Jove that thunders! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| What art thou, fellow? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYREUS. One that but performs 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The bidding of the fullest man, and worthiest 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To have command obey'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. [Aside] You will be whipt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Approach there.- Ah, you kite!- Now, gods and devils! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Authority melts from me. Of late, when I cried 'Ho!' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Like boys unto a muss, kings would start forth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And cry 'Your will?' Have you no ears? I am 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Antony yet. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Enter servants 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Take hence this Jack and whip him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. 'Tis better playing with a lion's whelp 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Than with an old one dying. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Moon and stars! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Whip him. Were't twenty of the greatest tributaries 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| That do acknowledge Caesar, should I find them 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| So saucy with the hand of she here- what's her name 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Since she was Cleopatra? Whip him, fellows, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Till like a boy you see him cringe his face, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And whine aloud for mercy. Take him hence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| THYMUS. Mark Antony- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Tug him away. Being whipt, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Bring him again: the Jack of Caesar's shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Bear us an errand to him. Exeunt servants with THYREUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| You were half blasted ere I knew you. Ha! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Have I my pillow left unpress'd in Rome, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Forborne the getting of a lawful race, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And by a gem of women, to be abus'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| By one that looks on feeders? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Good my lord- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. You have been a boggler ever. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| But when we in our viciousness grow hard- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| O misery on't!- the wise gods seel our eyes, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| In our own filth drop our clear judgments, make us 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Adore our errors, laugh at's while we strut 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To our confusion. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. O, is't come to this? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. I found you as a morsel cold upon 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Dead Caesar's trencher. Nay, you were a fragment 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Of Cneius Pompey's, besides what hotter hours, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Unregist'red in vulgar fame, you have 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Luxuriously pick'd out; for I am sure, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Though you can guess what temperance should be, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| You know not what it is. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Wherefore is this? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. To let a fellow that will take rewards, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And say 'God quit you!' be familiar with 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| My playfellow, your hand, this kingly seal 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And plighter of high hearts! O that I were 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Upon the hill of Basan to outroar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The horned herd! For I have savage cause, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And to proclaim it civilly were like 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| A halter'd neck which does the hangman thank 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| For being yare about him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Re-enter a SERVANT with THYREUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Is he whipt? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| SERVANT. Soundly, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Cried he? and begg'd 'a pardon? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| SERVANT. He did ask favour. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. If that thy father live, let him repent 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Thou wast not made his daughter; and be thou sorry 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To follow Caesar in his triumph, since 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Thou hast been whipt for following him. Henceforth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The white hand of a lady fever thee! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Shake thou to look on't. Get thee back to Caesar; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Tell him thy entertainment; look thou say 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| He makes me angry with him; for he seems 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Proud and disdainful, harping on what I am, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Not what he knew I was. He makes me angry; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And at this time most easy 'tis to do't, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| When my good stars, that were my former guides, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Have empty left their orbs and shot their fires 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Into th' abysm of hell. If he mislike 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| My speech and what is done, tell him he has 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Hipparchus, my enfranched bondman, whom 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| He may at pleasure whip or hang or torture, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| As he shall like, to quit me. Urge it thou. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Hence with thy stripes, be gone. Exit THYREUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Have you done yet? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Alack, our terrene moon 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Is now eclips'd, and it portends alone 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The fall of Antony. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. I must stay his time. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. To flatter Caesar, would you mingle eyes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| With one that ties his points? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Not know me yet? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Cold-hearted toward me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Ah, dear, if I be so, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| From my cold heart let heaven engender hail, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And poison it in the source, and the first stone 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Drop in my neck; as it determines, so 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Dissolve my life! The next Caesarion smite! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Till by degrees the memory of my womb, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Together with my brave Egyptians all, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| By the discandying of this pelleted storm, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Lie graveless, till the flies and gnats of Nile 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Have buried them for prey. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. I am satisfied. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Caesar sits down in Alexandria, where 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| I will oppose his fate. Our force by land 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Hath nobly held; our sever'd navy to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Have knit again, and fleet, threat'ning most sea-like. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Where hast thou been, my heart? Dost thou hear, lady? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| If from the field I shall return once more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| To kiss these lips, I will appear in blood. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| I and my sword will earn our chronicle. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| There's hope in't yet. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. That's my brave lord! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. I will be treble-sinew'd, hearted, breath'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And fight maliciously. For when mine hours 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Were nice and lucky, men did ransom lives 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Of me for jests; but now I'll set my teeth, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| And send to darkness all that stop me. Come, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Let's have one other gaudy night. Call to me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| All my sad captains; fill our bowls once more; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Let's mock the midnight bell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. It is my birthday. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| I had thought t'have held it poor; but since my lord 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Is Antony again, I will be Cleopatra. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. We will yet do well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| CLEOPATRA. Call all his noble captains to my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ANTONY. Do so, we'll speak to them; and to-night I'll force 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The wine peep through their scars. Come on, my queen, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| There's sap in't yet. The next time I do fight 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| I'll make death love me; for I will contend 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Even with his pestilent scythe. Exeunt all but ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| ENOBARBUS. Now he'll outstare the lightning. To be furious 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Is to be frighted out of fear, and in that mood 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| The dove will peck the estridge; and I see still 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| A diminution in our captain's brain 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Restores his heart. When valour preys on reason, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| It eats the sword it fights with. I will seek 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| Some way to leave him. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| ACT IV. SCENE I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| CAESAR'S camp before Alexandria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Enter CAESAR, AGRIPPA, and MAECENAS, with his army; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| CAESAR reading a letter 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| CAESAR. He calls me boy, and chides as he had power 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| To beat me out of Egypt. My messenger 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| He hath whipt with rods; dares me to personal combat, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Caesar to Antony. Let the old ruffian know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| I have many other ways to die, meantime 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Laugh at his challenge. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| MAECENAS. Caesar must think 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| When one so great begins to rage, he's hunted 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Even to falling. Give him no breath, but now 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Make boot of his distraction. Never anger 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Made good guard for itself. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| CAESAR. Let our best heads 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Know that to-morrow the last of many battles 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| We mean to fight. Within our files there are 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Of those that serv'd Mark Antony but late 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| Enough to fetch him in. See it done; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| And feast the army; we have store to do't, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| And they have earn'd the waste. Poor Antony! Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| SCENE II. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Alexandria. CLEOPATRA's palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Enter ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ALEXAS, with others 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. He will not fight with me, Domitius? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ENOBARBUS. No. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. Why should he not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ENOBARBUS. He thinks, being twenty times of better fortune, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| He is twenty men to one. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. To-morrow, soldier, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| By sea and land I'll fight. Or I will live, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Or bathe my dying honour in the blood 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Shall make it live again. Woo't thou fight well? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ENOBARBUS. I'll strike, and cry 'Take all.' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. Well said; come on. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Call forth my household servants; let's to-night 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Be bounteous at our meal. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Enter three or four servitors 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Give me thy hand, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Thou has been rightly honest. So hast thou; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Thou, and thou, and thou. You have serv'd me well, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| And kings have been your fellows. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| CLEOPATRA. [Aside to ENOBARBUS] What means this? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ENOBARBUS. [Aside to CLEOPATRA] 'Tis one of those odd tricks which 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| sorrow shoots 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Out of the mind. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. And thou art honest too. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| I wish I could be made so many men, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| And all of you clapp'd up together in 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| An Antony, that I might do you service 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| So good as you have done. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| SERVANT. The gods forbid! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. Well, my good fellows, wait on me to-night. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Scant not my cups, and make as much of me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| As when mine empire was your fellow too, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| And suffer'd my command. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| CLEOPATRA. [Aside to ENOBARBUS] What does he mean? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ENOBARBUS. [Aside to CLEOPATRA] To make his followers weep. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. Tend me to-night; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| May be it is the period of your duty. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Haply you shall not see me more; or if, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| A mangled shadow. Perchance to-morrow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| You'll serve another master. I look on you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| As one that takes his leave. Mine honest friends, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| I turn you not away; but, like a master 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Married to your good service, stay till death. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Tend me to-night two hours, I ask no more, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| And the gods yield you for't! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ENOBARBUS. What mean you, sir, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| To give them this discomfort? Look, they weep; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| And I, an ass, am onion-ey'd. For shame! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Transform us not to women. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| ANTONY. Ho, ho, ho! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Now the witch take me if I meant it thus! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Grace grow where those drops fall! My hearty friends, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| You take me in too dolorous a sense; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| For I spake to you for your comfort, did desire you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| To burn this night with torches. Know, my hearts, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| I hope well of to-morrow, and will lead you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Where rather I'll expect victorious life 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| Than death and honour. Let's to supper, come, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| And drown consideration. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SCENE III. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Alexandria. Before CLEOPATRA's palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Enter a company of soldiers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FIRST SOLDIER. Brother, good night. To-morrow is the day. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. It will determine one way. Fare you well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Heard you of nothing strange about the streets? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FIRST SOLDIER. Nothing. What news? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. Belike 'tis but a rumour. Good night to you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FIRST SOLDIER. Well, sir, good night. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| [They meet other soldiers] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. Soldiers, have careful watch. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FIRST SOLDIER. And you. Good night, good night. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| [The two companies separate and place themselves 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| in every corner of the stage] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. Here we. And if to-morrow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Our navy thrive, I have an absolute hope 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Our landmen will stand up. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. 'Tis a brave army, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| And full of purpose. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| [Music of the hautboys is under the stage] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. Peace, what noise? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. List, list! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. Hark! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. Music i' th' air. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FOURTH SOLDIER. Under the earth. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. It signs well, does it not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FOURTH SOLDIER. No. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. Peace, I say! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| What should this mean? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. 'Tis the god Hercules, whom Antony lov'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Now leaves him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. Walk; let's see if other watchmen 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Do hear what we do. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SECOND SOLDIER. How now, masters! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SOLDIERS. [Speaking together] How now! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| How now! Do you hear this? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FIRST SOLDIER. Ay; is't not strange? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| THIRD SOLDIER. Do you hear, masters? Do you hear? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| FIRST SOLDIER. Follow the noise so far as we have quarter; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| Let's see how it will give off. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| SOLDIERS. Content. 'Tis strange. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| SCENE IV. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Alexandria. CLEOPATRA's palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Enter ANTONY and CLEOPATRA, CHARMIAN, IRAS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| with others 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ANTONY. Eros! mine armour, Eros! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CLEOPATRA. Sleep a little. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ANTONY. No, my chuck. Eros! Come, mine armour, Eros! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Enter EROS with armour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Come, good fellow, put mine iron on. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| If fortune be not ours to-day, it is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Because we brave her. Come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CLEOPATRA. Nay, I'll help too. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| What's this for? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ANTONY. Ah, let be, let be! Thou art 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| The armourer of my heart. False, false; this, this. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CLEOPATRA. Sooth, la, I'll help. Thus it must be. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ANTONY. Well, well; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| We shall thrive now. Seest thou, my good fellow? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Go put on thy defences. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| EROS. Briefly, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CLEOPATRA. Is not this buckled well? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ANTONY. Rarely, rarely! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| He that unbuckles this, till we do please 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| To daff't for our repose, shall hear a storm. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Thou fumblest, Eros, and my queen's a squire 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| More tight at this than thou. Dispatch. O love, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| That thou couldst see my wars to-day, and knew'st 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| The royal occupation! Thou shouldst see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| A workman in't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Enter an armed SOLDIER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Good-morrow to thee. Welcome. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Thou look'st like him that knows a warlike charge. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| To business that we love we rise betime, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| And go to't with delight. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| SOLDIER. A thousand, sir, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Early though't be, have on their riveted trim, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| And at the port expect you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| [Shout. Flourish of trumpets within] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Enter CAPTAINS and soldiers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CAPTAIN. The morn is fair. Good morrow, General. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ALL. Good morrow, General. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| ANTONY. 'Tis well blown, lads. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| This morning, like the spirit of a youth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| That means to be of note, begins betimes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| So, so. Come, give me that. This way. Well said. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Fare thee well, dame, whate'er becomes of me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| This is a soldier's kiss. Rebukeable, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| And worthy shameful check it were, to stand 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| On more mechanic compliment; I'll leave thee 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Now like a man of steel. You that will fight, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Follow me close; I'll bring you to't. Adieu. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Exeunt ANTONY, EROS, CAPTAINS and soldiers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CHARMIAN. Please you retire to your chamber? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| CLEOPATRA. Lead me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| He goes forth gallantly. That he and Caesar might 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Determine this great war in single fight! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| Then, Antony- but now. Well, on. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| SCENE V. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Alexandria. ANTONY'S camp 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Trumpets sound. Enter ANTONY and EROS, a SOLDIER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| meeting them 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| SOLDIER. The gods make this a happy day to Antony! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| ANTONY. Would thou and those thy scars had once prevail'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| To make me fight at land! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| SOLDIER. Hadst thou done so, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| The kings that have revolted, and the soldier 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| That has this morning left thee, would have still 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Followed thy heels. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| ANTONY. Who's gone this morning? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| SOLDIER. Who? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| One ever near thee. Call for Enobarbus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| He shall not hear thee; or from Caesar's camp 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Say 'I am none of thine.' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| ANTONY. What say'st thou? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| SOLDIER. Sir, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| He is with Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| EROS. Sir, his chests and treasure 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| He has not with him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| ANTONY. Is he gone? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| SOLDIER. Most certain. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| ANTONY. Go, Eros, send his treasure after; do it; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Detain no jot, I charge thee. Write to him- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| I will subscribe- gentle adieus and greetings; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Say that I wish he never find more cause 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| To change a master. O, my fortunes have 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| Corrupted honest men! Dispatch. Enobarbus! Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| SCENE VI. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Alexandria. CAESAR'S camp 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Flourish. Enter AGRIPPA, CAESAR, With DOLABELLA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| and ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| CAESAR. Go forth, Agrippa, and begin the fight. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Our will is Antony be took alive; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Make it so known. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| AGRIPPA. Caesar, I shall. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| CAESAR. The time of universal peace is near. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Prove this a prosp'rous day, the three-nook'd world 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Shall bear the olive freely. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Enter A MESSENGER 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| MESSENGER. Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Is come into the field. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| CAESAR. Go charge Agrippa 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Plant those that have revolted in the vant, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| That Antony may seem to spend his fury 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Upon himself. Exeunt all but ENOBARBUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| ENOBARBUS. Alexas did revolt and went to Jewry on 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Affairs of Antony; there did dissuade 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Great Herod to incline himself to Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| And leave his master Antony. For this pains 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Casaer hath hang'd him. Canidius and the rest 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| That fell away have entertainment, but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| No honourable trust. I have done ill, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Of which I do accuse myself so sorely 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| That I will joy no more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Enter a SOLDIER of CAESAR'S 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| SOLDIER. Enobarbus, Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Hath after thee sent all thy treasure, with 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| His bounty overplus. The messenger 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Came on my guard, and at thy tent is now 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Unloading of his mules. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| ENOBARBUS. I give it you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| SOLDIER. Mock not, Enobarbus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| I tell you true. Best you saf'd the bringer 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Out of the host. I must attend mine office, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Or would have done't myself. Your emperor 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Continues still a Jove. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| ENOBARBUS. I am alone the villain of the earth, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| And feel I am so most. O Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Thou mine of bounty, how wouldst thou have paid 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| My better service, when my turpitude 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Thou dost so crown with gold! This blows my heart. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| If swift thought break it not, a swifter mean 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Shall outstrike thought; but thought will do't, I feel. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| I fight against thee? No! I will go seek 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| Some ditch wherein to die; the foul'st best fits 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| My latter part of life. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| SCENE VII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Field of battle between the camps 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Alarum. Drums and trumpets. Enter AGRIPPA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| and others 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| AGRIPPA. Retire. We have engag'd ourselves too far. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Caesar himself has work, and our oppression 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Exceeds what we expected. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Alarums. Enter ANTONY, and SCARUS wounded 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| SCARUS. O my brave Emperor, this is fought indeed! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Had we done so at first, we had droven them home 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| With clouts about their heads. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| ANTONY. Thou bleed'st apace. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| SCARUS. I had a wound here that was like a T, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| But now 'tis made an H. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| ANTONY. They do retire. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| SCARUS. We'll beat'em into bench-holes. I have yet 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Room for six scotches more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Enter EROS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| EROS. They are beaten, sir, and our advantage serves 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| For a fair victory. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| SCARUS. Let us score their backs 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| And snatch 'em up, as we take hares, behind. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 'Tis sport to maul a runner. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| ANTONY. I will reward thee 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| Once for thy sprightly comfort, and tenfold 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| For thy good valour. Come thee on. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| SCARUS. I'll halt after. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| SCENE VIII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Under the walls of Alexandria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Alarum. Enter ANTONY, again in a march; SCARUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| with others 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| ANTONY. We have beat him to his camp. Run one before 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| And let the Queen know of our gests. To-morrow, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Before the sun shall see's, we'll spill the blood 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| That has to-day escap'd. I thank you all; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| For doughty-handed are you, and have fought 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Not as you serv'd the cause, but as't had been 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Each man's like mine; you have shown all Hectors. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Enter the city, clip your wives, your friends, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Tell them your feats; whilst they with joyful tears 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Wash the congealment from your wounds and kiss 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| The honour'd gashes whole. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Enter CLEOPATRA, attended 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| [To SCARUS] Give me thy hand- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| To this great fairy I'll commend thy acts, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Make her thanks bless thee. O thou day o' th' world, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Chain mine arm'd neck. Leap thou, attire and all, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Through proof of harness to my heart, and there 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Ride on the pants triumphing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| CLEOPATRA. Lord of lords! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| O infinite virtue, com'st thou smiling from 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| The world's great snare uncaught? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| ANTONY. Mine nightingale, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| We have beat them to their beds. What, girl! though grey 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Do something mingle with our younger brown, yet ha' we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| A brain that nourishes our nerves, and can 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Get goal for goal of youth. Behold this man; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Commend unto his lips thy favouring hand- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Kiss it, my warrior- he hath fought to-day 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| As if a god in hate of mankind had 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Destroyed in such a shape. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| CLEOPATRA. I'll give thee, friend, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| An armour all of gold; it was a king's. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| ANTONY. He has deserv'd it, were it carbuncled 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Like holy Phoebus' car. Give me thy hand. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Through Alexandria make a jolly march; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Bear our hack'd targets like the men that owe them. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Had our great palace the capacity 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| To camp this host, we all would sup together, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| And drink carouses to the next day's fate, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Which promises royal peril. Trumpeters, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| With brazen din blast you the city's ear; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Make mingle with our rattling tabourines, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| That heaven and earth may strike their sounds together 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| Applauding our approach. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| SCENE IX. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| CAESAR'S camp 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Enter a CENTURION and his company; ENOBARBUS follows 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| CENTURION. If we be not reliev'd within this hour, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| We must return to th' court of guard. The night 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Is shiny, and they say we shall embattle 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| By th' second hour i' th' morn. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| FIRST WATCH. This last day was 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| A shrewd one to's. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| ENOBARBUS. O, bear me witness, night- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| SECOND WATCH. What man is this? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| FIRST WATCH. Stand close and list him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| ENOBARBUS. Be witness to me, O thou blessed moon, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| When men revolted shall upon record 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Bear hateful memory, poor Enobarbus did 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Before thy face repent! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| CENTURION. Enobarbus? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| SECOND WATCH. Peace! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Hark further. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| ENOBARBUS. O sovereign mistress of true melancholy, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| The poisonous damp of night disponge upon me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| That life, a very rebel to my will, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| May hang no longer on me. Throw my heart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Against the flint and hardness of my fault, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Which, being dried with grief, will break to powder, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| And finish all foul thoughts. O Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Nobler than my revolt is infamous, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Forgive me in thine own particular, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| But let the world rank me in register 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| A master-leaver and a fugitive! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| O Antony! O Antony! [Dies] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| FIRST WATCH. Let's speak to him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| CENTURION. Let's hear him, for the things he speaks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| May concern Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| SECOND WATCH. Let's do so. But he sleeps. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| CENTURION. Swoons rather; for so bad a prayer as his 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Was never yet for sleep. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| FIRST WATCH. Go we to him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| SECOND WATCH. Awake, sir, awake; speak to us. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| FIRST WATCH. Hear you, sir? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| CENTURION. The hand of death hath raught him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| [Drums afar off ] Hark! the drums 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Demurely wake the sleepers. Let us bear him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| To th' court of guard; he is of note. Our hour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| Is fully out. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| SECOND WATCH. Come on, then; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| He may recover yet. Exeunt with the body 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| SCENE X. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| Between the two camps 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| Enter ANTONY and SCARUS, with their army 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| ANTONY. Their preparation is to-day by sea; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| We please them not by land. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| SCARUS. For both, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| ANTONY. I would they'd fight i' th' fire or i' th' air; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| We'd fight there too. But this it is, our foot 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| Upon the hills adjoining to the city 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| Shall stay with us- Order for sea is given; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| They have put forth the haven- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| Where their appointment we may best discover 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| And look on their endeavour. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| SCENE XI. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| Between the camps 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| Enter CAESAR and his army 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| CAESAR. But being charg'd, we will be still by land, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| Which, as I take't, we shall; for his best force 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| Is forth to man his galleys. To the vales, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| And hold our best advantage. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| SCENE XII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| A hill near Alexandria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Enter ANTONY and SCARUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| ANTONY. Yet they are not join'd. Where yond pine does stand 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| I shall discover all. I'll bring thee word 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Straight how 'tis like to go. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| SCARUS. Swallows have built 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| In Cleopatra's sails their nests. The augurers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Say they know not, they cannot tell; look grimly, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| And dare not speak their knowledge. Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Is valiant and dejected; and by starts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| His fretted fortunes give him hope and fear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Of what he has and has not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| [Alarum afar off, as at a sea-fight] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Re-enter ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| ANTONY. All is lost! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| This foul Egyptian hath betrayed me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| My fleet hath yielded to the foe, and yonder 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| They cast their caps up and carouse together 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Like friends long lost. Triple-turn'd whore! 'tis thou 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Hast sold me to this novice; and my heart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Makes only wars on thee. Bid them all fly; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| For when I am reveng'd upon my charm, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| I have done all. Bid them all fly; begone. Exit SCARUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| O sun, thy uprise shall I see no more! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Fortune and Antony part here; even here 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Do we shake hands. All come to this? The hearts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| That spaniel'd me at heels, to whom I gave 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Their wishes, do discandy, melt their sweets 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| On blossoming Caesar; and this pine is bark'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| That overtopp'd them all. Betray'd I am. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| O this false soul of Egypt! this grave charm- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Whose eye beck'd forth my wars and call'd them home, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Whose bosom was my crownet, my chief end- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Like a right gypsy hath at fast and loose 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Beguil'd me to the very heart of loss. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| What, Eros, Eros! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Enter CLEOPATRA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Ah, thou spell! Avaunt! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| CLEOPATRA. Why is my lord enrag'd against his love? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| ANTONY. Vanish, or I shall give thee thy deserving 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| And blemish Caesar's triumph. Let him take thee 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| And hoist thee up to the shouting plebeians; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Follow his chariot, like the greatest spot 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Of all thy sex; most monster-like, be shown 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| For poor'st diminutives, for doits, and let 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Patient Octavia plough thy visage up 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| With her prepared nails. Exit CLEOPATRA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 'Tis well th'art gone, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| If it be well to live; but better 'twere 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Thou fell'st into my fury, for one death 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Might have prevented many. Eros, ho! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| The shirt of Nessus is upon me; teach me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Alcides, thou mine ancestor, thy rage; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Let me lodge Lichas on the horns o' th' moon, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| And with those hands that grasp'd the heaviest club 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Subdue my worthiest self. The witch shall die. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| To the young Roman boy she hath sold me, and I fall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| Under this plot. She dies for't. Eros, ho! Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| SCENE XIII. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Alexandria. CLEOPATRA's palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| CLEOPATRA. Help me, my women. O, he is more mad 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Than Telamon for his shield; the boar of Thessaly 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Was never so emboss'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| CHARMIAN. To th'monument! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| There lock yourself, and send him word you are dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| The soul and body rive not more in parting 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Than greatness going off. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| CLEOPATRA. To th' monument! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Mardian, go tell him I have slain myself; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Say that the last I spoke was 'Antony' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| And word it, prithee, piteously. Hence, Mardian, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| And bring me how he takes my death. To th' monument! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| SCENE XIV. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| CLEOPATRA'S palace 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Enter ANTONY and EROS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Eros, thou yet behold'st me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. Ay, noble lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Sometime we see a cloud that's dragonish; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| A vapour sometime like a bear or lion, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| A tower'd citadel, a pendent rock, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| A forked mountain, or blue promontory 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| With trees upon't that nod unto the world 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| And mock our eyes with air. Thou hast seen these signs; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| They are black vesper's pageants. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. Ay, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. That which is now a horse, even with a thought 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The rack dislimns, and makes it indistinct, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| As water is in water. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. It does, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. My good knave Eros, now thy captain is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Even such a body. Here I am Antony; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Yet cannot hold this visible shape, my knave. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I made these wars for Egypt; and the Queen- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Whose heart I thought I had, for she had mine, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Which, whilst it was mine, had annex'd unto't 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| A million moe, now lost- she, Eros, has 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Pack'd cards with Caesar, and false-play'd my glory 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Unto an enemy's triumph. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Nay, weep not, gentle Eros; there is left us 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Ourselves to end ourselves. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Enter MARDIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| O, thy vile lady! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| She has robb'd me of my sword. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| MARDIAN. No, Antony; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| My mistress lov'd thee, and her fortunes mingled 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| With thine entirely. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Hence, saucy eunuch; peace! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| She hath betray'd me, and shall die the death. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| MARDIAN. Death of one person can be paid but once, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| And that she has discharg'd. What thou wouldst do 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Is done unto thy hand. The last she spake 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Was 'Antony! most noble Antony!' 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Then in the midst a tearing groan did break 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The name of Antony; it was divided 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Between her heart and lips. She rend'red life, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Thy name so buried in her. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Dead then? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| MARDIAN. Dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Unarm, Eros; the long day's task is done, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| And we must sleep. That thou depart'st hence safe 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Does pay thy labour richly. Go. Exit MARDIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Off, pluck off! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The sevenfold shield of Ajax cannot keep 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The battery from my heart. O, cleave, my sides! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Heart, once be stronger than thy continent, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Crack thy frail case. Apace, Eros, apace.- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| No more a soldier. Bruised pieces, go; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| You have been nobly borne.- From me awhile. Exit EROS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I will o'ertake thee, Cleopatra, and 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Weep for my pardon. So it must be, for now 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| All length is torture. Since the torch is out, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Lie down, and stray no farther. Now all labour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Mars what it does; yea, very force entangles 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Itself with strength. Seal then, and all is done. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Eros!- I come, my queen.- Eros!- Stay for me; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Where souls do couch on flowers, we'll hand in hand, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| And with our sprightly port make the ghosts gaze. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Dido and her Aeneas shall want troops, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| And all the haunt be ours.- Come, Eros, Eros! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Re-enter EROS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. What would my lord? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Since Cleopatra died, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I have liv'd in such dishonour that the gods 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Detest my baseness. I, that with my sword 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Quarter'd the world, and o'er green Neptune's back 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| With ships made cities, condemn myself to lack 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The courage of a woman; less noble mind 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Than she which by her death our Caesar tells 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 'I am conqueror of myself.' Thou art sworn, Eros, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| That, when the exigent should come- which now 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Is come indeed- when I should see behind me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Th' inevitable prosecution of 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Disgrace and horror, that, on my command, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Thou then wouldst kill me. Do't; the time is come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Thou strik'st not me; 'tis Caesar thou defeat'st. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Put colour in thy cheek. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. The gods withhold me! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Shall I do that which all the Parthian darts, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Though enemy, lost aim and could not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Eros, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Wouldst thou be window'd in great Rome and see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Thy master thus with pleach'd arms, bending down 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| His corrigible neck, his face subdu'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| To penetrative shame, whilst the wheel'd seat 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Of fortunate Caesar, drawn before him, branded 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| His baseness that ensued? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. I would not see't. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Come, then; for with a wound I must be cur'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Draw that thy honest sword, which thou hast worn 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Most useful for thy country. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. O, sir, pardon me! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. When I did make thee free, swor'st thou not then 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| To do this when I bade thee? Do it at once, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Or thy precedent services are all 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| But accidents unpurpos'd. Draw, and come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. Turn from me then that noble countenance, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Wherein the worship of the whole world lies. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Lo thee! [Turning from him] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. My sword is drawn. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Then let it do at once 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The thing why thou hast drawn it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. My dear master, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| My captain and my emperor, let me say, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Before I strike this bloody stroke, farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. 'Tis said, man; and farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. Farewell, great chief. Shall I strike now? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Now, Eros. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| EROS. Why, there then! Thus do I escape the sorrow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Of Antony's death. [Kills himself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Thrice nobler than myself! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Thou teachest me, O valiant Eros, what 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I should, and thou couldst not. My queen and Eros 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Have, by their brave instruction, got upon me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| A nobleness in record. But I will be 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| A bridegroom in my death, and run into't 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| As to a lover's bed. Come, then; and, Eros, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Thy master dies thy scholar. To do thus 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| [Falling on his sword] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I learn'd of thee. How? not dead? not dead?- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| The guard, ho! O, dispatch me! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Enter DERCETAS and a guard 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| FIRST GUARD. What's the noise? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. I have done my work ill, friends. O, make an end 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Of what I have begun. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| SECOND GUARD. The star is fall'n. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| FIRST GUARD. And time is at his period. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ALL. Alas, and woe! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Let him that loves me, strike me dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| FIRST GUARD. Not I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| SECOND GUARD. Nor I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| THIRD GUARD. Nor any one. Exeunt guard 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DERCETAS. Thy death and fortunes bid thy followers fly. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| This sword but shown to Caesar, with this tidings, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Shall enter me with him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Enter DIOMEDES 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DIOMEDES. Where's Antony? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DERCETAS. There, Diomed, there. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DIOMEDES. Lives he? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Wilt thou not answer, man? Exit DERCETAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Art thou there, Diomed? Draw thy sword and give me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Sufficing strokes for death. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DIOMEDES. Most absolute lord, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| My mistress Cleopatra sent me to thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. When did she send thee? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DIOMEDES. Now, my lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Where is she? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DIOMEDES. Lock'd in her monument. She had a prophesying fear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Of what hath come to pass; for when she saw- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Which never shall be found- you did suspect 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| She had dispos'd with Caesar, and that your rage 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Would not be purg'd, she sent you word she was dead; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| But fearing since how it might work, hath sent 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Me to proclaim the truth; and I am come, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I dread, too late. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Too late, good Diomed. Call my guard, I prithee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| DIOMEDES. What, ho! the Emperor's guard! The guard, what ho! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Come, your lord calls! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Enter four or five of the guard of ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Bear me, good friends, where Cleopatra bides; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 'Tis the last service that I shall command you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| FIRST GUARD. Woe, woe are we, sir, you may not live to wear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| All your true followers out. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ALL. Most heavy day! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| ANTONY. Nay, good my fellows, do not please sharp fate 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| To grace it with your sorrows. Bid that welcome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Which comes to punish us, and we punish it, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| Seeming to bear it lightly. Take me up. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| I have led you oft; carry me now, good friends, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| And have my thanks for all. Exeunt, hearing ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| SCENE XV. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Alexandria. A monument 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Enter CLEOPATRA and her maids aloft, with CHARMIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| and IRAS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. O Charmian, I will never go from hence! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CHARMIAN. Be comforted, dear madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. No, I will not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| All strange and terrible events are welcome, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| But comforts we despise; our size of sorrow, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Proportion'd to our cause, must be as great 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| As that which makes it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Enter DIOMEDES, below 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| How now! Is he dead? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| DIOMEDES. His death's upon him, but not dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Look out o' th' other side your monument; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| His guard have brought him thither. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Enter, below, ANTONY, borne by the guard 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. O sun, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Burn the great sphere thou mov'st in! Darkling stand 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| The varying shore o' th' world. O Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Antony, Antony! Help, Charmian; help, Iras, help; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Help, friends below! Let's draw him hither. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. Peace! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Not Caesar's valour hath o'erthrown Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| But Antony's hath triumph'd on itself. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. So it should be, that none but Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Should conquer Antony; but woe 'tis so! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. I am dying, Egypt, dying; only 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| I here importune death awhile, until 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Of many thousand kisses the poor last 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| I lay upon thy lips. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. I dare not, dear. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Dear my lord, pardon! I dare not, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Lest I be taken. Not th' imperious show 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Of the full-fortun'd Caesar ever shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Be brooch'd with me. If knife, drugs, serpents, have 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Edge, sting, or operation, I am safe. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Your wife Octavia, with her modest eyes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| And still conclusion, shall acquire no honour 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Demuring upon me. But come, come, Antony- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Help me, my women- we must draw thee up; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Assist, good friends. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. O, quick, or I am gone. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. Here's sport indeed! How heavy weighs my lord! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Our strength is all gone into heaviness; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| That makes the weight. Had I great Juno's power, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| The strong-wing'd Mercury should fetch thee up, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| And set thee by Jove's side. Yet come a little. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Wishers were ever fools. O come, come, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| [They heave ANTONY aloft to CLEOPATRA] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| And welcome, welcome! Die where thou hast liv'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Quicken with kissing. Had my lips that power, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Thus would I wear them out. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ALL. A heavy sight! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. I am dying, Egypt, dying. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Give me some wine, and let me speak a little. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. No, let me speak; and let me rail so high 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| That the false huswife Fortune break her wheel, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Provok'd by my offence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. One word, sweet queen: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Of Caesar seek your honour, with your safety. O! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. They do not go together. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. Gentle, hear me: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| None about Caesar trust but Proculeius. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. My resolution and my hands I'll trust; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| None about Caesar 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| ANTONY. The miserable change now at my end 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Lament nor sorrow at; but please your thoughts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| In feeding them with those my former fortunes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Wherein I liv'd the greatest prince o' th' world, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| The noblest; and do now not basely die, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Not cowardly put off my helmet to 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| My countryman- a Roman by a Roman 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Valiantly vanquish'd. Now my spirit is going 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| I can no more. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. Noblest of men, woo't die? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Hast thou no care of me? Shall I abide 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| In this dull world, which in thy absence is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| No better than a sty? O, see, my women, [Antony dies] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| The crown o' th' earth doth melt. My lord! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| O, wither'd is the garland of the war, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| The soldier's pole is fall'n! Young boys and girls 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Are level now with men. The odds is gone, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| And there is nothing left remarkable 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Beneath the visiting moon. [Swoons] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CHARMIAN. O, quietness, lady! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| IRAS. She's dead too, our sovereign. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CHARMIAN. Lady! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| IRAS. Madam! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CHARMIAN. O madam, madam, madam! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| IRAS. Royal Egypt, Empress! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CHARMIAN. Peace, peace, Iras! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| CLEOPATRA. No more but e'en a woman, and commanded 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| By such poor passion as the maid that milks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| And does the meanest chares. It were for me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| To throw my sceptre at the injurious gods; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| To tell them that this world did equal theirs 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Till they had stol'n our jewel. All's but nought; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Patience is sottish, and impatience does 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Become a dog that's mad. Then is it sin 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| To rush into the secret house of death 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Ere death dare come to us? How do you, women? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| What, what! good cheer! Why, how now, Charmian! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| My noble girls! Ah, women, women, look, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Our lamp is spent, it's out! Good sirs, take heart. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| We'll bury him; and then, what's brave, what's noble, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Let's do it after the high Roman fashion, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| And make death proud to take us. Come, away; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| This case of that huge spirit now is cold. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Ah, women, women! Come; we have no friend 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| But resolution and the briefest end. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| Exeunt; those above hearing off ANTONY'S body 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| ACT V. SCENE I. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Alexandria. CAESAR'S camp 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Enter CAESAR, AGRIPPA, DOLABELLA, MAECENAS, GALLUS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| PROCULEIUS, and others, his Council of War 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Go to him, Dolabella, bid him yield; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Being so frustrate, tell him he mocks 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| The pauses that he makes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| DOLABELLA. Caesar, I shall. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Enter DERCETAS With the sword of ANTONY 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Wherefore is that? And what art thou that dar'st 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Appear thus to us? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| DERCETAS. I am call'd Dercetas; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Mark Antony I serv'd, who best was worthy 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Best to be serv'd. Whilst he stood up and spoke, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| He was my master, and I wore my life 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| To spend upon his haters. If thou please 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| To take me to thee, as I was to him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| I'll be to Caesar; if thou pleasest not, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| I yield thee up my life. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. What is't thou say'st? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| DERCETAS. I say, O Caesar, Antony is dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. The breaking of so great a thing should make 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| A greater crack. The round world 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Should have shook lions into civil streets, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| And citizens to their dens. The death of Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Is not a single doom; in the name lay 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| A moiety of the world. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| DERCETAS. He is dead, Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Not by a public minister of justice, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Nor by a hired knife; but that self hand 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Which writ his honour in the acts it did 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Hath, with the courage which the heart did lend it, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Splitted the heart. This is his sword; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| I robb'd his wound of it; behold it stain'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| With his most noble blood. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Look you sad, friends? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| The gods rebuke me, but it is tidings 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| To wash the eyes of kings. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| AGRIPPA. And strange it is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| That nature must compel us to lament 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Our most persisted deeds. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| MAECENAS. His taints and honours 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Wag'd equal with him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| AGRIPPA. A rarer spirit never 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Did steer humanity. But you gods will give us 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Some faults to make us men. Caesar is touch'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| MAECENAS. When such a spacious mirror's set before him, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| He needs must see himself. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. O Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| I have follow'd thee to this! But we do lance 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Diseases in our bodies. I must perforce 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Have shown to thee such a declining day 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Or look on thine; we could not stall together 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| In the whole world. But yet let me lament, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| With tears as sovereign as the blood of hearts, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| That thou, my brother, my competitor 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| In top of all design, my mate in empire, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Friend and companion in the front of war, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| The arm of mine own body, and the heart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Where mine his thoughts did kindle- that our stars, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Unreconciliable, should divide 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Our equalness to this. Hear me, good friends- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Enter an EGYPTIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| But I will tell you at some meeter season. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| The business of this man looks out of him; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| We'll hear him what he says. Whence are you? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| EGYPTIAN. A poor Egyptian, yet the Queen, my mistress, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Confin'd in all she has, her monument, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Of thy intents desires instruction, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| That she preparedly may frame herself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| To th' way she's forc'd to. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Bid her have good heart. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| She soon shall know of us, by some of ours, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| How honourable and how kindly we 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Determine for her; for Caesar cannot learn 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| To be ungentle. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| EGYPTIAN. So the gods preserve thee! Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Come hither, Proculeius. Go and say 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| We purpose her no shame. Give her what comforts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| The quality of her passion shall require, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Lest, in her greatness, by some mortal stroke 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| She do defeat us; for her life in Rome 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Would be eternal in our triumph. Go, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| And with your speediest bring us what she says, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| And how you find her. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| PROCULEIUS. Caesar, I shall. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Gallus, go you along. Exit GALLUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Where's Dolabella, to second Proculeius? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| ALL. Dolabella! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| CAESAR. Let him alone, for I remember now 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| How he's employ'd; he shall in time be ready. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| Go with me to my tent, where you shall see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| How hardly I was drawn into this war, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| How calm and gentle I proceeded still 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| In all my writings. Go with me, and see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| What I can show in this. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| SCENE II. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Alexandria. The monument 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. My desolation does begin to make 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A better life. 'Tis paltry to be Caesar: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Not being Fortune, he's but Fortune's knave, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A minister of her will; and it is great 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To do that thing that ends all other deeds, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Which shackles accidents and bolts up change, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Which sleeps, and never palates more the dug, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The beggar's nurse and Caesar's. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter, to the gates of the monument, PROCULEIUS, GALLUS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| and soldiers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. Caesar sends greetings to the Queen of Egypt, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And bids thee study on what fair demands 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Thou mean'st to have him grant thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. What's thy name? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. My name is Proculeius. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Did tell me of you, bade me trust you; but 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I do not greatly care to be deceiv'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That have no use for trusting. If your master 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Would have a queen his beggar, you must tell him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That majesty, to keep decorum, must 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| No less beg than a kingdom. If he please 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To give me conquer'd Egypt for my son, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| He gives me so much of mine own as I 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Will kneel to him with thanks. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. Be of good cheer; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Y'are fall'n into a princely hand; fear nothing. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Make your full reference freely to my lord, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Who is so full of grace that it flows over 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| On all that need. Let me report to him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Your sweet dependency, and you shall find 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A conqueror that will pray in aid for kindness 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Where he for grace is kneel'd to. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Pray you tell him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I am his fortune's vassal and I send him 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The greatness he has got. I hourly learn 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A doctrine of obedience, and would gladly 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Look him i' th' face. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. This I'll report, dear lady. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Have comfort, for I know your plight is pitied 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of him that caus'd it. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| GALLUS. You see how easily she may be surpris'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Here PROCULEIUS and two of the guard ascend the 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| monument by a ladder placed against a window, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| and come behind CLEOPATRA. Some of the guard 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| unbar and open the gates 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Guard her till Caesar come. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| IRAS. Royal Queen! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. O Cleopatra! thou art taken, Queen! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Quick, quick, good hands. [Drawing a dagger] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. Hold, worthy lady, hold, [Disarms her] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Do not yourself such wrong, who are in this 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Reliev'd, but not betray'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. What, of death too, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That rids our dogs of languish? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. Cleopatra, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Do not abuse my master's bounty by 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Th' undoing of yourself. Let the world see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| His nobleness well acted, which your death 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Will never let come forth. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Where art thou, death? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Come hither, come! Come, come, and take a queen 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Worth many babes and beggars! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. O, temperance, lady! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Sir, I will eat no meat; I'll not drink, sir; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If idle talk will once be necessary, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I'll not sleep neither. This mortal house I'll ruin, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Do Caesar what he can. Know, sir, that I 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Will not wait pinion'd at your master's court, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Nor once be chastis'd with the sober eye 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of dull Octavia. Shall they hoist me up, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And show me to the shouting varletry 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of censuring Rome? Rather a ditch in Egypt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Be gentle grave unto me! Rather on Nilus' mud 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Lay me stark-nak'd, and let the water-flies 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Blow me into abhorring! Rather make 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| My country's high pyramides my gibbet, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And hang me up in chains! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. You do extend 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| These thoughts of horror further than you shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Find cause in Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter DOLABELLA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Proculeius, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| What thou hast done thy master Caesar knows, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And he hath sent for thee. For the Queen, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I'll take her to my guard. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| PROCULEIUS. So, Dolabella, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| It shall content me best. Be gentle to her. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [To CLEOPATRA] To Caesar I will speak what you shall please, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If you'll employ me to him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Say I would die. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Exeunt PROCULEIUS and soldiers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Most noble Empress, you have heard of me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. I cannot tell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Assuredly you know me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. No matter, sir, what I have heard or known. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| You laugh when boys or women tell their dreams; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Is't not your trick? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. I understand not, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. I dreamt there was an Emperor Antony- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| O, such another sleep, that I might see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| But such another man! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. If it might please ye- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. His face was as the heav'ns, and therein stuck 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A sun and moon, which kept their course and lighted 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The little O, the earth. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Most sovereign creature- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. His legs bestrid the ocean; his rear'd arm 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Crested the world. His voice was propertied 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As all the tuned spheres, and that to friends; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| But when he meant to quail and shake the orb, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| He was as rattling thunder. For his bounty, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| There was no winter in't; an autumn 'twas 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That grew the more by reaping. His delights 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Were dolphin-like: they show'd his back above 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The element they liv'd in. In his livery 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Walk'd crowns and crownets; realms and islands were 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As plates dropp'd from his pocket. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Cleopatra- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Think you there was or might be such a man 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As this I dreamt of? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Gentle madam, no. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. You lie, up to the hearing of the gods. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| But if there be nor ever were one such, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| It's past the size of drearning. Nature wants stuff 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To vie strange forms with fancy; yet t' imagine 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| An Antony were nature's piece 'gainst fancy, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Condemning shadows quite. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Hear me, good madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Your loss is, as yourself, great; and you bear it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As answering to the weight. Would I might never 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| O'ertake pursu'd success, but I do feel, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| By the rebound of yours, a grief that smites 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| My very heart at root. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. I thank you, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Know you what Caesar means to do with me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. I am loath to tell you what I would you knew. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Nay, pray you, sir. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Though he be honourable- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. He'll lead me, then, in triumph? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Madam, he will. I know't. [Flourish] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [Within: 'Make way there-Caesar!'] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter CAESAR; GALLUS, PROCULEIUS, MAECENAS, SELEUCUS, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| and others of his train 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Which is the Queen of Egypt? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. It is the Emperor, madam. [CLEOPATPA kneels] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Arise, you shall not kneel. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I pray you, rise; rise, Egypt. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Sir, the gods 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Will have it thus; my master and my lord 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I must obey. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Take to you no hard thoughts. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The record of what injuries you did us, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Though written in our flesh, we shall remember 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As things but done by chance. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Sole sir o' th' world, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I cannot project mine own cause so well 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To make it clear, but do confess I have 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Been laden with like frailties which before 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Have often sham'd our sex. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Cleopatra, know 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| We will extenuate rather than enforce. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If you apply yourself to our intents- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Which towards you are most gentle- you shall find 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A benefit in this change; but if you seek 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To lay on me a cruelty by taking 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Antony's course, you shall bereave yourself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of my good purposes, and put your children 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To that destruction which I'll guard them from, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If thereon you rely. I'll take my leave. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. And may, through all the world. 'Tis yours, and we, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Your scutcheons and your signs of conquest, shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Hang in what place you please. Here, my good lord. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. You shall advise me in all for Cleopatra. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. This is the brief of money, plate, and jewels, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I am possess'd of. 'Tis exactly valued, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Not petty things admitted. Where's Seleucus? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| SELEUCUS. Here, madam. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. This is my treasurer; let him speak, my lord, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Upon his peril, that I have reserv'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To myself nothing. Speak the truth, Seleucus. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| SELEUCUS. Madam, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I had rather seal my lips than to my peril 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Speak that which is not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. What have I kept back? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| SELEUCUS. Enough to purchase what you have made known. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Nay, blush not, Cleopatra; I approve 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Your wisdom in the deed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. See, Caesar! O, behold, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| How pomp is followed! Mine will now be yours; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And, should we shift estates, yours would be mine. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The ingratitude of this Seleucus does 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Even make me wild. O slave, of no more trust 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Than love that's hir'd! What, goest thou back? Thou shalt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Go back, I warrant thee; but I'll catch thine eyes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Though they had wings. Slave, soulless villain, dog! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| O rarely base! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Good Queen, let us entreat you. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. O Caesar, what a wounding shame is this, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That thou vouchsafing here to visit me, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Doing the honour of thy lordliness 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To one so meek, that mine own servant should 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Parcel the sum of my disgraces by 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Addition of his envy! Say, good Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That I some lady trifles have reserv'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Immoment toys, things of such dignity 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As we greet modern friends withal; and say 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Some nobler token I have kept apart 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| For Livia and Octavia, to induce 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Their mediation- must I be unfolded 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| With one that I have bred? The gods! It smites me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Beneath the fall I have. [To SELEUCUS] Prithee go hence; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Or I shall show the cinders of my spirits 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Through th' ashes of my chance. Wert thou a man, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Thou wouldst have mercy on me. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Forbear, Seleucus. Exit SELEUCUS 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Be it known that we, the greatest, are misthought 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| For things that others do; and when we fall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| We answer others' merits in our name, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Are therefore to be pitied. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Cleopatra, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Not what you have reserv'd, nor what acknowledg'd, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Put we i' th' roll of conquest. Still be't yours, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Bestow it at your pleasure; and believe 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Caesar's no merchant, to make prize with you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of things that merchants sold. Therefore be cheer'd; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Make not your thoughts your prisons. No, dear Queen; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| For we intend so to dispose you as 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Yourself shall give us counsel. Feed and sleep. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Our care and pity is so much upon you 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That we remain your friend; and so, adieu. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. My master and my lord! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Not so. Adieu. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Flourish. Exeunt CAESAR and his train 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. He words me, girls, he words me, that I should not 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Be noble to myself. But hark thee, Charmian! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [Whispers CHARMIAN] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| IRAS. Finish, good lady; the bright day is done, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And we are for the dark. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Hie thee again. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I have spoke already, and it is provided; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Go put it to the haste. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. Madam, I will. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Re-enter DOLABELLA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Where's the Queen? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. Behold, sir. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Dolabella! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Madam, as thereto sworn by your command, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Which my love makes religion to obey, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I tell you this: Caesar through Syria 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Intends his journey, and within three days 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| You with your children will he send before. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Make your best use of this; I have perform'd 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Your pleasure and my promise. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Dolabella, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I shall remain your debtor. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. I your servant. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Adieu, good Queen; I must attend on Caesar. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Farewell, and thanks. Exit DOLABELLA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Now, Iras, what think'st thou? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Thou an Egyptian puppet shall be shown 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| In Rome as well as I. Mechanic slaves, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| With greasy aprons, rules, and hammers, shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Uplift us to the view; in their thick breaths, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Rank of gross diet, shall we be enclouded, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And forc'd to drink their vapour. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| IRAS. The gods forbid! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Nay, 'tis most certain, Iras. Saucy lictors 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Will catch at us like strumpets, and scald rhymers 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Ballad us out o' tune; the quick comedians 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Extemporally will stage us, and present 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Our Alexandrian revels; Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Shall be brought drunken forth, and I shall see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Some squeaking Cleopatra boy my greatness 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I' th' posture of a whore. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| IRAS. O the good gods! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Nay, that's certain. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| IRAS. I'll never see't, for I am sure mine nails 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Are stronger than mine eyes. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Why, that's the way 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To fool their preparation and to conquer 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Their most absurd intents. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter CHARMIAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Now, Charmian! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Show me, my women, like a queen. Go fetch 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| My best attires. I am again for Cydnus, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To meet Mark Antony. Sirrah, Iras, go. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Now, noble Charmian, we'll dispatch indeed; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And when thou hast done this chare, I'll give thee leave 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To play till doomsday. Bring our crown and all. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Exit IRAS. A noise within 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Wherefore's this noise? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter a GUARDSMAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| GUARDSMAN. Here is a rural fellow 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That will not be denied your Highness' presence. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| He brings you figs. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Let him come in. Exit GUARDSMAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| What poor an instrument 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| May do a noble deed! He brings me liberty. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| My resolution's plac'd, and I have nothing 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of woman in me. Now from head to foot 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I am marble-constant; now the fleeting moon 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| No planet is of mine. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Re-enter GUARDSMAN and CLOWN, with a basket 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| GUARDSMAN. This is the man. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Avoid, and leave him. Exit GUARDSMAN 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Hast thou the pretty worm of Nilus there 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That kills and pains not? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. Truly, I have him. But I would not be the party that should 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| desire you to touch him, for his biting is immortal; those that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| do die of it do seldom or never recover. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Remember'st thou any that have died on't? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. Very many, men and women too. I heard of one of them no 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| longer than yesterday: a very honest woman, but something given 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| to lie, as a woman should not do but in the way of honesty; how 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| she died of the biting of it, what pain she felt- truly she makes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| a very good report o' th' worm. But he that will believe all that 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| they say shall never be saved by half that they do. But this is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| most falliable, the worm's an odd worm. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Get thee hence; farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. I wish you all joy of the worm. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [Sets down the basket] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. You must think this, look you, that the worm will do his 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| kind. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Ay, ay; farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. Look you, the worm is not to be trusted but in the keeping 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| of wise people; for indeed there is no goodness in the worm. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Take thou no care; it shall be heeded. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. Very good. Give it nothing, I pray you, for it is not worth 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| the feeding. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Will it eat me? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. You must not think I am so simple but I know the devil 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| himself will not eat a woman. I know that a woman is a dish for 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| the gods, if the devil dress her not. But truly, these same 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| whoreson devils do the gods great harm in their women, for in 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| every ten that they make the devils mar five. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Well, get thee gone; farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLOWN. Yes, forsooth. I wish you joy o' th' worm. Exit 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Re-enter IRAS, with a robe, crown, &c. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Give me my robe, put on my crown; I have 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Immortal longings in me. Now no more 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The juice of Egypt's grape shall moist this lip. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Yare, yare, good Iras; quick. Methinks I hear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Antony call. I see him rouse himself 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To praise my noble act. I hear him mock 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The luck of Caesar, which the gods give men 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To excuse their after wrath. Husband, I come. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Now to that name my courage prove my title! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I am fire and air; my other elements 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I give to baser life. So, have you done? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Come then, and take the last warmth of my lips. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Farewell, kind Charmian. Iras, long farewell. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [Kisses them. IRAS falls and dies] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Have I the aspic in my lips? Dost fall? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If thus thou and nature can so gently part, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The stroke of death is as a lover's pinch, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Which hurts and is desir'd. Dost thou lie still? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If thou vanishest, thou tell'st the world 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| It is not worth leave-taking. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. Dissolve, thick cloud, and rain, that I may say 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The gods themselves do weep. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. This proves me base. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If she first meet the curled Antony, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| He'll make demand of her, and spend that kiss 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Which is my heaven to have. Come, thou mortal wretch, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [To an asp, which she applies to her breast] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| With thy sharp teeth this knot intrinsicate 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of life at once untie. Poor venomous fool, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Be angry and dispatch. O couldst thou speak, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That I might hear thee call great Caesar ass 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Unpolicied! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. O Eastern star! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. Peace, peace! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Dost thou not see my baby at my breast 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That sucks the nurse asleep? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. O, break! O, break! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CLEOPATRA. As sweet as balm, as soft as air, as gentle- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| O Antony! Nay, I will take thee too: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [Applying another asp to her arm] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| What should I stay- [Dies] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. In this vile world? So, fare thee well. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Now boast thee, death, in thy possession lies 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A lass unparallel'd. Downy windows, close; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And golden Phoebus never be beheld 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of eyes again so royal! Your crown's awry; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I'll mend it and then play- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Enter the guard, rushing in 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. Where's the Queen? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. Speak softly, wake her not. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. Caesar hath sent- 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. Too slow a messenger. [Applies an asp] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| O, come apace, dispatch. I partly feel thee. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. Approach, ho! All's not well: Caesar's beguil'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| SECOND GUARD. There's Dolabella sent from Caesar; call him. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. What work is here! Charmian, is this well done? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CHARMIAN. It is well done, and fitting for a princes 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Descended of so many royal kings. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Ah, soldier! [CHARMIAN dies] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Re-enter DOLABELLA 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. How goes it here? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| SECOND GUARD. All dead. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Caesar, thy thoughts 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Touch their effects in this. Thyself art coming 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| To see perform'd the dreaded act which thou 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| So sought'st to hinder. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| [Within: 'A way there, a way for Caesar!'] 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Re-enter CAESAR and all his train 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. O sir, you are too sure an augurer: 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That you did fear is done. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Bravest at the last, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| She levell'd at our purposes, and being royal, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Took her own way. The manner of their deaths? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I do not see them bleed. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Who was last with them? 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. A simple countryman that brought her figs. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| This was his basket. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Poison'd then. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. O Caesar, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| This Charmian liv'd but now; she stood and spake. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| I found her trimming up the diadem 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| On her dead mistress. Tremblingly she stood, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And on the sudden dropp'd. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. O noble weakness! 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| If they had swallow'd poison 'twould appear 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| By external swelling; but she looks like sleep, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| As she would catch another Antony 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| In her strong toil of grace. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| DOLABELLA. Here on her breast 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| There is a vent of blood, and something blown; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| The like is on her arm. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| FIRST GUARD. This is an aspic's trail; and these fig-leaves 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Have slime upon them, such as th' aspic leaves 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Upon the caves of Nile. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| CAESAR. Most probable 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| That so she died; for her physician tells me 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| She hath pursu'd conclusions infinite 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Of easy ways to die. Take up her bed, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And bear her women from the monument. 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| She shall be buried by her Antony; 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| No grave upon the earth shall clip in it 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| A pair so famous. High events as these 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Strike those that make them; and their story is 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| No less in pity than his glory which 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| Brought them to be lamented. Our army shall 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| In solemn show attend this funeral, 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| And then to Rome. Come, Dolabella, see 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| High order in this great solemnity. Exeunt 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2| 3|THE TRAGEDY OF ANTONY AND CLEOPATRA|46|End|THE END 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|1|title|1601 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|1|title|AS YOU LIKE IT 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|1|title|by William Shakespeare 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|1|title| 4|AS YOU LIKE IT|2|Dramatis Personae|DRAMATIS PERSONAE. 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| DUKE, living in exile 4|AS YOU LIKE IT|2|Dramatis Personae| FREDERICK, his brother, and usurper of his dominions 4|AS YOU LIKE IT|2|Dramatis Personae| AMIENS, lord attending on the banished Duke 4|AS YOU LIKE IT|2|Dramatis Personae| JAQUES, " " " " " " 4|AS YOU LIKE IT|2|Dramatis Personae| LE BEAU, a courtier attending upon Frederick 4|AS YOU LIKE IT|2|Dramatis Personae| CHARLES, wrestler to Frederick 4|AS YOU LIKE IT|2|Dramatis Personae| OLIVER, son of Sir Rowland de Boys 4|AS YOU LIKE IT|2|Dramatis Personae| JAQUES, " " " " " " 4|AS YOU LIKE IT|2|Dramatis Personae| ORLANDO, " " " " " " 4|AS YOU LIKE IT|2|Dramatis Personae| ADAM, servant to Oliver 4|AS YOU LIKE IT|2|Dramatis Personae| DENNIS, " " " 4|AS YOU LIKE IT|2|Dramatis Personae| TOUCHSTONE, the court jester 4|AS YOU LIKE IT|2|Dramatis Personae| SIR OLIVER MARTEXT, a vicar 4|AS YOU LIKE IT|2|Dramatis Personae| CORIN, shepherd 4|AS YOU LIKE IT|2|Dramatis Personae| SILVIUS, " 4|AS YOU LIKE IT|2|Dramatis Personae| WILLIAM, a country fellow, in love with Audrey 4|AS YOU LIKE IT|2|Dramatis Personae| A person representing HYMEN 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| ROSALIND, daughter to the banished Duke 4|AS YOU LIKE IT|2|Dramatis Personae| CELIA, daughter to Frederick 4|AS YOU LIKE IT|2|Dramatis Personae| PHEBE, a shepherdes 4|AS YOU LIKE IT|2|Dramatis Personae| AUDREY, a country wench 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| Lords, Pages, Foresters, and Attendants 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|2|Dramatis Personae| 4|AS YOU LIKE IT|3|Scene|SCENE: 4|AS YOU LIKE IT|3|Scene|OLIVER'S house; FREDERICK'S court; and the Forest of Arden 4|AS YOU LIKE IT|3|Scene| 4|AS YOU LIKE IT|4|Act 1, Scene 1|ACT I. SCENE I. 4|AS YOU LIKE IT|4|Act 1, Scene 1|Orchard of OLIVER'S house 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1|Enter ORLANDO and ADAM 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. As I remember, Adam, it was upon this fashion bequeathed 4|AS YOU LIKE IT|4|Act 1, Scene 1| me by will but poor a thousand crowns, and, as thou say'st, 4|AS YOU LIKE IT|4|Act 1, Scene 1| charged my brother, on his blessing, to breed me well; and there 4|AS YOU LIKE IT|4|Act 1, Scene 1| begins my sadness. My brother Jaques he keeps at school, and 4|AS YOU LIKE IT|4|Act 1, Scene 1| report speaks goldenly of his profit. For my part, he keeps me 4|AS YOU LIKE IT|4|Act 1, Scene 1| rustically at home, or, to speak more properly, stays me here at 4|AS YOU LIKE IT|4|Act 1, Scene 1| home unkept; for call you that keeping for a gentleman of my 4|AS YOU LIKE IT|4|Act 1, Scene 1| birth that differs not from the stalling of an ox? His horses are 4|AS YOU LIKE IT|4|Act 1, Scene 1| bred better; for, besides that they are fair with their feeding, 4|AS YOU LIKE IT|4|Act 1, Scene 1| they are taught their manage, and to that end riders dearly 4|AS YOU LIKE IT|4|Act 1, Scene 1| hir'd; but I, his brother, gain nothing under him but growth; for 4|AS YOU LIKE IT|4|Act 1, Scene 1| the which his animals on his dunghills are as much bound to him 4|AS YOU LIKE IT|4|Act 1, Scene 1| as I. Besides this nothing that he so plentifully gives me, the 4|AS YOU LIKE IT|4|Act 1, Scene 1| something that nature gave me his countenance seems to take from 4|AS YOU LIKE IT|4|Act 1, Scene 1| me. He lets me feed with his hinds, bars me the place of a 4|AS YOU LIKE IT|4|Act 1, Scene 1| brother, and as much as in him lies, mines my gentility with my 4|AS YOU LIKE IT|4|Act 1, Scene 1| education. This is it, Adam, that grieves me; and the spirit of 4|AS YOU LIKE IT|4|Act 1, Scene 1| my father, which I think is within me, begins to mutiny against 4|AS YOU LIKE IT|4|Act 1, Scene 1| this servitude. I will no longer endure it, though yet I know no 4|AS YOU LIKE IT|4|Act 1, Scene 1| wise remedy how to avoid it. 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| Enter OLIVER 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| ADAM. Yonder comes my master, your brother. 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. Go apart, Adam, and thou shalt hear how he will shake me 4|AS YOU LIKE IT|4|Act 1, Scene 1| up. [ADAM retires] 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Now, sir! what make you here? 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. Nothing; I am not taught to make any thing. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. What mar you then, sir? 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. Marry, sir, I am helping you to mar that which God made, a 4|AS YOU LIKE IT|4|Act 1, Scene 1| poor unworthy brother of yours, with idleness. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Marry, sir, be better employed, and be nought awhile. 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. Shall I keep your hogs, and eat husks with them? What 4|AS YOU LIKE IT|4|Act 1, Scene 1| prodigal portion have I spent that I should come to such penury? 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Know you where you are, sir? 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. O, sir, very well; here in your orchard. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Know you before whom, sir? 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. Ay, better than him I am before knows me. I know you are 4|AS YOU LIKE IT|4|Act 1, Scene 1| my eldest brother; and in the gentle condition of blood, you 4|AS YOU LIKE IT|4|Act 1, Scene 1| should so know me. The courtesy of nations allows you my better 4|AS YOU LIKE IT|4|Act 1, Scene 1| in that you are the first-born; but the same tradition takes not 4|AS YOU LIKE IT|4|Act 1, Scene 1| away my blood, were there twenty brothers betwixt us. I have as 4|AS YOU LIKE IT|4|Act 1, Scene 1| much of my father in me as you, albeit I confess your coming 4|AS YOU LIKE IT|4|Act 1, Scene 1| before me is nearer to his reverence. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. What, boy! [Strikes him] 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. Come, come, elder brother, you are too young in this. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Wilt thou lay hands on me, villain? 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. I am no villain; I am the youngest son of Sir Rowland de 4|AS YOU LIKE IT|4|Act 1, Scene 1| Boys. He was my father; and he is thrice a villain that says such 4|AS YOU LIKE IT|4|Act 1, Scene 1| a father begot villains. Wert thou not my brother, I would not 4|AS YOU LIKE IT|4|Act 1, Scene 1| take this hand from thy throat till this other had pull'd out thy 4|AS YOU LIKE IT|4|Act 1, Scene 1| tongue for saying so. Thou has rail'd on thyself. 4|AS YOU LIKE IT|4|Act 1, Scene 1| ADAM. [Coming forward] Sweet masters, be patient; for your father's 4|AS YOU LIKE IT|4|Act 1, Scene 1| remembrance, be at accord. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Let me go, I say. 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. I will not, till I please; you shall hear me. My father 4|AS YOU LIKE IT|4|Act 1, Scene 1| charg'd you in his will to give me good education: you have 4|AS YOU LIKE IT|4|Act 1, Scene 1| train'd me like a peasant, obscuring and hiding from me all 4|AS YOU LIKE IT|4|Act 1, Scene 1| gentleman-like qualities. The spirit of my father grows strong in 4|AS YOU LIKE IT|4|Act 1, Scene 1| me, and I will no longer endure it; therefore allow me such 4|AS YOU LIKE IT|4|Act 1, Scene 1| exercises as may become a gentleman, or give me the poor 4|AS YOU LIKE IT|4|Act 1, Scene 1| allottery my father left me by testament; with that I will go buy 4|AS YOU LIKE IT|4|Act 1, Scene 1| my fortunes. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. And what wilt thou do? Beg, when that is spent? Well, sir, 4|AS YOU LIKE IT|4|Act 1, Scene 1| get you in. I will not long be troubled with you; you shall have 4|AS YOU LIKE IT|4|Act 1, Scene 1| some part of your will. I pray you leave me. 4|AS YOU LIKE IT|4|Act 1, Scene 1| ORLANDO. I no further offend you than becomes me for my good. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Get you with him, you old dog. 4|AS YOU LIKE IT|4|Act 1, Scene 1| ADAM. Is 'old dog' my reward? Most true, I have lost my teeth in 4|AS YOU LIKE IT|4|Act 1, Scene 1| your service. God be with my old master! He would not have spoke 4|AS YOU LIKE IT|4|Act 1, Scene 1| such a word. 4|AS YOU LIKE IT|4|Act 1, Scene 1| Exeunt ORLANDO and ADAM 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Is it even so? Begin you to grow upon me? I will physic 4|AS YOU LIKE IT|4|Act 1, Scene 1| your rankness, and yet give no thousand crowns neither. Holla, 4|AS YOU LIKE IT|4|Act 1, Scene 1| Dennis! 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| Enter DENNIS 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| DENNIS. Calls your worship? 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. not Charles, the Duke's wrestler, here to speak with me? 4|AS YOU LIKE IT|4|Act 1, Scene 1| DENNIS. So please you, he is here at the door and importunes access 4|AS YOU LIKE IT|4|Act 1, Scene 1| to you. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Call him in. [Exit DENNIS] 'Twill be a good way; and 4|AS YOU LIKE IT|4|Act 1, Scene 1| to-morrow the wrestling is. 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| Enter CHARLES 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| CHARLES. Good morrow to your worship. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Good Monsieur Charles! What's the new news at the new 4|AS YOU LIKE IT|4|Act 1, Scene 1| court? 4|AS YOU LIKE IT|4|Act 1, Scene 1| CHARLES. There's no news at the court, sir, but the old news; that 4|AS YOU LIKE IT|4|Act 1, Scene 1| is, the old Duke is banished by his younger brother the new Duke; 4|AS YOU LIKE IT|4|Act 1, Scene 1| and three or four loving lords have put themselves into voluntary 4|AS YOU LIKE IT|4|Act 1, Scene 1| exile with him, whose lands and revenues enrich the new Duke; 4|AS YOU LIKE IT|4|Act 1, Scene 1| therefore he gives them good leave to wander. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Can you tell if Rosalind, the Duke's daughter, be banished 4|AS YOU LIKE IT|4|Act 1, Scene 1| with her father? 4|AS YOU LIKE IT|4|Act 1, Scene 1| CHARLES. O, no; for the Duke's daughter, her cousin, so loves her, 4|AS YOU LIKE IT|4|Act 1, Scene 1| being ever from their cradles bred together, that she would have 4|AS YOU LIKE IT|4|Act 1, Scene 1| followed her exile, or have died to stay behind her. She is at 4|AS YOU LIKE IT|4|Act 1, Scene 1| the court, and no less beloved of her uncle than his own 4|AS YOU LIKE IT|4|Act 1, Scene 1| daughter; and never two ladies loved as they do. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Where will the old Duke live? 4|AS YOU LIKE IT|4|Act 1, Scene 1| CHARLES. They say he is already in the Forest of Arden, and a many 4|AS YOU LIKE IT|4|Act 1, Scene 1| merry men with him; and there they live like the old Robin Hood 4|AS YOU LIKE IT|4|Act 1, Scene 1| of England. They say many young gentlemen flock to him every day, 4|AS YOU LIKE IT|4|Act 1, Scene 1| and fleet the time carelessly, as they did in the golden world. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. What, you wrestle to-morrow before the new Duke? 4|AS YOU LIKE IT|4|Act 1, Scene 1| CHARLES. Marry, do I, sir; and I came to acquaint you with a 4|AS YOU LIKE IT|4|Act 1, Scene 1| matter. I am given, sir, secretly to understand that your younger 4|AS YOU LIKE IT|4|Act 1, Scene 1| brother, Orlando, hath a disposition to come in disguis'd against 4|AS YOU LIKE IT|4|Act 1, Scene 1| me to try a fall. To-morrow, sir, I wrestle for my credit; and he 4|AS YOU LIKE IT|4|Act 1, Scene 1| that escapes me without some broken limb shall acquit him well. 4|AS YOU LIKE IT|4|Act 1, Scene 1| Your brother is but young and tender; and, for your love, I would 4|AS YOU LIKE IT|4|Act 1, Scene 1| be loath to foil him, as I must, for my own honour, if he come 4|AS YOU LIKE IT|4|Act 1, Scene 1| in; therefore, out of my love to you, I came hither to acquaint 4|AS YOU LIKE IT|4|Act 1, Scene 1| you withal, that either you might stay him from his intendment, 4|AS YOU LIKE IT|4|Act 1, Scene 1| or brook such disgrace well as he shall run into, in that it is 4|AS YOU LIKE IT|4|Act 1, Scene 1| thing of his own search and altogether against my will. 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Charles, I thank thee for thy love to me, which thou shalt 4|AS YOU LIKE IT|4|Act 1, Scene 1| find I will most kindly requite. I had myself notice of my 4|AS YOU LIKE IT|4|Act 1, Scene 1| brother's purpose herein, and have by underhand means laboured to 4|AS YOU LIKE IT|4|Act 1, Scene 1| dissuade him from it; but he is resolute. I'll tell thee, 4|AS YOU LIKE IT|4|Act 1, Scene 1| Charles, it is the stubbornest young fellow of France; full of 4|AS YOU LIKE IT|4|Act 1, Scene 1| ambition, an envious emulator of every man's good parts, a secret 4|AS YOU LIKE IT|4|Act 1, Scene 1| and villainous contriver against me his natural brother. 4|AS YOU LIKE IT|4|Act 1, Scene 1| Therefore use thy discretion: I had as lief thou didst break his 4|AS YOU LIKE IT|4|Act 1, Scene 1| neck as his finger. And thou wert best look to't; for if thou 4|AS YOU LIKE IT|4|Act 1, Scene 1| dost him any slight disgrace, or if he do not mightily grace 4|AS YOU LIKE IT|4|Act 1, Scene 1| himself on thee, he will practise against thee by poison, entrap 4|AS YOU LIKE IT|4|Act 1, Scene 1| thee by some treacherous device, and never leave thee till he 4|AS YOU LIKE IT|4|Act 1, Scene 1| hath ta'en thy life by some indirect means or other; for, I 4|AS YOU LIKE IT|4|Act 1, Scene 1| assure thee, and almost with tears I speak it, there is not one 4|AS YOU LIKE IT|4|Act 1, Scene 1| so young and so villainous this day living. I speak but brotherly 4|AS YOU LIKE IT|4|Act 1, Scene 1| of him; but should I anatomize him to thee as he is, I must blush 4|AS YOU LIKE IT|4|Act 1, Scene 1| and weep, and thou must look pale and wonder. 4|AS YOU LIKE IT|4|Act 1, Scene 1| CHARLES. I am heartily glad I came hither to you. If he come 4|AS YOU LIKE IT|4|Act 1, Scene 1| to-morrow I'll give him his payment. If ever he go alone again, 4|AS YOU LIKE IT|4|Act 1, Scene 1| I'll never wrestle for prize more. And so, God keep your worship! 4|AS YOU LIKE IT|4|Act 1, Scene 1| Exit 4|AS YOU LIKE IT|4|Act 1, Scene 1| OLIVER. Farewell, good Charles. Now will I stir this gamester. I 4|AS YOU LIKE IT|4|Act 1, Scene 1| hope I shall see an end of him; for my soul, yet I know not why, 4|AS YOU LIKE IT|4|Act 1, Scene 1| hates nothing more than he. Yet he's gentle; never school'd and 4|AS YOU LIKE IT|4|Act 1, Scene 1| yet learned; full of noble device; of all sorts enchantingly 4|AS YOU LIKE IT|4|Act 1, Scene 1| beloved; and, indeed, so much in the heart of the world, and 4|AS YOU LIKE IT|4|Act 1, Scene 1| especially of my own people, who best know him, that I am 4|AS YOU LIKE IT|4|Act 1, Scene 1| altogether misprised. But it shall not be so long; this wrestler 4|AS YOU LIKE IT|4|Act 1, Scene 1| shall clear all. Nothing remains but that I kindle the boy 4|AS YOU LIKE IT|4|Act 1, Scene 1| thither, which now I'll go about. Exit 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|4|Act 1, Scene 1| 4|AS YOU LIKE IT|5|Act 1, Scene 2|SCENE II. 4|AS YOU LIKE IT|5|Act 1, Scene 2|A lawn before the DUKE'S palace 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2|Enter ROSALIND and CELIA 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. I pray thee, Rosalind, sweet my coz, be merry. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Dear Celia, I show more mirth than I am mistress of; and 4|AS YOU LIKE IT|5|Act 1, Scene 2| would you yet I were merrier? Unless you could teach me to forget 4|AS YOU LIKE IT|5|Act 1, Scene 2| a banished father, you must not learn me how to remember any 4|AS YOU LIKE IT|5|Act 1, Scene 2| extraordinary pleasure. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Herein I see thou lov'st me not with the full weight that I 4|AS YOU LIKE IT|5|Act 1, Scene 2| love thee. If my uncle, thy banished father, had banished thy 4|AS YOU LIKE IT|5|Act 1, Scene 2| uncle, the Duke my father, so thou hadst been still with me, I 4|AS YOU LIKE IT|5|Act 1, Scene 2| could have taught my love to take thy father for mine; so wouldst 4|AS YOU LIKE IT|5|Act 1, Scene 2| thou, if the truth of thy love to me were so righteously temper'd 4|AS YOU LIKE IT|5|Act 1, Scene 2| as mine is to thee. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Well, I will forget the condition of my estate, to 4|AS YOU LIKE IT|5|Act 1, Scene 2| rejoice in yours. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. You know my father hath no child but I, nor none is like to 4|AS YOU LIKE IT|5|Act 1, Scene 2| have; and, truly, when he dies thou shalt be his heir; for what 4|AS YOU LIKE IT|5|Act 1, Scene 2| he hath taken away from thy father perforce, I will render thee 4|AS YOU LIKE IT|5|Act 1, Scene 2| again in affection. By mine honour, I will; and when I break that 4|AS YOU LIKE IT|5|Act 1, Scene 2| oath, let me turn monster; therefore, my sweet Rose, my dear 4|AS YOU LIKE IT|5|Act 1, Scene 2| Rose, be merry. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. From henceforth I will, coz, and devise sports. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Let me see; what think you of falling in love? 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Marry, I prithee, do, to make sport withal; but love no man 4|AS YOU LIKE IT|5|Act 1, Scene 2| in good earnest, nor no further in sport neither than with safety 4|AS YOU LIKE IT|5|Act 1, Scene 2| of a pure blush thou mayst in honour come off again. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. What shall be our sport, then? 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Let us sit and mock the good housewife Fortune from her 4|AS YOU LIKE IT|5|Act 1, Scene 2| wheel, that her gifts may henceforth be bestowed equally. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. I would we could do so; for her benefits are mightily 4|AS YOU LIKE IT|5|Act 1, Scene 2| misplaced; and the bountiful blind woman doth most mistake in her 4|AS YOU LIKE IT|5|Act 1, Scene 2| gifts to women. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. 'Tis true; for those that she makes fair she scarce makes 4|AS YOU LIKE IT|5|Act 1, Scene 2| honest; and those that she makes honest she makes very 4|AS YOU LIKE IT|5|Act 1, Scene 2| ill-favouredly. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Nay; now thou goest from Fortune's office to Nature's: 4|AS YOU LIKE IT|5|Act 1, Scene 2| Fortune reigns in gifts of the world, not in the lineaments of 4|AS YOU LIKE IT|5|Act 1, Scene 2| Nature. 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| Enter TOUCHSTONE 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. No; when Nature hath made a fair creature, may she not by 4|AS YOU LIKE IT|5|Act 1, Scene 2| Fortune fall into the fire? Though Nature hath given us wit to 4|AS YOU LIKE IT|5|Act 1, Scene 2| flout at Fortune, hath not Fortune sent in this fool to cut off 4|AS YOU LIKE IT|5|Act 1, Scene 2| the argument? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Indeed, there is Fortune too hard for Nature, when 4|AS YOU LIKE IT|5|Act 1, Scene 2| Fortune makes Nature's natural the cutter-off of Nature's wit. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Peradventure this is not Fortune's work neither, but 4|AS YOU LIKE IT|5|Act 1, Scene 2| Nature's, who perceiveth our natural wits too dull to reason of 4|AS YOU LIKE IT|5|Act 1, Scene 2| such goddesses, and hath sent this natural for our whetstone; for 4|AS YOU LIKE IT|5|Act 1, Scene 2| always the dullness of the fool is the whetstone of the wits. How 4|AS YOU LIKE IT|5|Act 1, Scene 2| now, wit! Whither wander you? 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. Mistress, you must come away to your father. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Were you made the messenger? 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. No, by mine honour; but I was bid to come for you. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Where learned you that oath, fool? 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. Of a certain knight that swore by his honour they were 4|AS YOU LIKE IT|5|Act 1, Scene 2| good pancakes, and swore by his honour the mustard was naught. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Now I'll stand to it, the pancakes were naught and the mustard 4|AS YOU LIKE IT|5|Act 1, Scene 2| was good, and yet was not the knight forsworn. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. How prove you that, in the great heap of your knowledge? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Ay, marry, now unmuzzle your wisdom. 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. Stand you both forth now: stroke your chins, and swear 4|AS YOU LIKE IT|5|Act 1, Scene 2| by your beards that I am a knave. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. By our beards, if we had them, thou art. 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. By my knavery, if I had it, then I were. But if you 4|AS YOU LIKE IT|5|Act 1, Scene 2| swear by that that not, you are not forsworn; no more was this 4|AS YOU LIKE IT|5|Act 1, Scene 2| knight, swearing by his honour, for he never had any; or if he 4|AS YOU LIKE IT|5|Act 1, Scene 2| had, he had sworn it away before ever he saw those pancackes or 4|AS YOU LIKE IT|5|Act 1, Scene 2| that mustard. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Prithee, who is't that thou mean'st? 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. One that old Frederick, your father, loves. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. My father's love is enough to honour him. Enough, speak no 4|AS YOU LIKE IT|5|Act 1, Scene 2| more of him; you'll be whipt for taxation one of these days. 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. The more pity that fools may not speak wisely what wise 4|AS YOU LIKE IT|5|Act 1, Scene 2| men do foolishly. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. By my troth, thou sayest true; for since the little wit that 4|AS YOU LIKE IT|5|Act 1, Scene 2| fools have was silenced, the little foolery that wise men have 4|AS YOU LIKE IT|5|Act 1, Scene 2| makes a great show. Here comes Monsieur Le Beau. 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| Enter LE BEAU 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. With his mouth full of news. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Which he will put on us as pigeons feed their young. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Then shall we be news-cramm'd. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. All the better; we shall be the more marketable. Bon jour, 4|AS YOU LIKE IT|5|Act 1, Scene 2| Monsieur Le Beau. What's the news? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Fair Princess, you have lost much good sport. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Sport! of what colour? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. What colour, madam? How shall I answer you? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. As wit and fortune will. 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. Or as the Destinies decrees. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Well said; that was laid on with a trowel. 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. Nay, if I keep not my rank- 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Thou losest thy old smell. 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. You amaze me, ladies. I would have told you of good 4|AS YOU LIKE IT|5|Act 1, Scene 2| wrestling, which you have lost the sight of. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Yet tell us the manner of the wrestling. 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. I will tell you the beginning, and, if it please your 4|AS YOU LIKE IT|5|Act 1, Scene 2| ladyships, you may see the end; for the best is yet to do; and 4|AS YOU LIKE IT|5|Act 1, Scene 2| here, where you are, they are coming to perform it. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Well, the beginning, that is dead and buried. 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. There comes an old man and his three sons- 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. I could match this beginning with an old tale. 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Three proper young men, of excellent growth and presence. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. With bills on their necks: 'Be it known unto all men by 4|AS YOU LIKE IT|5|Act 1, Scene 2| these presents'- 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. The eldest of the three wrestled with Charles, the Duke's 4|AS YOU LIKE IT|5|Act 1, Scene 2| wrestler; which Charles in a moment threw him, and broke three of 4|AS YOU LIKE IT|5|Act 1, Scene 2| his ribs, that there is little hope of life in him. So he serv'd 4|AS YOU LIKE IT|5|Act 1, Scene 2| the second, and so the third. Yonder they lie; the poor old man, 4|AS YOU LIKE IT|5|Act 1, Scene 2| their father, making such pitiful dole over them that all the 4|AS YOU LIKE IT|5|Act 1, Scene 2| beholders take his part with weeping. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Alas! 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. But what is the sport, monsieur, that the ladies have 4|AS YOU LIKE IT|5|Act 1, Scene 2| lost? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Why, this that I speak of. 4|AS YOU LIKE IT|5|Act 1, Scene 2| TOUCHSTONE. Thus men may grow wiser every day. It is the first time 4|AS YOU LIKE IT|5|Act 1, Scene 2| that ever I heard breaking of ribs was sport for ladies. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Or I, I promise thee. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. But is there any else longs to see this broken music in 4|AS YOU LIKE IT|5|Act 1, Scene 2| his sides? Is there yet another dotes upon rib-breaking? Shall we 4|AS YOU LIKE IT|5|Act 1, Scene 2| see this wrestling, cousin? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. You must, if you stay here; for here is the place 4|AS YOU LIKE IT|5|Act 1, Scene 2| appointed for the wrestling, and they are ready to perform it. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Yonder, sure, they are coming. Let us now stay and see it. 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| Flourish. Enter DUKE FREDERICK, LORDS, ORLANDO, 4|AS YOU LIKE IT|5|Act 1, Scene 2| CHARLES, and ATTENDANTS 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. Come on; since the youth will not be entreated, his own 4|AS YOU LIKE IT|5|Act 1, Scene 2| peril on his forwardness. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Is yonder the man? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Even he, madam. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Alas, he is too young; yet he looks successfully. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. How now, daughter and cousin! Are you crept hither to 4|AS YOU LIKE IT|5|Act 1, Scene 2| see the wrestling? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Ay, my liege; so please you give us leave. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. You will take little delight in it, I can tell you, 4|AS YOU LIKE IT|5|Act 1, Scene 2| there is such odds in the man. In pity of the challenger's youth 4|AS YOU LIKE IT|5|Act 1, Scene 2| I would fain dissuade him, but he will not be entreated. Speak to 4|AS YOU LIKE IT|5|Act 1, Scene 2| him, ladies; see if you can move him. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Call him hither, good Monsieur Le Beau. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. Do so; I'll not be by. 4|AS YOU LIKE IT|5|Act 1, Scene 2| [DUKE FREDERICK goes apart] 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Monsieur the Challenger, the Princess calls for you. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. I attend them with all respect and duty. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Young man, have you challeng'd Charles the wrestler? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. No, fair Princess; he is the general challenger. I come 4|AS YOU LIKE IT|5|Act 1, Scene 2| but in, as others do, to try with him the strength of my youth. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Young gentleman, your spirits are too bold for your years. 4|AS YOU LIKE IT|5|Act 1, Scene 2| You have seen cruel proof of this man's strength; if you saw 4|AS YOU LIKE IT|5|Act 1, Scene 2| yourself with your eyes, or knew yourself with your judgment, the 4|AS YOU LIKE IT|5|Act 1, Scene 2| fear of your adventure would counsel you to a more equal 4|AS YOU LIKE IT|5|Act 1, Scene 2| enterprise. We pray you, for your own sake, to embrace your own 4|AS YOU LIKE IT|5|Act 1, Scene 2| safety and give over this attempt. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Do, young sir; your reputation shall not therefore be 4|AS YOU LIKE IT|5|Act 1, Scene 2| misprised: we will make it our suit to the Duke that the 4|AS YOU LIKE IT|5|Act 1, Scene 2| wrestling might not go forward. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. I beseech you, punish me not with your hard thoughts, 4|AS YOU LIKE IT|5|Act 1, Scene 2| wherein I confess me much guilty to deny so fair and excellent 4|AS YOU LIKE IT|5|Act 1, Scene 2| ladies any thing. But let your fair eyes and gentle wishes go 4|AS YOU LIKE IT|5|Act 1, Scene 2| with me to my trial; wherein if I be foil'd there is but one 4|AS YOU LIKE IT|5|Act 1, Scene 2| sham'd that was never gracious; if kill'd, but one dead that is 4|AS YOU LIKE IT|5|Act 1, Scene 2| willing to be so. I shall do my friends no wrong, for I have none 4|AS YOU LIKE IT|5|Act 1, Scene 2| to lament me; the world no injury, for in it I have nothing; only 4|AS YOU LIKE IT|5|Act 1, Scene 2| in the world I fill up a place, which may be better supplied when 4|AS YOU LIKE IT|5|Act 1, Scene 2| I have made it empty. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. The little strength that I have, I would it were with 4|AS YOU LIKE IT|5|Act 1, Scene 2| you. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. And mine to eke out hers. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Fare you well. Pray heaven I be deceiv'd in you! 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Your heart's desires be with you! 4|AS YOU LIKE IT|5|Act 1, Scene 2| CHARLES. Come, where is this young gallant that is so desirous to 4|AS YOU LIKE IT|5|Act 1, Scene 2| lie with his mother earth? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. Ready, sir; but his will hath in it a more modest working. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. You shall try but one fall. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CHARLES. No, I warrant your Grace, you shall not entreat him to a 4|AS YOU LIKE IT|5|Act 1, Scene 2| second, that have so mightily persuaded him from a first. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. You mean to mock me after; you should not have mock'd me 4|AS YOU LIKE IT|5|Act 1, Scene 2| before; but come your ways. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Now, Hercules be thy speed, young man! 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. I would I were invisible, to catch the strong fellow by the 4|AS YOU LIKE IT|5|Act 1, Scene 2| leg. [They wrestle] 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. O excellent young man! 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. If I had a thunderbolt in mine eye, I can tell who should 4|AS YOU LIKE IT|5|Act 1, Scene 2| down. 4|AS YOU LIKE IT|5|Act 1, Scene 2| [CHARLES is thrown. Shout] 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. No more, no more. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. Yes, I beseech your Grace; I am not yet well breath'd. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. How dost thou, Charles? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. He cannot speak, my lord. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. Bear him away. What is thy name, young man? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. Orlando, my liege; the youngest son of Sir Rowland de 4|AS YOU LIKE IT|5|Act 1, Scene 2| Boys. 4|AS YOU LIKE IT|5|Act 1, Scene 2| FREDERICK. I would thou hadst been son to some man else. 4|AS YOU LIKE IT|5|Act 1, Scene 2| The world esteem'd thy father honourable, 4|AS YOU LIKE IT|5|Act 1, Scene 2| But I did find him still mine enemy. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Thou shouldst have better pleas'd me with this deed, 4|AS YOU LIKE IT|5|Act 1, Scene 2| Hadst thou descended from another house. 4|AS YOU LIKE IT|5|Act 1, Scene 2| But fare thee well; thou art a gallant youth; 4|AS YOU LIKE IT|5|Act 1, Scene 2| I would thou hadst told me of another father. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Exeunt DUKE, train, and LE BEAU 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Were I my father, coz, would I do this? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. I am more proud to be Sir Rowland's son, 4|AS YOU LIKE IT|5|Act 1, Scene 2| His youngest son- and would not change that calling 4|AS YOU LIKE IT|5|Act 1, Scene 2| To be adopted heir to Frederick. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. My father lov'd Sir Rowland as his soul, 4|AS YOU LIKE IT|5|Act 1, Scene 2| And all the world was of my father's mind; 4|AS YOU LIKE IT|5|Act 1, Scene 2| Had I before known this young man his son, 4|AS YOU LIKE IT|5|Act 1, Scene 2| I should have given him tears unto entreaties 4|AS YOU LIKE IT|5|Act 1, Scene 2| Ere he should thus have ventur'd. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Gentle cousin, 4|AS YOU LIKE IT|5|Act 1, Scene 2| Let us go thank him, and encourage him; 4|AS YOU LIKE IT|5|Act 1, Scene 2| My father's rough and envious disposition 4|AS YOU LIKE IT|5|Act 1, Scene 2| Sticks me at heart. Sir, you have well deserv'd; 4|AS YOU LIKE IT|5|Act 1, Scene 2| If you do keep your promises in love 4|AS YOU LIKE IT|5|Act 1, Scene 2| But justly as you have exceeded all promise, 4|AS YOU LIKE IT|5|Act 1, Scene 2| Your mistress shall be happy. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Gentleman, [Giving him a chain from her neck] 4|AS YOU LIKE IT|5|Act 1, Scene 2| Wear this for me; one out of suits with fortune, 4|AS YOU LIKE IT|5|Act 1, Scene 2| That could give more, but that her hand lacks means. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Shall we go, coz? 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Ay. Fare you well, fair gentleman. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. Can I not say 'I thank you'? My better parts 4|AS YOU LIKE IT|5|Act 1, Scene 2| Are all thrown down; and that which here stands up 4|AS YOU LIKE IT|5|Act 1, Scene 2| Is but a quintain, a mere lifeless block. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. He calls us back. My pride fell with my fortunes; 4|AS YOU LIKE IT|5|Act 1, Scene 2| I'll ask him what he would. Did you call, sir? 4|AS YOU LIKE IT|5|Act 1, Scene 2| Sir, you have wrestled well, and overthrown 4|AS YOU LIKE IT|5|Act 1, Scene 2| More than your enemies. 4|AS YOU LIKE IT|5|Act 1, Scene 2| CELIA. Will you go, coz? 4|AS YOU LIKE IT|5|Act 1, Scene 2| ROSALIND. Have with you. Fare you well. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Exeunt ROSALIND and CELIA 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. What passion hangs these weights upon my tongue? 4|AS YOU LIKE IT|5|Act 1, Scene 2| I cannot speak to her, yet she urg'd conference. 4|AS YOU LIKE IT|5|Act 1, Scene 2| O poor Orlando, thou art overthrown! 4|AS YOU LIKE IT|5|Act 1, Scene 2| Or Charles or something weaker masters thee. 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| Re-enter LE BEAU 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Good sir, I do in friendship counsel you 4|AS YOU LIKE IT|5|Act 1, Scene 2| To leave this place. Albeit you have deserv'd 4|AS YOU LIKE IT|5|Act 1, Scene 2| High commendation, true applause, and love, 4|AS YOU LIKE IT|5|Act 1, Scene 2| Yet such is now the Duke's condition 4|AS YOU LIKE IT|5|Act 1, Scene 2| That he misconstrues all that you have done. 4|AS YOU LIKE IT|5|Act 1, Scene 2| The Duke is humorous; what he is, indeed, 4|AS YOU LIKE IT|5|Act 1, Scene 2| More suits you to conceive than I to speak of. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. I thank you, sir; and pray you tell me this: 4|AS YOU LIKE IT|5|Act 1, Scene 2| Which of the two was daughter of the Duke 4|AS YOU LIKE IT|5|Act 1, Scene 2| That here was at the wrestling? 4|AS YOU LIKE IT|5|Act 1, Scene 2| LE BEAU. Neither his daughter, if we judge by manners; 4|AS YOU LIKE IT|5|Act 1, Scene 2| But yet, indeed, the smaller is his daughter; 4|AS YOU LIKE IT|5|Act 1, Scene 2| The other is daughter to the banish'd Duke, 4|AS YOU LIKE IT|5|Act 1, Scene 2| And here detain'd by her usurping uncle, 4|AS YOU LIKE IT|5|Act 1, Scene 2| To keep his daughter company; whose loves 4|AS YOU LIKE IT|5|Act 1, Scene 2| Are dearer than the natural bond of sisters. 4|AS YOU LIKE IT|5|Act 1, Scene 2| But I can tell you that of late this Duke 4|AS YOU LIKE IT|5|Act 1, Scene 2| Hath ta'en displeasure 'gainst his gentle niece, 4|AS YOU LIKE IT|5|Act 1, Scene 2| Grounded upon no other argument 4|AS YOU LIKE IT|5|Act 1, Scene 2| But that the people praise her for her virtues 4|AS YOU LIKE IT|5|Act 1, Scene 2| And pity her for her good father's sake; 4|AS YOU LIKE IT|5|Act 1, Scene 2| And, on my life, his malice 'gainst the lady 4|AS YOU LIKE IT|5|Act 1, Scene 2| Will suddenly break forth. Sir, fare you well. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Hereafter, in a better world than this, 4|AS YOU LIKE IT|5|Act 1, Scene 2| I shall desire more love and knowledge of you. 4|AS YOU LIKE IT|5|Act 1, Scene 2| ORLANDO. I rest much bounden to you; fare you well. 4|AS YOU LIKE IT|5|Act 1, Scene 2| Exit LE BEAU 4|AS YOU LIKE IT|5|Act 1, Scene 2| Thus must I from the smoke into the smother; 4|AS YOU LIKE IT|5|Act 1, Scene 2| From tyrant Duke unto a tyrant brother. 4|AS YOU LIKE IT|5|Act 1, Scene 2| But heavenly Rosalind! Exit 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|5|Act 1, Scene 2| 4|AS YOU LIKE IT|6|Act 1, Scene 3|SCENE III. 4|AS YOU LIKE IT|6|Act 1, Scene 3|The DUKE's palace 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3|Enter CELIA and ROSALIND 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Why, cousin! why, Rosalind! Cupid have mercy! 4|AS YOU LIKE IT|6|Act 1, Scene 3| Not a word? 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Not one to throw at a dog. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. No, thy words are too precious to be cast away upon curs; 4|AS YOU LIKE IT|6|Act 1, Scene 3| throw some of them at me; come, lame me with reasons. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Then there were two cousins laid up, when the one should 4|AS YOU LIKE IT|6|Act 1, Scene 3| be lam'd with reasons and the other mad without any. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. But is all this for your father? 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. No, some of it is for my child's father. O, how full of 4|AS YOU LIKE IT|6|Act 1, Scene 3| briers is this working-day world! 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. They are but burs, cousin, thrown upon thee in holiday 4|AS YOU LIKE IT|6|Act 1, Scene 3| foolery; if we walk not in the trodden paths, our very petticoats 4|AS YOU LIKE IT|6|Act 1, Scene 3| will catch them. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. I could shake them off my coat: these burs are in my 4|AS YOU LIKE IT|6|Act 1, Scene 3| heart. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Hem them away. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. I would try, if I could cry 'hem' and have him. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Come, come, wrestle with thy affections. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. O, they take the part of a better wrestler than myself. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. O, a good wish upon you! You will try in time, in despite of 4|AS YOU LIKE IT|6|Act 1, Scene 3| a fall. But, turning these jests out of service, let us talk in 4|AS YOU LIKE IT|6|Act 1, Scene 3| good earnest. Is it possible, on such a sudden, you should fall 4|AS YOU LIKE IT|6|Act 1, Scene 3| into so strong a liking with old Sir Rowland's youngest son? 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. The Duke my father lov'd his father dearly. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Doth it therefore ensue that you should love his son dearly? 4|AS YOU LIKE IT|6|Act 1, Scene 3| By this kind of chase I should hate him, for my father hated his 4|AS YOU LIKE IT|6|Act 1, Scene 3| father dearly; yet I hate not Orlando. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. No, faith, hate him not, for my sake. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Why should I not? Doth he not deserve well? 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| Enter DUKE FREDERICK, with LORDS 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Let me love him for that; and do you love him because I 4|AS YOU LIKE IT|6|Act 1, Scene 3| do. Look, here comes the Duke. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. With his eyes full of anger. 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. Mistress, dispatch you with your safest haste, 4|AS YOU LIKE IT|6|Act 1, Scene 3| And get you from our court. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Me, uncle? 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. You, cousin. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Within these ten days if that thou beest found 4|AS YOU LIKE IT|6|Act 1, Scene 3| So near our public court as twenty miles, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Thou diest for it. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. I do beseech your Grace, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Let me the knowledge of my fault bear with me. 4|AS YOU LIKE IT|6|Act 1, Scene 3| If with myself I hold intelligence, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Or have acquaintance with mine own desires; 4|AS YOU LIKE IT|6|Act 1, Scene 3| If that I do not dream, or be not frantic- 4|AS YOU LIKE IT|6|Act 1, Scene 3| As I do trust I am not- then, dear uncle, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Never so much as in a thought unborn 4|AS YOU LIKE IT|6|Act 1, Scene 3| Did I offend your Highness. 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. Thus do all traitors; 4|AS YOU LIKE IT|6|Act 1, Scene 3| If their purgation did consist in words, 4|AS YOU LIKE IT|6|Act 1, Scene 3| They are as innocent as grace itself. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Let it suffice thee that I trust thee not. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Yet your mistrust cannot make me a traitor. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Tell me whereon the likelihood depends. 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. Thou art thy father's daughter; there's enough. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. SO was I when your Highness took his dukedom; 4|AS YOU LIKE IT|6|Act 1, Scene 3| So was I when your Highness banish'd him. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Treason is not inherited, my lord; 4|AS YOU LIKE IT|6|Act 1, Scene 3| Or, if we did derive it from our friends, 4|AS YOU LIKE IT|6|Act 1, Scene 3| What's that to me? My father was no traitor. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Then, good my liege, mistake me not so much 4|AS YOU LIKE IT|6|Act 1, Scene 3| To think my poverty is treacherous. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Dear sovereign, hear me speak. 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. Ay, Celia; we stay'd her for your sake, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Else had she with her father rang'd along. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. I did not then entreat to have her stay; 4|AS YOU LIKE IT|6|Act 1, Scene 3| It was your pleasure, and your own remorse; 4|AS YOU LIKE IT|6|Act 1, Scene 3| I was too young that time to value her, 4|AS YOU LIKE IT|6|Act 1, Scene 3| But now I know her. If she be a traitor, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Why so am I: we still have slept together, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Rose at an instant, learn'd, play'd, eat together; 4|AS YOU LIKE IT|6|Act 1, Scene 3| And wheresoe'er we went, like Juno's swans, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Still we went coupled and inseparable. 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. She is too subtle for thee; and her smoothness, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Her very silence and her patience, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Speak to the people, and they pity her. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Thou art a fool. She robs thee of thy name; 4|AS YOU LIKE IT|6|Act 1, Scene 3| And thou wilt show more bright and seem more virtuous 4|AS YOU LIKE IT|6|Act 1, Scene 3| When she is gone. Then open not thy lips. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Firm and irrevocable is my doom 4|AS YOU LIKE IT|6|Act 1, Scene 3| Which I have pass'd upon her; she is banish'd. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Pronounce that sentence, then, on me, my liege; 4|AS YOU LIKE IT|6|Act 1, Scene 3| I cannot live out of her company. 4|AS YOU LIKE IT|6|Act 1, Scene 3| FREDERICK. You are a fool. You, niece, provide yourself. 4|AS YOU LIKE IT|6|Act 1, Scene 3| If you outstay the time, upon mine honour, 4|AS YOU LIKE IT|6|Act 1, Scene 3| And in the greatness of my word, you die. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Exeunt DUKE and LORDS 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. O my poor Rosalind! Whither wilt thou go? 4|AS YOU LIKE IT|6|Act 1, Scene 3| Wilt thou change fathers? I will give thee mine. 4|AS YOU LIKE IT|6|Act 1, Scene 3| I charge thee be not thou more griev'd than I am. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. I have more cause. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Thou hast not, cousin. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Prithee be cheerful. Know'st thou not the Duke 4|AS YOU LIKE IT|6|Act 1, Scene 3| Hath banish'd me, his daughter? 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. That he hath not. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. No, hath not? Rosalind lacks, then, the love 4|AS YOU LIKE IT|6|Act 1, Scene 3| Which teacheth thee that thou and I am one. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Shall we be sund'red? Shall we part, sweet girl? 4|AS YOU LIKE IT|6|Act 1, Scene 3| No; let my father seek another heir. 4|AS YOU LIKE IT|6|Act 1, Scene 3| Therefore devise with me how we may fly, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Whither to go, and what to bear with us; 4|AS YOU LIKE IT|6|Act 1, Scene 3| And do not seek to take your charge upon you, 4|AS YOU LIKE IT|6|Act 1, Scene 3| To bear your griefs yourself, and leave me out; 4|AS YOU LIKE IT|6|Act 1, Scene 3| For, by this heaven, now at our sorrows pale, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Say what thou canst, I'll go along with thee. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Why, whither shall we go? 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. To seek my uncle in the Forest of Arden. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Alas, what danger will it be to us, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Maids as we are, to travel forth so far! 4|AS YOU LIKE IT|6|Act 1, Scene 3| Beauty provoketh thieves sooner than gold. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. I'll put myself in poor and mean attire, 4|AS YOU LIKE IT|6|Act 1, Scene 3| And with a kind of umber smirch my face; 4|AS YOU LIKE IT|6|Act 1, Scene 3| The like do you; so shall we pass along, 4|AS YOU LIKE IT|6|Act 1, Scene 3| And never stir assailants. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. Were it not better, 4|AS YOU LIKE IT|6|Act 1, Scene 3| Because that I am more than common tall, 4|AS YOU LIKE IT|6|Act 1, Scene 3| That I did suit me all points like a man? 4|AS YOU LIKE IT|6|Act 1, Scene 3| A gallant curtle-axe upon my thigh, 4|AS YOU LIKE IT|6|Act 1, Scene 3| A boar spear in my hand; and- in my heart 4|AS YOU LIKE IT|6|Act 1, Scene 3| Lie there what hidden woman's fear there will- 4|AS YOU LIKE IT|6|Act 1, Scene 3| We'll have a swashing and a martial outside, 4|AS YOU LIKE IT|6|Act 1, Scene 3| As many other mannish cowards have 4|AS YOU LIKE IT|6|Act 1, Scene 3| That do outface it with their semblances. 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. What shall I call thee when thou art a man? 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. I'll have no worse a name than Jove's own page, 4|AS YOU LIKE IT|6|Act 1, Scene 3| And therefore look you call me Ganymede. 4|AS YOU LIKE IT|6|Act 1, Scene 3| But what will you be call'd? 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. Something that hath a reference to my state: 4|AS YOU LIKE IT|6|Act 1, Scene 3| No longer Celia, but Aliena. 4|AS YOU LIKE IT|6|Act 1, Scene 3| ROSALIND. But, cousin, what if we assay'd to steal 4|AS YOU LIKE IT|6|Act 1, Scene 3| The clownish fool out of your father's court? 4|AS YOU LIKE IT|6|Act 1, Scene 3| Would he not be a comfort to our travel? 4|AS YOU LIKE IT|6|Act 1, Scene 3| CELIA. He'll go along o'er the wide world with me; 4|AS YOU LIKE IT|6|Act 1, Scene 3| Leave me alone to woo him. Let's away, 4|AS YOU LIKE IT|6|Act 1, Scene 3| And get our jewels and our wealth together; 4|AS YOU LIKE IT|6|Act 1, Scene 3| Devise the fittest time and safest way 4|AS YOU LIKE IT|6|Act 1, Scene 3| To hide us from pursuit that will be made 4|AS YOU LIKE IT|6|Act 1, Scene 3| After my flight. Now go we in content 4|AS YOU LIKE IT|6|Act 1, Scene 3| To liberty, and not to banishment. Exeunt 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|6|Act 1, Scene 3| 4|AS YOU LIKE IT|7|Act 2, Scene 1|ACT II. SCENE I. 4|AS YOU LIKE IT|7|Act 2, Scene 1|The Forest of Arden 4|AS YOU LIKE IT|7|Act 2, Scene 1| 4|AS YOU LIKE IT|7|Act 2, Scene 1|Enter DUKE SENIOR, AMIENS, and two or three LORDS, like foresters 4|AS YOU LIKE IT|7|Act 2, Scene 1| 4|AS YOU LIKE IT|7|Act 2, Scene 1| DUKE SENIOR. Now, my co-mates and brothers in exile, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Hath not old custom made this life more sweet 4|AS YOU LIKE IT|7|Act 2, Scene 1| Than that of painted pomp? Are not these woods 4|AS YOU LIKE IT|7|Act 2, Scene 1| More free from peril than the envious court? 4|AS YOU LIKE IT|7|Act 2, Scene 1| Here feel we not the penalty of Adam, 4|AS YOU LIKE IT|7|Act 2, Scene 1| The seasons' difference; as the icy fang 4|AS YOU LIKE IT|7|Act 2, Scene 1| And churlish chiding of the winter's wind, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Which when it bites and blows upon my body, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Even till I shrink with cold, I smile and say 4|AS YOU LIKE IT|7|Act 2, Scene 1| 'This is no flattery; these are counsellors 4|AS YOU LIKE IT|7|Act 2, Scene 1| That feelingly persuade me what I am.' 4|AS YOU LIKE IT|7|Act 2, Scene 1| Sweet are the uses of adversity, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Which, like the toad, ugly and venomous, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Wears yet a precious jewel in his head; 4|AS YOU LIKE IT|7|Act 2, Scene 1| And this our life, exempt from public haunt, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Finds tongues in trees, books in the running brooks, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Sermons in stones, and good in everything. 4|AS YOU LIKE IT|7|Act 2, Scene 1| I would not change it. 4|AS YOU LIKE IT|7|Act 2, Scene 1| AMIENS. Happy is your Grace, 4|AS YOU LIKE IT|7|Act 2, Scene 1| That can translate the stubbornness of fortune 4|AS YOU LIKE IT|7|Act 2, Scene 1| Into so quiet and so sweet a style. 4|AS YOU LIKE IT|7|Act 2, Scene 1| DUKE SENIOR. Come, shall we go and kill us venison? 4|AS YOU LIKE IT|7|Act 2, Scene 1| And yet it irks me the poor dappled fools, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Being native burghers of this desert city, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Should, in their own confines, with forked heads 4|AS YOU LIKE IT|7|Act 2, Scene 1| Have their round haunches gor'd. 4|AS YOU LIKE IT|7|Act 2, Scene 1| FIRST LORD. Indeed, my lord, 4|AS YOU LIKE IT|7|Act 2, Scene 1| The melancholy Jaques grieves at that; 4|AS YOU LIKE IT|7|Act 2, Scene 1| And, in that kind, swears you do more usurp 4|AS YOU LIKE IT|7|Act 2, Scene 1| Than doth your brother that hath banish'd you. 4|AS YOU LIKE IT|7|Act 2, Scene 1| To-day my Lord of Amiens and myself 4|AS YOU LIKE IT|7|Act 2, Scene 1| Did steal behind him as he lay along 4|AS YOU LIKE IT|7|Act 2, Scene 1| Under an oak whose antique root peeps out 4|AS YOU LIKE IT|7|Act 2, Scene 1| Upon the brook that brawls along this wood! 4|AS YOU LIKE IT|7|Act 2, Scene 1| To the which place a poor sequest'red stag, 4|AS YOU LIKE IT|7|Act 2, Scene 1| That from the hunter's aim had ta'en a hurt, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Did come to languish; and, indeed, my lord, 4|AS YOU LIKE IT|7|Act 2, Scene 1| The wretched animal heav'd forth such groans 4|AS YOU LIKE IT|7|Act 2, Scene 1| That their discharge did stretch his leathern coat 4|AS YOU LIKE IT|7|Act 2, Scene 1| Almost to bursting; and the big round tears 4|AS YOU LIKE IT|7|Act 2, Scene 1| Cours'd one another down his innocent nose 4|AS YOU LIKE IT|7|Act 2, Scene 1| In piteous chase; and thus the hairy fool, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Much marked of the melancholy Jaques, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Stood on th' extremest verge of the swift brook, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Augmenting it with tears. 4|AS YOU LIKE IT|7|Act 2, Scene 1| DUKE SENIOR. But what said Jaques? 4|AS YOU LIKE IT|7|Act 2, Scene 1| Did he not moralize this spectacle? 4|AS YOU LIKE IT|7|Act 2, Scene 1| FIRST LORD. O, yes, into a thousand similes. 4|AS YOU LIKE IT|7|Act 2, Scene 1| First, for his weeping into the needless stream: 4|AS YOU LIKE IT|7|Act 2, Scene 1| 'Poor deer,' quoth he 'thou mak'st a testament 4|AS YOU LIKE IT|7|Act 2, Scene 1| As worldlings do, giving thy sum of more 4|AS YOU LIKE IT|7|Act 2, Scene 1| To that which had too much.' Then, being there alone, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Left and abandoned of his velvet friends: 4|AS YOU LIKE IT|7|Act 2, Scene 1| ''Tis right'; quoth he 'thus misery doth part 4|AS YOU LIKE IT|7|Act 2, Scene 1| The flux of company.' Anon, a careless herd, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Full of the pasture, jumps along by him 4|AS YOU LIKE IT|7|Act 2, Scene 1| And never stays to greet him. 'Ay,' quoth Jaques 4|AS YOU LIKE IT|7|Act 2, Scene 1| 'Sweep on, you fat and greasy citizens; 4|AS YOU LIKE IT|7|Act 2, Scene 1| 'Tis just the fashion. Wherefore do you look 4|AS YOU LIKE IT|7|Act 2, Scene 1| Upon that poor and broken bankrupt there?' 4|AS YOU LIKE IT|7|Act 2, Scene 1| Thus most invectively he pierceth through 4|AS YOU LIKE IT|7|Act 2, Scene 1| The body of the country, city, court, 4|AS YOU LIKE IT|7|Act 2, Scene 1| Yea, and of this our life; swearing that we 4|AS YOU LIKE IT|7|Act 2, Scene 1| Are mere usurpers, tyrants, and what's worse, 4|AS YOU LIKE IT|7|Act 2, Scene 1| To fright the animals, and to kill them up 4|AS YOU LIKE IT|7|Act 2, Scene 1| In their assign'd and native dwelling-place. 4|AS YOU LIKE IT|7|Act 2, Scene 1| DUKE SENIOR. And did you leave him in this contemplation? 4|AS YOU LIKE IT|7|Act 2, Scene 1| SECOND LORD. We did, my lord, weeping and commenting 4|AS YOU LIKE IT|7|Act 2, Scene 1| Upon the sobbing deer. 4|AS YOU LIKE IT|7|Act 2, Scene 1| DUKE SENIOR. Show me the place; 4|AS YOU LIKE IT|7|Act 2, Scene 1| I love to cope him in these sullen fits, 4|AS YOU LIKE IT|7|Act 2, Scene 1| For then he's full of matter. 4|AS YOU LIKE IT|7|Act 2, Scene 1| FIRST LORD. I'll bring you to him straight. Exeunt 4|AS YOU LIKE IT|7|Act 2, Scene 1| 4|AS YOU LIKE IT|7|Act 2, Scene 1| 4|AS YOU LIKE IT|7|Act 2, Scene 1| 4|AS YOU LIKE IT|7|Act 2, Scene 1| 4|AS YOU LIKE IT|8|Act 2, Scene 2|SCENE II. 4|AS YOU LIKE IT|8|Act 2, Scene 2|The DUKE'S palace 4|AS YOU LIKE IT|8|Act 2, Scene 2| 4|AS YOU LIKE IT|8|Act 2, Scene 2|Enter DUKE FREDERICK, with LORDS 4|AS YOU LIKE IT|8|Act 2, Scene 2| 4|AS YOU LIKE IT|8|Act 2, Scene 2| FREDERICK. Can it be possible that no man saw them? 4|AS YOU LIKE IT|8|Act 2, Scene 2| It cannot be; some villains of my court 4|AS YOU LIKE IT|8|Act 2, Scene 2| Are of consent and sufferance in this. 4|AS YOU LIKE IT|8|Act 2, Scene 2| FIRST LORD. I cannot hear of any that did see her. 4|AS YOU LIKE IT|8|Act 2, Scene 2| The ladies, her attendants of her chamber, 4|AS YOU LIKE IT|8|Act 2, Scene 2| Saw her abed, and in the morning early 4|AS YOU LIKE IT|8|Act 2, Scene 2| They found the bed untreasur'd of their mistress. 4|AS YOU LIKE IT|8|Act 2, Scene 2| SECOND LORD. My lord, the roynish clown, at whom so oft 4|AS YOU LIKE IT|8|Act 2, Scene 2| Your Grace was wont to laugh, is also missing. 4|AS YOU LIKE IT|8|Act 2, Scene 2| Hisperia, the Princess' gentlewoman, 4|AS YOU LIKE IT|8|Act 2, Scene 2| Confesses that she secretly o'erheard 4|AS YOU LIKE IT|8|Act 2, Scene 2| Your daughter and her cousin much commend 4|AS YOU LIKE IT|8|Act 2, Scene 2| The parts and graces of the wrestler 4|AS YOU LIKE IT|8|Act 2, Scene 2| That did but lately foil the sinewy Charles; 4|AS YOU LIKE IT|8|Act 2, Scene 2| And she believes, wherever they are gone, 4|AS YOU LIKE IT|8|Act 2, Scene 2| That youth is surely in their company. 4|AS YOU LIKE IT|8|Act 2, Scene 2| FREDERICK. Send to his brother; fetch that gallant hither. 4|AS YOU LIKE IT|8|Act 2, Scene 2| If he be absent, bring his brother to me; 4|AS YOU LIKE IT|8|Act 2, Scene 2| I'll make him find him. Do this suddenly; 4|AS YOU LIKE IT|8|Act 2, Scene 2| And let not search and inquisition quail 4|AS YOU LIKE IT|8|Act 2, Scene 2| To bring again these foolish runaways. Exeunt 4|AS YOU LIKE IT|8|Act 2, Scene 2| 4|AS YOU LIKE IT|8|Act 2, Scene 2| 4|AS YOU LIKE IT|8|Act 2, Scene 2| 4|AS YOU LIKE IT|8|Act 2, Scene 2| 4|AS YOU LIKE IT|9|Act 2, Scene 3|SCENE III. 4|AS YOU LIKE IT|9|Act 2, Scene 3|Before OLIVER'S house 4|AS YOU LIKE IT|9|Act 2, Scene 3| 4|AS YOU LIKE IT|9|Act 2, Scene 3|Enter ORLANDO and ADAM, meeting 4|AS YOU LIKE IT|9|Act 2, Scene 3| 4|AS YOU LIKE IT|9|Act 2, Scene 3| ORLANDO. Who's there? 4|AS YOU LIKE IT|9|Act 2, Scene 3| ADAM. What, my young master? O my gentle master! 4|AS YOU LIKE IT|9|Act 2, Scene 3| O my sweet master! O you memory 4|AS YOU LIKE IT|9|Act 2, Scene 3| Of old Sir Rowland! Why, what make you here? 4|AS YOU LIKE IT|9|Act 2, Scene 3| Why are you virtuous? Why do people love you? 4|AS YOU LIKE IT|9|Act 2, Scene 3| And wherefore are you gentle, strong, and valiant? 4|AS YOU LIKE IT|9|Act 2, Scene 3| Why would you be so fond to overcome 4|AS YOU LIKE IT|9|Act 2, Scene 3| The bonny prizer of the humorous Duke? 4|AS YOU LIKE IT|9|Act 2, Scene 3| Your praise is come too swiftly home before you. 4|AS YOU LIKE IT|9|Act 2, Scene 3| Know you not, master, to some kind of men 4|AS YOU LIKE IT|9|Act 2, Scene 3| Their graces serve them but as enemies? 4|AS YOU LIKE IT|9|Act 2, Scene 3| No more do yours. Your virtues, gentle master, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Are sanctified and holy traitors to you. 4|AS YOU LIKE IT|9|Act 2, Scene 3| O, what a world is this, when what is comely 4|AS YOU LIKE IT|9|Act 2, Scene 3| Envenoms him that bears it! 4|AS YOU LIKE IT|9|Act 2, Scene 3| ORLANDO. Why, what's the matter? 4|AS YOU LIKE IT|9|Act 2, Scene 3| ADAM. O unhappy youth! 4|AS YOU LIKE IT|9|Act 2, Scene 3| Come not within these doors; within this roof 4|AS YOU LIKE IT|9|Act 2, Scene 3| The enemy of all your graces lives. 4|AS YOU LIKE IT|9|Act 2, Scene 3| Your brother- no, no brother; yet the son- 4|AS YOU LIKE IT|9|Act 2, Scene 3| Yet not the son; I will not call him son 4|AS YOU LIKE IT|9|Act 2, Scene 3| Of him I was about to call his father- 4|AS YOU LIKE IT|9|Act 2, Scene 3| Hath heard your praises; and this night he means 4|AS YOU LIKE IT|9|Act 2, Scene 3| To burn the lodging where you use to lie, 4|AS YOU LIKE IT|9|Act 2, Scene 3| And you within it. If he fail of that, 4|AS YOU LIKE IT|9|Act 2, Scene 3| He will have other means to cut you off; 4|AS YOU LIKE IT|9|Act 2, Scene 3| I overheard him and his practices. 4|AS YOU LIKE IT|9|Act 2, Scene 3| This is no place; this house is but a butchery; 4|AS YOU LIKE IT|9|Act 2, Scene 3| Abhor it, fear it, do not enter it. 4|AS YOU LIKE IT|9|Act 2, Scene 3| ORLANDO. Why, whither, Adam, wouldst thou have me go? 4|AS YOU LIKE IT|9|Act 2, Scene 3| ADAM. No matter whither, so you come not here. 4|AS YOU LIKE IT|9|Act 2, Scene 3| ORLANDO. What, wouldst thou have me go and beg my food, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Or with a base and boist'rous sword enforce 4|AS YOU LIKE IT|9|Act 2, Scene 3| A thievish living on the common road? 4|AS YOU LIKE IT|9|Act 2, Scene 3| This I must do, or know not what to do; 4|AS YOU LIKE IT|9|Act 2, Scene 3| Yet this I will not do, do how I can. 4|AS YOU LIKE IT|9|Act 2, Scene 3| I rather will subject me to the malice 4|AS YOU LIKE IT|9|Act 2, Scene 3| Of a diverted blood and bloody brother. 4|AS YOU LIKE IT|9|Act 2, Scene 3| ADAM. But do not so. I have five hundred crowns, 4|AS YOU LIKE IT|9|Act 2, Scene 3| The thrifty hire I sav'd under your father, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Which I did store to be my foster-nurse, 4|AS YOU LIKE IT|9|Act 2, Scene 3| When service should in my old limbs lie lame, 4|AS YOU LIKE IT|9|Act 2, Scene 3| And unregarded age in corners thrown. 4|AS YOU LIKE IT|9|Act 2, Scene 3| Take that, and He that doth the ravens feed, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Yea, providently caters for the sparrow, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Be comfort to my age! Here is the gold; 4|AS YOU LIKE IT|9|Act 2, Scene 3| All this I give you. Let me be your servant; 4|AS YOU LIKE IT|9|Act 2, Scene 3| Though I look old, yet I am strong and lusty; 4|AS YOU LIKE IT|9|Act 2, Scene 3| For in my youth I never did apply 4|AS YOU LIKE IT|9|Act 2, Scene 3| Hot and rebellious liquors in my blood, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Nor did not with unbashful forehead woo 4|AS YOU LIKE IT|9|Act 2, Scene 3| The means of weakness and debility; 4|AS YOU LIKE IT|9|Act 2, Scene 3| Therefore my age is as a lusty winter, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Frosty, but kindly. Let me go with you; 4|AS YOU LIKE IT|9|Act 2, Scene 3| I'll do the service of a younger man 4|AS YOU LIKE IT|9|Act 2, Scene 3| In all your business and necessities. 4|AS YOU LIKE IT|9|Act 2, Scene 3| ORLANDO. O good old man, how well in thee appears 4|AS YOU LIKE IT|9|Act 2, Scene 3| The constant service of the antique world, 4|AS YOU LIKE IT|9|Act 2, Scene 3| When service sweat for duty, not for meed! 4|AS YOU LIKE IT|9|Act 2, Scene 3| Thou art not for the fashion of these times, 4|AS YOU LIKE IT|9|Act 2, Scene 3| Where none will sweat but for promotion, 4|AS YOU LIKE IT|9|Act 2, Scene 3| And having that do choke their service up 4|AS YOU LIKE IT|9|Act 2, Scene 3| Even with the having; it is not so with thee. 4|AS YOU LIKE IT|9|Act 2, Scene 3| But, poor old man, thou prun'st a rotten tree 4|AS YOU LIKE IT|9|Act 2, Scene 3| That cannot so much as a blossom yield 4|AS YOU LIKE IT|9|Act 2, Scene 3| In lieu of all thy pains and husbandry. 4|AS YOU LIKE IT|9|Act 2, Scene 3| But come thy ways, we'll go along together, 4|AS YOU LIKE IT|9|Act 2, Scene 3| And ere we have thy youthful wages spent 4|AS YOU LIKE IT|9|Act 2, Scene 3| We'll light upon some settled low content. 4|AS YOU LIKE IT|9|Act 2, Scene 3| ADAM. Master, go on; and I will follow the 4|AS YOU LIKE IT|9|Act 2, Scene 3| To the last gasp, with truth and loyalty. 4|AS YOU LIKE IT|9|Act 2, Scene 3| From seventeen years till now almost four-score 4|AS YOU LIKE IT|9|Act 2, Scene 3| Here lived I, but now live here no more. 4|AS YOU LIKE IT|9|Act 2, Scene 3| At seventeen years many their fortunes seek, 4|AS YOU LIKE IT|9|Act 2, Scene 3| But at fourscore it is too late a week; 4|AS YOU LIKE IT|9|Act 2, Scene 3| Yet fortune cannot recompense me better 4|AS YOU LIKE IT|9|Act 2, Scene 3| Than to die well and not my master's debtor. Exeunt 4|AS YOU LIKE IT|9|Act 2, Scene 3| 4|AS YOU LIKE IT|9|Act 2, Scene 3| 4|AS YOU LIKE IT|9|Act 2, Scene 3| 4|AS YOU LIKE IT|9|Act 2, Scene 3| 4|AS YOU LIKE IT|10|Act 2, Scene 4|SCENE IV. 4|AS YOU LIKE IT|10|Act 2, Scene 4|The Forest of Arden 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4|Enter ROSALIND for GANYMEDE, CELIA for ALIENA, and CLOWN alias TOUCHSTONE 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. O Jupiter, how weary are my spirits! 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. I Care not for my spirits, if my legs were not weary. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. I could find in my heart to disgrace my man's apparel, 4|AS YOU LIKE IT|10|Act 2, Scene 4| and to cry like a woman; but I must comfort the weaker vessel, as 4|AS YOU LIKE IT|10|Act 2, Scene 4| doublet and hose ought to show itself courageous to petticoat; 4|AS YOU LIKE IT|10|Act 2, Scene 4| therefore, courage, good Aliena. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CELIA. I pray you bear with me; I cannot go no further. 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. For my part, I had rather bear with you than bear you; 4|AS YOU LIKE IT|10|Act 2, Scene 4| yet I should bear no cross if I did bear you; for I think you 4|AS YOU LIKE IT|10|Act 2, Scene 4| have no money in your purse. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Well,. this is the Forest of Arden. 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. Ay, now am I in Arden; the more fool I; when I was at 4|AS YOU LIKE IT|10|Act 2, Scene 4| home I was in a better place; but travellers must be content. 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4| Enter CORIN and SILVIUS 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Ay, be so, good Touchstone. Look you, who comes here, a 4|AS YOU LIKE IT|10|Act 2, Scene 4| young man and an old in solemn talk. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. That is the way to make her scorn you still. 4|AS YOU LIKE IT|10|Act 2, Scene 4| SILVIUS. O Corin, that thou knew'st how I do love her! 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. I partly guess; for I have lov'd ere now. 4|AS YOU LIKE IT|10|Act 2, Scene 4| SILVIUS. No, Corin, being old, thou canst not guess, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Though in thy youth thou wast as true a lover 4|AS YOU LIKE IT|10|Act 2, Scene 4| As ever sigh'd upon a midnight pillow. 4|AS YOU LIKE IT|10|Act 2, Scene 4| But if thy love were ever like to mine, 4|AS YOU LIKE IT|10|Act 2, Scene 4| As sure I think did never man love so, 4|AS YOU LIKE IT|10|Act 2, Scene 4| How many actions most ridiculous 4|AS YOU LIKE IT|10|Act 2, Scene 4| Hast thou been drawn to by thy fantasy? 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. Into a thousand that I have forgotten. 4|AS YOU LIKE IT|10|Act 2, Scene 4| SILVIUS. O, thou didst then never love so heartily! 4|AS YOU LIKE IT|10|Act 2, Scene 4| If thou rememb'rest not the slightest folly 4|AS YOU LIKE IT|10|Act 2, Scene 4| That ever love did make thee run into, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Thou hast not lov'd; 4|AS YOU LIKE IT|10|Act 2, Scene 4| Or if thou hast not sat as I do now, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Wearing thy hearer in thy mistress' praise, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Thou hast not lov'd; 4|AS YOU LIKE IT|10|Act 2, Scene 4| Or if thou hast not broke from company 4|AS YOU LIKE IT|10|Act 2, Scene 4| Abruptly, as my passion now makes me, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Thou hast not lov'd. 4|AS YOU LIKE IT|10|Act 2, Scene 4| O Phebe, Phebe, Phebe! Exit Silvius 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Alas, poor shepherd! searching of thy wound, 4|AS YOU LIKE IT|10|Act 2, Scene 4| I have by hard adventure found mine own. 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. And I mine. I remember, when I was in love, I broke my 4|AS YOU LIKE IT|10|Act 2, Scene 4| sword upon a stone, and bid him take that for coming a-night to 4|AS YOU LIKE IT|10|Act 2, Scene 4| Jane Smile; and I remember the kissing of her batler, and the 4|AS YOU LIKE IT|10|Act 2, Scene 4| cow's dugs that her pretty chopt hands had milk'd; and I remember 4|AS YOU LIKE IT|10|Act 2, Scene 4| the wooing of peascod instead of her; from whom I took two cods, 4|AS YOU LIKE IT|10|Act 2, Scene 4| and giving her them again, said with weeping tears 'Wear these 4|AS YOU LIKE IT|10|Act 2, Scene 4| for my sake.' We that are true lovers run into strange capers; 4|AS YOU LIKE IT|10|Act 2, Scene 4| but as all is mortal in nature, so is all nature in love mortal 4|AS YOU LIKE IT|10|Act 2, Scene 4| in folly. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Thou speak'st wiser than thou art ware of. 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. Nay, I shall ne'er be ware of mine own wit till I break 4|AS YOU LIKE IT|10|Act 2, Scene 4| my shins against it. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Jove, Jove! this shepherd's passion 4|AS YOU LIKE IT|10|Act 2, Scene 4| Is much upon my fashion. 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. And mine; but it grows something stale with me. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CELIA. I pray you, one of you question yond man 4|AS YOU LIKE IT|10|Act 2, Scene 4| If he for gold will give us any food; 4|AS YOU LIKE IT|10|Act 2, Scene 4| I faint almost to death. 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. Holla, you clown! 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Peace, fool; he's not thy Ensman. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. Who calls? 4|AS YOU LIKE IT|10|Act 2, Scene 4| TOUCHSTONE. Your betters, sir. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. Else are they very wretched. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. Peace, I say. Good even to you, friend. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. And to you, gentle sir, and to you all. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. I prithee, shepherd, if that love or gold 4|AS YOU LIKE IT|10|Act 2, Scene 4| Can in this desert place buy entertainment, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Bring us where we may rest ourselves and feed. 4|AS YOU LIKE IT|10|Act 2, Scene 4| Here's a young maid with travel much oppress'd, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And faints for succour. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. Fair sir, I pity her, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And wish, for her sake more than for mine own, 4|AS YOU LIKE IT|10|Act 2, Scene 4| My fortunes were more able to relieve her; 4|AS YOU LIKE IT|10|Act 2, Scene 4| But I am shepherd to another man, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And do not shear the fleeces that I graze. 4|AS YOU LIKE IT|10|Act 2, Scene 4| My master is of churlish disposition, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And little recks to find the way to heaven 4|AS YOU LIKE IT|10|Act 2, Scene 4| By doing deeds of hospitality. 4|AS YOU LIKE IT|10|Act 2, Scene 4| Besides, his cote, his flocks, and bounds of feed, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Are now on sale; and at our sheepcote now, 4|AS YOU LIKE IT|10|Act 2, Scene 4| By reason of his absence, there is nothing 4|AS YOU LIKE IT|10|Act 2, Scene 4| That you will feed on; but what is, come see, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And in my voice most welcome shall you be. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. What is he that shall buy his flock and pasture? 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. That young swain that you saw here but erewhile, 4|AS YOU LIKE IT|10|Act 2, Scene 4| That little cares for buying any thing. 4|AS YOU LIKE IT|10|Act 2, Scene 4| ROSALIND. I pray thee, if it stand with honesty, 4|AS YOU LIKE IT|10|Act 2, Scene 4| Buy thou the cottage, pasture, and the flock, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And thou shalt have to pay for it of us. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CELIA. And we will mend thy wages. I like this place, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And willingly could waste my time in it. 4|AS YOU LIKE IT|10|Act 2, Scene 4| CORIN. Assuredly the thing is to be sold. 4|AS YOU LIKE IT|10|Act 2, Scene 4| Go with me; if you like upon report 4|AS YOU LIKE IT|10|Act 2, Scene 4| The soil, the profit, and this kind of life, 4|AS YOU LIKE IT|10|Act 2, Scene 4| I will your very faithful feeder be, 4|AS YOU LIKE IT|10|Act 2, Scene 4| And buy it with your gold right suddenly. Exeunt 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|10|Act 2, Scene 4| 4|AS YOU LIKE IT|11|Act 2, Scene 5|SCENE V. 4|AS YOU LIKE IT|11|Act 2, Scene 5|Another part of the forest 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5|Enter AMIENS, JAQUES, and OTHERS 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| SONG 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. Under the greenwood tree 4|AS YOU LIKE IT|11|Act 2, Scene 5| Who loves to lie with me, 4|AS YOU LIKE IT|11|Act 2, Scene 5| And turn his merry note 4|AS YOU LIKE IT|11|Act 2, Scene 5| Unto the sweet bird's throat, 4|AS YOU LIKE IT|11|Act 2, Scene 5| Come hither, come hither, come hither. 4|AS YOU LIKE IT|11|Act 2, Scene 5| Here shall he see 4|AS YOU LIKE IT|11|Act 2, Scene 5| No enemy 4|AS YOU LIKE IT|11|Act 2, Scene 5| But winter and rough weather. 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. More, more, I prithee, more. 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. It will make you melancholy, Monsieur Jaques. 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. I thank it. More, I prithee, more. I can suck melancholy 4|AS YOU LIKE IT|11|Act 2, Scene 5| out of a song, as a weasel sucks eggs. More, I prithee, more. 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. My voice is ragged; I know I cannot please you. 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. I do not desire you to please me; I do desire you to sing. 4|AS YOU LIKE IT|11|Act 2, Scene 5| Come, more; another stanzo. Call you 'em stanzos? 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. What you will, Monsieur Jaques. 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. Nay, I care not for their names; they owe me nothing. Will 4|AS YOU LIKE IT|11|Act 2, Scene 5| you sing? 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. More at your request than to please myself. 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. Well then, if ever I thank any man, I'll thank you; but 4|AS YOU LIKE IT|11|Act 2, Scene 5| that they call compliment is like th' encounter of two dog-apes; 4|AS YOU LIKE IT|11|Act 2, Scene 5| and when a man thanks me heartily, methinks have given him a 4|AS YOU LIKE IT|11|Act 2, Scene 5| penny, and he renders me the beggarly thanks. Come, sing; and you 4|AS YOU LIKE IT|11|Act 2, Scene 5| that will not, hold your tongues. 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. Well, I'll end the song. Sirs, cover the while; the Duke 4|AS YOU LIKE IT|11|Act 2, Scene 5| will drink under this tree. He hath been all this day to look 4|AS YOU LIKE IT|11|Act 2, Scene 5| you. 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. And I have been all this day to avoid him. He is to 4|AS YOU LIKE IT|11|Act 2, Scene 5| disputable for my company. I think of as many matters as he; but 4|AS YOU LIKE IT|11|Act 2, Scene 5| I give heaven thanks, and make no boast of them. Come, warble, 4|AS YOU LIKE IT|11|Act 2, Scene 5| come. 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| SONG 4|AS YOU LIKE IT|11|Act 2, Scene 5| [All together here] 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| Who doth ambition shun, 4|AS YOU LIKE IT|11|Act 2, Scene 5| And loves to live i' th' sun, 4|AS YOU LIKE IT|11|Act 2, Scene 5| Seeking the food he eats, 4|AS YOU LIKE IT|11|Act 2, Scene 5| And pleas'd with what he gets, 4|AS YOU LIKE IT|11|Act 2, Scene 5| Come hither, come hither, come hither. 4|AS YOU LIKE IT|11|Act 2, Scene 5| Here shall he see 4|AS YOU LIKE IT|11|Act 2, Scene 5| No enemy 4|AS YOU LIKE IT|11|Act 2, Scene 5| But winter and rough weather. 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. I'll give you a verse to this note that I made yesterday in 4|AS YOU LIKE IT|11|Act 2, Scene 5| despite of my invention. 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. And I'll sing it. 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. Thus it goes: 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| If it do come to pass 4|AS YOU LIKE IT|11|Act 2, Scene 5| That any man turn ass, 4|AS YOU LIKE IT|11|Act 2, Scene 5| Leaving his wealth and ease 4|AS YOU LIKE IT|11|Act 2, Scene 5| A stubborn will to please, 4|AS YOU LIKE IT|11|Act 2, Scene 5| Ducdame, ducdame, ducdame; 4|AS YOU LIKE IT|11|Act 2, Scene 5| Here shall he see 4|AS YOU LIKE IT|11|Act 2, Scene 5| Gross fools as he, 4|AS YOU LIKE IT|11|Act 2, Scene 5| An if he will come to me. 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. What's that 'ducdame'? 4|AS YOU LIKE IT|11|Act 2, Scene 5| JAQUES. 'Tis a Greek invocation, to call fools into a circle. I'll 4|AS YOU LIKE IT|11|Act 2, Scene 5| go sleep, if I can; if I cannot, I'll rail against all the 4|AS YOU LIKE IT|11|Act 2, Scene 5| first-born of Egypt. 4|AS YOU LIKE IT|11|Act 2, Scene 5| AMIENS. And I'll go seek the Duke; his banquet is prepar'd. 4|AS YOU LIKE IT|11|Act 2, Scene 5| Exeunt severally 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|11|Act 2, Scene 5| 4|AS YOU LIKE IT|12|Act 2, Scene 6|SCENE VI. 4|AS YOU LIKE IT|12|Act 2, Scene 6|The forest 4|AS YOU LIKE IT|12|Act 2, Scene 6| 4|AS YOU LIKE IT|12|Act 2, Scene 6|Enter ORLANDO and ADAM 4|AS YOU LIKE IT|12|Act 2, Scene 6| 4|AS YOU LIKE IT|12|Act 2, Scene 6| ADAM. Dear master, I can go no further. O, I die for food! Here lie 4|AS YOU LIKE IT|12|Act 2, Scene 6| I down, and measure out my grave. Farewell, kind master. 4|AS YOU LIKE IT|12|Act 2, Scene 6| ORLANDO. Why, how now, Adam! No greater heart in thee? Live a 4|AS YOU LIKE IT|12|Act 2, Scene 6| little; comfort a little; cheer thyself a little. If this uncouth 4|AS YOU LIKE IT|12|Act 2, Scene 6| forest yield anything savage, I will either be food for it or 4|AS YOU LIKE IT|12|Act 2, Scene 6| bring it for food to thee. Thy conceit is nearer death than thy 4|AS YOU LIKE IT|12|Act 2, Scene 6| powers. For my sake be comfortable; hold death awhile at the 4|AS YOU LIKE IT|12|Act 2, Scene 6| arm's end. I will here be with the presently; and if I bring thee 4|AS YOU LIKE IT|12|Act 2, Scene 6| not something to eat, I will give thee leave to die; but if thou 4|AS YOU LIKE IT|12|Act 2, Scene 6| diest before I come, thou art a mocker of my labour. Well said! 4|AS YOU LIKE IT|12|Act 2, Scene 6| thou look'st cheerly; and I'll be with thee quickly. Yet thou 4|AS YOU LIKE IT|12|Act 2, Scene 6| liest in the bleak air. Come, I will bear thee to some shelter; 4|AS YOU LIKE IT|12|Act 2, Scene 6| and thou shalt not die for lack of a dinner, if there live 4|AS YOU LIKE IT|12|Act 2, Scene 6| anything in this desert. Cheerly, good Adam! Exeunt 4|AS YOU LIKE IT|12|Act 2, Scene 6| 4|AS YOU LIKE IT|12|Act 2, Scene 6| 4|AS YOU LIKE IT|12|Act 2, Scene 6| 4|AS YOU LIKE IT|12|Act 2, Scene 6| 4|AS YOU LIKE IT|13|Act 2, Scene 7|SCENE VII. 4|AS YOU LIKE IT|13|Act 2, Scene 7|The forest 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7|A table set out. Enter DUKE SENIOR, AMIENS, and LORDS, like outlaws 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. I think he be transform'd into a beast; 4|AS YOU LIKE IT|13|Act 2, Scene 7| For I can nowhere find him like a man. 4|AS YOU LIKE IT|13|Act 2, Scene 7| FIRST LORD. My lord, he is but even now gone hence; 4|AS YOU LIKE IT|13|Act 2, Scene 7| Here was he merry, hearing of a song. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. If he, compact of jars, grow musical, 4|AS YOU LIKE IT|13|Act 2, Scene 7| We shall have shortly discord in the spheres. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Go seek him; tell him I would speak with him. 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| Enter JAQUES 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| FIRST LORD. He saves my labour by his own approach. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Why, how now, monsieur! what a life is this, 4|AS YOU LIKE IT|13|Act 2, Scene 7| That your poor friends must woo your company? 4|AS YOU LIKE IT|13|Act 2, Scene 7| What, you look merrily! 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. A fool, a fool! I met a fool i' th' forest, 4|AS YOU LIKE IT|13|Act 2, Scene 7| A motley fool. A miserable world! 4|AS YOU LIKE IT|13|Act 2, Scene 7| As I do live by food, I met a fool, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Who laid him down and bask'd him in the sun, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And rail'd on Lady Fortune in good terms, 4|AS YOU LIKE IT|13|Act 2, Scene 7| In good set terms- and yet a motley fool. 4|AS YOU LIKE IT|13|Act 2, Scene 7| 'Good morrow, fool,' quoth I; 'No, sir,' quoth he, 4|AS YOU LIKE IT|13|Act 2, Scene 7| 'Call me not fool till heaven hath sent me fortune.' 4|AS YOU LIKE IT|13|Act 2, Scene 7| And then he drew a dial from his poke, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And, looking on it with lack-lustre eye, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Says very wisely, 'It is ten o'clock; 4|AS YOU LIKE IT|13|Act 2, Scene 7| Thus we may see,' quoth he, 'how the world wags; 4|AS YOU LIKE IT|13|Act 2, Scene 7| 'Tis but an hour ago since it was nine; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And after one hour more 'twill be eleven; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And so, from hour to hour, we ripe and ripe, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And then, from hour to hour, we rot and rot; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And thereby hangs a tale.' When I did hear 4|AS YOU LIKE IT|13|Act 2, Scene 7| The motley fool thus moral on the time, 4|AS YOU LIKE IT|13|Act 2, Scene 7| My lungs began to crow like chanticleer 4|AS YOU LIKE IT|13|Act 2, Scene 7| That fools should be so deep contemplative; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And I did laugh sans intermission 4|AS YOU LIKE IT|13|Act 2, Scene 7| An hour by his dial. O noble fool! 4|AS YOU LIKE IT|13|Act 2, Scene 7| A worthy fool! Motley's the only wear. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. What fool is this? 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. O worthy fool! One that hath been a courtier, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And says, if ladies be but young and fair, 4|AS YOU LIKE IT|13|Act 2, Scene 7| They have the gift to know it; and in his brain, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Which is as dry as the remainder biscuit 4|AS YOU LIKE IT|13|Act 2, Scene 7| After a voyage, he hath strange places cramm'd 4|AS YOU LIKE IT|13|Act 2, Scene 7| With observation, the which he vents 4|AS YOU LIKE IT|13|Act 2, Scene 7| In mangled forms. O that I were a fool! 4|AS YOU LIKE IT|13|Act 2, Scene 7| I am ambitious for a motley coat. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Thou shalt have one. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. It is my only suit, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Provided that you weed your better judgments 4|AS YOU LIKE IT|13|Act 2, Scene 7| Of all opinion that grows rank in them 4|AS YOU LIKE IT|13|Act 2, Scene 7| That I am wise. I must have liberty 4|AS YOU LIKE IT|13|Act 2, Scene 7| Withal, as large a charter as the wind, 4|AS YOU LIKE IT|13|Act 2, Scene 7| To blow on whom I please, for so fools have; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And they that are most galled with my folly, 4|AS YOU LIKE IT|13|Act 2, Scene 7| They most must laugh. And why, sir, must they so? 4|AS YOU LIKE IT|13|Act 2, Scene 7| The why is plain as way to parish church: 4|AS YOU LIKE IT|13|Act 2, Scene 7| He that a fool doth very wisely hit 4|AS YOU LIKE IT|13|Act 2, Scene 7| Doth very foolishly, although he smart, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Not to seem senseless of the bob; if not, 4|AS YOU LIKE IT|13|Act 2, Scene 7| The wise man's folly is anatomiz'd 4|AS YOU LIKE IT|13|Act 2, Scene 7| Even by the squand'ring glances of the fool. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Invest me in my motley; give me leave 4|AS YOU LIKE IT|13|Act 2, Scene 7| To speak my mind, and I will through and through 4|AS YOU LIKE IT|13|Act 2, Scene 7| Cleanse the foul body of th' infected world, 4|AS YOU LIKE IT|13|Act 2, Scene 7| If they will patiently receive my medicine. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Fie on thee! I can tell what thou wouldst do. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. What, for a counter, would I do but good? 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Most Mischievous foul sin, in chiding sin; 4|AS YOU LIKE IT|13|Act 2, Scene 7| For thou thyself hast been a libertine, 4|AS YOU LIKE IT|13|Act 2, Scene 7| As sensual as the brutish sting itself; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And all th' embossed sores and headed evils 4|AS YOU LIKE IT|13|Act 2, Scene 7| That thou with license of free foot hast caught 4|AS YOU LIKE IT|13|Act 2, Scene 7| Wouldst thou disgorge into the general world. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. Why, who cries out on pride 4|AS YOU LIKE IT|13|Act 2, Scene 7| That can therein tax any private party? 4|AS YOU LIKE IT|13|Act 2, Scene 7| Doth it not flow as hugely as the sea, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Till that the wearer's very means do ebb? 4|AS YOU LIKE IT|13|Act 2, Scene 7| What woman in the city do I name 4|AS YOU LIKE IT|13|Act 2, Scene 7| When that I say the city-woman bears 4|AS YOU LIKE IT|13|Act 2, Scene 7| The cost of princes on unworthy shoulders? 4|AS YOU LIKE IT|13|Act 2, Scene 7| Who can come in and say that I mean her, 4|AS YOU LIKE IT|13|Act 2, Scene 7| When such a one as she such is her neighbour? 4|AS YOU LIKE IT|13|Act 2, Scene 7| Or what is he of basest function 4|AS YOU LIKE IT|13|Act 2, Scene 7| That says his bravery is not on my cost, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Thinking that I mean him, but therein suits 4|AS YOU LIKE IT|13|Act 2, Scene 7| His folly to the mettle of my speech? 4|AS YOU LIKE IT|13|Act 2, Scene 7| There then! how then? what then? Let me see wherein 4|AS YOU LIKE IT|13|Act 2, Scene 7| My tongue hath wrong'd him: if it do him right, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Then he hath wrong'd himself; if he be free, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Why then my taxing like a wild-goose flies, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Unclaim'd of any man. But who comes here? 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| Enter ORLANDO with his sword drawn 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. Forbear, and eat no more. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. Why, I have eat none yet. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. Nor shalt not, till necessity be serv'd. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. Of what kind should this cock come of? 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Art thou thus bolden'd, man, by thy distress? 4|AS YOU LIKE IT|13|Act 2, Scene 7| Or else a rude despiser of good manners, 4|AS YOU LIKE IT|13|Act 2, Scene 7| That in civility thou seem'st so empty? 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. You touch'd my vein at first: the thorny point 4|AS YOU LIKE IT|13|Act 2, Scene 7| Of bare distress hath ta'en from me the show 4|AS YOU LIKE IT|13|Act 2, Scene 7| Of smooth civility; yet arn I inland bred, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And know some nurture. But forbear, I say; 4|AS YOU LIKE IT|13|Act 2, Scene 7| He dies that touches any of this fruit 4|AS YOU LIKE IT|13|Act 2, Scene 7| Till I and my affairs are answered. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. An you will not be answer'd with reason, I must die. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. What would you have? Your gentleness shall force 4|AS YOU LIKE IT|13|Act 2, Scene 7| More than your force move us to gentleness. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. I almost die for food, and let me have it. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Sit down and feed, and welcome to our table. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. Speak you so gently? Pardon me, I pray you; 4|AS YOU LIKE IT|13|Act 2, Scene 7| I thought that all things had been savage here, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And therefore put I on the countenance 4|AS YOU LIKE IT|13|Act 2, Scene 7| Of stern commandment. But whate'er you are 4|AS YOU LIKE IT|13|Act 2, Scene 7| That in this desert inaccessible, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Under the shade of melancholy boughs, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Lose and neglect the creeping hours of time; 4|AS YOU LIKE IT|13|Act 2, Scene 7| If ever you have look'd on better days, 4|AS YOU LIKE IT|13|Act 2, Scene 7| If ever been where bells have knoll'd to church, 4|AS YOU LIKE IT|13|Act 2, Scene 7| If ever sat at any good man's feast, 4|AS YOU LIKE IT|13|Act 2, Scene 7| If ever from your eyelids wip'd a tear, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And know what 'tis to pity and be pitied, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Let gentleness my strong enforcement be; 4|AS YOU LIKE IT|13|Act 2, Scene 7| In the which hope I blush, and hide my sword. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. True is it that we have seen better days, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And have with holy bell been knoll'd to church, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And sat at good men's feasts, and wip'd our eyes 4|AS YOU LIKE IT|13|Act 2, Scene 7| Of drops that sacred pity hath engend'red; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And therefore sit you down in gentleness, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And take upon command what help we have 4|AS YOU LIKE IT|13|Act 2, Scene 7| That to your wanting may be minist'red. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. Then but forbear your food a little while, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Whiles, like a doe, I go to find my fawn, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And give it food. There is an old poor man 4|AS YOU LIKE IT|13|Act 2, Scene 7| Who after me hath many a weary step 4|AS YOU LIKE IT|13|Act 2, Scene 7| Limp'd in pure love; till he be first suffic'd, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Oppress'd with two weak evils, age and hunger, 4|AS YOU LIKE IT|13|Act 2, Scene 7| I will not touch a bit. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Go find him out. 4|AS YOU LIKE IT|13|Act 2, Scene 7| And we will nothing waste till you return. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. I thank ye; and be blest for your good comfort! 4|AS YOU LIKE IT|13|Act 2, Scene 7| Exit 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Thou seest we are not all alone unhappy: 4|AS YOU LIKE IT|13|Act 2, Scene 7| This wide and universal theatre 4|AS YOU LIKE IT|13|Act 2, Scene 7| Presents more woeful pageants than the scene 4|AS YOU LIKE IT|13|Act 2, Scene 7| Wherein we play in. 4|AS YOU LIKE IT|13|Act 2, Scene 7| JAQUES. All the world's a stage, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And all the men and women merely players; 4|AS YOU LIKE IT|13|Act 2, Scene 7| They have their exits and their entrances; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And one man in his time plays many parts, 4|AS YOU LIKE IT|13|Act 2, Scene 7| His acts being seven ages. At first the infant, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Mewling and puking in the nurse's arms; 4|AS YOU LIKE IT|13|Act 2, Scene 7| Then the whining school-boy, with his satchel 4|AS YOU LIKE IT|13|Act 2, Scene 7| And shining morning face, creeping like snail 4|AS YOU LIKE IT|13|Act 2, Scene 7| Unwillingly to school. And then the lover, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Sighing like furnace, with a woeful ballad 4|AS YOU LIKE IT|13|Act 2, Scene 7| Made to his mistress' eyebrow. Then a soldier, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Full of strange oaths, and bearded like the pard, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Jealous in honour, sudden and quick in quarrel, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Seeking the bubble reputation 4|AS YOU LIKE IT|13|Act 2, Scene 7| Even in the cannon's mouth. And then the justice, 4|AS YOU LIKE IT|13|Act 2, Scene 7| In fair round belly with good capon lin'd, 4|AS YOU LIKE IT|13|Act 2, Scene 7| With eyes severe and beard of formal cut, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Full of wise saws and modern instances; 4|AS YOU LIKE IT|13|Act 2, Scene 7| And so he plays his part. The sixth age shifts 4|AS YOU LIKE IT|13|Act 2, Scene 7| Into the lean and slipper'd pantaloon, 4|AS YOU LIKE IT|13|Act 2, Scene 7| With spectacles on nose and pouch on side, 4|AS YOU LIKE IT|13|Act 2, Scene 7| His youthful hose, well sav'd, a world too wide 4|AS YOU LIKE IT|13|Act 2, Scene 7| For his shrunk shank; and his big manly voice, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Turning again toward childish treble, pipes 4|AS YOU LIKE IT|13|Act 2, Scene 7| And whistles in his sound. Last scene of all, 4|AS YOU LIKE IT|13|Act 2, Scene 7| That ends this strange eventful history, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Is second childishness and mere oblivion; 4|AS YOU LIKE IT|13|Act 2, Scene 7| Sans teeth, sans eyes, sans taste, sans every thing. 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| Re-enter ORLANDO with ADAM 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Welcome. Set down your venerable burden. 4|AS YOU LIKE IT|13|Act 2, Scene 7| And let him feed. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ORLANDO. I thank you most for him. 4|AS YOU LIKE IT|13|Act 2, Scene 7| ADAM. So had you need; 4|AS YOU LIKE IT|13|Act 2, Scene 7| I scarce can speak to thank you for myself. 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. Welcome; fall to. I will not trouble you 4|AS YOU LIKE IT|13|Act 2, Scene 7| As yet to question you about your fortunes. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Give us some music; and, good cousin, sing. 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| SONG 4|AS YOU LIKE IT|13|Act 2, Scene 7| Blow, blow, thou winter wind, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Thou art not so unkind 4|AS YOU LIKE IT|13|Act 2, Scene 7| As man's ingratitude; 4|AS YOU LIKE IT|13|Act 2, Scene 7| Thy tooth is not so keen, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Because thou art not seen, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Although thy breath be rude. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Heigh-ho! sing heigh-ho! unto the green holly. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Most friendship is feigning, most loving mere folly. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Then, heigh-ho, the holly! 4|AS YOU LIKE IT|13|Act 2, Scene 7| This life is most jolly. 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| Freeze, freeze, thou bitter sky, 4|AS YOU LIKE IT|13|Act 2, Scene 7| That dost not bite so nigh 4|AS YOU LIKE IT|13|Act 2, Scene 7| As benefits forgot; 4|AS YOU LIKE IT|13|Act 2, Scene 7| Though thou the waters warp, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Thy sting is not so sharp 4|AS YOU LIKE IT|13|Act 2, Scene 7| As friend rememb'red not. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Heigh-ho! sing, &c. 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| DUKE SENIOR. If that you were the good Sir Rowland's son, 4|AS YOU LIKE IT|13|Act 2, Scene 7| As you have whisper'd faithfully you were, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And as mine eye doth his effigies witness 4|AS YOU LIKE IT|13|Act 2, Scene 7| Most truly limn'd and living in your face, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Be truly welcome hither. I am the Duke 4|AS YOU LIKE IT|13|Act 2, Scene 7| That lov'd your father. The residue of your fortune, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Go to my cave and tell me. Good old man, 4|AS YOU LIKE IT|13|Act 2, Scene 7| Thou art right welcome as thy master is. 4|AS YOU LIKE IT|13|Act 2, Scene 7| Support him by the arm. Give me your hand, 4|AS YOU LIKE IT|13|Act 2, Scene 7| And let me all your fortunes understand. Exeunt 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|13|Act 2, Scene 7| 4|AS YOU LIKE IT|14|Act 3, Scene 1|ACT III. SCENE I. 4|AS YOU LIKE IT|14|Act 3, Scene 1|The palace 4|AS YOU LIKE IT|14|Act 3, Scene 1| 4|AS YOU LIKE IT|14|Act 3, Scene 1|Enter DUKE FREDERICK, OLIVER, and LORDS 4|AS YOU LIKE IT|14|Act 3, Scene 1| 4|AS YOU LIKE IT|14|Act 3, Scene 1| FREDERICK. Not see him since! Sir, sir, that cannot be. 4|AS YOU LIKE IT|14|Act 3, Scene 1| But were I not the better part made mercy, 4|AS YOU LIKE IT|14|Act 3, Scene 1| I should not seek an absent argument 4|AS YOU LIKE IT|14|Act 3, Scene 1| Of my revenge, thou present. But look to it: 4|AS YOU LIKE IT|14|Act 3, Scene 1| Find out thy brother wheresoe'er he is; 4|AS YOU LIKE IT|14|Act 3, Scene 1| Seek him with candle; bring him dead or living 4|AS YOU LIKE IT|14|Act 3, Scene 1| Within this twelvemonth, or turn thou no more 4|AS YOU LIKE IT|14|Act 3, Scene 1| To seek a living in our territory. 4|AS YOU LIKE IT|14|Act 3, Scene 1| Thy lands and all things that thou dost call thine 4|AS YOU LIKE IT|14|Act 3, Scene 1| Worth seizure do we seize into our hands, 4|AS YOU LIKE IT|14|Act 3, Scene 1| Till thou canst quit thee by thy brother's mouth 4|AS YOU LIKE IT|14|Act 3, Scene 1| Of what we think against thee. 4|AS YOU LIKE IT|14|Act 3, Scene 1| OLIVER. O that your Highness knew my heart in this! 4|AS YOU LIKE IT|14|Act 3, Scene 1| I never lov'd my brother in my life. 4|AS YOU LIKE IT|14|Act 3, Scene 1| FREDERICK. More villain thou. Well, push him out of doors; 4|AS YOU LIKE IT|14|Act 3, Scene 1| And let my officers of such a nature 4|AS YOU LIKE IT|14|Act 3, Scene 1| Make an extent upon his house and lands. 4|AS YOU LIKE IT|14|Act 3, Scene 1| Do this expediently, and turn him going. Exeunt 4|AS YOU LIKE IT|14|Act 3, Scene 1| 4|AS YOU LIKE IT|14|Act 3, Scene 1| 4|AS YOU LIKE IT|14|Act 3, Scene 1| 4|AS YOU LIKE IT|14|Act 3, Scene 1| 4|AS YOU LIKE IT|15|Act 3, Scene 2|SCENE II. 4|AS YOU LIKE IT|15|Act 3, Scene 2|The forest 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2|Enter ORLANDO, with a paper 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Hang there, my verse, in witness of my love; 4|AS YOU LIKE IT|15|Act 3, Scene 2| And thou, thrice-crowned Queen of Night, survey 4|AS YOU LIKE IT|15|Act 3, Scene 2| With thy chaste eye, from thy pale sphere above, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Thy huntress' name that my full life doth sway. 4|AS YOU LIKE IT|15|Act 3, Scene 2| O Rosalind! these trees shall be my books, 4|AS YOU LIKE IT|15|Act 3, Scene 2| And in their barks my thoughts I'll character, 4|AS YOU LIKE IT|15|Act 3, Scene 2| That every eye which in this forest looks 4|AS YOU LIKE IT|15|Act 3, Scene 2| Shall see thy virtue witness'd every where. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Run, run, Orlando; carve on every tree, 4|AS YOU LIKE IT|15|Act 3, Scene 2| The fair, the chaste, and unexpressive she. Exit 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| Enter CORIN and TOUCHSTONE 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. And how like you this shepherd's life, Master Touchstone? 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Truly, shepherd, in respect of itself, it is a good 4|AS YOU LIKE IT|15|Act 3, Scene 2| life; but in respect that it is a shepherd's life, it is nought. 4|AS YOU LIKE IT|15|Act 3, Scene 2| In respect that it is solitary, I like it very well; but in 4|AS YOU LIKE IT|15|Act 3, Scene 2| respect that it is private, it is a very vile life. Now in 4|AS YOU LIKE IT|15|Act 3, Scene 2| respect it is in the fields, it pleaseth me well; but in respect 4|AS YOU LIKE IT|15|Act 3, Scene 2| it is not in the court, it is tedious. As it is a spare life, 4|AS YOU LIKE IT|15|Act 3, Scene 2| look you, it fits my humour well; but as there is no more plenty 4|AS YOU LIKE IT|15|Act 3, Scene 2| in it, it goes much against my stomach. Hast any philosophy in 4|AS YOU LIKE IT|15|Act 3, Scene 2| thee, shepherd? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. No more but that I know the more one sickens the worse at 4|AS YOU LIKE IT|15|Act 3, Scene 2| ease he is; and that he that wants money, means, and content, is 4|AS YOU LIKE IT|15|Act 3, Scene 2| without three good friends; that the property of rain is to wet, 4|AS YOU LIKE IT|15|Act 3, Scene 2| and fire to burn; that good pasture makes fat sheep; and that a 4|AS YOU LIKE IT|15|Act 3, Scene 2| great cause of the night is lack of the sun; that he that hath 4|AS YOU LIKE IT|15|Act 3, Scene 2| learned no wit by nature nor art may complain of good breeding, 4|AS YOU LIKE IT|15|Act 3, Scene 2| or comes of a very dull kindred. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Such a one is a natural philosopher. Wast ever in 4|AS YOU LIKE IT|15|Act 3, Scene 2| court, shepherd? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. No, truly. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Then thou art damn'd. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. Nay, I hope. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Truly, thou art damn'd, like an ill-roasted egg, all on 4|AS YOU LIKE IT|15|Act 3, Scene 2| one side. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. For not being at court? Your reason. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Why, if thou never wast at court thou never saw'st good 4|AS YOU LIKE IT|15|Act 3, Scene 2| manners; if thou never saw'st good manners, then thy manners must 4|AS YOU LIKE IT|15|Act 3, Scene 2| be wicked; and wickedness is sin, and sin is damnation. Thou art 4|AS YOU LIKE IT|15|Act 3, Scene 2| in a parlous state, shepherd. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. Not a whit, Touchstone. Those that are good manners at the 4|AS YOU LIKE IT|15|Act 3, Scene 2| court are as ridiculous in the country as the behaviour of the 4|AS YOU LIKE IT|15|Act 3, Scene 2| country is most mockable at the court. You told me you salute not 4|AS YOU LIKE IT|15|Act 3, Scene 2| at the court, but you kiss your hands; that courtesy would be 4|AS YOU LIKE IT|15|Act 3, Scene 2| uncleanly if courtiers were shepherds. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Instance, briefly; come, instance. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. Why, we are still handling our ewes; and their fells, you 4|AS YOU LIKE IT|15|Act 3, Scene 2| know, are greasy. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Why, do not your courtier's hands sweat? And is not the 4|AS YOU LIKE IT|15|Act 3, Scene 2| grease of a mutton as wholesome as the sweat of a man? Shallow, 4|AS YOU LIKE IT|15|Act 3, Scene 2| shallow. A better instance, I say; come. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. Besides, our hands are hard. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Your lips will feel them the sooner. Shallow again. A 4|AS YOU LIKE IT|15|Act 3, Scene 2| more sounder instance; come. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. And they are often tarr'd over with the surgery of our 4|AS YOU LIKE IT|15|Act 3, Scene 2| sheep; and would you have us kiss tar? The courtier's hands are 4|AS YOU LIKE IT|15|Act 3, Scene 2| perfum'd with civet. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Most shallow man! thou worm's meat in respect of a good 4|AS YOU LIKE IT|15|Act 3, Scene 2| piece of flesh indeed! Learn of the wise, and perpend: civet is 4|AS YOU LIKE IT|15|Act 3, Scene 2| of a baser birth than tar- the very uncleanly flux of a cat. Mend 4|AS YOU LIKE IT|15|Act 3, Scene 2| the instance, shepherd. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. You have too courtly a wit for me; I'll rest. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Wilt thou rest damn'd? God help thee, shallow man! God 4|AS YOU LIKE IT|15|Act 3, Scene 2| make incision in thee! thou art raw. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. Sir, I am a true labourer: I earn that I eat, get that I 4|AS YOU LIKE IT|15|Act 3, Scene 2| wear; owe no man hate, envy no man's happiness; glad of other 4|AS YOU LIKE IT|15|Act 3, Scene 2| men's good, content with my harm; and the greatest of my pride is 4|AS YOU LIKE IT|15|Act 3, Scene 2| to see my ewes graze and my lambs suck. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. That is another simple sin in you: to bring the ewes 4|AS YOU LIKE IT|15|Act 3, Scene 2| and the rams together, and to offer to get your living by the 4|AS YOU LIKE IT|15|Act 3, Scene 2| copulation of cattle; to be bawd to a bell-wether, and to betray 4|AS YOU LIKE IT|15|Act 3, Scene 2| a she-lamb of a twelvemonth to crooked-pated, old, cuckoldly ram, 4|AS YOU LIKE IT|15|Act 3, Scene 2| out of all reasonable match. If thou beest not damn'd for this, 4|AS YOU LIKE IT|15|Act 3, Scene 2| the devil himself will have no shepherds; I cannot see else how 4|AS YOU LIKE IT|15|Act 3, Scene 2| thou shouldst scape. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CORIN. Here comes young Master Ganymede, my new mistress's brother. 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| Enter ROSALIND, reading a paper 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. 'From the east to western Inde, 4|AS YOU LIKE IT|15|Act 3, Scene 2| No jewel is like Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Her worth, being mounted on the wind, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Through all the world bears Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| All the pictures fairest lin'd 4|AS YOU LIKE IT|15|Act 3, Scene 2| Are but black to Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Let no face be kept in mind 4|AS YOU LIKE IT|15|Act 3, Scene 2| But the fair of Rosalinde.' 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. I'll rhyme you so eight years together, dinners, and 4|AS YOU LIKE IT|15|Act 3, Scene 2| suppers, and sleeping hours, excepted. It is the right 4|AS YOU LIKE IT|15|Act 3, Scene 2| butter-women's rank to market. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Out, fool! 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. For a taste: 4|AS YOU LIKE IT|15|Act 3, Scene 2| If a hart do lack a hind, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Let him seek out Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| If the cat will after kind, 4|AS YOU LIKE IT|15|Act 3, Scene 2| So be sure will Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Winter garments must be lin'd, 4|AS YOU LIKE IT|15|Act 3, Scene 2| So must slender Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| They that reap must sheaf and bind, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Then to cart with Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Sweetest nut hath sourest rind, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Such a nut is Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| He that sweetest rose will find 4|AS YOU LIKE IT|15|Act 3, Scene 2| Must find love's prick and Rosalinde. 4|AS YOU LIKE IT|15|Act 3, Scene 2| This is the very false gallop of verses; why do you infect 4|AS YOU LIKE IT|15|Act 3, Scene 2| yourself with them? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Peace, you dull fool! I found them on a tree. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Truly, the tree yields bad fruit. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. I'll graff it with you, and then I shall graff it with a 4|AS YOU LIKE IT|15|Act 3, Scene 2| medlar. Then it will be the earliest fruit i' th' country; for 4|AS YOU LIKE IT|15|Act 3, Scene 2| you'll be rotten ere you be half ripe, and that's the right 4|AS YOU LIKE IT|15|Act 3, Scene 2| virtue of the medlar. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. You have said; but whether wisely or no, let the forest 4|AS YOU LIKE IT|15|Act 3, Scene 2| judge. 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| Enter CELIA, with a writing 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Peace! 4|AS YOU LIKE IT|15|Act 3, Scene 2| Here comes my sister, reading; stand aside. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. 'Why should this a desert be? 4|AS YOU LIKE IT|15|Act 3, Scene 2| For it is unpeopled? No; 4|AS YOU LIKE IT|15|Act 3, Scene 2| Tongues I'll hang on every tree 4|AS YOU LIKE IT|15|Act 3, Scene 2| That shall civil sayings show. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Some, how brief the life of man 4|AS YOU LIKE IT|15|Act 3, Scene 2| Runs his erring pilgrimage, 4|AS YOU LIKE IT|15|Act 3, Scene 2| That the streching of a span 4|AS YOU LIKE IT|15|Act 3, Scene 2| Buckles in his sum of age; 4|AS YOU LIKE IT|15|Act 3, Scene 2| Some, of violated vows 4|AS YOU LIKE IT|15|Act 3, Scene 2| 'Twixt the souls of friend and friend; 4|AS YOU LIKE IT|15|Act 3, Scene 2| But upon the fairest boughs, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Or at every sentence end, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Will I Rosalinda write, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Teaching all that read to know 4|AS YOU LIKE IT|15|Act 3, Scene 2| The quintessence of every sprite 4|AS YOU LIKE IT|15|Act 3, Scene 2| Heaven would in little show. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Therefore heaven Nature charg'd 4|AS YOU LIKE IT|15|Act 3, Scene 2| That one body should be fill'd 4|AS YOU LIKE IT|15|Act 3, Scene 2| With all graces wide-enlarg'd. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Nature presently distill'd 4|AS YOU LIKE IT|15|Act 3, Scene 2| Helen's cheek, but not her heart, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Cleopatra's majesty, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Atalanta's better part, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Sad Lucretia's modesty. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Thus Rosalinde of many parts 4|AS YOU LIKE IT|15|Act 3, Scene 2| By heavenly synod was devis'd, 4|AS YOU LIKE IT|15|Act 3, Scene 2| Of many faces, eyes, and hearts, 4|AS YOU LIKE IT|15|Act 3, Scene 2| To have the touches dearest priz'd. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Heaven would that she these gifts should have, 4|AS YOU LIKE IT|15|Act 3, Scene 2| And I to live and die her slave.' 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. O most gentle pulpiter! What tedious homily of love have 4|AS YOU LIKE IT|15|Act 3, Scene 2| you wearied your parishioners withal, and never cried 'Have 4|AS YOU LIKE IT|15|Act 3, Scene 2| patience, good people.' 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. How now! Back, friends; shepherd, go off a little; go with 4|AS YOU LIKE IT|15|Act 3, Scene 2| him, sirrah. 4|AS YOU LIKE IT|15|Act 3, Scene 2| TOUCHSTONE. Come, shepherd, let us make an honourable retreat; 4|AS YOU LIKE IT|15|Act 3, Scene 2| though not with bag and baggage, yet with scrip and scrippage. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Exeunt CORIN and TOUCHSTONE 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Didst thou hear these verses? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. O, yes, I heard them all, and more too; for some of them 4|AS YOU LIKE IT|15|Act 3, Scene 2| had in them more feet than the verses would bear. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. That's no matter; the feet might bear the verses. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Ay, but the feet were lame, and could not bear themselves 4|AS YOU LIKE IT|15|Act 3, Scene 2| without the verse, and therefore stood lamely in the verse. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. But didst thou hear without wondering how thy name should be 4|AS YOU LIKE IT|15|Act 3, Scene 2| hang'd and carved upon these trees? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. I was seven of the nine days out of the wonder before you 4|AS YOU LIKE IT|15|Act 3, Scene 2| came; for look here what I found on a palm-tree. I was never so 4|AS YOU LIKE IT|15|Act 3, Scene 2| berhym'd since Pythagoras' time that I was an Irish rat, which I 4|AS YOU LIKE IT|15|Act 3, Scene 2| can hardly remember. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Trow you who hath done this? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Is it a man? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. And a chain, that you once wore, about his neck. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Change you colour? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. I prithee, who? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. O Lord, Lord! it is a hard matter for friends to meet; but 4|AS YOU LIKE IT|15|Act 3, Scene 2| mountains may be remov'd with earthquakes, and so encounter. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Nay, but who is it? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Is it possible? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Nay, I prithee now, with most petitionary vehemence, tell 4|AS YOU LIKE IT|15|Act 3, Scene 2| me who it is. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. O wonderful, wonderful, most wonderful wonderful, and yet 4|AS YOU LIKE IT|15|Act 3, Scene 2| again wonderful, and after that, out of all whooping! 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Good my complexion! dost thou think, though I am 4|AS YOU LIKE IT|15|Act 3, Scene 2| caparison'd like a man, I have a doublet and hose in my 4|AS YOU LIKE IT|15|Act 3, Scene 2| disposition? One inch of delay more is a South Sea of discovery. 4|AS YOU LIKE IT|15|Act 3, Scene 2| I prithee tell me who is it quickly, and speak apace. I would 4|AS YOU LIKE IT|15|Act 3, Scene 2| thou could'st stammer, that thou mightst pour this conceal'd man 4|AS YOU LIKE IT|15|Act 3, Scene 2| out of thy mouth, as wine comes out of narrow-mouth'd bottle- 4|AS YOU LIKE IT|15|Act 3, Scene 2| either too much at once or none at all. I prithee take the cork 4|AS YOU LIKE IT|15|Act 3, Scene 2| out of thy mouth that I may drink thy tidings. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. So you may put a man in your belly. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Is he of God's making? What manner of man? 4|AS YOU LIKE IT|15|Act 3, Scene 2| Is his head worth a hat or his chin worth a beard? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Nay, he hath but a little beard. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Why, God will send more if the man will be thankful. Let 4|AS YOU LIKE IT|15|Act 3, Scene 2| me stay the growth of his beard, if thou delay me not the 4|AS YOU LIKE IT|15|Act 3, Scene 2| knowledge of his chin. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. It is young Orlando, that tripp'd up the wrestler's heels 4|AS YOU LIKE IT|15|Act 3, Scene 2| and your heart both in an instant. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Nay, but the devil take mocking! Speak sad brow and true 4|AS YOU LIKE IT|15|Act 3, Scene 2| maid. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. I' faith, coz, 'tis he. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Orlando? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Orlando. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Alas the day! what shall I do with my doublet and hose? 4|AS YOU LIKE IT|15|Act 3, Scene 2| What did he when thou saw'st him? What said he? How look'd he? 4|AS YOU LIKE IT|15|Act 3, Scene 2| Wherein went he? What makes he here? Did he ask for me? Where 4|AS YOU LIKE IT|15|Act 3, Scene 2| remains he? How parted he with thee? And when shalt thou see him 4|AS YOU LIKE IT|15|Act 3, Scene 2| again? Answer me in one word. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. You must borrow me Gargantua's mouth first; 'tis a word too 4|AS YOU LIKE IT|15|Act 3, Scene 2| great for any mouth of this age's size. To say ay and no to these 4|AS YOU LIKE IT|15|Act 3, Scene 2| particulars is more than to answer in a catechism. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. But doth he know that I am in this forest, and in man's 4|AS YOU LIKE IT|15|Act 3, Scene 2| apparel? Looks he as freshly as he did the day he wrestled? 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. It is as easy to count atomies as to resolve the 4|AS YOU LIKE IT|15|Act 3, Scene 2| propositions of a lover; but take a taste of my finding him, and 4|AS YOU LIKE IT|15|Act 3, Scene 2| relish it with good observance. I found him under a tree, like a 4|AS YOU LIKE IT|15|Act 3, Scene 2| dropp'd acorn. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. It may well be call'd Jove's tree, when it drops forth 4|AS YOU LIKE IT|15|Act 3, Scene 2| such fruit. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Give me audience, good madam. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Proceed. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. There lay he, stretch'd along like a wounded knight. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Though it be pity to see such a sight, it well becomes 4|AS YOU LIKE IT|15|Act 3, Scene 2| the ground. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. Cry 'Holla' to thy tongue, I prithee; it curvets 4|AS YOU LIKE IT|15|Act 3, Scene 2| unseasonably. He was furnish'd like a hunter. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. O, ominous! he comes to kill my heart. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. I would sing my song without a burden; thou bring'st me out 4|AS YOU LIKE IT|15|Act 3, Scene 2| of tune. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Do you not know I am a woman? When I think, I must speak. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Sweet, say on. 4|AS YOU LIKE IT|15|Act 3, Scene 2| CELIA. You bring me out. Soft! comes he not here? 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| Enter ORLANDO and JAQUES 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. 'Tis he; slink by, and note him. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. I thank you for your company; but, good faith, I had as 4|AS YOU LIKE IT|15|Act 3, Scene 2| lief have been myself alone. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. And so had I; but yet, for fashion sake, I thank you too 4|AS YOU LIKE IT|15|Act 3, Scene 2| for your society. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. God buy you; let's meet as little as we can. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I do desire we may be better strangers. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. I pray you mar no more trees with writing love songs in 4|AS YOU LIKE IT|15|Act 3, Scene 2| their barks. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I pray you mar no more of my verses with reading them 4|AS YOU LIKE IT|15|Act 3, Scene 2| ill-favouredly. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. Rosalind is your love's name? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Yes, just. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. I do not like her name. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. There was no thought of pleasing you when she was 4|AS YOU LIKE IT|15|Act 3, Scene 2| christen'd. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. What stature is she of? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Just as high as my heart. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. You are full of pretty answers. Have you not been 4|AS YOU LIKE IT|15|Act 3, Scene 2| acquainted with goldsmiths' wives, and conn'd them out of rings? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Not so; but I answer you right painted cloth, from whence 4|AS YOU LIKE IT|15|Act 3, Scene 2| you have studied your questions. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. You have a nimble wit; I think 'twas made of Atalanta's 4|AS YOU LIKE IT|15|Act 3, Scene 2| heels. Will you sit down with me? and we two will rail against 4|AS YOU LIKE IT|15|Act 3, Scene 2| our mistress the world, and all our misery. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I will chide no breather in the world but myself, against 4|AS YOU LIKE IT|15|Act 3, Scene 2| whom I know most faults. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. The worst fault you have is to be in love. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. 'Tis a fault I will not change for your best virtue. I am 4|AS YOU LIKE IT|15|Act 3, Scene 2| weary of you. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. By my troth, I was seeking for a fool when I found you. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. He is drown'd in the brook; look but in, and you shall see 4|AS YOU LIKE IT|15|Act 3, Scene 2| him. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. There I shall see mine own figure. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Which I take to be either a fool or a cipher. 4|AS YOU LIKE IT|15|Act 3, Scene 2| JAQUES. I'll tarry no longer with you; farewell, good Signior Love. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I am glad of your departure; adieu, good Monsieur 4|AS YOU LIKE IT|15|Act 3, Scene 2| Melancholy. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Exit JAQUES 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. [Aside to CELIA] I will speak to him like a saucy lackey, 4|AS YOU LIKE IT|15|Act 3, Scene 2| and under that habit play the knave with him.- Do you hear, 4|AS YOU LIKE IT|15|Act 3, Scene 2| forester? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Very well; what would you? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. I pray you, what is't o'clock? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. You should ask me what time o' day; there's no clock in 4|AS YOU LIKE IT|15|Act 3, Scene 2| the forest. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Then there is no true lover in the forest, else sighing 4|AS YOU LIKE IT|15|Act 3, Scene 2| every minute and groaning every hour would detect the lazy foot 4|AS YOU LIKE IT|15|Act 3, Scene 2| of Time as well as a clock. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. And why not the swift foot of Time? Had not that been as 4|AS YOU LIKE IT|15|Act 3, Scene 2| proper? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. By no means, sir. Time travels in divers paces with 4|AS YOU LIKE IT|15|Act 3, Scene 2| divers persons. I'll tell you who Time ambles withal, who Time 4|AS YOU LIKE IT|15|Act 3, Scene 2| trots withal, who Time gallops withal, and who he stands still 4|AS YOU LIKE IT|15|Act 3, Scene 2| withal. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I prithee, who doth he trot withal? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Marry, he trots hard with a young maid between the 4|AS YOU LIKE IT|15|Act 3, Scene 2| contract of her marriage and the day it is solemniz'd; if the 4|AS YOU LIKE IT|15|Act 3, Scene 2| interim be but a se'nnight, Time's pace is so hard that it seems 4|AS YOU LIKE IT|15|Act 3, Scene 2| the length of seven year. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Who ambles Time withal? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. With a priest that lacks Latin and a rich man that hath 4|AS YOU LIKE IT|15|Act 3, Scene 2| not the gout; for the one sleeps easily because he cannot study, 4|AS YOU LIKE IT|15|Act 3, Scene 2| and the other lives merrily because he feels no pain; the one 4|AS YOU LIKE IT|15|Act 3, Scene 2| lacking the burden of lean and wasteful learning, the other 4|AS YOU LIKE IT|15|Act 3, Scene 2| knowing no burden of heavy tedious penury. These Time ambles 4|AS YOU LIKE IT|15|Act 3, Scene 2| withal. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Who doth he gallop withal? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. With a thief to the gallows; for though he go as softly 4|AS YOU LIKE IT|15|Act 3, Scene 2| as foot can fall, he thinks himself too soon there. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Who stays it still withal? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. With lawyers in the vacation; for they sleep between term 4|AS YOU LIKE IT|15|Act 3, Scene 2| and term, and then they perceive not how Time moves. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Where dwell you, pretty youth? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. With this shepherdess, my sister; here in the skirts of 4|AS YOU LIKE IT|15|Act 3, Scene 2| the forest, like fringe upon a petticoat. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Are you native of this place? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. As the coney that you see dwell where she is kindled. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Your accent is something finer than you could purchase in 4|AS YOU LIKE IT|15|Act 3, Scene 2| so removed a dwelling. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. I have been told so of many; but indeed an old religious 4|AS YOU LIKE IT|15|Act 3, Scene 2| uncle of mine taught me to speak, who was in his youth an inland 4|AS YOU LIKE IT|15|Act 3, Scene 2| man; one that knew courtship too well, for there he fell in love. 4|AS YOU LIKE IT|15|Act 3, Scene 2| I have heard him read many lectures against it; and I thank God I 4|AS YOU LIKE IT|15|Act 3, Scene 2| am not a woman, to be touch'd with so many giddy offences as he 4|AS YOU LIKE IT|15|Act 3, Scene 2| hath generally tax'd their whole sex withal. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Can you remember any of the principal evils that he laid 4|AS YOU LIKE IT|15|Act 3, Scene 2| to the charge of women? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. There were none principal; they were all like one another 4|AS YOU LIKE IT|15|Act 3, Scene 2| as halfpence are; every one fault seeming monstrous till his 4|AS YOU LIKE IT|15|Act 3, Scene 2| fellow-fault came to match it. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I prithee recount some of them. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. No; I will not cast away my physic but on those that are 4|AS YOU LIKE IT|15|Act 3, Scene 2| sick. There is a man haunts the forest that abuses our young 4|AS YOU LIKE IT|15|Act 3, Scene 2| plants with carving 'Rosalind' on their barks; hangs odes upon 4|AS YOU LIKE IT|15|Act 3, Scene 2| hawthorns and elegies on brambles; all, forsooth, deifying the 4|AS YOU LIKE IT|15|Act 3, Scene 2| name of Rosalind. If I could meet that fancy-monger, I would give 4|AS YOU LIKE IT|15|Act 3, Scene 2| him some good counsel, for he seems to have the quotidian of love 4|AS YOU LIKE IT|15|Act 3, Scene 2| upon him. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I am he that is so love-shak'd; I pray you tell me your 4|AS YOU LIKE IT|15|Act 3, Scene 2| remedy. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. There is none of my uncle's marks upon you; he taught me 4|AS YOU LIKE IT|15|Act 3, Scene 2| how to know a man in love; in which cage of rushes I am sure you 4|AS YOU LIKE IT|15|Act 3, Scene 2| are not prisoner. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. What were his marks? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. A lean cheek, which you have not; a blue eye and sunken, 4|AS YOU LIKE IT|15|Act 3, Scene 2| which you have not; an unquestionable spirit, which you have not; 4|AS YOU LIKE IT|15|Act 3, Scene 2| a beard neglected, which you have not; but I pardon you for that, 4|AS YOU LIKE IT|15|Act 3, Scene 2| for simply your having in beard is a younger brother's revenue. 4|AS YOU LIKE IT|15|Act 3, Scene 2| Then your hose should be ungarter'd, your bonnet unbanded, your 4|AS YOU LIKE IT|15|Act 3, Scene 2| sleeve unbutton'd, your shoe untied, and every thing about you 4|AS YOU LIKE IT|15|Act 3, Scene 2| demonstrating a careless desolation. But you are no such man; you 4|AS YOU LIKE IT|15|Act 3, Scene 2| are rather point-device in your accoutrements, as loving yourself 4|AS YOU LIKE IT|15|Act 3, Scene 2| than seeming the lover of any other. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Fair youth, I would I could make thee believe I love. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Me believe it! You may as soon make her that you love 4|AS YOU LIKE IT|15|Act 3, Scene 2| believe it; which, I warrant, she is apter to do than to confess 4|AS YOU LIKE IT|15|Act 3, Scene 2| she does. That is one of the points in the which women still give 4|AS YOU LIKE IT|15|Act 3, Scene 2| the lie to their consciences. But, in good sooth, are you he that 4|AS YOU LIKE IT|15|Act 3, Scene 2| hangs the verses on the trees wherein Rosalind is so admired? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I swear to thee, youth, by the white hand of Rosalind, I 4|AS YOU LIKE IT|15|Act 3, Scene 2| am that he, that unfortunate he. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. But are you so much in love as your rhymes speak? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Neither rhyme nor reason can express how much. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Love is merely a madness; and, I tell you, deserves as 4|AS YOU LIKE IT|15|Act 3, Scene 2| well a dark house and a whip as madmen do; and the reason why 4|AS YOU LIKE IT|15|Act 3, Scene 2| they are not so punish'd and cured is that the lunacy is so 4|AS YOU LIKE IT|15|Act 3, Scene 2| ordinary that the whippers are in love too. Yet I profess curing 4|AS YOU LIKE IT|15|Act 3, Scene 2| it by counsel. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Did you ever cure any so? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Yes, one; and in this manner. He was to imagine me his 4|AS YOU LIKE IT|15|Act 3, Scene 2| love, his mistress; and I set him every day to woo me; at which 4|AS YOU LIKE IT|15|Act 3, Scene 2| time would I, being but a moonish youth, grieve, be effeminate, 4|AS YOU LIKE IT|15|Act 3, Scene 2| changeable, longing and liking, proud, fantastical, apish, 4|AS YOU LIKE IT|15|Act 3, Scene 2| shallow, inconstant, full of tears, full of smiles; for every 4|AS YOU LIKE IT|15|Act 3, Scene 2| passion something and for no passion truly anything, as boys and 4|AS YOU LIKE IT|15|Act 3, Scene 2| women are for the most part cattle of this colour; would now like 4|AS YOU LIKE IT|15|Act 3, Scene 2| him, now loathe him; then entertain him, then forswear him; now 4|AS YOU LIKE IT|15|Act 3, Scene 2| weep for him, then spit at him; that I drave my suitor from his 4|AS YOU LIKE IT|15|Act 3, Scene 2| mad humour of love to a living humour of madness; which was, to 4|AS YOU LIKE IT|15|Act 3, Scene 2| forswear the full stream of the world and to live in a nook 4|AS YOU LIKE IT|15|Act 3, Scene 2| merely monastic. And thus I cur'd him; and this way will I take 4|AS YOU LIKE IT|15|Act 3, Scene 2| upon me to wash your liver as clean as a sound sheep's heart, 4|AS YOU LIKE IT|15|Act 3, Scene 2| that there shall not be one spot of love in 't. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. I would not be cured, youth. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. I would cure you, if you would but call me Rosalind, and 4|AS YOU LIKE IT|15|Act 3, Scene 2| come every day to my cote and woo me. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. Now, by the faith of my love, I will. Tell me where it is. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Go with me to it, and I'll show it you; and, by the way, 4|AS YOU LIKE IT|15|Act 3, Scene 2| you shall tell me where in the forest you live. Will you go? 4|AS YOU LIKE IT|15|Act 3, Scene 2| ORLANDO. With all my heart, good youth. 4|AS YOU LIKE IT|15|Act 3, Scene 2| ROSALIND. Nay, you must call me Rosalind. Come, sister, will you 4|AS YOU LIKE IT|15|Act 3, Scene 2| go? Exeunt 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|15|Act 3, Scene 2| 4|AS YOU LIKE IT|16|Act 3, Scene 3|SCENE III. 4|AS YOU LIKE IT|16|Act 3, Scene 3|The forest 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3|Enter TOUCHSTONE and AUDREY; JAQUES behind 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. Come apace, good Audrey; I will fetch up your goats, 4|AS YOU LIKE IT|16|Act 3, Scene 3| Audrey. And how, Audrey, am I the man yet? Doth my simple feature 4|AS YOU LIKE IT|16|Act 3, Scene 3| content you? 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. Your features! Lord warrant us! What features? 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. I am here with thee and thy goats, as the most 4|AS YOU LIKE IT|16|Act 3, Scene 3| capricious poet, honest Ovid, was among the Goths. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. [Aside] O knowledge ill-inhabited, worse than Jove in a 4|AS YOU LIKE IT|16|Act 3, Scene 3| thatch'd house! 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. When a man's verses cannot be understood, nor a man's 4|AS YOU LIKE IT|16|Act 3, Scene 3| good wit seconded with the forward child understanding, it 4|AS YOU LIKE IT|16|Act 3, Scene 3| strikes a man more dead than a great reckoning in a little room. 4|AS YOU LIKE IT|16|Act 3, Scene 3| Truly, I would the gods had made thee poetical. 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. I do not know what 'poetical' is. Is it honest in deed and 4|AS YOU LIKE IT|16|Act 3, Scene 3| word? Is it a true thing? 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. No, truly; for the truest poetry is the most feigning, 4|AS YOU LIKE IT|16|Act 3, Scene 3| and lovers are given to poetry; and what they swear in poetry may 4|AS YOU LIKE IT|16|Act 3, Scene 3| be said as lovers they do feign. 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. Do you wish, then, that the gods had made me poetical? 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. I do, truly, for thou swear'st to me thou art honest; 4|AS YOU LIKE IT|16|Act 3, Scene 3| now, if thou wert a poet, I might have some hope thou didst 4|AS YOU LIKE IT|16|Act 3, Scene 3| feign. 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. Would you not have me honest? 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. No, truly, unless thou wert hard-favour'd; for honesty 4|AS YOU LIKE IT|16|Act 3, Scene 3| coupled to beauty is to have honey a sauce to sugar. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. [Aside] A material fool! 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. Well, I am not fair; and therefore I pray the gods make me 4|AS YOU LIKE IT|16|Act 3, Scene 3| honest. 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. Truly, and to cast away honesty upon a foul slut were 4|AS YOU LIKE IT|16|Act 3, Scene 3| to put good meat into an unclean dish. 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. I am not a slut, though I thank the gods I am foul. 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. Well, praised be the gods for thy foulness; 4|AS YOU LIKE IT|16|Act 3, Scene 3| sluttishness may come hereafter. But be it as it may be, I will 4|AS YOU LIKE IT|16|Act 3, Scene 3| marry thee; and to that end I have been with Sir Oliver Martext, 4|AS YOU LIKE IT|16|Act 3, Scene 3| the vicar of the next village, who hath promis'd to meet me in 4|AS YOU LIKE IT|16|Act 3, Scene 3| this place of the forest, and to couple us. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. [Aside] I would fain see this meeting. 4|AS YOU LIKE IT|16|Act 3, Scene 3| AUDREY. Well, the gods give us joy! 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. Amen. A man may, if he were of a fearful heart, stagger 4|AS YOU LIKE IT|16|Act 3, Scene 3| in this attempt; for here we have no temple but the wood, no 4|AS YOU LIKE IT|16|Act 3, Scene 3| assembly but horn-beasts. But what though? Courage! As horns are 4|AS YOU LIKE IT|16|Act 3, Scene 3| odious, they are necessary. It is said: 'Many a man knows no end 4|AS YOU LIKE IT|16|Act 3, Scene 3| of his goods.' Right! Many a man has good horns and knows no end 4|AS YOU LIKE IT|16|Act 3, Scene 3| of them. Well, that is the dowry of his wife; 'tis none of his 4|AS YOU LIKE IT|16|Act 3, Scene 3| own getting. Horns? Even so. Poor men alone? No, no; the noblest 4|AS YOU LIKE IT|16|Act 3, Scene 3| deer hath them as huge as the rascal. Is the single man therefore 4|AS YOU LIKE IT|16|Act 3, Scene 3| blessed? No; as a wall'd town is more worthier than a village, so 4|AS YOU LIKE IT|16|Act 3, Scene 3| is the forehead of a married man more honourable than the bare 4|AS YOU LIKE IT|16|Act 3, Scene 3| brow of a bachelor; and by how much defence is better than no 4|AS YOU LIKE IT|16|Act 3, Scene 3| skill, by so much is horn more precious than to want. Here comes 4|AS YOU LIKE IT|16|Act 3, Scene 3| Sir Oliver. 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3| Enter SIR OLIVER MARTEXT 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3| Sir Oliver Martext, you are well met. Will you dispatch us here 4|AS YOU LIKE IT|16|Act 3, Scene 3| under this tree, or shall we go with you to your chapel? 4|AS YOU LIKE IT|16|Act 3, Scene 3| MARTEXT. Is there none here to give the woman? 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. I will not take her on gift of any man. 4|AS YOU LIKE IT|16|Act 3, Scene 3| MARTEXT. Truly, she must be given, or the marriage is not lawful. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. [Discovering himself] Proceed, proceed; I'll give her. 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. Good even, good Master What-ye-call't; how do you, sir? 4|AS YOU LIKE IT|16|Act 3, Scene 3| You are very well met. Goddild you for your last company. I am 4|AS YOU LIKE IT|16|Act 3, Scene 3| very glad to see you. Even a toy in hand here, sir. Nay; pray be 4|AS YOU LIKE IT|16|Act 3, Scene 3| cover'd. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. Will you be married, motley? 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. As the ox hath his bow, sir, the horse his curb, and 4|AS YOU LIKE IT|16|Act 3, Scene 3| the falcon her bells, so man hath his desires; and as pigeons 4|AS YOU LIKE IT|16|Act 3, Scene 3| bill, so wedlock would be nibbling. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. And will you, being a man of your breeding, be married 4|AS YOU LIKE IT|16|Act 3, Scene 3| under a bush, like a beggar? Get you to church and have a good 4|AS YOU LIKE IT|16|Act 3, Scene 3| priest that can tell you what marriage is; this fellow will but 4|AS YOU LIKE IT|16|Act 3, Scene 3| join you together as they join wainscot; then one of you will 4|AS YOU LIKE IT|16|Act 3, Scene 3| prove a shrunk panel, and like green timber warp, warp. 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. [Aside] I am not in the mind but I were better to be 4|AS YOU LIKE IT|16|Act 3, Scene 3| married of him than of another; for he is not like to marry me 4|AS YOU LIKE IT|16|Act 3, Scene 3| well; and not being well married, it will be a good excuse for me 4|AS YOU LIKE IT|16|Act 3, Scene 3| hereafter to leave my wife. 4|AS YOU LIKE IT|16|Act 3, Scene 3| JAQUES. Go thou with me, and let me counsel thee. 4|AS YOU LIKE IT|16|Act 3, Scene 3| TOUCHSTONE. Come, sweet Audrey; 4|AS YOU LIKE IT|16|Act 3, Scene 3| We must be married or we must live in bawdry. 4|AS YOU LIKE IT|16|Act 3, Scene 3| Farewell, good Master Oliver. Not- 4|AS YOU LIKE IT|16|Act 3, Scene 3| O sweet Oliver, 4|AS YOU LIKE IT|16|Act 3, Scene 3| O brave Oliver, 4|AS YOU LIKE IT|16|Act 3, Scene 3| Leave me not behind thee. 4|AS YOU LIKE IT|16|Act 3, Scene 3| But- 4|AS YOU LIKE IT|16|Act 3, Scene 3| Wind away, 4|AS YOU LIKE IT|16|Act 3, Scene 3| Begone, I say, 4|AS YOU LIKE IT|16|Act 3, Scene 3| I will not to wedding with thee. 4|AS YOU LIKE IT|16|Act 3, Scene 3| Exeunt JAQUES, TOUCHSTONE, and AUDREY 4|AS YOU LIKE IT|16|Act 3, Scene 3| MARTEXT. 'Tis no matter; ne'er a fantastical knave of them all 4|AS YOU LIKE IT|16|Act 3, Scene 3| shall flout me out of my calling. Exit 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|16|Act 3, Scene 3| 4|AS YOU LIKE IT|17|Act 3, Scene 4|SCENE IV. 4|AS YOU LIKE IT|17|Act 3, Scene 4|The forest 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4|Enter ROSALIND and CELIA 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. Never talk to me; I will weep. 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. Do, I prithee; but yet have the grace to consider that tears 4|AS YOU LIKE IT|17|Act 3, Scene 4| do not become a man. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. But have I not cause to weep? 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. As good cause as one would desire; therefore weep. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. His very hair is of the dissembling colour. 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. Something browner than Judas's. 4|AS YOU LIKE IT|17|Act 3, Scene 4| Marry, his kisses are Judas's own children. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. I' faith, his hair is of a good colour. 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. An excellent colour: your chestnut was ever the only colour. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. And his kissing is as full of sanctity as the touch of 4|AS YOU LIKE IT|17|Act 3, Scene 4| holy bread. 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. He hath bought a pair of cast lips of Diana. A nun of 4|AS YOU LIKE IT|17|Act 3, Scene 4| winter's sisterhood kisses not more religiously; the very ice of 4|AS YOU LIKE IT|17|Act 3, Scene 4| chastity is in them. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. But why did he swear he would come this morning, and 4|AS YOU LIKE IT|17|Act 3, Scene 4| comes not? 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. Nay, certainly, there is no truth in him. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. Do you think so? 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. Yes; I think he is not a pick-purse nor a horse-stealer; but 4|AS YOU LIKE IT|17|Act 3, Scene 4| for his verity in love, I do think him as concave as covered 4|AS YOU LIKE IT|17|Act 3, Scene 4| goblet or a worm-eaten nut. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. Not true in love? 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. Yes, when he is in; but I think he is not in. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. You have heard him swear downright he was. 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. 'Was' is not 'is'; besides, the oath of a lover is no 4|AS YOU LIKE IT|17|Act 3, Scene 4| stronger than the word of a tapster; they are both the confirmer 4|AS YOU LIKE IT|17|Act 3, Scene 4| of false reckonings. He attends here in the forest on the Duke, 4|AS YOU LIKE IT|17|Act 3, Scene 4| your father. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. I met the Duke yesterday, and had much question with him. 4|AS YOU LIKE IT|17|Act 3, Scene 4| He asked me of what parentage I was; I told him, of as good as 4|AS YOU LIKE IT|17|Act 3, Scene 4| he; so he laugh'd and let me go. But what talk we of fathers when 4|AS YOU LIKE IT|17|Act 3, Scene 4| there is such a man as Orlando? 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. O, that's a brave man! He writes brave verses, speaks brave 4|AS YOU LIKE IT|17|Act 3, Scene 4| words, swears brave oaths, and breaks them bravely, quite 4|AS YOU LIKE IT|17|Act 3, Scene 4| traverse, athwart the heart of his lover; as a puny tilter, that 4|AS YOU LIKE IT|17|Act 3, Scene 4| spurs his horse but on one side, breaks his staff like a noble 4|AS YOU LIKE IT|17|Act 3, Scene 4| goose. But all's brave that youth mounts and folly guides. Who 4|AS YOU LIKE IT|17|Act 3, Scene 4| comes here? 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4| Enter CORIN 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4| CORIN. Mistress and master, you have oft enquired 4|AS YOU LIKE IT|17|Act 3, Scene 4| After the shepherd that complain'd of love, 4|AS YOU LIKE IT|17|Act 3, Scene 4| Who you saw sitting by me on the turf, 4|AS YOU LIKE IT|17|Act 3, Scene 4| Praising the proud disdainful shepherdess 4|AS YOU LIKE IT|17|Act 3, Scene 4| That was his mistress. 4|AS YOU LIKE IT|17|Act 3, Scene 4| CELIA. Well, and what of him? 4|AS YOU LIKE IT|17|Act 3, Scene 4| CORIN. If you will see a pageant truly play'd 4|AS YOU LIKE IT|17|Act 3, Scene 4| Between the pale complexion of true love 4|AS YOU LIKE IT|17|Act 3, Scene 4| And the red glow of scorn and proud disdain, 4|AS YOU LIKE IT|17|Act 3, Scene 4| Go hence a little, and I shall conduct you, 4|AS YOU LIKE IT|17|Act 3, Scene 4| If you will mark it. 4|AS YOU LIKE IT|17|Act 3, Scene 4| ROSALIND. O, come, let us remove! 4|AS YOU LIKE IT|17|Act 3, Scene 4| The sight of lovers feedeth those in love. 4|AS YOU LIKE IT|17|Act 3, Scene 4| Bring us to this sight, and you shall say 4|AS YOU LIKE IT|17|Act 3, Scene 4| I'll prove a busy actor in their play. Exeunt 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|17|Act 3, Scene 4| 4|AS YOU LIKE IT|18|Act 3, Scene 5|SCENE V. 4|AS YOU LIKE IT|18|Act 3, Scene 5|Another part of the forest 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5|Enter SILVIUS and PHEBE 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. Sweet Phebe, do not scorn me; do not, Phebe. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Say that you love me not; but say not so 4|AS YOU LIKE IT|18|Act 3, Scene 5| In bitterness. The common executioner, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Whose heart th' accustom'd sight of death makes hard, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Falls not the axe upon the humbled neck 4|AS YOU LIKE IT|18|Act 3, Scene 5| But first begs pardon. Will you sterner be 4|AS YOU LIKE IT|18|Act 3, Scene 5| Than he that dies and lives by bloody drops? 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| Enter ROSALIND, CELIA, and CORIN, at a distance 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. I would not be thy executioner; 4|AS YOU LIKE IT|18|Act 3, Scene 5| I fly thee, for I would not injure thee. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Thou tell'st me there is murder in mine eye. 4|AS YOU LIKE IT|18|Act 3, Scene 5| 'Tis pretty, sure, and very probable, 4|AS YOU LIKE IT|18|Act 3, Scene 5| That eyes, that are the frail'st and softest things, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Who shut their coward gates on atomies, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Should be call'd tyrants, butchers, murderers! 4|AS YOU LIKE IT|18|Act 3, Scene 5| Now I do frown on thee with all my heart; 4|AS YOU LIKE IT|18|Act 3, Scene 5| And if mine eyes can wound, now let them kill thee. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Now counterfeit to swoon; why, now fall down; 4|AS YOU LIKE IT|18|Act 3, Scene 5| Or, if thou canst not, O, for shame, for shame, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Lie not, to say mine eyes are murderers. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Now show the wound mine eye hath made in thee. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Scratch thee but with a pin, and there remains 4|AS YOU LIKE IT|18|Act 3, Scene 5| Some scar of it; lean upon a rush, 4|AS YOU LIKE IT|18|Act 3, Scene 5| The cicatrice and capable impressure 4|AS YOU LIKE IT|18|Act 3, Scene 5| Thy palm some moment keeps; but now mine eyes, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Which I have darted at thee, hurt thee not; 4|AS YOU LIKE IT|18|Act 3, Scene 5| Nor, I am sure, there is not force in eyes 4|AS YOU LIKE IT|18|Act 3, Scene 5| That can do hurt. 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. O dear Phebe, 4|AS YOU LIKE IT|18|Act 3, Scene 5| If ever- as that ever may be near- 4|AS YOU LIKE IT|18|Act 3, Scene 5| You meet in some fresh cheek the power of fancy, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Then shall you know the wounds invisible 4|AS YOU LIKE IT|18|Act 3, Scene 5| That love's keen arrows make. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. But till that time 4|AS YOU LIKE IT|18|Act 3, Scene 5| Come not thou near me; and when that time comes, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Afflict me with thy mocks, pity me not; 4|AS YOU LIKE IT|18|Act 3, Scene 5| As till that time I shall not pity thee. 4|AS YOU LIKE IT|18|Act 3, Scene 5| ROSALIND. [Advancing] And why, I pray you? Who might be your 4|AS YOU LIKE IT|18|Act 3, Scene 5| mother, 4|AS YOU LIKE IT|18|Act 3, Scene 5| That you insult, exult, and all at once, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Over the wretched? What though you have no beauty- 4|AS YOU LIKE IT|18|Act 3, Scene 5| As, by my faith, I see no more in you 4|AS YOU LIKE IT|18|Act 3, Scene 5| Than without candle may go dark to bed- 4|AS YOU LIKE IT|18|Act 3, Scene 5| Must you be therefore proud and pitiless? 4|AS YOU LIKE IT|18|Act 3, Scene 5| Why, what means this? Why do you look on me? 4|AS YOU LIKE IT|18|Act 3, Scene 5| I see no more in you than in the ordinary 4|AS YOU LIKE IT|18|Act 3, Scene 5| Of nature's sale-work. 'Od's my little life, 4|AS YOU LIKE IT|18|Act 3, Scene 5| I think she means to tangle my eyes too! 4|AS YOU LIKE IT|18|Act 3, Scene 5| No faith, proud mistress, hope not after it; 4|AS YOU LIKE IT|18|Act 3, Scene 5| 'Tis not your inky brows, your black silk hair, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Your bugle eyeballs, nor your cheek of cream, 4|AS YOU LIKE IT|18|Act 3, Scene 5| That can entame my spirits to your worship. 4|AS YOU LIKE IT|18|Act 3, Scene 5| You foolish shepherd, wherefore do you follow her, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Like foggy south, puffing with wind and rain? 4|AS YOU LIKE IT|18|Act 3, Scene 5| You are a thousand times a properer man 4|AS YOU LIKE IT|18|Act 3, Scene 5| Than she a woman. 'Tis such fools as you 4|AS YOU LIKE IT|18|Act 3, Scene 5| That makes the world full of ill-favour'd children. 4|AS YOU LIKE IT|18|Act 3, Scene 5| 'Tis not her glass, but you, that flatters her; 4|AS YOU LIKE IT|18|Act 3, Scene 5| And out of you she sees herself more proper 4|AS YOU LIKE IT|18|Act 3, Scene 5| Than any of her lineaments can show her. 4|AS YOU LIKE IT|18|Act 3, Scene 5| But, mistress, know yourself. Down on your knees, 4|AS YOU LIKE IT|18|Act 3, Scene 5| And thank heaven, fasting, for a good man's love; 4|AS YOU LIKE IT|18|Act 3, Scene 5| For I must tell you friendly in your ear: 4|AS YOU LIKE IT|18|Act 3, Scene 5| Sell when you can; you are not for all markets. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Cry the man mercy, love him, take his offer; 4|AS YOU LIKE IT|18|Act 3, Scene 5| Foul is most foul, being foul to be a scoffer. 4|AS YOU LIKE IT|18|Act 3, Scene 5| So take her to thee, shepherd. Fare you well. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Sweet youth, I pray you chide a year together; 4|AS YOU LIKE IT|18|Act 3, Scene 5| I had rather hear you chide than this man woo. 4|AS YOU LIKE IT|18|Act 3, Scene 5| ROSALIND. He's fall'n in love with your foulness, and she'll fall 4|AS YOU LIKE IT|18|Act 3, Scene 5| in love with my anger. If it be so, as fast as she answers thee 4|AS YOU LIKE IT|18|Act 3, Scene 5| with frowning looks, I'll sauce her with bitter words. Why look 4|AS YOU LIKE IT|18|Act 3, Scene 5| you so upon me? 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. For no ill will I bear you. 4|AS YOU LIKE IT|18|Act 3, Scene 5| ROSALIND. I pray you do not fall in love with me, 4|AS YOU LIKE IT|18|Act 3, Scene 5| For I am falser than vows made in wine; 4|AS YOU LIKE IT|18|Act 3, Scene 5| Besides, I like you not. If you will know my house, 4|AS YOU LIKE IT|18|Act 3, Scene 5| 'Tis at the tuft of olives here hard by. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Will you go, sister? Shepherd, ply her hard. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Come, sister. Shepherdess, look on him better, 4|AS YOU LIKE IT|18|Act 3, Scene 5| And be not proud; though all the world could see, 4|AS YOU LIKE IT|18|Act 3, Scene 5| None could be so abus'd in sight as he. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Come, to our flock. Exeunt ROSALIND, CELIA, and CORIN 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Dead shepherd, now I find thy saw of might: 4|AS YOU LIKE IT|18|Act 3, Scene 5| 'Who ever lov'd that lov'd not at first sight?' 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. Sweet Phebe. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Ha! what say'st thou, Silvius? 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. Sweet Phebe, pity me. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Why, I arn sorry for thee, gentle Silvius. 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. Wherever sorrow is, relief would be. 4|AS YOU LIKE IT|18|Act 3, Scene 5| If you do sorrow at my grief in love, 4|AS YOU LIKE IT|18|Act 3, Scene 5| By giving love, your sorrow and my grief 4|AS YOU LIKE IT|18|Act 3, Scene 5| Were both extermin'd. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Thou hast my love; is not that neighbourly? 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. I would have you. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Why, that were covetousness. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Silvius, the time was that I hated thee; 4|AS YOU LIKE IT|18|Act 3, Scene 5| And yet it is not that I bear thee love; 4|AS YOU LIKE IT|18|Act 3, Scene 5| But since that thou canst talk of love so well, 4|AS YOU LIKE IT|18|Act 3, Scene 5| Thy company, which erst was irksome to me, 4|AS YOU LIKE IT|18|Act 3, Scene 5| I will endure; and I'll employ thee too. 4|AS YOU LIKE IT|18|Act 3, Scene 5| But do not look for further recompense 4|AS YOU LIKE IT|18|Act 3, Scene 5| Than thine own gladness that thou art employ'd. 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. So holy and so perfect is my love, 4|AS YOU LIKE IT|18|Act 3, Scene 5| And I in such a poverty of grace, 4|AS YOU LIKE IT|18|Act 3, Scene 5| That I shall think it a most plenteous crop 4|AS YOU LIKE IT|18|Act 3, Scene 5| To glean the broken ears after the man 4|AS YOU LIKE IT|18|Act 3, Scene 5| That the main harvest reaps; loose now and then 4|AS YOU LIKE IT|18|Act 3, Scene 5| A scatt'red smile, and that I'll live upon. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Know'st thou the youth that spoke to me erewhile? 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. Not very well; but I have met him oft; 4|AS YOU LIKE IT|18|Act 3, Scene 5| And he hath bought the cottage and the bounds 4|AS YOU LIKE IT|18|Act 3, Scene 5| That the old carlot once was master of. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. Think not I love him, though I ask for him; 4|AS YOU LIKE IT|18|Act 3, Scene 5| 'Tis but a peevish boy; yet he talks well. 4|AS YOU LIKE IT|18|Act 3, Scene 5| But what care I for words? Yet words do well 4|AS YOU LIKE IT|18|Act 3, Scene 5| When he that speaks them pleases those that hear. 4|AS YOU LIKE IT|18|Act 3, Scene 5| It is a pretty youth- not very pretty; 4|AS YOU LIKE IT|18|Act 3, Scene 5| But, sure, he's proud; and yet his pride becomes him. 4|AS YOU LIKE IT|18|Act 3, Scene 5| He'll make a proper man. The best thing in him 4|AS YOU LIKE IT|18|Act 3, Scene 5| Is his complexion; and faster than his tongue 4|AS YOU LIKE IT|18|Act 3, Scene 5| Did make offence, his eye did heal it up. 4|AS YOU LIKE IT|18|Act 3, Scene 5| He is not very tall; yet for his years he's tall; 4|AS YOU LIKE IT|18|Act 3, Scene 5| His leg is but so-so; and yet 'tis well. 4|AS YOU LIKE IT|18|Act 3, Scene 5| There was a pretty redness in his lip, 4|AS YOU LIKE IT|18|Act 3, Scene 5| A little riper and more lusty red 4|AS YOU LIKE IT|18|Act 3, Scene 5| Than that mix'd in his cheek; 'twas just the difference 4|AS YOU LIKE IT|18|Act 3, Scene 5| Betwixt the constant red and mingled damask. 4|AS YOU LIKE IT|18|Act 3, Scene 5| There be some women, Silvius, had they mark'd him 4|AS YOU LIKE IT|18|Act 3, Scene 5| In parcels as I did, would have gone near 4|AS YOU LIKE IT|18|Act 3, Scene 5| To fall in love with him; but, for my part, 4|AS YOU LIKE IT|18|Act 3, Scene 5| I love him not, nor hate him not; and yet 4|AS YOU LIKE IT|18|Act 3, Scene 5| I have more cause to hate him than to love him; 4|AS YOU LIKE IT|18|Act 3, Scene 5| For what had he to do to chide at me? 4|AS YOU LIKE IT|18|Act 3, Scene 5| He said mine eyes were black, and my hair black, 4|AS YOU LIKE IT|18|Act 3, Scene 5| And, now I am rememb'red, scorn'd at me. 4|AS YOU LIKE IT|18|Act 3, Scene 5| I marvel why I answer'd not again; 4|AS YOU LIKE IT|18|Act 3, Scene 5| But that's all one: omittance is no quittance. 4|AS YOU LIKE IT|18|Act 3, Scene 5| I'll write to him a very taunting letter, 4|AS YOU LIKE IT|18|Act 3, Scene 5| And thou shalt bear it; wilt thou, Silvius? 4|AS YOU LIKE IT|18|Act 3, Scene 5| SILVIUS. Phebe, with all my heart. 4|AS YOU LIKE IT|18|Act 3, Scene 5| PHEBE. I'll write it straight; 4|AS YOU LIKE IT|18|Act 3, Scene 5| The matter's in my head and in my heart; 4|AS YOU LIKE IT|18|Act 3, Scene 5| I will be bitter with him and passing short. 4|AS YOU LIKE IT|18|Act 3, Scene 5| Go with me, Silvius. Exeunt 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|18|Act 3, Scene 5| 4|AS YOU LIKE IT|19|Act 4, Scene 1|ACT IV. SCENE I. 4|AS YOU LIKE IT|19|Act 4, Scene 1|The forest 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1|Enter ROSALIND, CELIA, and JAQUES 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1| JAQUES. I prithee, pretty youth, let me be better acquainted with 4|AS YOU LIKE IT|19|Act 4, Scene 1| thee. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. They say you are a melancholy fellow. 4|AS YOU LIKE IT|19|Act 4, Scene 1| JAQUES. I am so; I do love it better than laughing. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Those that are in extremity of either are abominable 4|AS YOU LIKE IT|19|Act 4, Scene 1| fellows, and betray themselves to every modern censure worse than 4|AS YOU LIKE IT|19|Act 4, Scene 1| drunkards. 4|AS YOU LIKE IT|19|Act 4, Scene 1| JAQUES. Why, 'tis good to be sad and say nothing. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Why then, 'tis good to be a post. 4|AS YOU LIKE IT|19|Act 4, Scene 1| JAQUES. I have neither the scholar's melancholy, which is 4|AS YOU LIKE IT|19|Act 4, Scene 1| emulation; nor the musician's, which is fantastical; nor the 4|AS YOU LIKE IT|19|Act 4, Scene 1| courtier's, which is proud; nor the soldier's, which is 4|AS YOU LIKE IT|19|Act 4, Scene 1| ambitious; nor the lawyer's, which is politic; nor the lady's, 4|AS YOU LIKE IT|19|Act 4, Scene 1| which is nice; nor the lover's, which is all these; but it is a 4|AS YOU LIKE IT|19|Act 4, Scene 1| melancholy of mine own, compounded of many simples, extracted 4|AS YOU LIKE IT|19|Act 4, Scene 1| from many objects, and, indeed, the sundry contemplation of my 4|AS YOU LIKE IT|19|Act 4, Scene 1| travels; in which my often rumination wraps me in a most humorous 4|AS YOU LIKE IT|19|Act 4, Scene 1| sadness. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. A traveller! By my faith, you have great reason to be 4|AS YOU LIKE IT|19|Act 4, Scene 1| sad. I fear you have sold your own lands to see other men's; then 4|AS YOU LIKE IT|19|Act 4, Scene 1| to have seen much and to have nothing is to have rich eyes and 4|AS YOU LIKE IT|19|Act 4, Scene 1| poor hands. 4|AS YOU LIKE IT|19|Act 4, Scene 1| JAQUES. Yes, I have gain'd my experience. 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1| Enter ORLANDO 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. And your experience makes you sad. I had rather have a 4|AS YOU LIKE IT|19|Act 4, Scene 1| fool to make me merry than experience to make me sad- and to 4|AS YOU LIKE IT|19|Act 4, Scene 1| travel for it too. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Good day, and happiness, dear Rosalind! 4|AS YOU LIKE IT|19|Act 4, Scene 1| JAQUES. Nay, then, God buy you, an you talk in blank verse. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Farewell, Monsieur Traveller; look you lisp and wear 4|AS YOU LIKE IT|19|Act 4, Scene 1| strange suits, disable all the benefits of your own country, be 4|AS YOU LIKE IT|19|Act 4, Scene 1| out of love with your nativity, and almost chide God for making 4|AS YOU LIKE IT|19|Act 4, Scene 1| you that countenance you are; or I will scarce think you have 4|AS YOU LIKE IT|19|Act 4, Scene 1| swam in a gondola. [Exit JAQUES] Why, how now, Orlando! where 4|AS YOU LIKE IT|19|Act 4, Scene 1| have you been all this while? You a lover! An you serve me such 4|AS YOU LIKE IT|19|Act 4, Scene 1| another trick, never come in my sight more. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. My fair Rosalind, I come within an hour of my promise. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Break an hour's promise in love! He that will divide a 4|AS YOU LIKE IT|19|Act 4, Scene 1| minute into a thousand parts, and break but a part of the 4|AS YOU LIKE IT|19|Act 4, Scene 1| thousand part of a minute in the affairs of love, it may be said 4|AS YOU LIKE IT|19|Act 4, Scene 1| of him that Cupid hath clapp'd him o' th' shoulder, but I'll 4|AS YOU LIKE IT|19|Act 4, Scene 1| warrant him heart-whole. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Pardon me, dear Rosalind. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Nay, an you be so tardy, come no more in my sight. I had 4|AS YOU LIKE IT|19|Act 4, Scene 1| as lief be woo'd of a snail. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Of a snail! 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Ay, of a snail; for though he comes slowly, he carries 4|AS YOU LIKE IT|19|Act 4, Scene 1| his house on his head- a better jointure, I think, than you make 4|AS YOU LIKE IT|19|Act 4, Scene 1| a woman; besides, he brings his destiny with him. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. What's that? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Why, horns; which such as you are fain to be beholding to 4|AS YOU LIKE IT|19|Act 4, Scene 1| your wives for; but he comes armed in his fortune, and prevents 4|AS YOU LIKE IT|19|Act 4, Scene 1| the slander of his wife. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Virtue is no horn-maker; and my Rosalind is virtuous. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. And I am your Rosalind. 4|AS YOU LIKE IT|19|Act 4, Scene 1| CELIA. It pleases him to call you so; but he hath a Rosalind of a 4|AS YOU LIKE IT|19|Act 4, Scene 1| better leer than you. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Come, woo me, woo me; for now I am in a holiday humour, 4|AS YOU LIKE IT|19|Act 4, Scene 1| and like enough to consent. What would you say to me now, an I 4|AS YOU LIKE IT|19|Act 4, Scene 1| were your very very Rosalind? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I would kiss before I spoke. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Nay, you were better speak first; and when you were 4|AS YOU LIKE IT|19|Act 4, Scene 1| gravell'd for lack of matter, you might take occasion to kiss. 4|AS YOU LIKE IT|19|Act 4, Scene 1| Very good orators, when they are out, they will spit; and for 4|AS YOU LIKE IT|19|Act 4, Scene 1| lovers lacking- God warn us!- matter, the cleanliest shift is to 4|AS YOU LIKE IT|19|Act 4, Scene 1| kiss. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. How if the kiss be denied? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Then she puts you to entreaty, and there begins new 4|AS YOU LIKE IT|19|Act 4, Scene 1| matter. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Who could be out, being before his beloved mistress? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Marry, that should you, if I were your mistress; or I 4|AS YOU LIKE IT|19|Act 4, Scene 1| should think my honesty ranker than my wit. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. What, of my suit? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Not out of your apparel, and yet out of your suit. 4|AS YOU LIKE IT|19|Act 4, Scene 1| Am not I your Rosalind? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I take some joy to say you are, because I would be talking 4|AS YOU LIKE IT|19|Act 4, Scene 1| of her. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Well, in her person, I say I will not have you. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Then, in mine own person, I die. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. No, faith, die by attorney. The poor world is almost six 4|AS YOU LIKE IT|19|Act 4, Scene 1| thousand years old, and in all this time there was not any man 4|AS YOU LIKE IT|19|Act 4, Scene 1| died in his own person, videlicet, in a love-cause. Troilus had 4|AS YOU LIKE IT|19|Act 4, Scene 1| his brains dash'd out with a Grecian club; yet he did what he 4|AS YOU LIKE IT|19|Act 4, Scene 1| could to die before, and he is one of the patterns of love. 4|AS YOU LIKE IT|19|Act 4, Scene 1| Leander, he would have liv'd many a fair year, though Hero had 4|AS YOU LIKE IT|19|Act 4, Scene 1| turn'd nun, if it had not been for a hot midsummer night; for, 4|AS YOU LIKE IT|19|Act 4, Scene 1| good youth, he went but forth to wash him in the Hellespont, and, 4|AS YOU LIKE IT|19|Act 4, Scene 1| being taken with the cramp, was drown'd; and the foolish 4|AS YOU LIKE IT|19|Act 4, Scene 1| chroniclers of that age found it was- Hero of Sestos. But these 4|AS YOU LIKE IT|19|Act 4, Scene 1| are all lies: men have died from time to time, and worms have 4|AS YOU LIKE IT|19|Act 4, Scene 1| eaten them, but not for love. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I would not have my right Rosalind of this mind; for, I 4|AS YOU LIKE IT|19|Act 4, Scene 1| protest, her frown might kill me. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. By this hand, it will not kill a fly. But come, now I 4|AS YOU LIKE IT|19|Act 4, Scene 1| will be your Rosalind in a more coming-on disposition; and ask me 4|AS YOU LIKE IT|19|Act 4, Scene 1| what you will, I will grant it. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Then love me, Rosalind. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Yes, faith, will I, Fridays and Saturdays, and all. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. And wilt thou have me? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Ay, and twenty such. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. What sayest thou? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Are you not good? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I hope so. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Why then, can one desire too much of a good thing? Come, 4|AS YOU LIKE IT|19|Act 4, Scene 1| sister, you shall be the priest, and marry us. Give me your hand, 4|AS YOU LIKE IT|19|Act 4, Scene 1| Orlando. What do you say, sister? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Pray thee, marry us. 4|AS YOU LIKE IT|19|Act 4, Scene 1| CELIA. I cannot say the words. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. You must begin 'Will you, Orlando'- 4|AS YOU LIKE IT|19|Act 4, Scene 1| CELIA. Go to. Will you, Orlando, have to wife this Rosalind? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I will. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Ay, but when? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Why, now; as fast as she can marry us. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Then you must say 'I take thee, Rosalind, for wife.' 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I take thee, Rosalind, for wife. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. I might ask you for your commission; but- I do take thee, 4|AS YOU LIKE IT|19|Act 4, Scene 1| Orlando, for my husband. There's a girl goes before the priest; 4|AS YOU LIKE IT|19|Act 4, Scene 1| and, certainly, a woman's thought runs before her actions. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. So do all thoughts; they are wing'd. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Now tell me how long you would have her, after you have 4|AS YOU LIKE IT|19|Act 4, Scene 1| possess'd her. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. For ever and a day. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Say 'a day' without the 'ever.' No, no, Orlando; men are 4|AS YOU LIKE IT|19|Act 4, Scene 1| April when they woo, December when they wed: maids are May when 4|AS YOU LIKE IT|19|Act 4, Scene 1| they are maids, but the sky changes when they are wives. I will 4|AS YOU LIKE IT|19|Act 4, Scene 1| be more jealous of thee than a Barbary cock-pigeon over his hen, 4|AS YOU LIKE IT|19|Act 4, Scene 1| more clamorous than a parrot against rain, more new-fangled than 4|AS YOU LIKE IT|19|Act 4, Scene 1| an ape, more giddy in my desires than a monkey. I will weep for 4|AS YOU LIKE IT|19|Act 4, Scene 1| nothing, like Diana in the fountain, and I will do that when you 4|AS YOU LIKE IT|19|Act 4, Scene 1| are dispos'd to be merry; I will laugh like a hyen, and that when 4|AS YOU LIKE IT|19|Act 4, Scene 1| thou are inclin'd to sleep. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. But will my Rosalind do so? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. By my life, she will do as I do. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. O, but she is wise. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Or else she could not have the wit to do this. The wiser, 4|AS YOU LIKE IT|19|Act 4, Scene 1| the waywarder. Make the doors upon a woman's wit, and it will out 4|AS YOU LIKE IT|19|Act 4, Scene 1| at the casement; shut that, and 'twill out at the key-hole; stop 4|AS YOU LIKE IT|19|Act 4, Scene 1| that, 'twill fly with the smoke out at the chimney. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. A man that had a wife with such a wit, he might say 'Wit, 4|AS YOU LIKE IT|19|Act 4, Scene 1| whither wilt?' ROSALIND. Nay, you might keep that check for it, till you met your 4|AS YOU LIKE IT|19|Act 4, Scene 1| wife's wit going to your neighbour's bed. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. And what wit could wit have to excuse that? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Marry, to say she came to seek you there. You shall never 4|AS YOU LIKE IT|19|Act 4, Scene 1| take her without her answer, unless you take her without her 4|AS YOU LIKE IT|19|Act 4, Scene 1| tongue. O, that woman that cannot make her fault her husband's 4|AS YOU LIKE IT|19|Act 4, Scene 1| occasion, let her never nurse her child herself, for she will 4|AS YOU LIKE IT|19|Act 4, Scene 1| breed it like a fool! 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. For these two hours, Rosalind, I will leave thee. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Alas, dear love, I cannot lack thee two hours! 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. I must attend the Duke at dinner; by two o'clock I will be 4|AS YOU LIKE IT|19|Act 4, Scene 1| with thee again. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Ay, go your ways, go your ways. I knew what you would 4|AS YOU LIKE IT|19|Act 4, Scene 1| prove; my friends told me as much, and I thought no less. That 4|AS YOU LIKE IT|19|Act 4, Scene 1| flattering tongue of yours won me. 'Tis but one cast away, and 4|AS YOU LIKE IT|19|Act 4, Scene 1| so, come death! Two o'clock is your hour? 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. Ay, sweet Rosalind. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. By my troth, and in good earnest, and so God mend me, and 4|AS YOU LIKE IT|19|Act 4, Scene 1| by all pretty oaths that are not dangerous, if you break one jot 4|AS YOU LIKE IT|19|Act 4, Scene 1| of your promise, or come one minute behind your hour, I will 4|AS YOU LIKE IT|19|Act 4, Scene 1| think you the most pathetical break-promise, and the most hollow 4|AS YOU LIKE IT|19|Act 4, Scene 1| lover, and the most unworthy of her you call Rosalind, that may 4|AS YOU LIKE IT|19|Act 4, Scene 1| be chosen out of the gross band of the unfaithful. Therefore 4|AS YOU LIKE IT|19|Act 4, Scene 1| beware my censure, and keep your promise. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ORLANDO. With no less religion than if thou wert indeed my 4|AS YOU LIKE IT|19|Act 4, Scene 1| Rosalind; so, adieu. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. Well, Time is the old justice that examines all such 4|AS YOU LIKE IT|19|Act 4, Scene 1| offenders, and let Time try. Adieu. Exit ORLANDO 4|AS YOU LIKE IT|19|Act 4, Scene 1| CELIA. You have simply misus'd our sex in your love-prate. We must 4|AS YOU LIKE IT|19|Act 4, Scene 1| have your doublet and hose pluck'd over your head, and show the 4|AS YOU LIKE IT|19|Act 4, Scene 1| world what the bird hath done to her own nest. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. O coz, coz, coz, my pretty little coz, that thou didst 4|AS YOU LIKE IT|19|Act 4, Scene 1| know how many fathom deep I am in love! But it cannot be sounded; 4|AS YOU LIKE IT|19|Act 4, Scene 1| my affection hath an unknown bottom, like the Bay of Portugal. 4|AS YOU LIKE IT|19|Act 4, Scene 1| CELIA. Or rather, bottomless; that as fast as you pour affection 4|AS YOU LIKE IT|19|Act 4, Scene 1| in, it runs out. 4|AS YOU LIKE IT|19|Act 4, Scene 1| ROSALIND. No; that same wicked bastard of Venus, that was begot of 4|AS YOU LIKE IT|19|Act 4, Scene 1| thought, conceiv'd of spleen, and born of madness; that blind 4|AS YOU LIKE IT|19|Act 4, Scene 1| rascally boy, that abuses every one's eyes, because his own are 4|AS YOU LIKE IT|19|Act 4, Scene 1| out- let him be judge how deep I am in love. I'll tell thee, 4|AS YOU LIKE IT|19|Act 4, Scene 1| Aliena, I cannot be out of the sight of Orlando. I'll go find a 4|AS YOU LIKE IT|19|Act 4, Scene 1| shadow, and sigh till he come. 4|AS YOU LIKE IT|19|Act 4, Scene 1| CELIA. And I'll sleep. Exeunt 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|19|Act 4, Scene 1| 4|AS YOU LIKE IT|20|Act 4, Scene 2|SCENE II. 4|AS YOU LIKE IT|20|Act 4, Scene 2|The forest 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| Enter JAQUES and LORDS, in the habit of foresters 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| JAQUES. Which is he that killed the deer? 4|AS YOU LIKE IT|20|Act 4, Scene 2| LORD. Sir, it was I. 4|AS YOU LIKE IT|20|Act 4, Scene 2| JAQUES. Let's present him to the Duke, like a Roman conqueror; and 4|AS YOU LIKE IT|20|Act 4, Scene 2| it would do well to set the deer's horns upon his head for a 4|AS YOU LIKE IT|20|Act 4, Scene 2| branch of victory. Have you no song, forester, for this purpose? 4|AS YOU LIKE IT|20|Act 4, Scene 2| LORD. Yes, sir. 4|AS YOU LIKE IT|20|Act 4, Scene 2| JAQUES. Sing it; 'tis no matter how it be in tune, so it make noise 4|AS YOU LIKE IT|20|Act 4, Scene 2| enough. 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| SONG. 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| What shall he have that kill'd the deer? 4|AS YOU LIKE IT|20|Act 4, Scene 2| His leather skin and horns to wear. 4|AS YOU LIKE IT|20|Act 4, Scene 2| [The rest shall hear this burden:] 4|AS YOU LIKE IT|20|Act 4, Scene 2| Then sing him home. 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| Take thou no scorn to wear the horn; 4|AS YOU LIKE IT|20|Act 4, Scene 2| It was a crest ere thou wast born. 4|AS YOU LIKE IT|20|Act 4, Scene 2| Thy father's father wore it; 4|AS YOU LIKE IT|20|Act 4, Scene 2| And thy father bore it. 4|AS YOU LIKE IT|20|Act 4, Scene 2| The horn, the horn, the lusty horn, 4|AS YOU LIKE IT|20|Act 4, Scene 2| Is not a thing to laugh to scorn. Exeunt 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|20|Act 4, Scene 2| 4|AS YOU LIKE IT|21|Act 4, Scene 3|SCENE III. 4|AS YOU LIKE IT|21|Act 4, Scene 3|The forest 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3|Enter ROSALIND and CELIA 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. How say you now? Is it not past two o'clock? 4|AS YOU LIKE IT|21|Act 4, Scene 3| And here much Orlando! 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. I warrant you, with pure love and troubled brain, he hath 4|AS YOU LIKE IT|21|Act 4, Scene 3| ta'en his bow and arrows, and is gone forth- to sleep. Look, who 4|AS YOU LIKE IT|21|Act 4, Scene 3| comes here. 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| Enter SILVIUS 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| SILVIUS. My errand is to you, fair youth; 4|AS YOU LIKE IT|21|Act 4, Scene 3| My gentle Phebe did bid me give you this. 4|AS YOU LIKE IT|21|Act 4, Scene 3| I know not the contents; but, as I guess 4|AS YOU LIKE IT|21|Act 4, Scene 3| By the stern brow and waspish action 4|AS YOU LIKE IT|21|Act 4, Scene 3| Which she did use as she was writing of it, 4|AS YOU LIKE IT|21|Act 4, Scene 3| It bears an angry tenour. Pardon me, 4|AS YOU LIKE IT|21|Act 4, Scene 3| I am but as a guiltless messenger. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. Patience herself would startle at this letter, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And play the swaggerer. Bear this, bear all. 4|AS YOU LIKE IT|21|Act 4, Scene 3| She says I am not fair, that I lack manners; 4|AS YOU LIKE IT|21|Act 4, Scene 3| She calls me proud, and that she could not love me, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Were man as rare as Phoenix. 'Od's my will! 4|AS YOU LIKE IT|21|Act 4, Scene 3| Her love is not the hare that I do hunt; 4|AS YOU LIKE IT|21|Act 4, Scene 3| Why writes she so to me? Well, shepherd, well, 4|AS YOU LIKE IT|21|Act 4, Scene 3| This is a letter of your own device. 4|AS YOU LIKE IT|21|Act 4, Scene 3| SILVIUS. No, I protest, I know not the contents; 4|AS YOU LIKE IT|21|Act 4, Scene 3| Phebe did write it. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. Come, come, you are a fool, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And turn'd into the extremity of love. 4|AS YOU LIKE IT|21|Act 4, Scene 3| I saw her hand; she has a leathern hand, 4|AS YOU LIKE IT|21|Act 4, Scene 3| A freestone-colour'd hand; I verily did think 4|AS YOU LIKE IT|21|Act 4, Scene 3| That her old gloves were on, but 'twas her hands; 4|AS YOU LIKE IT|21|Act 4, Scene 3| She has a huswife's hand- but that's no matter. 4|AS YOU LIKE IT|21|Act 4, Scene 3| I say she never did invent this letter: 4|AS YOU LIKE IT|21|Act 4, Scene 3| This is a man's invention, and his hand. 4|AS YOU LIKE IT|21|Act 4, Scene 3| SILVIUS. Sure, it is hers. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. Why, 'tis a boisterous and a cruel style; 4|AS YOU LIKE IT|21|Act 4, Scene 3| A style for challengers. Why, she defies me, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Like Turk to Christian. Women's gentle brain 4|AS YOU LIKE IT|21|Act 4, Scene 3| Could not drop forth such giant-rude invention, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Such Ethiope words, blacker in their effect 4|AS YOU LIKE IT|21|Act 4, Scene 3| Than in their countenance. Will you hear the letter? 4|AS YOU LIKE IT|21|Act 4, Scene 3| SILVIUS. So please you, for I never heard it yet; 4|AS YOU LIKE IT|21|Act 4, Scene 3| Yet heard too much of Phebe's cruelty. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. She Phebes me: mark how the tyrant writes. 4|AS YOU LIKE IT|21|Act 4, Scene 3| [Reads] 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 'Art thou god to shepherd turn'd, 4|AS YOU LIKE IT|21|Act 4, Scene 3| That a maiden's heart hath burn'd?' 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| Can a woman rail thus? 4|AS YOU LIKE IT|21|Act 4, Scene 3| SILVIUS. Call you this railing? 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. 'Why, thy godhead laid apart, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Warr'st thou with a woman's heart?' 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| Did you ever hear such railing? 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 'Whiles the eye of man did woo me, 4|AS YOU LIKE IT|21|Act 4, Scene 3| That could do no vengeance to me.' 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| Meaning me a beast. 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 'If the scorn of your bright eyne 4|AS YOU LIKE IT|21|Act 4, Scene 3| Have power to raise such love in mine, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Alack, in me what strange effect 4|AS YOU LIKE IT|21|Act 4, Scene 3| Would they work in mild aspect! 4|AS YOU LIKE IT|21|Act 4, Scene 3| Whiles you chid me, I did love; 4|AS YOU LIKE IT|21|Act 4, Scene 3| How then might your prayers move! 4|AS YOU LIKE IT|21|Act 4, Scene 3| He that brings this love to the 4|AS YOU LIKE IT|21|Act 4, Scene 3| Little knows this love in me; 4|AS YOU LIKE IT|21|Act 4, Scene 3| And by him seal up thy mind, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Whether that thy youth and kind 4|AS YOU LIKE IT|21|Act 4, Scene 3| Will the faithful offer take 4|AS YOU LIKE IT|21|Act 4, Scene 3| Of me and all that I can make; 4|AS YOU LIKE IT|21|Act 4, Scene 3| Or else by him my love deny, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And then I'll study how to die.' 4|AS YOU LIKE IT|21|Act 4, Scene 3| SILVIUS. Call you this chiding? 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. Alas, poor shepherd! 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. Do you pity him? No, he deserves no pity. Wilt thou love 4|AS YOU LIKE IT|21|Act 4, Scene 3| such a woman? What, to make thee an instrument, and play false 4|AS YOU LIKE IT|21|Act 4, Scene 3| strains upon thee! Not to be endur'd! Well, go your way to her, 4|AS YOU LIKE IT|21|Act 4, Scene 3| for I see love hath made thee tame snake, and say this to her- 4|AS YOU LIKE IT|21|Act 4, Scene 3| that if she love me, I charge her to love thee; if she will not, 4|AS YOU LIKE IT|21|Act 4, Scene 3| I will never have her unless thou entreat for her. If you be a 4|AS YOU LIKE IT|21|Act 4, Scene 3| true lover, hence, and not a word; for here comes more company. 4|AS YOU LIKE IT|21|Act 4, Scene 3| Exit SILVIUS 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| Enter OLIVER 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Good morrow, fair ones; pray you, if you know, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Where in the purlieus of this forest stands 4|AS YOU LIKE IT|21|Act 4, Scene 3| A sheep-cote fenc'd about with olive trees? 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. West of this place, down in the neighbour bottom. 4|AS YOU LIKE IT|21|Act 4, Scene 3| The rank of osiers by the murmuring stream 4|AS YOU LIKE IT|21|Act 4, Scene 3| Left on your right hand brings you to the place. 4|AS YOU LIKE IT|21|Act 4, Scene 3| But at this hour the house doth keep itself; 4|AS YOU LIKE IT|21|Act 4, Scene 3| There's none within. 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. If that an eye may profit by a tongue, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Then should I know you by description- 4|AS YOU LIKE IT|21|Act 4, Scene 3| Such garments, and such years: 'The boy is fair, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Of female favour, and bestows himself 4|AS YOU LIKE IT|21|Act 4, Scene 3| Like a ripe sister; the woman low, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And browner than her brother.' Are not you 4|AS YOU LIKE IT|21|Act 4, Scene 3| The owner of the house I did inquire for? 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. It is no boast, being ask'd, to say we are. 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Orlando doth commend him to you both; 4|AS YOU LIKE IT|21|Act 4, Scene 3| And to that youth he calls his Rosalind 4|AS YOU LIKE IT|21|Act 4, Scene 3| He sends this bloody napkin. Are you he? 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. I am. What must we understand by this? 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Some of my shame; if you will know of me 4|AS YOU LIKE IT|21|Act 4, Scene 3| What man I am, and how, and why, and where, 4|AS YOU LIKE IT|21|Act 4, Scene 3| This handkercher was stain'd. 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. I pray you, tell it. 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. When last the young Orlando parted from you, 4|AS YOU LIKE IT|21|Act 4, Scene 3| He left a promise to return again 4|AS YOU LIKE IT|21|Act 4, Scene 3| Within an hour; and, pacing through the forest, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Chewing the food of sweet and bitter fancy, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Lo, what befell! He threw his eye aside, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And mark what object did present itself. 4|AS YOU LIKE IT|21|Act 4, Scene 3| Under an oak, whose boughs were moss'd with age, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And high top bald with dry antiquity, 4|AS YOU LIKE IT|21|Act 4, Scene 3| A wretched ragged man, o'ergrown with hair, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Lay sleeping on his back. About his neck 4|AS YOU LIKE IT|21|Act 4, Scene 3| A green and gilded snake had wreath'd itself, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Who with her head nimble in threats approach'd 4|AS YOU LIKE IT|21|Act 4, Scene 3| The opening of his mouth; but suddenly, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Seeing Orlando, it unlink'd itself, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And with indented glides did slip away 4|AS YOU LIKE IT|21|Act 4, Scene 3| Into a bush; under which bush's shade 4|AS YOU LIKE IT|21|Act 4, Scene 3| A lioness, with udders all drawn dry, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Lay couching, head on ground, with catlike watch, 4|AS YOU LIKE IT|21|Act 4, Scene 3| When that the sleeping man should stir; for 'tis 4|AS YOU LIKE IT|21|Act 4, Scene 3| The royal disposition of that beast 4|AS YOU LIKE IT|21|Act 4, Scene 3| To prey on nothing that doth seem as dead. 4|AS YOU LIKE IT|21|Act 4, Scene 3| This seen, Orlando did approach the man, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And found it was his brother, his elder brother. 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. O, I have heard him speak of that same brother; 4|AS YOU LIKE IT|21|Act 4, Scene 3| And he did render him the most unnatural 4|AS YOU LIKE IT|21|Act 4, Scene 3| That liv'd amongst men. 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. And well he might so do, 4|AS YOU LIKE IT|21|Act 4, Scene 3| For well I know he was unnatural. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. But, to Orlando: did he leave him there, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Food to the suck'd and hungry lioness? 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Twice did he turn his back, and purpos'd so; 4|AS YOU LIKE IT|21|Act 4, Scene 3| But kindness, nobler ever than revenge, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And nature, stronger than his just occasion, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Made him give battle to the lioness, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Who quickly fell before him; in which hurtling 4|AS YOU LIKE IT|21|Act 4, Scene 3| From miserable slumber I awak'd. 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. Are you his brother? 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. Was't you he rescu'd? 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. Was't you that did so oft contrive to kill him? 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. 'Twas I; but 'tis not I. I do not shame 4|AS YOU LIKE IT|21|Act 4, Scene 3| To tell you what I was, since my conversion 4|AS YOU LIKE IT|21|Act 4, Scene 3| So sweetly tastes, being the thing I am. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. But for the bloody napkin? 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. By and by. 4|AS YOU LIKE IT|21|Act 4, Scene 3| When from the first to last, betwixt us two, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Tears our recountments had most kindly bath'd, 4|AS YOU LIKE IT|21|Act 4, Scene 3| As how I came into that desert place- 4|AS YOU LIKE IT|21|Act 4, Scene 3| In brief, he led me to the gentle Duke, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Who gave me fresh array and entertainment, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Committing me unto my brother's love; 4|AS YOU LIKE IT|21|Act 4, Scene 3| Who led me instantly unto his cave, 4|AS YOU LIKE IT|21|Act 4, Scene 3| There stripp'd himself, and here upon his arm 4|AS YOU LIKE IT|21|Act 4, Scene 3| The lioness had torn some flesh away, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Which all this while had bled; and now he fainted, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And cried, in fainting, upon Rosalind. 4|AS YOU LIKE IT|21|Act 4, Scene 3| Brief, I recover'd him, bound up his wound, 4|AS YOU LIKE IT|21|Act 4, Scene 3| And, after some small space, being strong at heart, 4|AS YOU LIKE IT|21|Act 4, Scene 3| He sent me hither, stranger as I am, 4|AS YOU LIKE IT|21|Act 4, Scene 3| To tell this story, that you might excuse 4|AS YOU LIKE IT|21|Act 4, Scene 3| His broken promise, and to give this napkin, 4|AS YOU LIKE IT|21|Act 4, Scene 3| Dy'd in his blood, unto the shepherd youth 4|AS YOU LIKE IT|21|Act 4, Scene 3| That he in sport doth call his Rosalind. 4|AS YOU LIKE IT|21|Act 4, Scene 3| [ROSALIND swoons] 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. Why, how now, Ganymede! sweet Ganymede! 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Many will swoon when they do look on blood. 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. There is more in it. Cousin Ganymede! 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Look, he recovers. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. I would I were at home. 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. We'll lead you thither. 4|AS YOU LIKE IT|21|Act 4, Scene 3| I pray you, will you take him by the arm? 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Be of good cheer, youth. You a man! 4|AS YOU LIKE IT|21|Act 4, Scene 3| You lack a man's heart. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. I do so, I confess it. Ah, sirrah, a body would think 4|AS YOU LIKE IT|21|Act 4, Scene 3| this was well counterfeited. I pray you tell your brother how 4|AS YOU LIKE IT|21|Act 4, Scene 3| well I counterfeited. Heigh-ho! 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. This was not counterfeit; there is too great testimony in 4|AS YOU LIKE IT|21|Act 4, Scene 3| your complexion that it was a passion of earnest. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. Counterfeit, I assure you. 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. Well then, take a good heart and counterfeit to be a man. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. So I do; but, i' faith, I should have been a woman by 4|AS YOU LIKE IT|21|Act 4, Scene 3| right. 4|AS YOU LIKE IT|21|Act 4, Scene 3| CELIA. Come, you look paler and paler; pray you draw homewards. 4|AS YOU LIKE IT|21|Act 4, Scene 3| Good sir, go with us. 4|AS YOU LIKE IT|21|Act 4, Scene 3| OLIVER. That will I, for I must bear answer back 4|AS YOU LIKE IT|21|Act 4, Scene 3| How you excuse my brother, Rosalind. 4|AS YOU LIKE IT|21|Act 4, Scene 3| ROSALIND. I shall devise something; but, I pray you, commend my 4|AS YOU LIKE IT|21|Act 4, Scene 3| counterfeiting to him. Will you go? Exeunt 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|21|Act 4, Scene 3| 4|AS YOU LIKE IT|22|Act 5, Scene 1|ACT V. SCENE I. 4|AS YOU LIKE IT|22|Act 5, Scene 1|The forest 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1|Enter TOUCHSTONE and AUDREY 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. We shall find a time, Audrey; patience, gentle Audrey. 4|AS YOU LIKE IT|22|Act 5, Scene 1| AUDREY. Faith, the priest was good enough, for all the old 4|AS YOU LIKE IT|22|Act 5, Scene 1| gentleman's saying. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. A most wicked Sir Oliver, Audrey, a most vile Martext. 4|AS YOU LIKE IT|22|Act 5, Scene 1| But, Audrey, there is a youth here in the forest lays claim to 4|AS YOU LIKE IT|22|Act 5, Scene 1| you. 4|AS YOU LIKE IT|22|Act 5, Scene 1| AUDREY. Ay, I know who 'tis; he hath no interest in me in the 4|AS YOU LIKE IT|22|Act 5, Scene 1| world; here comes the man you mean. 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| Enter WILLIAM 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. It is meat and drink to me to see a clown. By my troth, 4|AS YOU LIKE IT|22|Act 5, Scene 1| we that have good wits have much to answer for: we shall be 4|AS YOU LIKE IT|22|Act 5, Scene 1| flouting; we cannot hold. 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. Good ev'n, Audrey. 4|AS YOU LIKE IT|22|Act 5, Scene 1| AUDREY. God ye good ev'n, William. 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. And good ev'n to you, sir. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. Good ev'n, gentle friend. Cover thy head, cover thy 4|AS YOU LIKE IT|22|Act 5, Scene 1| head; nay, prithee be cover'd. How old are you, friend? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. Five and twenty, sir. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. A ripe age. Is thy name William? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. William, sir. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. A fair name. Wast born i' th' forest here? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. Ay, sir, I thank God. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. 'Thank God.' A good answer. 4|AS YOU LIKE IT|22|Act 5, Scene 1| Art rich? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. Faith, sir, so so. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. 'So so' is good, very good, very excellent good; and 4|AS YOU LIKE IT|22|Act 5, Scene 1| yet it is not; it is but so so. Art thou wise? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. Ay, sir, I have a pretty wit. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. Why, thou say'st well. I do now remember a saying: 'The 4|AS YOU LIKE IT|22|Act 5, Scene 1| fool doth think he is wise, but the wise man knows himself to be 4|AS YOU LIKE IT|22|Act 5, Scene 1| a fool.' The heathen philosopher, when he had a desire to eat a 4|AS YOU LIKE IT|22|Act 5, Scene 1| grape, would open his lips when he put it into his mouth; meaning 4|AS YOU LIKE IT|22|Act 5, Scene 1| thereby that grapes were made to eat and lips to open. You do 4|AS YOU LIKE IT|22|Act 5, Scene 1| love this maid? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. I do, sir. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. Give me your hand. Art thou learned? 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. No, sir. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. Then learn this of me: to have is to have; for it is a 4|AS YOU LIKE IT|22|Act 5, Scene 1| figure in rhetoric that drink, being pour'd out of cup into a 4|AS YOU LIKE IT|22|Act 5, Scene 1| glass, by filling the one doth empty the other; for all your 4|AS YOU LIKE IT|22|Act 5, Scene 1| writers do consent that ipse is he; now, you are not ipse, for I 4|AS YOU LIKE IT|22|Act 5, Scene 1| am he. 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. Which he, sir? 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. He, sir, that must marry this woman. Therefore, you 4|AS YOU LIKE IT|22|Act 5, Scene 1| clown, abandon- which is in the vulgar leave- the society- which 4|AS YOU LIKE IT|22|Act 5, Scene 1| in the boorish is company- of this female- which in the common is 4|AS YOU LIKE IT|22|Act 5, Scene 1| woman- which together is: abandon the society of this female; or, 4|AS YOU LIKE IT|22|Act 5, Scene 1| clown, thou perishest; or, to thy better understanding, diest; 4|AS YOU LIKE IT|22|Act 5, Scene 1| or, to wit, I kill thee, make thee away, translate thy life into 4|AS YOU LIKE IT|22|Act 5, Scene 1| death, thy liberty into bondage. I will deal in poison with thee, 4|AS YOU LIKE IT|22|Act 5, Scene 1| or in bastinado, or in steel; I will bandy with thee in faction; 4|AS YOU LIKE IT|22|Act 5, Scene 1| will o'er-run thee with policy; I will kill thee a hundred and 4|AS YOU LIKE IT|22|Act 5, Scene 1| fifty ways; therefore tremble and depart. 4|AS YOU LIKE IT|22|Act 5, Scene 1| AUDREY. Do, good William. 4|AS YOU LIKE IT|22|Act 5, Scene 1| WILLIAM. God rest you merry, sir. Exit 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| Enter CORIN 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| CORIN. Our master and mistress seeks you; come away, away. 4|AS YOU LIKE IT|22|Act 5, Scene 1| TOUCHSTONE. Trip, Audrey, trip, Audrey. I attend, I attend. 4|AS YOU LIKE IT|22|Act 5, Scene 1| Exeunt 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|22|Act 5, Scene 1| 4|AS YOU LIKE IT|23|Act 5, Scene 2|SCENE II. 4|AS YOU LIKE IT|23|Act 5, Scene 2|The forest 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2|Enter ORLANDO and OLIVER 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. Is't possible that on so little acquaintance you should 4|AS YOU LIKE IT|23|Act 5, Scene 2| like her? that but seeing you should love her? and loving woo? 4|AS YOU LIKE IT|23|Act 5, Scene 2| and, wooing, she should grant? and will you persever to enjoy 4|AS YOU LIKE IT|23|Act 5, Scene 2| her? 4|AS YOU LIKE IT|23|Act 5, Scene 2| OLIVER. Neither call the giddiness of it in question, the poverty 4|AS YOU LIKE IT|23|Act 5, Scene 2| of her, the small acquaintance, my sudden wooing, nor her sudden 4|AS YOU LIKE IT|23|Act 5, Scene 2| consenting; but say with me, I love Aliena; say with her that she 4|AS YOU LIKE IT|23|Act 5, Scene 2| loves me; consent with both that we may enjoy each other. It 4|AS YOU LIKE IT|23|Act 5, Scene 2| shall be to your good; for my father's house and all the revenue 4|AS YOU LIKE IT|23|Act 5, Scene 2| that was old Sir Rowland's will I estate upon you, and here live 4|AS YOU LIKE IT|23|Act 5, Scene 2| and die a shepherd. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. You have my consent. Let your wedding be to-morrow. 4|AS YOU LIKE IT|23|Act 5, Scene 2| Thither will I invite the Duke and all's contented followers. Go 4|AS YOU LIKE IT|23|Act 5, Scene 2| you and prepare Aliena; for, look you, here comes my Rosalind. 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| Enter ROSALIND 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. God save you, brother. 4|AS YOU LIKE IT|23|Act 5, Scene 2| OLIVER. And you, fair sister. Exit 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. O, my dear Orlando, how it grieves me to see thee wear 4|AS YOU LIKE IT|23|Act 5, Scene 2| thy heart in a scarf! 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. It is my arm. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. I thought thy heart had been wounded with the claws of a 4|AS YOU LIKE IT|23|Act 5, Scene 2| lion. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. Wounded it is, but with the eyes of a lady. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. Did your brother tell you how I counterfeited to swoon 4|AS YOU LIKE IT|23|Act 5, Scene 2| when he show'd me your handkercher? 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. Ay, and greater wonders than that. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. O, I know where you are. Nay, 'tis true. There was never 4|AS YOU LIKE IT|23|Act 5, Scene 2| any thing so sudden but the fight of two rams and Caesar's 4|AS YOU LIKE IT|23|Act 5, Scene 2| thrasonical brag of 'I came, saw, and overcame.' For your brother 4|AS YOU LIKE IT|23|Act 5, Scene 2| and my sister no sooner met but they look'd; no sooner look'd but 4|AS YOU LIKE IT|23|Act 5, Scene 2| they lov'd; no sooner lov'd but they sigh'd; no sooner sigh'd but 4|AS YOU LIKE IT|23|Act 5, Scene 2| they ask'd one another the reason; no sooner knew the reason but 4|AS YOU LIKE IT|23|Act 5, Scene 2| they sought the remedy- and in these degrees have they made pair 4|AS YOU LIKE IT|23|Act 5, Scene 2| of stairs to marriage, which they will climb incontinent, or else 4|AS YOU LIKE IT|23|Act 5, Scene 2| be incontinent before marriage. They are in the very wrath of 4|AS YOU LIKE IT|23|Act 5, Scene 2| love, and they will together. Clubs cannot part them. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. They shall be married to-morrow; and I will bid the Duke 4|AS YOU LIKE IT|23|Act 5, Scene 2| to the nuptial. But, O, how bitter a thing it is to look into 4|AS YOU LIKE IT|23|Act 5, Scene 2| happiness through another man's eyes! By so much the more shall I 4|AS YOU LIKE IT|23|Act 5, Scene 2| to-morrow be at the height of heart-heaviness, by how much I 4|AS YOU LIKE IT|23|Act 5, Scene 2| shall think my brother happy in having what he wishes for. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. Why, then, to-morrow I cannot serve your turn for 4|AS YOU LIKE IT|23|Act 5, Scene 2| Rosalind? 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. I can live no longer by thinking. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. I will weary you, then, no longer with idle talking. Know 4|AS YOU LIKE IT|23|Act 5, Scene 2| of me then- for now I speak to some purpose- that I know you are 4|AS YOU LIKE IT|23|Act 5, Scene 2| a gentleman of good conceit. I speak not this that you should 4|AS YOU LIKE IT|23|Act 5, Scene 2| bear a good opinion of my knowledge, insomuch I say I know you 4|AS YOU LIKE IT|23|Act 5, Scene 2| are; neither do I labour for a greater esteem than may in some 4|AS YOU LIKE IT|23|Act 5, Scene 2| little measure draw a belief from you, to do yourself good, and 4|AS YOU LIKE IT|23|Act 5, Scene 2| not to grace me. Believe then, if you please, that I can do 4|AS YOU LIKE IT|23|Act 5, Scene 2| strange things. I have, since I was three year old, convers'd 4|AS YOU LIKE IT|23|Act 5, Scene 2| with a magician, most profound in his art and yet not damnable. 4|AS YOU LIKE IT|23|Act 5, Scene 2| If you do love Rosalind so near the heart as your gesture cries 4|AS YOU LIKE IT|23|Act 5, Scene 2| it out, when your brother marries Aliena shall you marry her. I 4|AS YOU LIKE IT|23|Act 5, Scene 2| know into what straits of fortune she is driven; and it is not 4|AS YOU LIKE IT|23|Act 5, Scene 2| impossible to me, if it appear not inconvenient to you, to set 4|AS YOU LIKE IT|23|Act 5, Scene 2| her before your eyes to-morrow, human as she is, and without any 4|AS YOU LIKE IT|23|Act 5, Scene 2| danger. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. Speak'st thou in sober meanings? 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. By my life, I do; which I tender dearly, though I say I 4|AS YOU LIKE IT|23|Act 5, Scene 2| am a magician. Therefore put you in your best array, bid your 4|AS YOU LIKE IT|23|Act 5, Scene 2| friends; for if you will be married to-morrow, you shall; and to 4|AS YOU LIKE IT|23|Act 5, Scene 2| Rosalind, if you will. 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| Enter SILVIUS and PHEBE 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| Look, here comes a lover of mine, and a lover of hers. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. Youth, you have done me much ungentleness 4|AS YOU LIKE IT|23|Act 5, Scene 2| To show the letter that I writ to you. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. I care not if I have. It is my study 4|AS YOU LIKE IT|23|Act 5, Scene 2| To seem despiteful and ungentle to you. 4|AS YOU LIKE IT|23|Act 5, Scene 2| You are there follow'd by a faithful shepherd; 4|AS YOU LIKE IT|23|Act 5, Scene 2| Look upon him, love him; he worships you. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. Good shepherd, tell this youth what 'tis to love. 4|AS YOU LIKE IT|23|Act 5, Scene 2| SILVIUS. It is to be all made of sighs and tears; 4|AS YOU LIKE IT|23|Act 5, Scene 2| And so am I for Phebe. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. And I for Ganymede. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. And I for Rosalind. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. And I for no woman. 4|AS YOU LIKE IT|23|Act 5, Scene 2| SILVIUS. It is to be all made of faith and service; 4|AS YOU LIKE IT|23|Act 5, Scene 2| And so am I for Phebe. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. And I for Ganymede. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. And I for Rosalind. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. And I for no woman. 4|AS YOU LIKE IT|23|Act 5, Scene 2| SILVIUS. It is to be all made of fantasy, 4|AS YOU LIKE IT|23|Act 5, Scene 2| All made of passion, and all made of wishes; 4|AS YOU LIKE IT|23|Act 5, Scene 2| All adoration, duty, and observance, 4|AS YOU LIKE IT|23|Act 5, Scene 2| All humbleness, all patience, and impatience, 4|AS YOU LIKE IT|23|Act 5, Scene 2| All purity, all trial, all obedience; 4|AS YOU LIKE IT|23|Act 5, Scene 2| And so am I for Phebe. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. And so am I for Ganymede. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. And so am I for Rosalind. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. And so am I for no woman. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. If this be so, why blame you me to love you? 4|AS YOU LIKE IT|23|Act 5, Scene 2| SILVIUS. If this be so, why blame you me to love you? 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. If this be so, why blame you me to love you? 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. Why do you speak too, 'Why blame you me to love you?' 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. To her that is not here, nor doth not hear. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ROSALIND. Pray you, no more of this; 'tis like the howling of Irish 4|AS YOU LIKE IT|23|Act 5, Scene 2| wolves against the moon. [To SILVIUS] I will help you if I can. 4|AS YOU LIKE IT|23|Act 5, Scene 2| [To PHEBE] I would love you if I could.- To-morrow meet me all 4|AS YOU LIKE IT|23|Act 5, Scene 2| together. [ To PHEBE ] I will marry you if ever I marry woman, 4|AS YOU LIKE IT|23|Act 5, Scene 2| and I'll be married to-morrow. [To ORLANDO] I will satisfy you if 4|AS YOU LIKE IT|23|Act 5, Scene 2| ever I satisfied man, and you shall be married to-morrow. [To 4|AS YOU LIKE IT|23|Act 5, Scene 2| Silvius] I will content you if what pleases you contents you, and 4|AS YOU LIKE IT|23|Act 5, Scene 2| you shall be married to-morrow. [To ORLANDO] As you love 4|AS YOU LIKE IT|23|Act 5, Scene 2| Rosalind, meet. [To SILVIUS] As you love Phebe, meet;- and as I 4|AS YOU LIKE IT|23|Act 5, Scene 2| love no woman, I'll meet. So, fare you well; I have left you 4|AS YOU LIKE IT|23|Act 5, Scene 2| commands. 4|AS YOU LIKE IT|23|Act 5, Scene 2| SILVIUS. I'll not fail, if I live. 4|AS YOU LIKE IT|23|Act 5, Scene 2| PHEBE. Nor I. 4|AS YOU LIKE IT|23|Act 5, Scene 2| ORLANDO. Nor I. Exeunt 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|23|Act 5, Scene 2| 4|AS YOU LIKE IT|24|Act 5, Scene 3|SCENE III. 4|AS YOU LIKE IT|24|Act 5, Scene 3|The forest 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3|Enter TOUCHSTONE and AUDREY 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| TOUCHSTONE. To-morrow is the joyful day, Audre'y; to-morrow will we 4|AS YOU LIKE IT|24|Act 5, Scene 3| be married. 4|AS YOU LIKE IT|24|Act 5, Scene 3| AUDREY. I do desire it with all my heart; and I hope it is no 4|AS YOU LIKE IT|24|Act 5, Scene 3| dishonest desire to desire to be a woman of the world. Here come 4|AS YOU LIKE IT|24|Act 5, Scene 3| two of the banish'd Duke's pages. 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| Enter two PAGES 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| FIRST PAGE. Well met, honest gentleman. 4|AS YOU LIKE IT|24|Act 5, Scene 3| TOUCHSTONE. By my troth, well met. Come sit, sit, and a song. 4|AS YOU LIKE IT|24|Act 5, Scene 3| SECOND PAGE. We are for you; sit i' th' middle. 4|AS YOU LIKE IT|24|Act 5, Scene 3| FIRST PAGE. Shall we clap into't roundly, without hawking, or 4|AS YOU LIKE IT|24|Act 5, Scene 3| spitting, or saying we are hoarse, which are the only prologues 4|AS YOU LIKE IT|24|Act 5, Scene 3| to a bad voice? 4|AS YOU LIKE IT|24|Act 5, Scene 3| SECOND PAGE. I'faith, i'faith; and both in a tune, like two gipsies 4|AS YOU LIKE IT|24|Act 5, Scene 3| on a horse. 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| SONG. 4|AS YOU LIKE IT|24|Act 5, Scene 3| It was a lover and his lass, 4|AS YOU LIKE IT|24|Act 5, Scene 3| With a hey, and a ho, and a hey nonino, 4|AS YOU LIKE IT|24|Act 5, Scene 3| That o'er the green corn-field did pass 4|AS YOU LIKE IT|24|Act 5, Scene 3| In the spring time, the only pretty ring time, 4|AS YOU LIKE IT|24|Act 5, Scene 3| When birds do sing, hey ding a ding, ding. 4|AS YOU LIKE IT|24|Act 5, Scene 3| Sweet lovers love the spring. 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| Between the acres of the rye, 4|AS YOU LIKE IT|24|Act 5, Scene 3| With a hey, and a ho, and a hey nonino, 4|AS YOU LIKE IT|24|Act 5, Scene 3| These pretty country folks would lie, 4|AS YOU LIKE IT|24|Act 5, Scene 3| In the spring time, &c. 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| This carol they began that hour, 4|AS YOU LIKE IT|24|Act 5, Scene 3| With a hey, and a ho, and a hey nonino, 4|AS YOU LIKE IT|24|Act 5, Scene 3| How that a life was but a flower, 4|AS YOU LIKE IT|24|Act 5, Scene 3| In the spring time, &c. 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| And therefore take the present time, 4|AS YOU LIKE IT|24|Act 5, Scene 3| With a hey, and a ho, and a hey nonino, 4|AS YOU LIKE IT|24|Act 5, Scene 3| For love is crowned with the prime, 4|AS YOU LIKE IT|24|Act 5, Scene 3| In the spring time, &c. 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| TOUCHSTONE. Truly, young gentlemen, though there was no great 4|AS YOU LIKE IT|24|Act 5, Scene 3| matter in the ditty, yet the note was very untuneable. 4|AS YOU LIKE IT|24|Act 5, Scene 3| FIRST PAGE. YOU are deceiv'd, sir; we kept time, we lost not our 4|AS YOU LIKE IT|24|Act 5, Scene 3| time. 4|AS YOU LIKE IT|24|Act 5, Scene 3| TOUCHSTONE. By my troth, yes; I count it but time lost to hear such 4|AS YOU LIKE IT|24|Act 5, Scene 3| a foolish song. God buy you; and God mend your voices. Come, 4|AS YOU LIKE IT|24|Act 5, Scene 3| Audrey. Exeunt 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|24|Act 5, Scene 3| 4|AS YOU LIKE IT|25|Act 5, Scene 4|SCENE IV. 4|AS YOU LIKE IT|25|Act 5, Scene 4|The forest 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4|Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. Dost thou believe, Orlando, that the boy 4|AS YOU LIKE IT|25|Act 5, Scene 4| Can do all this that he hath promised? 4|AS YOU LIKE IT|25|Act 5, Scene 4| ORLANDO. I sometimes do believe and sometimes do not: 4|AS YOU LIKE IT|25|Act 5, Scene 4| As those that fear they hope, and know they fear. 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| Enter ROSALIND, SILVIUS, and PHEBE 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. Patience once more, whiles our compact is urg'd: 4|AS YOU LIKE IT|25|Act 5, Scene 4| You say, if I bring in your Rosalind, 4|AS YOU LIKE IT|25|Act 5, Scene 4| You will bestow her on Orlando here? 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. That would I, had I kingdoms to give with her. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. And you say you will have her when I bring her? 4|AS YOU LIKE IT|25|Act 5, Scene 4| ORLANDO. That would I, were I of all kingdoms king. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. You say you'll marry me, if I be willing? 4|AS YOU LIKE IT|25|Act 5, Scene 4| PHEBE. That will I, should I die the hour after. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. But if you do refuse to marry me, 4|AS YOU LIKE IT|25|Act 5, Scene 4| You'll give yourself to this most faithful shepherd? 4|AS YOU LIKE IT|25|Act 5, Scene 4| PHEBE. So is the bargain. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. You say that you'll have Phebe, if she will? 4|AS YOU LIKE IT|25|Act 5, Scene 4| SILVIUS. Though to have her and death were both one thing. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. I have promis'd to make all this matter even. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Keep you your word, O Duke, to give your daughter; 4|AS YOU LIKE IT|25|Act 5, Scene 4| You yours, Orlando, to receive his daughter; 4|AS YOU LIKE IT|25|Act 5, Scene 4| Keep your word, Phebe, that you'll marry me, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Or else, refusing me, to wed this shepherd; 4|AS YOU LIKE IT|25|Act 5, Scene 4| Keep your word, Silvius, that you'll marry her 4|AS YOU LIKE IT|25|Act 5, Scene 4| If she refuse me; and from hence I go, 4|AS YOU LIKE IT|25|Act 5, Scene 4| To make these doubts all even. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Exeunt ROSALIND and CELIA 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. I do remember in this shepherd boy 4|AS YOU LIKE IT|25|Act 5, Scene 4| Some lively touches of my daughter's favour. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ORLANDO. My lord, the first time that I ever saw him 4|AS YOU LIKE IT|25|Act 5, Scene 4| Methought he was a brother to your daughter. 4|AS YOU LIKE IT|25|Act 5, Scene 4| But, my good lord, this boy is forest-born, 4|AS YOU LIKE IT|25|Act 5, Scene 4| And hath been tutor'd in the rudiments 4|AS YOU LIKE IT|25|Act 5, Scene 4| Of many desperate studies by his uncle, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Whom he reports to be a great magician, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Obscured in the circle of this forest. 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| Enter TOUCHSTONE and AUDREY 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. There is, sure, another flood toward, and these couples are 4|AS YOU LIKE IT|25|Act 5, Scene 4| coming to the ark. Here comes a pair of very strange beasts which 4|AS YOU LIKE IT|25|Act 5, Scene 4| in all tongues are call'd fools. 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. Salutation and greeting to you all! 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. Good my lord, bid him welcome. This is the motley-minded 4|AS YOU LIKE IT|25|Act 5, Scene 4| gentleman that I have so often met in the forest. He hath been a 4|AS YOU LIKE IT|25|Act 5, Scene 4| courtier, he swears. 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. If any man doubt that, let him put me to my purgation. 4|AS YOU LIKE IT|25|Act 5, Scene 4| I have trod a measure; I have flatt'red a lady; I have been 4|AS YOU LIKE IT|25|Act 5, Scene 4| politic with my friend, smooth with mine enemy; I have undone 4|AS YOU LIKE IT|25|Act 5, Scene 4| three tailors; I have had four quarrels, and like to have fought 4|AS YOU LIKE IT|25|Act 5, Scene 4| one. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. And how was that ta'en up? 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. Faith, we met, and found the quarrel was upon the 4|AS YOU LIKE IT|25|Act 5, Scene 4| seventh cause. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. How seventh cause? Good my lord, like this fellow. 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. I like him very well. 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. God 'ild you, sir; I desire you of the like. I press in 4|AS YOU LIKE IT|25|Act 5, Scene 4| here, sir, amongst the rest of the country copulatives, to swear 4|AS YOU LIKE IT|25|Act 5, Scene 4| and to forswear, according as marriage binds and blood breaks. A 4|AS YOU LIKE IT|25|Act 5, Scene 4| poor virgin, sir, an ill-favour'd thing, sir, but mine own; a 4|AS YOU LIKE IT|25|Act 5, Scene 4| poor humour of mine, sir, to take that that man else will. Rich 4|AS YOU LIKE IT|25|Act 5, Scene 4| honesty dwells like a miser, sir, in a poor house; as your pearl 4|AS YOU LIKE IT|25|Act 5, Scene 4| in your foul oyster. 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. By my faith, he is very swift and sententious. 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. According to the fool's bolt, sir, and such dulcet 4|AS YOU LIKE IT|25|Act 5, Scene 4| diseases. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. But, for the seventh cause: how did you find the quarrel on 4|AS YOU LIKE IT|25|Act 5, Scene 4| the seventh cause? 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. Upon a lie seven times removed- bear your body more 4|AS YOU LIKE IT|25|Act 5, Scene 4| seeming, Audrey- as thus, sir. I did dislike the cut of a certain 4|AS YOU LIKE IT|25|Act 5, Scene 4| courtier's beard; he sent me word, if I said his beard was not 4|AS YOU LIKE IT|25|Act 5, Scene 4| cut well, he was in the mind it was. This is call'd the Retort 4|AS YOU LIKE IT|25|Act 5, Scene 4| Courteous. If I sent him word again it was not well cut, he would 4|AS YOU LIKE IT|25|Act 5, Scene 4| send me word he cut it to please himself. This is call'd the Quip 4|AS YOU LIKE IT|25|Act 5, Scene 4| Modest. If again it was not well cut, he disabled my judgment. 4|AS YOU LIKE IT|25|Act 5, Scene 4| This is call'd the Reply Churlish. If again it was not well cut, 4|AS YOU LIKE IT|25|Act 5, Scene 4| he would answer I spake not true. This is call'd the Reproof 4|AS YOU LIKE IT|25|Act 5, Scene 4| Valiant. If again it was not well cut, he would say I lie. This 4|AS YOU LIKE IT|25|Act 5, Scene 4| is call'd the Countercheck Quarrelsome. And so to the Lie 4|AS YOU LIKE IT|25|Act 5, Scene 4| Circumstantial and the Lie Direct. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. And how oft did you say his beard was not well cut? 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. I durst go no further than the Lie Circumstantial, nor 4|AS YOU LIKE IT|25|Act 5, Scene 4| he durst not give me the Lie Direct; and so we measur'd swords 4|AS YOU LIKE IT|25|Act 5, Scene 4| and parted. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. Can you nominate in order now the degrees of the lie? 4|AS YOU LIKE IT|25|Act 5, Scene 4| TOUCHSTONE. O, sir, we quarrel in print by the book, as you have 4|AS YOU LIKE IT|25|Act 5, Scene 4| books for good manners. I will name you the degrees. The first, 4|AS YOU LIKE IT|25|Act 5, Scene 4| the Retort Courteous; the second, the Quip Modest; the third, the 4|AS YOU LIKE IT|25|Act 5, Scene 4| Reply Churlish; the fourth, the Reproof Valiant; the fifth, the 4|AS YOU LIKE IT|25|Act 5, Scene 4| Countercheck Quarrelsome; the sixth, the Lie with Circumstance; 4|AS YOU LIKE IT|25|Act 5, Scene 4| the seventh, the Lie Direct. All these you may avoid but the Lie 4|AS YOU LIKE IT|25|Act 5, Scene 4| Direct; and you may avoid that too with an If. I knew when seven 4|AS YOU LIKE IT|25|Act 5, Scene 4| justices could not take up a quarrel; but when the parties were 4|AS YOU LIKE IT|25|Act 5, Scene 4| met themselves, one of them thought but of an If, as: 'If you 4|AS YOU LIKE IT|25|Act 5, Scene 4| said so, then I said so.' And they shook hands, and swore 4|AS YOU LIKE IT|25|Act 5, Scene 4| brothers. Your If is the only peace-maker; much virtue in If. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. Is not this a rare fellow, my lord? 4|AS YOU LIKE IT|25|Act 5, Scene 4| He's as good at any thing, and yet a fool. 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. He uses his folly like a stalking-horse, and under the 4|AS YOU LIKE IT|25|Act 5, Scene 4| presentation of that he shoots his wit: 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| Enter HYMEN, ROSALIND, and CELIA. Still MUSIC 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| HYMEN. Then is there mirth in heaven, 4|AS YOU LIKE IT|25|Act 5, Scene 4| When earthly things made even 4|AS YOU LIKE IT|25|Act 5, Scene 4| Atone together. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Good Duke, receive thy daughter; 4|AS YOU LIKE IT|25|Act 5, Scene 4| Hymen from heaven brought her, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Yea, brought her hither, 4|AS YOU LIKE IT|25|Act 5, Scene 4| That thou mightst join her hand with his, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Whose heart within his bosom is. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. [To DUKE] To you I give myself, for I am yours. 4|AS YOU LIKE IT|25|Act 5, Scene 4| [To ORLANDO] To you I give myself, for I am yours. 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. If there be truth in sight, you are my daughter. 4|AS YOU LIKE IT|25|Act 5, Scene 4| ORLANDO. If there be truth in sight, you are my Rosalind. 4|AS YOU LIKE IT|25|Act 5, Scene 4| PHEBE. If sight and shape be true, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Why then, my love adieu! 4|AS YOU LIKE IT|25|Act 5, Scene 4| ROSALIND. I'll have no father, if you be not he; 4|AS YOU LIKE IT|25|Act 5, Scene 4| I'll have no husband, if you be not he; 4|AS YOU LIKE IT|25|Act 5, Scene 4| Nor ne'er wed woman, if you be not she. 4|AS YOU LIKE IT|25|Act 5, Scene 4| HYMEN. Peace, ho! I bar confusion; 4|AS YOU LIKE IT|25|Act 5, Scene 4| 'Tis I must make conclusion 4|AS YOU LIKE IT|25|Act 5, Scene 4| Of these most strange events. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Here's eight that must take hands 4|AS YOU LIKE IT|25|Act 5, Scene 4| To join in Hymen's bands, 4|AS YOU LIKE IT|25|Act 5, Scene 4| If truth holds true contents. 4|AS YOU LIKE IT|25|Act 5, Scene 4| You and you no cross shall part; 4|AS YOU LIKE IT|25|Act 5, Scene 4| You and you are heart in heart; 4|AS YOU LIKE IT|25|Act 5, Scene 4| You to his love must accord, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Or have a woman to your lord; 4|AS YOU LIKE IT|25|Act 5, Scene 4| You and you are sure together, 4|AS YOU LIKE IT|25|Act 5, Scene 4| As the winter to foul weather. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Whiles a wedlock-hymn we sing, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Feed yourselves with questioning, 4|AS YOU LIKE IT|25|Act 5, Scene 4| That reason wonder may diminish, 4|AS YOU LIKE IT|25|Act 5, Scene 4| How thus we met, and these things finish. 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| SONG 4|AS YOU LIKE IT|25|Act 5, Scene 4| Wedding is great Juno's crown; 4|AS YOU LIKE IT|25|Act 5, Scene 4| O blessed bond of board and bed! 4|AS YOU LIKE IT|25|Act 5, Scene 4| 'Tis Hymen peoples every town; 4|AS YOU LIKE IT|25|Act 5, Scene 4| High wedlock then be honoured. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Honour, high honour, and renown, 4|AS YOU LIKE IT|25|Act 5, Scene 4| To Hymen, god of every town! 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. O my dear niece, welcome thou art to me! 4|AS YOU LIKE IT|25|Act 5, Scene 4| Even daughter, welcome in no less degree. 4|AS YOU LIKE IT|25|Act 5, Scene 4| PHEBE. I will not eat my word, now thou art mine; 4|AS YOU LIKE IT|25|Act 5, Scene 4| Thy faith my fancy to thee doth combine. 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| Enter JAQUES de BOYS 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES de BOYS. Let me have audience for a word or two. 4|AS YOU LIKE IT|25|Act 5, Scene 4| I am the second son of old Sir Rowland, 4|AS YOU LIKE IT|25|Act 5, Scene 4| That bring these tidings to this fair assembly. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Duke Frederick, hearing how that every day 4|AS YOU LIKE IT|25|Act 5, Scene 4| Men of great worth resorted to this forest, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Address'd a mighty power; which were on foot, 4|AS YOU LIKE IT|25|Act 5, Scene 4| In his own conduct, purposely to take 4|AS YOU LIKE IT|25|Act 5, Scene 4| His brother here, and put him to the sword; 4|AS YOU LIKE IT|25|Act 5, Scene 4| And to the skirts of this wild wood he came, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Where, meeting with an old religious man, 4|AS YOU LIKE IT|25|Act 5, Scene 4| After some question with him, was converted 4|AS YOU LIKE IT|25|Act 5, Scene 4| Both from his enterprise and from the world; 4|AS YOU LIKE IT|25|Act 5, Scene 4| His crown bequeathing to his banish'd brother, 4|AS YOU LIKE IT|25|Act 5, Scene 4| And all their lands restor'd to them again 4|AS YOU LIKE IT|25|Act 5, Scene 4| That were with him exil'd. This to be true 4|AS YOU LIKE IT|25|Act 5, Scene 4| I do engage my life. 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. Welcome, young man. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Thou offer'st fairly to thy brothers' wedding: 4|AS YOU LIKE IT|25|Act 5, Scene 4| To one, his lands withheld; and to the other, 4|AS YOU LIKE IT|25|Act 5, Scene 4| A land itself at large, a potent dukedom. 4|AS YOU LIKE IT|25|Act 5, Scene 4| First, in this forest let us do those ends 4|AS YOU LIKE IT|25|Act 5, Scene 4| That here were well begun and well begot; 4|AS YOU LIKE IT|25|Act 5, Scene 4| And after, every of this happy number, 4|AS YOU LIKE IT|25|Act 5, Scene 4| That have endur'd shrewd days and nights with us, 4|AS YOU LIKE IT|25|Act 5, Scene 4| Shall share the good of our returned fortune, 4|AS YOU LIKE IT|25|Act 5, Scene 4| According to the measure of their states. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Meantime, forget this new-fall'n dignity, 4|AS YOU LIKE IT|25|Act 5, Scene 4| And fall into our rustic revelry. 4|AS YOU LIKE IT|25|Act 5, Scene 4| Play, music; and you brides and bridegrooms all, 4|AS YOU LIKE IT|25|Act 5, Scene 4| With measure heap'd in joy, to th' measures fall. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. Sir, by your patience. If I heard you rightly, 4|AS YOU LIKE IT|25|Act 5, Scene 4| The Duke hath put on a religious life, 4|AS YOU LIKE IT|25|Act 5, Scene 4| And thrown into neglect the pompous court. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES DE BOYS. He hath. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. To him will I. Out of these convertites 4|AS YOU LIKE IT|25|Act 5, Scene 4| There is much matter to be heard and learn'd. 4|AS YOU LIKE IT|25|Act 5, Scene 4| [To DUKE] You to your former honour I bequeath; 4|AS YOU LIKE IT|25|Act 5, Scene 4| Your patience and your virtue well deserves it. 4|AS YOU LIKE IT|25|Act 5, Scene 4| [To ORLANDO] You to a love that your true faith doth merit; 4|AS YOU LIKE IT|25|Act 5, Scene 4| [To OLIVER] You to your land, and love, and great allies 4|AS YOU LIKE IT|25|Act 5, Scene 4| [To SILVIUS] You to a long and well-deserved bed; 4|AS YOU LIKE IT|25|Act 5, Scene 4| [To TOUCHSTONE] And you to wrangling; for thy loving voyage 4|AS YOU LIKE IT|25|Act 5, Scene 4| Is but for two months victuall'd.- So to your pleasures; 4|AS YOU LIKE IT|25|Act 5, Scene 4| I am for other than for dancing measures. 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. Stay, Jaques, stay. 4|AS YOU LIKE IT|25|Act 5, Scene 4| JAQUES. To see no pastime I. What you would have 4|AS YOU LIKE IT|25|Act 5, Scene 4| I'll stay to know at your abandon'd cave. Exit 4|AS YOU LIKE IT|25|Act 5, Scene 4| DUKE SENIOR. Proceed, proceed. We will begin these rites, 4|AS YOU LIKE IT|25|Act 5, Scene 4| As we do trust they'll end, in true delights. [A dance] Exeunt 4|AS YOU LIKE IT|25|Act 5, Scene 4| 4|AS YOU LIKE IT|26|Epilogue|EPILOGUE 4|AS YOU LIKE IT|26|Epilogue| EPILOGUE. 4|AS YOU LIKE IT|26|Epilogue| ROSALIND. It is not the fashion to see the lady the epilogue; but 4|AS YOU LIKE IT|26|Epilogue| it is no more unhandsome than to see the lord the prologue. If it 4|AS YOU LIKE IT|26|Epilogue| be true that good wine needs no bush, 'tis true that a good play 4|AS YOU LIKE IT|26|Epilogue| needs no epilogue. Yet to good wine they do use good bushes; and 4|AS YOU LIKE IT|26|Epilogue| good plays prove the better by the help of good epilogues. What a 4|AS YOU LIKE IT|26|Epilogue| case am I in then, that am neither a good epilogue, nor cannot 4|AS YOU LIKE IT|26|Epilogue| insinuate with you in the behalf of a good play! I am not 4|AS YOU LIKE IT|26|Epilogue| furnish'd like a beggar; therefore to beg will not become me. My 4|AS YOU LIKE IT|26|Epilogue| way is to conjure you; and I'll begin with the women. I charge 4|AS YOU LIKE IT|26|Epilogue| you, O women, for the love you bear to men, to like as much of 4|AS YOU LIKE IT|26|Epilogue| this play as please you; and I charge you, O men, for the love 4|AS YOU LIKE IT|26|Epilogue| you bear to women- as I perceive by your simp'ring none of you 4|AS YOU LIKE IT|26|Epilogue| hates them- that between you and the women the play may please. 4|AS YOU LIKE IT|26|Epilogue| If I were a woman, I would kiss as many of you as had beards that 4|AS YOU LIKE IT|26|Epilogue| pleas'd me, complexions that lik'd me, and breaths that I defied 4|AS YOU LIKE IT|26|Epilogue| not; and, I am sure, as many as have good beards, or good faces, 4|AS YOU LIKE IT|26|Epilogue| or sweet breaths, will, for my kind offer, when I make curtsy, 4|AS YOU LIKE IT|26|Epilogue| bid me farewell. 4|AS YOU LIKE IT|26|Epilogue| 4|AS YOU LIKE IT|27|End|THE END 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title|1593 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title|THE COMEDY OF ERRORS 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title|by William Shakespeare 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|1|title| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|DRAMATIS PERSONAE 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|SOLINUS, Duke of Ephesus 5|THE COMEDY OF ERRORS|2|Dramatis Personae|AEGEON, a merchant of Syracuse 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|ANTIPHOLUS OF EPHESUS twin brothers and sons to 5|THE COMEDY OF ERRORS|2|Dramatis Personae|ANTIPHOLUS OF SYRACUSE Aegion and Aemelia 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|DROMIO OF EPHESUS twin brothers, and attendants on 5|THE COMEDY OF ERRORS|2|Dramatis Personae|DROMIO OF SYRACUSE the two Antipholuses 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|BALTHAZAR, a merchant 5|THE COMEDY OF ERRORS|2|Dramatis Personae|ANGELO, a goldsmith 5|THE COMEDY OF ERRORS|2|Dramatis Personae|FIRST MERCHANT, friend to Antipholus of Syracuse 5|THE COMEDY OF ERRORS|2|Dramatis Personae|SECOND MERCHANT, to whom Angelo is a debtor 5|THE COMEDY OF ERRORS|2|Dramatis Personae|PINCH, a schoolmaster 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|AEMILIA, wife to AEgeon; an abbess at Ephesus 5|THE COMEDY OF ERRORS|2|Dramatis Personae|ADRIANA, wife to Antipholus of Ephesus 5|THE COMEDY OF ERRORS|2|Dramatis Personae|LUCIANA, her sister 5|THE COMEDY OF ERRORS|2|Dramatis Personae|LUCE, servant to Adriana 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|A COURTEZAN 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae|Gaoler, Officers, Attendants 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|2|Dramatis Personae| 5|THE COMEDY OF ERRORS|3|Scene|SCENE: 5|THE COMEDY OF ERRORS|3|Scene|Ephesus 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|3|Scene|THE COMEDY OF ERRORS 5|THE COMEDY OF ERRORS|3|Scene| 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|ACT I. SCENE 1 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|A hall in the DUKE'S palace 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|Enter the DUKE OF EPHESUS, AEGEON, the Merchant 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|of Syracuse, GAOLER, OFFICERS, and other ATTENDANTS 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. Proceed, Solinus, to procure my fall, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And by the doom of death end woes and all. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Merchant of Syracuse, plead no more; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| I am not partial to infringe our laws. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| The enmity and discord which of late 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Sprung from the rancorous outrage of your duke 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To merchants, our well-dealing countrymen, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Who, wanting guilders to redeem their lives, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Have seal'd his rigorous statutes with their bloods, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Excludes all pity from our threat'ning looks. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| For, since the mortal and intestine jars 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| 'Twixt thy seditious countrymen and us, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| It hath in solemn synods been decreed, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Both by the Syracusians and ourselves, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To admit no traffic to our adverse towns; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Nay, more: if any born at Ephesus 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Be seen at any Syracusian marts and fairs; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Again, if any Syracusian born 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Come to the bay of Ephesus-he dies, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| His goods confiscate to the Duke's dispose, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Unless a thousand marks be levied, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To quit the penalty and to ransom him. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Thy substance, valued at the highest rate, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Cannot amount unto a hundred marks; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Therefore by law thou art condemn'd to die. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. Yet this my comfort: when your words are done, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| My woes end likewise with the evening sun. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Well, Syracusian, say in brief the cause 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Why thou departed'st from thy native home, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And for what cause thou cam'st to Ephesus. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. A heavier task could not have been impos'd 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Than I to speak my griefs unspeakable; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Yet, that the world may witness that my end 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Was wrought by nature, not by vile offence, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| I'll utter what my sorrow gives me leave. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| In Syracuse was I born, and wed 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Unto a woman, happy but for me, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And by me, had not our hap been bad. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| With her I liv'd in joy; our wealth increas'd 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| By prosperous voyages I often made 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To Epidamnum; till my factor's death, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And the great care of goods at random left, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Drew me from kind embracements of my spouse: 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| From whom my absence was not six months old, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Before herself, almost at fainting under 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| The pleasing punishment that women bear, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Had made provision for her following me, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And soon and safe arrived where I was. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| There had she not been long but she became 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| A joyful mother of two goodly sons; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And, which was strange, the one so like the other 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| As could not be disdnguish'd but by names. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| That very hour, and in the self-same inn, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| A mean woman was delivered 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Of such a burden, male twins, both alike. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Those, for their parents were exceeding poor, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| I bought, and brought up to attend my sons. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| My wife, not meanly proud of two such boys, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Made daily motions for our home return; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Unwilling, I agreed. Alas! too soon 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| We came aboard. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| A league from Epidamnum had we sail'd 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Before the always-wind-obeying deep 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Gave any tragic instance of our harm: 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| But longer did we not retain much hope, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| For what obscured light the heavens did grant 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Did but convey unto our fearful minds 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| A doubtful warrant of immediate death; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Which though myself would gladly have embrac'd, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Yet the incessant weepings of my wife, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Weeping before for what she saw must come, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And piteous plainings of the pretty babes, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| That mourn'd for fashion, ignorant what to fear, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Forc'd me to seek delays for them and me. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And this it was, for other means was none: 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| The sailors sought for safety by our boat, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And left the ship, then sinking-ripe, to us; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| My wife, more careful for the latter-born, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Had fast'ned him unto a small spare mast, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Such as sea-faring men provide for storms; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To him one of the other twins was bound, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Whilst I had been like heedful of the other. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| The children thus dispos'd, my wife and I, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Fixing our eyes on whom our care was fix'd, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Fast'ned ourselves at either end the mast, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And, floating straight, obedient to the stream, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Was carried towards Corinth, as we thought. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| At length the sun, gazing upon the earth, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Dispers'd those vapours that offended us; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And, by the benefit of his wished light, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| The seas wax'd calm, and we discovered 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Two ships from far making amain to us- 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Of Corinth that, of Epidaurus this. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| But ere they came-O, let me say no more! 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Gather the sequel by that went before. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Nay, forward, old man, do not break off so; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| For we may pity, though not pardon thee. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. O, had the gods done so, I had not now 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Worthily term'd them merciless to us! 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| For, ere the ships could meet by twice five leagues, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| We were encount'red by a mighty rock, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Which being violently borne upon, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Our helpful ship was splitted in the midst; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| So that, in this unjust divorce of us, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Fortune had left to both of us alike 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| What to delight in, what to sorrow for. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Her part, poor soul, seeming as burdened 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| With lesser weight, but not with lesser woe, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Was carried with more speed before the wind; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And in our sight they three were taken up 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| By fishermen of Corinth, as we thought. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| At length another ship had seiz'd on us; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And, knowing whom it was their hap to save, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Gave healthful welcome to their ship-wreck'd guests, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And would have reft the fishers of their prey, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Had not their bark been very slow of sail; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And therefore homeward did they bend their course. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Thus have you heard me sever'd from my bliss, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| That by misfortunes was my life prolong'd, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To tell sad stories of my own mishaps. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. And, for the sake of them thou sorrowest for, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Do me the favour to dilate at full 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| What have befall'n of them and thee till now. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. My youngest boy, and yet my eldest care, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| At eighteen years became inquisitive 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| After his brother, and importun'd me 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| That his attendant-so his case was like, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Reft of his brother, but retain'd his name- 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Might bear him company in the quest of him; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Whom whilst I laboured of a love to see, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| I hazarded the loss of whom I lov'd. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Five summers have I spent in farthest Greece, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Roaming clean through the bounds of Asia, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And, coasting homeward, came to Ephesus; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Hopeless to find, yet loath to leave unsought 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Or that or any place that harbours men. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| But here must end the story of my life; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And happy were I in my timely death, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Could all my travels warrant me they live. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Hapless, Aegeon, whom the fates have mark'd 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To bear the extremity of dire mishap! 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Now, trust me, were it not against our laws, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Against my crown, my oath, my dignity, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Which princes, would they, may not disannul, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| My soul should sue as advocate for thee. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| But though thou art adjudged to the death, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And passed sentence may not be recall'd 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| But to our honour's great disparagement, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Yet will I favour thee in what I can. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Therefore, merchant, I'll limit thee this day 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| To seek thy help by beneficial hap. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Try all the friends thou hast in Ephesus; 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Beg thou, or borrow, to make up the sum, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| And live; if no, then thou art doom'd to die. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| Gaoler, take him to thy custody. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|GAOLER. I will, my lord. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. Hopeless and helpless doth Aegeon wend, 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1| But to procrastinate his lifeless end. 5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|