1|THE SONNETS|1|title|
1|THE SONNETS|1|title|1609
1|THE SONNETS|1|title|
1|THE SONNETS|1|title|THE SONNETS
1|THE SONNETS|1|title|
1|THE SONNETS|1|title|by William Shakespeare
1|THE SONNETS|1|title|
1|THE SONNETS|1|title|
1|THE SONNETS|1|title|
1|THE SONNETS|1|title|
1|THE SONNETS|2|Sonnet 1|                     1
1|THE SONNETS|2|Sonnet 1|  From fairest creatures we desire increase,
1|THE SONNETS|2|Sonnet 1|  That thereby beauty's rose might never die,
1|THE SONNETS|2|Sonnet 1|  But as the riper should by time decease,
1|THE SONNETS|2|Sonnet 1|  His tender heir might bear his memory:
1|THE SONNETS|2|Sonnet 1|  But thou contracted to thine own bright eyes,
1|THE SONNETS|2|Sonnet 1|  Feed'st thy light's flame with self-substantial fuel,
1|THE SONNETS|2|Sonnet 1|  Making a famine where abundance lies,
1|THE SONNETS|2|Sonnet 1|  Thy self thy foe, to thy sweet self too cruel:
1|THE SONNETS|2|Sonnet 1|  Thou that art now the world's fresh ornament,
1|THE SONNETS|2|Sonnet 1|  And only herald to the gaudy spring,
1|THE SONNETS|2|Sonnet 1|  Within thine own bud buriest thy content,
1|THE SONNETS|2|Sonnet 1|  And tender churl mak'st waste in niggarding:
1|THE SONNETS|2|Sonnet 1|    Pity the world, or else this glutton be,
1|THE SONNETS|2|Sonnet 1|    To eat the world's due, by the grave and thee.
1|THE SONNETS|2|Sonnet 1|
1|THE SONNETS|2|Sonnet 1|
1|THE SONNETS|3|Sonnet 2|                     2
1|THE SONNETS|3|Sonnet 2|  When forty winters shall besiege thy brow,
1|THE SONNETS|3|Sonnet 2|  And dig deep trenches in thy beauty's field,
1|THE SONNETS|3|Sonnet 2|  Thy youth's proud livery so gazed on now,
1|THE SONNETS|3|Sonnet 2|  Will be a tattered weed of small worth held:  
1|THE SONNETS|3|Sonnet 2|  Then being asked, where all thy beauty lies,
1|THE SONNETS|3|Sonnet 2|  Where all the treasure of thy lusty days;
1|THE SONNETS|3|Sonnet 2|  To say within thine own deep sunken eyes,
1|THE SONNETS|3|Sonnet 2|  Were an all-eating shame, and thriftless praise.
1|THE SONNETS|3|Sonnet 2|  How much more praise deserved thy beauty's use,
1|THE SONNETS|3|Sonnet 2|  If thou couldst answer 'This fair child of mine
1|THE SONNETS|3|Sonnet 2|  Shall sum my count, and make my old excuse'
1|THE SONNETS|3|Sonnet 2|  Proving his beauty by succession thine.
1|THE SONNETS|3|Sonnet 2|    This were to be new made when thou art old,
1|THE SONNETS|3|Sonnet 2|    And see thy blood warm when thou feel'st it cold.
1|THE SONNETS|3|Sonnet 2|
1|THE SONNETS|3|Sonnet 2|
1|THE SONNETS|4|Sonnet 3|                     3
1|THE SONNETS|4|Sonnet 3|  Look in thy glass and tell the face thou viewest,
1|THE SONNETS|4|Sonnet 3|  Now is the time that face should form another,
1|THE SONNETS|4|Sonnet 3|  Whose fresh repair if now thou not renewest,
1|THE SONNETS|4|Sonnet 3|  Thou dost beguile the world, unbless some mother.
1|THE SONNETS|4|Sonnet 3|  For where is she so fair whose uneared womb
1|THE SONNETS|4|Sonnet 3|  Disdains the tillage of thy husbandry?
1|THE SONNETS|4|Sonnet 3|  Or who is he so fond will be the tomb,
1|THE SONNETS|4|Sonnet 3|  Of his self-love to stop posterity?  
1|THE SONNETS|4|Sonnet 3|  Thou art thy mother's glass and she in thee
1|THE SONNETS|4|Sonnet 3|  Calls back the lovely April of her prime,
1|THE SONNETS|4|Sonnet 3|  So thou through windows of thine age shalt see,
1|THE SONNETS|4|Sonnet 3|  Despite of wrinkles this thy golden time.
1|THE SONNETS|4|Sonnet 3|    But if thou live remembered not to be,
1|THE SONNETS|4|Sonnet 3|    Die single and thine image dies with thee.
1|THE SONNETS|4|Sonnet 3|
1|THE SONNETS|4|Sonnet 3|
1|THE SONNETS|5|Sonnet 4|                     4
1|THE SONNETS|5|Sonnet 4|  Unthrifty loveliness why dost thou spend,
1|THE SONNETS|5|Sonnet 4|  Upon thy self thy beauty's legacy?
1|THE SONNETS|5|Sonnet 4|  Nature's bequest gives nothing but doth lend,
1|THE SONNETS|5|Sonnet 4|  And being frank she lends to those are free:
1|THE SONNETS|5|Sonnet 4|  Then beauteous niggard why dost thou abuse,
1|THE SONNETS|5|Sonnet 4|  The bounteous largess given thee to give?
1|THE SONNETS|5|Sonnet 4|  Profitless usurer why dost thou use
1|THE SONNETS|5|Sonnet 4|  So great a sum of sums yet canst not live?
1|THE SONNETS|5|Sonnet 4|  For having traffic with thy self alone,
1|THE SONNETS|5|Sonnet 4|  Thou of thy self thy sweet self dost deceive,
1|THE SONNETS|5|Sonnet 4|  Then how when nature calls thee to be gone,
1|THE SONNETS|5|Sonnet 4|  What acceptable audit canst thou leave?  
1|THE SONNETS|5|Sonnet 4|    Thy unused beauty must be tombed with thee,
1|THE SONNETS|5|Sonnet 4|    Which used lives th' executor to be.
1|THE SONNETS|5|Sonnet 4|
1|THE SONNETS|5|Sonnet 4|
1|THE SONNETS|6|Sonnet 5|                     5
1|THE SONNETS|6|Sonnet 5|  Those hours that with gentle work did frame
1|THE SONNETS|6|Sonnet 5|  The lovely gaze where every eye doth dwell
1|THE SONNETS|6|Sonnet 5|  Will play the tyrants to the very same,
1|THE SONNETS|6|Sonnet 5|  And that unfair which fairly doth excel:
1|THE SONNETS|6|Sonnet 5|  For never-resting time leads summer on
1|THE SONNETS|6|Sonnet 5|  To hideous winter and confounds him there,
1|THE SONNETS|6|Sonnet 5|  Sap checked with frost and lusty leaves quite gone,
1|THE SONNETS|6|Sonnet 5|  Beauty o'er-snowed and bareness every where:
1|THE SONNETS|6|Sonnet 5|  Then were not summer's distillation left
1|THE SONNETS|6|Sonnet 5|  A liquid prisoner pent in walls of glass,
1|THE SONNETS|6|Sonnet 5|  Beauty's effect with beauty were bereft,
1|THE SONNETS|6|Sonnet 5|  Nor it nor no remembrance what it was.
1|THE SONNETS|6|Sonnet 5|    But flowers distilled though they with winter meet,
1|THE SONNETS|6|Sonnet 5|    Leese but their show, their substance still lives sweet.
1|THE SONNETS|6|Sonnet 5|
1|THE SONNETS|6|Sonnet 5|
1|THE SONNETS|7|Sonnet 6|                     6  
1|THE SONNETS|7|Sonnet 6|  Then let not winter's ragged hand deface,
1|THE SONNETS|7|Sonnet 6|  In thee thy summer ere thou be distilled:
1|THE SONNETS|7|Sonnet 6|  Make sweet some vial; treasure thou some place,
1|THE SONNETS|7|Sonnet 6|  With beauty's treasure ere it be self-killed:
1|THE SONNETS|7|Sonnet 6|  That use is not forbidden usury,
1|THE SONNETS|7|Sonnet 6|  Which happies those that pay the willing loan;
1|THE SONNETS|7|Sonnet 6|  That's for thy self to breed another thee,
1|THE SONNETS|7|Sonnet 6|  Or ten times happier be it ten for one,
1|THE SONNETS|7|Sonnet 6|  Ten times thy self were happier than thou art,
1|THE SONNETS|7|Sonnet 6|  If ten of thine ten times refigured thee:
1|THE SONNETS|7|Sonnet 6|  Then what could death do if thou shouldst depart,
1|THE SONNETS|7|Sonnet 6|  Leaving thee living in posterity?
1|THE SONNETS|7|Sonnet 6|    Be not self-willed for thou art much too fair,
1|THE SONNETS|7|Sonnet 6|    To be death's conquest and make worms thine heir.
1|THE SONNETS|7|Sonnet 6|
1|THE SONNETS|7|Sonnet 6|
1|THE SONNETS|8|Sonnet 7|                     7
1|THE SONNETS|8|Sonnet 7|  Lo in the orient when the gracious light
1|THE SONNETS|8|Sonnet 7|  Lifts up his burning head, each under eye
1|THE SONNETS|8|Sonnet 7|  Doth homage to his new-appearing sight,
1|THE SONNETS|8|Sonnet 7|  Serving with looks his sacred majesty,  
1|THE SONNETS|8|Sonnet 7|  And having climbed the steep-up heavenly hill,
1|THE SONNETS|8|Sonnet 7|  Resembling strong youth in his middle age,
1|THE SONNETS|8|Sonnet 7|  Yet mortal looks adore his beauty still,
1|THE SONNETS|8|Sonnet 7|  Attending on his golden pilgrimage:
1|THE SONNETS|8|Sonnet 7|  But when from highmost pitch with weary car,
1|THE SONNETS|8|Sonnet 7|  Like feeble age he reeleth from the day,
1|THE SONNETS|8|Sonnet 7|  The eyes (fore duteous) now converted are
1|THE SONNETS|8|Sonnet 7|  From his low tract and look another way:
1|THE SONNETS|8|Sonnet 7|    So thou, thy self out-going in thy noon:
1|THE SONNETS|8|Sonnet 7|    Unlooked on diest unless thou get a son.
1|THE SONNETS|8|Sonnet 7|
1|THE SONNETS|8|Sonnet 7|
1|THE SONNETS|9|Sonnet 8|                     8
1|THE SONNETS|9|Sonnet 8|  Music to hear, why hear'st thou music sadly?
1|THE SONNETS|9|Sonnet 8|  Sweets with sweets war not, joy delights in joy:
1|THE SONNETS|9|Sonnet 8|  Why lov'st thou that which thou receiv'st not gladly,
1|THE SONNETS|9|Sonnet 8|  Or else receiv'st with pleasure thine annoy?
1|THE SONNETS|9|Sonnet 8|  If the true concord of well-tuned sounds,
1|THE SONNETS|9|Sonnet 8|  By unions married do offend thine ear,
1|THE SONNETS|9|Sonnet 8|  They do but sweetly chide thee, who confounds
1|THE SONNETS|9|Sonnet 8|  In singleness the parts that thou shouldst bear:  
1|THE SONNETS|9|Sonnet 8|  Mark how one string sweet husband to another,
1|THE SONNETS|9|Sonnet 8|  Strikes each in each by mutual ordering;
1|THE SONNETS|9|Sonnet 8|  Resembling sire, and child, and happy mother,
1|THE SONNETS|9|Sonnet 8|  Who all in one, one pleasing note do sing:
1|THE SONNETS|9|Sonnet 8|    Whose speechless song being many, seeming one,
1|THE SONNETS|9|Sonnet 8|    Sings this to thee, 'Thou single wilt prove none'.
1|THE SONNETS|9|Sonnet 8|
1|THE SONNETS|9|Sonnet 8|
1|THE SONNETS|10|Sonnet 9|                     9
1|THE SONNETS|10|Sonnet 9|  Is it for fear to wet a widow's eye,
1|THE SONNETS|10|Sonnet 9|  That thou consum'st thy self in single life?
1|THE SONNETS|10|Sonnet 9|  Ah, if thou issueless shalt hap to die,
1|THE SONNETS|10|Sonnet 9|  The world will wail thee like a makeless wife,
1|THE SONNETS|10|Sonnet 9|  The world will be thy widow and still weep,
1|THE SONNETS|10|Sonnet 9|  That thou no form of thee hast left behind,
1|THE SONNETS|10|Sonnet 9|  When every private widow well may keep,
1|THE SONNETS|10|Sonnet 9|  By children's eyes, her husband's shape in mind:
1|THE SONNETS|10|Sonnet 9|  Look what an unthrift in the world doth spend
1|THE SONNETS|10|Sonnet 9|  Shifts but his place, for still the world enjoys it;
1|THE SONNETS|10|Sonnet 9|  But beauty's waste hath in the world an end,
1|THE SONNETS|10|Sonnet 9|  And kept unused the user so destroys it:  
1|THE SONNETS|10|Sonnet 9|    No love toward others in that bosom sits
1|THE SONNETS|10|Sonnet 9|    That on himself such murd'rous shame commits.
1|THE SONNETS|10|Sonnet 9|
1|THE SONNETS|10|Sonnet 9|
1|THE SONNETS|11|Sonnet 10|                     10
1|THE SONNETS|11|Sonnet 10|  For shame deny that thou bear'st love to any
1|THE SONNETS|11|Sonnet 10|  Who for thy self art so unprovident.
1|THE SONNETS|11|Sonnet 10|  Grant if thou wilt, thou art beloved of many,
1|THE SONNETS|11|Sonnet 10|  But that thou none lov'st is most evident:
1|THE SONNETS|11|Sonnet 10|  For thou art so possessed with murd'rous hate,
1|THE SONNETS|11|Sonnet 10|  That 'gainst thy self thou stick'st not to conspire,
1|THE SONNETS|11|Sonnet 10|  Seeking that beauteous roof to ruinate
1|THE SONNETS|11|Sonnet 10|  Which to repair should be thy chief desire:
1|THE SONNETS|11|Sonnet 10|  O change thy thought, that I may change my mind,
1|THE SONNETS|11|Sonnet 10|  Shall hate be fairer lodged than gentle love?
1|THE SONNETS|11|Sonnet 10|  Be as thy presence is gracious and kind,
1|THE SONNETS|11|Sonnet 10|  Or to thy self at least kind-hearted prove,
1|THE SONNETS|11|Sonnet 10|    Make thee another self for love of me,
1|THE SONNETS|11|Sonnet 10|    That beauty still may live in thine or thee.
1|THE SONNETS|11|Sonnet 10|
1|THE SONNETS|11|Sonnet 10|
1|THE SONNETS|12|Sonnet 11|                     11  
1|THE SONNETS|12|Sonnet 11|  As fast as thou shalt wane so fast thou grow'st,
1|THE SONNETS|12|Sonnet 11|  In one of thine, from that which thou departest,
1|THE SONNETS|12|Sonnet 11|  And that fresh blood which youngly thou bestow'st,
1|THE SONNETS|12|Sonnet 11|  Thou mayst call thine, when thou from youth convertest,
1|THE SONNETS|12|Sonnet 11|  Herein lives wisdom, beauty, and increase,
1|THE SONNETS|12|Sonnet 11|  Without this folly, age, and cold decay,
1|THE SONNETS|12|Sonnet 11|  If all were minded so, the times should cease,
1|THE SONNETS|12|Sonnet 11|  And threescore year would make the world away:
1|THE SONNETS|12|Sonnet 11|  Let those whom nature hath not made for store,
1|THE SONNETS|12|Sonnet 11|  Harsh, featureless, and rude, barrenly perish:
1|THE SONNETS|12|Sonnet 11|  Look whom she best endowed, she gave thee more;
1|THE SONNETS|12|Sonnet 11|  Which bounteous gift thou shouldst in bounty cherish:
1|THE SONNETS|12|Sonnet 11|    She carved thee for her seal, and meant thereby,
1|THE SONNETS|12|Sonnet 11|    Thou shouldst print more, not let that copy die.
1|THE SONNETS|12|Sonnet 11|
1|THE SONNETS|12|Sonnet 11|
1|THE SONNETS|13|Sonnet 12|                     12
1|THE SONNETS|13|Sonnet 12|  When I do count the clock that tells the time,
1|THE SONNETS|13|Sonnet 12|  And see the brave day sunk in hideous night,
1|THE SONNETS|13|Sonnet 12|  When I behold the violet past prime,
1|THE SONNETS|13|Sonnet 12|  And sable curls all silvered o'er with white:  
1|THE SONNETS|13|Sonnet 12|  When lofty trees I see barren of leaves,
1|THE SONNETS|13|Sonnet 12|  Which erst from heat did canopy the herd
1|THE SONNETS|13|Sonnet 12|  And summer's green all girded up in sheaves
1|THE SONNETS|13|Sonnet 12|  Borne on the bier with white and bristly beard:
1|THE SONNETS|13|Sonnet 12|  Then of thy beauty do I question make
1|THE SONNETS|13|Sonnet 12|  That thou among the wastes of time must go,
1|THE SONNETS|13|Sonnet 12|  Since sweets and beauties do themselves forsake,
1|THE SONNETS|13|Sonnet 12|  And die as fast as they see others grow,
1|THE SONNETS|13|Sonnet 12|    And nothing 'gainst Time's scythe can make defence
1|THE SONNETS|13|Sonnet 12|    Save breed to brave him, when he takes thee hence.
1|THE SONNETS|13|Sonnet 12|
1|THE SONNETS|13|Sonnet 12|
1|THE SONNETS|14|Sonnet 13|                     13
1|THE SONNETS|14|Sonnet 13|  O that you were your self, but love you are
1|THE SONNETS|14|Sonnet 13|  No longer yours, than you your self here live,
1|THE SONNETS|14|Sonnet 13|  Against this coming end you should prepare,
1|THE SONNETS|14|Sonnet 13|  And your sweet semblance to some other give.
1|THE SONNETS|14|Sonnet 13|  So should that beauty which you hold in lease
1|THE SONNETS|14|Sonnet 13|  Find no determination, then you were
1|THE SONNETS|14|Sonnet 13|  Your self again after your self's decease,
1|THE SONNETS|14|Sonnet 13|  When your sweet issue your sweet form should bear.  
1|THE SONNETS|14|Sonnet 13|  Who lets so fair a house fall to decay,
1|THE SONNETS|14|Sonnet 13|  Which husbandry in honour might uphold,
1|THE SONNETS|14|Sonnet 13|  Against the stormy gusts of winter's day
1|THE SONNETS|14|Sonnet 13|  And barren rage of death's eternal cold?
1|THE SONNETS|14|Sonnet 13|    O none but unthrifts, dear my love you know,
1|THE SONNETS|14|Sonnet 13|    You had a father, let your son say so.
1|THE SONNETS|14|Sonnet 13|
1|THE SONNETS|14|Sonnet 13|
1|THE SONNETS|15|Sonnet 14|                     14
1|THE SONNETS|15|Sonnet 14|  Not from the stars do I my judgement pluck,
1|THE SONNETS|15|Sonnet 14|  And yet methinks I have astronomy,
1|THE SONNETS|15|Sonnet 14|  But not to tell of good, or evil luck,
1|THE SONNETS|15|Sonnet 14|  Of plagues, of dearths, or seasons' quality,
1|THE SONNETS|15|Sonnet 14|  Nor can I fortune to brief minutes tell;
1|THE SONNETS|15|Sonnet 14|  Pointing to each his thunder, rain and wind,
1|THE SONNETS|15|Sonnet 14|  Or say with princes if it shall go well
1|THE SONNETS|15|Sonnet 14|  By oft predict that I in heaven find.
1|THE SONNETS|15|Sonnet 14|  But from thine eyes my knowledge I derive,
1|THE SONNETS|15|Sonnet 14|  And constant stars in them I read such art
1|THE SONNETS|15|Sonnet 14|  As truth and beauty shall together thrive
1|THE SONNETS|15|Sonnet 14|  If from thy self, to store thou wouldst convert:  
1|THE SONNETS|15|Sonnet 14|    Or else of thee this I prognosticate,
1|THE SONNETS|15|Sonnet 14|    Thy end is truth's and beauty's doom and date.
1|THE SONNETS|15|Sonnet 14|
1|THE SONNETS|15|Sonnet 14|
1|THE SONNETS|16|Sonnet 15|                     15
1|THE SONNETS|16|Sonnet 15|  When I consider every thing that grows
1|THE SONNETS|16|Sonnet 15|  Holds in perfection but a little moment.
1|THE SONNETS|16|Sonnet 15|  That this huge stage presenteth nought but shows
1|THE SONNETS|16|Sonnet 15|  Whereon the stars in secret influence comment.
1|THE SONNETS|16|Sonnet 15|  When I perceive that men as plants increase,
1|THE SONNETS|16|Sonnet 15|  Cheered and checked even by the self-same sky:
1|THE SONNETS|16|Sonnet 15|  Vaunt in their youthful sap, at height decrease,
1|THE SONNETS|16|Sonnet 15|  And wear their brave state out of memory.
1|THE SONNETS|16|Sonnet 15|  Then the conceit of this inconstant stay,
1|THE SONNETS|16|Sonnet 15|  Sets you most rich in youth before my sight,
1|THE SONNETS|16|Sonnet 15|  Where wasteful time debateth with decay
1|THE SONNETS|16|Sonnet 15|  To change your day of youth to sullied night,
1|THE SONNETS|16|Sonnet 15|    And all in war with Time for love of you,
1|THE SONNETS|16|Sonnet 15|    As he takes from you, I engraft you new.
1|THE SONNETS|16|Sonnet 15|
1|THE SONNETS|16|Sonnet 15|
1|THE SONNETS|17|Sonnet 16|                     16  
1|THE SONNETS|17|Sonnet 16|  But wherefore do not you a mightier way
1|THE SONNETS|17|Sonnet 16|  Make war upon this bloody tyrant Time?
1|THE SONNETS|17|Sonnet 16|  And fortify your self in your decay
1|THE SONNETS|17|Sonnet 16|  With means more blessed than my barren rhyme?
1|THE SONNETS|17|Sonnet 16|  Now stand you on the top of happy hours,
1|THE SONNETS|17|Sonnet 16|  And many maiden gardens yet unset,
1|THE SONNETS|17|Sonnet 16|  With virtuous wish would bear you living flowers,
1|THE SONNETS|17|Sonnet 16|  Much liker than your painted counterfeit:
1|THE SONNETS|17|Sonnet 16|  So should the lines of life that life repair
1|THE SONNETS|17|Sonnet 16|  Which this (Time's pencil) or my pupil pen
1|THE SONNETS|17|Sonnet 16|  Neither in inward worth nor outward fair
1|THE SONNETS|17|Sonnet 16|  Can make you live your self in eyes of men.
1|THE SONNETS|17|Sonnet 16|    To give away your self, keeps your self still,
1|THE SONNETS|17|Sonnet 16|    And you must live drawn by your own sweet skill.
1|THE SONNETS|17|Sonnet 16|
1|THE SONNETS|17|Sonnet 16|
1|THE SONNETS|18|Sonnet 17|                     17
1|THE SONNETS|18|Sonnet 17|  Who will believe my verse in time to come
1|THE SONNETS|18|Sonnet 17|  If it were filled with your most high deserts?
1|THE SONNETS|18|Sonnet 17|  Though yet heaven knows it is but as a tomb
1|THE SONNETS|18|Sonnet 17|  Which hides your life, and shows not half your parts:  
1|THE SONNETS|18|Sonnet 17|  If I could write the beauty of your eyes,
1|THE SONNETS|18|Sonnet 17|  And in fresh numbers number all your graces,
1|THE SONNETS|18|Sonnet 17|  The age to come would say this poet lies,
1|THE SONNETS|18|Sonnet 17|  Such heavenly touches ne'er touched earthly faces.
1|THE SONNETS|18|Sonnet 17|  So should my papers (yellowed with their age)
1|THE SONNETS|18|Sonnet 17|  Be scorned, like old men of less truth than tongue,
1|THE SONNETS|18|Sonnet 17|  And your true rights be termed a poet's rage,
1|THE SONNETS|18|Sonnet 17|  And stretched metre of an antique song.
1|THE SONNETS|18|Sonnet 17|    But were some child of yours alive that time,
1|THE SONNETS|18|Sonnet 17|    You should live twice in it, and in my rhyme.
1|THE SONNETS|18|Sonnet 17|
1|THE SONNETS|18|Sonnet 17|
1|THE SONNETS|19|Sonnet 18|                     18
1|THE SONNETS|19|Sonnet 18|  Shall I compare thee to a summer's day?
1|THE SONNETS|19|Sonnet 18|  Thou art more lovely and more temperate:
1|THE SONNETS|19|Sonnet 18|  Rough winds do shake the darling buds of May,
1|THE SONNETS|19|Sonnet 18|  And summer's lease hath all too short a date:
1|THE SONNETS|19|Sonnet 18|  Sometime too hot the eye of heaven shines,
1|THE SONNETS|19|Sonnet 18|  And often is his gold complexion dimmed,
1|THE SONNETS|19|Sonnet 18|  And every fair from fair sometime declines,
1|THE SONNETS|19|Sonnet 18|  By chance, or nature's changing course untrimmed:  
1|THE SONNETS|19|Sonnet 18|  But thy eternal summer shall not fade,
1|THE SONNETS|19|Sonnet 18|  Nor lose possession of that fair thou ow'st,
1|THE SONNETS|19|Sonnet 18|  Nor shall death brag thou wand'rest in his shade,
1|THE SONNETS|19|Sonnet 18|  When in eternal lines to time thou grow'st,
1|THE SONNETS|19|Sonnet 18|    So long as men can breathe or eyes can see,
1|THE SONNETS|19|Sonnet 18|    So long lives this, and this gives life to thee.
1|THE SONNETS|19|Sonnet 18|
1|THE SONNETS|19|Sonnet 18|
1|THE SONNETS|20|Sonnet 19|                     19
1|THE SONNETS|20|Sonnet 19|  Devouring Time blunt thou the lion's paws,
1|THE SONNETS|20|Sonnet 19|  And make the earth devour her own sweet brood,
1|THE SONNETS|20|Sonnet 19|  Pluck the keen teeth from the fierce tiger's jaws,
1|THE SONNETS|20|Sonnet 19|  And burn the long-lived phoenix, in her blood,
1|THE SONNETS|20|Sonnet 19|  Make glad and sorry seasons as thou fleet'st,
1|THE SONNETS|20|Sonnet 19|  And do whate'er thou wilt swift-footed Time
1|THE SONNETS|20|Sonnet 19|  To the wide world and all her fading sweets:
1|THE SONNETS|20|Sonnet 19|  But I forbid thee one most heinous crime,
1|THE SONNETS|20|Sonnet 19|  O carve not with thy hours my love's fair brow,
1|THE SONNETS|20|Sonnet 19|  Nor draw no lines there with thine antique pen,
1|THE SONNETS|20|Sonnet 19|  Him in thy course untainted do allow,
1|THE SONNETS|20|Sonnet 19|  For beauty's pattern to succeeding men.  
1|THE SONNETS|20|Sonnet 19|    Yet do thy worst old Time: despite thy wrong,
1|THE SONNETS|20|Sonnet 19|    My love shall in my verse ever live young.
1|THE SONNETS|20|Sonnet 19|
1|THE SONNETS|20|Sonnet 19|
1|THE SONNETS|21|Sonnet 20|                     20
1|THE SONNETS|21|Sonnet 20|  A woman's face with nature's own hand painted,
1|THE SONNETS|21|Sonnet 20|  Hast thou the master mistress of my passion,
1|THE SONNETS|21|Sonnet 20|  A woman's gentle heart but not acquainted
1|THE SONNETS|21|Sonnet 20|  With shifting change as is false women's fashion,
1|THE SONNETS|21|Sonnet 20|  An eye more bright than theirs, less false in rolling:
1|THE SONNETS|21|Sonnet 20|  Gilding the object whereupon it gazeth,
1|THE SONNETS|21|Sonnet 20|  A man in hue all hues in his controlling,
1|THE SONNETS|21|Sonnet 20|  Which steals men's eyes and women's souls amazeth.
1|THE SONNETS|21|Sonnet 20|  And for a woman wert thou first created,
1|THE SONNETS|21|Sonnet 20|  Till nature as she wrought thee fell a-doting,
1|THE SONNETS|21|Sonnet 20|  And by addition me of thee defeated,
1|THE SONNETS|21|Sonnet 20|  By adding one thing to my purpose nothing.
1|THE SONNETS|21|Sonnet 20|    But since she pricked thee out for women's pleasure,
1|THE SONNETS|21|Sonnet 20|    Mine be thy love and thy love's use their treasure.
1|THE SONNETS|21|Sonnet 20|
1|THE SONNETS|21|Sonnet 20|
1|THE SONNETS|22|Sonnet 21|                     21  
1|THE SONNETS|22|Sonnet 21|  So is it not with me as with that muse,
1|THE SONNETS|22|Sonnet 21|  Stirred by a painted beauty to his verse,
1|THE SONNETS|22|Sonnet 21|  Who heaven it self for ornament doth use,
1|THE SONNETS|22|Sonnet 21|  And every fair with his fair doth rehearse,
1|THE SONNETS|22|Sonnet 21|  Making a couplement of proud compare
1|THE SONNETS|22|Sonnet 21|  With sun and moon, with earth and sea's rich gems:
1|THE SONNETS|22|Sonnet 21|  With April's first-born flowers and all things rare,
1|THE SONNETS|22|Sonnet 21|  That heaven's air in this huge rondure hems.
1|THE SONNETS|22|Sonnet 21|  O let me true in love but truly write,
1|THE SONNETS|22|Sonnet 21|  And then believe me, my love is as fair,
1|THE SONNETS|22|Sonnet 21|  As any mother's child, though not so bright
1|THE SONNETS|22|Sonnet 21|  As those gold candles fixed in heaven's air:
1|THE SONNETS|22|Sonnet 21|    Let them say more that like of hearsay well,
1|THE SONNETS|22|Sonnet 21|    I will not praise that purpose not to sell.
1|THE SONNETS|22|Sonnet 21|
1|THE SONNETS|22|Sonnet 21|
1|THE SONNETS|23|Sonnet 22|                     22
1|THE SONNETS|23|Sonnet 22|  My glass shall not persuade me I am old,
1|THE SONNETS|23|Sonnet 22|  So long as youth and thou are of one date,
1|THE SONNETS|23|Sonnet 22|  But when in thee time's furrows I behold,
1|THE SONNETS|23|Sonnet 22|  Then look I death my days should expiate.  
1|THE SONNETS|23|Sonnet 22|  For all that beauty that doth cover thee,
1|THE SONNETS|23|Sonnet 22|  Is but the seemly raiment of my heart,
1|THE SONNETS|23|Sonnet 22|  Which in thy breast doth live, as thine in me,
1|THE SONNETS|23|Sonnet 22|  How can I then be elder than thou art?
1|THE SONNETS|23|Sonnet 22|  O therefore love be of thyself so wary,
1|THE SONNETS|23|Sonnet 22|  As I not for my self, but for thee will,
1|THE SONNETS|23|Sonnet 22|  Bearing thy heart which I will keep so chary
1|THE SONNETS|23|Sonnet 22|  As tender nurse her babe from faring ill.
1|THE SONNETS|23|Sonnet 22|    Presume not on thy heart when mine is slain,
1|THE SONNETS|23|Sonnet 22|    Thou gav'st me thine not to give back again.
1|THE SONNETS|23|Sonnet 22|
1|THE SONNETS|23|Sonnet 22|
1|THE SONNETS|24|Sonnet 23|                     23
1|THE SONNETS|24|Sonnet 23|  As an unperfect actor on the stage,
1|THE SONNETS|24|Sonnet 23|  Who with his fear is put beside his part,
1|THE SONNETS|24|Sonnet 23|  Or some fierce thing replete with too much rage,
1|THE SONNETS|24|Sonnet 23|  Whose strength's abundance weakens his own heart;
1|THE SONNETS|24|Sonnet 23|  So I for fear of trust, forget to say,
1|THE SONNETS|24|Sonnet 23|  The perfect ceremony of love's rite,
1|THE SONNETS|24|Sonnet 23|  And in mine own love's strength seem to decay,
1|THE SONNETS|24|Sonnet 23|  O'ercharged with burthen of mine own love's might:  
1|THE SONNETS|24|Sonnet 23|  O let my looks be then the eloquence,
1|THE SONNETS|24|Sonnet 23|  And dumb presagers of my speaking breast,
1|THE SONNETS|24|Sonnet 23|  Who plead for love, and look for recompense,
1|THE SONNETS|24|Sonnet 23|  More than that tongue that more hath more expressed.
1|THE SONNETS|24|Sonnet 23|    O learn to read what silent love hath writ,
1|THE SONNETS|24|Sonnet 23|    To hear with eyes belongs to love's fine wit.
1|THE SONNETS|24|Sonnet 23|
1|THE SONNETS|24|Sonnet 23|
1|THE SONNETS|25|Sonnet 24|                     24
1|THE SONNETS|25|Sonnet 24|  Mine eye hath played the painter and hath stelled,
1|THE SONNETS|25|Sonnet 24|  Thy beauty's form in table of my heart,
1|THE SONNETS|25|Sonnet 24|  My body is the frame wherein 'tis held,
1|THE SONNETS|25|Sonnet 24|  And perspective it is best painter's art.
1|THE SONNETS|25|Sonnet 24|  For through the painter must you see his skill,
1|THE SONNETS|25|Sonnet 24|  To find where your true image pictured lies,
1|THE SONNETS|25|Sonnet 24|  Which in my bosom's shop is hanging still,
1|THE SONNETS|25|Sonnet 24|  That hath his windows glazed with thine eyes:
1|THE SONNETS|25|Sonnet 24|  Now see what good turns eyes for eyes have done,
1|THE SONNETS|25|Sonnet 24|  Mine eyes have drawn thy shape, and thine for me
1|THE SONNETS|25|Sonnet 24|  Are windows to my breast, where-through the sun
1|THE SONNETS|25|Sonnet 24|  Delights to peep, to gaze therein on thee;  
1|THE SONNETS|25|Sonnet 24|    Yet eyes this cunning want to grace their art,
1|THE SONNETS|25|Sonnet 24|    They draw but what they see, know not the heart.
1|THE SONNETS|25|Sonnet 24|
1|THE SONNETS|25|Sonnet 24|
1|THE SONNETS|26|Sonnet 25|                     25
1|THE SONNETS|26|Sonnet 25|  Let those who are in favour with their stars,
1|THE SONNETS|26|Sonnet 25|  Of public honour and proud titles boast,
1|THE SONNETS|26|Sonnet 25|  Whilst I whom fortune of such triumph bars
1|THE SONNETS|26|Sonnet 25|  Unlooked for joy in that I honour most;
1|THE SONNETS|26|Sonnet 25|  Great princes' favourites their fair leaves spread,
1|THE SONNETS|26|Sonnet 25|  But as the marigold at the sun's eye,
1|THE SONNETS|26|Sonnet 25|  And in themselves their pride lies buried,
1|THE SONNETS|26|Sonnet 25|  For at a frown they in their glory die.
1|THE SONNETS|26|Sonnet 25|  The painful warrior famoused for fight,
1|THE SONNETS|26|Sonnet 25|  After a thousand victories once foiled,
1|THE SONNETS|26|Sonnet 25|  Is from the book of honour razed quite,
1|THE SONNETS|26|Sonnet 25|  And all the rest forgot for which he toiled:
1|THE SONNETS|26|Sonnet 25|    Then happy I that love and am beloved
1|THE SONNETS|26|Sonnet 25|    Where I may not remove nor be removed.
1|THE SONNETS|26|Sonnet 25|
1|THE SONNETS|26|Sonnet 25|
1|THE SONNETS|27|Sonnet 26|                     26  
1|THE SONNETS|27|Sonnet 26|  Lord of my love, to whom in vassalage
1|THE SONNETS|27|Sonnet 26|  Thy merit hath my duty strongly knit;
1|THE SONNETS|27|Sonnet 26|  To thee I send this written embassage
1|THE SONNETS|27|Sonnet 26|  To witness duty, not to show my wit.
1|THE SONNETS|27|Sonnet 26|  Duty so great, which wit so poor as mine
1|THE SONNETS|27|Sonnet 26|  May make seem bare, in wanting words to show it;
1|THE SONNETS|27|Sonnet 26|  But that I hope some good conceit of thine
1|THE SONNETS|27|Sonnet 26|  In thy soul's thought (all naked) will bestow it:
1|THE SONNETS|27|Sonnet 26|  Till whatsoever star that guides my moving,
1|THE SONNETS|27|Sonnet 26|  Points on me graciously with fair aspect,
1|THE SONNETS|27|Sonnet 26|  And puts apparel on my tattered loving,
1|THE SONNETS|27|Sonnet 26|  To show me worthy of thy sweet respect,
1|THE SONNETS|27|Sonnet 26|    Then may I dare to boast how I do love thee,
1|THE SONNETS|27|Sonnet 26|    Till then, not show my head where thou mayst prove me.
1|THE SONNETS|27|Sonnet 26|
1|THE SONNETS|27|Sonnet 26|
1|THE SONNETS|28|Sonnet 27|                     27
1|THE SONNETS|28|Sonnet 27|  Weary with toil, I haste me to my bed,
1|THE SONNETS|28|Sonnet 27|  The dear respose for limbs with travel tired,
1|THE SONNETS|28|Sonnet 27|  But then begins a journey in my head
1|THE SONNETS|28|Sonnet 27|  To work my mind, when body's work's expired.  
1|THE SONNETS|28|Sonnet 27|  For then my thoughts (from far where I abide)
1|THE SONNETS|28|Sonnet 27|  Intend a zealous pilgrimage to thee,
1|THE SONNETS|28|Sonnet 27|  And keep my drooping eyelids open wide,
1|THE SONNETS|28|Sonnet 27|  Looking on darkness which the blind do see.
1|THE SONNETS|28|Sonnet 27|  Save that my soul's imaginary sight
1|THE SONNETS|28|Sonnet 27|  Presents thy shadow to my sightless view,
1|THE SONNETS|28|Sonnet 27|  Which like a jewel (hung in ghastly night)
1|THE SONNETS|28|Sonnet 27|  Makes black night beauteous, and her old face new.
1|THE SONNETS|28|Sonnet 27|    Lo thus by day my limbs, by night my mind,
1|THE SONNETS|28|Sonnet 27|    For thee, and for my self, no quiet find.
1|THE SONNETS|28|Sonnet 27|
1|THE SONNETS|28|Sonnet 27|
1|THE SONNETS|29|Sonnet 28|                     28
1|THE SONNETS|29|Sonnet 28|  How can I then return in happy plight
1|THE SONNETS|29|Sonnet 28|  That am debarred the benefit of rest?
1|THE SONNETS|29|Sonnet 28|  When day's oppression is not eased by night,
1|THE SONNETS|29|Sonnet 28|  But day by night and night by day oppressed.
1|THE SONNETS|29|Sonnet 28|  And each (though enemies to either's reign)
1|THE SONNETS|29|Sonnet 28|  Do in consent shake hands to torture me,
1|THE SONNETS|29|Sonnet 28|  The one by toil, the other to complain
1|THE SONNETS|29|Sonnet 28|  How far I toil, still farther off from thee.  
1|THE SONNETS|29|Sonnet 28|  I tell the day to please him thou art bright,
1|THE SONNETS|29|Sonnet 28|  And dost him grace when clouds do blot the heaven:
1|THE SONNETS|29|Sonnet 28|  So flatter I the swart-complexioned night,
1|THE SONNETS|29|Sonnet 28|  When sparkling stars twire not thou gild'st the even.
1|THE SONNETS|29|Sonnet 28|    But day doth daily draw my sorrows longer,
1|THE SONNETS|29|Sonnet 28|    And night doth nightly make grief's length seem stronger
1|THE SONNETS|29|Sonnet 28|
1|THE SONNETS|29|Sonnet 28|
1|THE SONNETS|30|Sonnet 29|                     29
1|THE SONNETS|30|Sonnet 29|  When in disgrace with Fortune and men's eyes,
1|THE SONNETS|30|Sonnet 29|  I all alone beweep my outcast state,
1|THE SONNETS|30|Sonnet 29|  And trouble deaf heaven with my bootless cries,
1|THE SONNETS|30|Sonnet 29|  And look upon my self and curse my fate,
1|THE SONNETS|30|Sonnet 29|  Wishing me like to one more rich in hope,
1|THE SONNETS|30|Sonnet 29|  Featured like him, like him with friends possessed,
1|THE SONNETS|30|Sonnet 29|  Desiring this man's art, and that man's scope,
1|THE SONNETS|30|Sonnet 29|  With what I most enjoy contented least,
1|THE SONNETS|30|Sonnet 29|  Yet in these thoughts my self almost despising,
1|THE SONNETS|30|Sonnet 29|  Haply I think on thee, and then my state,
1|THE SONNETS|30|Sonnet 29|  (Like to the lark at break of day arising
1|THE SONNETS|30|Sonnet 29|  From sullen earth) sings hymns at heaven's gate,  
1|THE SONNETS|30|Sonnet 29|    For thy sweet love remembered such wealth brings,
1|THE SONNETS|30|Sonnet 29|    That then I scorn to change my state with kings.
1|THE SONNETS|30|Sonnet 29|
1|THE SONNETS|30|Sonnet 29|
1|THE SONNETS|31|Sonnet 30|                     30
1|THE SONNETS|31|Sonnet 30|  When to the sessions of sweet silent thought,
1|THE SONNETS|31|Sonnet 30|  I summon up remembrance of things past,
1|THE SONNETS|31|Sonnet 30|  I sigh the lack of many a thing I sought,
1|THE SONNETS|31|Sonnet 30|  And with old woes new wail my dear time's waste:
1|THE SONNETS|31|Sonnet 30|  Then can I drown an eye (unused to flow)
1|THE SONNETS|31|Sonnet 30|  For precious friends hid in death's dateless night,
1|THE SONNETS|31|Sonnet 30|  And weep afresh love's long since cancelled woe,
1|THE SONNETS|31|Sonnet 30|  And moan th' expense of many a vanished sight.
1|THE SONNETS|31|Sonnet 30|  Then can I grieve at grievances foregone,
1|THE SONNETS|31|Sonnet 30|  And heavily from woe to woe tell o'er
1|THE SONNETS|31|Sonnet 30|  The sad account of fore-bemoaned moan,
1|THE SONNETS|31|Sonnet 30|  Which I new pay as if not paid before.
1|THE SONNETS|31|Sonnet 30|    But if the while I think on thee (dear friend)
1|THE SONNETS|31|Sonnet 30|    All losses are restored, and sorrows end.
1|THE SONNETS|31|Sonnet 30|
1|THE SONNETS|31|Sonnet 30|
1|THE SONNETS|32|Sonnet 31|                     31  
1|THE SONNETS|32|Sonnet 31|  Thy bosom is endeared with all hearts,
1|THE SONNETS|32|Sonnet 31|  Which I by lacking have supposed dead,
1|THE SONNETS|32|Sonnet 31|  And there reigns love and all love's loving parts,
1|THE SONNETS|32|Sonnet 31|  And all those friends which I thought buried.
1|THE SONNETS|32|Sonnet 31|  How many a holy and obsequious tear
1|THE SONNETS|32|Sonnet 31|  Hath dear religious love stol'n from mine eye,
1|THE SONNETS|32|Sonnet 31|  As interest of the dead, which now appear,
1|THE SONNETS|32|Sonnet 31|  But things removed that hidden in thee lie.
1|THE SONNETS|32|Sonnet 31|  Thou art the grave where buried love doth live,
1|THE SONNETS|32|Sonnet 31|  Hung with the trophies of my lovers gone,
1|THE SONNETS|32|Sonnet 31|  Who all their parts of me to thee did give,
1|THE SONNETS|32|Sonnet 31|  That due of many, now is thine alone.
1|THE SONNETS|32|Sonnet 31|    Their images I loved, I view in thee,
1|THE SONNETS|32|Sonnet 31|    And thou (all they) hast all the all of me.
1|THE SONNETS|32|Sonnet 31|
1|THE SONNETS|32|Sonnet 31|
1|THE SONNETS|33|Sonnet 32|                     32
1|THE SONNETS|33|Sonnet 32|  If thou survive my well-contented day,
1|THE SONNETS|33|Sonnet 32|  When that churl death my bones with dust shall cover
1|THE SONNETS|33|Sonnet 32|  And shalt by fortune once more re-survey
1|THE SONNETS|33|Sonnet 32|  These poor rude lines of thy deceased lover:  
1|THE SONNETS|33|Sonnet 32|  Compare them with the bett'ring of the time,
1|THE SONNETS|33|Sonnet 32|  And though they be outstripped by every pen,
1|THE SONNETS|33|Sonnet 32|  Reserve them for my love, not for their rhyme,
1|THE SONNETS|33|Sonnet 32|  Exceeded by the height of happier men.
1|THE SONNETS|33|Sonnet 32|  O then vouchsafe me but this loving thought,
1|THE SONNETS|33|Sonnet 32|  'Had my friend's Muse grown with this growing age,
1|THE SONNETS|33|Sonnet 32|  A dearer birth than this his love had brought
1|THE SONNETS|33|Sonnet 32|  To march in ranks of better equipage:
1|THE SONNETS|33|Sonnet 32|    But since he died and poets better prove,
1|THE SONNETS|33|Sonnet 32|    Theirs for their style I'll read, his for his love'.
1|THE SONNETS|33|Sonnet 32|
1|THE SONNETS|33|Sonnet 32|
1|THE SONNETS|34|Sonnet 33|                     33
1|THE SONNETS|34|Sonnet 33|  Full many a glorious morning have I seen,
1|THE SONNETS|34|Sonnet 33|  Flatter the mountain tops with sovereign eye,
1|THE SONNETS|34|Sonnet 33|  Kissing with golden face the meadows green;
1|THE SONNETS|34|Sonnet 33|  Gilding pale streams with heavenly alchemy:
1|THE SONNETS|34|Sonnet 33|  Anon permit the basest clouds to ride,
1|THE SONNETS|34|Sonnet 33|  With ugly rack on his celestial face,
1|THE SONNETS|34|Sonnet 33|  And from the forlorn world his visage hide
1|THE SONNETS|34|Sonnet 33|  Stealing unseen to west with this disgrace:  
1|THE SONNETS|34|Sonnet 33|  Even so my sun one early morn did shine,
1|THE SONNETS|34|Sonnet 33|  With all triumphant splendour on my brow,
1|THE SONNETS|34|Sonnet 33|  But out alack, he was but one hour mine,
1|THE SONNETS|34|Sonnet 33|  The region cloud hath masked him from me now.
1|THE SONNETS|34|Sonnet 33|    Yet him for this, my love no whit disdaineth,
1|THE SONNETS|34|Sonnet 33|    Suns of the world may stain, when heaven's sun staineth.
1|THE SONNETS|34|Sonnet 33|
1|THE SONNETS|34|Sonnet 33|
1|THE SONNETS|35|Sonnet 34|                     34
1|THE SONNETS|35|Sonnet 34|  Why didst thou promise such a beauteous day,
1|THE SONNETS|35|Sonnet 34|  And make me travel forth without my cloak,
1|THE SONNETS|35|Sonnet 34|  To let base clouds o'ertake me in my way,
1|THE SONNETS|35|Sonnet 34|  Hiding thy brav'ry in their rotten smoke?
1|THE SONNETS|35|Sonnet 34|  'Tis not enough that through the cloud thou break,
1|THE SONNETS|35|Sonnet 34|  To dry the rain on my storm-beaten face,
1|THE SONNETS|35|Sonnet 34|  For no man well of such a salve can speak,
1|THE SONNETS|35|Sonnet 34|  That heals the wound, and cures not the disgrace:
1|THE SONNETS|35|Sonnet 34|  Nor can thy shame give physic to my grief,
1|THE SONNETS|35|Sonnet 34|  Though thou repent, yet I have still the loss,
1|THE SONNETS|35|Sonnet 34|  Th' offender's sorrow lends but weak relief
1|THE SONNETS|35|Sonnet 34|  To him that bears the strong offence's cross.  
1|THE SONNETS|35|Sonnet 34|    Ah but those tears are pearl which thy love sheds,
1|THE SONNETS|35|Sonnet 34|    And they are rich, and ransom all ill deeds.
1|THE SONNETS|35|Sonnet 34|
1|THE SONNETS|35|Sonnet 34|
1|THE SONNETS|36|Sonnet 35|                     35
1|THE SONNETS|36|Sonnet 35|  No more be grieved at that which thou hast done,
1|THE SONNETS|36|Sonnet 35|  Roses have thorns, and silver fountains mud,
1|THE SONNETS|36|Sonnet 35|  Clouds and eclipses stain both moon and sun,
1|THE SONNETS|36|Sonnet 35|  And loathsome canker lives in sweetest bud.
1|THE SONNETS|36|Sonnet 35|  All men make faults, and even I in this,
1|THE SONNETS|36|Sonnet 35|  Authorizing thy trespass with compare,
1|THE SONNETS|36|Sonnet 35|  My self corrupting salving thy amiss,
1|THE SONNETS|36|Sonnet 35|  Excusing thy sins more than thy sins are:
1|THE SONNETS|36|Sonnet 35|  For to thy sensual fault I bring in sense,
1|THE SONNETS|36|Sonnet 35|  Thy adverse party is thy advocate,
1|THE SONNETS|36|Sonnet 35|  And 'gainst my self a lawful plea commence:
1|THE SONNETS|36|Sonnet 35|  Such civil war is in my love and hate,
1|THE SONNETS|36|Sonnet 35|    That I an accessary needs must be,
1|THE SONNETS|36|Sonnet 35|    To that sweet thief which sourly robs from me.
1|THE SONNETS|36|Sonnet 35|
1|THE SONNETS|36|Sonnet 35|
1|THE SONNETS|37|Sonnet 36|                     36  
1|THE SONNETS|37|Sonnet 36|  Let me confess that we two must be twain,
1|THE SONNETS|37|Sonnet 36|  Although our undivided loves are one:
1|THE SONNETS|37|Sonnet 36|  So shall those blots that do with me remain,
1|THE SONNETS|37|Sonnet 36|  Without thy help, by me be borne alone.
1|THE SONNETS|37|Sonnet 36|  In our two loves there is but one respect,
1|THE SONNETS|37|Sonnet 36|  Though in our lives a separable spite,
1|THE SONNETS|37|Sonnet 36|  Which though it alter not love's sole effect,
1|THE SONNETS|37|Sonnet 36|  Yet doth it steal sweet hours from love's delight.
1|THE SONNETS|37|Sonnet 36|  I may not evermore acknowledge thee,
1|THE SONNETS|37|Sonnet 36|  Lest my bewailed guilt should do thee shame,
1|THE SONNETS|37|Sonnet 36|  Nor thou with public kindness honour me,
1|THE SONNETS|37|Sonnet 36|  Unless thou take that honour from thy name:
1|THE SONNETS|37|Sonnet 36|    But do not so, I love thee in such sort,
1|THE SONNETS|37|Sonnet 36|    As thou being mine, mine is thy good report.
1|THE SONNETS|37|Sonnet 36|
1|THE SONNETS|37|Sonnet 36|
1|THE SONNETS|38|Sonnet 37|                     37
1|THE SONNETS|38|Sonnet 37|  As a decrepit father takes delight,
1|THE SONNETS|38|Sonnet 37|  To see his active child do deeds of youth,
1|THE SONNETS|38|Sonnet 37|  So I, made lame by Fortune's dearest spite
1|THE SONNETS|38|Sonnet 37|  Take all my comfort of thy worth and truth.  
1|THE SONNETS|38|Sonnet 37|  For whether beauty, birth, or wealth, or wit,
1|THE SONNETS|38|Sonnet 37|  Or any of these all, or all, or more
1|THE SONNETS|38|Sonnet 37|  Entitled in thy parts, do crowned sit,
1|THE SONNETS|38|Sonnet 37|  I make my love engrafted to this store:
1|THE SONNETS|38|Sonnet 37|  So then I am not lame, poor, nor despised,
1|THE SONNETS|38|Sonnet 37|  Whilst that this shadow doth such substance give,
1|THE SONNETS|38|Sonnet 37|  That I in thy abundance am sufficed,
1|THE SONNETS|38|Sonnet 37|  And by a part of all thy glory live:
1|THE SONNETS|38|Sonnet 37|    Look what is best, that best I wish in thee,
1|THE SONNETS|38|Sonnet 37|    This wish I have, then ten times happy me.
1|THE SONNETS|38|Sonnet 37|
1|THE SONNETS|38|Sonnet 37|
1|THE SONNETS|39|Sonnet 38|                     38
1|THE SONNETS|39|Sonnet 38|  How can my muse want subject to invent
1|THE SONNETS|39|Sonnet 38|  While thou dost breathe that pour'st into my verse,
1|THE SONNETS|39|Sonnet 38|  Thine own sweet argument, too excellent,
1|THE SONNETS|39|Sonnet 38|  For every vulgar paper to rehearse?
1|THE SONNETS|39|Sonnet 38|  O give thy self the thanks if aught in me,
1|THE SONNETS|39|Sonnet 38|  Worthy perusal stand against thy sight,
1|THE SONNETS|39|Sonnet 38|  For who's so dumb that cannot write to thee,
1|THE SONNETS|39|Sonnet 38|  When thou thy self dost give invention light?  
1|THE SONNETS|39|Sonnet 38|  Be thou the tenth Muse, ten times more in worth
1|THE SONNETS|39|Sonnet 38|  Than those old nine which rhymers invocate,
1|THE SONNETS|39|Sonnet 38|  And he that calls on thee, let him bring forth
1|THE SONNETS|39|Sonnet 38|  Eternal numbers to outlive long date.
1|THE SONNETS|39|Sonnet 38|    If my slight muse do please these curious days,
1|THE SONNETS|39|Sonnet 38|    The pain be mine, but thine shall be the praise.
1|THE SONNETS|39|Sonnet 38|
1|THE SONNETS|39|Sonnet 38|
1|THE SONNETS|40|Sonnet 39|                     39
1|THE SONNETS|40|Sonnet 39|  O how thy worth with manners may I sing,
1|THE SONNETS|40|Sonnet 39|  When thou art all the better part of me?
1|THE SONNETS|40|Sonnet 39|  What can mine own praise to mine own self bring:
1|THE SONNETS|40|Sonnet 39|  And what is't but mine own when I praise thee?
1|THE SONNETS|40|Sonnet 39|  Even for this, let us divided live,
1|THE SONNETS|40|Sonnet 39|  And our dear love lose name of single one,
1|THE SONNETS|40|Sonnet 39|  That by this separation I may give:
1|THE SONNETS|40|Sonnet 39|  That due to thee which thou deserv'st alone:
1|THE SONNETS|40|Sonnet 39|  O absence what a torment wouldst thou prove,
1|THE SONNETS|40|Sonnet 39|  Were it not thy sour leisure gave sweet leave,
1|THE SONNETS|40|Sonnet 39|  To entertain the time with thoughts of love,
1|THE SONNETS|40|Sonnet 39|  Which time and thoughts so sweetly doth deceive.  
1|THE SONNETS|40|Sonnet 39|    And that thou teachest how to make one twain,
1|THE SONNETS|40|Sonnet 39|    By praising him here who doth hence remain.
1|THE SONNETS|40|Sonnet 39|
1|THE SONNETS|40|Sonnet 39|
1|THE SONNETS|41|Sonnet 40|                     40
1|THE SONNETS|41|Sonnet 40|  Take all my loves, my love, yea take them all,
1|THE SONNETS|41|Sonnet 40|  What hast thou then more than thou hadst before?
1|THE SONNETS|41|Sonnet 40|  No love, my love, that thou mayst true love call,
1|THE SONNETS|41|Sonnet 40|  All mine was thine, before thou hadst this more:
1|THE SONNETS|41|Sonnet 40|  Then if for my love, thou my love receivest,
1|THE SONNETS|41|Sonnet 40|  I cannot blame thee, for my love thou usest,
1|THE SONNETS|41|Sonnet 40|  But yet be blamed, if thou thy self deceivest
1|THE SONNETS|41|Sonnet 40|  By wilful taste of what thy self refusest.
1|THE SONNETS|41|Sonnet 40|  I do forgive thy robbery gentle thief
1|THE SONNETS|41|Sonnet 40|  Although thou steal thee all my poverty:
1|THE SONNETS|41|Sonnet 40|  And yet love knows it is a greater grief
1|THE SONNETS|41|Sonnet 40|  To bear greater wrong, than hate's known injury.
1|THE SONNETS|41|Sonnet 40|    Lascivious grace, in whom all ill well shows,
1|THE SONNETS|41|Sonnet 40|    Kill me with spites yet we must not be foes.
1|THE SONNETS|41|Sonnet 40|
1|THE SONNETS|41|Sonnet 40|
1|THE SONNETS|42|Sonnet 41|                     41  
1|THE SONNETS|42|Sonnet 41|  Those pretty wrongs that liberty commits,
1|THE SONNETS|42|Sonnet 41|  When I am sometime absent from thy heart,
1|THE SONNETS|42|Sonnet 41|  Thy beauty, and thy years full well befits,
1|THE SONNETS|42|Sonnet 41|  For still temptation follows where thou art.
1|THE SONNETS|42|Sonnet 41|  Gentle thou art, and therefore to be won,
1|THE SONNETS|42|Sonnet 41|  Beauteous thou art, therefore to be assailed.
1|THE SONNETS|42|Sonnet 41|  And when a woman woos, what woman's son,
1|THE SONNETS|42|Sonnet 41|  Will sourly leave her till he have prevailed?
1|THE SONNETS|42|Sonnet 41|  Ay me, but yet thou mightst my seat forbear,
1|THE SONNETS|42|Sonnet 41|  And chide thy beauty, and thy straying youth,
1|THE SONNETS|42|Sonnet 41|  Who lead thee in their riot even there
1|THE SONNETS|42|Sonnet 41|  Where thou art forced to break a twofold truth:
1|THE SONNETS|42|Sonnet 41|    Hers by thy beauty tempting her to thee,
1|THE SONNETS|42|Sonnet 41|    Thine by thy beauty being false to me.
1|THE SONNETS|42|Sonnet 41|
1|THE SONNETS|42|Sonnet 41|
1|THE SONNETS|43|Sonnet 42|                     42
1|THE SONNETS|43|Sonnet 42|  That thou hast her it is not all my grief,
1|THE SONNETS|43|Sonnet 42|  And yet it may be said I loved her dearly,
1|THE SONNETS|43|Sonnet 42|  That she hath thee is of my wailing chief,
1|THE SONNETS|43|Sonnet 42|  A loss in love that touches me more nearly.  
1|THE SONNETS|43|Sonnet 42|  Loving offenders thus I will excuse ye,
1|THE SONNETS|43|Sonnet 42|  Thou dost love her, because thou know'st I love her,
1|THE SONNETS|43|Sonnet 42|  And for my sake even so doth she abuse me,
1|THE SONNETS|43|Sonnet 42|  Suff'ring my friend for my sake to approve her.
1|THE SONNETS|43|Sonnet 42|  If I lose thee, my loss is my love's gain,
1|THE SONNETS|43|Sonnet 42|  And losing her, my friend hath found that loss,
1|THE SONNETS|43|Sonnet 42|  Both find each other, and I lose both twain,
1|THE SONNETS|43|Sonnet 42|  And both for my sake lay on me this cross,
1|THE SONNETS|43|Sonnet 42|    But here's the joy, my friend and I are one,
1|THE SONNETS|43|Sonnet 42|    Sweet flattery, then she loves but me alone.
1|THE SONNETS|43|Sonnet 42|
1|THE SONNETS|43|Sonnet 42|
1|THE SONNETS|44|Sonnet 43|                     43
1|THE SONNETS|44|Sonnet 43|  When most I wink then do mine eyes best see,
1|THE SONNETS|44|Sonnet 43|  For all the day they view things unrespected,
1|THE SONNETS|44|Sonnet 43|  But when I sleep, in dreams they look on thee,
1|THE SONNETS|44|Sonnet 43|  And darkly bright, are bright in dark directed.
1|THE SONNETS|44|Sonnet 43|  Then thou whose shadow shadows doth make bright
1|THE SONNETS|44|Sonnet 43|  How would thy shadow's form, form happy show,
1|THE SONNETS|44|Sonnet 43|  To the clear day with thy much clearer light,
1|THE SONNETS|44|Sonnet 43|  When to unseeing eyes thy shade shines so!  
1|THE SONNETS|44|Sonnet 43|  How would (I say) mine eyes be blessed made,
1|THE SONNETS|44|Sonnet 43|  By looking on thee in the living day,
1|THE SONNETS|44|Sonnet 43|  When in dead night thy fair imperfect shade,
1|THE SONNETS|44|Sonnet 43|  Through heavy sleep on sightless eyes doth stay!
1|THE SONNETS|44|Sonnet 43|    All days are nights to see till I see thee,
1|THE SONNETS|44|Sonnet 43|    And nights bright days when dreams do show thee me.
1|THE SONNETS|44|Sonnet 43|
1|THE SONNETS|44|Sonnet 43|
1|THE SONNETS|45|Sonnet 44|                     44
1|THE SONNETS|45|Sonnet 44|  If the dull substance of my flesh were thought,
1|THE SONNETS|45|Sonnet 44|  Injurious distance should not stop my way,
1|THE SONNETS|45|Sonnet 44|  For then despite of space I would be brought,
1|THE SONNETS|45|Sonnet 44|  From limits far remote, where thou dost stay,
1|THE SONNETS|45|Sonnet 44|  No matter then although my foot did stand
1|THE SONNETS|45|Sonnet 44|  Upon the farthest earth removed from thee,
1|THE SONNETS|45|Sonnet 44|  For nimble thought can jump both sea and land,
1|THE SONNETS|45|Sonnet 44|  As soon as think the place where he would be.
1|THE SONNETS|45|Sonnet 44|  But ah, thought kills me that I am not thought
1|THE SONNETS|45|Sonnet 44|  To leap large lengths of miles when thou art gone,
1|THE SONNETS|45|Sonnet 44|  But that so much of earth and water wrought,
1|THE SONNETS|45|Sonnet 44|  I must attend, time's leisure with my moan.  
1|THE SONNETS|45|Sonnet 44|    Receiving nought by elements so slow,
1|THE SONNETS|45|Sonnet 44|    But heavy tears, badges of either's woe.
1|THE SONNETS|45|Sonnet 44|
1|THE SONNETS|45|Sonnet 44|
1|THE SONNETS|46|Sonnet 45|                     45
1|THE SONNETS|46|Sonnet 45|  The other two, slight air, and purging fire,
1|THE SONNETS|46|Sonnet 45|  Are both with thee, wherever I abide,
1|THE SONNETS|46|Sonnet 45|  The first my thought, the other my desire,
1|THE SONNETS|46|Sonnet 45|  These present-absent with swift motion slide.
1|THE SONNETS|46|Sonnet 45|  For when these quicker elements are gone
1|THE SONNETS|46|Sonnet 45|  In tender embassy of love to thee,
1|THE SONNETS|46|Sonnet 45|  My life being made of four, with two alone,
1|THE SONNETS|46|Sonnet 45|  Sinks down to death, oppressed with melancholy.
1|THE SONNETS|46|Sonnet 45|  Until life's composition be recured,
1|THE SONNETS|46|Sonnet 45|  By those swift messengers returned from thee,
1|THE SONNETS|46|Sonnet 45|  Who even but now come back again assured,
1|THE SONNETS|46|Sonnet 45|  Of thy fair health, recounting it to me.
1|THE SONNETS|46|Sonnet 45|    This told, I joy, but then no longer glad,
1|THE SONNETS|46|Sonnet 45|    I send them back again and straight grow sad.
1|THE SONNETS|46|Sonnet 45|
1|THE SONNETS|46|Sonnet 45|
1|THE SONNETS|47|Sonnet 46|                     46  
1|THE SONNETS|47|Sonnet 46|  Mine eye and heart are at a mortal war,
1|THE SONNETS|47|Sonnet 46|  How to divide the conquest of thy sight,
1|THE SONNETS|47|Sonnet 46|  Mine eye, my heart thy picture's sight would bar,
1|THE SONNETS|47|Sonnet 46|  My heart, mine eye the freedom of that right,
1|THE SONNETS|47|Sonnet 46|  My heart doth plead that thou in him dost lie,
1|THE SONNETS|47|Sonnet 46|  (A closet never pierced with crystal eyes)
1|THE SONNETS|47|Sonnet 46|  But the defendant doth that plea deny,
1|THE SONNETS|47|Sonnet 46|  And says in him thy fair appearance lies.
1|THE SONNETS|47|Sonnet 46|  To side this title is impanelled
1|THE SONNETS|47|Sonnet 46|  A quest of thoughts, all tenants to the heart,
1|THE SONNETS|47|Sonnet 46|  And by their verdict is determined
1|THE SONNETS|47|Sonnet 46|  The clear eye's moiety, and the dear heart's part.
1|THE SONNETS|47|Sonnet 46|    As thus, mine eye's due is thy outward part,
1|THE SONNETS|47|Sonnet 46|    And my heart's right, thy inward love of heart.
1|THE SONNETS|47|Sonnet 46|
1|THE SONNETS|47|Sonnet 46|
1|THE SONNETS|48|Sonnet 47|                     47
1|THE SONNETS|48|Sonnet 47|  Betwixt mine eye and heart a league is took,
1|THE SONNETS|48|Sonnet 47|  And each doth good turns now unto the other,
1|THE SONNETS|48|Sonnet 47|  When that mine eye is famished for a look,
1|THE SONNETS|48|Sonnet 47|  Or heart in love with sighs himself doth smother;  
1|THE SONNETS|48|Sonnet 47|  With my love's picture then my eye doth feast,
1|THE SONNETS|48|Sonnet 47|  And to the painted banquet bids my heart:
1|THE SONNETS|48|Sonnet 47|  Another time mine eye is my heart's guest,
1|THE SONNETS|48|Sonnet 47|  And in his thoughts of love doth share a part.
1|THE SONNETS|48|Sonnet 47|  So either by thy picture or my love,
1|THE SONNETS|48|Sonnet 47|  Thy self away, art present still with me,
1|THE SONNETS|48|Sonnet 47|  For thou not farther than my thoughts canst move,
1|THE SONNETS|48|Sonnet 47|  And I am still with them, and they with thee.
1|THE SONNETS|48|Sonnet 47|    Or if they sleep, thy picture in my sight
1|THE SONNETS|48|Sonnet 47|    Awakes my heart, to heart's and eye's delight.
1|THE SONNETS|48|Sonnet 47|
1|THE SONNETS|48|Sonnet 47|
1|THE SONNETS|49|Sonnet 48|                     48
1|THE SONNETS|49|Sonnet 48|  How careful was I when I took my way,
1|THE SONNETS|49|Sonnet 48|  Each trifle under truest bars to thrust,
1|THE SONNETS|49|Sonnet 48|  That to my use it might unused stay
1|THE SONNETS|49|Sonnet 48|  From hands of falsehood, in sure wards of trust!
1|THE SONNETS|49|Sonnet 48|  But thou, to whom my jewels trifles are,
1|THE SONNETS|49|Sonnet 48|  Most worthy comfort, now my greatest grief,
1|THE SONNETS|49|Sonnet 48|  Thou best of dearest, and mine only care,
1|THE SONNETS|49|Sonnet 48|  Art left the prey of every vulgar thief.  
1|THE SONNETS|49|Sonnet 48|  Thee have I not locked up in any chest,
1|THE SONNETS|49|Sonnet 48|  Save where thou art not, though I feel thou art,
1|THE SONNETS|49|Sonnet 48|  Within the gentle closure of my breast,
1|THE SONNETS|49|Sonnet 48|  From whence at pleasure thou mayst come and part,
1|THE SONNETS|49|Sonnet 48|    And even thence thou wilt be stol'n I fear,
1|THE SONNETS|49|Sonnet 48|    For truth proves thievish for a prize so dear.
1|THE SONNETS|49|Sonnet 48|
1|THE SONNETS|49|Sonnet 48|
1|THE SONNETS|50|Sonnet 49|                     49
1|THE SONNETS|50|Sonnet 49|  Against that time (if ever that time come)
1|THE SONNETS|50|Sonnet 49|  When I shall see thee frown on my defects,
1|THE SONNETS|50|Sonnet 49|  When as thy love hath cast his utmost sum,
1|THE SONNETS|50|Sonnet 49|  Called to that audit by advised respects,
1|THE SONNETS|50|Sonnet 49|  Against that time when thou shalt strangely pass,
1|THE SONNETS|50|Sonnet 49|  And scarcely greet me with that sun thine eye,
1|THE SONNETS|50|Sonnet 49|  When love converted from the thing it was
1|THE SONNETS|50|Sonnet 49|  Shall reasons find of settled gravity;
1|THE SONNETS|50|Sonnet 49|  Against that time do I ensconce me here
1|THE SONNETS|50|Sonnet 49|  Within the knowledge of mine own desert,
1|THE SONNETS|50|Sonnet 49|  And this my hand, against my self uprear,
1|THE SONNETS|50|Sonnet 49|  To guard the lawful reasons on thy part,  
1|THE SONNETS|50|Sonnet 49|    To leave poor me, thou hast the strength of laws,
1|THE SONNETS|50|Sonnet 49|    Since why to love, I can allege no cause.
1|THE SONNETS|50|Sonnet 49|
1|THE SONNETS|50|Sonnet 49|
1|THE SONNETS|51|Sonnet 50|                     50
1|THE SONNETS|51|Sonnet 50|  How heavy do I journey on the way,
1|THE SONNETS|51|Sonnet 50|  When what I seek (my weary travel's end)
1|THE SONNETS|51|Sonnet 50|  Doth teach that case and that repose to say
1|THE SONNETS|51|Sonnet 50|  'Thus far the miles are measured from thy friend.'
1|THE SONNETS|51|Sonnet 50|  The beast that bears me, tired with my woe,
1|THE SONNETS|51|Sonnet 50|  Plods dully on, to bear that weight in me,
1|THE SONNETS|51|Sonnet 50|  As if by some instinct the wretch did know
1|THE SONNETS|51|Sonnet 50|  His rider loved not speed being made from thee:
1|THE SONNETS|51|Sonnet 50|  The bloody spur cannot provoke him on,
1|THE SONNETS|51|Sonnet 50|  That sometimes anger thrusts into his hide,
1|THE SONNETS|51|Sonnet 50|  Which heavily he answers with a groan,
1|THE SONNETS|51|Sonnet 50|  More sharp to me than spurring to his side,
1|THE SONNETS|51|Sonnet 50|    For that same groan doth put this in my mind,
1|THE SONNETS|51|Sonnet 50|    My grief lies onward and my joy behind.
1|THE SONNETS|51|Sonnet 50|
1|THE SONNETS|51|Sonnet 50|
1|THE SONNETS|52|Sonnet 51|                     51  
1|THE SONNETS|52|Sonnet 51|  Thus can my love excuse the slow offence,
1|THE SONNETS|52|Sonnet 51|  Of my dull bearer, when from thee I speed,
1|THE SONNETS|52|Sonnet 51|  From where thou art, why should I haste me thence?
1|THE SONNETS|52|Sonnet 51|  Till I return of posting is no need.
1|THE SONNETS|52|Sonnet 51|  O what excuse will my poor beast then find,
1|THE SONNETS|52|Sonnet 51|  When swift extremity can seem but slow?
1|THE SONNETS|52|Sonnet 51|  Then should I spur though mounted on the wind,
1|THE SONNETS|52|Sonnet 51|  In winged speed no motion shall I know,
1|THE SONNETS|52|Sonnet 51|  Then can no horse with my desire keep pace,
1|THE SONNETS|52|Sonnet 51|  Therefore desire (of perfect'st love being made)
1|THE SONNETS|52|Sonnet 51|  Shall neigh (no dull flesh) in his fiery race,
1|THE SONNETS|52|Sonnet 51|  But love, for love, thus shall excuse my jade,
1|THE SONNETS|52|Sonnet 51|    Since from thee going, he went wilful-slow,
1|THE SONNETS|52|Sonnet 51|    Towards thee I'll run, and give him leave to go.
1|THE SONNETS|52|Sonnet 51|
1|THE SONNETS|52|Sonnet 51|
1|THE SONNETS|53|Sonnet 52|                     52
1|THE SONNETS|53|Sonnet 52|  So am I as the rich whose blessed key,
1|THE SONNETS|53|Sonnet 52|  Can bring him to his sweet up-locked treasure,
1|THE SONNETS|53|Sonnet 52|  The which he will not every hour survey,
1|THE SONNETS|53|Sonnet 52|  For blunting the fine point of seldom pleasure.  
1|THE SONNETS|53|Sonnet 52|  Therefore are feasts so solemn and so rare,
1|THE SONNETS|53|Sonnet 52|  Since seldom coming in that long year set,
1|THE SONNETS|53|Sonnet 52|  Like stones of worth they thinly placed are,
1|THE SONNETS|53|Sonnet 52|  Or captain jewels in the carcanet.
1|THE SONNETS|53|Sonnet 52|  So is the time that keeps you as my chest
1|THE SONNETS|53|Sonnet 52|  Or as the wardrobe which the robe doth hide,
1|THE SONNETS|53|Sonnet 52|  To make some special instant special-blest,
1|THE SONNETS|53|Sonnet 52|  By new unfolding his imprisoned pride.
1|THE SONNETS|53|Sonnet 52|    Blessed are you whose worthiness gives scope,
1|THE SONNETS|53|Sonnet 52|    Being had to triumph, being lacked to hope.
1|THE SONNETS|53|Sonnet 52|
1|THE SONNETS|53|Sonnet 52|
1|THE SONNETS|54|Sonnet 53|                     53
1|THE SONNETS|54|Sonnet 53|  What is your substance, whereof are you made,
1|THE SONNETS|54|Sonnet 53|  That millions of strange shadows on you tend?
1|THE SONNETS|54|Sonnet 53|  Since every one, hath every one, one shade,
1|THE SONNETS|54|Sonnet 53|  And you but one, can every shadow lend:
1|THE SONNETS|54|Sonnet 53|  Describe Adonis and the counterfeit,
1|THE SONNETS|54|Sonnet 53|  Is poorly imitated after you,
1|THE SONNETS|54|Sonnet 53|  On Helen's cheek all art of beauty set,
1|THE SONNETS|54|Sonnet 53|  And you in Grecian tires are painted new:  
1|THE SONNETS|54|Sonnet 53|  Speak of the spring, and foison of the year,
1|THE SONNETS|54|Sonnet 53|  The one doth shadow of your beauty show,
1|THE SONNETS|54|Sonnet 53|  The other as your bounty doth appear,
1|THE SONNETS|54|Sonnet 53|  And you in every blessed shape we know.
1|THE SONNETS|54|Sonnet 53|    In all external grace you have some part,
1|THE SONNETS|54|Sonnet 53|    But you like none, none you for constant heart.
1|THE SONNETS|54|Sonnet 53|
1|THE SONNETS|54|Sonnet 53|
1|THE SONNETS|55|Sonnet 54|                     54
1|THE SONNETS|55|Sonnet 54|  O how much more doth beauty beauteous seem,
1|THE SONNETS|55|Sonnet 54|  By that sweet ornament which truth doth give!
1|THE SONNETS|55|Sonnet 54|  The rose looks fair, but fairer we it deem
1|THE SONNETS|55|Sonnet 54|  For that sweet odour, which doth in it live:
1|THE SONNETS|55|Sonnet 54|  The canker blooms have full as deep a dye,
1|THE SONNETS|55|Sonnet 54|  As the perfumed tincture of the roses,
1|THE SONNETS|55|Sonnet 54|  Hang on such thorns, and play as wantonly,
1|THE SONNETS|55|Sonnet 54|  When summer's breath their masked buds discloses:
1|THE SONNETS|55|Sonnet 54|  But for their virtue only is their show,
1|THE SONNETS|55|Sonnet 54|  They live unwooed, and unrespected fade,
1|THE SONNETS|55|Sonnet 54|  Die to themselves. Sweet roses do not so,
1|THE SONNETS|55|Sonnet 54|  Of their sweet deaths, are sweetest odours made:  
1|THE SONNETS|55|Sonnet 54|    And so of you, beauteous and lovely youth,
1|THE SONNETS|55|Sonnet 54|    When that shall vade, by verse distills your truth.
1|THE SONNETS|55|Sonnet 54|
1|THE SONNETS|55|Sonnet 54|
1|THE SONNETS|56|Sonnet 55|                     55
1|THE SONNETS|56|Sonnet 55|  Not marble, nor the gilded monuments
1|THE SONNETS|56|Sonnet 55|  Of princes shall outlive this powerful rhyme,
1|THE SONNETS|56|Sonnet 55|  But you shall shine more bright in these contents
1|THE SONNETS|56|Sonnet 55|  Than unswept stone, besmeared with sluttish time.
1|THE SONNETS|56|Sonnet 55|  When wasteful war shall statues overturn,
1|THE SONNETS|56|Sonnet 55|  And broils root out the work of masonry,
1|THE SONNETS|56|Sonnet 55|  Nor Mars his sword, nor war's quick fire shall burn:
1|THE SONNETS|56|Sonnet 55|  The living record of your memory.
1|THE SONNETS|56|Sonnet 55|  'Gainst death, and all-oblivious enmity
1|THE SONNETS|56|Sonnet 55|  Shall you pace forth, your praise shall still find room,
1|THE SONNETS|56|Sonnet 55|  Even in the eyes of all posterity
1|THE SONNETS|56|Sonnet 55|  That wear this world out to the ending doom.
1|THE SONNETS|56|Sonnet 55|    So till the judgment that your self arise,
1|THE SONNETS|56|Sonnet 55|    You live in this, and dwell in lovers' eyes.
1|THE SONNETS|56|Sonnet 55|
1|THE SONNETS|56|Sonnet 55|
1|THE SONNETS|57|Sonnet 56|                     56  
1|THE SONNETS|57|Sonnet 56|  Sweet love renew thy force, be it not said
1|THE SONNETS|57|Sonnet 56|  Thy edge should blunter be than appetite,
1|THE SONNETS|57|Sonnet 56|  Which but to-day by feeding is allayed,
1|THE SONNETS|57|Sonnet 56|  To-morrow sharpened in his former might.
1|THE SONNETS|57|Sonnet 56|  So love be thou, although to-day thou fill
1|THE SONNETS|57|Sonnet 56|  Thy hungry eyes, even till they wink with fulness,
1|THE SONNETS|57|Sonnet 56|  To-morrow see again, and do not kill
1|THE SONNETS|57|Sonnet 56|  The spirit of love, with a perpetual dulness:
1|THE SONNETS|57|Sonnet 56|  Let this sad interim like the ocean be
1|THE SONNETS|57|Sonnet 56|  Which parts the shore, where two contracted new,
1|THE SONNETS|57|Sonnet 56|  Come daily to the banks, that when they see:
1|THE SONNETS|57|Sonnet 56|  Return of love, more blest may be the view.
1|THE SONNETS|57|Sonnet 56|    Or call it winter, which being full of care,
1|THE SONNETS|57|Sonnet 56|    Makes summer's welcome, thrice more wished, more rare.
1|THE SONNETS|57|Sonnet 56|
1|THE SONNETS|57|Sonnet 56|
1|THE SONNETS|58|Sonnet 57|                     57
1|THE SONNETS|58|Sonnet 57|  Being your slave what should I do but tend,
1|THE SONNETS|58|Sonnet 57|  Upon the hours, and times of your desire?
1|THE SONNETS|58|Sonnet 57|  I have no precious time at all to spend;
1|THE SONNETS|58|Sonnet 57|  Nor services to do till you require.  
1|THE SONNETS|58|Sonnet 57|  Nor dare I chide the world-without-end hour,
1|THE SONNETS|58|Sonnet 57|  Whilst I (my sovereign) watch the clock for you,
1|THE SONNETS|58|Sonnet 57|  Nor think the bitterness of absence sour,
1|THE SONNETS|58|Sonnet 57|  When you have bid your servant once adieu.
1|THE SONNETS|58|Sonnet 57|  Nor dare I question with my jealous thought,
1|THE SONNETS|58|Sonnet 57|  Where you may be, or your affairs suppose,
1|THE SONNETS|58|Sonnet 57|  But like a sad slave stay and think of nought
1|THE SONNETS|58|Sonnet 57|  Save where you are, how happy you make those.
1|THE SONNETS|58|Sonnet 57|    So true a fool is love, that in your will,
1|THE SONNETS|58|Sonnet 57|    (Though you do any thing) he thinks no ill.
1|THE SONNETS|58|Sonnet 57|
1|THE SONNETS|58|Sonnet 57|
1|THE SONNETS|59|Sonnet 58|                     58
1|THE SONNETS|59|Sonnet 58|  That god forbid, that made me first your slave,
1|THE SONNETS|59|Sonnet 58|  I should in thought control your times of pleasure,
1|THE SONNETS|59|Sonnet 58|  Or at your hand th' account of hours to crave,
1|THE SONNETS|59|Sonnet 58|  Being your vassal bound to stay your leisure.
1|THE SONNETS|59|Sonnet 58|  O let me suffer (being at your beck)
1|THE SONNETS|59|Sonnet 58|  Th' imprisoned absence of your liberty,
1|THE SONNETS|59|Sonnet 58|  And patience tame to sufferance bide each check,
1|THE SONNETS|59|Sonnet 58|  Without accusing you of injury.  
1|THE SONNETS|59|Sonnet 58|  Be where you list, your charter is so strong,
1|THE SONNETS|59|Sonnet 58|  That you your self may privilage your time
1|THE SONNETS|59|Sonnet 58|  To what you will, to you it doth belong,
1|THE SONNETS|59|Sonnet 58|  Your self to pardon of self-doing crime.
1|THE SONNETS|59|Sonnet 58|    I am to wait, though waiting so be hell,
1|THE SONNETS|59|Sonnet 58|    Not blame your pleasure be it ill or well.
1|THE SONNETS|59|Sonnet 58|
1|THE SONNETS|59|Sonnet 58|
1|THE SONNETS|60|Sonnet 59|                     59
1|THE SONNETS|60|Sonnet 59|  If there be nothing new, but that which is,
1|THE SONNETS|60|Sonnet 59|  Hath been before, how are our brains beguiled,
1|THE SONNETS|60|Sonnet 59|  Which labouring for invention bear amis
1|THE SONNETS|60|Sonnet 59|  The second burthen of a former child!
1|THE SONNETS|60|Sonnet 59|  O that record could with a backward look,
1|THE SONNETS|60|Sonnet 59|  Even of five hundred courses of the sun,
1|THE SONNETS|60|Sonnet 59|  Show me your image in some antique book,
1|THE SONNETS|60|Sonnet 59|  Since mind at first in character was done.
1|THE SONNETS|60|Sonnet 59|  That I might see what the old world could say,
1|THE SONNETS|60|Sonnet 59|  To this composed wonder of your frame,
1|THE SONNETS|60|Sonnet 59|  Whether we are mended, or whether better they,
1|THE SONNETS|60|Sonnet 59|  Or whether revolution be the same.  
1|THE SONNETS|60|Sonnet 59|    O sure I am the wits of former days,
1|THE SONNETS|60|Sonnet 59|    To subjects worse have given admiring praise.
1|THE SONNETS|60|Sonnet 59|
1|THE SONNETS|60|Sonnet 59|
1|THE SONNETS|61|Sonnet 60|                     60
1|THE SONNETS|61|Sonnet 60|  Like as the waves make towards the pebbled shore,
1|THE SONNETS|61|Sonnet 60|  So do our minutes hasten to their end,
1|THE SONNETS|61|Sonnet 60|  Each changing place with that which goes before,
1|THE SONNETS|61|Sonnet 60|  In sequent toil all forwards do contend.
1|THE SONNETS|61|Sonnet 60|  Nativity once in the main of light,
1|THE SONNETS|61|Sonnet 60|  Crawls to maturity, wherewith being crowned,
1|THE SONNETS|61|Sonnet 60|  Crooked eclipses 'gainst his glory fight,
1|THE SONNETS|61|Sonnet 60|  And Time that gave, doth now his gift confound.
1|THE SONNETS|61|Sonnet 60|  Time doth transfix the flourish set on youth,
1|THE SONNETS|61|Sonnet 60|  And delves the parallels in beauty's brow,
1|THE SONNETS|61|Sonnet 60|  Feeds on the rarities of nature's truth,
1|THE SONNETS|61|Sonnet 60|  And nothing stands but for his scythe to mow.
1|THE SONNETS|61|Sonnet 60|    And yet to times in hope, my verse shall stand
1|THE SONNETS|61|Sonnet 60|    Praising thy worth, despite his cruel hand.
1|THE SONNETS|61|Sonnet 60|
1|THE SONNETS|61|Sonnet 60|
1|THE SONNETS|62|Sonnet 61|                     61  
1|THE SONNETS|62|Sonnet 61|  Is it thy will, thy image should keep open
1|THE SONNETS|62|Sonnet 61|  My heavy eyelids to the weary night?
1|THE SONNETS|62|Sonnet 61|  Dost thou desire my slumbers should be broken,
1|THE SONNETS|62|Sonnet 61|  While shadows like to thee do mock my sight?
1|THE SONNETS|62|Sonnet 61|  Is it thy spirit that thou send'st from thee
1|THE SONNETS|62|Sonnet 61|  So far from home into my deeds to pry,
1|THE SONNETS|62|Sonnet 61|  To find out shames and idle hours in me,
1|THE SONNETS|62|Sonnet 61|  The scope and tenure of thy jealousy?
1|THE SONNETS|62|Sonnet 61|  O no, thy love though much, is not so great,
1|THE SONNETS|62|Sonnet 61|  It is my love that keeps mine eye awake,
1|THE SONNETS|62|Sonnet 61|  Mine own true love that doth my rest defeat,
1|THE SONNETS|62|Sonnet 61|  To play the watchman ever for thy sake.
1|THE SONNETS|62|Sonnet 61|    For thee watch I, whilst thou dost wake elsewhere,
1|THE SONNETS|62|Sonnet 61|    From me far off, with others all too near.
1|THE SONNETS|62|Sonnet 61|
1|THE SONNETS|62|Sonnet 61|
1|THE SONNETS|63|Sonnet 62|                     62
1|THE SONNETS|63|Sonnet 62|  Sin of self-love possesseth all mine eye,
1|THE SONNETS|63|Sonnet 62|  And all my soul, and all my every part;
1|THE SONNETS|63|Sonnet 62|  And for this sin there is no remedy,
1|THE SONNETS|63|Sonnet 62|  It is so grounded inward in my heart.  
1|THE SONNETS|63|Sonnet 62|  Methinks no face so gracious is as mine,
1|THE SONNETS|63|Sonnet 62|  No shape so true, no truth of such account,
1|THE SONNETS|63|Sonnet 62|  And for my self mine own worth do define,
1|THE SONNETS|63|Sonnet 62|  As I all other in all worths surmount.
1|THE SONNETS|63|Sonnet 62|  But when my glass shows me my self indeed
1|THE SONNETS|63|Sonnet 62|  beated and chopt with tanned antiquity,
1|THE SONNETS|63|Sonnet 62|  Mine own self-love quite contrary I read:
1|THE SONNETS|63|Sonnet 62|  Self, so self-loving were iniquity.
1|THE SONNETS|63|Sonnet 62|    'Tis thee (my self) that for my self I praise,
1|THE SONNETS|63|Sonnet 62|    Painting my age with beauty of thy days.
1|THE SONNETS|63|Sonnet 62|
1|THE SONNETS|63|Sonnet 62|
1|THE SONNETS|64|Sonnet 63|                     63
1|THE SONNETS|64|Sonnet 63|  Against my love shall be as I am now
1|THE SONNETS|64|Sonnet 63|  With Time's injurious hand crushed and o'erworn,
1|THE SONNETS|64|Sonnet 63|  When hours have drained his blood and filled his brow
1|THE SONNETS|64|Sonnet 63|  With lines and wrinkles, when his youthful morn
1|THE SONNETS|64|Sonnet 63|  Hath travelled on to age's steepy night,
1|THE SONNETS|64|Sonnet 63|  And all those beauties whereof now he's king
1|THE SONNETS|64|Sonnet 63|  Are vanishing, or vanished out of sight,
1|THE SONNETS|64|Sonnet 63|  Stealing away the treasure of his spring:  
1|THE SONNETS|64|Sonnet 63|  For such a time do I now fortify
1|THE SONNETS|64|Sonnet 63|  Against confounding age's cruel knife,
1|THE SONNETS|64|Sonnet 63|  That he shall never cut from memory
1|THE SONNETS|64|Sonnet 63|  My sweet love's beauty, though my lover's life.
1|THE SONNETS|64|Sonnet 63|    His beauty shall in these black lines be seen,
1|THE SONNETS|64|Sonnet 63|    And they shall live, and he in them still green.
1|THE SONNETS|64|Sonnet 63|
1|THE SONNETS|64|Sonnet 63|
1|THE SONNETS|65|Sonnet 64|                     64
1|THE SONNETS|65|Sonnet 64|  When I have seen by Time's fell hand defaced
1|THE SONNETS|65|Sonnet 64|  The rich-proud cost of outworn buried age,
1|THE SONNETS|65|Sonnet 64|  When sometime lofty towers I see down-rased,
1|THE SONNETS|65|Sonnet 64|  And brass eternal slave to mortal rage.
1|THE SONNETS|65|Sonnet 64|  When I have seen the hungry ocean gain
1|THE SONNETS|65|Sonnet 64|  Advantage on the kingdom of the shore,
1|THE SONNETS|65|Sonnet 64|  And the firm soil win of the watery main,
1|THE SONNETS|65|Sonnet 64|  Increasing store with loss, and loss with store.
1|THE SONNETS|65|Sonnet 64|  When I have seen such interchange of State,
1|THE SONNETS|65|Sonnet 64|  Or state it self confounded, to decay,
1|THE SONNETS|65|Sonnet 64|  Ruin hath taught me thus to ruminate
1|THE SONNETS|65|Sonnet 64|  That Time will come and take my love away.  
1|THE SONNETS|65|Sonnet 64|    This thought is as a death which cannot choose
1|THE SONNETS|65|Sonnet 64|    But weep to have, that which it fears to lose.
1|THE SONNETS|65|Sonnet 64|
1|THE SONNETS|65|Sonnet 64|
1|THE SONNETS|66|Sonnet 65|                     65
1|THE SONNETS|66|Sonnet 65|  Since brass, nor stone, nor earth, nor boundless sea,
1|THE SONNETS|66|Sonnet 65|  But sad mortality o'ersways their power,
1|THE SONNETS|66|Sonnet 65|  How with this rage shall beauty hold a plea,
1|THE SONNETS|66|Sonnet 65|  Whose action is no stronger than a flower?
1|THE SONNETS|66|Sonnet 65|  O how shall summer's honey breath hold out,
1|THE SONNETS|66|Sonnet 65|  Against the wrackful siege of batt'ring days,
1|THE SONNETS|66|Sonnet 65|  When rocks impregnable are not so stout,
1|THE SONNETS|66|Sonnet 65|  Nor gates of steel so strong but time decays?
1|THE SONNETS|66|Sonnet 65|  O fearful meditation, where alack,
1|THE SONNETS|66|Sonnet 65|  Shall Time's best jewel from Time's chest lie hid?
1|THE SONNETS|66|Sonnet 65|  Or what strong hand can hold his swift foot back,
1|THE SONNETS|66|Sonnet 65|  Or who his spoil of beauty can forbid?
1|THE SONNETS|66|Sonnet 65|    O none, unless this miracle have might,
1|THE SONNETS|66|Sonnet 65|    That in black ink my love may still shine bright.
1|THE SONNETS|66|Sonnet 65|
1|THE SONNETS|66|Sonnet 65|
1|THE SONNETS|67|Sonnet 66|                     66  
1|THE SONNETS|67|Sonnet 66|  Tired with all these for restful death I cry,
1|THE SONNETS|67|Sonnet 66|  As to behold desert a beggar born,
1|THE SONNETS|67|Sonnet 66|  And needy nothing trimmed in jollity,
1|THE SONNETS|67|Sonnet 66|  And purest faith unhappily forsworn,
1|THE SONNETS|67|Sonnet 66|  And gilded honour shamefully misplaced,
1|THE SONNETS|67|Sonnet 66|  And maiden virtue rudely strumpeted,
1|THE SONNETS|67|Sonnet 66|  And right perfection wrongfully disgraced,
1|THE SONNETS|67|Sonnet 66|  And strength by limping sway disabled
1|THE SONNETS|67|Sonnet 66|  And art made tongue-tied by authority,
1|THE SONNETS|67|Sonnet 66|  And folly (doctor-like) controlling skill,
1|THE SONNETS|67|Sonnet 66|  And simple truth miscalled simplicity,
1|THE SONNETS|67|Sonnet 66|  And captive good attending captain ill.
1|THE SONNETS|67|Sonnet 66|    Tired with all these, from these would I be gone,
1|THE SONNETS|67|Sonnet 66|    Save that to die, I leave my love alone.
1|THE SONNETS|67|Sonnet 66|
1|THE SONNETS|67|Sonnet 66|
1|THE SONNETS|68|Sonnet 67|                     67
1|THE SONNETS|68|Sonnet 67|  Ah wherefore with infection should he live,
1|THE SONNETS|68|Sonnet 67|  And with his presence grace impiety,
1|THE SONNETS|68|Sonnet 67|  That sin by him advantage should achieve,
1|THE SONNETS|68|Sonnet 67|  And lace it self with his society?  
1|THE SONNETS|68|Sonnet 67|  Why should false painting imitate his cheek,
1|THE SONNETS|68|Sonnet 67|  And steal dead seeming of his living hue?
1|THE SONNETS|68|Sonnet 67|  Why should poor beauty indirectly seek,
1|THE SONNETS|68|Sonnet 67|  Roses of shadow, since his rose is true?
1|THE SONNETS|68|Sonnet 67|  Why should he live, now nature bankrupt is,
1|THE SONNETS|68|Sonnet 67|  Beggared of blood to blush through lively veins,
1|THE SONNETS|68|Sonnet 67|  For she hath no exchequer now but his,
1|THE SONNETS|68|Sonnet 67|  And proud of many, lives upon his gains?
1|THE SONNETS|68|Sonnet 67|    O him she stores, to show what wealth she had,
1|THE SONNETS|68|Sonnet 67|    In days long since, before these last so bad.
1|THE SONNETS|68|Sonnet 67|
1|THE SONNETS|68|Sonnet 67|
1|THE SONNETS|69|Sonnet 68|                     68
1|THE SONNETS|69|Sonnet 68|  Thus is his cheek the map of days outworn,
1|THE SONNETS|69|Sonnet 68|  When beauty lived and died as flowers do now,
1|THE SONNETS|69|Sonnet 68|  Before these bastard signs of fair were born,
1|THE SONNETS|69|Sonnet 68|  Or durst inhabit on a living brow:
1|THE SONNETS|69|Sonnet 68|  Before the golden tresses of the dead,
1|THE SONNETS|69|Sonnet 68|  The right of sepulchres, were shorn away,
1|THE SONNETS|69|Sonnet 68|  To live a second life on second head,
1|THE SONNETS|69|Sonnet 68|  Ere beauty's dead fleece made another gay:  
1|THE SONNETS|69|Sonnet 68|  In him those holy antique hours are seen,
1|THE SONNETS|69|Sonnet 68|  Without all ornament, it self and true,
1|THE SONNETS|69|Sonnet 68|  Making no summer of another's green,
1|THE SONNETS|69|Sonnet 68|  Robbing no old to dress his beauty new,
1|THE SONNETS|69|Sonnet 68|    And him as for a map doth Nature store,
1|THE SONNETS|69|Sonnet 68|    To show false Art what beauty was of yore.
1|THE SONNETS|69|Sonnet 68|
1|THE SONNETS|69|Sonnet 68|
1|THE SONNETS|70|Sonnet 69|                     69
1|THE SONNETS|70|Sonnet 69|  Those parts of thee that the world's eye doth view,
1|THE SONNETS|70|Sonnet 69|  Want nothing that the thought of hearts can mend:
1|THE SONNETS|70|Sonnet 69|  All tongues (the voice of souls) give thee that due,
1|THE SONNETS|70|Sonnet 69|  Uttering bare truth, even so as foes commend.
1|THE SONNETS|70|Sonnet 69|  Thy outward thus with outward praise is crowned,
1|THE SONNETS|70|Sonnet 69|  But those same tongues that give thee so thine own,
1|THE SONNETS|70|Sonnet 69|  In other accents do this praise confound
1|THE SONNETS|70|Sonnet 69|  By seeing farther than the eye hath shown.
1|THE SONNETS|70|Sonnet 69|  They look into the beauty of thy mind,
1|THE SONNETS|70|Sonnet 69|  And that in guess they measure by thy deeds,
1|THE SONNETS|70|Sonnet 69|  Then churls their thoughts (although their eyes were kind)
1|THE SONNETS|70|Sonnet 69|  To thy fair flower add the rank smell of weeds:  
1|THE SONNETS|70|Sonnet 69|    But why thy odour matcheth not thy show,
1|THE SONNETS|70|Sonnet 69|    The soil is this, that thou dost common grow.
1|THE SONNETS|70|Sonnet 69|
1|THE SONNETS|70|Sonnet 69|
1|THE SONNETS|71|Sonnet 70|                     70
1|THE SONNETS|71|Sonnet 70|  That thou art blamed shall not be thy defect,
1|THE SONNETS|71|Sonnet 70|  For slander's mark was ever yet the fair,
1|THE SONNETS|71|Sonnet 70|  The ornament of beauty is suspect,
1|THE SONNETS|71|Sonnet 70|  A crow that flies in heaven's sweetest air.
1|THE SONNETS|71|Sonnet 70|  So thou be good, slander doth but approve,
1|THE SONNETS|71|Sonnet 70|  Thy worth the greater being wooed of time,
1|THE SONNETS|71|Sonnet 70|  For canker vice the sweetest buds doth love,
1|THE SONNETS|71|Sonnet 70|  And thou present'st a pure unstained prime.
1|THE SONNETS|71|Sonnet 70|  Thou hast passed by the ambush of young days,
1|THE SONNETS|71|Sonnet 70|  Either not assailed, or victor being charged,
1|THE SONNETS|71|Sonnet 70|  Yet this thy praise cannot be so thy praise,
1|THE SONNETS|71|Sonnet 70|  To tie up envy, evermore enlarged,
1|THE SONNETS|71|Sonnet 70|    If some suspect of ill masked not thy show,
1|THE SONNETS|71|Sonnet 70|    Then thou alone kingdoms of hearts shouldst owe.
1|THE SONNETS|71|Sonnet 70|
1|THE SONNETS|71|Sonnet 70|
1|THE SONNETS|72|Sonnet 71|                     71  
1|THE SONNETS|72|Sonnet 71|  No longer mourn for me when I am dead,
1|THE SONNETS|72|Sonnet 71|  Than you shall hear the surly sullen bell
1|THE SONNETS|72|Sonnet 71|  Give warning to the world that I am fled
1|THE SONNETS|72|Sonnet 71|  From this vile world with vilest worms to dwell:
1|THE SONNETS|72|Sonnet 71|  Nay if you read this line, remember not,
1|THE SONNETS|72|Sonnet 71|  The hand that writ it, for I love you so,
1|THE SONNETS|72|Sonnet 71|  That I in your sweet thoughts would be forgot,
1|THE SONNETS|72|Sonnet 71|  If thinking on me then should make you woe.
1|THE SONNETS|72|Sonnet 71|  O if (I say) you look upon this verse,
1|THE SONNETS|72|Sonnet 71|  When I (perhaps) compounded am with clay,
1|THE SONNETS|72|Sonnet 71|  Do not so much as my poor name rehearse;
1|THE SONNETS|72|Sonnet 71|  But let your love even with my life decay.
1|THE SONNETS|72|Sonnet 71|    Lest the wise world should look into your moan,
1|THE SONNETS|72|Sonnet 71|    And mock you with me after I am gone.
1|THE SONNETS|72|Sonnet 71|
1|THE SONNETS|72|Sonnet 71|
1|THE SONNETS|73|Sonnet 72|                     72
1|THE SONNETS|73|Sonnet 72|  O lest the world should task you to recite,
1|THE SONNETS|73|Sonnet 72|  What merit lived in me that you should love
1|THE SONNETS|73|Sonnet 72|  After my death (dear love) forget me quite,
1|THE SONNETS|73|Sonnet 72|  For you in me can nothing worthy prove.  
1|THE SONNETS|73|Sonnet 72|  Unless you would devise some virtuous lie,
1|THE SONNETS|73|Sonnet 72|  To do more for me than mine own desert,
1|THE SONNETS|73|Sonnet 72|  And hang more praise upon deceased I,
1|THE SONNETS|73|Sonnet 72|  Than niggard truth would willingly impart:
1|THE SONNETS|73|Sonnet 72|  O lest your true love may seem false in this,
1|THE SONNETS|73|Sonnet 72|  That you for love speak well of me untrue,
1|THE SONNETS|73|Sonnet 72|  My name be buried where my body is,
1|THE SONNETS|73|Sonnet 72|  And live no more to shame nor me, nor you.
1|THE SONNETS|73|Sonnet 72|    For I am shamed by that which I bring forth,
1|THE SONNETS|73|Sonnet 72|    And so should you, to love things nothing worth.
1|THE SONNETS|73|Sonnet 72|
1|THE SONNETS|73|Sonnet 72|
1|THE SONNETS|74|Sonnet 73|                     73
1|THE SONNETS|74|Sonnet 73|  That time of year thou mayst in me behold,
1|THE SONNETS|74|Sonnet 73|  When yellow leaves, or none, or few do hang
1|THE SONNETS|74|Sonnet 73|  Upon those boughs which shake against the cold,
1|THE SONNETS|74|Sonnet 73|  Bare ruined choirs, where late the sweet birds sang.
1|THE SONNETS|74|Sonnet 73|  In me thou seest the twilight of such day,
1|THE SONNETS|74|Sonnet 73|  As after sunset fadeth in the west,
1|THE SONNETS|74|Sonnet 73|  Which by and by black night doth take away,
1|THE SONNETS|74|Sonnet 73|  Death's second self that seals up all in rest.  
1|THE SONNETS|74|Sonnet 73|  In me thou seest the glowing of such fire,
1|THE SONNETS|74|Sonnet 73|  That on the ashes of his youth doth lie,
1|THE SONNETS|74|Sonnet 73|  As the death-bed, whereon it must expire,
1|THE SONNETS|74|Sonnet 73|  Consumed with that which it was nourished by.
1|THE SONNETS|74|Sonnet 73|    This thou perceiv'st, which makes thy love more strong,
1|THE SONNETS|74|Sonnet 73|    To love that well, which thou must leave ere long.
1|THE SONNETS|74|Sonnet 73|
1|THE SONNETS|74|Sonnet 73|
1|THE SONNETS|75|Sonnet 74|                     74
1|THE SONNETS|75|Sonnet 74|  But be contented when that fell arrest,
1|THE SONNETS|75|Sonnet 74|  Without all bail shall carry me away,
1|THE SONNETS|75|Sonnet 74|  My life hath in this line some interest,
1|THE SONNETS|75|Sonnet 74|  Which for memorial still with thee shall stay.
1|THE SONNETS|75|Sonnet 74|  When thou reviewest this, thou dost review,
1|THE SONNETS|75|Sonnet 74|  The very part was consecrate to thee,
1|THE SONNETS|75|Sonnet 74|  The earth can have but earth, which is his due,
1|THE SONNETS|75|Sonnet 74|  My spirit is thine the better part of me,
1|THE SONNETS|75|Sonnet 74|  So then thou hast but lost the dregs of life,
1|THE SONNETS|75|Sonnet 74|  The prey of worms, my body being dead,
1|THE SONNETS|75|Sonnet 74|  The coward conquest of a wretch's knife,
1|THE SONNETS|75|Sonnet 74|  Too base of thee to be remembered,  
1|THE SONNETS|75|Sonnet 74|    The worth of that, is that which it contains,
1|THE SONNETS|75|Sonnet 74|    And that is this, and this with thee remains.
1|THE SONNETS|75|Sonnet 74|
1|THE SONNETS|75|Sonnet 74|
1|THE SONNETS|76|Sonnet 75|                     75
1|THE SONNETS|76|Sonnet 75|  So are you to my thoughts as food to life,
1|THE SONNETS|76|Sonnet 75|  Or as sweet-seasoned showers are to the ground;
1|THE SONNETS|76|Sonnet 75|  And for the peace of you I hold such strife
1|THE SONNETS|76|Sonnet 75|  As 'twixt a miser and his wealth is found.
1|THE SONNETS|76|Sonnet 75|  Now proud as an enjoyer, and anon
1|THE SONNETS|76|Sonnet 75|  Doubting the filching age will steal his treasure,
1|THE SONNETS|76|Sonnet 75|  Now counting best to be with you alone,
1|THE SONNETS|76|Sonnet 75|  Then bettered that the world may see my pleasure,
1|THE SONNETS|76|Sonnet 75|  Sometime all full with feasting on your sight,
1|THE SONNETS|76|Sonnet 75|  And by and by clean starved for a look,
1|THE SONNETS|76|Sonnet 75|  Possessing or pursuing no delight
1|THE SONNETS|76|Sonnet 75|  Save what is had, or must from you be took.
1|THE SONNETS|76|Sonnet 75|    Thus do I pine and surfeit day by day,
1|THE SONNETS|76|Sonnet 75|    Or gluttoning on all, or all away.
1|THE SONNETS|76|Sonnet 75|
1|THE SONNETS|76|Sonnet 75|
1|THE SONNETS|77|Sonnet 76|                     76  
1|THE SONNETS|77|Sonnet 76|  Why is my verse so barren of new pride?
1|THE SONNETS|77|Sonnet 76|  So far from variation or quick change?
1|THE SONNETS|77|Sonnet 76|  Why with the time do I not glance aside
1|THE SONNETS|77|Sonnet 76|  To new-found methods, and to compounds strange?
1|THE SONNETS|77|Sonnet 76|  Why write I still all one, ever the same,
1|THE SONNETS|77|Sonnet 76|  And keep invention in a noted weed,
1|THE SONNETS|77|Sonnet 76|  That every word doth almost tell my name,
1|THE SONNETS|77|Sonnet 76|  Showing their birth, and where they did proceed?
1|THE SONNETS|77|Sonnet 76|  O know sweet love I always write of you,
1|THE SONNETS|77|Sonnet 76|  And you and love are still my argument:
1|THE SONNETS|77|Sonnet 76|  So all my best is dressing old words new,
1|THE SONNETS|77|Sonnet 76|  Spending again what is already spent:
1|THE SONNETS|77|Sonnet 76|    For as the sun is daily new and old,
1|THE SONNETS|77|Sonnet 76|    So is my love still telling what is told.
1|THE SONNETS|77|Sonnet 76|
1|THE SONNETS|77|Sonnet 76|
1|THE SONNETS|78|Sonnet 77|                     77
1|THE SONNETS|78|Sonnet 77|  Thy glass will show thee how thy beauties wear,
1|THE SONNETS|78|Sonnet 77|  Thy dial how thy precious minutes waste,
1|THE SONNETS|78|Sonnet 77|  These vacant leaves thy mind's imprint will bear,
1|THE SONNETS|78|Sonnet 77|  And of this book, this learning mayst thou taste.  
1|THE SONNETS|78|Sonnet 77|  The wrinkles which thy glass will truly show,
1|THE SONNETS|78|Sonnet 77|  Of mouthed graves will give thee memory,
1|THE SONNETS|78|Sonnet 77|  Thou by thy dial's shady stealth mayst know,
1|THE SONNETS|78|Sonnet 77|  Time's thievish progress to eternity.
1|THE SONNETS|78|Sonnet 77|  Look what thy memory cannot contain,
1|THE SONNETS|78|Sonnet 77|  Commit to these waste blanks, and thou shalt find
1|THE SONNETS|78|Sonnet 77|  Those children nursed, delivered from thy brain,
1|THE SONNETS|78|Sonnet 77|  To take a new acquaintance of thy mind.
1|THE SONNETS|78|Sonnet 77|    These offices, so oft as thou wilt look,
1|THE SONNETS|78|Sonnet 77|    Shall profit thee, and much enrich thy book.
1|THE SONNETS|78|Sonnet 77|
1|THE SONNETS|78|Sonnet 77|
1|THE SONNETS|79|Sonnet 78|                     78
1|THE SONNETS|79|Sonnet 78|  So oft have I invoked thee for my muse,
1|THE SONNETS|79|Sonnet 78|  And found such fair assistance in my verse,
1|THE SONNETS|79|Sonnet 78|  As every alien pen hath got my use,
1|THE SONNETS|79|Sonnet 78|  And under thee their poesy disperse.
1|THE SONNETS|79|Sonnet 78|  Thine eyes, that taught the dumb on high to sing,
1|THE SONNETS|79|Sonnet 78|  And heavy ignorance aloft to fly,
1|THE SONNETS|79|Sonnet 78|  Have added feathers to the learned's wing,
1|THE SONNETS|79|Sonnet 78|  And given grace a double majesty.
1|THE SONNETS|79|Sonnet 78|  Yet be most proud of that which I compile,
1|THE SONNETS|79|Sonnet 78|  Whose influence is thine, and born of thee,
1|THE SONNETS|79|Sonnet 78|  In others' works thou dost but mend the style,
1|THE SONNETS|79|Sonnet 78|  And arts with thy sweet graces graced be.
1|THE SONNETS|79|Sonnet 78|    But thou art all my art, and dost advance
1|THE SONNETS|79|Sonnet 78|    As high as learning, my rude ignorance.
1|THE SONNETS|79|Sonnet 78|
1|THE SONNETS|79|Sonnet 78|
1|THE SONNETS|80|Sonnet 79|                     79
1|THE SONNETS|80|Sonnet 79|  Whilst I alone did call upon thy aid,
1|THE SONNETS|80|Sonnet 79|  My verse alone had all thy gentle grace,
1|THE SONNETS|80|Sonnet 79|  But now my gracious numbers are decayed,
1|THE SONNETS|80|Sonnet 79|  And my sick muse doth give an other place.
1|THE SONNETS|80|Sonnet 79|  I grant (sweet love) thy lovely argument
1|THE SONNETS|80|Sonnet 79|  Deserves the travail of a worthier pen,
1|THE SONNETS|80|Sonnet 79|  Yet what of thee thy poet doth invent,
1|THE SONNETS|80|Sonnet 79|  He robs thee of, and pays it thee again,
1|THE SONNETS|80|Sonnet 79|  He lends thee virtue, and he stole that word,
1|THE SONNETS|80|Sonnet 79|  From thy behaviour, beauty doth he give
1|THE SONNETS|80|Sonnet 79|  And found it in thy cheek: he can afford
1|THE SONNETS|80|Sonnet 79|  No praise to thee, but what in thee doth live.  
1|THE SONNETS|80|Sonnet 79|    Then thank him not for that which he doth say,
1|THE SONNETS|80|Sonnet 79|    Since what he owes thee, thou thy self dost pay.
1|THE SONNETS|80|Sonnet 79|
1|THE SONNETS|80|Sonnet 79|
1|THE SONNETS|81|Sonnet 80|                     80
1|THE SONNETS|81|Sonnet 80|  O how I faint when I of you do write,
1|THE SONNETS|81|Sonnet 80|  Knowing a better spirit doth use your name,
1|THE SONNETS|81|Sonnet 80|  And in the praise thereof spends all his might,
1|THE SONNETS|81|Sonnet 80|  To make me tongue-tied speaking of your fame.
1|THE SONNETS|81|Sonnet 80|  But since your worth (wide as the ocean is)
1|THE SONNETS|81|Sonnet 80|  The humble as the proudest sail doth bear,
1|THE SONNETS|81|Sonnet 80|  My saucy bark (inferior far to his)
1|THE SONNETS|81|Sonnet 80|  On your broad main doth wilfully appear.
1|THE SONNETS|81|Sonnet 80|  Your shallowest help will hold me up afloat,
1|THE SONNETS|81|Sonnet 80|  Whilst he upon your soundless deep doth ride,
1|THE SONNETS|81|Sonnet 80|  Or (being wrecked) I am a worthless boat,
1|THE SONNETS|81|Sonnet 80|  He of tall building, and of goodly pride.
1|THE SONNETS|81|Sonnet 80|    Then if he thrive and I be cast away,
1|THE SONNETS|81|Sonnet 80|    The worst was this, my love was my decay.
1|THE SONNETS|81|Sonnet 80|
1|THE SONNETS|81|Sonnet 80|
1|THE SONNETS|82|Sonnet 81|                     81  
1|THE SONNETS|82|Sonnet 81|  Or I shall live your epitaph to make,
1|THE SONNETS|82|Sonnet 81|  Or you survive when I in earth am rotten,
1|THE SONNETS|82|Sonnet 81|  From hence your memory death cannot take,
1|THE SONNETS|82|Sonnet 81|  Although in me each part will be forgotten.
1|THE SONNETS|82|Sonnet 81|  Your name from hence immortal life shall have,
1|THE SONNETS|82|Sonnet 81|  Though I (once gone) to all the world must die,
1|THE SONNETS|82|Sonnet 81|  The earth can yield me but a common grave,
1|THE SONNETS|82|Sonnet 81|  When you entombed in men's eyes shall lie,
1|THE SONNETS|82|Sonnet 81|  Your monument shall be my gentle verse,
1|THE SONNETS|82|Sonnet 81|  Which eyes not yet created shall o'er-read,
1|THE SONNETS|82|Sonnet 81|  And tongues to be, your being shall rehearse,
1|THE SONNETS|82|Sonnet 81|  When all the breathers of this world are dead,
1|THE SONNETS|82|Sonnet 81|    You still shall live (such virtue hath my pen)
1|THE SONNETS|82|Sonnet 81|    Where breath most breathes, even in the mouths of men.
1|THE SONNETS|82|Sonnet 81|
1|THE SONNETS|82|Sonnet 81|
1|THE SONNETS|83|Sonnet 82|                     82
1|THE SONNETS|83|Sonnet 82|  I grant thou wert not married to my muse,
1|THE SONNETS|83|Sonnet 82|  And therefore mayst without attaint o'erlook
1|THE SONNETS|83|Sonnet 82|  The dedicated words which writers use
1|THE SONNETS|83|Sonnet 82|  Of their fair subject, blessing every book.  
1|THE SONNETS|83|Sonnet 82|  Thou art as fair in knowledge as in hue,
1|THE SONNETS|83|Sonnet 82|  Finding thy worth a limit past my praise,
1|THE SONNETS|83|Sonnet 82|  And therefore art enforced to seek anew,
1|THE SONNETS|83|Sonnet 82|  Some fresher stamp of the time-bettering days.
1|THE SONNETS|83|Sonnet 82|  And do so love, yet when they have devised,
1|THE SONNETS|83|Sonnet 82|  What strained touches rhetoric can lend,
1|THE SONNETS|83|Sonnet 82|  Thou truly fair, wert truly sympathized,
1|THE SONNETS|83|Sonnet 82|  In true plain words, by thy true-telling friend.
1|THE SONNETS|83|Sonnet 82|    And their gross painting might be better used,
1|THE SONNETS|83|Sonnet 82|    Where cheeks need blood, in thee it is abused.
1|THE SONNETS|83|Sonnet 82|
1|THE SONNETS|83|Sonnet 82|
1|THE SONNETS|84|Sonnet 83|                     83
1|THE SONNETS|84|Sonnet 83|  I never saw that you did painting need,
1|THE SONNETS|84|Sonnet 83|  And therefore to your fair no painting set,
1|THE SONNETS|84|Sonnet 83|  I found (or thought I found) you did exceed,
1|THE SONNETS|84|Sonnet 83|  That barren tender of a poet's debt:
1|THE SONNETS|84|Sonnet 83|  And therefore have I slept in your report,
1|THE SONNETS|84|Sonnet 83|  That you your self being extant well might show,
1|THE SONNETS|84|Sonnet 83|  How far a modern quill doth come too short,
1|THE SONNETS|84|Sonnet 83|  Speaking of worth, what worth in you doth grow.  
1|THE SONNETS|84|Sonnet 83|  This silence for my sin you did impute,
1|THE SONNETS|84|Sonnet 83|  Which shall be most my glory being dumb,
1|THE SONNETS|84|Sonnet 83|  For I impair not beauty being mute,
1|THE SONNETS|84|Sonnet 83|  When others would give life, and bring a tomb.
1|THE SONNETS|84|Sonnet 83|    There lives more life in one of your fair eyes,
1|THE SONNETS|84|Sonnet 83|    Than both your poets can in praise devise.
1|THE SONNETS|84|Sonnet 83|
1|THE SONNETS|84|Sonnet 83|
1|THE SONNETS|85|Sonnet 84|                     84
1|THE SONNETS|85|Sonnet 84|  Who is it that says most, which can say more,
1|THE SONNETS|85|Sonnet 84|  Than this rich praise, that you alone, are you?
1|THE SONNETS|85|Sonnet 84|  In whose confine immured is the store,
1|THE SONNETS|85|Sonnet 84|  Which should example where your equal grew.
1|THE SONNETS|85|Sonnet 84|  Lean penury within that pen doth dwell,
1|THE SONNETS|85|Sonnet 84|  That to his subject lends not some small glory,
1|THE SONNETS|85|Sonnet 84|  But he that writes of you, if he can tell,
1|THE SONNETS|85|Sonnet 84|  That you are you, so dignifies his story.
1|THE SONNETS|85|Sonnet 84|  Let him but copy what in you is writ,
1|THE SONNETS|85|Sonnet 84|  Not making worse what nature made so clear,
1|THE SONNETS|85|Sonnet 84|  And such a counterpart shall fame his wit,
1|THE SONNETS|85|Sonnet 84|  Making his style admired every where.  
1|THE SONNETS|85|Sonnet 84|    You to your beauteous blessings add a curse,
1|THE SONNETS|85|Sonnet 84|    Being fond on praise, which makes your praises worse.
1|THE SONNETS|85|Sonnet 84|
1|THE SONNETS|85|Sonnet 84|
1|THE SONNETS|86|Sonnet 85|                     85
1|THE SONNETS|86|Sonnet 85|  My tongue-tied muse in manners holds her still,
1|THE SONNETS|86|Sonnet 85|  While comments of your praise richly compiled,
1|THE SONNETS|86|Sonnet 85|  Reserve their character with golden quill,
1|THE SONNETS|86|Sonnet 85|  And precious phrase by all the Muses filed.
1|THE SONNETS|86|Sonnet 85|  I think good thoughts, whilst other write good words,
1|THE SONNETS|86|Sonnet 85|  And like unlettered clerk still cry Amen,
1|THE SONNETS|86|Sonnet 85|  To every hymn that able spirit affords,
1|THE SONNETS|86|Sonnet 85|  In polished form of well refined pen.
1|THE SONNETS|86|Sonnet 85|  Hearing you praised, I say 'tis so, 'tis true,
1|THE SONNETS|86|Sonnet 85|  And to the most of praise add something more,
1|THE SONNETS|86|Sonnet 85|  But that is in my thought, whose love to you
1|THE SONNETS|86|Sonnet 85|  (Though words come hindmost) holds his rank before,
1|THE SONNETS|86|Sonnet 85|    Then others, for the breath of words respect,
1|THE SONNETS|86|Sonnet 85|    Me for my dumb thoughts, speaking in effect.
1|THE SONNETS|86|Sonnet 85|
1|THE SONNETS|86|Sonnet 85|
1|THE SONNETS|87|Sonnet 86|                     86  
1|THE SONNETS|87|Sonnet 86|  Was it the proud full sail of his great verse,
1|THE SONNETS|87|Sonnet 86|  Bound for the prize of (all too precious) you,
1|THE SONNETS|87|Sonnet 86|  That did my ripe thoughts in my brain inhearse,
1|THE SONNETS|87|Sonnet 86|  Making their tomb the womb wherein they grew?
1|THE SONNETS|87|Sonnet 86|  Was it his spirit, by spirits taught to write,
1|THE SONNETS|87|Sonnet 86|  Above a mortal pitch, that struck me dead?
1|THE SONNETS|87|Sonnet 86|  No, neither he, nor his compeers by night
1|THE SONNETS|87|Sonnet 86|  Giving him aid, my verse astonished.
1|THE SONNETS|87|Sonnet 86|  He nor that affable familiar ghost
1|THE SONNETS|87|Sonnet 86|  Which nightly gulls him with intelligence,
1|THE SONNETS|87|Sonnet 86|  As victors of my silence cannot boast,
1|THE SONNETS|87|Sonnet 86|  I was not sick of any fear from thence.
1|THE SONNETS|87|Sonnet 86|    But when your countenance filled up his line,
1|THE SONNETS|87|Sonnet 86|    Then lacked I matter, that enfeebled mine.
1|THE SONNETS|87|Sonnet 86|
1|THE SONNETS|87|Sonnet 86|
1|THE SONNETS|88|Sonnet 87|                     87
1|THE SONNETS|88|Sonnet 87|  Farewell! thou art too dear for my possessing,
1|THE SONNETS|88|Sonnet 87|  And like enough thou know'st thy estimate,
1|THE SONNETS|88|Sonnet 87|  The charter of thy worth gives thee releasing:
1|THE SONNETS|88|Sonnet 87|  My bonds in thee are all determinate.  
1|THE SONNETS|88|Sonnet 87|  For how do I hold thee but by thy granting,
1|THE SONNETS|88|Sonnet 87|  And for that riches where is my deserving?
1|THE SONNETS|88|Sonnet 87|  The cause of this fair gift in me is wanting,
1|THE SONNETS|88|Sonnet 87|  And so my patent back again is swerving.
1|THE SONNETS|88|Sonnet 87|  Thy self thou gav'st, thy own worth then not knowing,
1|THE SONNETS|88|Sonnet 87|  Or me to whom thou gav'st it, else mistaking,
1|THE SONNETS|88|Sonnet 87|  So thy great gift upon misprision growing,
1|THE SONNETS|88|Sonnet 87|  Comes home again, on better judgement making.
1|THE SONNETS|88|Sonnet 87|    Thus have I had thee as a dream doth flatter,
1|THE SONNETS|88|Sonnet 87|    In sleep a king, but waking no such matter.
1|THE SONNETS|88|Sonnet 87|
1|THE SONNETS|88|Sonnet 87|
1|THE SONNETS|89|Sonnet 88|                     88
1|THE SONNETS|89|Sonnet 88|  When thou shalt be disposed to set me light,
1|THE SONNETS|89|Sonnet 88|  And place my merit in the eye of scorn,
1|THE SONNETS|89|Sonnet 88|  Upon thy side, against my self I'll fight,
1|THE SONNETS|89|Sonnet 88|  And prove thee virtuous, though thou art forsworn:
1|THE SONNETS|89|Sonnet 88|  With mine own weakness being best acquainted,
1|THE SONNETS|89|Sonnet 88|  Upon thy part I can set down a story
1|THE SONNETS|89|Sonnet 88|  Of faults concealed, wherein I am attainted:
1|THE SONNETS|89|Sonnet 88|  That thou in losing me, shalt win much glory:  
1|THE SONNETS|89|Sonnet 88|  And I by this will be a gainer too,
1|THE SONNETS|89|Sonnet 88|  For bending all my loving thoughts on thee,
1|THE SONNETS|89|Sonnet 88|  The injuries that to my self I do,
1|THE SONNETS|89|Sonnet 88|  Doing thee vantage, double-vantage me.
1|THE SONNETS|89|Sonnet 88|    Such is my love, to thee I so belong,
1|THE SONNETS|89|Sonnet 88|    That for thy right, my self will bear all wrong.
1|THE SONNETS|89|Sonnet 88|
1|THE SONNETS|89|Sonnet 88|
1|THE SONNETS|90|Sonnet 89|                     89
1|THE SONNETS|90|Sonnet 89|  Say that thou didst forsake me for some fault,
1|THE SONNETS|90|Sonnet 89|  And I will comment upon that offence,
1|THE SONNETS|90|Sonnet 89|  Speak of my lameness, and I straight will halt:
1|THE SONNETS|90|Sonnet 89|  Against thy reasons making no defence.
1|THE SONNETS|90|Sonnet 89|  Thou canst not (love) disgrace me half so ill,
1|THE SONNETS|90|Sonnet 89|  To set a form upon desired change,
1|THE SONNETS|90|Sonnet 89|  As I'll my self disgrace, knowing thy will,
1|THE SONNETS|90|Sonnet 89|  I will acquaintance strangle and look strange:
1|THE SONNETS|90|Sonnet 89|  Be absent from thy walks and in my tongue,
1|THE SONNETS|90|Sonnet 89|  Thy sweet beloved name no more shall dwell,
1|THE SONNETS|90|Sonnet 89|  Lest I (too much profane) should do it wronk:
1|THE SONNETS|90|Sonnet 89|  And haply of our old acquaintance tell.  
1|THE SONNETS|90|Sonnet 89|    For thee, against my self I'll vow debate,
1|THE SONNETS|90|Sonnet 89|    For I must ne'er love him whom thou dost hate.
1|THE SONNETS|90|Sonnet 89|
1|THE SONNETS|90|Sonnet 89|
1|THE SONNETS|91|Sonnet 90|                     90
1|THE SONNETS|91|Sonnet 90|  Then hate me when thou wilt, if ever, now,
1|THE SONNETS|91|Sonnet 90|  Now while the world is bent my deeds to cross,
1|THE SONNETS|91|Sonnet 90|  join with the spite of fortune, make me bow,
1|THE SONNETS|91|Sonnet 90|  And do not drop in for an after-loss:
1|THE SONNETS|91|Sonnet 90|  Ah do not, when my heart hath 'scaped this sorrow,
1|THE SONNETS|91|Sonnet 90|  Come in the rearward of a conquered woe,
1|THE SONNETS|91|Sonnet 90|  Give not a windy night a rainy morrow,
1|THE SONNETS|91|Sonnet 90|  To linger out a purposed overthrow.
1|THE SONNETS|91|Sonnet 90|  If thou wilt leave me, do not leave me last,
1|THE SONNETS|91|Sonnet 90|  When other petty griefs have done their spite,
1|THE SONNETS|91|Sonnet 90|  But in the onset come, so shall I taste
1|THE SONNETS|91|Sonnet 90|  At first the very worst of fortune's might.
1|THE SONNETS|91|Sonnet 90|    And other strains of woe, which now seem woe,
1|THE SONNETS|91|Sonnet 90|    Compared with loss of thee, will not seem so.
1|THE SONNETS|91|Sonnet 90|
1|THE SONNETS|91|Sonnet 90|
1|THE SONNETS|92|Sonnet 91|                     91  
1|THE SONNETS|92|Sonnet 91|  Some glory in their birth, some in their skill,
1|THE SONNETS|92|Sonnet 91|  Some in their wealth, some in their body's force,
1|THE SONNETS|92|Sonnet 91|  Some in their garments though new-fangled ill:
1|THE SONNETS|92|Sonnet 91|  Some in their hawks and hounds, some in their horse.
1|THE SONNETS|92|Sonnet 91|  And every humour hath his adjunct pleasure,
1|THE SONNETS|92|Sonnet 91|  Wherein it finds a joy above the rest,
1|THE SONNETS|92|Sonnet 91|  But these particulars are not my measure,
1|THE SONNETS|92|Sonnet 91|  All these I better in one general best.
1|THE SONNETS|92|Sonnet 91|  Thy love is better than high birth to me,
1|THE SONNETS|92|Sonnet 91|  Richer than wealth, prouder than garments' costs,
1|THE SONNETS|92|Sonnet 91|  Of more delight than hawks and horses be:
1|THE SONNETS|92|Sonnet 91|  And having thee, of all men's pride I boast.
1|THE SONNETS|92|Sonnet 91|    Wretched in this alone, that thou mayst take,
1|THE SONNETS|92|Sonnet 91|    All this away, and me most wretchcd make.
1|THE SONNETS|92|Sonnet 91|
1|THE SONNETS|92|Sonnet 91|
1|THE SONNETS|93|Sonnet 92|                     92
1|THE SONNETS|93|Sonnet 92|  But do thy worst to steal thy self away,
1|THE SONNETS|93|Sonnet 92|  For term of life thou art assured mine,
1|THE SONNETS|93|Sonnet 92|  And life no longer than thy love will stay,
1|THE SONNETS|93|Sonnet 92|  For it depends upon that love of thine.  
1|THE SONNETS|93|Sonnet 92|  Then need I not to fear the worst of wrongs,
1|THE SONNETS|93|Sonnet 92|  When in the least of them my life hath end,
1|THE SONNETS|93|Sonnet 92|  I see, a better state to me belongs
1|THE SONNETS|93|Sonnet 92|  Than that, which on thy humour doth depend.
1|THE SONNETS|93|Sonnet 92|  Thou canst not vex me with inconstant mind,
1|THE SONNETS|93|Sonnet 92|  Since that my life on thy revolt doth lie,
1|THE SONNETS|93|Sonnet 92|  O what a happy title do I find,
1|THE SONNETS|93|Sonnet 92|  Happy to have thy love, happy to die!
1|THE SONNETS|93|Sonnet 92|    But what's so blessed-fair that fears no blot?
1|THE SONNETS|93|Sonnet 92|    Thou mayst be false, and yet I know it not.
1|THE SONNETS|93|Sonnet 92|
1|THE SONNETS|93|Sonnet 92|
1|THE SONNETS|94|Sonnet 93|                     93
1|THE SONNETS|94|Sonnet 93|  So shall I live, supposing thou art true,
1|THE SONNETS|94|Sonnet 93|  Like a deceived husband, so love's face,
1|THE SONNETS|94|Sonnet 93|  May still seem love to me, though altered new:
1|THE SONNETS|94|Sonnet 93|  Thy looks with me, thy heart in other place.
1|THE SONNETS|94|Sonnet 93|  For there can live no hatred in thine eye,
1|THE SONNETS|94|Sonnet 93|  Therefore in that I cannot know thy change,
1|THE SONNETS|94|Sonnet 93|  In many's looks, the false heart's history
1|THE SONNETS|94|Sonnet 93|  Is writ in moods and frowns and wrinkles strange.  
1|THE SONNETS|94|Sonnet 93|  But heaven in thy creation did decree,
1|THE SONNETS|94|Sonnet 93|  That in thy face sweet love should ever dwell,
1|THE SONNETS|94|Sonnet 93|  Whate'er thy thoughts, or thy heart's workings be,
1|THE SONNETS|94|Sonnet 93|  Thy looks should nothing thence, but sweetness tell.
1|THE SONNETS|94|Sonnet 93|    How like Eve's apple doth thy beauty grow,
1|THE SONNETS|94|Sonnet 93|    If thy sweet virtue answer not thy show.
1|THE SONNETS|94|Sonnet 93|
1|THE SONNETS|94|Sonnet 93|
1|THE SONNETS|95|Sonnet 94|                     94
1|THE SONNETS|95|Sonnet 94|  They that have power to hurt, and will do none,
1|THE SONNETS|95|Sonnet 94|  That do not do the thing, they most do show,
1|THE SONNETS|95|Sonnet 94|  Who moving others, are themselves as stone,
1|THE SONNETS|95|Sonnet 94|  Unmoved, cold, and to temptation slow:
1|THE SONNETS|95|Sonnet 94|  They rightly do inherit heaven's graces,
1|THE SONNETS|95|Sonnet 94|  And husband nature's riches from expense,
1|THE SONNETS|95|Sonnet 94|  Tibey are the lords and owners of their faces,
1|THE SONNETS|95|Sonnet 94|  Others, but stewards of their excellence:
1|THE SONNETS|95|Sonnet 94|  The summer's flower is to the summer sweet,
1|THE SONNETS|95|Sonnet 94|  Though to it self, it only live and die,
1|THE SONNETS|95|Sonnet 94|  But if that flower with base infection meet,
1|THE SONNETS|95|Sonnet 94|  The basest weed outbraves his dignity:  
1|THE SONNETS|95|Sonnet 94|    For sweetest things turn sourest by their deeds,
1|THE SONNETS|95|Sonnet 94|    Lilies that fester, smell far worse than weeds.
1|THE SONNETS|95|Sonnet 94|
1|THE SONNETS|95|Sonnet 94|
1|THE SONNETS|96|Sonnet 95|                     95
1|THE SONNETS|96|Sonnet 95|  How sweet and lovely dost thou make the shame,
1|THE SONNETS|96|Sonnet 95|  Which like a canker in the fragrant rose,
1|THE SONNETS|96|Sonnet 95|  Doth spot the beauty of thy budding name!
1|THE SONNETS|96|Sonnet 95|  O in what sweets dost thou thy sins enclose!
1|THE SONNETS|96|Sonnet 95|  That tongue that tells the story of thy days,
1|THE SONNETS|96|Sonnet 95|  (Making lascivious comments on thy sport)
1|THE SONNETS|96|Sonnet 95|  Cannot dispraise, but in a kind of praise,
1|THE SONNETS|96|Sonnet 95|  Naming thy name, blesses an ill report.
1|THE SONNETS|96|Sonnet 95|  O what a mansion have those vices got,
1|THE SONNETS|96|Sonnet 95|  Which for their habitation chose out thee,
1|THE SONNETS|96|Sonnet 95|  Where beauty's veil doth cover every blot,
1|THE SONNETS|96|Sonnet 95|  And all things turns to fair, that eyes can see!
1|THE SONNETS|96|Sonnet 95|    Take heed (dear heart) of this large privilege,
1|THE SONNETS|96|Sonnet 95|    The hardest knife ill-used doth lose his edge.
1|THE SONNETS|96|Sonnet 95|
1|THE SONNETS|96|Sonnet 95|
1|THE SONNETS|97|Sonnet 96|                     96  
1|THE SONNETS|97|Sonnet 96|  Some say thy fault is youth, some wantonness,
1|THE SONNETS|97|Sonnet 96|  Some say thy grace is youth and gentle sport,
1|THE SONNETS|97|Sonnet 96|  Both grace and faults are loved of more and less:
1|THE SONNETS|97|Sonnet 96|  Thou mak'st faults graces, that to thee resort:
1|THE SONNETS|97|Sonnet 96|  As on the finger of a throned queen,
1|THE SONNETS|97|Sonnet 96|  The basest jewel will be well esteemed:
1|THE SONNETS|97|Sonnet 96|  So are those errors that in thee are seen,
1|THE SONNETS|97|Sonnet 96|  To truths translated, and for true things deemed.
1|THE SONNETS|97|Sonnet 96|  How many lambs might the stern wolf betray,
1|THE SONNETS|97|Sonnet 96|  If like a lamb he could his looks translate!
1|THE SONNETS|97|Sonnet 96|  How many gazers mightst thou lead away,
1|THE SONNETS|97|Sonnet 96|  if thou wouldst use the strength of all thy state!
1|THE SONNETS|97|Sonnet 96|    But do not so, I love thee in such sort,
1|THE SONNETS|97|Sonnet 96|    As thou being mine, mine is thy good report.
1|THE SONNETS|97|Sonnet 96|
1|THE SONNETS|97|Sonnet 96|
1|THE SONNETS|98|Sonnet 97|                     97
1|THE SONNETS|98|Sonnet 97|  How like a winter hath my absence been
1|THE SONNETS|98|Sonnet 97|  From thee, the pleasure of the fleeting year!
1|THE SONNETS|98|Sonnet 97|  What freezings have I felt, what dark days seen!
1|THE SONNETS|98|Sonnet 97|  What old December's bareness everywhere!  
1|THE SONNETS|98|Sonnet 97|  And yet this time removed was summer's time,
1|THE SONNETS|98|Sonnet 97|  The teeming autumn big with rich increase,
1|THE SONNETS|98|Sonnet 97|  Bearing the wanton burden of the prime,
1|THE SONNETS|98|Sonnet 97|  Like widowed wombs after their lords' decease:
1|THE SONNETS|98|Sonnet 97|  Yet this abundant issue seemed to me
1|THE SONNETS|98|Sonnet 97|  But hope of orphans, and unfathered fruit,
1|THE SONNETS|98|Sonnet 97|  For summer and his pleasures wait on thee,
1|THE SONNETS|98|Sonnet 97|  And thou away, the very birds are mute.
1|THE SONNETS|98|Sonnet 97|    Or if they sing, 'tis with so dull a cheer,
1|THE SONNETS|98|Sonnet 97|    That leaves look pale, dreading the winter's near.
1|THE SONNETS|98|Sonnet 97|
1|THE SONNETS|98|Sonnet 97|
1|THE SONNETS|99|Sonnet 98|                     98
1|THE SONNETS|99|Sonnet 98|  From you have I been absent in the spring,
1|THE SONNETS|99|Sonnet 98|  When proud-pied April (dressed in all his trim)
1|THE SONNETS|99|Sonnet 98|  Hath put a spirit of youth in every thing:
1|THE SONNETS|99|Sonnet 98|  That heavy Saturn laughed and leaped with him.
1|THE SONNETS|99|Sonnet 98|  Yet nor the lays of birds, nor the sweet smell
1|THE SONNETS|99|Sonnet 98|  Of different flowers in odour and in hue,
1|THE SONNETS|99|Sonnet 98|  Could make me any summer's story tell:
1|THE SONNETS|99|Sonnet 98|  Or from their proud lap pluck them where they grew:  
1|THE SONNETS|99|Sonnet 98|  Nor did I wonder at the lily's white,
1|THE SONNETS|99|Sonnet 98|  Nor praise the deep vermilion in the rose,
1|THE SONNETS|99|Sonnet 98|  They were but sweet, but figures of delight:
1|THE SONNETS|99|Sonnet 98|  Drawn after you, you pattern of all those.
1|THE SONNETS|99|Sonnet 98|    Yet seemed it winter still, and you away,
1|THE SONNETS|99|Sonnet 98|    As with your shadow I with these did play.
1|THE SONNETS|99|Sonnet 98|
1|THE SONNETS|99|Sonnet 98|
1|THE SONNETS|100|Sonnet 99|                     99
1|THE SONNETS|100|Sonnet 99|  The forward violet thus did I chide,
1|THE SONNETS|100|Sonnet 99|  Sweet thief, whence didst thou steal thy sweet that smells,
1|THE SONNETS|100|Sonnet 99|  If not from my love's breath? The purple pride
1|THE SONNETS|100|Sonnet 99|  Which on thy soft check for complexion dwells,
1|THE SONNETS|100|Sonnet 99|  In my love's veins thou hast too grossly dyed.
1|THE SONNETS|100|Sonnet 99|  The lily I condemned for thy hand,
1|THE SONNETS|100|Sonnet 99|  And buds of marjoram had stol'n thy hair,
1|THE SONNETS|100|Sonnet 99|  The roses fearfully on thorns did stand,
1|THE SONNETS|100|Sonnet 99|  One blushing shame, another white despair:
1|THE SONNETS|100|Sonnet 99|  A third nor red, nor white, had stol'n of both,
1|THE SONNETS|100|Sonnet 99|  And to his robbery had annexed thy breath,
1|THE SONNETS|100|Sonnet 99|  But for his theft in pride of all his growth  
1|THE SONNETS|100|Sonnet 99|  A vengeful canker eat him up to death.
1|THE SONNETS|100|Sonnet 99|    More flowers I noted, yet I none could see,
1|THE SONNETS|100|Sonnet 99|    But sweet, or colour it had stol'n from thee.
1|THE SONNETS|100|Sonnet 99|
1|THE SONNETS|100|Sonnet 99|
1|THE SONNETS|101|Sonnet 100|                     100
1|THE SONNETS|101|Sonnet 100|  Where art thou Muse that thou forget'st so long,
1|THE SONNETS|101|Sonnet 100|  To speak of that which gives thee all thy might?
1|THE SONNETS|101|Sonnet 100|  Spend'st thou thy fury on some worthless song,
1|THE SONNETS|101|Sonnet 100|  Darkening thy power to lend base subjects light?
1|THE SONNETS|101|Sonnet 100|  Return forgetful Muse, and straight redeem,
1|THE SONNETS|101|Sonnet 100|  In gentle numbers time so idly spent,
1|THE SONNETS|101|Sonnet 100|  Sing to the ear that doth thy lays esteem,
1|THE SONNETS|101|Sonnet 100|  And gives thy pen both skill and argument.
1|THE SONNETS|101|Sonnet 100|  Rise resty Muse, my love's sweet face survey,
1|THE SONNETS|101|Sonnet 100|  If time have any wrinkle graven there,
1|THE SONNETS|101|Sonnet 100|  If any, be a satire to decay,
1|THE SONNETS|101|Sonnet 100|  And make time's spoils despised everywhere.
1|THE SONNETS|101|Sonnet 100|    Give my love fame faster than Time wastes life,
1|THE SONNETS|101|Sonnet 100|    So thou prevent'st his scythe, and crooked knife.
1|THE SONNETS|101|Sonnet 100|
1|THE SONNETS|101|Sonnet 100|  
1|THE SONNETS|102|Sonnet 101|                     101
1|THE SONNETS|102|Sonnet 101|  O truant Muse what shall be thy amends,
1|THE SONNETS|102|Sonnet 101|  For thy neglect of truth in beauty dyed?
1|THE SONNETS|102|Sonnet 101|  Both truth and beauty on my love depends:
1|THE SONNETS|102|Sonnet 101|  So dost thou too, and therein dignified:
1|THE SONNETS|102|Sonnet 101|  Make answer Muse, wilt thou not haply say,
1|THE SONNETS|102|Sonnet 101|  'Truth needs no colour with his colour fixed,
1|THE SONNETS|102|Sonnet 101|  Beauty no pencil, beauty's truth to lay:
1|THE SONNETS|102|Sonnet 101|  But best is best, if never intermixed'?
1|THE SONNETS|102|Sonnet 101|  Because he needs no praise, wilt thou be dumb?
1|THE SONNETS|102|Sonnet 101|  Excuse not silence so, for't lies in thee,
1|THE SONNETS|102|Sonnet 101|  To make him much outlive a gilded tomb:
1|THE SONNETS|102|Sonnet 101|  And to be praised of ages yet to be.
1|THE SONNETS|102|Sonnet 101|    Then do thy office Muse, I teach thee how,
1|THE SONNETS|102|Sonnet 101|    To make him seem long hence, as he shows now.
1|THE SONNETS|102|Sonnet 101|
1|THE SONNETS|102|Sonnet 101|
1|THE SONNETS|103|Sonnet 102|                     102
1|THE SONNETS|103|Sonnet 102|  My love is strengthened though more weak in seeming,
1|THE SONNETS|103|Sonnet 102|  I love not less, though less the show appear,
1|THE SONNETS|103|Sonnet 102|  That love is merchandized, whose rich esteeming,  
1|THE SONNETS|103|Sonnet 102|  The owner's tongue doth publish every where.
1|THE SONNETS|103|Sonnet 102|  Our love was new, and then but in the spring,
1|THE SONNETS|103|Sonnet 102|  When I was wont to greet it with my lays,
1|THE SONNETS|103|Sonnet 102|  As Philomel in summer's front doth sing,
1|THE SONNETS|103|Sonnet 102|  And stops her pipe in growth of riper days:
1|THE SONNETS|103|Sonnet 102|  Not that the summer is less pleasant now
1|THE SONNETS|103|Sonnet 102|  Than when her mournful hymns did hush the night,
1|THE SONNETS|103|Sonnet 102|  But that wild music burthens every bough,
1|THE SONNETS|103|Sonnet 102|  And sweets grown common lose their dear delight.
1|THE SONNETS|103|Sonnet 102|    Therefore like her, I sometime hold my tongue:
1|THE SONNETS|103|Sonnet 102|    Because I would not dull you with my song.
1|THE SONNETS|103|Sonnet 102|
1|THE SONNETS|103|Sonnet 102|
1|THE SONNETS|104|Sonnet 103|                     103
1|THE SONNETS|104|Sonnet 103|  Alack what poverty my muse brings forth,
1|THE SONNETS|104|Sonnet 103|  That having such a scope to show her pride,
1|THE SONNETS|104|Sonnet 103|  The argument all bare is of more worth
1|THE SONNETS|104|Sonnet 103|  Than when it hath my added praise beside.
1|THE SONNETS|104|Sonnet 103|  O blame me not if I no more can write!
1|THE SONNETS|104|Sonnet 103|  Look in your glass and there appears a face,
1|THE SONNETS|104|Sonnet 103|  That over-goes my blunt invention quite,  
1|THE SONNETS|104|Sonnet 103|  Dulling my lines, and doing me disgrace.
1|THE SONNETS|104|Sonnet 103|  Were it not sinful then striving to mend,
1|THE SONNETS|104|Sonnet 103|  To mar the subject that before was well?
1|THE SONNETS|104|Sonnet 103|  For to no other pass my verses tend,
1|THE SONNETS|104|Sonnet 103|  Than of your graces and your gifts to tell.
1|THE SONNETS|104|Sonnet 103|    And more, much more than in my verse can sit,
1|THE SONNETS|104|Sonnet 103|    Your own glass shows you, when you look in it.
1|THE SONNETS|104|Sonnet 103|
1|THE SONNETS|104|Sonnet 103|
1|THE SONNETS|105|Sonnet 104|                     104
1|THE SONNETS|105|Sonnet 104|  To me fair friend you never can be old,
1|THE SONNETS|105|Sonnet 104|  For as you were when first your eye I eyed,
1|THE SONNETS|105|Sonnet 104|  Such seems your beauty still: three winters cold,
1|THE SONNETS|105|Sonnet 104|  Have from the forests shook three summers' pride,
1|THE SONNETS|105|Sonnet 104|  Three beauteous springs to yellow autumn turned,
1|THE SONNETS|105|Sonnet 104|  In process of the seasons have I seen,
1|THE SONNETS|105|Sonnet 104|  Three April perfumes in three hot Junes burned,
1|THE SONNETS|105|Sonnet 104|  Since first I saw you fresh which yet are green.
1|THE SONNETS|105|Sonnet 104|  Ah yet doth beauty like a dial hand,
1|THE SONNETS|105|Sonnet 104|  Steal from his figure, and no pace perceived,
1|THE SONNETS|105|Sonnet 104|  So your sweet hue, which methinks still doth stand  
1|THE SONNETS|105|Sonnet 104|  Hath motion, and mine eye may be deceived.
1|THE SONNETS|105|Sonnet 104|    For fear of which, hear this thou age unbred,
1|THE SONNETS|105|Sonnet 104|    Ere you were born was beauty's summer dead.
1|THE SONNETS|105|Sonnet 104|
1|THE SONNETS|105|Sonnet 104|
1|THE SONNETS|106|Sonnet 105|                     105
1|THE SONNETS|106|Sonnet 105|  Let not my love be called idolatry,
1|THE SONNETS|106|Sonnet 105|  Nor my beloved as an idol show,
1|THE SONNETS|106|Sonnet 105|  Since all alike my songs and praises be
1|THE SONNETS|106|Sonnet 105|  To one, of one, still such, and ever so.
1|THE SONNETS|106|Sonnet 105|  Kind is my love to-day, to-morrow kind,
1|THE SONNETS|106|Sonnet 105|  Still constant in a wondrous excellence,
1|THE SONNETS|106|Sonnet 105|  Therefore my verse to constancy confined,
1|THE SONNETS|106|Sonnet 105|  One thing expressing, leaves out difference.
1|THE SONNETS|106|Sonnet 105|  Fair, kind, and true, is all my argument,
1|THE SONNETS|106|Sonnet 105|  Fair, kind, and true, varying to other words,
1|THE SONNETS|106|Sonnet 105|  And in this change is my invention spent,
1|THE SONNETS|106|Sonnet 105|  Three themes in one, which wondrous scope affords.
1|THE SONNETS|106|Sonnet 105|    Fair, kind, and true, have often lived alone.
1|THE SONNETS|106|Sonnet 105|    Which three till now, never kept seat in one.
1|THE SONNETS|106|Sonnet 105|
1|THE SONNETS|106|Sonnet 105|  
1|THE SONNETS|107|Sonnet 106|                     106
1|THE SONNETS|107|Sonnet 106|  When in the chronicle of wasted time,
1|THE SONNETS|107|Sonnet 106|  I see descriptions of the fairest wights,
1|THE SONNETS|107|Sonnet 106|  And beauty making beautiful old rhyme,
1|THE SONNETS|107|Sonnet 106|  In praise of ladies dead, and lovely knights,
1|THE SONNETS|107|Sonnet 106|  Then in the blazon of sweet beauty's best,
1|THE SONNETS|107|Sonnet 106|  Of hand, of foot, of lip, of eye, of brow,
1|THE SONNETS|107|Sonnet 106|  I see their antique pen would have expressed,
1|THE SONNETS|107|Sonnet 106|  Even such a beauty as you master now.
1|THE SONNETS|107|Sonnet 106|  So all their praises are but prophecies
1|THE SONNETS|107|Sonnet 106|  Of this our time, all you prefiguring,
1|THE SONNETS|107|Sonnet 106|  And for they looked but with divining eyes,
1|THE SONNETS|107|Sonnet 106|  They had not skill enough your worth to sing:
1|THE SONNETS|107|Sonnet 106|    For we which now behold these present days,
1|THE SONNETS|107|Sonnet 106|    Have eyes to wonder, but lack tongues to praise.
1|THE SONNETS|107|Sonnet 106|
1|THE SONNETS|107|Sonnet 106|
1|THE SONNETS|108|Sonnet 107|                     107
1|THE SONNETS|108|Sonnet 107|  Not mine own fears, nor the prophetic soul,
1|THE SONNETS|108|Sonnet 107|  Of the wide world, dreaming on things to come,
1|THE SONNETS|108|Sonnet 107|  Can yet the lease of my true love control,  
1|THE SONNETS|108|Sonnet 107|  Supposed as forfeit to a confined doom.
1|THE SONNETS|108|Sonnet 107|  The mortal moon hath her eclipse endured,
1|THE SONNETS|108|Sonnet 107|  And the sad augurs mock their own presage,
1|THE SONNETS|108|Sonnet 107|  Incertainties now crown themselves assured,
1|THE SONNETS|108|Sonnet 107|  And peace proclaims olives of endless age.
1|THE SONNETS|108|Sonnet 107|  Now with the drops of this most balmy time,
1|THE SONNETS|108|Sonnet 107|  My love looks fresh, and death to me subscribes,
1|THE SONNETS|108|Sonnet 107|  Since spite of him I'll live in this poor rhyme,
1|THE SONNETS|108|Sonnet 107|  While he insults o'er dull and speechless tribes.
1|THE SONNETS|108|Sonnet 107|    And thou in this shalt find thy monument,
1|THE SONNETS|108|Sonnet 107|    When tyrants' crests and tombs of brass are spent.
1|THE SONNETS|108|Sonnet 107|
1|THE SONNETS|108|Sonnet 107|
1|THE SONNETS|109|Sonnet 108|                     108
1|THE SONNETS|109|Sonnet 108|  What's in the brain that ink may character,
1|THE SONNETS|109|Sonnet 108|  Which hath not figured to thee my true spirit,
1|THE SONNETS|109|Sonnet 108|  What's new to speak, what now to register,
1|THE SONNETS|109|Sonnet 108|  That may express my love, or thy dear merit?
1|THE SONNETS|109|Sonnet 108|  Nothing sweet boy, but yet like prayers divine,
1|THE SONNETS|109|Sonnet 108|  I must each day say o'er the very same,
1|THE SONNETS|109|Sonnet 108|  Counting no old thing old, thou mine, I thine,  
1|THE SONNETS|109|Sonnet 108|  Even as when first I hallowed thy fair name.
1|THE SONNETS|109|Sonnet 108|  So that eternal love in love's fresh case,
1|THE SONNETS|109|Sonnet 108|  Weighs not the dust and injury of age,
1|THE SONNETS|109|Sonnet 108|  Nor gives to necessary wrinkles place,
1|THE SONNETS|109|Sonnet 108|  But makes antiquity for aye his page,
1|THE SONNETS|109|Sonnet 108|    Finding the first conceit of love there bred,
1|THE SONNETS|109|Sonnet 108|    Where time and outward form would show it dead.
1|THE SONNETS|109|Sonnet 108|
1|THE SONNETS|109|Sonnet 108|
1|THE SONNETS|110|Sonnet 109|                     109
1|THE SONNETS|110|Sonnet 109|  O never say that I was false of heart,
1|THE SONNETS|110|Sonnet 109|  Though absence seemed my flame to qualify,
1|THE SONNETS|110|Sonnet 109|  As easy might I from my self depart,
1|THE SONNETS|110|Sonnet 109|  As from my soul which in thy breast doth lie:
1|THE SONNETS|110|Sonnet 109|  That is my home of love, if I have ranged,
1|THE SONNETS|110|Sonnet 109|  Like him that travels I return again,
1|THE SONNETS|110|Sonnet 109|  Just to the time, not with the time exchanged,
1|THE SONNETS|110|Sonnet 109|  So that my self bring water for my stain,
1|THE SONNETS|110|Sonnet 109|  Never believe though in my nature reigned,
1|THE SONNETS|110|Sonnet 109|  All frailties that besiege all kinds of blood,
1|THE SONNETS|110|Sonnet 109|  That it could so preposterously be stained,  
1|THE SONNETS|110|Sonnet 109|  To leave for nothing all thy sum of good:
1|THE SONNETS|110|Sonnet 109|    For nothing this wide universe I call,
1|THE SONNETS|110|Sonnet 109|    Save thou my rose, in it thou art my all.
1|THE SONNETS|110|Sonnet 109|
1|THE SONNETS|110|Sonnet 109|
1|THE SONNETS|111|Sonnet 110|                     110
1|THE SONNETS|111|Sonnet 110|  Alas 'tis true, I have gone here and there,
1|THE SONNETS|111|Sonnet 110|  And made my self a motley to the view,
1|THE SONNETS|111|Sonnet 110|  Gored mine own thoughts, sold cheap what is most dear,
1|THE SONNETS|111|Sonnet 110|  Made old offences of affections new.
1|THE SONNETS|111|Sonnet 110|  Most true it is, that I have looked on truth
1|THE SONNETS|111|Sonnet 110|  Askance and strangely: but by all above,
1|THE SONNETS|111|Sonnet 110|  These blenches gave my heart another youth,
1|THE SONNETS|111|Sonnet 110|  And worse essays proved thee my best of love.
1|THE SONNETS|111|Sonnet 110|  Now all is done, have what shall have no end,
1|THE SONNETS|111|Sonnet 110|  Mine appetite I never more will grind
1|THE SONNETS|111|Sonnet 110|  On newer proof, to try an older friend,
1|THE SONNETS|111|Sonnet 110|  A god in love, to whom I am confined.
1|THE SONNETS|111|Sonnet 110|    Then give me welcome, next my heaven the best,
1|THE SONNETS|111|Sonnet 110|    Even to thy pure and most most loving breast.
1|THE SONNETS|111|Sonnet 110|
1|THE SONNETS|111|Sonnet 110|  
1|THE SONNETS|112|Sonnet 111|                     111
1|THE SONNETS|112|Sonnet 111|  O for my sake do you with Fortune chide,
1|THE SONNETS|112|Sonnet 111|  The guilty goddess of my harmful deeds,
1|THE SONNETS|112|Sonnet 111|  That did not better for my life provide,
1|THE SONNETS|112|Sonnet 111|  Than public means which public manners breeds.
1|THE SONNETS|112|Sonnet 111|  Thence comes it that my name receives a brand,
1|THE SONNETS|112|Sonnet 111|  And almost thence my nature is subdued
1|THE SONNETS|112|Sonnet 111|  To what it works in, like the dyer's hand:
1|THE SONNETS|112|Sonnet 111|  Pity me then, and wish I were renewed,
1|THE SONNETS|112|Sonnet 111|  Whilst like a willing patient I will drink,
1|THE SONNETS|112|Sonnet 111|  Potions of eisel 'gainst my strong infection,
1|THE SONNETS|112|Sonnet 111|  No bitterness that I will bitter think,
1|THE SONNETS|112|Sonnet 111|  Nor double penance to correct correction.
1|THE SONNETS|112|Sonnet 111|    Pity me then dear friend, and I assure ye,
1|THE SONNETS|112|Sonnet 111|    Even that your pity is enough to cure me.
1|THE SONNETS|112|Sonnet 111|
1|THE SONNETS|112|Sonnet 111|
1|THE SONNETS|113|Sonnet 112|                     112
1|THE SONNETS|113|Sonnet 112|  Your love and pity doth th' impression fill,
1|THE SONNETS|113|Sonnet 112|  Which vulgar scandal stamped upon my brow,
1|THE SONNETS|113|Sonnet 112|  For what care I who calls me well or ill,  
1|THE SONNETS|113|Sonnet 112|  So you o'er-green my bad, my good allow?
1|THE SONNETS|113|Sonnet 112|  You are my all the world, and I must strive,
1|THE SONNETS|113|Sonnet 112|  To know my shames and praises from your tongue,
1|THE SONNETS|113|Sonnet 112|  None else to me, nor I to none alive,
1|THE SONNETS|113|Sonnet 112|  That my steeled sense or changes right or wrong.
1|THE SONNETS|113|Sonnet 112|  In so profound abysm I throw all care
1|THE SONNETS|113|Sonnet 112|  Of others' voices, that my adder's sense,
1|THE SONNETS|113|Sonnet 112|  To critic and to flatterer stopped are:
1|THE SONNETS|113|Sonnet 112|  Mark how with my neglect I do dispense.
1|THE SONNETS|113|Sonnet 112|    You are so strongly in my purpose bred,
1|THE SONNETS|113|Sonnet 112|    That all the world besides methinks are dead.
1|THE SONNETS|113|Sonnet 112|
1|THE SONNETS|113|Sonnet 112|
1|THE SONNETS|114|Sonnet 113|                     113
1|THE SONNETS|114|Sonnet 113|  Since I left you, mine eye is in my mind,
1|THE SONNETS|114|Sonnet 113|  And that which governs me to go about,
1|THE SONNETS|114|Sonnet 113|  Doth part his function, and is partly blind,
1|THE SONNETS|114|Sonnet 113|  Seems seeing, but effectually is out:
1|THE SONNETS|114|Sonnet 113|  For it no form delivers to the heart
1|THE SONNETS|114|Sonnet 113|  Of bird, of flower, or shape which it doth latch,
1|THE SONNETS|114|Sonnet 113|  Of his quick objects hath the mind no part,  
1|THE SONNETS|114|Sonnet 113|  Nor his own vision holds what it doth catch:
1|THE SONNETS|114|Sonnet 113|  For if it see the rud'st or gentlest sight,
1|THE SONNETS|114|Sonnet 113|  The most sweet favour or deformed'st creature,
1|THE SONNETS|114|Sonnet 113|  The mountain, or the sea, the day, or night:
1|THE SONNETS|114|Sonnet 113|  The crow, or dove, it shapes them to your feature.
1|THE SONNETS|114|Sonnet 113|    Incapable of more, replete with you,
1|THE SONNETS|114|Sonnet 113|    My most true mind thus maketh mine untrue.
1|THE SONNETS|114|Sonnet 113|
1|THE SONNETS|114|Sonnet 113|
1|THE SONNETS|115|Sonnet 114|                     114
1|THE SONNETS|115|Sonnet 114|  Or whether doth my mind being crowned with you
1|THE SONNETS|115|Sonnet 114|  Drink up the monarch's plague this flattery?
1|THE SONNETS|115|Sonnet 114|  Or whether shall I say mine eye saith true,
1|THE SONNETS|115|Sonnet 114|  And that your love taught it this alchemy?
1|THE SONNETS|115|Sonnet 114|  To make of monsters, and things indigest,
1|THE SONNETS|115|Sonnet 114|  Such cherubins as your sweet self resemble,
1|THE SONNETS|115|Sonnet 114|  Creating every bad a perfect best
1|THE SONNETS|115|Sonnet 114|  As fast as objects to his beams assemble:
1|THE SONNETS|115|Sonnet 114|  O 'tis the first, 'tis flattery in my seeing,
1|THE SONNETS|115|Sonnet 114|  And my great mind most kingly drinks it up,
1|THE SONNETS|115|Sonnet 114|  Mine eye well knows what with his gust is 'greeing,  
1|THE SONNETS|115|Sonnet 114|  And to his palate doth prepare the cup.
1|THE SONNETS|115|Sonnet 114|    If it be poisoned, 'tis the lesser sin,
1|THE SONNETS|115|Sonnet 114|    That mine eye loves it and doth first begin.
1|THE SONNETS|115|Sonnet 114|
1|THE SONNETS|115|Sonnet 114|
1|THE SONNETS|116|Sonnet 115|                     115
1|THE SONNETS|116|Sonnet 115|  Those lines that I before have writ do lie,
1|THE SONNETS|116|Sonnet 115|  Even those that said I could not love you dearer,
1|THE SONNETS|116|Sonnet 115|  Yet then my judgment knew no reason why,
1|THE SONNETS|116|Sonnet 115|  My most full flame should afterwards burn clearer,
1|THE SONNETS|116|Sonnet 115|  But reckoning time, whose millioned accidents
1|THE SONNETS|116|Sonnet 115|  Creep in 'twixt vows, and change decrees of kings,
1|THE SONNETS|116|Sonnet 115|  Tan sacred beauty, blunt the sharp'st intents,
1|THE SONNETS|116|Sonnet 115|  Divert strong minds to the course of alt'ring things:
1|THE SONNETS|116|Sonnet 115|  Alas why fearing of time's tyranny,
1|THE SONNETS|116|Sonnet 115|  Might I not then say 'Now I love you best,'
1|THE SONNETS|116|Sonnet 115|  When I was certain o'er incertainty,
1|THE SONNETS|116|Sonnet 115|  Crowning the present, doubting of the rest?
1|THE SONNETS|116|Sonnet 115|    Love is a babe, then might I not say so
1|THE SONNETS|116|Sonnet 115|    To give full growth to that which still doth grow.
1|THE SONNETS|116|Sonnet 115|
1|THE SONNETS|116|Sonnet 115|  
1|THE SONNETS|117|Sonnet 116|                     116
1|THE SONNETS|117|Sonnet 116|  Let me not to the marriage of true minds
1|THE SONNETS|117|Sonnet 116|  Admit impediments, love is not love
1|THE SONNETS|117|Sonnet 116|  Which alters when it alteration finds,
1|THE SONNETS|117|Sonnet 116|  Or bends with the remover to remove.
1|THE SONNETS|117|Sonnet 116|  O no, it is an ever-fixed mark
1|THE SONNETS|117|Sonnet 116|  That looks on tempests and is never shaken;
1|THE SONNETS|117|Sonnet 116|  It is the star to every wand'ring bark,
1|THE SONNETS|117|Sonnet 116|  Whose worth's unknown, although his height be taken.
1|THE SONNETS|117|Sonnet 116|  Love's not Time's fool, though rosy lips and cheeks
1|THE SONNETS|117|Sonnet 116|  Within his bending sickle's compass come,
1|THE SONNETS|117|Sonnet 116|  Love alters not with his brief hours and weeks,
1|THE SONNETS|117|Sonnet 116|  But bears it out even to the edge of doom:
1|THE SONNETS|117|Sonnet 116|    If this be error and upon me proved,
1|THE SONNETS|117|Sonnet 116|    I never writ, nor no man ever loved.
1|THE SONNETS|117|Sonnet 116|
1|THE SONNETS|117|Sonnet 116|
1|THE SONNETS|118|Sonnet 117|                     117
1|THE SONNETS|118|Sonnet 117|  Accuse me thus, that I have scanted all,
1|THE SONNETS|118|Sonnet 117|  Wherein I should your great deserts repay,
1|THE SONNETS|118|Sonnet 117|  Forgot upon your dearest love to call,  
1|THE SONNETS|118|Sonnet 117|  Whereto all bonds do tie me day by day,
1|THE SONNETS|118|Sonnet 117|  That I have frequent been with unknown minds,
1|THE SONNETS|118|Sonnet 117|  And given to time your own dear-purchased right,
1|THE SONNETS|118|Sonnet 117|  That I have hoisted sail to all the winds
1|THE SONNETS|118|Sonnet 117|  Which should transport me farthest from your sight.
1|THE SONNETS|118|Sonnet 117|  Book both my wilfulness and errors down,
1|THE SONNETS|118|Sonnet 117|  And on just proof surmise, accumulate,
1|THE SONNETS|118|Sonnet 117|  Bring me within the level of your frown,
1|THE SONNETS|118|Sonnet 117|  But shoot not at me in your wakened hate:
1|THE SONNETS|118|Sonnet 117|    Since my appeal says I did strive to prove
1|THE SONNETS|118|Sonnet 117|    The constancy and virtue of your love.
1|THE SONNETS|118|Sonnet 117|
1|THE SONNETS|118|Sonnet 117|
1|THE SONNETS|119|Sonnet 118|                     118
1|THE SONNETS|119|Sonnet 118|  Like as to make our appetite more keen
1|THE SONNETS|119|Sonnet 118|  With eager compounds we our palate urge,
1|THE SONNETS|119|Sonnet 118|  As to prevent our maladies unseen,
1|THE SONNETS|119|Sonnet 118|  We sicken to shun sickness when we purge.
1|THE SONNETS|119|Sonnet 118|  Even so being full of your ne'er-cloying sweetness,
1|THE SONNETS|119|Sonnet 118|  To bitter sauces did I frame my feeding;
1|THE SONNETS|119|Sonnet 118|  And sick of welfare found a kind of meetness,  
1|THE SONNETS|119|Sonnet 118|  To be diseased ere that there was true needing.
1|THE SONNETS|119|Sonnet 118|  Thus policy in love t' anticipate
1|THE SONNETS|119|Sonnet 118|  The ills that were not, grew to faults assured,
1|THE SONNETS|119|Sonnet 118|  And brought to medicine a healthful state
1|THE SONNETS|119|Sonnet 118|  Which rank of goodness would by ill be cured.
1|THE SONNETS|119|Sonnet 118|    But thence I learn and find the lesson true,
1|THE SONNETS|119|Sonnet 118|    Drugs poison him that so feil sick of you.
1|THE SONNETS|119|Sonnet 118|
1|THE SONNETS|119|Sonnet 118|
1|THE SONNETS|120|Sonnet 119|                     119
1|THE SONNETS|120|Sonnet 119|  What potions have I drunk of Siren tears
1|THE SONNETS|120|Sonnet 119|  Distilled from limbecks foul as hell within,
1|THE SONNETS|120|Sonnet 119|  Applying fears to hopes, and hopes to fears,
1|THE SONNETS|120|Sonnet 119|  Still losing when I saw my self to win!
1|THE SONNETS|120|Sonnet 119|  What wretched errors hath my heart committed,
1|THE SONNETS|120|Sonnet 119|  Whilst it hath thought it self so blessed never!
1|THE SONNETS|120|Sonnet 119|  How have mine eyes out of their spheres been fitted
1|THE SONNETS|120|Sonnet 119|  In the distraction of this madding fever!
1|THE SONNETS|120|Sonnet 119|  O benefit of ill, now I find true
1|THE SONNETS|120|Sonnet 119|  That better is, by evil still made better.
1|THE SONNETS|120|Sonnet 119|  And ruined love when it is built anew  
1|THE SONNETS|120|Sonnet 119|  Grows fairer than at first, more strong, far greater.
1|THE SONNETS|120|Sonnet 119|    So I return rebuked to my content,
1|THE SONNETS|120|Sonnet 119|    And gain by ills thrice more than I have spent.
1|THE SONNETS|120|Sonnet 119|
1|THE SONNETS|120|Sonnet 119|
1|THE SONNETS|121|Sonnet 120|                     120
1|THE SONNETS|121|Sonnet 120|  That you were once unkind befriends me now,
1|THE SONNETS|121|Sonnet 120|  And for that sorrow, which I then did feel,
1|THE SONNETS|121|Sonnet 120|  Needs must I under my transgression bow,
1|THE SONNETS|121|Sonnet 120|  Unless my nerves were brass or hammered steel.
1|THE SONNETS|121|Sonnet 120|  For if you were by my unkindness shaken
1|THE SONNETS|121|Sonnet 120|  As I by yours, y'have passed a hell of time,
1|THE SONNETS|121|Sonnet 120|  And I a tyrant have no leisure taken
1|THE SONNETS|121|Sonnet 120|  To weigh how once I suffered in your crime.
1|THE SONNETS|121|Sonnet 120|  O that our night of woe might have remembered
1|THE SONNETS|121|Sonnet 120|  My deepest sense, how hard true sorrow hits,
1|THE SONNETS|121|Sonnet 120|  And soon to you, as you to me then tendered
1|THE SONNETS|121|Sonnet 120|  The humble salve, which wounded bosoms fits!
1|THE SONNETS|121|Sonnet 120|    But that your trespass now becomes a fee,
1|THE SONNETS|121|Sonnet 120|    Mine ransoms yours, and yours must ransom me.
1|THE SONNETS|121|Sonnet 120|
1|THE SONNETS|121|Sonnet 120|  
1|THE SONNETS|122|Sonnet 121|                     121
1|THE SONNETS|122|Sonnet 121|  'Tis better to be vile than vile esteemed,
1|THE SONNETS|122|Sonnet 121|  When not to be, receives reproach of being,
1|THE SONNETS|122|Sonnet 121|  And the just pleasure lost, which is so deemed,
1|THE SONNETS|122|Sonnet 121|  Not by our feeling, but by others' seeing.
1|THE SONNETS|122|Sonnet 121|  For why should others' false adulterate eyes
1|THE SONNETS|122|Sonnet 121|  Give salutation to my sportive blood?
1|THE SONNETS|122|Sonnet 121|  Or on my frailties why are frailer spies,
1|THE SONNETS|122|Sonnet 121|  Which in their wills count bad what I think good?
1|THE SONNETS|122|Sonnet 121|  No, I am that I am, and they that level
1|THE SONNETS|122|Sonnet 121|  At my abuses, reckon up their own,
1|THE SONNETS|122|Sonnet 121|  I may be straight though they themselves be bevel;
1|THE SONNETS|122|Sonnet 121|  By their rank thoughts, my deeds must not be shown
1|THE SONNETS|122|Sonnet 121|    Unless this general evil they maintain,
1|THE SONNETS|122|Sonnet 121|    All men are bad and in their badness reign.
1|THE SONNETS|122|Sonnet 121|
1|THE SONNETS|122|Sonnet 121|
1|THE SONNETS|123|Sonnet 122|                     122
1|THE SONNETS|123|Sonnet 122|  Thy gift, thy tables, are within my brain
1|THE SONNETS|123|Sonnet 122|  Full charactered with lasting memory,
1|THE SONNETS|123|Sonnet 122|  Which shall above that idle rank remain  
1|THE SONNETS|123|Sonnet 122|  Beyond all date even to eternity.
1|THE SONNETS|123|Sonnet 122|  Or at the least, so long as brain and heart
1|THE SONNETS|123|Sonnet 122|  Have faculty by nature to subsist,
1|THE SONNETS|123|Sonnet 122|  Till each to razed oblivion yield his part
1|THE SONNETS|123|Sonnet 122|  Of thee, thy record never can be missed:
1|THE SONNETS|123|Sonnet 122|  That poor retention could not so much hold,
1|THE SONNETS|123|Sonnet 122|  Nor need I tallies thy dear love to score,
1|THE SONNETS|123|Sonnet 122|  Therefore to give them from me was I bold,
1|THE SONNETS|123|Sonnet 122|  To trust those tables that receive thee more:
1|THE SONNETS|123|Sonnet 122|    To keep an adjunct to remember thee
1|THE SONNETS|123|Sonnet 122|    Were to import forgetfulness in me.
1|THE SONNETS|123|Sonnet 122|
1|THE SONNETS|123|Sonnet 122|
1|THE SONNETS|124|Sonnet 123|                     123
1|THE SONNETS|124|Sonnet 123|  No! Time, thou shalt not boast that I do change,
1|THE SONNETS|124|Sonnet 123|  Thy pyramids built up with newer might
1|THE SONNETS|124|Sonnet 123|  To me are nothing novel, nothing strange,
1|THE SONNETS|124|Sonnet 123|  They are but dressings Of a former sight:
1|THE SONNETS|124|Sonnet 123|  Our dates are brief, and therefore we admire,
1|THE SONNETS|124|Sonnet 123|  What thou dost foist upon us that is old,
1|THE SONNETS|124|Sonnet 123|  And rather make them born to our desire,  
1|THE SONNETS|124|Sonnet 123|  Than think that we before have heard them told:
1|THE SONNETS|124|Sonnet 123|  Thy registers and thee I both defy,
1|THE SONNETS|124|Sonnet 123|  Not wond'ring at the present, nor the past,
1|THE SONNETS|124|Sonnet 123|  For thy records, and what we see doth lie,
1|THE SONNETS|124|Sonnet 123|  Made more or less by thy continual haste:
1|THE SONNETS|124|Sonnet 123|    This I do vow and this shall ever be,
1|THE SONNETS|124|Sonnet 123|    I will be true despite thy scythe and thee.
1|THE SONNETS|124|Sonnet 123|
1|THE SONNETS|124|Sonnet 123|
1|THE SONNETS|125|Sonnet 124|                     124
1|THE SONNETS|125|Sonnet 124|  If my dear love were but the child of state,
1|THE SONNETS|125|Sonnet 124|  It might for Fortune's bastard be unfathered,
1|THE SONNETS|125|Sonnet 124|  As subject to time's love or to time's hate,
1|THE SONNETS|125|Sonnet 124|  Weeds among weeds, or flowers with flowers gathered.
1|THE SONNETS|125|Sonnet 124|  No it was builded far from accident,
1|THE SONNETS|125|Sonnet 124|  It suffers not in smiling pomp, nor falls
1|THE SONNETS|125|Sonnet 124|  Under the blow of thralled discontent,
1|THE SONNETS|125|Sonnet 124|  Whereto th' inviting time our fashion calls:
1|THE SONNETS|125|Sonnet 124|  It fears not policy that heretic,
1|THE SONNETS|125|Sonnet 124|  Which works on leases of short-numbered hours,
1|THE SONNETS|125|Sonnet 124|  But all alone stands hugely politic,  
1|THE SONNETS|125|Sonnet 124|  That it nor grows with heat, nor drowns with showers.
1|THE SONNETS|125|Sonnet 124|    To this I witness call the fools of time,
1|THE SONNETS|125|Sonnet 124|    Which die for goodness, who have lived for crime.
1|THE SONNETS|125|Sonnet 124|
1|THE SONNETS|125|Sonnet 124|
1|THE SONNETS|126|Sonnet 125|                     125
1|THE SONNETS|126|Sonnet 125|  Were't aught to me I bore the canopy,
1|THE SONNETS|126|Sonnet 125|  With my extern the outward honouring,
1|THE SONNETS|126|Sonnet 125|  Or laid great bases for eternity,
1|THE SONNETS|126|Sonnet 125|  Which proves more short than waste or ruining?
1|THE SONNETS|126|Sonnet 125|  Have I not seen dwellers on form and favour
1|THE SONNETS|126|Sonnet 125|  Lose all, and more by paying too much rent
1|THE SONNETS|126|Sonnet 125|  For compound sweet; forgoing simple savour,
1|THE SONNETS|126|Sonnet 125|  Pitiful thrivers in their gazing spent?
1|THE SONNETS|126|Sonnet 125|  No, let me be obsequious in thy heart,
1|THE SONNETS|126|Sonnet 125|  And take thou my oblation, poor but free,
1|THE SONNETS|126|Sonnet 125|  Which is not mixed with seconds, knows no art,
1|THE SONNETS|126|Sonnet 125|  But mutual render, only me for thee.
1|THE SONNETS|126|Sonnet 125|    Hence, thou suborned informer, a true soul
1|THE SONNETS|126|Sonnet 125|    When most impeached, stands least in thy control.
1|THE SONNETS|126|Sonnet 125|
1|THE SONNETS|126|Sonnet 125|  
1|THE SONNETS|127|Sonnet 126|                     126
1|THE SONNETS|127|Sonnet 126|  O thou my lovely boy who in thy power,
1|THE SONNETS|127|Sonnet 126|  Dost hold Time's fickle glass his fickle hour:
1|THE SONNETS|127|Sonnet 126|  Who hast by waning grown, and therein show'st,
1|THE SONNETS|127|Sonnet 126|  Thy lovers withering, as thy sweet self grow'st.
1|THE SONNETS|127|Sonnet 126|  If Nature (sovereign mistress over wrack)
1|THE SONNETS|127|Sonnet 126|  As thou goest onwards still will pluck thee back,
1|THE SONNETS|127|Sonnet 126|  She keeps thee to this purpose, that her skill
1|THE SONNETS|127|Sonnet 126|  May time disgrace, and wretched minutes kill.
1|THE SONNETS|127|Sonnet 126|  Yet fear her O thou minion of her pleasure,
1|THE SONNETS|127|Sonnet 126|  She may detain, but not still keep her treasure!
1|THE SONNETS|127|Sonnet 126|    Her audit (though delayed) answered must be,
1|THE SONNETS|127|Sonnet 126|    And her quietus is to render thee.
1|THE SONNETS|127|Sonnet 126|
1|THE SONNETS|127|Sonnet 126|
1|THE SONNETS|128|Sonnet 127|                     127
1|THE SONNETS|128|Sonnet 127|  In the old age black was not counted fair,
1|THE SONNETS|128|Sonnet 127|  Or if it were it bore not beauty's name:
1|THE SONNETS|128|Sonnet 127|  But now is black beauty's successive heir,
1|THE SONNETS|128|Sonnet 127|  And beauty slandered with a bastard shame,
1|THE SONNETS|128|Sonnet 127|  For since each hand hath put on nature's power,  
1|THE SONNETS|128|Sonnet 127|  Fairing the foul with art's false borrowed face,
1|THE SONNETS|128|Sonnet 127|  Sweet beauty hath no name no holy bower,
1|THE SONNETS|128|Sonnet 127|  But is profaned, if not lives in disgrace.
1|THE SONNETS|128|Sonnet 127|  Therefore my mistress' eyes are raven black,
1|THE SONNETS|128|Sonnet 127|  Her eyes so suited, and they mourners seem,
1|THE SONNETS|128|Sonnet 127|  At such who not born fair no beauty lack,
1|THE SONNETS|128|Sonnet 127|  Slandering creation with a false esteem,
1|THE SONNETS|128|Sonnet 127|    Yet so they mourn becoming of their woe,
1|THE SONNETS|128|Sonnet 127|    That every tongue says beauty should look so.
1|THE SONNETS|128|Sonnet 127|
1|THE SONNETS|128|Sonnet 127|
1|THE SONNETS|129|Sonnet 128|                     128
1|THE SONNETS|129|Sonnet 128|  How oft when thou, my music, music play'st,
1|THE SONNETS|129|Sonnet 128|  Upon that blessed wood whose motion sounds
1|THE SONNETS|129|Sonnet 128|  With thy sweet fingers when thou gently sway'st
1|THE SONNETS|129|Sonnet 128|  The wiry concord that mine ear confounds,
1|THE SONNETS|129|Sonnet 128|  Do I envy those jacks that nimble leap,
1|THE SONNETS|129|Sonnet 128|  To kiss the tender inward of thy hand,
1|THE SONNETS|129|Sonnet 128|  Whilst my poor lips which should that harvest reap,
1|THE SONNETS|129|Sonnet 128|  At the wood's boldness by thee blushing stand.
1|THE SONNETS|129|Sonnet 128|  To be so tickled they would change their state  
1|THE SONNETS|129|Sonnet 128|  And situation with those dancing chips,
1|THE SONNETS|129|Sonnet 128|  O'er whom thy fingers walk with gentle gait,
1|THE SONNETS|129|Sonnet 128|  Making dead wood more blest than living lips,
1|THE SONNETS|129|Sonnet 128|    Since saucy jacks so happy are in this,
1|THE SONNETS|129|Sonnet 128|    Give them thy fingers, me thy lips to kiss.
1|THE SONNETS|129|Sonnet 128|
1|THE SONNETS|129|Sonnet 128|
1|THE SONNETS|130|Sonnet 129|                     129
1|THE SONNETS|130|Sonnet 129|  Th' expense of spirit in a waste of shame
1|THE SONNETS|130|Sonnet 129|  Is lust in action, and till action, lust
1|THE SONNETS|130|Sonnet 129|  Is perjured, murd'rous, bloody full of blame,
1|THE SONNETS|130|Sonnet 129|  Savage, extreme, rude, cruel, not to trust,
1|THE SONNETS|130|Sonnet 129|  Enjoyed no sooner but despised straight,
1|THE SONNETS|130|Sonnet 129|  Past reason hunted, and no sooner had
1|THE SONNETS|130|Sonnet 129|  Past reason hated as a swallowed bait,
1|THE SONNETS|130|Sonnet 129|  On purpose laid to make the taker mad.
1|THE SONNETS|130|Sonnet 129|  Mad in pursuit and in possession so,
1|THE SONNETS|130|Sonnet 129|  Had, having, and in quest, to have extreme,
1|THE SONNETS|130|Sonnet 129|  A bliss in proof and proved, a very woe,
1|THE SONNETS|130|Sonnet 129|  Before a joy proposed behind a dream.
1|THE SONNETS|130|Sonnet 129|    All this the world well knows yet none knows well,  
1|THE SONNETS|130|Sonnet 129|    To shun the heaven that leads men to this hell.
1|THE SONNETS|130|Sonnet 129|
1|THE SONNETS|130|Sonnet 129|
1|THE SONNETS|131|Sonnet 130|                     130
1|THE SONNETS|131|Sonnet 130|  My mistress' eyes are nothing like the sun,
1|THE SONNETS|131|Sonnet 130|  Coral is far more red, than her lips red,
1|THE SONNETS|131|Sonnet 130|  If snow be white, why then her breasts are dun:
1|THE SONNETS|131|Sonnet 130|  If hairs be wires, black wires grow on her head:
1|THE SONNETS|131|Sonnet 130|  I have seen roses damasked, red and white,
1|THE SONNETS|131|Sonnet 130|  But no such roses see I in her cheeks,
1|THE SONNETS|131|Sonnet 130|  And in some perfumes is there more delight,
1|THE SONNETS|131|Sonnet 130|  Than in the breath that from my mistress reeks.
1|THE SONNETS|131|Sonnet 130|  I love to hear her speak, yet well I know,
1|THE SONNETS|131|Sonnet 130|  That music hath a far more pleasing sound:
1|THE SONNETS|131|Sonnet 130|  I grant I never saw a goddess go,
1|THE SONNETS|131|Sonnet 130|  My mistress when she walks treads on the ground.
1|THE SONNETS|131|Sonnet 130|    And yet by heaven I think my love as rare,
1|THE SONNETS|131|Sonnet 130|    As any she belied with false compare.
1|THE SONNETS|131|Sonnet 130|
1|THE SONNETS|131|Sonnet 130|
1|THE SONNETS|132|Sonnet 131|                     131
1|THE SONNETS|132|Sonnet 131|  Thou art as tyrannous, so as thou art,  
1|THE SONNETS|132|Sonnet 131|  As those whose beauties proudly make them cruel;
1|THE SONNETS|132|Sonnet 131|  For well thou know'st to my dear doting heart
1|THE SONNETS|132|Sonnet 131|  Thou art the fairest and most precious jewel.
1|THE SONNETS|132|Sonnet 131|  Yet in good faith some say that thee behold,
1|THE SONNETS|132|Sonnet 131|  Thy face hath not the power to make love groan;
1|THE SONNETS|132|Sonnet 131|  To say they err, I dare not be so bold,
1|THE SONNETS|132|Sonnet 131|  Although I swear it to my self alone.
1|THE SONNETS|132|Sonnet 131|  And to be sure that is not false I swear,
1|THE SONNETS|132|Sonnet 131|  A thousand groans but thinking on thy face,
1|THE SONNETS|132|Sonnet 131|  One on another's neck do witness bear
1|THE SONNETS|132|Sonnet 131|  Thy black is fairest in my judgment's place.
1|THE SONNETS|132|Sonnet 131|    In nothing art thou black save in thy deeds,
1|THE SONNETS|132|Sonnet 131|    And thence this slander as I think proceeds.
1|THE SONNETS|132|Sonnet 131|
1|THE SONNETS|132|Sonnet 131|
1|THE SONNETS|133|Sonnet 132|                     132
1|THE SONNETS|133|Sonnet 132|  Thine eyes I love, and they as pitying me,
1|THE SONNETS|133|Sonnet 132|  Knowing thy heart torment me with disdain,
1|THE SONNETS|133|Sonnet 132|  Have put on black, and loving mourners be,
1|THE SONNETS|133|Sonnet 132|  Looking with pretty ruth upon my pain.
1|THE SONNETS|133|Sonnet 132|  And truly not the morning sun of heaven  
1|THE SONNETS|133|Sonnet 132|  Better becomes the grey cheeks of the east,
1|THE SONNETS|133|Sonnet 132|  Nor that full star that ushers in the even
1|THE SONNETS|133|Sonnet 132|  Doth half that glory to the sober west
1|THE SONNETS|133|Sonnet 132|  As those two mourning eyes become thy face:
1|THE SONNETS|133|Sonnet 132|  O let it then as well beseem thy heart
1|THE SONNETS|133|Sonnet 132|  To mourn for me since mourning doth thee grace,
1|THE SONNETS|133|Sonnet 132|  And suit thy pity like in every part.
1|THE SONNETS|133|Sonnet 132|    Then will I swear beauty herself is black,
1|THE SONNETS|133|Sonnet 132|    And all they foul that thy complexion lack.
1|THE SONNETS|133|Sonnet 132|
1|THE SONNETS|133|Sonnet 132|
1|THE SONNETS|134|Sonnet 133|                     133
1|THE SONNETS|134|Sonnet 133|  Beshrew that heart that makes my heart to groan
1|THE SONNETS|134|Sonnet 133|  For that deep wound it gives my friend and me;
1|THE SONNETS|134|Sonnet 133|  Is't not enough to torture me alone,
1|THE SONNETS|134|Sonnet 133|  But slave to slavery my sweet'st friend must be?
1|THE SONNETS|134|Sonnet 133|  Me from my self thy cruel eye hath taken,
1|THE SONNETS|134|Sonnet 133|  And my next self thou harder hast engrossed,
1|THE SONNETS|134|Sonnet 133|  Of him, my self, and thee I am forsaken,
1|THE SONNETS|134|Sonnet 133|  A torment thrice three-fold thus to be crossed:
1|THE SONNETS|134|Sonnet 133|  Prison my heart in thy steel bosom's ward,  
1|THE SONNETS|134|Sonnet 133|  But then my friend's heart let my poor heart bail,
1|THE SONNETS|134|Sonnet 133|  Whoe'er keeps me, let my heart be his guard,
1|THE SONNETS|134|Sonnet 133|  Thou canst not then use rigour in my gaol.
1|THE SONNETS|134|Sonnet 133|    And yet thou wilt, for I being pent in thee,
1|THE SONNETS|134|Sonnet 133|    Perforce am thine and all that is in me.
1|THE SONNETS|134|Sonnet 133|
1|THE SONNETS|134|Sonnet 133|
1|THE SONNETS|135|Sonnet 134|                     134
1|THE SONNETS|135|Sonnet 134|  So now I have confessed that he is thine,
1|THE SONNETS|135|Sonnet 134|  And I my self am mortgaged to thy will,
1|THE SONNETS|135|Sonnet 134|  My self I'll forfeit, so that other mine,
1|THE SONNETS|135|Sonnet 134|  Thou wilt restore to be my comfort still:
1|THE SONNETS|135|Sonnet 134|  But thou wilt not, nor he will not be free,
1|THE SONNETS|135|Sonnet 134|  For thou art covetous, and he is kind,
1|THE SONNETS|135|Sonnet 134|  He learned but surety-like to write for me,
1|THE SONNETS|135|Sonnet 134|  Under that bond that him as fist doth bind.
1|THE SONNETS|135|Sonnet 134|  The statute of thy beauty thou wilt take,
1|THE SONNETS|135|Sonnet 134|  Thou usurer that put'st forth all to use,
1|THE SONNETS|135|Sonnet 134|  And sue a friend, came debtor for my sake,
1|THE SONNETS|135|Sonnet 134|  So him I lose through my unkind abuse.
1|THE SONNETS|135|Sonnet 134|    Him have I lost, thou hast both him and me,  
1|THE SONNETS|135|Sonnet 134|    He pays the whole, and yet am I not free.
1|THE SONNETS|135|Sonnet 134|
1|THE SONNETS|135|Sonnet 134|
1|THE SONNETS|136|Sonnet 135|                     135
1|THE SONNETS|136|Sonnet 135|  Whoever hath her wish, thou hast thy will,
1|THE SONNETS|136|Sonnet 135|  And 'Will' to boot, and 'Will' in over-plus,
1|THE SONNETS|136|Sonnet 135|  More than enough am I that vex thee still,
1|THE SONNETS|136|Sonnet 135|  To thy sweet will making addition thus.
1|THE SONNETS|136|Sonnet 135|  Wilt thou whose will is large and spacious,
1|THE SONNETS|136|Sonnet 135|  Not once vouchsafe to hide my will in thine?
1|THE SONNETS|136|Sonnet 135|  Shall will in others seem right gracious,
1|THE SONNETS|136|Sonnet 135|  And in my will no fair acceptance shine?
1|THE SONNETS|136|Sonnet 135|  The sea all water, yet receives rain still,
1|THE SONNETS|136|Sonnet 135|  And in abundance addeth to his store,
1|THE SONNETS|136|Sonnet 135|  So thou being rich in will add to thy will
1|THE SONNETS|136|Sonnet 135|  One will of mine to make thy large will more.
1|THE SONNETS|136|Sonnet 135|    Let no unkind, no fair beseechers kill,
1|THE SONNETS|136|Sonnet 135|    Think all but one, and me in that one 'Will.'
1|THE SONNETS|136|Sonnet 135|
1|THE SONNETS|136|Sonnet 135|
1|THE SONNETS|137|Sonnet 136|                     136
1|THE SONNETS|137|Sonnet 136|  If thy soul check thee that I come so near,  
1|THE SONNETS|137|Sonnet 136|  Swear to thy blind soul that I was thy 'Will',
1|THE SONNETS|137|Sonnet 136|  And will thy soul knows is admitted there,
1|THE SONNETS|137|Sonnet 136|  Thus far for love, my love-suit sweet fulfil.
1|THE SONNETS|137|Sonnet 136|  'Will', will fulfil the treasure of thy love,
1|THE SONNETS|137|Sonnet 136|  Ay, fill it full with wills, and my will one,
1|THE SONNETS|137|Sonnet 136|  In things of great receipt with case we prove,
1|THE SONNETS|137|Sonnet 136|  Among a number one is reckoned none.
1|THE SONNETS|137|Sonnet 136|  Then in the number let me pass untold,
1|THE SONNETS|137|Sonnet 136|  Though in thy store's account I one must be,
1|THE SONNETS|137|Sonnet 136|  For nothing hold me, so it please thee hold,
1|THE SONNETS|137|Sonnet 136|  That nothing me, a something sweet to thee.
1|THE SONNETS|137|Sonnet 136|    Make but my name thy love, and love that still,
1|THE SONNETS|137|Sonnet 136|    And then thou lov'st me for my name is Will.
1|THE SONNETS|137|Sonnet 136|
1|THE SONNETS|137|Sonnet 136|
1|THE SONNETS|138|Sonnet 137|                     137
1|THE SONNETS|138|Sonnet 137|  Thou blind fool Love, what dost thou to mine eyes,
1|THE SONNETS|138|Sonnet 137|  That they behold and see not what they see?
1|THE SONNETS|138|Sonnet 137|  They know what beauty is, see where it lies,
1|THE SONNETS|138|Sonnet 137|  Yet what the best is, take the worst to be.
1|THE SONNETS|138|Sonnet 137|  If eyes corrupt by over-partial looks,  
1|THE SONNETS|138|Sonnet 137|  Be anchored in the bay where all men ride,
1|THE SONNETS|138|Sonnet 137|  Why of eyes' falsehood hast thou forged hooks,
1|THE SONNETS|138|Sonnet 137|  Whereto the judgment of my heart is tied?
1|THE SONNETS|138|Sonnet 137|  Why should my heart think that a several plot,
1|THE SONNETS|138|Sonnet 137|  Which my heart knows the wide world's common place?
1|THE SONNETS|138|Sonnet 137|  Or mine eyes seeing this, say this is not
1|THE SONNETS|138|Sonnet 137|  To put fair truth upon so foul a face?
1|THE SONNETS|138|Sonnet 137|    In things right true my heart and eyes have erred,
1|THE SONNETS|138|Sonnet 137|    And to this false plague are they now transferred.
1|THE SONNETS|138|Sonnet 137|
1|THE SONNETS|138|Sonnet 137|
1|THE SONNETS|139|Sonnet 138|                     138
1|THE SONNETS|139|Sonnet 138|  When my love swears that she is made of truth,
1|THE SONNETS|139|Sonnet 138|  I do believe her though I know she lies,
1|THE SONNETS|139|Sonnet 138|  That she might think me some untutored youth,
1|THE SONNETS|139|Sonnet 138|  Unlearned in the world's false subtleties.
1|THE SONNETS|139|Sonnet 138|  Thus vainly thinking that she thinks me young,
1|THE SONNETS|139|Sonnet 138|  Although she knows my days are past the best,
1|THE SONNETS|139|Sonnet 138|  Simply I credit her false-speaking tongue,
1|THE SONNETS|139|Sonnet 138|  On both sides thus is simple truth suppressed:
1|THE SONNETS|139|Sonnet 138|  But wherefore says she not she is unjust?  
1|THE SONNETS|139|Sonnet 138|  And wherefore say not I that I am old?
1|THE SONNETS|139|Sonnet 138|  O love's best habit is in seeming trust,
1|THE SONNETS|139|Sonnet 138|  And age in love, loves not to have years told.
1|THE SONNETS|139|Sonnet 138|    Therefore I lie with her, and she with me,
1|THE SONNETS|139|Sonnet 138|    And in our faults by lies we flattered be.
1|THE SONNETS|139|Sonnet 138|
1|THE SONNETS|139|Sonnet 138|
1|THE SONNETS|140|Sonnet 139|                     139
1|THE SONNETS|140|Sonnet 139|  O call not me to justify the wrong,
1|THE SONNETS|140|Sonnet 139|  That thy unkindness lays upon my heart,
1|THE SONNETS|140|Sonnet 139|  Wound me not with thine eye but with thy tongue,
1|THE SONNETS|140|Sonnet 139|  Use power with power, and slay me not by art,
1|THE SONNETS|140|Sonnet 139|  Tell me thou lov'st elsewhere; but in my sight,
1|THE SONNETS|140|Sonnet 139|  Dear heart forbear to glance thine eye aside,
1|THE SONNETS|140|Sonnet 139|  What need'st thou wound with cunning when thy might
1|THE SONNETS|140|Sonnet 139|  Is more than my o'erpressed defence can bide?
1|THE SONNETS|140|Sonnet 139|  Let me excuse thee, ah my love well knows,
1|THE SONNETS|140|Sonnet 139|  Her pretty looks have been mine enemies,
1|THE SONNETS|140|Sonnet 139|  And therefore from my face she turns my foes,
1|THE SONNETS|140|Sonnet 139|  That they elsewhere might dart their injuries:
1|THE SONNETS|140|Sonnet 139|    Yet do not so, but since I am near slain,  
1|THE SONNETS|140|Sonnet 139|    Kill me outright with looks, and rid my pain.
1|THE SONNETS|140|Sonnet 139|
1|THE SONNETS|140|Sonnet 139|
1|THE SONNETS|141|Sonnet 140|                     140
1|THE SONNETS|141|Sonnet 140|  Be wise as thou art cruel, do not press
1|THE SONNETS|141|Sonnet 140|  My tongue-tied patience with too much disdain:
1|THE SONNETS|141|Sonnet 140|  Lest sorrow lend me words and words express,
1|THE SONNETS|141|Sonnet 140|  The manner of my pity-wanting pain.
1|THE SONNETS|141|Sonnet 140|  If I might teach thee wit better it were,
1|THE SONNETS|141|Sonnet 140|  Though not to love, yet love to tell me so,
1|THE SONNETS|141|Sonnet 140|  As testy sick men when their deaths be near,
1|THE SONNETS|141|Sonnet 140|  No news but health from their physicians know.
1|THE SONNETS|141|Sonnet 140|  For if I should despair I should grow mad,
1|THE SONNETS|141|Sonnet 140|  And in my madness might speak ill of thee,
1|THE SONNETS|141|Sonnet 140|  Now this ill-wresting world is grown so bad,
1|THE SONNETS|141|Sonnet 140|  Mad slanderers by mad ears believed be.
1|THE SONNETS|141|Sonnet 140|    That I may not be so, nor thou belied,
1|THE SONNETS|141|Sonnet 140|    Bear thine eyes straight, though thy proud heart go wide.
1|THE SONNETS|141|Sonnet 140|
1|THE SONNETS|141|Sonnet 140|
1|THE SONNETS|142|Sonnet 141|                     141
1|THE SONNETS|142|Sonnet 141|  In faith I do not love thee with mine eyes,  
1|THE SONNETS|142|Sonnet 141|  For they in thee a thousand errors note,
1|THE SONNETS|142|Sonnet 141|  But 'tis my heart that loves what they despise,
1|THE SONNETS|142|Sonnet 141|  Who in despite of view is pleased to dote.
1|THE SONNETS|142|Sonnet 141|  Nor are mine cars with thy tongue's tune delighted,
1|THE SONNETS|142|Sonnet 141|  Nor tender feeling to base touches prone,
1|THE SONNETS|142|Sonnet 141|  Nor taste, nor smell, desire to be invited
1|THE SONNETS|142|Sonnet 141|  To any sensual feast with thee alone:
1|THE SONNETS|142|Sonnet 141|  But my five wits, nor my five senses can
1|THE SONNETS|142|Sonnet 141|  Dissuade one foolish heart from serving thee,
1|THE SONNETS|142|Sonnet 141|  Who leaves unswayed the likeness of a man,
1|THE SONNETS|142|Sonnet 141|  Thy proud heart's slave and vassal wretch to be:
1|THE SONNETS|142|Sonnet 141|    Only my plague thus far I count my gain,
1|THE SONNETS|142|Sonnet 141|    That she that makes me sin, awards me pain.
1|THE SONNETS|142|Sonnet 141|
1|THE SONNETS|142|Sonnet 141|
1|THE SONNETS|143|Sonnet 142|                     142
1|THE SONNETS|143|Sonnet 142|  Love is my sin, and thy dear virtue hate,
1|THE SONNETS|143|Sonnet 142|  Hate of my sin, grounded on sinful loving,
1|THE SONNETS|143|Sonnet 142|  O but with mine, compare thou thine own state,
1|THE SONNETS|143|Sonnet 142|  And thou shalt find it merits not reproving,
1|THE SONNETS|143|Sonnet 142|  Or if it do, not from those lips of thine,  
1|THE SONNETS|143|Sonnet 142|  That have profaned their scarlet ornaments,
1|THE SONNETS|143|Sonnet 142|  And sealed false bonds of love as oft as mine,
1|THE SONNETS|143|Sonnet 142|  Robbed others' beds' revenues of their rents.
1|THE SONNETS|143|Sonnet 142|  Be it lawful I love thee as thou lov'st those,
1|THE SONNETS|143|Sonnet 142|  Whom thine eyes woo as mine importune thee,
1|THE SONNETS|143|Sonnet 142|  Root pity in thy heart that when it grows,
1|THE SONNETS|143|Sonnet 142|  Thy pity may deserve to pitied be.
1|THE SONNETS|143|Sonnet 142|    If thou dost seek to have what thou dost hide,
1|THE SONNETS|143|Sonnet 142|    By self-example mayst thou be denied.
1|THE SONNETS|143|Sonnet 142|
1|THE SONNETS|143|Sonnet 142|
1|THE SONNETS|144|Sonnet 143|                     143
1|THE SONNETS|144|Sonnet 143|  Lo as a careful huswife runs to catch,
1|THE SONNETS|144|Sonnet 143|  One of her feathered creatures broke away,
1|THE SONNETS|144|Sonnet 143|  Sets down her babe and makes all swift dispatch
1|THE SONNETS|144|Sonnet 143|  In pursuit of the thing she would have stay:
1|THE SONNETS|144|Sonnet 143|  Whilst her neglected child holds her in chase,
1|THE SONNETS|144|Sonnet 143|  Cries to catch her whose busy care is bent,
1|THE SONNETS|144|Sonnet 143|  To follow that which flies before her face:
1|THE SONNETS|144|Sonnet 143|  Not prizing her poor infant's discontent;
1|THE SONNETS|144|Sonnet 143|  So run'st thou after that which flies from thee,  
1|THE SONNETS|144|Sonnet 143|  Whilst I thy babe chase thee afar behind,
1|THE SONNETS|144|Sonnet 143|  But if thou catch thy hope turn back to me:
1|THE SONNETS|144|Sonnet 143|  And play the mother's part, kiss me, be kind.
1|THE SONNETS|144|Sonnet 143|    So will I pray that thou mayst have thy Will,
1|THE SONNETS|144|Sonnet 143|    If thou turn back and my loud crying still.
1|THE SONNETS|144|Sonnet 143|
1|THE SONNETS|144|Sonnet 143|
1|THE SONNETS|145|Sonnet 144|                     144
1|THE SONNETS|145|Sonnet 144|  Two loves I have of comfort and despair,
1|THE SONNETS|145|Sonnet 144|  Which like two spirits do suggest me still,
1|THE SONNETS|145|Sonnet 144|  The better angel is a man right fair:
1|THE SONNETS|145|Sonnet 144|  The worser spirit a woman coloured ill.
1|THE SONNETS|145|Sonnet 144|  To win me soon to hell my female evil,
1|THE SONNETS|145|Sonnet 144|  Tempteth my better angel from my side,
1|THE SONNETS|145|Sonnet 144|  And would corrupt my saint to be a devil:
1|THE SONNETS|145|Sonnet 144|  Wooing his purity with her foul pride.
1|THE SONNETS|145|Sonnet 144|  And whether that my angel be turned fiend,
1|THE SONNETS|145|Sonnet 144|  Suspect I may, yet not directly tell,
1|THE SONNETS|145|Sonnet 144|  But being both from me both to each friend,
1|THE SONNETS|145|Sonnet 144|  I guess one angel in another's hell.
1|THE SONNETS|145|Sonnet 144|    Yet this shall I ne'er know but live in doubt,  
1|THE SONNETS|145|Sonnet 144|    Till my bad angel fire my good one out.
1|THE SONNETS|145|Sonnet 144|
1|THE SONNETS|145|Sonnet 144|
1|THE SONNETS|146|Sonnet 145|                     145
1|THE SONNETS|146|Sonnet 145|  Those lips that Love's own hand did make,
1|THE SONNETS|146|Sonnet 145|  Breathed forth the sound that said 'I hate',
1|THE SONNETS|146|Sonnet 145|  To me that languished for her sake:
1|THE SONNETS|146|Sonnet 145|  But when she saw my woeful state,
1|THE SONNETS|146|Sonnet 145|  Straight in her heart did mercy come,
1|THE SONNETS|146|Sonnet 145|  Chiding that tongue that ever sweet,
1|THE SONNETS|146|Sonnet 145|  Was used in giving gentle doom:
1|THE SONNETS|146|Sonnet 145|  And taught it thus anew to greet:
1|THE SONNETS|146|Sonnet 145|  'I hate' she altered with an end,
1|THE SONNETS|146|Sonnet 145|  That followed it as gentle day,
1|THE SONNETS|146|Sonnet 145|  Doth follow night who like a fiend
1|THE SONNETS|146|Sonnet 145|  From heaven to hell is flown away.
1|THE SONNETS|146|Sonnet 145|    'I hate', from hate away she threw,
1|THE SONNETS|146|Sonnet 145|    And saved my life saying 'not you'.
1|THE SONNETS|146|Sonnet 145|
1|THE SONNETS|146|Sonnet 145|
1|THE SONNETS|147|Sonnet 146|                     146
1|THE SONNETS|147|Sonnet 146|  Poor soul the centre of my sinful earth,  
1|THE SONNETS|147|Sonnet 146|  My sinful earth these rebel powers array,
1|THE SONNETS|147|Sonnet 146|  Why dost thou pine within and suffer dearth
1|THE SONNETS|147|Sonnet 146|  Painting thy outward walls so costly gay?
1|THE SONNETS|147|Sonnet 146|  Why so large cost having so short a lease,
1|THE SONNETS|147|Sonnet 146|  Dost thou upon thy fading mansion spend?
1|THE SONNETS|147|Sonnet 146|  Shall worms inheritors of this excess
1|THE SONNETS|147|Sonnet 146|  Eat up thy charge? is this thy body's end?
1|THE SONNETS|147|Sonnet 146|  Then soul live thou upon thy servant's loss,
1|THE SONNETS|147|Sonnet 146|  And let that pine to aggravate thy store;
1|THE SONNETS|147|Sonnet 146|  Buy terms divine in selling hours of dross;
1|THE SONNETS|147|Sonnet 146|  Within be fed, without be rich no more,
1|THE SONNETS|147|Sonnet 146|    So shall thou feed on death, that feeds on men,
1|THE SONNETS|147|Sonnet 146|    And death once dead, there's no more dying then.
1|THE SONNETS|147|Sonnet 146|
1|THE SONNETS|147|Sonnet 146|
1|THE SONNETS|148|Sonnet 147|                     147
1|THE SONNETS|148|Sonnet 147|  My love is as a fever longing still,
1|THE SONNETS|148|Sonnet 147|  For that which longer nurseth the disease,
1|THE SONNETS|148|Sonnet 147|  Feeding on that which doth preserve the ill,
1|THE SONNETS|148|Sonnet 147|  Th' uncertain sickly appetite to please:
1|THE SONNETS|148|Sonnet 147|  My reason the physician to my love,  
1|THE SONNETS|148|Sonnet 147|  Angry that his prescriptions are not kept
1|THE SONNETS|148|Sonnet 147|  Hath left me, and I desperate now approve,
1|THE SONNETS|148|Sonnet 147|  Desire is death, which physic did except.
1|THE SONNETS|148|Sonnet 147|  Past cure I am, now reason is past care,
1|THE SONNETS|148|Sonnet 147|  And frantic-mad with evermore unrest,
1|THE SONNETS|148|Sonnet 147|  My thoughts and my discourse as mad men's are,
1|THE SONNETS|148|Sonnet 147|  At random from the truth vainly expressed.
1|THE SONNETS|148|Sonnet 147|    For I have sworn thee fair, and thought thee bright,
1|THE SONNETS|148|Sonnet 147|    Who art as black as hell, as dark as night.
1|THE SONNETS|148|Sonnet 147|
1|THE SONNETS|148|Sonnet 147|
1|THE SONNETS|149|Sonnet 148|                     148
1|THE SONNETS|149|Sonnet 148|  O me! what eyes hath love put in my head,
1|THE SONNETS|149|Sonnet 148|  Which have no correspondence with true sight,
1|THE SONNETS|149|Sonnet 148|  Or if they have, where is my judgment fled,
1|THE SONNETS|149|Sonnet 148|  That censures falsely what they see aright?
1|THE SONNETS|149|Sonnet 148|  If that be fair whereon my false eyes dote,
1|THE SONNETS|149|Sonnet 148|  What means the world to say it is not so?
1|THE SONNETS|149|Sonnet 148|  If it be not, then love doth well denote,
1|THE SONNETS|149|Sonnet 148|  Love's eye is not so true as all men's: no,
1|THE SONNETS|149|Sonnet 148|  How can it? O how can love's eye be true,  
1|THE SONNETS|149|Sonnet 148|  That is so vexed with watching and with tears?
1|THE SONNETS|149|Sonnet 148|  No marvel then though I mistake my view,
1|THE SONNETS|149|Sonnet 148|  The sun it self sees not, till heaven clears.
1|THE SONNETS|149|Sonnet 148|    O cunning love, with tears thou keep'st me blind,
1|THE SONNETS|149|Sonnet 148|    Lest eyes well-seeing thy foul faults should find.
1|THE SONNETS|149|Sonnet 148|
1|THE SONNETS|149|Sonnet 148|
1|THE SONNETS|150|Sonnet 149|                     149
1|THE SONNETS|150|Sonnet 149|  Canst thou O cruel, say I love thee not,
1|THE SONNETS|150|Sonnet 149|  When I against my self with thee partake?
1|THE SONNETS|150|Sonnet 149|  Do I not think on thee when I forgot
1|THE SONNETS|150|Sonnet 149|  Am of my self, all-tyrant, for thy sake?
1|THE SONNETS|150|Sonnet 149|  Who hateth thee that I do call my friend,
1|THE SONNETS|150|Sonnet 149|  On whom frown'st thou that I do fawn upon,
1|THE SONNETS|150|Sonnet 149|  Nay if thou lour'st on me do I not spend
1|THE SONNETS|150|Sonnet 149|  Revenge upon my self with present moan?
1|THE SONNETS|150|Sonnet 149|  What merit do I in my self respect,
1|THE SONNETS|150|Sonnet 149|  That is so proud thy service to despise,
1|THE SONNETS|150|Sonnet 149|  When all my best doth worship thy defect,
1|THE SONNETS|150|Sonnet 149|  Commanded by the motion of thine eyes?
1|THE SONNETS|150|Sonnet 149|    But love hate on for now I know thy mind,  
1|THE SONNETS|150|Sonnet 149|    Those that can see thou lov'st, and I am blind.
1|THE SONNETS|150|Sonnet 149|
1|THE SONNETS|150|Sonnet 149|
1|THE SONNETS|151|Sonnet 150|                     150
1|THE SONNETS|151|Sonnet 150|  O from what power hast thou this powerful might,
1|THE SONNETS|151|Sonnet 150|  With insufficiency my heart to sway,
1|THE SONNETS|151|Sonnet 150|  To make me give the lie to my true sight,
1|THE SONNETS|151|Sonnet 150|  And swear that brightness doth not grace the day?
1|THE SONNETS|151|Sonnet 150|  Whence hast thou this becoming of things ill,
1|THE SONNETS|151|Sonnet 150|  That in the very refuse of thy deeds,
1|THE SONNETS|151|Sonnet 150|  There is such strength and warrantise of skill,
1|THE SONNETS|151|Sonnet 150|  That in my mind thy worst all best exceeds?
1|THE SONNETS|151|Sonnet 150|  Who taught thee how to make me love thee more,
1|THE SONNETS|151|Sonnet 150|  The more I hear and see just cause of hate?
1|THE SONNETS|151|Sonnet 150|  O though I love what others do abhor,
1|THE SONNETS|151|Sonnet 150|  With others thou shouldst not abhor my state.
1|THE SONNETS|151|Sonnet 150|    If thy unworthiness raised love in me,
1|THE SONNETS|151|Sonnet 150|    More worthy I to be beloved of thee.
1|THE SONNETS|151|Sonnet 150|
1|THE SONNETS|151|Sonnet 150|
1|THE SONNETS|152|Sonnet 151|                     151
1|THE SONNETS|152|Sonnet 151|  Love is too young to know what conscience is,  
1|THE SONNETS|152|Sonnet 151|  Yet who knows not conscience is born of love?
1|THE SONNETS|152|Sonnet 151|  Then gentle cheater urge not my amiss,
1|THE SONNETS|152|Sonnet 151|  Lest guilty of my faults thy sweet self prove.
1|THE SONNETS|152|Sonnet 151|  For thou betraying me, I do betray
1|THE SONNETS|152|Sonnet 151|  My nobler part to my gross body's treason,
1|THE SONNETS|152|Sonnet 151|  My soul doth tell my body that he may,
1|THE SONNETS|152|Sonnet 151|  Triumph in love, flesh stays no farther reason,
1|THE SONNETS|152|Sonnet 151|  But rising at thy name doth point out thee,
1|THE SONNETS|152|Sonnet 151|  As his triumphant prize, proud of this pride,
1|THE SONNETS|152|Sonnet 151|  He is contented thy poor drudge to be,
1|THE SONNETS|152|Sonnet 151|  To stand in thy affairs, fall by thy side.
1|THE SONNETS|152|Sonnet 151|    No want of conscience hold it that I call,
1|THE SONNETS|152|Sonnet 151|    Her love, for whose dear love I rise and fall.
1|THE SONNETS|152|Sonnet 151|
1|THE SONNETS|152|Sonnet 151|
1|THE SONNETS|153|Sonnet 152|                     152
1|THE SONNETS|153|Sonnet 152|  In loving thee thou know'st I am forsworn,
1|THE SONNETS|153|Sonnet 152|  But thou art twice forsworn to me love swearing,
1|THE SONNETS|153|Sonnet 152|  In act thy bed-vow broke and new faith torn,
1|THE SONNETS|153|Sonnet 152|  In vowing new hate after new love bearing:
1|THE SONNETS|153|Sonnet 152|  But why of two oaths' breach do I accuse thee,  
1|THE SONNETS|153|Sonnet 152|  When I break twenty? I am perjured most,
1|THE SONNETS|153|Sonnet 152|  For all my vows are oaths but to misuse thee:
1|THE SONNETS|153|Sonnet 152|  And all my honest faith in thee is lost.
1|THE SONNETS|153|Sonnet 152|  For I have sworn deep oaths of thy deep kindness:
1|THE SONNETS|153|Sonnet 152|  Oaths of thy love, thy truth, thy constancy,
1|THE SONNETS|153|Sonnet 152|  And to enlighten thee gave eyes to blindness,
1|THE SONNETS|153|Sonnet 152|  Or made them swear against the thing they see.
1|THE SONNETS|153|Sonnet 152|    For I have sworn thee fair: more perjured I,
1|THE SONNETS|153|Sonnet 152|    To swear against the truth so foul a be.
1|THE SONNETS|153|Sonnet 152|
1|THE SONNETS|153|Sonnet 152|
1|THE SONNETS|154|Sonnet 153|                     153
1|THE SONNETS|154|Sonnet 153|  Cupid laid by his brand and fell asleep,
1|THE SONNETS|154|Sonnet 153|  A maid of Dian's this advantage found,
1|THE SONNETS|154|Sonnet 153|  And his love-kindling fire did quickly steep
1|THE SONNETS|154|Sonnet 153|  In a cold valley-fountain of that ground:
1|THE SONNETS|154|Sonnet 153|  Which borrowed from this holy fire of Love,
1|THE SONNETS|154|Sonnet 153|  A dateless lively heat still to endure,
1|THE SONNETS|154|Sonnet 153|  And grew a seeting bath which yet men prove,
1|THE SONNETS|154|Sonnet 153|  Against strange maladies a sovereign cure:
1|THE SONNETS|154|Sonnet 153|  But at my mistress' eye Love's brand new-fired,  
1|THE SONNETS|154|Sonnet 153|  The boy for trial needs would touch my breast,
1|THE SONNETS|154|Sonnet 153|  I sick withal the help of bath desired,
1|THE SONNETS|154|Sonnet 153|  And thither hied a sad distempered guest.
1|THE SONNETS|154|Sonnet 153|    But found no cure, the bath for my help lies,
1|THE SONNETS|154|Sonnet 153|    Where Cupid got new fire; my mistress' eyes.
1|THE SONNETS|154|Sonnet 153|
1|THE SONNETS|154|Sonnet 153|
1|THE SONNETS|155|Sonnet 154|                     154
1|THE SONNETS|155|Sonnet 154|  The little Love-god lying once asleep,
1|THE SONNETS|155|Sonnet 154|  Laid by his side his heart-inflaming brand,
1|THE SONNETS|155|Sonnet 154|  Whilst many nymphs that vowed chaste life to keep,
1|THE SONNETS|155|Sonnet 154|  Came tripping by, but in her maiden hand,
1|THE SONNETS|155|Sonnet 154|  The fairest votary took up that fire,
1|THE SONNETS|155|Sonnet 154|  Which many legions of true hearts had warmed,
1|THE SONNETS|155|Sonnet 154|  And so the general of hot desire,
1|THE SONNETS|155|Sonnet 154|  Was sleeping by a virgin hand disarmed.
1|THE SONNETS|155|Sonnet 154|  This brand she quenched in a cool well by,
1|THE SONNETS|155|Sonnet 154|  Which from Love's fire took heat perpetual,
1|THE SONNETS|155|Sonnet 154|  Growing a bath and healthful remedy,
1|THE SONNETS|155|Sonnet 154|  For men discased, but I my mistress' thrall,
1|THE SONNETS|155|Sonnet 154|    Came there for cure and this by that I prove,  
1|THE SONNETS|155|Sonnet 154|    Love's fire heats water, water cools not love.
1|THE SONNETS|155|Sonnet 154|
1|THE SONNETS|155|Sonnet 154|
1|THE SONNETS|156|End|THE END
2|ALLS WELL THAT ENDS WELL|1|title|
2|ALLS WELL THAT ENDS WELL|1|title|1603
2|ALLS WELL THAT ENDS WELL|1|title|
2|ALLS WELL THAT ENDS WELL|1|title|ALLS WELL THAT ENDS WELL
2|ALLS WELL THAT ENDS WELL|1|title|
2|ALLS WELL THAT ENDS WELL|1|title|by William Shakespeare
2|ALLS WELL THAT ENDS WELL|1|title|
2|ALLS WELL THAT ENDS WELL|1|title|
2|ALLS WELL THAT ENDS WELL|1|title|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|Dramatis Personae
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  KING OF FRANCE
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  THE DUKE OF FLORENCE
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  BERTRAM, Count of Rousillon
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  LAFEU, an old lord
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  PAROLLES, a follower of Bertram
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  TWO FRENCH LORDS, serving with Bertram
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  STEWARD, Servant to the Countess of Rousillon
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  LAVACHE, a clown and Servant to the Countess of Rousillon
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  A PAGE, Servant to the Countess of Rousillon
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  COUNTESS OF ROUSILLON, mother to Bertram
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  HELENA, a gentlewoman protected by the Countess
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  A WIDOW OF FLORENCE.
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  DIANA, daughter to the Widow
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  VIOLENTA, neighbour and friend to the Widow
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  MARIANA, neighbour and friend to the Widow
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|  Lords, Officers, Soldiers, etc., French and Florentine  
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|2|Dramatis Personae|
2|ALLS WELL THAT ENDS WELL|3|Scene|SCENE:
2|ALLS WELL THAT ENDS WELL|3|Scene|Rousillon; Paris; Florence; Marseilles
2|ALLS WELL THAT ENDS WELL|3|Scene|
2|ALLS WELL THAT ENDS WELL|3|Scene|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|ACT I. SCENE 1.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|Enter BERTRAM, the COUNTESS OF ROUSILLON, HELENA, and LAFEU, all in black
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. In delivering my son from me, I bury a second husband.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  BERTRAM. And I in going, madam, weep o'er my father's death anew;
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    but I must attend his Majesty's command, to whom I am now in
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    ward, evermore in subjection.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. You shall find of the King a husband, madam; you, sir, a
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    father. He that so generally is at all times good must of
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    necessity hold his virtue to you, whose worthiness would stir it
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    up where it wanted, rather than lack it where there is such
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    abundance.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. What hope is there of his Majesty's amendment?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. He hath abandon'd his physicians, madam; under whose
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    practices he hath persecuted time with hope, and finds no other
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    advantage in the process but only the losing of hope by time.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. This young gentlewoman had a father- O, that 'had,' how
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    sad a passage 'tis!-whose skill was almost as great as his
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    honesty; had it stretch'd so far, would have made nature  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    immortal, and death should have play for lack of work. Would, for
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    the King's sake, he were living! I think it would be the death of
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    the King's disease.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. How call'd you the man you speak of, madam?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. He was famous, sir, in his profession, and it was his
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    great right to be so- Gerard de Narbon.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. He was excellent indeed, madam; the King very lately spoke
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    of him admiringly and mourningly; he was skilful enough to have
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    liv'd still, if knowledge could be set up against mortality.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  BERTRAM. What is it, my good lord, the King languishes of?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. A fistula, my lord.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  BERTRAM. I heard not of it before.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. I would it were not notorious. Was this gentlewoman the
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    daughter of Gerard de Narbon?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. His sole child, my lord, and bequeathed to my
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    overlooking. I have those hopes of her good that her education
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    promises; her dispositions she inherits, which makes fair gifts
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    fairer; for where an unclean mind carries virtuous qualities,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    there commendations go with pity-they are virtues and traitors
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    too. In her they are the better for their simpleness; she derives  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    her honesty, and achieves her goodness.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. Your commendations, madam, get from her tears.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. 'Tis the best brine a maiden can season her praise in.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    The remembrance of her father never approaches her heart but the
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    tyranny of her sorrows takes all livelihood from her cheek. No
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    more of this, Helena; go to, no more, lest it be rather thought
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    you affect a sorrow than to have-
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. I do affect a sorrow indeed, but I have it too.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. Moderate lamentation is the right of the dead: excessive
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    grief the enemy to the living.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. If the living be enemy to the grief, the excess makes it
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    soon mortal.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  BERTRAM. Madam, I desire your holy wishes.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. How understand we that?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. Be thou blest, Bertram, and succeed thy father
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    In manners, as in shape! Thy blood and virtue
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Contend for empire in thee, and thy goodness
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Share with thy birthright! Love all, trust a few,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Do wrong to none; be able for thine enemy
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Rather in power than use, and keep thy friend  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Under thy own life's key; be check'd for silence,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    But never tax'd for speech. What heaven more will,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That thee may furnish, and my prayers pluck down,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Fall on thy head! Farewell. My lord,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    'Tis an unseason'd courtier; good my lord,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Advise him.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. He cannot want the best
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That shall attend his love.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  COUNTESS. Heaven bless him! Farewell, Bertram.            Exit
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  BERTRAM. The best wishes that can be forg'd in your thoughts be
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    servants to you!  [To HELENA]  Be comfortable to my mother, your
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    mistress, and make much of her.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  LAFEU. Farewell, pretty lady; you must hold the credit of your
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    father.                             Exeunt BERTRAM and LAFEU
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. O, were that all! I think not on my father;
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    And these great tears grace his remembrance more
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Than those I shed for him. What was he like?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    I have forgot him; my imagination
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Carries no favour in't but Bertram's.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    I am undone; there is no living, none,  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    If Bertram be away. 'Twere all one
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That I should love a bright particular star
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    And think to wed it, he is so above me.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    In his bright radiance and collateral light
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Must I be comforted, not in his sphere.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Th' ambition in my love thus plagues itself:
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    The hind that would be mated by the lion
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Must die for love. 'Twas pretty, though a plague,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    To see him every hour; to sit and draw
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    His arched brows, his hawking eye, his curls,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    In our heart's table-heart too capable
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Of every line and trick of his sweet favour.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    But now he's gone, and my idolatrous fancy
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Must sanctify his relics. Who comes here?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|                       Enter PAROLLES
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    [Aside]  One that goes with him. I love him for his sake;
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    And yet I know him a notorious liar,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Think him a great way fool, solely a coward;  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Yet these fix'd evils sit so fit in him
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That they take place when virtue's steely bones
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Looks bleak i' th' cold wind; withal, full oft we see
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Cold wisdom waiting on superfluous folly.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Save you, fair queen!
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. And you, monarch!
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. No.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. And no.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Are you meditating on virginity?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. Ay. You have some stain of soldier in you; let me ask you a
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    question. Man is enemy to virginity; how may we barricado it
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    against him?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Keep him out.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. But he assails; and our virginity, though valiant in the
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    defence, yet is weak. Unfold to us some warlike resistance.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. There is none. Man, setting down before you, will
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    undermine you and blow you up.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. Bless our poor virginity from underminers and blowers-up!
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Is there no military policy how virgins might blow up men?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Virginity being blown down, man will quicklier be blown  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    up; marry, in blowing him down again, with the breach yourselves
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|     made, you lose your city. It is not politic in the commonwealth
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    of nature to preserve virginity. Loss of virginity is rational
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    increase; and there was never virgin got till virginity was first
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    lost. That you were made of is metal to make virgins. Virginity
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    by being once lost may be ten times found; by being ever kept, it
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    is ever lost. 'Tis too cold a companion; away with't.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. I will stand for 't a little, though therefore I die a
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    virgin.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. There's little can be said in 't; 'tis against the rule
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    of nature. To speak on the part of virginity is to accuse your
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    mothers; which is most infallible disobedience. He that hangs
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    himself is a virgin; virginity murders itself, and should be
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    buried in highways, out of all sanctified limit, as a desperate
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    offendress against nature. Virginity breeds mites, much like a
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    cheese; consumes itself to the very paring, and so dies with
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    feeding his own stomach. Besides, virginity is peevish, proud,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    idle, made of self-love, which is the most inhibited sin in the
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    canon. Keep it not; you cannot choose but lose by't. Out with't.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Within ten year it will make itself ten, which is a goodly  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    increase; and the principal itself not much the worse. Away
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    with't.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. How might one do, sir, to lose it to her own liking?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Let me see. Marry, ill to like him that ne'er it likes.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    'Tis a commodity will lose the gloss with lying; the longer kept,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    the less worth. Off with't while 'tis vendible; answer the time
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    of request. Virginity, like an old courtier, wears her cap out of
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    fashion, richly suited but unsuitable; just like the brooch and
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    the toothpick, which wear not now. Your date is better in your
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    pie and your porridge than in your cheek. And your virginity,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    your old virginity, is like one of our French wither'd pears: it
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    looks ill, it eats drily; marry, 'tis a wither'd pear; it was
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    formerly better; marry, yet 'tis a wither'd pear. Will you
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    anything with it?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. Not my virginity yet.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    There shall your master have a thousand loves,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    A mother, and a mistress, and a friend,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    A phoenix, captain, and an enemy,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    A guide, a goddess, and a sovereign,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    A counsellor, a traitress, and a dear;  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    His humble ambition, proud humility,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    His jarring concord, and his discord dulcet,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    His faith, his sweet disaster; with a world
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Of pretty, fond, adoptious christendoms
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That blinking Cupid gossips. Now shall he-
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    I know not what he shall. God send him well!
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    The court's a learning-place, and he is one-
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. What one, i' faith?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. That I wish well. 'Tis pity-
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. What's pity?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. That wishing well had not a body in't
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Which might be felt; that we, the poorer born,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Whose baser stars do shut us up in wishes,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Might with effects of them follow our friends
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    And show what we alone must think, which never
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Returns us thanks.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|                      Enter PAGE
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAGE. Monsieur Parolles, my lord calls for you.      Exit PAGE  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Little Helen, farewell; if I can remember thee, I will
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    think of thee at court.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. Monsieur Parolles, you were born under a charitable star.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Under Mars, I.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. I especially think, under Mars.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Why under Man?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. The wars hath so kept you under that you must needs be born
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    under Mars.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. When he was predominant.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. When he was retrograde, I think, rather.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. Why think you so?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. You go so much backward when you fight.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. That's for advantage.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. So is running away, when fear proposes the safety: but the
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    composition that your valour and fear makes in you is a virtue of
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    a good wing, and I like the wear well.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  PAROLLES. I am so full of business I cannot answer thee acutely. I
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    will return perfect courtier; in the which my instruction shall
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    serve to naturalize thee, so thou wilt be capable of a courtier's
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    counsel, and understand what advice shall thrust upon thee; else  
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    thou diest in thine unthankfulness, and thine ignorance makes
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    thee away. Farewell. When thou hast leisure, say thy prayers;
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    when thou hast none, remember thy friends. Get thee a good
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    husband and use him as he uses thee. So, farewell.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1| Exit
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|  HELENA. Our remedies oft in ourselves do lie,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Which we ascribe to heaven. The fated sky
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Gives us free scope; only doth backward pull
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Our slow designs when we ourselves are dull.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    What power is it which mounts my love so high,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That makes me see, and cannot feed mine eye?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    The mightiest space in fortune nature brings
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    To join like likes, and kiss like native things.
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    Impossible be strange attempts to those
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    That weigh their pains in sense, and do suppose
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    What hath been cannot be. Who ever strove
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    To show her merit that did miss her love?
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    The King's disease-my project may deceive me,
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|    But my intents are fix'd, and will not leave me.        Exit
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|4|Act 1, Scene 1|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|ACT I. SCENE 2.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|Paris. The KING'S palace
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|Flourish of cornets. Enter the KING OF FRANCE, with letters,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|and divers ATTENDANTS
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. The Florentines and Senoys are by th' ears;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Have fought with equal fortune, and continue
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    A braving war.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  FIRST LORD. So 'tis reported, sir.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. Nay, 'tis most credible. We here receive it,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    A certainty, vouch'd from our cousin Austria,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    With caution, that the Florentine will move us
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    For speedy aid; wherein our dearest friend
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Prejudicates the business, and would seem
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    To have us make denial.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  FIRST LORD. His love and wisdom,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Approv'd so to your Majesty, may plead
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    For amplest credence.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. He hath arm'd our answer,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    And Florence is denied before he comes;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Yet, for our gentlemen that mean to see  
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    The Tuscan service, freely have they leave
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    To stand on either part.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  SECOND LORD. It well may serve
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    A nursery to our gentry, who are sick
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    For breathing and exploit.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. What's he comes here?
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|              Enter BERTRAM, LAFEU, and PAROLLES
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  FIRST LORD. It is the Count Rousillon, my good lord,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Young Bertram.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. Youth, thou bear'st thy father's face;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Frank nature, rather curious than in haste,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Hath well compos'd thee. Thy father's moral parts
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Mayst thou inherit too! Welcome to Paris.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  BERTRAM. My thanks and duty are your Majesty's.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. I would I had that corporal soundness now,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    As when thy father and myself in friendship
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    First tried our soldiership. He did look far
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Into the service of the time, and was  
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Discipled of the bravest. He lasted long;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    But on us both did haggish age steal on,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    And wore us out of act. It much repairs me
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    To talk of your good father. In his youth
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    He had the wit which I can well observe
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    To-day in our young lords; but they may jest
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Till their own scorn return to them unnoted
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Ere they can hide their levity in honour.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    So like a courtier, contempt nor bitterness
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Were in his pride or sharpness; if they were,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    His equal had awak'd them; and his honour,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Clock to itself, knew the true minute when
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Exception bid him speak, and at this time
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    His tongue obey'd his hand. Who were below him
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    He us'd as creatures of another place;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    And bow'd his eminent top to their low ranks,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Making them proud of his humility
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    In their poor praise he humbled. Such a man
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Might be a copy to these younger times;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Which, followed well, would demonstrate them now  
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    But goers backward.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  BERTRAM. His good remembrance, sir,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Lies richer in your thoughts than on his tomb;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    So in approof lives not his epitaph
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    As in your royal speech.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. Would I were with him! He would always say-
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Methinks I hear him now; his plausive words
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    He scatter'd not in ears, but grafted them
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    To grow there, and to bear- 'Let me not live'-
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    This his good melancholy oft began,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    On the catastrophe and heel of pastime,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    When it was out-'Let me not live' quoth he
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    'After my flame lacks oil, to be the snuff
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Of younger spirits, whose apprehensive senses
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    All but new things disdain; whose judgments are
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Mere fathers of their garments; whose constancies
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Expire before their fashions.' This he wish'd.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    I, after him, do after him wish too,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Since I nor wax nor honey can bring home,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    I quickly were dissolved from my hive,  
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    To give some labourers room.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  SECOND LORD. You're loved, sir;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    They that least lend it you shall lack you first.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. I fill a place, I know't. How long is't, Count,
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Since the physician at your father's died?
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    He was much fam'd.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  BERTRAM. Some six months since, my lord.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  KING. If he were living, I would try him yet-
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Lend me an arm-the rest have worn me out
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    With several applications. Nature and sickness
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    Debate it at their leisure. Welcome, Count;
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|    My son's no dearer.
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|  BERTRAM. Thank your Majesty.                 Exeunt [Flourish]
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|5|Act 1, Scene 2|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|ACT I. SCENE 3.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|Enter COUNTESS, STEWARD, and CLOWN
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. I will now hear; what say you of this gentlewoman?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  STEWARD. Madam, the care I have had to even your content I wish
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    might be found in the calendar of my past endeavours; for then we
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    wound our modesty, and make foul the clearness of our deservings,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    when of ourselves we publish them.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. What does this knave here? Get you gone, sirrah. The
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    complaints I have heard of you I do not all believe; 'tis my
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    slowness that I do not, for I know you lack not folly to commit
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    them and have ability enough to make such knaveries yours.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. 'Tis not unknown to you, madam, I am a poor fellow.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Well, sir.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. No, madam, 'tis not so well that I am poor, though many of
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    the rich are damn'd; but if I may have your ladyship's good will
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    to go to the world, Isbel the woman and I will do as we may.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Wilt thou needs be a beggar?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. I do beg your good will in this case.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. In what case?  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. In Isbel's case and mine own. Service is no heritage; and I
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    think I shall never have the blessing of God till I have issue o'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    my body; for they say bames are blessings.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Tell me thy reason why thou wilt marry.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. My poor body, madam, requires it. I am driven on by the
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    flesh; and he must needs go that the devil drives.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Is this all your worship's reason?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. Faith, madam, I have other holy reasons, such as they are.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. May the world know them?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. I have been, madam, a wicked creature, as you and all flesh
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    and blood are; and, indeed, I do marry that I may repent.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Thy marriage, sooner than thy wickedness.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. I am out o' friends, madam, and I hope to have friends for
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    my wife's sake.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Such friends are thine enemies, knave.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. Y'are shallow, madam-in great friends; for the knaves come
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    to do that for me which I am aweary of. He that ears my land
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    spares my team, and gives me leave to in the crop. If I be his
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    cuckold, he's my drudge. He that comforts my wife is the
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    cherisher of my flesh and blood; he that cherishes my flesh and  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    blood loves my flesh and blood; he that loves my flesh and blood
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    is my friend; ergo, he that kisses my wife is my friend. If men
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    could be contented to be what they are, there were no fear in
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    marriage; for young Charbon the puritan and old Poysam the
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    papist, howsome'er their hearts are sever'd in religion, their
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    heads are both one; they may jowl horns together like any deer
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    i' th' herd.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Wilt thou ever be a foul-mouth'd and calumnious knave?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. A prophet I, madam; and I speak the truth the next way:
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|              For I the ballad will repeat,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                Which men full true shall find:
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|              Your marriage comes by destiny,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                Your cuckoo sings by kind.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Get you gone, sir; I'll talk with you more anon.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  STEWARD. May it please you, madam, that he bid Helen come to you.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Of her I am to speak.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Sirrah, tell my gentlewoman I would speak with her; Helen
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I mean.  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN.  [Sings]
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|               'Was this fair face the cause' quoth she
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                 'Why the Grecians sacked Troy?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|               Fond done, done fond,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                 Was this King Priam's joy?'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|               With that she sighed as she stood,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|               With that she sighed as she stood,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                 And gave this sentence then:
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|               'Among nine bad if one be good,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|               Among nine bad if one be good,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                 There's yet one good in ten.'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. What, one good in ten? You corrupt the song, sirrah.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. One good woman in ten, madam, which is a purifying o' th'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    song. Would God would serve the world so all the year! We'd find
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    no fault with the tithe-woman, if I were the parson. One in ten,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    quoth 'a! An we might have a good woman born before every blazing
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    star, or at an earthquake, 'twould mend the lottery well: a man
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    may draw his heart out ere 'a pluck one.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. You'll be gone, sir knave, and do as I command you.  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  CLOWN. That man should be at woman's command, and yet no hurt done!
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Though honesty be no puritan, yet it will do no hurt; it will
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    wear the surplice of humility over the black gown of a big heart.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I am going, forsooth. The business is for Helen to come hither.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3| Exit
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Well, now.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  STEWARD. I know, madam, you love your gentlewoman entirely.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Faith I do. Her father bequeath'd her to me; and she
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    herself, without other advantage, may lawfully make title to as
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    much love as she finds. There is more owing her than is paid; and
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    more shall be paid her than she'll demand.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  STEWARD. Madam, I was very late more near her than I think she
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    wish'd me. Alone she was, and did communicate to herself her own
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    words to her own ears; she thought, I dare vow for her, they
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    touch'd not any stranger sense. Her matter was, she loved your
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    son. Fortune, she said, was no goddess, that had put such
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    difference betwixt their two estates; Love no god, that would not
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    extend his might only where qualities were level; Diana no queen
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    of virgins, that would suffer her poor knight surpris'd without
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    rescue in the first assault, or ransom afterward. This she  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    deliver'd in the most bitter touch of sorrow that e'er I heard
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    virgin exclaim in; which I held my duty speedily to acquaint you
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    withal; sithence, in the loss that may happen, it concerns you
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    something to know it.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. YOU have discharg'd this honestly; keep it to yourself.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Many likelihoods inform'd me of this before, which hung so
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    tott'ring in the balance that I could neither believe nor
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    misdoubt. Pray you leave me. Stall this in your bosom; and I
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    thank you for your honest care. I will speak with you further
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    anon.                                           Exit STEWARD
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|                            Enter HELENA
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Even so it was with me when I was young.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    If ever we are nature's, these are ours; this thorn
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Doth to our rose of youth rightly belong;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Our blood to us, this to our blood is born.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    It is the show and seal of nature's truth,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Where love's strong passion is impress'd in youth.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    By our remembrances of days foregone,  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Such were our faults, or then we thought them none.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Her eye is sick on't; I observe her now.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. What is your pleasure, madam?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. You know, Helen,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I am a mother to you.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Mine honourable mistress.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Nay, a mother.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Why not a mother? When I said 'a mother,'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Methought you saw a serpent. What's in 'mother'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That you start at it? I say I am your mother,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    And put you in the catalogue of those
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That were enwombed mine. 'Tis often seen
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Adoption strives with nature, and choice breeds
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    A native slip to us from foreign seeds.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    You ne'er oppress'd me with a mother's groan,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Yet I express to you a mother's care.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    God's mercy, maiden! does it curd thy blood
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To say I am thy mother? What's the matter,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That this distempered messenger of wet,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The many-colour'd Iris, rounds thine eye?  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Why, that you are my daughter?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. That I am not.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. I say I am your mother.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Pardon, madam.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The Count Rousillon cannot be my brother:
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I am from humble, he from honoured name;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    No note upon my parents, his all noble.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    My master, my dear lord he is; and I
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    His servant live, and will his vassal die.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    He must not be my brother.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Nor I your mother?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. You are my mother, madam; would you were-
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    So that my lord your son were not my brother-
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Indeed my mother! Or were you both our mothers,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I care no more for than I do for heaven,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    So I were not his sister. Can't no other,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    But, I your daughter, he must be my brother?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Yes, Helen, you might be my daughter-in-law.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    God shield you mean it not! 'daughter' and 'mother'
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    So strive upon your pulse. What! pale again?  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    My fear hath catch'd your fondness. Now I see
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The myst'ry of your loneliness, and find
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Your salt tears' head. Now to all sense 'tis gross
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    You love my son; invention is asham'd,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Against the proclamation of thy passion,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To say thou dost not. Therefore tell me true;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    But tell me then, 'tis so; for, look, thy cheeks
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Confess it, th' one to th' other; and thine eyes
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    See it so grossly shown in thy behaviours
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That in their kind they speak it; only sin
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    And hellish obstinacy tie thy tongue,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That truth should be suspected. Speak, is't so?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    If it be so, you have wound a goodly clew;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    If it be not, forswear't; howe'er, I charge thee,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    As heaven shall work in me for thine avail,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To tell me truly.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Good madam, pardon me.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Do you love my son?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Your pardon, noble mistress.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Love you my son?  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Do not you love him, madam?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Go not about; my love hath in't a bond
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Whereof the world takes note. Come, come, disclose
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The state of your affection; for your passions
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Have to the full appeach'd.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Then I confess,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Here on my knee, before high heaven and you,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That before you, and next unto high heaven,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I love your son.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    My friends were poor, but honest; so's my love.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Be not offended, for it hurts not him
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That he is lov'd of me; I follow him not
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    By any token of presumptuous suit,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Nor would I have him till I do deserve him;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Yet never know how that desert should be.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I know I love in vain, strive against hope;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Yet in this captious and intenible sieve
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    I still pour in the waters of my love,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    And lack not to lose still. Thus, Indian-like,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Religious in mine error, I adore  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The sun that looks upon his worshipper
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    But knows of him no more. My dearest madam,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Let not your hate encounter with my love,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    For loving where you do; but if yourself,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Whose aged honour cites a virtuous youth,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Did ever in so true a flame of liking
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Wish chastely and love dearly that your Dian
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Was both herself and Love; O, then, give pity
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To her whose state is such that cannot choose
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    But lend and give where she is sure to lose;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    That seeks not to find that her search implies,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    But, riddle-like, lives sweetly where she dies!
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Had you not lately an intent-speak truly-
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To go to Paris?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Madam, I had.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Wherefore? Tell true.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. I will tell truth; by grace itself I swear.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    You know my father left me some prescriptions
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Of rare and prov'd effects, such as his reading
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    And manifest experience had collected  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    For general sovereignty; and that he will'd me
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    In heedfull'st reservation to bestow them,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    As notes whose faculties inclusive were
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    More than they were in note. Amongst the rest
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    There is a remedy, approv'd, set down,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To cure the desperate languishings whereof
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The King is render'd lost.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. This was your motive
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    For Paris, was it? Speak.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. My lord your son made me to think of this,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Else Paris, and the medicine, and the King,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Had from the conversation of my thoughts
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Haply been absent then.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. But think you, Helen,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    If you should tender your supposed aid,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    He would receive it? He and his physicians
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Are of a mind: he, that they cannot help him;
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    They, that they cannot help. How shall they credit
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    A poor unlearned virgin, when the schools,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Embowell'd of their doctrine, have let off  
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The danger to itself?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. There's something in't
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    More than my father's skill, which was the great'st
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Of his profession, that his good receipt
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Shall for my legacy be sanctified
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    By th' luckiest stars in heaven; and, would your honour
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    But give me leave to try success, I'd venture
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    The well-lost life of mine on his Grace's cure.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    By such a day and hour.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Dost thou believe't?
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  HELENA. Ay, madam, knowingly.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|  COUNTESS. Why, Helen, thou shalt have my leave and love,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Means and attendants, and my loving greetings
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    To those of mine in court. I'll stay at home,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    And pray God's blessing into thy attempt.
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    Be gone to-morrow; and be sure of this,
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|    What I can help thee to thou shalt not miss.          Exeunt
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|6|Act 1, Scene 3|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|ACT II. SCENE 1.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|Paris. The KING'S palace
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|Flourish of cornets. Enter the KING with divers young LORDS taking leave
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|for the Florentine war; BERTRAM and PAROLLES; ATTENDANTS
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Farewell, young lords; these war-like principles
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Do not throw from you. And you, my lords, farewell;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Share the advice betwixt you; if both gain all,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    The gift doth stretch itself as 'tis receiv'd,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And is enough for both.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  FIRST LORD. 'Tis our hope, sir,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    After well-ent'red soldiers, to return
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And find your Grace in health.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. No, no, it cannot be; and yet my heart
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Will not confess he owes the malady
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That doth my life besiege. Farewell, young lords;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Whether I live or die, be you the sons
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Of worthy Frenchmen; let higher Italy-
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Those bated that inherit but the fall
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Of the last monarchy-see that you come  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Not to woo honour, but to wed it; when
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    The bravest questant shrinks, find what you seek,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That fame may cry you aloud. I say farewell.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  SECOND LORD. Health, at your bidding, serve your Majesty!
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Those girls of Italy, take heed of them;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    They say our French lack language to deny,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    If they demand; beware of being captives
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Before you serve.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    BOTH. Our hearts receive your warnings.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Farewell.  [To ATTENDANTS]  Come hither to me.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|                                       The KING retires attended
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  FIRST LORD. O my sweet lord, that you will stay behind us!
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. 'Tis not his fault, the spark.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    SECOND LORD. O, 'tis brave wars!
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. Most admirable! I have seen those wars.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  BERTRAM. I am commanded here and kept a coil with
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    'Too young' and next year' and "Tis too early.'
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. An thy mind stand to 't, boy, steal away bravely.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  BERTRAM. I shall stay here the forehorse to a smock,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Creaking my shoes on the plain masonry,  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Till honour be bought up, and no sword worn
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But one to dance with. By heaven, I'll steal away.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  FIRST LORD. There's honour in the theft.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. Commit it, Count.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  SECOND LORD. I am your accessary; and so farewell.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  BERTRAM. I grow to you, and our parting is a tortur'd body.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  FIRST LORD. Farewell, Captain.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  SECOND LORD. Sweet Monsieur Parolles!
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. Noble heroes, my sword and yours are kin. Good sparks and
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    lustrous, a word, good metals: you shall find in the regiment of
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    the Spinii one Captain Spurio, with his cicatrice, an emblem of
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    war, here on his sinister cheek; it was this very sword
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    entrench'd it. Say to him I live; and observe his reports for me.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  FIRST LORD. We shall, noble Captain.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. Mars dote on you for his novices!       Exeunt LORDS
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    What will ye do?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|                            Re-enter the KING
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  BERTRAM. Stay; the King!  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. Use a more spacious ceremony to the noble lords; you have
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    restrain'd yourself within the list of too cold an adieu. Be more
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    expressive to them; for they wear themselves in the cap of the
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    time; there do muster true gait; eat, speak, and move, under the
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    influence of the most receiv'd star; and though the devil lead
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    the measure, such are to be followed. After them, and take a more
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    dilated farewell.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  BERTRAM. And I will do so.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  PAROLLES. Worthy fellows; and like to prove most sinewy sword-men.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|                                     Exeunt BERTRAM and PAROLLES
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|                              Enter LAFEU
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU.  [Kneeling]  Pardon, my lord, for me and for my tidings.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. I'll fee thee to stand up.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. Then here's a man stands that has brought his pardon.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    I would you had kneel'd, my lord, to ask me mercy;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And that at my bidding you could so stand up.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. I would I had; so I had broke thy pate,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And ask'd thee mercy for't.  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. Good faith, across!
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But, my good lord, 'tis thus: will you be cur'd
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Of your infirmity?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. No.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. O, will you eat
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    No grapes, my royal fox? Yes, but you will
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    My noble grapes, an if my royal fox
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Could reach them: I have seen a medicine
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That's able to breathe life into a stone,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Quicken a rock, and make you dance canary
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    With spritely fire and motion; whose simple touch
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Is powerful to araise King Pepin, nay,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    To give great Charlemain a pen in's hand
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And write to her a love-line.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. What her is this?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. Why, Doctor She! My lord, there's one arriv'd,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    If you will see her. Now, by my faith and honour,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    If seriously I may convey my thoughts
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    In this my light deliverance, I have spoke
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    With one that in her sex, her years, profession,  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Wisdom, and constancy, hath amaz'd me more
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Than I dare blame my weakness. Will you see her,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    For that is her demand, and know her business?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That done, laugh well at me.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Now, good Lafeu,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Bring in the admiration, that we with the
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    May spend our wonder too, or take off thine
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    By wond'ring how thou took'st it.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. Nay, I'll fit you,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And not be all day neither.                       Exit LAFEU
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Thus he his special nothing ever prologues.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|                   Re-enter LAFEU with HELENA
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. Nay, come your ways.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. This haste hath wings indeed.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  LAFEU. Nay, come your ways;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    This is his Majesty; say your mind to him.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    A traitor you do look like; but such traitors
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    His Majesty seldom fears. I am Cressid's uncle,  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That dare leave two together. Fare you well.            Exit
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Now, fair one, does your business follow us?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. Ay, my good lord.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Gerard de Narbon was my father,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    In what he did profess, well found.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. I knew him.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. The rather will I spare my praises towards him;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Knowing him is enough. On's bed of death
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Many receipts he gave me; chiefly one,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Which, as the dearest issue of his practice,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And of his old experience th' only darling,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    He bade me store up as a triple eye,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Safer than mine own two, more dear. I have so:
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And, hearing your high Majesty is touch'd
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    With that malignant cause wherein the honour
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Of my dear father's gift stands chief in power,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    I come to tender it, and my appliance,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    With all bound humbleness.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. We thank you, maiden;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But may not be so credulous of cure,  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    When our most learned doctors leave us, and
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    The congregated college have concluded
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That labouring art can never ransom nature
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    From her inaidable estate-I say we must not
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    So stain our judgment, or corrupt our hope,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    To prostitute our past-cure malady
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    To empirics; or to dissever so
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Our great self and our credit to esteem
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    A senseless help, when help past sense we deem.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. My duty then shall pay me for my pains.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    I will no more enforce mine office on you;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Humbly entreating from your royal thoughts
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    A modest one to bear me back again.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. I cannot give thee less, to be call'd grateful.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Thou thought'st to help me; and such thanks I give
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    As one near death to those that wish him live.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But what at full I know, thou know'st no part;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    I knowing all my peril, thou no art.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. What I can do can do no hurt to try,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Since you set up your rest 'gainst remedy.  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    He that of greatest works is finisher
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Oft does them by the weakest minister.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    So holy writ in babes hath judgment shown,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    When judges have been babes. Great floods have flown
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    From simple sources, and great seas have dried
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    When miracles have by the greatest been denied.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Oft expectation fails, and most oft there
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Where most it promises; and oft it hits
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Where hope is coldest, and despair most fits.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. I must not hear thee. Fare thee well, kind maid;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Thy pains, not us'd, must by thyself be paid;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Proffers not took reap thanks for their reward.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. Inspired merit so by breath is barr'd.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    It is not so with Him that all things knows,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    As 'tis with us that square our guess by shows;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But most it is presumption in us when
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    The help of heaven we count the act of men.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Dear sir, to my endeavours give consent;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Of heaven, not me, make an experiment.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    I am not an impostor, that proclaim  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Myself against the level of mine aim;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But know I think, and think I know most sure,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    My art is not past power nor you past cure.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Art thou so confident? Within what space
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Hop'st thou my cure?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. The greatest Grace lending grace.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Ere twice the horses of the sun shall bring
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Their fiery torcher his diurnal ring,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Ere twice in murk and occidental damp
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Moist Hesperus hath quench'd his sleepy lamp,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Or four and twenty times the pilot's glass
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Hath told the thievish minutes how they pass,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    What is infirm from your sound parts shall fly,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Health shall live free, and sickness freely die.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Upon thy certainty and confidence
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    What dar'st thou venture?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. Tax of impudence,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    A strumpet's boldness, a divulged shame,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Traduc'd by odious ballads; my maiden's name
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Sear'd otherwise; ne worse of worst-extended  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    With vilest torture let my life be ended.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Methinks in thee some blessed spirit doth speak
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    His powerful sound within an organ weak;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And what impossibility would slay
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    In common sense, sense saves another way.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Thy life is dear; for all that life can rate
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Worth name of life in thee hath estimate:
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Youth, beauty, wisdom, courage, all
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That happiness and prime can happy call.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Thou this to hazard needs must intimate
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Skill infinite or monstrous desperate.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Sweet practiser, thy physic I will try,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    That ministers thine own death if I die.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. If I break time, or flinch in property
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Of what I spoke, unpitied let me die;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    And well deserv'd. Not helping, death's my fee;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But, if I help, what do you promise me?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Make thy demand.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. But will you make it even?
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Ay, by my sceptre and my hopes of heaven.  
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  HELENA. Then shalt thou give me with thy kingly hand
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    What husband in thy power I will command.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Exempted be from me the arrogance
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    To choose from forth the royal blood of France,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    My low and humble name to propagate
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    With any branch or image of thy state;
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    But such a one, thy vassal, whom I know
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Is free for me to ask, thee to bestow.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|  KING. Here is my hand; the premises observ'd,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Thy will by my performance shall be serv'd.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    So make the choice of thy own time, for I,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Thy resolv'd patient, on thee still rely.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    More should I question thee, and more I must,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Though more to know could not be more to trust,
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    From whence thou cam'st, how tended on. But rest
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Unquestion'd welcome and undoubted blest.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    Give me some help here, ho! If thou proceed
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|    As high as word, my deed shall match thy deed.
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|                                              [Flourish. Exeunt]
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|7|Act 2, Scene 1|
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|ACT II. SCENE 2.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|Enter COUNTESS and CLOWN
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Come on, sir; I shall now put you to the height of your
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    breeding.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. I will show myself highly fed and lowly taught. I know my
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    business is but to the court.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. To the court! Why, what place make you special, when you
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    put off that with such contempt? But to the court!
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. Truly, madam, if God have lent a man any manners, he may
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    easily put it off at court. He that cannot make a leg, put off's
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    cap, kiss his hand, and say nothing, has neither leg, hands, lip,
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    nor cap; and indeed such a fellow, to say precisely, were not for
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    the court; but for me, I have an answer will serve all men.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Marry, that's a bountiful answer that fits all questions.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. It is like a barber's chair, that fits all buttocks-the pin
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    buttock, the quatch buttock, the brawn buttock, or any buttock.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Will your answer serve fit to all questions?
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. As fit as ten groats is for the hand of an attorney, as your
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    French crown for your taffety punk, as Tib's rush for Tom's
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    forefinger, as a pancake for Shrove Tuesday, a morris for Mayday,
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    as the nail to his hole, the cuckold to his horn, as a scolding
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    quean to a wrangling knave, as the nun's lip to the friar's
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    mouth; nay, as the pudding to his skin.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Have you, I, say, an answer of such fitness for all
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    questions?
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. From below your duke to beneath your constable, it will fit
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    any question.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. It must be an answer of most monstrous size that must fit
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    all demands.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. But a trifle neither, in good faith, if the learned should
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    speak truth of it. Here it is, and all that belongs to't. Ask me
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    if I am a courtier: it shall do you no harm to learn.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. To be young again, if we could, I will be a fool in
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    question, hoping to be the wiser by your answer. I pray you, sir,
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    are you a courtier?
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. O Lord, sir!-There's a simple putting off. More, more, a
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    hundred of them.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Sir, I am a poor friend of yours, that loves you.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. O Lord, sir!-Thick, thick; spare not me.  
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. I think, sir, you can eat none of this homely meat.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. O Lord, sir!-Nay, put me to't, I warrant you.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. You were lately whipp'd, sir, as I think.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. O Lord, sir!-Spare not me.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Do you cry 'O Lord, sir!' at your whipping, and 'spare
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    not me'? Indeed your 'O Lord, sir!' is very sequent to your
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    whipping. You would answer very well to a whipping, if you were
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    but bound to't.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. I ne'er had worse luck in my life in my 'O Lord, sir!' I see
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    thing's may serve long, but not serve ever.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. I play the noble housewife with the time,
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    To entertain it so merrily with a fool.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. O Lord, sir!-Why, there't serves well again.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. An end, sir! To your business: give Helen this,
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    And urge her to a present answer back;
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|    Commend me to my kinsmen and my son. This is not much.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. Not much commendation to them?
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Not much employment for you. You understand me?
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  CLOWN. Most fruitfully; I am there before my legs.
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|  COUNTESS. Haste you again.                              Exeunt
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|
2|ALLS WELL THAT ENDS WELL|8|Act 2, Scene 2|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|ACT II. SCENE 3.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|Paris. The KING'S palace
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|Enter BERTRAM, LAFEU, and PAROLLES
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. They say miracles are past; and we have our philosophical
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    persons to make modern and familiar things supernatural and
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    causeless. Hence is it that we make trifles of terrors,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    ensconcing ourselves into seeming knowledge when we should submit
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    ourselves to an unknown fear.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Why, 'tis the rarest argument of wonder that hath shot
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    out in our latter times.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. And so 'tis.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. To be relinquish'd of the artists-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. So I say-both of Galen and Paracelsus.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Of all the learned and authentic fellows-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Right; so I say.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. That gave him out incurable-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Why, there 'tis; so say I too.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Not to be help'd-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Right; as 'twere a man assur'd of a-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Uncertain life and sure death.  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Just; you say well; so would I have said.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. I may truly say it is a novelty to the world.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. It is indeed. If you will have it in showing, you shall
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    read it in what-do-ye-call't here.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU.  [Reading the ballad title]  'A Showing of a Heavenly
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Effect in an Earthly Actor.'
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. That's it; I would have said the very same.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Why, your dolphin is not lustier. 'Fore me, I speak in
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    respect-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Nay, 'tis strange, 'tis very strange; that is the brief
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    and the tedious of it; and he's of a most facinerious spirit that
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    will not acknowledge it to be the-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Very hand of heaven.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Ay; so I say.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. In a most weak-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. And debile minister, great power, great transcendence;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    which should, indeed, give us a further use to be made than alone
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    the recov'ry of the King, as to be-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Generally thankful.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|                 Enter KING, HELENA, and ATTENDANTS
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. I would have said it; you say well. Here comes the King.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Lustig, as the Dutchman says. I'll like a maid the better,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    whilst I have a tooth in my head. Why, he's able to lead her a
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    coranto.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Mort du vinaigre! Is not this Helen?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. 'Fore God, I think so.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Go, call before me all the lords in court.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|                                               Exit an ATTENDANT
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Sit, my preserver, by thy patient's side;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And with this healthful hand, whose banish'd sense
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Thou has repeal'd, a second time receive
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The confirmation of my promis'd gift,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Which but attends thy naming.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|                     Enter three or four LORDS
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Fair maid, send forth thine eye. This youthful parcel
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Of noble bachelors stand at my bestowing,  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    O'er whom both sovereign power and father's voice
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I have to use. Thy frank election make;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Thou hast power to choose, and they none to forsake.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. To each of you one fair and virtuous mistress
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Fall, when love please. Marry, to each but one!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. I'd give bay Curtal and his furniture
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    My mouth no more were broken than these boys',
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And writ as little beard.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Peruse them well.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Not one of those but had a noble father.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. Gentlemen,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Heaven hath through me restor'd the King to health.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  ALL. We understand it, and thank heaven for you.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. I am a simple maid, and therein wealthiest
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    That I protest I simply am a maid.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Please it your Majesty, I have done already.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The blushes in my cheeks thus whisper me:
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    'We blush that thou shouldst choose; but, be refused,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Let the white death sit on thy cheek for ever,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    We'll ne'er come there again.'  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Make choice and see:
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Who shuns thy love shuns all his love in me.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. Now, Dian, from thy altar do I fly,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And to imperial Love, that god most high,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Do my sighs stream. Sir, will you hear my suit?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  FIRST LORD. And grant it.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. Thanks, sir; all the rest is mute.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. I had rather be in this choice than throw ames-ace for my
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    life.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. The honour, sir, that flames in your fair eyes,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Before I speak, too threat'ningly replies.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Love make your fortunes twenty times above
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Her that so wishes, and her humble love!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  SECOND LORD. No better, if you please.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. My wish receive,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Which great Love grant; and so I take my leave.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Do all they deny her? An they were sons of mine I'd have
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    them whipt; or I would send them to th' Turk to make eunuchs of.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. Be not afraid that I your hand should take;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I'll never do you wrong for your own sake.  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Blessing upon your vows; and in your bed
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Find fairer fortune, if you ever wed!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. These boys are boys of ice; they'll none have her.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Sure, they are bastards to the English; the French ne'er got 'em.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. You are too young, too happy, and too good,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    To make yourself a son out of my blood.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  FOURTH LORD. Fair one, I think not so.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. There's one grape yet; I am sure thy father drunk wine-but
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    if thou be'st not an ass, I am a youth of fourteen; I have known
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    thee already.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA.  [To BERTRAM]  I dare not say I take you; but I give
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Me and my service, ever whilst I live,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Into your guiding power. This is the man.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Why, then, young Bertram, take her; she's thy wife.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. My wife, my liege! I shall beseech your Highness,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    In such a business give me leave to use
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The help of mine own eyes.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Know'st thou not, Bertram,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    What she has done for me?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. Yes, my good lord;  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    But never hope to know why I should marry her.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Thou know'st she has rais'd me from my sickly bed.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. But follows it, my lord, to bring me down
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Must answer for your raising? I know her well:
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    She had her breeding at my father's charge.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    A poor physician's daughter my wife! Disdain
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Rather corrupt me ever!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. 'Tis only title thou disdain'st in her, the which
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I can build up. Strange is it that our bloods,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Of colour, weight, and heat, pour'd all together,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Would quite confound distinction, yet stand off
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    In differences so mighty. If she be
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    All that is virtuous-save what thou dislik'st,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    A poor physician's daughter-thou dislik'st
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Of virtue for the name; but do not so.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    From lowest place when virtuous things proceed,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The place is dignified by the doer's deed;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Where great additions swell's, and virtue none,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    It is a dropsied honour. Good alone
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Is good without a name. Vileness is so:  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The property by what it is should go,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Not by the title. She is young, wise, fair;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    In these to nature she's immediate heir;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And these breed honour. That is honour's scorn
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Which challenges itself as honour's born
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And is not like the sire. Honours thrive
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    When rather from our acts we them derive
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Than our fore-goers. The mere word's a slave,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Debauch'd on every tomb, on every grave
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    A lying trophy; and as oft is dumb
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Where dust and damn'd oblivion is the tomb
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Of honour'd bones indeed. What should be said?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    If thou canst like this creature as a maid,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I can create the rest. Virtue and she
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Is her own dower; honour and wealth from me.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. I cannot love her, nor will strive to do 't.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Thou wrong'st thyself, if thou shouldst strive to choose.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  HELENA. That you are well restor'd, my lord, I'm glad.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Let the rest go.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. My honour's at the stake; which to defeat,  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I must produce my power. Here, take her hand,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Proud scornful boy, unworthy this good gift,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    That dost in vile misprision shackle up
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    My love and her desert; that canst not dream
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    We, poising us in her defective scale,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Shall weigh thee to the beam; that wilt not know
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    It is in us to plant thine honour where
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    We please to have it grow. Check thy contempt;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Obey our will, which travails in thy good;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Believe not thy disdain, but presently
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Do thine own fortunes that obedient right
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Which both thy duty owes and our power claims;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Or I will throw thee from my care for ever
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Into the staggers and the careless lapse
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Of youth and ignorance; both my revenge and hate
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Loosing upon thee in the name of justice,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Without all terms of pity. Speak; thine answer.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. Pardon, my gracious lord; for I submit
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    My fancy to your eyes. When I consider
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    What great creation and what dole of honour  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Flies where you bid it, I find that she which late
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Was in my nobler thoughts most base is now
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The praised of the King; who, so ennobled,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Is as 'twere born so.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Take her by the hand,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And tell her she is thine; to whom I promise
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    A counterpoise, if not to thy estate
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    A balance more replete.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. I take her hand.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  KING. Good fortune and the favour of the King
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Smile upon this contract; whose ceremony
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Shall seem expedient on the now-born brief,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And be perform'd to-night. The solemn feast
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Shall more attend upon the coming space,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Expecting absent friends. As thou lov'st her,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Thy love's to me religious; else, does err.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|              Exeunt all but LAFEU and PAROLLES who stay behind,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|                                      commenting of this wedding
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Do you hear, monsieur? A word with you.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Your pleasure, sir?  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Your lord and master did well to make his recantation.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Recantation! My Lord! my master!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Ay; is it not a language I speak?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. A most harsh one, and not to be understood without bloody
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    succeeding. My master!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Are you companion to the Count Rousillon?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. To any count; to all counts; to what is man.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. To what is count's man: count's master is of another style.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. You are too old, sir; let it satisfy you, you are too
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    old.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. I must tell thee, sirrah, I write man; to which title age
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    cannot bring thee.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. What I dare too well do, I dare not do.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. I did think thee, for two ordinaries, to be a pretty wise
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    fellow; thou didst make tolerable vent of thy travel; it might
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    pass. Yet the scarfs and the bannerets about thee did manifoldly
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    dissuade me from believing thee a vessel of too great a burden. I
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    have now found thee; when I lose thee again I care not; yet art
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    thou good for nothing but taking up; and that thou'rt scarce
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    worth.  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Hadst thou not the privilege of antiquity upon thee-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Do not plunge thyself too far in anger, lest thou hasten thy
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    trial; which if-Lord have mercy on thee for a hen! So, my good
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    window of lattice, fare thee well; thy casement I need not open,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    for I look through thee. Give me thy hand.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. My lord, you give me most egregious indignity.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Ay, with all my heart; and thou art worthy of it.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. I have not, my lord, deserv'd it.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Yes, good faith, ev'ry dram of it; and I will not bate thee
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    a scruple.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Well, I shall be wiser.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Ev'n as soon as thou canst, for thou hast to pull at a smack
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    o' th' contrary. If ever thou be'st bound in thy scarf and
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    beaten, thou shalt find what it is to be proud of thy bondage. I
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    have a desire to hold my acquaintance with thee, or rather my
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    knowledge, that I may say in the default 'He is a man I know.'
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. My lord, you do me most insupportable vexation.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. I would it were hell pains for thy sake, and my poor doing
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    eternal; for doing I am past, as I will by thee, in what motion
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    age will give me leave.                                 Exit  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Well, thou hast a son shall take this disgrace off me:
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    scurvy, old, filthy, scurvy lord! Well, I must be patient; there
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    is no fettering of authority. I'll beat him, by my life, if I can
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    meet him with any convenience, an he were double and double a
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    lord. I'll have no more pity of his age than I would have of-
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I'll beat him, and if I could but meet him again.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|                         Re-enter LAFEU
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Sirrah, your lord and master's married; there's news for
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    you; you have a new mistress.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. I most unfeignedly beseech your lordship to make some
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    reservation of your wrongs. He is my good lord: whom I serve
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    above is my master.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Who? God?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Ay, sir.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. The devil it is that's thy master. Why dost thou garter up
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    thy arms o' this fashion? Dost make hose of thy sleeves? Do other
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    servants so? Thou wert best set thy lower part where thy nose
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    stands. By mine honour, if I were but two hours younger, I'd beat  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    thee. Methink'st thou art a general offence, and every man should
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    beat thee. I think thou wast created for men to breathe
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    themselves upon thee.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. This is hard and undeserved measure, my lord.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  LAFEU. Go to, sir; you were beaten in Italy for picking a kernel
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    out of a pomegranate; you are a vagabond, and no true traveller;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    you are more saucy with lords and honourable personages than the
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    commission of your birth and virtue gives you heraldry. You are
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    not worth another word, else I'd call you knave. I leave you.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3| Exit
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|                           Enter BERTRAM
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Good, very, good, it is so then. Good, very good; let it
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    be conceal'd awhile.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. Undone, and forfeited to cares for ever!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. What's the matter, sweetheart?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. Although before the solemn priest I have sworn,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I will not bed her.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. What, what, sweetheart?  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. O my Parolles, they have married me!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I'll to the Tuscan wars, and never bed her.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. France is a dog-hole, and it no more merits
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The tread of a man's foot. To th' wars!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. There's letters from my mother; what th' import is I know
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    not yet.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Ay, that would be known. To th' wars, my boy, to th'
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|      wars!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    He wears his honour in a box unseen
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    That hugs his kicky-wicky here at home,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Spending his manly marrow in her arms,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Which should sustain the bound and high curvet
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Of Mars's fiery steed. To other regions!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    France is a stable; we that dwell in't jades;
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Therefore, to th' war!
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. It shall be so; I'll send her to my house,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Acquaint my mother with my hate to her,
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    And wherefore I am fled; write to the King
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    That which I durst not speak. His present gift
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Shall furnish me to those Italian fields  
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Where noble fellows strike. War is no strife
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    To the dark house and the detested wife.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Will this capriccio hold in thee, art sure?
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  BERTRAM. Go with me to my chamber and advise me.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I'll send her straight away. To-morrow
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    I'll to the wars, she to her single sorrow.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|  PAROLLES. Why, these balls bound; there's noise in it. 'Tis hard:
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    A young man married is a man that's marr'd.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    Therefore away, and leave her bravely; go.
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|    The King has done you wrong; but, hush, 'tis so.      Exeunt
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|9|Act 2, Scene 3|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|ACT II. SCENE 4.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|Paris. The KING'S palace
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|Enter HELENA and CLOWN
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. My mother greets me kindly; is she well?
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. She is not well, but yet she has her health; she's very
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    merry, but yet she is not well. But thanks be given, she's very
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    well, and wants nothing i' th' world; but yet she is not well.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. If she be very well, what does she ail that she's not very
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    well?
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. Truly, she's very well indeed, but for two things.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. What two things?
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. One, that she's not in heaven, whither God send her quickly!
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    The other, that she's in earth, from whence God send her quickly!
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|                        Enter PAROLLES
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. Bless you, my fortunate lady!
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. I hope, sir, I have your good will to have mine own good
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    fortunes.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. You had my prayers to lead them on; and to keep them on,  
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    have them still. O, my knave, how does my old lady?
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. So that you had her wrinkles and I her money, I would she
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    did as you say.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. Why, I say nothing.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. Marry, you are the wiser man; for many a man's tongue shakes
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    out his master's undoing. To say nothing, to do nothing, to know
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    nothing, and to have nothing, is to be a great part of your
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    title, which is within a very little of nothing.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. Away! th'art a knave.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. You should have said, sir, 'Before a knave th'art a knave';
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    that's 'Before me th'art a knave.' This had been truth, sir.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. Go to, thou art a witty fool; I have found thee.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  CLOWN. Did you find me in yourself, sir, or were you taught to find
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    me? The search, sir, was profitable; and much fool may you find
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    in you, even to the world's pleasure and the increase of
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    laughter.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. A good knave, i' faith, and well fed.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Madam, my lord will go away to-night:
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    A very serious business calls on him.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    The great prerogative and rite of love,  
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Which, as your due, time claims, he does acknowledge;
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    But puts it off to a compell'd restraint;
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Whose want, and whose delay, is strew'd with sweets,
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Which they distil now in the curbed time,
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    To make the coming hour o'erflow with joy
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    And pleasure drown the brim.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. What's his else?
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. That you will take your instant leave o' th' King,
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    And make this haste as your own good proceeding,
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Strength'ned with what apology you think
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    May make it probable need.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. What more commands he?
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. That, having this obtain'd, you presently
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Attend his further pleasure.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. In everything I wait upon his will.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  PAROLLES. I shall report it so.
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|  HELENA. I pray you.                              Exit PAROLLES
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|    Come, sirrah.                                         Exeunt
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|10|Act 2, Scene 4|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|ACT II. SCENE 5.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|Paris. The KING'S palace
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|Enter LAFEU and BERTRAM
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. But I hope your lordship thinks not him a soldier.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Yes, my lord, and of very valiant approof.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. You have it from his own deliverance.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. And by other warranted testimony.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. Then my dial goes not true; I took this lark for a bunting.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. I do assure you, my lord, he is very great in knowledge,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    and accordingly valiant.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. I have then sinn'd against his experience and transgress'd
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    against his valour; and my state that way is dangerous, since I
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    cannot yet find in my heart to repent. Here he comes; I pray you
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    make us friends; I will pursue the amity
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|                         Enter PAROLLES
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES.  [To BERTRAM]  These things shall be done, sir.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. Pray you, sir, who's his tailor?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. Sir!  
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. O, I know him well. Ay, sir; he, sir, 's a good workman, a
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    very good tailor.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM.  [Aside to PAROLLES]  Is she gone to the King?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. She is.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Will she away to-night?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. As you'll have her.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. I have writ my letters, casketed my treasure,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Given order for our horses; and to-night,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    When I should take possession of the bride,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    End ere I do begin.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. A good traveller is something at the latter end of a dinner;
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    but one that lies three-thirds and uses a known truth to pass a
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    thousand nothings with, should be once heard and thrice beaten.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    God save you, Captain.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Is there any unkindness between my lord and you, monsieur?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. I know not how I have deserved to run into my lord's
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    displeasure.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. You have made shift to run into 't, boots and spurs and all,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    like him that leapt into the custard; and out of it you'll run
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    again, rather than suffer question for your residence.  
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. It may be you have mistaken him, my lord.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  LAFEU. And shall do so ever, though I took him at's prayers.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Fare you well, my lord; and believe this of me: there can be no
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    kernal in this light nut; the soul of this man is his clothes;
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    trust him not in matter of heavy consequence; I have kept of them
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    tame, and know their natures. Farewell, monsieur; I have spoken
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    better of you than you have or will to deserve at my hand; but we
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    must do good against evil.                              Exit
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. An idle lord, I swear.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. I think so.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. Why, do you not know him?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Yes, I do know him well; and common speech
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Gives him a worthy pass. Here comes my clog.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|                          Enter HELENA
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. I have, sir, as I was commanded from you,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Spoke with the King, and have procur'd his leave
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    For present parting; only he desires
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Some private speech with you.  
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. I shall obey his will.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    You must not marvel, Helen, at my course,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Which holds not colour with the time, nor does
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    The ministration and required office
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    On my particular. Prepar'd I was not
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    For such a business; therefore am I found
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    So much unsettled. This drives me to entreat you
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    That presently you take your way for home,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    And rather muse than ask why I entreat you;
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    For my respects are better than they seem,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    And my appointments have in them a need
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Greater than shows itself at the first view
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    To you that know them not. This to my mother.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|                                               [Giving a letter]
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    'Twill be two days ere I shall see you; so
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    I leave you to your wisdom.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. Sir, I can nothing say
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    But that I am your most obedient servant.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Come, come, no more of that.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. And ever shall  
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    With true observance seek to eke out that
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Wherein toward me my homely stars have fail'd
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    To equal my great fortune.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Let that go.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    My haste is very great. Farewell; hie home.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. Pray, sir, your pardon.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Well, what would you say?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. I am not worthy of the wealth I owe,
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Nor dare I say 'tis mine, and yet it is;
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    But, like a timorous thief, most fain would steal
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    What law does vouch mine own.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. What would you have?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. Something; and scarce so much; nothing, indeed.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    I would not tell you what I would, my lord.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Faith, yes:
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Strangers and foes do sunder and not kiss.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. I pray you, stay not, but in haste to horse.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  HELENA. I shall not break your bidding, good my lord.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  BERTRAM. Where are my other men, monsieur?
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Farewell!                                        Exit HELENA  
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Go thou toward home, where I will never come
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Whilst I can shake my sword or hear the drum.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|    Away, and for our flight.
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|  PAROLLES. Bravely, coragio!                             Exeunt
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|11|Act 2, Scene 5|
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|ACT III. SCENE 1.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|Florence. The DUKE's palace
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|        Flourish. Enter the DUKE OF FLORENCE, attended; two
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|               FRENCH LORDS, with a TROOP OF SOLDIERS
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  DUKE. So that, from point to point, now have you hear
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    The fundamental reasons of this war;
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Whose great decision hath much blood let forth
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    And more thirsts after.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  FIRST LORD. Holy seems the quarrel
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Upon your Grace's part; black and fearful
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    On the opposer.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  DUKE. Therefore we marvel much our cousin France
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Would in so just a business shut his bosom
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Against our borrowing prayers.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  SECOND LORD. Good my lord,
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    The reasons of our state I cannot yield,
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    But like a common and an outward man
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    That the great figure of a council frames
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    By self-unable motion; therefore dare not
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Say what I think of it, since I have found  
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Myself in my incertain grounds to fail
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    As often as I guess'd.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  DUKE. Be it his pleasure.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  FIRST LORD. But I am sure the younger of our nature,
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    That surfeit on their ease, will day by day
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Come here for physic.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|  DUKE. Welcome shall they be
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    And all the honours that can fly from us
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    Shall on them settle. You know your places well;
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    When better fall, for your avails they fell.
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|    To-morrow to th' field. Flourish.                     Exeunt
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|
2|ALLS WELL THAT ENDS WELL|12|Act 3, Scene 1|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|ACT III. SCENE 2.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|Enter COUNTESS and CLOWN
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. It hath happen'd all as I would have had it, save that he
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    comes not along with her.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. By my troth, I take my young lord to be a very melancholy
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    man.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. By what observance, I pray you?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. Why, he will look upon his boot and sing; mend the ruff and
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    sing; ask questions and sing; pick his teeth and sing. I know a
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    man that had this trick of melancholy sold a goodly manor for a
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    song.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Let me see what he writes, and when he means to come.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|                                              [Opening a letter]
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. I have no mind to Isbel since I was at court. Our old ling
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    and our Isbels o' th' country are nothing like your old ling and
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    your Isbels o' th' court. The brains of my Cupid's knock'd out;
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    and I begin to love, as an old man loves money, with no stomach.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. What have we here?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. E'en that you have there.                          Exit  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS.  [Reads]  'I have sent you a daughter-in-law; she hath
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    recovered the King and undone me. I have wedded her, not bedded
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    her; and sworn to make the "not" eternal. You shall hear I am run
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    away; know it before the report come. If there be breadth enough
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    in the world, I will hold a long distance. My duty to you.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|                                           Your unfortunate son,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|                                                       BERTRAM.'
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    This is not well, rash and unbridled boy,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    To fly the favours of so good a king,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    To pluck his indignation on thy head
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    By the misprizing of a maid too virtuous
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    For the contempt of empire.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|                           Re-enter CLOWN
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. O madam, yonder is heavy news within between two soldiers
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    and my young lady.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. What is the -matter?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. Nay, there is some comfort in the news, some comfort; your
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    son will not be kill'd so soon as I thought he would.  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Why should he be kill'd?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  CLOWN. So say I, madam, if he run away, as I hear he does the
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    danger is in standing to 't; that's the loss of men, though it be
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    the getting of children. Here they come will tell you more. For my
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    part, I only hear your son was run away.                Exit
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|              Enter HELENA and the two FRENCH GENTLEMEN
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  SECOND GENTLEMAN. Save you, good madam.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  HELENA. Madam, my lord is gone, for ever gone.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  FIRST GENTLEMAN. Do not say so.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Think upon patience. Pray you, gentlemen-
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    I have felt so many quirks of joy and grief
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That the first face of neither, on the start,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Can woman me unto 't. Where is my son, I pray you?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  FIRST GENTLEMAN. Madam, he's gone to serve the Duke of Florence.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    We met him thitherward; for thence we came,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    And, after some dispatch in hand at court,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Thither we bend again.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  HELENA. Look on this letter, madam; here's my passport.  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    [Reads]  'When thou canst get the ring upon my finger, which
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    never shall come off, and show me a child begotten of thy body
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    that I am father to, then call me husband; but in such a "then" I
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    write a "never."
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    This is a dreadful sentence.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Brought you this letter, gentlemen?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  FIRST GENTLEMAN. Ay, madam;
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    And for the contents' sake are sorry for our pains.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. I prithee, lady, have a better cheer;
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    If thou engrossest all the griefs are thine,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Thou robb'st me of a moiety. He was my son;
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    But I do wash his name out of my blood,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    And thou art all my child. Towards Florence is he?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  FIRST GENTLEMAN. Ay, madam.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. And to be a soldier?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  FIRST GENTLEMAN. Such is his noble purpose; and, believe 't,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    The Duke will lay upon him all the honour
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That good convenience claims.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Return you thither?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  SECOND GENTLEMAN. Ay, madam, with the swiftest wing of speed.  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  HELENA.  [Reads]  'Till I have no wife, I have nothing in France.'
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    'Tis bitter.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Find you that there?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  HELENA. Ay, madam.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  SECOND GENTLEMAN. 'Tis but the boldness of his hand haply, which
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    his heart was not consenting to.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Nothing in France until he have no wife!
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    There's nothing here that is too good for him
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    But only she; and she deserves a lord
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That twenty such rude boys might tend upon,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    And call her hourly mistress. Who was with him?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  SECOND GENTLEMAN. A servant only, and a gentleman
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Which I have sometime known.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Parolles, was it not?
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  SECOND GENTLEMAN. Ay, my good lady, he.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. A very tainted fellow, and full of wickedness.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    My son corrupts a well-derived nature
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    With his inducement.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  SECOND GENTLEMAN. Indeed, good lady,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    The fellow has a deal of that too much  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Which holds him much to have.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Y'are welcome, gentlemen.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    I will entreat you, when you see my son,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    To tell him that his sword can never win
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    The honour that he loses. More I'll entreat you
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Written to bear along.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  FIRST GENTLEMAN. We serve you, madam,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    In that and all your worthiest affairs.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  COUNTESS. Not so, but as we change our courtesies.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Will you draw near?            Exeunt COUNTESS and GENTLEMEN
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|  HELENA. 'Till I have no wife, I have nothing in France.'
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Nothing in France until he has no wife!
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Thou shalt have none, Rousillon, none in France
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Then hast thou all again. Poor lord! is't
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That chase thee from thy country, and expose
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Those tender limbs of thine to the event
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Of the non-sparing war? And is it I
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That drive thee from the sportive court, where thou
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Wast shot at with fair eyes, to be the mark
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Of smoky muskets? O you leaden messengers,  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That ride upon the violent speed of fire,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Fly with false aim; move the still-piecing air,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That sings with piercing; do not touch my lord.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Whoever shoots at him, I set him there;
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Whoever charges on his forward breast,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    I am the caitiff that do hold him to't;
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    And though I kill him not, I am the cause
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    His death was so effected. Better 'twere
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    I met the ravin lion when he roar'd
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    With sharp constraint of hunger; better 'twere
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That all the miseries which nature owes
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Were mine at once. No; come thou home, Rousillon,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Whence honour but of danger wins a scar,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    As oft it loses all. I will be gone.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    My being here it is that holds thee hence.
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    Shall I stay here to do 't? No, no, although
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    The air of paradise did fan the house,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    And angels offic'd all. I will be gone,
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    That pitiful rumour may report my flight
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    To consolate thine ear. Come, night; end, day.  
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|    For with the dark, poor thief, I'll steal away.         Exit
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|13|Act 3, Scene 2|
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|ACT III. SCENE 3.
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|Florence. Before the DUKE's palace
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|Flourish. Enter the DUKE OF FLORENCE, BERTRAM, PAROLLES, SOLDIERS,
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|drum and trumpets
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|  DUKE. The General of our Horse thou art; and we,
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    Great in our hope, lay our best love and credence
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    Upon thy promising fortune.
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|  BERTRAM. Sir, it is
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    A charge too heavy for my strength; but yet
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    We'll strive to bear it for your worthy sake
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    To th' extreme edge of hazard.
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|  DUKE. Then go thou forth;
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    And Fortune play upon thy prosperous helm,
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    As thy auspicious mistress!
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|  BERTRAM. This very day,
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    Great Mars, I put myself into thy file;
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    Make me but like my thoughts, and I shall prove
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|    A lover of thy drum, hater of love.                   Exeunt
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|
2|ALLS WELL THAT ENDS WELL|14|Act 3, Scene 3|
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|ACT III. SCENE 4.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|Enter COUNTESS and STEWARD
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|  COUNTESS. Alas! and would you take the letter of her?
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Might you not know she would do as she has done
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    By sending me a letter? Read it again.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|  STEWARD.  [Reads]  'I am Saint Jaques' pilgrim, thither gone.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Ambitious love hath so in me offended
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    That barefoot plod I the cold ground upon,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    With sainted vow my faults to have amended.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Write, write, that from the bloody course of war
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    My dearest master, your dear son, may hie.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Bless him at home in peace, whilst I from far
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    His name with zealous fervour sanctify.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    His taken labours bid him me forgive;
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    I, his despiteful Juno, sent him forth
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    From courtly friends, with camping foes to live,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Where death and danger dogs the heels of worth.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    He is too good and fair for death and me;
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Whom I myself embrace to set him free.'  
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|  COUNTESS. Ah, what sharp stings are in her mildest words!
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Rinaldo, you did never lack advice so much
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    As letting her pass so; had I spoke with her,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    I could have well diverted her intents,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Which thus she hath prevented.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|  STEWARD. Pardon me, madam;
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    If I had given you this at over-night,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    She might have been o'er ta'en; and yet she writes
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Pursuit would be but vain.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|  COUNTESS. What angel shall
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Bless this unworthy husband? He cannot thrive,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Unless her prayers, whom heaven delights to hear
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    And loves to grant, reprieve him from the wrath
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Of greatest justice. Write, write, Rinaldo,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    To this unworthy husband of his wife;
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Let every word weigh heavy of her worth
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    That he does weigh too light. My greatest grief,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Though little he do feel it, set down sharply.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Dispatch the most convenient messenger.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    When haply he shall hear that she is gone  
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    He will return; and hope I may that she,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Hearing so much, will speed her foot again,
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Led hither by pure love. Which of them both
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Is dearest to me I have no skill in sense
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    To make distinction. Provide this messenger.
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    My heart is heavy, and mine age is weak;
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|    Grief would have tears, and sorrow bids me speak.     Exeunt
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|
2|ALLS WELL THAT ENDS WELL|15|Act 3, Scene 4|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|ACT III. SCENE 5.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|Without the walls of Florence
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|A tucket afar off. Enter an old WIDOW OF FLORENCE, her daughter DIANA,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|VIOLENTA, and MARIANA, with other CITIZENS
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. Nay, come; for if they do approach the city we shall lose
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    all the sight.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. They say the French count has done most honourable service.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. It is reported that he has taken their great'st commander;
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    and that with his own hand he slew the Duke's brother.  [Tucket]
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    We have lost our labour; they are gone a contrary way. Hark! you
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    may know by their trumpets.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  MARIANA. Come, let's return again, and suffice ourselves with the
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    report of it. Well, Diana, take heed of this French earl; the
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    honour of a maid is her name, and no legacy is so rich as
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    honesty.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. I have told my neighbour how you have been solicited by a
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    gentleman his companion.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  MARIANA. I know that knave, hang him! one Parolles; a filthy
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    officer he is in those suggestions for the young earl. Beware of  
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    them, Diana: their promises, enticements, oaths, tokens, and all
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    these engines of lust, are not the things they go under; many a
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    maid hath been seduced by them; and the misery is, example, that
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    so terrible shows in the wreck of maidenhood, cannot for all that
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    dissuade succession, but that they are limed with the twigs that
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    threatens them. I hope I need not to advise you further; but I
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    hope your own grace will keep you where you are, though there
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    were no further danger known but the modesty which is so lost.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. You shall not need to fear me.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|            Enter HELENA in the dress of a pilgrim
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. I hope so. Look, here comes a pilgrim. I know she will lie
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    at my house: thither they send one another. I'll question her.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    God save you, pilgrim! Whither are bound?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. To Saint Jaques le Grand.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Where do the palmers lodge, I do beseech you?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. At the Saint Francis here, beside the port.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. Is this the way?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|                                                  [A march afar]  
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. Ay, marry, is't. Hark you! They come this way.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    If you will tarry, holy pilgrim,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    But till the troops come by,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    I will conduct you where you shall be lodg'd;
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    The rather for I think I know your hostess
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    As ample as myself.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. Is it yourself?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. If you shall please so, pilgrim.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. I thank you, and will stay upon your leisure.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. You came, I think, from France?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. I did so.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. Here you shall see a countryman of yours
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    That has done worthy service.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. His name, I pray you.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. The Count Rousillon. Know you such a one?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. But by the ear, that hears most nobly of him;
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    His face I know not.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. What some'er he is,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    He's bravely taken here. He stole from France,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    As 'tis reported, for the King had married him  
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Against his liking. Think you it is so?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. Ay, surely, mere the truth; I know his lady.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. There is a gentleman that serves the Count
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Reports but coarsely of her.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. What's his name?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. Monsieur Parolles.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. O, I believe with him,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    In argument of praise, or to the worth
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Of the great Count himself, she is too mean
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    To have her name repeated; all her deserving
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Is a reserved honesty, and that
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    I have not heard examin'd.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. Alas, poor lady!
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    'Tis a hard bondage to become the wife
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Of a detesting lord.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. I sweet, good creature, wheresoe'er she is
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Her heart weighs sadly. This young maid might do her
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    A shrewd turn, if she pleas'd.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. How do you mean?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    May be the amorous Count solicits her  
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    In the unlawful purpose.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. He does, indeed;
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    And brokes with all that can in such a suit
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Corrupt the tender honour of a maid;
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    But she is arm'd for him, and keeps her guard
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    In honestest defence.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Enter, with drum and colours, BERTRAM, PAROLLES, and the
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|                          whole ARMY
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  MARIANA. The gods forbid else!
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. So, now they come.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    That is Antonio, the Duke's eldest son;
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    That, Escalus.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. Which is the Frenchman?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. He-
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    That with the plume; 'tis a most gallant fellow.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    I would he lov'd his wife; if he were honester
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    He were much goodlier. Is't not a handsome gentleman?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. I like him well.  
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. 'Tis pity he is not honest. Yond's that same knave
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    That leads him to these places; were I his lady
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    I would poison that vile rascal.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. Which is he?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  DIANA. That jack-an-apes with scarfs. Why is he melancholy?
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. Perchance he's hurt i' th' battle.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  PAROLLES. Lose our drum! well.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  MARIANA. He's shrewdly vex'd at something.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Look, he has spied us.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. Marry, hang you!
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  MARIANA. And your courtesy, for a ring-carrier!
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|                              Exeunt BERTRAM, PAROLLES, and ARMY
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  WIDOW. The troop is past. Come, pilgrim, I will bring you
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Where you shall host. Of enjoin'd penitents
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    There's four or five, to great Saint Jaques bound,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Already at my house.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|  HELENA. I humbly thank you.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Please it this matron and this gentle maid
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    To eat with us to-night; the charge and thanking
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Shall be for me, and, to requite you further,  
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    I will bestow some precepts of this virgin,
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    Worthy the note.
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|    BOTH. We'll take your offer kindly.                   Exeunt
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|16|Act 3, Scene 5|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|ACT III. SCENE 6.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|Camp before Florence
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|Enter BERTRAM, and the two FRENCH LORDS
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. Nay, good my lord, put him to't; let him have his way.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. If your lordship find him not a hiding, hold me no more
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    in your respect.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. On my life, my lord, a bubble.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. Do you think I am so far deceived in him?
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. Believe it, my lord, in mine own direct knowledge,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    without any malice, but to speak of him as my kinsman, he's a
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    most notable coward, an infinite and endless liar, an hourly
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    promise-breaker, the owner of no one good quality worthy your
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    lordship's entertainment.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. It were fit you knew him; lest, reposing too far in his
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    virtue, which he hath not, he might at some great and trusty
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    business in a main danger fail you.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. I would I knew in what particular action to try him.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. None better than to let him fetch off his drum, which
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    you hear him so confidently undertake to do.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. I with a troop of Florentines will suddenly surprise  
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    him; such I will have whom I am sure he knows not from the enemy.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    We will bind and hoodwink him so that he shall suppose no other
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    but that he is carried into the leaguer of the adversaries when
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    we bring him to our own tents. Be but your lordship present at
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    his examination; if he do not, for the promise of his life and in
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    the highest compulsion of base fear, offer to betray you and
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    deliver all the intelligence in his power against you, and that
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    with the divine forfeit of his soul upon oath, never trust my
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    judgment in anything.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. O, for the love of laughter, let him fetch his drum; he
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    says he has a stratagem for't. When your lordship sees the bottom
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    of his success in't, and to what metal this counterfeit lump of
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    ore will be melted, if you give him not John Drum's
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    entertainment, your inclining cannot be removed. Here he comes.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|                      Enter PAROLLES
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. O, for the love of laughter, hinder not the honour of
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    his design; let him fetch off his drum in any hand.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. How now, monsieur! This drum sticks sorely in your  
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    disposition.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. A pox on 't; let it go; 'tis but a drum.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. But a drum! Is't but a drum? A drum so lost! There was
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    excellent command: to charge in with our horse upon our own
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    wings, and to rend our own soldiers!
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. That was not to be blam'd in the command of the
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    service; it was a disaster of war that Caesar himself could not
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    have prevented, if he had been there to command.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. Well, we cannot greatly condemn our success.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    Some dishonour we had in the loss of that drum; but it is not to
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    be recovered.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. It might have been recovered.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. It might, but it is not now.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. It is to be recovered. But that the merit of service is
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    seldom attributed to the true and exact performer, I would have
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    that drum or another, or 'hic jacet.'
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. Why, if you have a stomach, to't, monsieur. If you think
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    your mystery in stratagem can bring this instrument of honour
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    again into his native quarter, be magnanimous in the enterprise,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    and go on; I will grace the attempt for a worthy exploit. If you  
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    speed well in it, the Duke shall both speak of it and extend to
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    you what further becomes his greatness, even to the utmost
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    syllable of our worthiness.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. By the hand of a soldier, I will undertake it.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. But you must not now slumber in it.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. I'll about it this evening; and I will presently pen
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    down my dilemmas, encourage myself in my certainty, put myself
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    into my mortal preparation; and by midnight look to hear further
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    from me.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. May I be bold to acquaint his Grace you are gone about it?
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. I know not what the success will be, my lord, but the
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    attempt I vow.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. I know th' art valiant; and, to the of thy soldiership,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    will subscribe for thee. Farewell.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  PAROLLES. I love not many words.                          Exit
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. No more than a fish loves water. Is not this a strange
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    fellow, my lord, that so confidently seems to undertake this
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    business, which he knows is not to be done; damns himself to do,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    and dares better be damn'd than to do 't.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. You do not know him, my lord, as we do. Certain it is  
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    that he will steal himself into a man's favour, and for a week
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    escape a great deal of discoveries; but when you find him out,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    you have him ever after.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. Why, do you think he will make no deed at all of this that
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    so seriously he does address himself unto?
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. None in the world; but return with an invention, and
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    clap upon you two or three probable lies. But we have almost
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    emboss'd him. You shall see his fall to-night; for indeed he is
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    not for your lordship's respect.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. We'll make you some sport with the fox ere we case him.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    He was first smok'd by the old Lord Lafeu. When his disguise and
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    he is parted, tell me what a sprat you shall find him; which you
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    shall see this very night.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. I must go look my twigs; he shall be caught.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. Your brother, he shall go along with me.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  SECOND LORD. As't please your lordship. I'll leave you.   Exit
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. Now will I lead you to the house, and show you
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    The lass I spoke of.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. But you say she's honest.
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  BERTRAM. That's all the fault. I spoke with her but once,  
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    And found her wondrous cold; but I sent to her,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    By this same coxcomb that we have i' th' wind,
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    Tokens and letters which she did re-send;
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    And this is all I have done. She's a fair creature;
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|    Will you go see her?
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|  FIRST LORD. With all my heart, my lord.                 Exeunt
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|17|Act 3, Scene 6|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|ACT III. SCENE 7.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|Florence. The WIDOW'S house
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|Enter HELENA and WIDOW
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  HELENA. If you misdoubt me that I am not she,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    I know not how I shall assure you further
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    But I shall lose the grounds I work upon.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  WIDOW. Though my estate be fall'n, I was well born,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Nothing acquainted with these businesses;
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    And would not put my reputation now
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    In any staining act.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  HELENA. Nor would I wish you.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  FIRST give me trust the Count he is my husband,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    And what to your sworn counsel I have spoken
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Is so from word to word; and then you cannot,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    By the good aid that I of you shall borrow,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Err in bestowing it.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  WIDOW. I should believe you;
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    For you have show'd me that which well approves
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Y'are great in fortune.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  HELENA. Take this purse of gold,  
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    And let me buy your friendly help thus far,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Which I will over-pay and pay again
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    When I have found it. The Count he woos your daughter
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Lays down his wanton siege before her beauty,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Resolv'd to carry her. Let her in fine consent,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    As we'll direct her how 'tis best to bear it.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Now his important blood will nought deny
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    That she'll demand. A ring the County wears
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    That downward hath succeeded in his house
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    From son to son some four or five descents
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Since the first father wore it. This ring he holds
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    In most rich choice; yet, in his idle fire,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    To buy his will, it would not seem too dear,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Howe'er repented after.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  WIDOW. Now I see
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    The bottom of your purpose.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  HELENA. You see it lawful then. It is no more
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    But that your daughter, ere she seems as won,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Desires this ring; appoints him an encounter;
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    In fine, delivers me to fill the time,  
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Herself most chastely absent. After this,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    To marry her, I'll add three thousand crowns
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    To what is pass'd already.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  WIDOW. I have yielded.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Instruct my daughter how she shall persever,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    That time and place with this deceit so lawful
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    May prove coherent. Every night he comes
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    With musics of all sorts, and songs compos'd
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    To her unworthiness. It nothing steads us
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    To chide him from our eaves, for he persists
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    As if his life lay on 't.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|  HELENA. Why then to-night
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Let us assay our plot; which, if it speed,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Is wicked meaning in a lawful deed,
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    And lawful meaning in a lawful act;
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    Where both not sin, and yet a sinful fact.
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|    But let's about it.                                   Exeunt
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|18|Act 3, Scene 7|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|ACT IV. SCENE 1.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|Without the Florentine camp
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|Enter SECOND FRENCH LORD with five or six other SOLDIERS in ambush
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. He can come no other way but by this hedge-corner.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    When you sally upon him, speak what terrible language you will;
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    though you understand it not yourselves, no matter; for we must
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    not seem to understand him, unless some one among us, whom we
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    must produce for an interpreter.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. Good captain, let me be th' interpreter.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Art not acquainted with him? Knows he not thy voice?
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. No, sir, I warrant you.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. But what linsey-woolsey has thou to speak to us again?
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. E'en such as you speak to me.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. He must think us some band of strangers i' th'
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    adversary's entertainment. Now he hath a smack of all
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    neighbouring languages, therefore we must every one be a man of
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    his own fancy; not to know what we speak one to another, so we
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    seem to know, is to know straight our purpose: choughs' language,
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    gabble enough, and good enough. As for you, interpreter, you must  
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    seem very politic. But couch, ho! here he comes; to beguile two
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    hours in a sleep, and then to return and swear the lies he forges.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|                         Enter PAROLLES
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. Ten o'clock. Within these three hours 'twill be time
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    enough to go home. What shall I say I have done? It must be a
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    very plausive invention that carries it. They begin to smoke me;
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    and disgraces have of late knock'd to often at my door. I find my
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    tongue is too foolhardy; but my heart hath the fear of Mars
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    before it, and of his creatures, not daring the reports of my
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    tongue.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. This is the first truth that e'er thine own tongue was
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    guilty of.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. What the devil should move me to undertake the recovery
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    of this drum, being not ignorant of the impossibility, and
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    knowing I had no such purpose? I must give myself some hurts, and
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    say I got them in exploit. Yet slight ones will not carry it.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    They will say 'Came you off with so little?' And great ones I
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    dare not give. Wherefore, what's the instance? Tongue, I must put  
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    you into a butterwoman's mouth, and buy myself another of
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Bajazet's mule, if you prattle me into these perils.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Is it possible he should know what he is, and be that
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    he is?
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. I would the cutting of my garments would serve the turn,
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    or the breaking of my Spanish sword.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. We cannot afford you so.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. Or the baring of my beard; and to say it was in
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    stratagem.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. 'Twould not do.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. Or to drown my clothes, and say I was stripp'd.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Hardly serve.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. Though I swore I leap'd from the window of the citadel-
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. How deep?
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. Thirty fathom.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Three great oaths would scarce make that be believed.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. I would I had any drum of the enemy's; I would swear I
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    recover'd it.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. You shall hear one anon.          [Alarum within]
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. A drum now of the enemy's!  
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Throca movousus, cargo, cargo, cargo.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  ALL. Cargo, cargo, cargo, villianda par corbo, cargo.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. O, ransom, ransom! Do not hide mine eyes.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|                                            [They blindfold him]
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. Boskos thromuldo boskos.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. I know you are the Muskos' regiment,
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    And I shall lose my life for want of language.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    If there be here German, or Dane, Low Dutch,
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Italian, or French, let him speak to me;
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    I'll discover that which shall undo the Florentine.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. Boskos vauvado. I understand thee, and can speak thy
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    tongue. Kerely-bonto, sir, betake thee to thy faith, for
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    seventeen poniards are at thy bosom.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. O!
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. O, pray, pray, pray! Manka revania dulche.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Oscorbidulchos volivorco.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. The General is content to spare thee yet;
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    And, hoodwink'd as thou art, will lead thee on
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    To gather from thee. Haply thou mayst inform
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Something to save thy life.  
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. O, let me live,
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    And all the secrets of our camp I'll show,
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Their force, their purposes. Nay, I'll speak that
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Which you will wonder at.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. But wilt thou faithfully?
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  PAROLLES. If I do not, damn me.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  FIRST SOLDIER. Acordo linta.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Come on; thou art granted space.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|                   Exit, PAROLLES guarded. A short alarum within
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Go, tell the Count Rousillon and my brother
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    We have caught the woodcock, and will keep him muffled
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Till we do hear from them.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND SOLDIER. Captain, I will.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. 'A will betray us all unto ourselves-
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|    Inform on that.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND SOLDIER. So I will, sir.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|  SECOND LORD. Till then I'll keep him dark and safely lock'd.
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|                                                          Exeunt
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|19|Act 4, Scene 1|
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|ACT IV. SCENE 2.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|Florence. The WIDOW'S house
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|Enter BERTRAM and DIANA
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. They told me that your name was Fontibell.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. No, my good lord, Diana.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. Titled goddess;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    And worth it, with addition! But, fair soul,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    In your fine frame hath love no quality?
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    If the quick fire of youth light not your mind,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    You are no maiden, but a monument;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When you are dead, you should be such a one
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    As you are now, for you are cold and stern;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    And now you should be as your mother was
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When your sweet self was got.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. She then was honest.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. So should you be.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. No.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    My mother did but duty; such, my lord,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    As you owe to your wife.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. No more o'that!  
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    I prithee do not strive against my vows.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    I was compell'd to her; but I love the
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    By love's own sweet constraint, and will for ever
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Do thee all rights of service.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. Ay, so you serve us
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Till we serve you; but when you have our roses
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    You barely leave our thorns to prick ourselves,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    And mock us with our bareness.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. How have I sworn!
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. 'Tis not the many oaths that makes the truth,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    But the plain single vow that is vow'd true.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    What is not holy, that we swear not by,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    But take the High'st to witness. Then, pray you, tell me:
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    If I should swear by Jove's great attributes
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    I lov'd you dearly, would you believe my oaths
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When I did love you ill? This has no holding,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    To swear by him whom I protest to love
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    That I will work against him. Therefore your oaths
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Are words and poor conditions, but unseal'd-
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    At least in my opinion.  
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. Change it, change it;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Be not so holy-cruel. Love is holy;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    And my integrity ne'er knew the crafts
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    That you do charge men with. Stand no more off,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    But give thyself unto my sick desires,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Who then recovers. Say thou art mine, and ever
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    My love as it begins shall so persever.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. I see that men make ropes in such a scarre
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    That we'll forsake ourselves. Give me that ring.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. I'll lend it thee, my dear, but have no power
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    To give it from me.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. Will you not, my lord?
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. It is an honour 'longing to our house,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Bequeathed down from many ancestors;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Which were the greatest obloquy i' th' world
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    In me to lose.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. Mine honour's such a ring:
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    My chastity's the jewel of our house,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Bequeathed down from many ancestors;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Which were the greatest obloquy i' th' world  
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    In me to lose. Thus your own proper wisdom
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Brings in the champion Honour on my part
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Against your vain assault.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. Here, take my ring;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    My house, mine honour, yea, my life, be thine,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    And I'll be bid by thee.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. When midnight comes, knock at my chamber window;
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    I'll order take my mother shall not hear.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Now will I charge you in the band of truth,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When you have conquer'd my yet maiden bed,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Remain there but an hour, nor speak to me:
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    My reasons are most strong; and you shall know them
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When back again this ring shall be deliver'd.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    And on your finger in the night I'll put
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Another ring, that what in time proceeds
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    May token to the future our past deeds.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Adieu till then; then fail not. You have won
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    A wife of me, though there my hope be done.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  BERTRAM. A heaven on earth I have won by wooing thee.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2| Exit  
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|  DIANA. For which live long to thank both heaven and me!
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    You may so in the end.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    My mother told me just how he would woo,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    As if she sat in's heart; she says all men
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Have the like oaths. He had sworn to marry me
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When his wife's dead; therefore I'll lie with him
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    When I am buried. Since Frenchmen are so braid,
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Marry that will, I live and die a maid.
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    Only, in this disguise, I think't no sin
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|    To cozen him that would unjustly win.                   Exit
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|
2|ALLS WELL THAT ENDS WELL|20|Act 4, Scene 2|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|ACT IV. SCENE 3.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|The Florentine camp
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Enter the two FRENCH LORDS, and two or three SOLDIERS
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. You have not given him his mother's letter?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. I have deliv'red it an hour since. There is something
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    in't that stings his nature; for on the reading it he chang'd
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    almost into another man.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. He has much worthy blame laid upon him for shaking off
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    so good a wife and so sweet a lady.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Especially he hath incurred the everlasting displeasure
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of the King, who had even tun'd his bounty to sing happiness to
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    him. I will tell you a thing, but you shall let it dwell darkly
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    with you.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. When you have spoken it, 'tis dead, and I am the grave
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of it.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. He hath perverted a young gentlewoman here in Florence,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of a most chaste renown; and this night he fleshes his will in
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the spoil of her honour. He hath given her his monumental ring,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    and thinks himself made in the unchaste composition.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Now, God delay our rebellion! As we are ourselves,  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    what things are we!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Merely our own traitors. And as in the common course of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    all treasons we still see them reveal themselves till they attain
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    to their abhorr'd ends; so he that in this action contrives
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    against his own nobility, in his proper stream, o'erflows
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    himself.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Is it not meant damnable in us to be trumpeters of our
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    unlawful intents? We shall not then have his company to-night?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Not till after midnight; for he is dieted to his hour.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. That approaches apace. I would gladly have him see his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    company anatomiz'd, that he might take a measure of his own
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    judgments, wherein so curiously he had set this counterfeit.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. We will not meddle with him till he come; for his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    presence must be the whip of the other.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. In the meantime, what hear you of these wars?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. I hear there is an overture of peace.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Nay, I assure you, a peace concluded.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. What will Count Rousillon do then? Will he travel
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    higher, or return again into France?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. I perceive, by this demand, you are not altogether  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of his counsel.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Let it be forbid, sir! So should I be a great deal
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of his act.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Sir, his wife, some two months since, fled from his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    house. Her pretence is a pilgrimage to Saint Jaques le Grand;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    which holy undertaking with most austere sanctimony she
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    accomplish'd; and, there residing, the tenderness of her nature
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    became as a prey to her grief; in fine, made a groan of her last
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    breath, and now she sings in heaven.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. How is this justified?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. The stronger part of it by her own letters, which
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    makes her story true even to the point of her death. Her death
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    itself, which could not be her office to say is come, was
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    faithfully confirm'd by the rector of the place.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Hath the Count all this intelligence?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Ay, and the particular confirmations, point from
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    point, to the full arming of the verity.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. I am heartily sorry that he'll be glad of this.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. How mightily sometimes we make us comforts of our
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    losses!  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. And how mightily some other times we drown our gain in
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    tears! The great dignity that his valour hath here acquir'd for
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    him shall at home be encount'red with a shame as ample.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. The web of our life is of a mingled yarn, good and ill
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    together. Our virtues would be proud if our faults whipt them
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    not; and our crimes would despair if they were not cherish'd by
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    our virtues.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                      Enter a MESSENGER
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    How now? Where's your master?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SERVANT. He met the Duke in the street, sir; of whom he hath taken
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    a solemn leave. His lordship will next morning for France. The
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Duke hath offered him letters of commendations to the King.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. They shall be no more than needful there, if they were
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    more than they can commend.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. They cannot be too sweet for the King's tartness.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Here's his lordship now.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                        Enter BERTRAM  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    How now, my lord, is't not after midnight?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. I have to-night dispatch'd sixteen businesses, a month's
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    length apiece; by an abstract of success: I have congied with the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Duke, done my adieu with his nearest; buried a wife, mourn'd for
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    her; writ to my lady mother I am returning; entertain'd my
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    convoy; and between these main parcels of dispatch effected many
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    nicer needs. The last was the greatest, but that I have not ended
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    yet.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. If the business be of any difficulty and this morning
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    your departure hence, it requires haste of your lordship.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. I mean the business is not ended, as fearing to hear of it
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    hereafter. But shall we have this dialogue between the Fool and
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the Soldier? Come, bring forth this counterfeit module has
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    deceiv'd me like a double-meaning prophesier.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Bring him forth.  [Exeunt SOLDIERS]  Has sat i' th'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    stocks all night, poor gallant knave.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. No matter; his heels have deserv'd it, in usurping his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    spurs so long. How does he carry himself?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. I have told your lordship already the stocks carry  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    him. But to answer you as you would be understood: he weeps like
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    a wench that had shed her milk; he hath confess'd himself to
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Morgan, whom he supposes to be a friar, from the time of his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    remembrance to this very instant disaster of his setting i' th'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    stocks. And what think you he hath confess'd?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. Nothing of me, has 'a?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. His confession is taken, and it shall be read to his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    face; if your lordship be in't, as I believe you are, you must
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    have the patience to hear it.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                   Enter PAROLLES guarded, and
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                  FIRST SOLDIER as interpreter
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. A plague upon him! muffled! He can say nothing of me.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Hush, hush! Hoodman comes. Portotartarossa.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. He calls for the tortures. What will you say without
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    'em?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. I will confess what I know without constraint; if ye
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    pinch me like a pasty, I can say no more.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Bosko chimurcho.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Boblibindo chicurmurco.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. YOU are a merciful general. Our General bids you
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    answer to what I shall ask you out of a note.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. And truly, as I hope to live.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. 'First demand of him how many horse the Duke is
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    strong.' What say you to that?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Five or six thousand; but very weak and unserviceable.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    The troops are all scattered, and the commanders very poor
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    rogues, upon my reputation and credit, and as I hope to live.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Shall I set down your answer so?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Do; I'll take the sacrament on 't, how and which way you
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    will.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. All's one to him. What a past-saving slave is this!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Y'are deceiv'd, my lord; this is Monsieur Parolles,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the gallant militarist-that was his own phrase-that had the whole
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    theoric of war in the knot of his scarf, and the practice in the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    chape of his dagger.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. I will never trust a man again for keeping his sword
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    clean; nor believe he can have everything in him by wearing his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    apparel neatly.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Well, that's set down.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. 'Five or six thousand horse' I said-I will say true- 'or
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    thereabouts' set down, for I'll speak truth.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. He's very near the truth in this.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. But I con him no thanks for't in the nature he delivers it.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. 'Poor rogues' I pray you say.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Well, that's set down.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. I humbly thank you, sir. A truth's a truth-the rogues are
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    marvellous poor.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. 'Demand of him of what strength they are a-foot.'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    What say you to that?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. By my troth, sir, if I were to live this present hour, I
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    will tell true. Let me see: Spurio, a hundred and fifty;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Sebastian, so many; Corambus, so many; Jaques, so many; Guiltian,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Cosmo, Lodowick, and Gratii, two hundred fifty each; mine own
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    company, Chitopher, Vaumond, Bentii, two hundred fifty each; so
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    that the muster-file, rotten and sound, upon my life, amounts not
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    to fifteen thousand poll; half of the which dare not shake the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    snow from off their cassocks lest they shake themselves to
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    pieces.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. What shall be done to him?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Nothing, but let him have thanks. Demand of him my
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    condition, and what credit I have with the Duke.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Well, that's set down. 'You shall demand of him
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    whether one Captain Dumain be i' th' camp, a Frenchman; what his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    reputation is with the Duke, what his valour, honesty, expertness
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    in wars; or whether he thinks it were not possible, with
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    well-weighing sums of gold, to corrupt him to a revolt.' What say
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    you to this? What do you know of it?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. I beseech you, let me answer to the particular of the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    inter'gatories. Demand them singly.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Do you know this Captain Dumain?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. I know him: 'a was a botcher's prentice in Paris, from
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    whence he was whipt for getting the shrieve's fool with child-a
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    dumb innocent that could not say him nay.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. Nay, by your leave, hold your hands; though I know his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    brains are forfeit to the next tile that falls.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Well, is this captain in the Duke of Florence's
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    camp?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Upon my knowledge, he is, and lousy.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Nay, look not so upon me; we shall hear of your
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    lordship anon.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. What is his reputation with the Duke?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. The Duke knows him for no other but a poor officer of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    mine; and writ to me this other day to turn him out o' th' band.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    I think I have his letter in my pocket.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Marry, we'll search.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. In good sadness, I do not know; either it is there or it
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    is upon a file with the Duke's other letters in my tent.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Here 'tis; here's a paper. Shall I read it to you?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. I do not know if it be it or no.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. Our interpreter does it well.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Excellently.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER.  [Reads]  'Dian, the Count's a fool, and full of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    gold.'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. That is not the Duke's letter, sir; that is an
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    advertisement to a proper maid in Florence, one Diana, to take
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    heed of the allurement of one Count Rousillon, a foolish idle
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    boy, but for all that very ruttish. I pray you, sir, put it up
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    again.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. Nay, I'll read it first by your favour.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. My meaning in't, I protest, was very honest in the behalf
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of the maid; for I knew the young Count to be a dangerous and
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    lascivious boy, who is a whale to virginity, and devours up all
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the fry it finds.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. Damnable both-sides rogue!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER.                                         [Reads]
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    'When he swears oaths, bid him drop gold, and take it;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    After he scores, he never pays the score.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Half won is match well made; match, and well make it;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    He ne'er pays after-debts, take it before.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    And say a soldier, Dian, told thee this:
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Men are to mell with, boys are not to kiss;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    For count of this, the Count's a fool, I know it,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Who pays before, but not when he does owe it.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Thine, as he vow'd to thee in thine ear,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                                                   PAROLLES.'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. He shall be whipt through the army with this rhyme in's
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    forehead.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. This is your devoted friend, sir, the manifold  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    linguist, and the amnipotent soldier.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. I could endure anything before but a cat, and now he's a
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    cat to me.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. I perceive, sir, by our General's looks we shall be
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    fain to hang you.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. My life, sir, in any case! Not that I am afraid to die,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    but that, my offences being many, I would repent out the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    remainder of nature. Let me live, sir, in a dungeon, i' th'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    stocks, or anywhere, so I may live.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. We'll see what may be done, so you confess freely;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    therefore, once more to this Captain Dumain: you have answer'd to
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    his reputation with the Duke, and to his valour; what is his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    honesty?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. He will steal, sir, an egg out of a cloister; for rapes
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    and ravishments he parallels Nessus. He professes not keeping of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    oaths; in breaking 'em he is stronger than Hercules. He will lie,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    sir, with such volubility that you would think truth were a fool.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Drunkenness is his best virtue, for he will be swine-drunk; and
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    in his sleep he does little harm, save to his bedclothes about
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    him; but they know his conditions and lay him in straw. I have  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    but little more to say, sir, of his honesty. He has everything
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    that an honest man should not have; what an honest man should
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    have he has nothing.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. I begin to love him for this.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. For this description of thine honesty? A pox upon him! For
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    me, he's more and more a cat.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. What say you to his expertness in war?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Faith, sir, has led the drum before the English
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    tragedians-to belie him I will not-and more of his soldier-ship
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    I know not, except in that country he had the honour to be the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    officer at a place there called Mile-end to instruct for the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    doubling of files-I would do the man what honour I can-but of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    this I am not certain.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. He hath out-villain'd villainy so far that the rarity
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    redeems him.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. A pox on him! he's a cat still.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. His qualities being at this poor price, I need not
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    to ask you if gold will corrupt him to revolt.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Sir, for a cardecue he will sell the fee-simple of his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    salvation, the inheritance of it; and cut th' entail from all  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    remainders and a perpetual succession for it perpetually.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. What's his brother, the other Captain Dumain?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Why does he ask him of me?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. What's he?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. E'en a crow o' th' same nest; not altogether so great as
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the first in goodness, but greater a great deal in evil. He
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    excels his brother for a coward; yet his brother is reputed one
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of the best that is. In a retreat he outruns any lackey: marry,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    in coming on he has the cramp.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. If your life be saved, will you undertake to betray
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the Florentine?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Ay, and the Captain of his Horse, Count Rousillon.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. I'll whisper with the General, and know his
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    pleasure.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES.  [Aside]  I'll no more drumming. A plague of all drums!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Only to seem to deserve well, and to beguile the supposition of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    that lascivious young boy the Count, have I run into this danger.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Yet who would have suspected an ambush where I was taken?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. There is no remedy, sir, but you must die.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    The General says you that have so traitorously discover'd the  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    secrets of your army, and made such pestiferous reports of men
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    very nobly held, can serve the world for no honest use; therefore
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    you must die. Come, headsman, of with his head.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. O Lord, sir, let me live, or let me see my death!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. That shall you, and take your leave of all your
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    friends.  [Unmuffling him]  So look about you; know you any here?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  BERTRAM. Good morrow, noble Captain.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. God bless you, Captain Parolles.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. God save you, noble Captain.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST LORD. Captain, what greeting will you to my Lord Lafeu? I am
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    for France.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  SECOND LORD. Good Captain, will you give me a copy of the sonnet
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    you writ to Diana in behalf of the Count Rousillon? An I were not
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    a very coward I'd compel it of you; but fare you well.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                                        Exeunt BERTRAM and LORDS
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. You are undone, Captain, all but your scarf; that
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    has a knot on 't yet.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Who cannot be crush'd with a plot?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  FIRST SOLDIER. If you could find out a country where but women were
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    that had received so much shame, you might begin an impudent  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    nation. Fare ye well, sir; I am for France too; we shall speak of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    you there.                                Exit with SOLDIERS
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  PAROLLES. Yet am I thankful. If my heart were great,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    'Twould burst at this. Captain I'll be no more;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    But I will eat, and drink, and sleep as soft
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    As captain shall. Simply the thing I am
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Shall make me live. Who knows himself a braggart,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Let him fear this; for it will come to pass
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    That every braggart shall be found an ass.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Rust, sword; cool, blushes; and, Parolles, live
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Safest in shame. Being fool'd, by fool'ry thrive.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    There's place and means for every man alive.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    I'll after them.                                        Exit
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|ACT IV SCENE 4.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|The WIDOW'S house
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Enter HELENA, WIDOW, and DIANA
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  HELENA. That you may well perceive I have not wrong'd you!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    One of the greatest in the Christian world
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Shall be my surety; fore whose throne 'tis needful,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Ere I can perfect mine intents, to kneel.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Time was I did him a desired office,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Dear almost as his life; which gratitude
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Through flinty Tartar's bosom would peep forth,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    And answer 'Thanks.' I duly am inform'd
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    His Grace is at Marseilles, to which place
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    We have convenient convoy. You must know
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    I am supposed dead. The army breaking,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    My husband hies him home; where, heaven aiding,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    And by the leave of my good lord the King,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    We'll be before our welcome.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  WIDOW. Gentle madam,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    You never had a servant to whose trust
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Your business was more welcome.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  HELENA. Nor you, mistress,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Ever a friend whose thoughts more truly labour
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    To recompense your love. Doubt not but heaven
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Hath brought me up to be your daughter's dower,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    As it hath fated her to be my motive
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    And helper to a husband. But, O strange men!
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    That can such sweet use make of what they hate,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    When saucy trusting of the cozen'd thoughts
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Defiles the pitchy night. So lust doth play
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    With what it loathes, for that which is away.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    But more of this hereafter. You, Diana,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Under my poor instructions yet must suffer
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Something in my behalf.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  DIANA. Let death and honesty
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Go with your impositions, I am yours
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Upon your will to suffer.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  HELENA. Yet, I pray you:
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    But with the word the time will bring on summer,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    When briers shall have leaves as well as thorns
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    And be as sweet as sharp. We must away;  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Our waggon is prepar'd, and time revives us.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    All's Well that Ends Well. Still the fine's the crown.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    Whate'er the course, the end is the renown.           Exeunt
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|ACT IV SCENE 5.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|Enter COUNTESS, LAFEU, and CLOWN
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. No, no, no, son was misled with a snipt-taffeta fellow
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    there, whose villainous saffron would have made all the unbak'd
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    and doughy youth of a nation in his colour. Your daughter-in-law
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    had been alive at this hour, and your son here at home, more
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    advanc'd by the King than by that red-tail'd humble-bee I speak
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    of.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  COUNTESS. I would I had not known him. It was the death of the most
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    virtuous gentlewoman that ever nature had praise for creating. If
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    she had partaken of my flesh, and cost me the dearest groans of a
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    mother. I could not have owed her a more rooted love.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. 'Twas a good lady, 'twas a good lady. We may pick a thousand
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    sallets ere we light on such another herb.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. Indeed, sir, she was the sweet-marjoram of the sallet, or,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    rather, the herb of grace.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. They are not sallet-herbs, you knave; they are nose-herbs.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. I am no great Nebuchadnezzar, sir; I have not much skill in
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    grass.  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Whether dost thou profess thyself-a knave or a fool?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. A fool, sir, at a woman's service, and a knave at a man's.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Your distinction?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. I would cozen the man of his wife, and do his service.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. So you were a knave at his service, indeed.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. And I would give his wife my bauble, sir, to do her service.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. I will subscribe for thee; thou art both knave and fool.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. At your service.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. No, no, no.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. Why, sir, if I cannot serve you, I can serve as great a
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    prince as you are.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Who's that? A Frenchman?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. Faith, sir, 'a has an English name; but his fisnomy is more
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    hotter in France than there.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. What prince is that?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. The Black Prince, sir; alias, the Prince of Darkness; alias,
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the devil.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Hold thee, there's my purse. I give thee not this to suggest
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    thee from thy master thou talk'st of; serve him still.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. I am a woodland fellow, sir, that always loved a great fire;  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    and the master I speak of ever keeps a good fire. But, sure, he
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    is the prince of the world; let his nobility remain in's court. I
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    am for the house with the narrow gate, which I take to be too
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    little for pomp to enter. Some that humble themselves may; but
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    the many will be too chill and tender: and they'll be for the
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    flow'ry way that leads to the broad gate and the great fire.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Go thy ways, I begin to be aweary of thee; and I tell thee
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    so before, because I would not fall out with thee. Go thy ways;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    let my horses be well look'd to, without any tricks.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. If I put any tricks upon 'em, sir, they shall be jades'
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    tricks, which are their own right by the law of nature.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3| Exit
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. A shrewd knave, and an unhappy.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  COUNTESS. So 'a is. My lord that's gone made himself much  sport
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    out of him. By his authority he remains here, which he thinks is
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    a patent for his sauciness; and indeed he has no pace, but runs
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    where he will.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. I like him well; 'tis not amiss. And I was about to tell
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    you, since I heard of the good lady's death, and that my lord
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    your son was upon his return home, I moved the King my master to  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    speak in the behalf of my daughter; which, in the minority of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    them both, his Majesty out of a self-gracious remembrance did
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    first propose. His Highness hath promis'd me to do it; and, to
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    stop up the displeasure he hath conceived against your son, there
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    is no fitter matter. How does your ladyship like it?
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  COUNTESS. With very much content, my lord; and I wish it happily
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    effected.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. His Highness comes post from Marseilles, of as able body as
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    when he number'd thirty; 'a will be here to-morrow, or I am
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    deceiv'd by him that in such intelligence hath seldom fail'd.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  COUNTESS. It rejoices me that I hope I shall see him ere I die.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    I have letters that my son will be here to-night. I shall beseech
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    your lordship to remain with me tal they meet together.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Madam, I was thinking with what manners I might safely be
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    admitted.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  COUNTESS. You need but plead your honourable privilege.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Lady, of that I have made a bold charter; but, I thank my
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    God, it holds yet.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                         Re-enter CLOWN  
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. O madam, yonder's my lord your son with a patch of velvet
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    on's face; whether there be a scar under 't or no, the velvet
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    knows; but 'tis a goodly patch of velvet. His left cheek is a
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    cheek of two pile and a half, but his right cheek is worn bare.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. A scar nobly got, or a noble scar, is a good liv'ry of
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    honour; so belike is that.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. But it is your carbonado'd face.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  LAFEU. Let us go see your son, I pray you;
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    I long to talk with the young noble soldier.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|  CLOWN. Faith, there's a dozen of 'em, with delicate fine hats, and
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|    most courteous feathers, which bow the head and nod at every man.
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|                                                          Exeunt
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|21|Act 4, Scene 3|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|ACT V. SCENE 1.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Marseilles. A street
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Enter HELENA, WIDOW, and DIANA, with two ATTENDANTS
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. But this exceeding posting day and night
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Must wear your spirits low; we cannot help it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    But since you have made the days and nights as one,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To wear your gentle limbs in my affairs,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Be bold you do so grow in my requital
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    As nothing can unroot you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                      Enter a GENTLEMAN
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    In happy time!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    This man may help me to his Majesty's ear,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    If he would spend his power. God save you, sir.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. And you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. Sir, I have seen you in the court of France.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. I have been sometimes there.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. I do presume, sir, that you are not fall'n
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    From the report that goes upon your goodness;  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And therefore, goaded with most sharp occasions,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Which lay nice manners by, I put you to
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The use of your own virtues, for the which
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I shall continue thankful.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. What's your will?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. That it will please you
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To give this poor petition to the King;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And aid me with that store of power you have
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To come into his presence.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. The King's not here.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. Not here, sir?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. Not indeed.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He hence remov'd last night, and with more haste
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Than is his use.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  WIDOW. Lord, how we lose our pains!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. All's Well That Ends Well yet,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Though time seem so adverse and means unfit.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I do beseech you, whither is he gone?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. Marry, as I take it, to Rousillon;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whither I am going.  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. I do beseech you, sir,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Since you are like to see the King before me,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Commend the paper to his gracious hand;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Which I presume shall render you no blame,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    But rather make you thank your pains for it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I will come after you with what good speed
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Our means will make us means.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. This I'll do for you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. And you shall find yourself to be well thank'd,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whate'er falls more. We must to horse again;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Go, go, provide.                                      Exeunt
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|ACT V SCENE 2.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Rousillon. The inner court of the COUNT'S palace
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Enter CLOWN and PAROLLES
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. Good Monsieur Lavache, give my Lord Lafeu this letter. I
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    have ere now, sir, been better known to you, when I have held
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    familiarity with fresher clothes; but I am now, sir, muddied in
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Fortune's mood, and smell somewhat strong of her strong
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    displeasure.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  CLOWN. Truly, Fortune's displeasure is but sluttish, if it smell
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    so strongly as thou speak'st of. I will henceforth eat no fish
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    of Fortune's butt'ring. Prithee, allow the wind.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. Nay, you need not to stop your nose, sir; I spake but by
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    a metaphor.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  CLOWN. Indeed, sir, if your metaphor stink, I will stop my nose; or
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    against any man's metaphor. Prithee, get thee further.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. Pray you, sir, deliver me this paper.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  CLOWN. Foh! prithee stand away. A paper from Fortune's close-stool
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    to give to a nobleman! Look here he comes himself.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                           Enter LAFEU  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Here is a pur of Fortune's, sir, or of Fortune's cat, but not
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    a musk-cat, that has fall'n into the unclean fishpond of her
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    displeasure, and, as he says, is muddied withal. Pray you, sir,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    use the carp as you may; for he looks like a poor, decayed,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    ingenious, foolish, rascally knave. I do pity his distress
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    in my similes of comfort, and leave him to your lordship.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1| Exit
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. My lord, I am a man whom Fortune hath cruelly scratch'd.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. And what would you have me to do? 'Tis too late to pare her
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    nails now. Wherein have you played the knave with Fortune, that
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    she should scratch you, who of herself is a good lady and would
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    not have knaves thrive long under her? There's a cardecue for
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    you. Let the justices make you and Fortune friends; I am for
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    other business.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. I beseech your honour to hear me one single word.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. You beg a single penny more; come, you shall ha't; save your
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    word.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. My name, my good lord, is Parolles.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. You beg more than word then. Cox my passion! give me your  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    hand. How does your drum?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. O my good lord, you were the first that found me.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. Was I, in sooth? And I was the first that lost thee.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. It lies in you, my lord, to bring me in some grace, for
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    you did bring me out.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. Out upon thee, knave! Dost thou put upon me at once both the
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    office of God and the devil? One brings the in grace, and the
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    other brings thee out.    [Trumpets sound]  The King's coming; I
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    know by his trumpets. Sirrah, inquire further after me; I had
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    talk of you last night. Though you are a fool and a knave, you
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    shall eat. Go to; follow.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. I praise God for you.                         Exeunt
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|ACT V SCENE 3.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Rousillon. The COUNT'S palace
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|Flourish. Enter KING, COUNTESS, LAFEU, the two FRENCH LORDS, with ATTENDANTS
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. We lost a jewel of her, and our esteem
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Was made much poorer by it; but your son,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    As mad in folly, lack'd the sense to know
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Her estimation home.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  COUNTESS. 'Tis past, my liege;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And I beseech your Majesty to make it
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Natural rebellion, done i' th' blaze of youth,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    When oil and fire, too strong for reason's force,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    O'erbears it and burns on.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. My honour'd lady,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I have forgiven and forgotten all;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Though my revenges were high bent upon him
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And watch'd the time to shoot.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. This I must say-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    But first, I beg my pardon: the young lord
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Did to his Majesty, his mother, and his lady,  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Offence of mighty note; but to himself
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The greatest wrong of all. He lost a wife
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whose beauty did astonish the survey
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Of richest eyes; whose words all ears took captive;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whose dear perfection hearts that scorn'd to serve
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Humbly call'd mistress.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Praising what is lost
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Makes the remembrance dear. Well, call him hither;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    We are reconcil'd, and the first view shall kill
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    All repetition. Let him not ask our pardon;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The nature of his great offence is dead,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And deeper than oblivion do we bury
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Th' incensing relics of it; let him approach,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    A stranger, no offender; and inform him
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    So 'tis our will he should.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. I shall, my liege.                 Exit GENTLEMAN
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. What says he to your daughter? Have you spoke?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. All that he is hath reference to your Highness.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Then shall we have a match. I have letters sent me
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That sets him high in fame.  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                          Enter BERTRAM
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. He looks well on 't.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. I am not a day of season,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    For thou mayst see a sunshine and a hail
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    In me at once. But to the brightest beams
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Distracted clouds give way; so stand thou forth;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The time is fair again.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. My high-repented blames,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Dear sovereign, pardon to me.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. All is whole;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Not one word more of the consumed time.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Let's take the instant by the forward top;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    For we are old, and on our quick'st decrees
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Th' inaudible and noiseless foot of Time
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Steals ere we can effect them. You remember
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The daughter of this lord?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. Admiringly, my liege. At first
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I stuck my choice upon her, ere my heart  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Durst make too bold herald of my tongue;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Where the impression of mine eye infixing,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Contempt his scornful perspective did lend me,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Which warp'd the line of every other favour,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Scorn'd a fair colour or express'd it stol'n,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Extended or contracted all proportions
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To a most hideous object. Thence it came
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That she whom all men prais'd, and whom myself,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Since I have lost, have lov'd, was in mine eye
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The dust that did offend it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Well excus'd.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That thou didst love her, strikes some scores away
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    From the great compt; but love that comes too late,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Like a remorseful pardon slowly carried,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To the great sender turns a sour offence,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Crying 'That's good that's gone.' Our rash faults
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Make trivial price of serious things we have,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Not knowing them until we know their grave.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Oft our displeasures, to ourselves unjust,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Destroy our friends, and after weep their dust;  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Our own love waking cries to see what's done,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    While shameful hate sleeps out the afternoon.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Be this sweet Helen's knell. And now forget her.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Send forth your amorous token for fair Maudlin.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The main consents are had; and here we'll stay
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To see our widower's second marriage-day.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  COUNTESS. Which better than the first, O dear heaven, bless!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Or, ere they meet, in me, O nature, cesse!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. Come on, my son, in whom my house's name
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Must be digested; give a favour from you,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To sparkle in the spirits of my daughter,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That she may quickly come.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                          [BERTRAM gives a ring]
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    By my old beard,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And ev'ry hair that's on 't, Helen, that's dead,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Was a sweet creature; such a ring as this,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The last that e'er I took her leave at court,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I saw upon her finger.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. Hers it was not.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Now, pray you, let me see it; for mine eye,  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    While I was speaking, oft was fasten'd to't.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    This ring was mine; and when I gave it Helen
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I bade her, if her fortunes ever stood
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Necessitied to help, that by this token
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I would relieve her. Had you that craft to reave her
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Of what should stead her most?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. My gracious sovereign,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Howe'er it pleases you to take it so,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The ring was never hers.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  COUNTESS. Son, on my life,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I have seen her wear it; and she reckon'd it
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    At her life's rate.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. I am sure I saw her wear it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. You are deceiv'd, my lord; she never saw it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    In Florence was it from a casement thrown me,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Wrapp'd in a paper, which contain'd the name
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Of her that threw it. Noble she was, and thought
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I stood engag'd; but when I had subscrib'd
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To mine own fortune, and inform'd her fully
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I could not answer in that course of honour  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    As she had made the overture, she ceas'd,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    In heavy satisfaction, and would never
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Receive the ring again.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Plutus himself,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That knows the tinct and multiplying med'cine,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Hath not in nature's mystery more science
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Than I have in this ring. 'Twas mine, 'twas Helen's,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whoever gave it you. Then, if you know
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That you are well acquainted with yourself,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Confess 'twas hers, and by what rough enforcement
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    You got it from her. She call'd the saints to surety
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That she would never put it from her finger
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Unless she gave it to yourself in bed-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Where you have never come- or sent it us
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Upon her great disaster.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. She never saw it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Thou speak'st it falsely, as I love mine honour;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And mak'st conjectural fears to come into me
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Which I would fain shut out. If it should prove
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That thou art so inhuman- 'twill not prove so.  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And yet I know not- thou didst hate her deadly,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And she is dead; which nothing, but to close
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Her eyes myself, could win me to believe
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    More than to see this ring. Take him away.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                          [GUARDS seize BERTRAM]
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    My fore-past proofs, howe'er the matter fall,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Shall tax my fears of little vanity,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Having vainly fear'd too little. Away with him.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    We'll sift this matter further.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. If you shall prove
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    This ring was ever hers, you shall as easy
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Prove that I husbanded her bed in Florence,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Where she yet never was.                       Exit, guarded
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. I am wrapp'd in dismal thinkings.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                        Enter a GENTLEMAN
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  GENTLEMAN. Gracious sovereign,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whether I have been to blame or no, I know not:
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Here's a petition from a Florentine,  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Who hath, for four or five removes, come short
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To tender it herself. I undertook it,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Vanquish'd thereto by the fair grace and speech
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Of the poor suppliant, who by this, I know,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Is here attending; her business looks in her
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    With an importing visage; and she told me
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    In a sweet verbal brief it did concern
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Your Highness with herself.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING.  [Reads the letter]  'Upon his many protestations to marry me
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    when his wife was dead, I blush to say it, he won me. Now is the
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Count Rousillon a widower; his vows are forfeited to me, and my
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    honour's paid to him. He stole from Florence, taking no leave,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    and I follow him to his country for justice. Grant it me, O King!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    in you it best lies; otherwise a seducer flourishes, and a poor
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    maid is undone.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                                DIANA CAPILET.'
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. I will buy me a son-in-law in a fair, and toll for this.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I'll none of him.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. The heavens have thought well on thee, Lafeu,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To bring forth this discov'ry. Seek these suitors.  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Go speedily, and bring again the Count.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                               Exeunt ATTENDANTS
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I am afeard the life of Helen, lady,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Was foully snatch'd.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  COUNTESS. Now, justice on the doers!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                       Enter BERTRAM, guarded
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. I wonder, sir, sith wives are monsters to you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And that you fly them as you swear them lordship,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Yet you desire to marry.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                           Enter WIDOW and DIANA
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    What woman's that?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I am, my lord, a wretched Florentine,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Derived from the ancient Capilet.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    My suit, as I do understand, you know,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And therefore know how far I may be pitied.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  WIDOW. I am her mother, sir, whose age and honour
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Both suffer under this complaint we bring,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And both shall cease, without your remedy.  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Come hither, Count; do you know these women?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. My lord, I neither can nor will deny
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    But that I know them. Do they charge me further?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Why do you look so strange upon your wife?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. She's none of mine, my lord.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. If you shall marry,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    You give away this hand, and that is mine;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    You give away heaven's vows, and those are mine;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    You give away myself, which is known mine;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    For I by vow am so embodied yours
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That she which marries you must marry me,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Either both or none.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU.  [To BERTRAM]  Your reputation comes too short for
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    my daughter; you are no husband for her.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. My lord, this is a fond and desp'rate creature
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whom sometime I have laugh'd with. Let your Highness
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Lay a more noble thought upon mine honour
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Than for to think that I would sink it here.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Sir, for my thoughts, you have them ill to friend
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Till your deeds gain them. Fairer prove your honour  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Than in my thought it lies!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Good my lord,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Ask him upon his oath if he does think
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He had not my virginity.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. What say'st thou to her?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. She's impudent, my lord,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And was a common gamester to the camp.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. He does me wrong, my lord; if I were so
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He might have bought me at a common price.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Do not believe him. o, behold this ring,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whose high respect and rich validity
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Did lack a parallel; yet, for all that,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He gave it to a commoner o' th' camp,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    If I be one.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  COUNTESS. He blushes, and 'tis it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Of six preceding ancestors, that gem
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Conferr'd by testament to th' sequent issue,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Hath it been ow'd and worn. This is his wife:
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That ring's a thousand proofs.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Methought you said  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    You saw one here in court could witness it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I did, my lord, but loath am to produce
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    So bad an instrument; his name's Parolles.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. I saw the man to-day, if man he be.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Find him, and bring him hither.        Exit an ATTENDANT
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. What of him?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He's quoted for a most perfidious slave,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    With all the spots o' th' world tax'd and debauch'd,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Whose nature sickens but to speak a truth.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Am I or that or this for what he'll utter
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    That will speak anything?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. She hath that ring of yours.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. I think she has. Certain it is I lik'd her,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And boarded her i' th' wanton way of youth.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    She knew her distance, and did angle for me,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Madding my eagerness with her restraint,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    As all impediments in fancy's course
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Are motives of more fancy; and, in fine,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Her infinite cunning with her modern grace
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Subdu'd me to her rate. She got the ring;  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And I had that which any inferior might
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    At market-price have bought.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I must be patient.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    You that have turn'd off a first so noble wife
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    May justly diet me. I pray you yet-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Since you lack virtue, I will lose a husband-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Send for your ring, I will return it home,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And give me mine again.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. I have it not.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. What ring was yours, I pray you?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Sir, much like
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The same upon your finger.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Know you this ring? This ring was his of late.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. And this was it I gave him, being abed.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. The story, then, goes false you threw it him
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Out of a casement.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I have spoke the truth.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                       Enter PAROLLES
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. My lord, I do confess the ring was hers.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. You boggle shrewdly; every feather starts you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Is this the man you speak of?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Ay, my lord.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Tell me, sirrah-but tell me true I charge you,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Not fearing the displeasure of your master,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Which, on your just proceeding, I'll keep off-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    By him and by this woman here what know you?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. So please your Majesty, my master hath been an honourable
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    gentleman; tricks he hath had in him, which gentlemen have.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Come, come, to th' purpose. Did he love this woman?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. Faith, sir, he did love her; but how?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. How, I pray you?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. He did love her, sir, as a gentleman loves a woman.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. How is that?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. He lov'd her, sir, and lov'd her not.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. As thou art a knave and no knave.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    What an equivocal companion is this!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. I am a poor man, and at your Majesty's command.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. He's a good drum, my lord, but a naughty orator.  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Do you know he promis'd me marriage?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. Faith, I know more than I'll speak.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. But wilt thou not speak all thou know'st?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  PAROLLES. Yes, so please your Majesty. I did go between them, as I
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    said; but more than that, he loved her-for indeed he was mad for
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    her, and talk'd of Satan, and of Limbo, and of Furies, and I know
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    not what. Yet I was in that credit with them at that time that I
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    knew of their going to bed; and of other motions, as promising
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    her marriage, and things which would derive me ill will to speak
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    of; therefore I will not speak what I know.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Thou hast spoken all already, unless thou canst say they are
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    married; but thou art too fine in thy evidence; therefore stand
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    aside.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    This ring, you say, was yours?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Ay, my good lord.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Where did you buy it? Or who gave it you?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. It was not given me, nor I did not buy it.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Who lent it you?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. It was not lent me neither.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Where did you find it then?  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I found it not.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. If it were yours by none of all these ways,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    How could you give it him?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I never gave it him.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. This woman's an easy glove, my lord; she goes of and on at
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    pleasure.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. This ring was mine, I gave it his first wife.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. It might be yours or hers, for aught I know.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Take her away, I do not like her now;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To prison with her. And away with him.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Unless thou tell'st me where thou hadst this ring,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Thou diest within this hour.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I'll never tell you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Take her away.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. I'll put in bail, my liege.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. I think thee now some common customer.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. By Jove, if ever I knew man, 'twas you.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Wherefore hast thou accus'd him all this while?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Because he's guilty, and he is not guilty.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He knows I am no maid, and he'll swear to't:  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I'll swear I am a maid, and he knows not.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Great King, I am no strumpet, by my life;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I am either maid, or else this old man's wife.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                             [Pointing to LAFEU]
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. She does abuse our ears; to prison with her.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  DIANA. Good mother, fetch my bail. Stay, royal sir;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                                                      Exit WIDOW
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The jeweller that owes the ring is sent for,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And he shall surety me. But for this lord
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Who hath abus'd me as he knows himself,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Though yet he never harm'd me, here I quit him.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    He knows himself my bed he hath defil'd;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And at that time he got his wife with child.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Dead though she be, she feels her young one kick;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    So there's my riddle: one that's dead is quick-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And now behold the meaning.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|                     Re-enter WIDOW with HELENA
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Is there no exorcist  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Beguiles the truer office of mine eyes?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Is't real that I see?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. No, my good lord;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    'Tis but the shadow of a wife you see,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The name and not the thing.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. Both, both; o, pardon!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. O, my good lord, when I was like this maid,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I found you wondrous kind. There is your ring,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And, look you, here's your letter. This it says:
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    'When from my finger you can get this ring,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    And are by me with child,' etc. This is done.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Will you be mine now you are doubly won?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  BERTRAM. If she, my liege, can make me know this clearly,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    I'll love her dearly, ever, ever dearly.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  HELENA. If it appear not plain, and prove untrue,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Deadly divorce step between me and you!
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    O my dear mother, do I see you living?
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  LAFEU. Mine eyes smell onions; I shall weep anon. [To PAROLLES]
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Good Tom Drum, lend me a handkercher. So, I
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    thank thee. Wait on me home, I'll make sport with thee;  
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    let thy curtsies alone, they are scurvy ones.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|  KING. Let us from point to point this story know,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    To make the even truth in pleasure flow.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    [To DIANA]  If thou beest yet a fresh uncropped flower,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Choose thou thy husband, and I'll pay thy dower;
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    For I can guess that by thy honest aid
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Thou kept'st a wife herself, thyself a maid.-
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Of that and all the progress, more and less,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    Resolvedly more leisure shall express.
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    All yet seems well; and if it end so meet,
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|    The bitter past, more welcome is the sweet.       [Flourish]
2|ALLS WELL THAT ENDS WELL|22|Act 5, Scene 1|
2|ALLS WELL THAT ENDS WELL|23|Epilogue|EPILOGUE
2|ALLS WELL THAT ENDS WELL|23|Epilogue|                             EPILOGUE.
2|ALLS WELL THAT ENDS WELL|23|Epilogue|
2|ALLS WELL THAT ENDS WELL|23|Epilogue|  KING. The King's a beggar, now the play is done.
2|ALLS WELL THAT ENDS WELL|23|Epilogue|    All is well ended if this suit be won,
2|ALLS WELL THAT ENDS WELL|23|Epilogue|    That you express content; which we will pay
2|ALLS WELL THAT ENDS WELL|23|Epilogue|    With strife to please you, day exceeding day.
2|ALLS WELL THAT ENDS WELL|23|Epilogue|    Ours be your patience then, and yours our parts;
2|ALLS WELL THAT ENDS WELL|23|Epilogue|    Your gentle hands lend us, and take our hearts.
2|ALLS WELL THAT ENDS WELL|23|Epilogue|                                                    Exeunt omnes
2|ALLS WELL THAT ENDS WELL|23|Epilogue|
2|ALLS WELL THAT ENDS WELL|23|Epilogue|
2|ALLS WELL THAT ENDS WELL|24|End|THE END
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|1607
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|THE TRAGEDY OF ANTONY AND CLEOPATRA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|by William Shakespeare
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|1|title|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|DRAMATIS PERSONAE
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  MARK ANTONY,         Triumvirs
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  OCTAVIUS CAESAR,         "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  M. AEMILIUS LEPIDUS,     "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  SEXTUS POMPEIUS,         "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  DOMITIUS ENOBARBUS, friend to Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  VENTIDIUS,             "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  EROS,                  "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  SCARUS,                "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  DERCETAS,              "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  DEMETRIUS,             "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  PHILO,                 "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  MAECENAS,   friend to Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  AGRIPPA,       "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  DOLABELLA,     "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  PROCULEIUS,    "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  THYREUS,       "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  GALLUS,        "    "   "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  MENAS,      friend to Pompey
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  MENECRATES,    "    "    "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  VARRIUS,       "    "    "  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  TAURUS, Lieutenant-General to Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  CANIDIUS, Lieutenant-General to Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  SILIUS, an Officer in Ventidius's army
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  EUPHRONIUS, an Ambassador from Antony to Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  ALEXAS,   attendant on Cleopatra
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  MARDIAN,      "     "      "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  SELEUCUS,     "     "      "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  DIOMEDES,     "     "      "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  A SOOTHSAYER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  A CLOWN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  CLEOPATRA, Queen of Egypt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  OCTAVIA, sister to Caesar and wife to Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  CHARMIAN, lady attending on Cleopatra
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  IRAS,       "      "      "     "
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|  Officers, Soldiers, Messengers, and Attendants
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|2|Dramatis Personae|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|3|Scene|SCENE:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|3|Scene|The Roman Empire
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|3|Scene|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|ACT I. SCENE I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|Enter DEMETRIUS and PHILO
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  PHILO. Nay, but this dotage of our general's
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    O'erflows the measure. Those his goodly eyes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    That o'er the files and musters of the war
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Have glow'd like plated Mars, now bend, now turn,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    The office and devotion of their view
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Upon a tawny front. His captain's heart,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Which in the scuffles of great fights hath burst
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    The buckles on his breast, reneges all temper,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    And is become the bellows and the fan
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    To cool a gipsy's lust.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|     Flourish. Enter ANTONY, CLEOPATRA, her LADIES, the train,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|                    with eunuchs fanning her
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Look where they come!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Take but good note, and you shall see in him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    The triple pillar of the world transform'd  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Into a strumpet's fool. Behold and see.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  CLEOPATRA. If it be love indeed, tell me how much.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. There's beggary in the love that can be reckon'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  CLEOPATRA. I'll set a bourn how far to be belov'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. Then must thou needs find out new heaven, new earth.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|                       Enter a MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  MESSENGER. News, my good lord, from Rome.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. Grates me the sum.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  CLEOPATRA. Nay, hear them, Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Fulvia perchance is angry; or who knows
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    If the scarce-bearded Caesar have not sent
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    His pow'rful mandate to you: 'Do this or this;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Take in that kingdom and enfranchise that;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Perform't, or else we damn thee.'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. How, my love?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  CLEOPATRA. Perchance? Nay, and most like,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    You must not stay here longer; your dismission
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Is come from Caesar; therefore hear it, Antony.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Where's Fulvia's process? Caesar's I would say? Both?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Call in the messengers. As I am Egypt's Queen,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Thou blushest, Antony, and that blood of thine
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Is Caesar's homager. Else so thy cheek pays shame
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    When shrill-tongu'd Fulvia scolds. The messengers!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. Let Rome in Tiber melt, and the wide arch
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Of the rang'd empire fall! Here is my space.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Kingdoms are clay; our dungy earth alike
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Feeds beast as man. The nobleness of life
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Is to do thus [emhracing], when such a mutual pair
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    And such a twain can do't, in which I bind,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    On pain of punishment, the world to weet
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    We stand up peerless.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  CLEOPATRA. Excellent falsehood!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Why did he marry Fulvia, and not love her?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    I'll seem the fool I am not. Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Will be himself.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. But stirr'd by Cleopatra.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Now for the love of Love and her soft hours,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Let's not confound the time with conference harsh;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    There's not a minute of our lives should stretch
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Without some pleasure now. What sport to-night?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  CLEOPATRA. Hear the ambassadors.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  ANTONY. Fie, wrangling queen!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Whom everything becomes- to chide, to laugh,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    To weep; whose every passion fully strives
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    To make itself in thee fair and admir'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    No messenger but thine, and all alone
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    To-night we'll wander through the streets and note
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    The qualities of people. Come, my queen;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Last night you did desire it. Speak not to us.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|                     Exeunt ANTONY and CLEOPATRA, with the train
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  DEMETRIUS. Is Caesar with Antonius priz'd so slight?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  PHILO. Sir, sometimes when he is not Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    He comes too short of that great property
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Which still should go with Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|  DEMETRIUS. I am full sorry
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    That he approves the common liar, who
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Thus speaks of him at Rome; but I will hope
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|    Of better deeds to-morrow. Rest you happy!            Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|4|Act 1, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|SCENE II.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|Enter CHARMIAN, IRAS, ALEXAS, and a SOOTHSAYER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Lord Alexas, sweet Alexas, most anything Alexas, almost
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    most absolute Alexas, where's the soothsayer that you prais'd so
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    to th' Queen? O that I knew this husband, which you say must
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    charge his horns with garlands!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. Soothsayer!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. Your will?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Is this the man? Is't you, sir, that know things?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. In nature's infinite book of secrecy
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    A little I can read.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. Show him your hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|                       Enter ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Bring in the banquet quickly; wine enough
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Cleopatra's health to drink.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Good, sir, give me good fortune.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. I make not, but foresee.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Pray, then, foresee me one.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. You shall be yet far fairer than you are.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. He means in flesh.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. No, you shall paint when you are old.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Wrinkles forbid!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. Vex not his prescience; be attentive.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Hush!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. You shall be more beloving than beloved.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. I had rather heat my liver with drinking.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. Nay, hear him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Good now, some excellent fortune! Let me be married to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    three kings in a forenoon, and widow them all. Let me have a
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    child at fifty, to whom Herod of Jewry may do homage. Find me to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    marry me with Octavius Caesar, and companion me with my mistress.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. You shall outlive the lady whom you serve.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. O, excellent! I love long life better than figs.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. You have seen and prov'd a fairer former fortune
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Than that which is to approach.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Then belike my children shall have no names.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Prithee, how many boys and wenches must I have?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. If every of your wishes had a womb,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    And fertile every wish, a million.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Out, fool! I forgive thee for a witch.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. You think none but your sheets are privy to your wishes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Nay, come, tell Iras hers.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. We'll know all our fortunes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Mine, and most of our fortunes, to-night, shall be-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    drunk to bed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. There's a palm presages chastity, if nothing else.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. E'en as the o'erflowing Nilus presageth famine.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. Go, you wild bedfellow, you cannot soothsay.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Nay, if an oily palm be not a fruitful prognostication, I
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    cannot scratch mine ear. Prithee, tell her but worky-day fortune.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. Your fortunes are alike.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. But how, but how? Give me particulars.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SOOTHSAYER. I have said.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. Am I not an inch of fortune better than she?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Well, if you were but an inch of fortune better than I,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    where would you choose it?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. Not in my husband's nose.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Our worser thoughts heavens mend! Alexas- come, his
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    fortune, his fortune! O, let him marry a woman that cannot go,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    sweet Isis, I beseech thee! And let her die too, and give him a
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    worse! And let worse follow worse, till the worst of all follow
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    him laughing to his grave, fiftyfold a cuckold! Good Isis, hear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    me this prayer, though thou deny me a matter of more weight; good
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Isis, I beseech thee!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  IRAS. Amen. Dear goddess, hear that prayer of the people! For, as
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    it is a heartbreaking to see a handsome man loose-wiv'd, so it is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    a deadly sorrow to behold a foul knave uncuckolded. Therefore,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    dear Isis, keep decorum, and fortune him accordingly!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Amen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. Lo now, if it lay in their hands to make me a cuckold, they
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    would make themselves whores but they'ld do't!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|                          Enter CLEOPATRA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Hush! Here comes Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. Not he; the Queen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CLEOPATRA. Saw you my lord?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. No, lady.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CLEOPATRA. Was he not here?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CHARMIAN. No, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CLEOPATRA. He was dispos'd to mirth; but on the sudden
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    A Roman thought hath struck him. Enobarbus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Madam?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CLEOPATRA. Seek him, and bring him hither. Where's Alexas?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ALEXAS. Here, at your service. My lord approaches.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|          Enter ANTONY, with a MESSENGER and attendants
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  CLEOPATRA. We will not look upon him. Go with us.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|                       Exeunt CLEOPATRA, ENOBARBUS, and the rest
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  MESSENGER. Fulvia thy wife first came into the field.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Against my brother Lucius?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  MESSENGER. Ay.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    But soon that war had end, and the time's state
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Made friends of them, jointing their force 'gainst Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Whose better issue in the war from Italy
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Upon the first encounter drave them.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Well, what worst?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  MESSENGER. The nature of bad news infects the teller.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. When it concerns the fool or coward. On!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Things that are past are done with me. 'Tis thus:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Who tells me true, though in his tale lie death,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    I hear him as he flatter'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  MESSENGER. Labienus-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    This is stiff news- hath with his Parthian force
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Extended Asia from Euphrates,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    His conquering banner shook from Syria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    To Lydia and to Ionia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Whilst-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Antony, thou wouldst say.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  MESSENGER. O, my lord!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Speak to me home; mince not the general tongue;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Name Cleopatra as she is call'd in Rome.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Rail thou in Fulvia's phrase, and taunt my faults
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    With such full licence as both truth and malice
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Have power to utter. O, then we bring forth weeds
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    When our quick minds lie still, and our ills told us  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Is as our earing. Fare thee well awhile.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  MESSENGER. At your noble pleasure.                        Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. From Sicyon, ho, the news! Speak there!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  FIRST ATTENDANT. The man from Sicyon- is there such an one?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SECOND ATTENDANT. He stays upon your will.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Let him appear.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    These strong Egyptian fetters I must break,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Or lose myself in dotage.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|                 Enter another MESSENGER with a letter
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    What are you?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SECOND MESSENGER. Fulvia thy wife is dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Where died she?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  SECOND MESSENGER. In Sicyon.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Her length of sickness, with what else more serious
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Importeth thee to know, this bears.       [Gives the letter]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Forbear me.                             Exit MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    There's a great spirit gone! Thus did I desire it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    What our contempts doth often hurl from us  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    We wish it ours again; the present pleasure,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    By revolution low'ring, does become
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    The opposite of itself. She's good, being gone;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    The hand could pluck her back that shov'd her on.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    I must from this enchanting queen break off.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Ten thousand harms, more than the ills I know,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    My idleness doth hatch. How now, Enobarbus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|                    Re-enter ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. What's your pleasure, sir?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. I must with haste from hence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Why, then we kill all our women. We see how mortal an
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    unkindness is to them; if they suffer our departure, death's the
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    word.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. I must be gone.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Under a compelling occasion, let women die. It were pity
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    to cast them away for nothing, though between them and a great
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    cause they should be esteemed nothing. Cleopatra, catching but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    the least noise of this, dies instantly; I have seen her die  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    twenty times upon far poorer moment. I do think there is mettle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    in death, which commits some loving act upon her, she hath such a
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    celerity in dying.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. She is cunning past man's thought.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Alack, sir, no! Her passions are made of nothing but the
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    finest part of pure love. We cannot call her winds and waters
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    sighs and tears; they are greater storms and tempests than
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    almanacs can report. This cannot be cunning in her; if it be, she
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    makes a show'r of rain as well as Jove.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Would I had never seen her!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. O Sir, you had then left unseen a wonderful piece of
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    work, which not to have been blest withal would have discredited
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    your travel.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Fulvia is dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Sir?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Fulvia is dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Fulvia?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. Dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. Why, sir, give the gods a thankful sacrifice. When it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    pleaseth their deities to take the wife of a man from him, it  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    shows to man the tailors of the earth; comforting therein that
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    when old robes are worn out there are members to make new. If
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    there were no more women but Fulvia, then had you indeed a cut,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    and the case to be lamented. This grief is crown'd with
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    consolation: your old smock brings forth a new petticoat; and
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    indeed the tears live in an onion that should water this sorrow.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. The business she hath broached in the state
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Cannot endure my absence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. And the business you have broach'd here cannot be
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    without you; especially that of Cleopatra's, which wholly depends
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    on your abode.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ANTONY. No more light answers. Let our officers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Have notice what we purpose. I shall break
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    The cause of our expedience to the Queen,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    And get her leave to part. For not alone
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    The death of Fulvia, with more urgent touches,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Do strongly speak to us; but the letters to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Of many our contriving friends in Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Petition us at home. Sextus Pompeius
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Hath given the dare to Caesar, and commands  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    The empire of the sea; our slippery people,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Whose love is never link'd to the deserver
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Till his deserts are past, begin to throw
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Pompey the Great and all his dignities
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Upon his son; who, high in name and power,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Higher than both in blood and life, stands up
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    For the main soldier; whose quality, going on,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    The sides o' th' world may danger. Much is breeding
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Which, like the courser's hair, hath yet but life
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    And not a serpent's poison. Say our pleasure,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    To such whose place is under us, requires
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|    Our quick remove from hence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|  ENOBARBUS. I shall do't.                                Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|5|Act 1, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|SCENE III.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Where is he?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CHARMIAN. I did not see him since.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. See where he is, who's with him, what he does.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    I did not send you. If you find him sad,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Say I am dancing; if in mirth, report
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    That I am sudden sick. Quick, and return.        Exit ALEXAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CHARMIAN. Madam, methinks, if you did love him dearly,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    You do not hold the method to enforce
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    The like from him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. What should I do I do not?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CHARMIAN. In each thing give him way; cross him in nothing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Thou teachest like a fool- the way to lose him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CHARMIAN. Tempt him not so too far; I wish, forbear;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    In time we hate that which we often fear.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|                            Enter ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    But here comes Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. I am sick and sullen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. I am sorry to give breathing to my purpose-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Help me away, dear Charmian; I shall fall.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    It cannot be thus long; the sides of nature
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Will not sustain it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Now, my dearest queen-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Pray you, stand farther from me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. What's the matter?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. I know by that same eye there's some good news.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    What says the married woman? You may go.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Would she had never given you leave to come!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Let her not say 'tis I that keep you here-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    I have no power upon you; hers you are.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. The gods best know-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. O, never was there queen
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    So mightily betray'd! Yet at the first
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    I saw the treasons planted.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Cleopatra-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Why should I think you can be mine and true,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Though you in swearing shake the throned gods,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Who have been false to Fulvia? Riotous madness,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    To be entangled with those mouth-made vows,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Which break themselves in swearing!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Most sweet queen-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Nay, pray you seek no colour for your going,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    But bid farewell, and go. When you sued staying,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Then was the time for words. No going then!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Eternity was in our lips and eyes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Bliss in our brows' bent, none our parts so poor
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    But was a race of heaven. They are so still,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Or thou, the greatest soldier of the world,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Art turn'd the greatest liar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. How now, lady!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. I would I had thy inches. Thou shouldst know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    There were a heart in Egypt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Hear me, queen:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    The strong necessity of time commands
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Our services awhile; but my full heart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Remains in use with you. Our Italy  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Shines o'er with civil swords: Sextus Pompeius
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Makes his approaches to the port of Rome;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Equality of two domestic powers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Breed scrupulous faction; the hated, grown to strength,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Are newly grown to love. The condemn'd Pompey,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Rich in his father's honour, creeps apace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Into the hearts of such as have not thrived
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Upon the present state, whose numbers threaten;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    And quietness, grown sick of rest, would purge
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    By any desperate change. My more particular,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    And that which most with you should safe my going,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Is Fulvia's death.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Though age from folly could not give me freedom,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|     It does from childishness. Can Fulvia die?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. She's dead, my Queen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Look here, and at thy sovereign leisure read
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    The garboils she awak'd. At the last, best.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    See when and where she died.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. O most false love!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Where be the sacred vials thou shouldst fill  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    With sorrowful water? Now I see, I see,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    In Fulvia's death how mine receiv'd shall be.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Quarrel no more, but be prepar'd to know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    The purposes I bear; which are, or cease,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    As you shall give th' advice. By the fire
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    That quickens Nilus' slime, I go from hence
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Thy soldier, servant, making peace or war
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    As thou affects.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Cut my lace, Charmian, come!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    But let it be; I am quickly ill and well-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    So Antony loves.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. My precious queen, forbear,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    And give true evidence to his love, which stands
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    An honourable trial.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. So Fulvia told me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    I prithee turn aside and weep for her;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Then bid adieu to me, and say the tears
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Belong to Egypt. Good now, play one scene
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Of excellent dissembling, and let it look
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Like perfect honour.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. You'll heat my blood; no more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. You can do better yet; but this is meetly.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Now, by my sword-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. And target. Still he mends;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    But this is not the best. Look, prithee, Charmian,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    How this Herculean Roman does become
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    The carriage of his chafe.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. I'll leave you, lady.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. Courteous lord, one word.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Sir, you and I must part- but that's not it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Sir, you and I have lov'd- but there's not it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    That you know well. Something it is I would-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    O, my oblivion is a very Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    And I am all forgotten!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. But that your royalty
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Holds idleness your subject, I should take you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    For idleness itself.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  CLEOPATRA. 'Tis sweating labour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    To bear such idleness so near the heart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    As Cleopatra this. But, sir, forgive me;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Since my becomings kill me when they do not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Eye well to you. Your honour calls you hence;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Therefore be deaf to my unpitied folly,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    And all the gods go with you! Upon your sword
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Sit laurel victory, and smooth success
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Be strew'd before your feet!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|  ANTONY. Let us go. Come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Our separation so abides and flies
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    That thou, residing here, goes yet with me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    And I, hence fleeting, here remain with thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|    Away!                                                 Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|6|Act 1, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|SCENE IV.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|Rome. CAESAR'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|Enter OCTAVIUS CAESAR, reading a letter; LEPIDUS, and their train
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. You may see, Lepidus, and henceforth know,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    It is not Caesar's natural vice to hate
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Our great competitor. From Alexandria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    This is the news: he fishes, drinks, and wastes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    The lamps of night in revel; is not more manlike
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Than Cleopatra, nor the queen of Ptolemy
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    More womanly than he; hardly gave audience, or
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Vouchsaf'd to think he had partners. You shall find there
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    A man who is the abstract of all faults
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    That all men follow.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  LEPIDUS. I must not think there are
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Evils enow to darken all his goodness.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    His faults, in him, seem as the spots of heaven,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    More fiery by night's blackness; hereditary
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Rather than purchas'd; what he cannot change
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Than what he chooses.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. You are too indulgent. Let's grant it is not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Amiss to tumble on the bed of Ptolemy,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    To give a kingdom for a mirth, to sit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    And keep the turn of tippling with a slave,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    To reel the streets at noon, and stand the buffet
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    With knaves that smell of sweat. Say this becomes him-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    As his composure must be rare indeed
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Whom these things cannot blemish- yet must Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    No way excuse his foils when we do bear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    So great weight in his lightness. If he fill'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    His vacancy with his voluptuousness,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Full surfeits and the dryness of his bones
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Call on him for't! But to confound such time
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    That drums him from his sport and speaks as loud
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    As his own state and ours- 'tis to be chid
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    As we rate boys who, being mature in knowledge,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Pawn their experience to their present pleasure,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    And so rebel to judgment.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|                   Enter a MESSENGER  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  LEPIDUS. Here's more news.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  MESSENGER. Thy biddings have been done; and every hour,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Most noble Caesar, shalt thou have report
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    How 'tis abroad. Pompey is strong at sea,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    And it appears he is belov'd of those
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    That only have fear'd Caesar. To the ports
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    The discontents repair, and men's reports
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Give him much wrong'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. I should have known no less.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    It hath been taught us from the primal state
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    That he which is was wish'd until he were;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    And the ebb'd man, ne'er lov'd till ne'er worth love,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Comes dear'd by being lack'd. This common body,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Like to a vagabond flag upon the stream,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Goes to and back, lackeying the varying tide,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    To rot itself with motion.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  MESSENGER. Caesar, I bring thee word
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Menecrates and Menas, famous pirates,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Make the sea serve them, which they ear and wound  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    With keels of every kind. Many hot inroads
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    They make in Italy; the borders maritime
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Lack blood to think on't, and flush youth revolt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    No vessel can peep forth but 'tis as soon
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Taken as seen; for Pompey's name strikes more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Than could his war resisted.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Leave thy lascivious wassails. When thou once
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Was beaten from Modena, where thou slew'st
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Hirtius and Pansa, consuls, at thy heel
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Did famine follow; whom thou fought'st against,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Though daintily brought up, with patience more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Than savages could suffer. Thou didst drink
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    The stale of horses and the gilded puddle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Which beasts would cough at. Thy palate then did deign
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    The roughest berry on the rudest hedge;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Yea, like the stag when snow the pasture sheets,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    The barks of trees thou brows'd. On the Alps
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    It is reported thou didst eat strange flesh,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Which some did die to look on. And all this-  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    It wounds thine honour that I speak it now-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Was borne so like a soldier that thy cheek
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    So much as lank'd not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  LEPIDUS. 'Tis pity of him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. Let his shames quickly
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Drive him to Rome. 'Tis time we twain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Did show ourselves i' th' field; and to that end
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Assemble we immediate council. Pompey
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Thrives in our idleness.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  LEPIDUS. To-morrow, Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    I shall be furnish'd to inform you rightly
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Both what by sea and land I can be able
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    To front this present time.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. Till which encounter
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    It is my business too. Farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  LEPIDUS. Farewell, my lord. What you shall know meantime
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    Of stirs abroad, I shall beseech you, sir,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    To let me be partaker.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|  CAESAR. Doubt not, sir;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|    I knew it for my bond.                                Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|7|Act 1, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|SCENE V.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Charmian!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. Madam?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Ha, ha!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Give me to drink mandragora.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. Why, madam?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. That I might sleep out this great gap of time
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    My Antony is away.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. You think of him too much.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. O, 'tis treason!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. Madam, I trust, not so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Thou, eunuch Mardian!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  MARDIAN. What's your Highness' pleasure?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Not now to hear thee sing; I take no pleasure
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    In aught an eunuch has. 'Tis well for thee
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    That, being unseminar'd, thy freer thoughts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    May not fly forth of Egypt. Hast thou affections?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  MARDIAN. Yes, gracious madam.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Indeed?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  MARDIAN. Not in deed, madam; for I can do nothing
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    But what indeed is honest to be done.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Yet have I fierce affections, and think
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    What Venus did with Mars.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. O Charmian,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Where think'st thou he is now? Stands he or sits he?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Or does he walk? or is he on his horse?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    O happy horse, to bear the weight of Antony!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Do bravely, horse; for wot'st thou whom thou mov'st?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    The demi-Atlas of this earth, the arm
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    And burgonet of men. He's speaking now,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Or murmuring 'Where's my serpent of old Nile?'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    For so he calls me. Now I feed myself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    With most delicious poison. Think on me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    That am with Phoebus' amorous pinches black,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    And wrinkled deep in time? Broad-fronted Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    When thou wast here above the ground, I was
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    A morsel for a monarch; and great Pompey
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Would stand and make his eyes grow in my brow;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    There would he anchor his aspect and die
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    With looking on his life.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|                         Enter ALEXAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  ALEXAS. Sovereign of Egypt, hail!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. How much unlike art thou Mark Antony!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Yet, coming from him, that great med'cine hath
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    With his tinct gilded thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    How goes it with my brave Mark Antony?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  ALEXAS. Last thing he did, dear Queen,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    He kiss'd- the last of many doubled kisses-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    This orient pearl. His speech sticks in my heart.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Mine ear must pluck it thence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  ALEXAS. 'Good friend,' quoth he
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    'Say the firm Roman to great Egypt sends
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    This treasure of an oyster; at whose foot,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    To mend the petty present, I will piece
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Her opulent throne with kingdoms. All the East,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Say thou, shall call her mistress.' So he nodded,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    And soberly did mount an arm-gaunt steed,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Who neigh'd so high that what I would have spoke
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Was beastly dumb'd by him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. What, was he sad or merry?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  ALEXAS. Like to the time o' th' year between the extremes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Of hot and cold; he was nor sad nor merry.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. O well-divided disposition! Note him,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Note him, good Charmian; 'tis the man; but note him!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    He was not sad, for he would shine on those
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    That make their looks by his; he was not merry,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Which seem'd to tell them his remembrance lay
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    In Egypt with his joy; but between both.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    O heavenly mingle! Be'st thou sad or merry,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    The violence of either thee becomes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    So does it no man else. Met'st thou my posts?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  ALEXAS. Ay, madam, twenty several messengers.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Why do you send so thick?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Who's born that day
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    When I forget to send to Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Shall die a beggar. Ink and paper, Charmian.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Welcome, my good Alexas. Did I, Charmian,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Ever love Caesar so?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. O that brave Caesar!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. Be chok'd with such another emphasis!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Say 'the brave Antony.'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. The valiant Caesar!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. By Isis, I will give thee bloody teeth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    If thou with Caesar paragon again
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    My man of men.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CHARMIAN. By your most gracious pardon,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    I sing but after you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|  CLEOPATRA. My salad days,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    When I was green in judgment, cold in blood,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    To say as I said then. But come, away!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Get me ink and paper.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    He shall have every day a several greeting,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|    Or I'll unpeople Egypt.                               Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|8|Act 1, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|ACT II. SCENE I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|Messina. POMPEY'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|Enter POMPEY, MENECRATES, and MENAS, in warlike manner
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. If the great gods be just, they shall assist
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    The deeds of justest men.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  MENECRATES. Know, worthy Pompey,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    That what they do delay they not deny.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. Whiles we are suitors to their throne, decays
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    The thing we sue for.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  MENECRATES. We, ignorant of ourselves,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Beg often our own harms, which the wise pow'rs
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Deny us for our good; so find we profit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    By losing of our prayers.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. I shall do well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    The people love me, and the sea is mine;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    My powers are crescent, and my auguring hope
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Says it will come to th' full. Mark Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    In Egypt sits at dinner, and will make
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    No wars without doors. Caesar gets money where  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    He loses hearts. Lepidus flatters both,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Of both is flatter'd; but he neither loves,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Nor either cares for him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  MENAS. Caesar and Lepidus
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Are in the field. A mighty strength they carry.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. Where have you this? 'Tis false.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  MENAS. From Silvius, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. He dreams. I know they are in Rome together,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Looking for Antony. But all the charms of love,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Salt Cleopatra, soften thy wan'd lip!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Let witchcraft join with beauty, lust with both;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Tie up the libertine in a field of feasts,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Keep his brain fuming. Epicurean cooks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Sharpen with cloyless sauce his appetite,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    That sleep and feeding may prorogue his honour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Even till a Lethe'd dullness-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|                       Enter VARRIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    How now, Varrius!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  VARRIUS. This is most certain that I shall deliver:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Mark Antony is every hour in Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Expected. Since he went from Egypt 'tis
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    A space for farther travel.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. I could have given less matter
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    A better ear. Menas, I did not think
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    This amorous surfeiter would have donn'd his helm
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    For such a petty war; his soldiership
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Is twice the other twain. But let us rear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    The higher our opinion, that our stirring
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Can from the lap of Egypt's widow pluck
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    The ne'er-lust-wearied Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  MENAS. I cannot hope
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Caesar and Antony shall well greet together.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    His wife that's dead did trespasses to Caesar;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    His brother warr'd upon him; although, I think,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Not mov'd by Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|  POMPEY. I know not, Menas,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    How lesser enmities may give way to greater.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Were't not that we stand up against them all,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    'Twere pregnant they should square between themselves;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    For they have entertained cause enough
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    To draw their swords. But how the fear of us
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    May cement their divisions, and bind up
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    The petty difference we yet not know.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Be't as our gods will have't! It only stands
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Our lives upon to use our strongest hands.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|    Come, Menas.                                          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|9|Act 2, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|SCENE II.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|Rome. The house of LEPIDUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|Enter ENOBARBUS and LEPIDUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Good Enobarbus, 'tis a worthy deed,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And shall become you well, to entreat your captain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To soft and gentle speech.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. I shall entreat him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To answer like himself. If Caesar move him,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Let Antony look over Caesar's head
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And speak as loud as Mars. By Jupiter,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Were I the wearer of Antonius' beard,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    I would not shave't to-day.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. 'Tis not a time
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    For private stomaching.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Every time
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Serves for the matter that is then born in't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. But small to greater matters must give way.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Not if the small come first.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Your speech is passion;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    But pray you stir no embers up. Here comes  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The noble Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|                Enter ANTONY and VENTIDIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. And yonder, Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|            Enter CAESAR, MAECENAS, and AGRIPPA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. If we compose well here, to Parthia.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Hark, Ventidius.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. I do not know, Maecenas. Ask Agrippa.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Noble friends,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    That which combin'd us was most great, and let not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    A leaner action rend us. What's amiss,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    May it be gently heard. When we debate
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Our trivial difference loud, we do commit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Murder in healing wounds. Then, noble partners,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The rather for I earnestly beseech,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Touch you the sourest points with sweetest terms,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Nor curstness grow to th' matter.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. 'Tis spoken well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Were we before our arinies, and to fight,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    I should do thus.                                 [Flourish]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Welcome to Rome.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Thank you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Sit.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Sit, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Nay, then.                                  [They sit]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. I learn you take things ill which are not so,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Or being, concern you not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. I must be laugh'd at
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    If, or for nothing or a little,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Should say myself offended, and with you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Chiefly i' the world; more laugh'd at that I should
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Once name you derogately when to sound your name
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    It not concern'd me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. My being in Egypt, Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    What was't to you?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. No more than my residing here at Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Might be to you in Egypt. Yet, if you there  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Did practise on my state, your being in Egypt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Might be my question.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. How intend you- practis'd?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. You may be pleas'd to catch at mine intent
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    By what did here befall me. Your wife and brother
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Made wars upon me, and their contestation
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Was theme for you; you were the word of war.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. You do mistake your business; my brother never
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Did urge me in his act. I did inquire it,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And have my learning from some true reports
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    That drew their swords with you. Did he not rather
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Discredit my authority with yours,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And make the wars alike against my stomach,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Having alike your cause? Of this my letters
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Before did satisfy you. If you'll patch a quarrel,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    As matter whole you have not to make it with,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    It must not be with this.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. You praise yourself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    By laying defects of judgment to me; but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    You patch'd up your excuses.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Not so, not so;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    I know you could not lack, I am certain on't,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Very necessity of this thought, that I,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Your partner in the cause 'gainst which he fought,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Could not with graceful eyes attend those wars
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Which fronted mine own peace. As for my wife,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    I would you had her spirit in such another!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The third o' th' world is yours, which with a snaffle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    You may pace easy, but not such a wife.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Would we had all such wives, that the men might go to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    wars with the women!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. So much uncurbable, her garboils, Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Made out of her impatience- which not wanted
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Shrewdness of policy too- I grieving grant
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Did you too much disquiet. For that you must
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    But say I could not help it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. I wrote to you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    When rioting in Alexandria; you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Did pocket up my letters, and with taunts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Did gibe my missive out of audience.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Sir,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    He fell upon me ere admitted. Then
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Three kings I had newly feasted, and did want
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Of what I was i' th' morning; but next day
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    I told him of myself, which was as much
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    As to have ask'd him pardon. Let this fellow
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Be nothing of our strife; if we contend,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Out of our question wipe him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. You have broken
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The article of your oath, which you shall never
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Have tongue to charge me with.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Soft, Caesar!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. No;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Lepidus, let him speak.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The honour is sacred which he talks on now,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Supposing that I lack'd it. But on, Caesar:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The article of my oath-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. To lend me arms and aid when I requir'd them,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The which you both denied.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Neglected, rather;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And then when poisoned hours had bound me up
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    From mine own knowledge. As nearly as I may,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    I'll play the penitent to you; but mine honesty
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Shall not make poor my greatness, nor my power
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Work without it. Truth is, that Fulvia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To have me out of Egypt, made wars here;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    For which myself, the ignorant motive, do
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    So far ask pardon as befits mine honour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To stoop in such a case.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. 'Tis noble spoken.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. If it might please you to enforce no further
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The griefs between ye- to forget them quite
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Were to remember that the present need
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Speaks to atone you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Worthily spoken, Maecenas.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Or, if you borrow one another's love for the instant,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    you may, when you hear no more words of Pompey, return it again.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    You shall have time to wrangle in when you have nothing else to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    do.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Thou art a soldier only. Speak no more.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. That truth should be silent I had almost forgot.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. You wrong this presence; therefore speak no more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Go to, then- your considerate stone!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. I do not much dislike the matter, but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The manner of his speech; for't cannot be
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    We shall remain in friendship, our conditions
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    So diff'ring in their acts. Yet if I knew
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    What hoop should hold us stanch, from edge to edge
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    O' th' world, I would pursue it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. Give me leave, Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Speak, Agrippa.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. Thou hast a sister by the mother's side,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Admir'd Octavia. Great Mark Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Is now a widower.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Say not so, Agrippa.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    If Cleopatra heard you, your reproof
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Were well deserv'd of rashness.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. I am not married, Caesar. Let me hear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Agrippa further speak.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. To hold you in perpetual amity,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To make you brothers, and to knit your hearts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    With an unslipping knot, take Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Octavia to his wife; whose beauty claims
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    No worse a husband than the best of men;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Whose virtue and whose general graces speak
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    That which none else can utter. By this marriage
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    All little jealousies, which now seem great,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And all great fears, which now import their dangers,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Would then be nothing. Truths would be tales,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Where now half tales be truths. Her love to both
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Would each to other, and all loves to both,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Draw after her. Pardon what I have spoke;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    For 'tis a studied, not a present thought,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    By duty ruminated.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Will Caesar speak?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Not till he hears how Antony is touch'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    With what is spoke already.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. What power is in Agrippa,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    If I would say 'Agrippa, be it so,'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To make this good?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. The power of Caesar, and
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    His power unto Octavia.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. May I never
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To this good purpose, that so fairly shows,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Dream of impediment! Let me have thy hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Further this act of grace; and from this hour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The heart of brothers govern in our loves
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And sway our great designs!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. There is my hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    A sister I bequeath you, whom no brother
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Did ever love so dearly. Let her live
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To join our kingdoms and our hearts; and never
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Fly off our loves again!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Happily, amen!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. I did not think to draw my sword 'gainst Pompey;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    For he hath laid strange courtesies and great
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Of late upon me. I must thank him only,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Lest my remembrance suffer ill report;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    At heel of that, defy him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Time calls upon's.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Of us must Pompey presently be sought,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Or else he seeks out us.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Where lies he?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. About the Mount Misenum.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. What is his strength by land?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. Great and increasing; but by sea
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    He is an absolute master.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. So is the fame.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Would we had spoke together! Haste we for it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Yet, ere we put ourselves in arms, dispatch we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The business we have talk'd of.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  CAESAR. With most gladness;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And do invite you to my sister's view,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Whither straight I'll lead you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ANTONY. Let us, Lepidus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Not lack your company.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  LEPIDUS. Noble Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Not sickness should detain me.                    [Flourish]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|                     Exeunt all but ENOBARBUS, AGRIPPA, MAECENAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. Welcome from Egypt, sir.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Half the heart of Caesar, worthy Maecenas! My honourable
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    friend, Agrippa!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. Good Enobarbus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. We have cause to be glad that matters are so well
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    digested. You stay'd well by't in Egypt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Ay, sir; we did sleep day out of countenance and made
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    the night light with drinking.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. Eight wild boars roasted whole at a breakfast, and but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    twelve persons there. Is this true?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. This was but as a fly by an eagle. We had much more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    monstrous matter of feast, which worthily deserved noting.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. She's a most triumphant lady, if report be square to her.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. When she first met Mark Antony she purs'd up his heart,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    upon the river of Cydnus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. There she appear'd indeed! Or my reporter devis'd well for
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    her.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. I will tell you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The barge she sat in, like a burnish'd throne,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Burn'd on the water. The poop was beaten gold;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Purple the sails, and so perfumed that  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The winds were love-sick with them; the oars were silver,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Which to the tune of flutes kept stroke, and made
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The water which they beat to follow faster,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    As amorous of their strokes. For her own person,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    It beggar'd all description. She did lie
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    In her pavilion, cloth-of-gold, of tissue,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    O'erpicturing that Venus where we see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The fancy out-work nature. On each side her
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Stood pretty dimpled boys, like smiling Cupids,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    With divers-colour'd fans, whose wind did seem
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    To glow the delicate cheeks which they did cool,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And what they undid did.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. O, rare for Antony!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Her gentlewomen, like the Nereides,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    So many mermaids, tended her i' th' eyes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And made their bends adornings. At the helm
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    A seeming mermaid steers. The silken tackle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Swell with the touches of those flower-soft hands
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    That yarely frame the office. From the barge
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    A strange invisible perfume hits the sense  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Of the adjacent wharfs. The city cast
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Her people out upon her; and Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Enthron'd i' th' market-place, did sit alone,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Whistling to th' air; which, but for vacancy,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Had gone to gaze on Cleopatra too,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And made a gap in nature.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. Rare Egyptian!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Upon her landing, Antony sent to her,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Invited her to supper. She replied
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    It should be better he became her guest;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Which she entreated. Our courteous Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Whom ne'er the word of 'No' woman heard speak,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Being barber'd ten times o'er, goes to the feast,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And for his ordinary pays his heart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    For what his eyes eat only.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. Royal wench!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    She made great Caesar lay his sword to bed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    He ploughed her, and she cropp'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. I saw her once
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Hop forty paces through the public street;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And, having lost her breath, she spoke, and panted,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    That she did make defect perfection,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    And, breathless, pow'r breathe forth.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. Now Antony must leave her utterly.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Never! He will not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Age cannot wither her, nor custom stale
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Her infinite variety. Other women cloy
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The appetites they feed, but she makes hungry
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Where most she satisfies; for vilest things
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Become themselves in her, that the holy priests
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Bless her when she is riggish.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  MAECENAS. If beauty, wisdom, modesty, can settle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    The heart of Antony, Octavia is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    A blessed lottery to him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  AGRIPPA. Let us go.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Good Enobarbus, make yourself my guest
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|    Whilst you abide here.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|  ENOBARBUS. Humbly, sir, I thank you.                    Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|10|Act 2, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|SCENE III.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|Rome. CAESAR'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|Enter ANTONY, CAESAR, OCTAVIA between them
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. The world and my great office will sometimes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Divide me from your bosom.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  OCTAVIA. All which time
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Before the gods my knee shall bow my prayers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    To them for you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. Good night, sir. My Octavia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Read not my blemishes in the world's report.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    I have not kept my square; but that to come
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Shall all be done by th' rule. Good night, dear lady.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  OCTAVIA. Good night, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  CAESAR. Good night.                  Exeunt CAESAR and OCTAVIA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|                        Enter SOOTHSAYER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. Now, sirrah, you do wish yourself in Egypt?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  SOOTHSAYER. Would I had never come from thence, nor you thither!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. If you can- your reason.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  SOOTHSAYER. I see it in my motion, have it not in my tongue; but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    yet hie you to Egypt again.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. Say to me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Whose fortunes shall rise higher, Caesar's or mine?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  SOOTHSAYER. Caesar's.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Therefore, O Antony, stay not by his side.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Thy daemon, that thy spirit which keeps thee, is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Noble, courageous, high, unmatchable,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Where Caesar's is not; but near him thy angel
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Becomes a fear, as being o'erpow'r'd. Therefore
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Make space enough between you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. Speak this no more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  SOOTHSAYER. To none but thee; no more but when to thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    If thou dost play with him at any game,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Thou art sure to lose; and of that natural luck
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    He beats thee 'gainst the odds. Thy lustre thickens
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    When he shines by. I say again, thy spirit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Is all afraid to govern thee near him;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    But, he away, 'tis noble.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|  ANTONY. Get thee gone.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Say to Ventidius I would speak with him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|                                                 Exit SOOTHSAYER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    He shall to Parthia.- Be it art or hap,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    He hath spoken true. The very dice obey him;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    And in our sports my better cunning faints
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Under his chance. If we draw lots, he speeds;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    His cocks do win the battle still of mine,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    When it is all to nought, and his quails ever
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Beat mine, inhoop'd, at odds. I will to Egypt;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    And though I make this marriage for my peace,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    I' th' East my pleasure lies.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|                       Enter VENTIDIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    O, come, Ventidius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    You must to Parthia. Your commission's ready;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|    Follow me and receive't.                              Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|11|Act 2, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|SCENE IV.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|Rome. A street
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|Enter LEPIDUS, MAECENAS, and AGRIPPA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  LEPIDUS. Trouble yourselves no further. Pray you hasten
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    Your generals after.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  AGRIPPA. Sir, Mark Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    Will e'en but kiss Octavia, and we'll follow.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  LEPIDUS. Till I shall see you in your soldier's dress,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    Which will become you both, farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  MAECENAS. We shall,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    As I conceive the journey, be at th' Mount
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    Before you, Lepidus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  LEPIDUS. Your way is shorter;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    My purposes do draw me much about.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|    You'll win two days upon me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  BOTH. Sir, good success!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|  LEPIDUS. Farewell.                                      Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|12|Act 2, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|SCENE V.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Give me some music- music, moody food
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Of us that trade in love.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  ALL. The music, ho!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|                    Enter MARDIAN the eunuch
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Let it alone! Let's to billiards. Come, Charmian.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CHARMIAN. My arm is sore; best play with Mardian.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. As well a woman with an eunuch play'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    As with a woman. Come, you'll play with me, sir?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MARDIAN. As well as I can, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. And when good will is show'd, though't come too short,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The actor may plead pardon. I'll none now.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Give me mine angle- we'll to th' river. There,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    My music playing far off, I will betray
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Tawny-finn'd fishes; my bended hook shall pierce
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Their slimy jaws; and as I draw them up
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I'll think them every one an Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    And say 'Ah ha! Y'are caught.'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CHARMIAN. 'Twas merry when
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    You wager'd on your angling; when your diver
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Did hang a salt fish on his hook, which he
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    With fervency drew up.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. That time? O times
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I laughed him out of patience; and that night
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I laugh'd him into patience; and next morn,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Ere the ninth hour, I drunk him to his bed,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Then put my tires and mantles on him, whilst
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I wore his sword Philippan.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|                    Enter a MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    O! from Italy?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Ram thou thy fruitful tidings in mine ears,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    That long time have been barren.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Madam, madam-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Antony's dead! If thou say so, villain,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Thou kill'st thy mistress; but well and free,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    If thou so yield him, there is gold, and here
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    My bluest veins to kiss- a hand that kings
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Have lipp'd, and trembled kissing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. First, madam, he is well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Why, there's more gold.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    But, sirrah, mark, we use
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    To say the dead are well. Bring it to that,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The gold I give thee will I melt and pour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Down thy ill-uttering throat.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Good madam, hear me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Well, go to, I will.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    But there's no goodness in thy face. If Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Be free and healthful- why so tart a favour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    To trumpet such good tidings? If not well,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Thou shouldst come like a Fury crown'd with snakes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Not like a formal man.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Will't please you hear me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. I have a mind to strike thee ere thou speak'st.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Yet, if thou say Antony lives, is well,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Or friends with Caesar, or not captive to him,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I'll set thee in a shower of gold, and hail
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Rich pearls upon thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Madam, he's well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Well said.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. And friends with Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Th'art an honest man.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Caesar and he are greater friends than ever.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Make thee a fortune from me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. But yet, madam-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. I do not like 'but yet.' It does allay
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The good precedence; fie upon 'but yet'!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    'But yet' is as a gaoler to bring forth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Some monstrous malefactor. Prithee, friend,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Pour out the pack of matter to mine ear,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The good and bad together. He's friends with Caesar;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    In state of health, thou say'st; and, thou say'st, free.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Free, madam! No; I made no such report.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    He's bound unto Octavia.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. For what good turn?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. For the best turn i' th' bed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. I am pale, Charmian.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Madam, he's married to Octavia.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. The most infectious pestilence upon thee!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|                                              [Strikes him down]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Good madam, patience.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. What say you? Hence,                  [Strikes him]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Horrible villain! or I'll spurn thine eyes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Like balls before me; I'll unhair thy head;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|                                     [She hales him up and down]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Thou shalt be whipp'd with wire and stew'd in brine,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Smarting in ling'ring pickle.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Gracious madam,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I that do bring the news made not the match.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Say 'tis not so, a province I will give thee,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    And make thy fortunes proud. The blow thou hadst
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Shall make thy peace for moving me to rage;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    And I will boot thee with what gift beside
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Thy modesty can beg.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. He's married, madam.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Rogue, thou hast liv'd too long.    [Draws a knife]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Nay, then I'll run.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    What mean you, madam? I have made no fault.             Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CHARMIAN. Good madam, keep yourself within yourself:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The man is innocent.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Some innocents scape not the thunderbolt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Melt Egypt into Nile! and kindly creatures
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Turn all to serpents! Call the slave again.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Though I am mad, I will not bite him. Call!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CHARMIAN. He is afear'd to come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. I will not hurt him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    These hands do lack nobility, that they strike
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    A meaner than myself; since I myself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Have given myself the cause.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|                    Enter the MESSENGER again
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Come hither, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Though it be honest, it is never good
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    To bring bad news. Give to a gracious message  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    An host of tongues; but let ill tidings tell
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Themselves when they be felt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. I have done my duty.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. Is he married?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I cannot hate thee worser than I do
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    If thou again say 'Yes.'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. He's married, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. The gods confound thee! Dost thou hold there still?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Should I lie, madam?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. O, I would thou didst,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    So half my Egypt were submerg'd and made
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    A cistern for scal'd snakes! Go, get thee hence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Hadst thou Narcissus in thy face, to me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Thou wouldst appear most ugly. He is married?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. I crave your Highness' pardon.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. He is married?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  MESSENGER. Take no offence that I would not offend you;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    To punish me for what you make me do
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Seems much unequal. He's married to Octavia.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. O, that his fault should make a knave of thee  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    That art not what th'art sure of! Get thee hence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The merchandise which thou hast brought from Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Are all too dear for me. Lie they upon thy hand,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    And be undone by 'em!                         Exit MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CHARMIAN. Good your Highness, patience.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. In praising Antony I have disprais'd Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CHARMIAN. Many times, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|  CLEOPATRA. I am paid for't now. Lead me from hence,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    I faint. O Iras, Charmian! 'Tis no matter.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Go to the fellow, good Alexas; bid him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Report the feature of Octavia, her years,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Her inclination; let him not leave out
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The colour of her hair. Bring me word quickly.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|                                                     Exit ALEXAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Let him for ever go- let him not, Charmian-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Though he be painted one way like a Gorgon,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    The other way's a Mars.                         [To MARDIAN]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Bid you Alexas
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    Bring me word how tall she is.- Pity me, Charmian,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|    But do not speak to me. Lead me to my chamber.        Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|13|Act 2, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|SCENE VI.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|Near Misenum
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|Flourish. Enter POMPEY and MENAS at one door, with drum and trumpet;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|at another, CAESAR, ANTONY, LEPIDUS, ENOBARBUS, MAECENAS, AGRIPPA,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|with soldiers marching
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Your hostages I have, so have you mine;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    And we shall talk before we fight.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  CAESAR. Most meet
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    That first we come to words; and therefore have we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Our written purposes before us sent;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Which if thou hast considered, let us know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    If 'twill tie up thy discontented sword
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    And carry back to Sicily much tall youth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    That else must perish here.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. To you all three,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    The senators alone of this great world,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Chief factors for the gods: I do not know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Wherefore my father should revengers want,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Having a son and friends, since Julius Caesar,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Who at Philippi the good Brutus ghosted,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    There saw you labouring for him. What was't
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    That mov'd pale Cassius to conspire? and what
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Made the all-honour'd honest Roman, Brutus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    With the arm'd rest, courtiers of beauteous freedom,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    To drench the Capitol, but that they would
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Have one man but a man? And that is it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Hath made me rig my navy, at whose burden
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    The anger'd ocean foams; with which I meant
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    To scourge th' ingratitude that despiteful Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Cast on my noble father.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  CAESAR. Take your time.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. Thou canst not fear us, Pompey, with thy sails;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    We'll speak with thee at sea; at land thou know'st
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    How much we do o'er-count thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. At land, indeed,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Thou dost o'er-count me of my father's house.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    But since the cuckoo builds not for himself,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Remain in't as thou mayst.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  LEPIDUS. Be pleas'd to tell us-  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    For this is from the present- how you take
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    The offers we have sent you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  CAESAR. There's the point.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. Which do not be entreated to, but weigh
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    What it is worth embrac'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  CAESAR. And what may follow,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    To try a larger fortune.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. You have made me offer
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Of Sicily, Sardinia; and I must
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Rid all the sea of pirates; then to send
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Measures of wheat to Rome; this 'greed upon,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    To part with unhack'd edges and bear back
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Our targes undinted.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ALL. That's our offer.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Know, then,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    I came before you here a man prepar'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    To take this offer; but Mark Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Put me to some impatience. Though I lose
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    The praise of it by telling, you must know,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    When Caesar and your brother were at blows,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Your mother came to Sicily and did find
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Her welcome friendly.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. I have heard it, Pompey,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    And am well studied for a liberal thanks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Which I do owe you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Let me have your hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    I did not think, sir, to have met you here.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. The beds i' th' East are soft; and thanks to you,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    That call'd me timelier than my purpose hither;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    For I have gained by't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  CAESAR. Since I saw you last
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    There is a change upon you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Well, I know not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    What counts harsh fortune casts upon my face;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    But in my bosom shall she never come
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    To make my heart her vassal.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  LEPIDUS. Well met here.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. I hope so, Lepidus. Thus we are agreed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    I crave our composition may be written,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    And seal'd between us.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  CAESAR. That's the next to do.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. We'll feast each other ere we part, and let's
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Draw lots who shall begin.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. That will I, Pompey.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. No, Antony, take the lot;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    But, first or last, your fine Egyptian cookery
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Shall have the fame. I have heard that Julius Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Grew fat with feasting there.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. You have heard much.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. I have fair meanings, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ANTONY. And fair words to them.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Then so much have I heard;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    And I have heard Apollodorus carried-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. No more of that! He did so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. What, I pray you?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. A certain queen to Caesar in a mattress.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. I know thee now. How far'st thou, soldier?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. Well;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    And well am like to do, for I perceive
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Four feasts are toward.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Let me shake thy hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    I never hated thee; I have seen thee fight,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    When I have envied thy behaviour.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. Sir,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    I never lov'd you much; but I ha' prais'd ye
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    When you have well deserv'd ten times as much
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    As I have said you did.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Enjoy thy plainness;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    It nothing ill becomes thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Aboard my galley I invite you all.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Will you lead, lords?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ALL. Show's the way, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  POMPEY. Come.               Exeunt all but ENOBARBUS and MENAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. [Aside] Thy father, Pompey, would ne'er have made this
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    treaty.- You and I have known, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. At sea, I think.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. We have, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. You have done well by water.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. And you by land.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. I Will praise any man that will praise me; though it  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    cannot be denied what I have done by land.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. Nor what I have done by water.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. Yes, something you can deny for your own safety: you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    have been a great thief by sea.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. And you by land.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. There I deny my land service. But give me your hand,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Menas; if our eyes had authority, here they might take two
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    thieves kissing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. All men's faces are true, whatsome'er their hands are.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. But there is never a fair woman has a true face.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. No slander: they steal hearts.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. We came hither to fight with you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. For my part, I am sorry it is turn'd to a drinking.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    Pompey doth this day laugh away his fortune.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. If he do, sure he cannot weep't back again.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. Y'have said, sir. We look'd not for Mark Antony here. Pray
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    you, is he married to Cleopatra?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. Caesar' sister is call'd Octavia.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. True, sir; she was the wife of Caius Marcellus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. But she is now the wife of Marcus Antonius.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. Pray ye, sir?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. 'Tis true.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. Then is Caesar and he for ever knit together.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. If I were bound to divine of this unity, I would not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    prophesy so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. I think the policy of that purpose made more in the marriage
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    than the love of the parties.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. I think so too. But you shall find the band that seems
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    to tie their friendship together will be the very strangler of
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    their amity: Octavia is of a holy, cold, and still conversation.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. Who would not have his wife so?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. Not he that himself is not so; which is Mark Antony. He
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    will to his Egyptian dish again; then shall the sighs of Octavia
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    blow the fire up in Caesar, and, as I said before, that which is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    the strength of their amity shall prove the immediate author of
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    their variance. Antony will use his affection where it is; he
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    married but his occasion here.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. And thus it may be. Come, sir, will you aboard? I have a
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|    health for you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  ENOBARBUS. I shall take it, sir. We have us'd our throats in Egypt.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|  MENAS. Come, let's away.                                Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|14|Act 2, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|                           SCENE VII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|             On board POMPEY'S galley, off Misenum
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|     Music plays. Enter two or three SERVANTS with a banquet
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  FIRST SERVANT. Here they'll be, man. Some o' their plants are
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    ill-rooted already; the least wind i' th' world will blow them
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    down.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  SECOND SERVANT. Lepidus is high-colour'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  FIRST SERVANT. They have made him drink alms-drink.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  SECOND SERVANT. As they pinch one another by the disposition, he
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    cries out 'No more!'; reconciles them to his entreaty and himself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    to th' drink.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  FIRST SERVANT. But it raises the greater war between him and his
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    discretion.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  SECOND SERVANT. Why, this it is to have a name in great men's
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    fellowship. I had as lief have a reed that will do me no service
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    as a partizan I could not heave.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  FIRST SERVANT. To be call'd into a huge sphere, and not to be seen
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    to move in't, are the holes where eyes should be, which pitifully
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    disaster the cheeks.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|           A sennet sounded. Enter CAESAR, ANTONY, LEPIDUS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            POMPEY, AGRIPPA, MAECENAS, ENOBARBUS, MENAS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|                         with other CAPTAINS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. [To CAESAR] Thus do they, sir: they take the flow o' th'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|      Nile
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    By certain scales i' th' pyramid; they know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    By th' height, the lowness, or the mean, if dearth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Or foison follow. The higher Nilus swells
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    The more it promises; as it ebbs, the seedsman
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Upon the slime and ooze scatters his grain,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And shortly comes to harvest.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. Y'have strange serpents there.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. Ay, Lepidus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. Your serpent of Egypt is bred now of your mud by the
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    operation of your sun; so is your crocodile.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. They are so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Sit- and some wine! A health to Lepidus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. I am not so well as I should be, but I'll ne'er out.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. Not till you have slept. I fear me you'll be in till  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    then.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. Nay, certainly, I have heard the Ptolemies' pyramises are
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    very goodly things. Without contradiction I have heard that.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. [Aside to POMPEY] Pompey, a word.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. [Aside to MENAS] Say in mine ear; what is't?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. [Aside to POMPEY] Forsake thy seat, I do beseech thee,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|      Captain,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And hear me speak a word.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. [ Whispers in's ear ] Forbear me till anon-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    This wine for Lepidus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. What manner o' thing is your crocodile?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. It is shap'd, sir, like itself, and it is as broad as it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    hath breadth; it is just so high as it is, and moves with it own
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    organs. It lives by that which nourisheth it, and the elements
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    once out of it, it transmigrates.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. What colour is it of?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. Of it own colour too.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  LEPIDUS. 'Tis a strange serpent.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. 'Tis so. And the tears of it are wet.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  CAESAR. Will this description satisfy him?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. With the health that Pompey gives him, else he is a very
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    epicure.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. [Aside to MENAS] Go, hang, sir, hang! Tell me of that!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|      Away!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Do as I bid you.- Where's this cup I call'd for?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. [Aside to POMPEY] If for the sake of merit thou wilt hear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|      me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Rise from thy stool.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. [Aside to MENAS] I think th'art mad. [Rises and walks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    aside] The matter?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. I have ever held my cap off to thy fortunes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Thou hast serv'd me with much faith. What's else to say?-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Be jolly, lords.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. These quicksands, Lepidus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Keep off them, for you sink.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. Wilt thou be lord of all the world?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. What say'st thou?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. Wilt thou be lord of the whole world? That's twice.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. How should that be?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. But entertain it,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And though you think me poor, I am the man
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Will give thee all the world.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Hast thou drunk well?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. No, Pompey, I have kept me from the cup.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Thou art, if thou dar'st be, the earthly Jove;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Whate'er the ocean pales or sky inclips
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Is thine, if thou wilt ha't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Show me which way.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. These three world-sharers, these competitors,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Are in thy vessel. Let me cut the cable;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And when we are put off, fall to their throats.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    All there is thine.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Ah, this thou shouldst have done,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And not have spoke on't. In me 'tis villainy:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    In thee't had been good service. Thou must know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    'Tis not my profit that does lead mine honour:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Mine honour, it. Repent that e'er thy tongue
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Hath so betray'd thine act. Being done unknown,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    I should have found it afterwards well done,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    But must condemn it now. Desist, and drink.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. [Aside] For this,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    I'll never follow thy pall'd fortunes more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Who seeks, and will not take when once 'tis offer'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Shall never find it more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. This health to Lepidus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. Bear him ashore. I'll pledge it for him, Pompey.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. Here's to thee, Menas!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. Enobarbus, welcome!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Fill till the cup be hid.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. There's a strong fellow, Menas.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|               [Pointing to the servant who carries off LEPIDUS]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. Why?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. 'A bears the third part of the world, man; see'st not?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. The third part, then, is drunk. Would it were all,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    That it might go on wheels!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. Drink thou; increase the reels.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. Come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. This is not yet an Alexandrian feast.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. It ripens towards it. Strike the vessels, ho!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Here's to Caesar!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  CAESAR. I could well forbear't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    It's monstrous labour when I wash my brain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And it grows fouler.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. Be a child o' th' time.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  CAESAR. Possess it, I'll make answer.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    But I had rather fast from all four days
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Than drink so much in one.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. [To ANTONY] Ha, my brave emperor!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Shall we dance now the Egyptian Bacchanals
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    And celebrate our drink?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. Let's ha't, good soldier.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. Come, let's all take hands,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Till that the conquering wine hath steep'd our sense
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    In soft and delicate Lethe.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. All take hands.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Make battery to our ears with the loud music,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    The while I'll place you; then the boy shall sing;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    The holding every man shall bear as loud
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    As his strong sides can volley.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|               [Music plays. ENOBARBUS places them hand in hand]  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|                        THE SONG
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            Come, thou monarch of the vine,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            Plumpy Bacchus with pink eyne!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            In thy fats our cares be drown'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            With thy grapes our hairs be crown'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            Cup us till the world go round,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|            Cup us till the world go round!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  CAESAR. What would you more? Pompey, good night. Good brother,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Let me request you off; our graver business
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Frowns at this levity. Gentle lords, let's part;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    You see we have burnt our cheeks. Strong Enobarb
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Is weaker than the wine, and mine own tongue
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Splits what it speaks. The wild disguise hath almost
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Antick'd us all. What needs more words? Good night.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Good Antony, your hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. I'll try you on the shore.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ANTONY. And shall, sir. Give's your hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  POMPEY. O Antony,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    You have my father's house- but what? We are friends.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Come, down into the boat.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. Take heed you fall not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|                              Exeunt all but ENOBARBUS and MENAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Menas, I'll not on shore.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. No, to my cabin.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    These drums! these trumpets, flutes! what!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    Let Neptune hear we bid a loud farewell
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|    To these great fellows. Sound and be hang'd, sound out!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|                                  [Sound a flourish, with drums]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  ENOBARBUS. Hoo! says 'a. There's my cap.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|  MENAS. Hoo! Noble Captain, come.                        Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|15|Act 2, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|                     ACT III. SCENE I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|                     A plain in Syria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|       Enter VENTIDIUS, as it were in triumph, with SILIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|      and other Romans, OFFICERS and soldiers; the dead body
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|                of PACORUS borne before him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  VENTIDIUS. Now, darting Parthia, art thou struck, and now
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Pleas'd fortune does of Marcus Crassus' death
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Make me revenger. Bear the King's son's body
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Before our army. Thy Pacorus, Orodes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Pays this for Marcus Crassus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  SILIUS. Noble Ventidius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Whilst yet with Parthian blood thy sword is warm
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    The fugitive Parthians follow; spur through Media,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Mesopotamia, and the shelters whither
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    The routed fly. So thy grand captain, Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Shall set thee on triumphant chariots and
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Put garlands on thy head.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  VENTIDIUS. O Silius, Silius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    I have done enough. A lower place, note well,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    May make too great an act; for learn this, Silius:  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Better to leave undone than by our deed
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Acquire too high a fame when him we serve's away.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Caesar and Antony have ever won
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    More in their officer, than person. Sossius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    One of my place in Syria, his lieutenant,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    For quick accumulation of renown,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Which he achiev'd by th' minute, lost his favour.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Who does i' th' wars more than his captain can
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Becomes his captain's captain; and ambition,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    The soldier's virtue, rather makes choice of loss
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Than gain which darkens him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    I could do more to do Antonius good,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    But 'twould offend him; and in his offence
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Should my performance perish.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  SILIUS. Thou hast, Ventidius, that
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Without the which a soldier and his sword
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    Grants scarce distinction. Thou wilt write to Antony?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  VENTIDIUS. I'll humbly signify what in his name,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    That magical word of war, we have effected;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    How, with his banners, and his well-paid ranks,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    The ne'er-yet-beaten horse of Parthia
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    We have jaded out o' th' field.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  SILIUS. Where is he now?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|  VENTIDIUS. He purposeth to Athens; whither, with what haste
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    The weight we must convey with's will permit,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|    We shall appear before him.- On, there; pass along.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|                                                          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|16|Act 3, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|                            SCENE II. Rome. CAESAR'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|        Enter AGRIPPA at one door, ENOBARBUS at another
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. What, are the brothers parted?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. They have dispatch'd with Pompey; he is gone;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    The other three are sealing. Octavia weeps
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    To part from Rome; Caesar is sad; and Lepidus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Since Pompey's feast, as Menas says, is troubled
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    With the green sickness.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. 'Tis a noble Lepidus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. A very fine one. O, how he loves Caesar!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. Nay, but how dearly he adores Mark Antony!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. Caesar? Why he's the Jupiter of men.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. What's Antony? The god of Jupiter.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. Spake you of Caesar? How! the nonpareil!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. O, Antony! O thou Arabian bird!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. Would you praise Caesar, say 'Caesar'- go no further.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. Indeed, he plied them both with excellent praises.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. But he loves Caesar best. Yet he loves Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Hoo! hearts, tongues, figures, scribes, bards, poets, cannot  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Think, speak, cast, write, sing, number- hoo!-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    His love to Antony. But as for Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Kneel down, kneel down, and wonder.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. Both he loves.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. They are his shards, and he their beetle. [Trumpets
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|      within] So-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    This is to horse. Adieu, noble Agrippa.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. Good fortune, worthy soldier, and farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|           Enter CAESAR, ANTONY, LEPIDUS, and OCTAVIA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. No further, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. You take from me a great part of myself;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Use me well in't. Sister, prove such a wife
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    As my thoughts make thee, and as my farthest band
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Shall pass on thy approof. Most noble Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Let not the piece of virtue which is set
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Betwixt us as the cement of our love
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    To keep it builded be the ram to batter
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    The fortress of it; for better might we  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Have lov'd without this mean, if on both parts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    This be not cherish'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. Make me not offended
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    In your distrust.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. I have said.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. You shall not find,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Though you be therein curious, the least cause
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    For what you seem to fear. So the gods keep you,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    And make the hearts of Romans serve your ends!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    We will here part.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. Farewell, my dearest sister, fare thee well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    The elements be kind to thee and make
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Thy spirits all of comfort! Fare thee well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  OCTAVIA. My noble brother!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. The April's in her eyes. It is love's spring,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    And these the showers to bring it on. Be cheerful.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  OCTAVIA. Sir, look well to my husband's house; and-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. What, Octavia?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  OCTAVIA. I'll tell you in your ear.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. Her tongue will not obey her heart, nor can  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Her heart inform her tongue- the swan's down feather,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    That stands upon the swell at the full of tide,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    And neither way inclines.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. [Aside to AGRIPPA] Will Caesar weep?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. [Aside to ENOBARBUS] He has a cloud in's face.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. [Aside to AGRIPPA] He were the worse for that, were he a
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|      horse;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    So is he, being a man.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  AGRIPPA. [Aside to ENOBARBUS] Why, Enobarbus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    When Antony found Julius Caesar dead,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    He cried almost to roaring; and he wept
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    When at Philippi he found Brutus slain.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ENOBARBUS. [Aside to AGRIPPA] That year, indeed, he was troubled
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|      with a rheum;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    What willingly he did confound he wail'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Believe't- till I weep too.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. No, sweet Octavia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    You shall hear from me still; the time shall not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Out-go my thinking on you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. Come, sir, come;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    I'll wrestle with you in my strength of love.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    Look, here I have you; thus I let you go,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    And give you to the gods.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. Adieu; be happy!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  LEPIDUS. Let all the number of the stars give light
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|    To thy fair way!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  CAESAR. Farewell, farewell!                   [Kisses OCTAVIA]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|  ANTONY. Farewell!                       Trumpets sound. Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|17|Act 3, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|                          SCENE III.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|              Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|         Enter CLEOPATRA, CHARMIAN, IRAS, and ALEXAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Where is the fellow?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  ALEXAS. Half afeard to come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Go to, go to.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|                Enter the MESSENGER as before
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Come hither, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  ALEXAS. Good Majesty,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Herod of Jewry dare not look upon you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    But when you are well pleas'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. That Herod's head
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    I'll have. But how, when Antony is gone,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Through whom I might command it? Come thou near.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Most gracious Majesty!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Didst thou behold Octavia?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Ay, dread Queen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Where?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Madam, in Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    I look'd her in the face, and saw her led
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Between her brother and Mark Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Is she as tall as me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. She is not, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Didst hear her speak? Is she shrill-tongu'd or low?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Madam, I heard her speak: she is low-voic'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. That's not so good. He cannot like her long.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. Like her? O Isis! 'tis impossible.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. I think so, Charmian. Dull of tongue and dwarfish!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    What majesty is in her gait? Remember,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    If e'er thou look'dst on majesty.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. She creeps.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Her motion and her station are as one;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    She shows a body rather than a life,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    A statue than a breather.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Is this certain?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Or I have no observance.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. Three in Egypt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Cannot make better note.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. He's very knowing;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    I do perceive't. There's nothing in her yet.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    The fellow has good judgment.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. Excellent.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Guess at her years, I prithee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Madam,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    She was a widow.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Widow? Charmian, hark!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. And I do think she's thirty.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Bear'st thou her face in mind? Is't long or round?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Round even to faultiness.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. For the most part, too, they are foolish that are so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Her hair, what colour?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  MESSENGER. Brown, madam; and her forehead
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    As low as she would wish it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. There's gold for thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Thou must not take my former sharpness ill.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    I will employ thee back again; I find thee
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Most fit for business. Go make thee ready;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Our letters are prepar'd.                   Exeunt MESSENGER  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. A proper man.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. Indeed, he is so. I repent me much
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    That so I harried him. Why, methinks, by him,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    This creature's no such thing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. Nothing, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. The man hath seen some majesty, and should know.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. Hath he seen majesty? Isis else defend,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    And serving you so long!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CLEOPATRA. I have one thing more to ask him yet, good Charmian.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    But 'tis no matter; thou shalt bring him to me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|    Where I will write. All may be well enough.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|  CHARMIAN. I warrant you, madam.                         Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|18|Act 3, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|                          SCENE IV.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|                  Athens. ANTONY'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|                 Enter ANTONY and OCTAVIA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|  ANTONY. Nay, nay, Octavia, not only that-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    That were excusable, that and thousands more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Of semblable import- but he hath wag'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    New wars 'gainst Pompey; made his will, and read it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    To public ear;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Spoke scandy of me; when perforce he could not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    But pay me terms of honour, cold and sickly
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    He vented them, most narrow measure lent me;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    When the best hint was given him, he not took't,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Or did it from his teeth.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|  OCTAVIA. O my good lord,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Believe not all; or if you must believe,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Stomach not all. A more unhappy lady,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    If this division chance, ne'er stood between,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Praying for both parts.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    The good gods will mock me presently
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    When I shall pray 'O, bless my lord and husband!'  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Undo that prayer by crying out as loud
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    'O, bless my brother!' Husband win, win brother,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Prays, and destroys the prayer; no mid-way
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    'Twixt these extremes at all.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|  ANTONY. Gentle Octavia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Let your best love draw to that point which seeks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Best to preserve it. If I lose mine honour,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    I lose myself; better I were not yours
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Than yours so branchless. But, as you requested,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Yourself shall go between's. The meantime, lady,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    I'll raise the preparation of a war
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Shall stain your brother. Make your soonest haste;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    So your desires are yours.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|  OCTAVIA. Thanks to my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    The Jove of power make me, most weak, most weak,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Your reconciler! Wars 'twixt you twain would be
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    As if the world should cleave, and that slain men
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Should solder up the rift.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|  ANTONY. When it appears to you where this begins,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Turn your displeasure that way, for our faults  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Can never be so equal that your love
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Can equally move with them. Provide your going;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Choose your own company, and command what cost
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|    Your heart has mind to.                               Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|19|Act 3, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|                           SCENE V.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|                   Athens. ANTONY'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|             Enter ENOBARBUS and EROS, meeting
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  ENOBARBUS. How now, friend Eros!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  EROS. There's strange news come, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  ENOBARBUS. What, man?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  EROS. Caesar and Lepidus have made wars upon Pompey.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  ENOBARBUS. This is old. What is the success?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  EROS. Caesar, having made use of him in the wars 'gainst Pompey,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    presently denied him rivality, would not let him partake in the
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    glory of the action; and not resting here, accuses him of letters
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    he had formerly wrote to Pompey; upon his own appeal, seizes him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    So the poor third is up, till death enlarge his confine.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  ENOBARBUS. Then, world, thou hast a pair of chaps- no more;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    And throw between them all the food thou hast,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    They'll grind the one the other. Where's Antony?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  EROS. He's walking in the garden- thus, and spurns
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    The rush that lies before him; cries 'Fool Lepidus!'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    And threats the throat of that his officer
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    That murd'red Pompey.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  ENOBARBUS. Our great navy's rigg'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  EROS. For Italy and Caesar. More, Domitius:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    My lord desires you presently; my news
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    I might have told hereafter.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  ENOBARBUS. 'Twill be naught;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|    But let it be. Bring me to Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|  EROS. Come, sir.                                        Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|20|Act 3, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|                          SCENE VI.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|                   Rome. CAESAR'S house
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|             Enter CAESAR, AGRIPPA, and MAECENAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Contemning Rome, he has done all this and more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    In Alexandria. Here's the manner of't:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    I' th' market-place, on a tribunal silver'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Cleopatra and himself in chairs of gold
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Were publicly enthron'd; at the feet sat
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Caesarion, whom they call my father's son,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And all the unlawful issue that their lust
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Since then hath made between them. Unto her
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    He gave the stablishment of Egypt; made her
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Of lower Syria, Cyprus, Lydia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Absolute queen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  MAECENAS. This in the public eye?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. I' th' common show-place, where they exercise.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    His sons he there proclaim'd the kings of kings:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Great Media, Parthia, and Armenia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    He gave to Alexander; to Ptolemy he assign'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Syria, Cilicia, and Phoenicia. She  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    In th' habiliments of the goddess Isis
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    That day appear'd; and oft before gave audience,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    As 'tis reported, so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  MAECENAS. Let Rome be thus
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Inform'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  AGRIPPA. Who, queasy with his insolence
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Already, will their good thoughts call from him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. The people knows it, and have now receiv'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    His accusations.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  AGRIPPA. Who does he accuse?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Caesar; and that, having in Sicily
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Sextus Pompeius spoil'd, we had not rated him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    His part o' th' isle. Then does he say he lent me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Some shipping, unrestor'd. Lastly, he frets
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    That Lepidus of the triumvirate
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Should be depos'd; and, being, that we detain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    All his revenue.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  AGRIPPA. Sir, this should be answer'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. 'Tis done already, and messenger gone.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    I have told him Lepidus was grown too cruel,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    That he his high authority abus'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And did deserve his change. For what I have conquer'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    I grant him part; but then, in his Armenia
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And other of his conquer'd kingdoms,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Demand the like.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  MAECENAS. He'll never yield to that.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Nor must not then be yielded to in this.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|                Enter OCTAVIA, with her train
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. Hail, Caesar, and my lord! hail, most dear Caesar!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. That ever I should call thee cast-away!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. You have not call'd me so, nor have you cause.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Why have you stol'n upon us thus? You come not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Like Caesar's sister. The wife of Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Should have an army for an usher, and
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    The neighs of horse to tell of her approach
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Long ere she did appear. The trees by th' way
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Should have borne men, and expectation fainted,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Longing for what it had not. Nay, the dust  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Should have ascended to the roof of heaven,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Rais'd by your populous troops. But you are come
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    A market-maid to Rome, and have prevented
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    The ostentation of our love, which left unshown
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Is often left unlov'd. We should have met you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    By sea and land, supplying every stage
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    With an augmented greeting.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. Good my lord,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    To come thus was I not constrain'd, but did it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    On my free will. My lord, Mark Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Hearing that you prepar'd for war, acquainted
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    My grieved ear withal; whereon I begg'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    His pardon for return.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Which soon he granted,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Being an obstruct 'tween his lust and him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. Do not say so, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. I have eyes upon him,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And his affairs come to me on the wind.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Where is he now?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. My lord, in Athens.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. No, my most wronged sister: Cleopatra
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Hath nodded him to her. He hath given his empire
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Up to a whore, who now are levying
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    The kings o' th' earth for war. He hath assembled
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Bocchus, the king of Libya; Archelaus
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Of Cappadocia; Philadelphos, king
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Of Paphlagonia; the Thracian king, Adallas;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    King Manchus of Arabia; King of Pont;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Herod of Jewry; Mithridates, king
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Of Comagene; Polemon and Amyntas,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    The kings of Mede and Lycaonia, with
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    More larger list of sceptres.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. Ay me most wretched,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    That have my heart parted betwixt two friends,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    That does afflict each other!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Welcome hither.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Your letters did withhold our breaking forth,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Till we perceiv'd both how you were wrong led
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And we in negligent danger. Cheer your heart;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Be you not troubled with the time, which drives  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    O'er your content these strong necessities,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    But let determin'd things to destiny
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Hold unbewail'd their way. Welcome to Rome;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Nothing more dear to me. You are abus'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Beyond the mark of thought, and the high gods,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    To do you justice, make their ministers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Of us and those that love you. Best of comfort,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And ever welcome to us.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  AGRIPPA. Welcome, lady.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  MAECENAS. Welcome, dear madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Each heart in Rome does love and pity you;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Only th' adulterous Antony, most large
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    In his abominations, turns you off,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    And gives his potent regiment to a trull
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    That noises it against us.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  OCTAVIA. Is it so, sir?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|  CAESAR. Most certain. Sister, welcome. Pray you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|    Be ever known to patience. My dear'st sister!         Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|21|Act 3, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                          SCENE VII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                  ANTONY'S camp near Actium
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                Enter CLEOPATRA and ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. I will be even with thee, doubt it not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. But why, why,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. Thou hast forspoke my being in these wars,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And say'st it is not fit.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. Well, is it, is it?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. Is't not denounc'd against us? Why should not we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Be there in person?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. [Aside] Well, I could reply:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    If we should serve with horse and mares together
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    The horse were merely lost; the mares would bear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    A soldier and his horse.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. What is't you say?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. Your presence needs must puzzle Antony;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Take from his heart, take from his brain, from's time,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    What should not then be spar'd. He is already
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Traduc'd for levity; and 'tis said in Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    That Photinus an eunuch and your maids  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Manage this war.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. Sink Rome, and their tongues rot
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    That speak against us! A charge we bear i' th' war,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And, as the president of my kingdom, will
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Appear there for a man. Speak not against it;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    I will not stay behind.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                   Enter ANTONY and CANIDIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. Nay, I have done.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Here comes the Emperor.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. Is it not strange, Canidius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    That from Tarentum and Brundusium
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    He could so quickly cut the Ionian sea,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And take in Toryne?- You have heard on't, sweet?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. Celerity is never more admir'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Than by the negligent.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. A good rebuke,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Which might have well becom'd the best of men
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    To taunt at slackness. Canidius, we  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Will fight with him by sea.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. By sea! What else?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. Why will my lord do so?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. For that he dares us to't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. So hath my lord dar'd him to single fight.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. Ay, and to wage this battle at Pharsalia,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Where Caesar fought with Pompey. But these offers,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Which serve not for his vantage, he shakes off;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And so should you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. Your ships are not well mann'd;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Your mariners are muleteers, reapers, people
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Ingross'd by swift impress. In Caesar's fleet
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Are those that often have 'gainst Pompey fought;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Their ships are yare; yours heavy. No disgrace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Shall fall you for refusing him at sea,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Being prepar'd for land.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. By sea, by sea.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ENOBARBUS. Most worthy sir, you therein throw away
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    The absolute soldiership you have by land;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Distract your army, which doth most consist  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Of war-mark'd footmen; leave unexecuted
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Your own renowned knowledge; quite forgo
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    The way which promises assurance; and
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Give up yourself merely to chance and hazard
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    From firm security.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. I'll fight at sea.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CLEOPATRA. I have sixty sails, Caesar none better.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. Our overplus of shipping will we burn,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And, with the rest full-mann'd, from th' head of Actium
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Beat th' approaching Caesar. But if we fail,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    We then can do't at land.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                       Enter a MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Thy business?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  MESSENGER. The news is true, my lord: he is descried;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Caesar has taken Toryne.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. Can he be there in person? 'Tis impossible-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Strange that his power should be. Canidius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Our nineteen legions thou shalt hold by land,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And our twelve thousand horse. We'll to our ship.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Away, my Thetis!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                       Enter a SOLDIER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    How now, worthy soldier?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  SOLDIER. O noble Emperor, do not fight by sea;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Trust not to rotten planks. Do you misdoubt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    This sword and these my wounds? Let th' Egyptians
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And the Phoenicians go a-ducking; we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Have us'd to conquer standing on the earth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And fighting foot to foot.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  ANTONY. Well, well- away.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                         Exeunt ANTONY, CLEOPATRA, and ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  SOLDIER. By Hercules, I think I am i' th' right.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. Soldier, thou art; but his whole action grows
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Not in the power on't. So our leader's led,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    And we are women's men.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  SOLDIER. You keep by land
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    The legions and the horse whole, do you not?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. Marcus Octavius, Marcus Justeius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Publicola, and Caelius are for sea;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    But we keep whole by land. This speed of Caesar's
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Carries beyond belief.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  SOLDIER. While he was yet in Rome,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    His power went out in such distractions as
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Beguil'd all spies.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. Who's his lieutenant, hear you?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  SOLDIER. They say one Taurus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. Well I know the man.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|                        Enter a MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  MESSENGER. The Emperor calls Canidius.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|  CANIDIUS. With news the time's with labour and throes forth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|    Each minute some.                                     Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|22|Act 3, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|                          SCENE VIII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|                      A plain near Actium
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|             Enter CAESAR, with his army, marching
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|  CAESAR. Taurus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|  TAURUS. My lord?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|  CAESAR. Strike not by land; keep whole; provoke not battle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|    Till we have done at sea. Do not exceed
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|    The prescript of this scroll. Our fortune lies
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|    Upon this jump.                                       Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|23|Act 3, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|                           SCENE IX.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|                  Another part of the plain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|                  Enter ANTONY and ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|  ANTONY. Set we our squadrons on yon side o' th' hill,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|    In eye of Caesar's battle; from which place
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|    We may the number of the ships behold,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|    And so proceed accordingly.                           Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|24|Act 3, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|                           SCENE X.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|                 Another part of the plain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|        CANIDIUS marcheth with his land army one way
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|        over the stage, and TAURUS, the Lieutenant of
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|      CAESAR, the other way. After their going in is heard
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|                   the noise of a sea-fight
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|                    Alarum. Enter ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. Naught, naught, all naught! I can behold no longer.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Th' Antoniad, the Egyptian admiral,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    With all their sixty, fly and turn the rudder.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    To see't mine eyes are blasted.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|                        Enter SCARUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  SCARUS. Gods and goddesses,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    All the whole synod of them!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. What's thy passion?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  SCARUS. The greater cantle of the world is lost
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    With very ignorance; we have kiss'd away  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Kingdoms and provinces.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. How appears the fight?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  SCARUS. On our side like the token'd pestilence,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Where death is sure. Yon ribaudred nag of Egypt-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Whom leprosy o'ertake!- i' th' midst o' th' fight,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    When vantage like a pair of twins appear'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Both as the same, or rather ours the elder-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    The breese upon her, like a cow in June-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Hoists sails and flies.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. That I beheld;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Mine eyes did sicken at the sight and could not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Endure a further view.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  SCARUS. She once being loof'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    The noble ruin of her magic, Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Claps on his sea-wing, and, like a doting mallard,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Leaving the fight in height, flies after her.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    I never saw an action of such shame;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Experience, manhood, honour, ne'er before
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Did violate so itself.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. Alack, alack!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|                       Enter CANIDIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  CANIDIUS. Our fortune on the sea is out of breath,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    And sinks most lamentably. Had our general
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Been what he knew himself, it had gone well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    O, he has given example for our flight
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Most grossly by his own!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. Ay, are you thereabouts?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Why then, good night indeed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  CANIDIUS. Toward Peloponnesus are they fled.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  SCARUS. 'Tis easy to't; and there I will attend
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    What further comes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  CANIDIUS. To Caesar will I render
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    My legions and my horse; six kings already
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Show me the way of yielding.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|  ENOBARBUS. I'll yet follow
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    The wounded chance of Antony, though my reason
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|    Sits in the wind against me.                          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|25|Act 3, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|                         SCENE XI.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|              Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|               Enter ANTONY With attendants
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. Hark! the land bids me tread no more upon't;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    It is asham'd to bear me. Friends, come hither.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    I am so lated in the world that I
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Have lost my way for ever. I have a ship
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Laden with gold; take that; divide it. Fly,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    And make your peace with Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ALL. Fly? Not we!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. I have fled myself, and have instructed cowards
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    To run and show their shoulders. Friends, be gone;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    I have myself resolv'd upon a course
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Which has no need of you; be gone.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    My treasure's in the harbour, take it. O,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    I follow'd that I blush to look upon.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    My very hairs do mutiny; for the white
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Reprove the brown for rashness, and they them
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    For fear and doting. Friends, be gone; you shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Have letters from me to some friends that will  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Sweep your way for you. Pray you look not sad,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Nor make replies of loathness; take the hint
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Which my despair proclaims. Let that be left
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Which leaves itself. To the sea-side straight way.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    I will possess you of that ship and treasure.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Leave me, I pray, a little; pray you now;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Nay, do so, for indeed I have lost command;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Therefore I pray you. I'll see you by and by.    [Sits down]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|            Enter CLEOPATRA, led by CHARMIAN and IRAS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|                         EROS following
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  EROS. Nay, gentle madam, to him! Comfort him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  IRAS. Do, most dear Queen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CHARMIAN. Do? Why, what else?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CLEOPATRA. Let me sit down. O Juno!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. No, no, no, no, no.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  EROS. See you here, sir?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. O, fie, fie, fie!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CHARMIAN. Madam!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  IRAS. Madam, O good Empress!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  EROS. Sir, sir!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. Yes, my lord, yes. He at Philippi kept
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    His sword e'en like a dancer, while I struck
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    The lean and wrinkled Cassius; and 'twas I
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    That the mad Brutus ended; he alone
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Dealt on lieutenantry, and no practice had
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    In the brave squares of war. Yet now- no matter.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CLEOPATRA. Ah, stand by!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  EROS. The Queen, my lord, the Queen!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  IRAS. Go to him, madam, speak to him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    He is unqualitied with very shame.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CLEOPATRA. Well then, sustain me. O!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11| EROS. Most noble sir, arise; the Queen approaches.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Her head's declin'd, and death will seize her but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Your comfort makes the rescue.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. I have offended reputation-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    A most unnoble swerving.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  EROS. Sir, the Queen.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. O, whither hast thou led me, Egypt? See
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    How I convey my shame out of thine eyes  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    By looking back what I have left behind
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    'Stroy'd in dishonour.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CLEOPATRA. O my lord, my lord,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Forgive my fearful sails! I little thought
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    You would have followed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. Egypt, thou knew'st too well
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    My heart was to thy rudder tied by th' strings,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    And thou shouldst tow me after. O'er my spirit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Thy full supremacy thou knew'st, and that
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Thy beck might from the bidding of the gods
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Command me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CLEOPATRA. O, my pardon!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. Now I must
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    To the young man send humble treaties, dodge
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    And palter in the shifts of lowness, who
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    With half the bulk o' th' world play'd as I pleas'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Making and marring fortunes. You did know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    How much you were my conqueror, and that
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    My sword, made weak by my affection, would
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Obey it on all cause.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  CLEOPATRA. Pardon, pardon!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|  ANTONY. Fall not a tear, I say; one of them rates
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    All that is won and lost. Give me a kiss;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Even this repays me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    We sent our schoolmaster; is 'a come back?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Love, I am full of lead. Some wine,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    Within there, and our viands! Fortune knows
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|    We scorn her most when most she offers blows.         Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|26|Act 3, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|                         SCENE XII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|                   CAESAR'S camp in Egypt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|   Enter CAESAR, AGRIPPA, DOLABELLA, THYREUS, with others
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  CAESAR. Let him appear that's come from Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Know you him?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  DOLABELLA. Caesar, 'tis his schoolmaster:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    An argument that he is pluck'd, when hither
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    He sends so poor a pinion of his wing,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Which had superfluous kings for messengers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Not many moons gone by.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|            Enter EUPHRONIUS, Ambassador from ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  CAESAR. Approach, and speak.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  EUPHRONIUS. Such as I am, I come from Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    I was of late as petty to his ends
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    As is the morn-dew on the myrtle leaf
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    To his grand sea.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  CAESAR. Be't so. Declare thine office.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  EUPHRONIUS. Lord of his fortunes he salutes thee, and  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Requires to live in Egypt; which not granted,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    He lessens his requests and to thee sues
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    To let him breathe between the heavens and earth,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    A private man in Athens. This for him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Next, Cleopatra does confess thy greatness,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Submits her to thy might, and of thee craves
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    The circle of the Ptolemies for her heirs,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Now hazarded to thy grace.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  CAESAR. For Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    I have no ears to his request. The Queen
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Of audience nor desire shall fail, so she
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    From Egypt drive her all-disgraced friend,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Or take his life there. This if she perform,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    She shall not sue unheard. So to them both.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  EUPHRONIUS. Fortune pursue thee!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  CAESAR. Bring him through the bands.           Exit EUPHRONIUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    [To THYREUS] To try thy eloquence, now 'tis time. Dispatch;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    From Antony win Cleopatra. Promise,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    And in our name, what she requires; add more,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    From thine invention, offers. Women are not  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    In their best fortunes strong; but want will perjure
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    The ne'er-touch'd vestal. Try thy cunning, Thyreus;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Make thine own edict for thy pains, which we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    Will answer as a law.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  THYREUS. Caesar, I go.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  CAESAR. Observe how Antony becomes his flaw,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    And what thou think'st his very action speaks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|    In every power that moves.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|  THYREUS. Caesar, I shall.                               Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|27|Act 3, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|                           SCENE XIII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|               Alexandria. CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|        Enter CLEOPATRA, ENOBARBUS, CHARMIAN, and IRAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. What shall we do, Enobarbus?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. Think, and die.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Is Antony or we in fault for this?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. Antony only, that would make his will
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Lord of his reason. What though you fled
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    From that great face of war, whose several ranges
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Frighted each other? Why should he follow?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The itch of his affection should not then
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Have nick'd his captainship, at such a point,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    When half to half the world oppos'd, he being
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The mered question. 'Twas a shame no less
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Than was his loss, to course your flying flags
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And leave his navy gazing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Prithee, peace.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|          Enter EUPHRONIUS, the Ambassador; with ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Is that his answer?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  EUPHRONIUS. Ay, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. The Queen shall then have courtesy, so she
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Will yield us up.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  EUPHRONIUS. He says so.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Let her know't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To the boy Caesar send this grizzled head,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And he will fill thy wishes to the brim
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    With principalities.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. That head, my lord?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. To him again. Tell him he wears the rose
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Of youth upon him; from which the world should note
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Something particular. His coin, ships, legions,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    May be a coward's whose ministers would prevail
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Under the service of a child as soon
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    As i' th' command of Caesar. I dare him therefore
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To lay his gay comparisons apart,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And answer me declin'd, sword against sword,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Ourselves alone. I'll write it. Follow me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|                                    Exeunt ANTONY and EUPHRONIUS  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  EUPHRONIUS. [Aside] Yes, like enough high-battled Caesar will
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Unstate his happiness, and be stag'd to th' show
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Against a sworder! I see men's judgments are
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    A parcel of their fortunes, and things outward
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Do draw the inward quality after them,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To suffer all alike. That he should dream,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Knowing all measures, the full Caesar will
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Answer his emptiness! Caesar, thou hast subdu'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    His judgment too.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|                       Enter a SERVANT
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  SERVANT. A messenger from Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. What, no more ceremony? See, my women!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Against the blown rose may they stop their nose
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    That kneel'd unto the buds. Admit him, sir.     Exit SERVANT
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. [Aside] Mine honesty and I begin to square.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The loyalty well held to fools does make
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Our faith mere folly. Yet he that can endure
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To follow with allegiance a fall'n lord  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Does conquer him that did his master conquer,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And earns a place i' th' story.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|                       Enter THYREUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Caesar's will?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. Hear it apart.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. None but friends: say boldly.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. So, haply, are they friends to Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. He needs as many, sir, as Caesar has,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Or needs not us. If Caesar please, our master
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Will leap to be his friend. For us, you know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Whose he is we are, and that is Caesar's.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. So.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Thus then, thou most renown'd: Caesar entreats
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Not to consider in what case thou stand'st
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Further than he is Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Go on. Right royal!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. He knows that you embrace not Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    As you did love, but as you fear'd him.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. O!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. The scars upon your honour, therefore, he
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Does pity, as constrained blemishes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Not as deserv'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. He is a god, and knows
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    What is most right. Mine honour was not yielded,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    But conquer'd merely.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. [Aside] To be sure of that,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    I will ask Antony. Sir, sir, thou art so leaky
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    That we must leave thee to thy sinking, for
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Thy dearest quit thee.                                  Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. Shall I say to Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    What you require of him? For he partly begs
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To be desir'd to give. It much would please him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    That of his fortunes you should make a staff
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To lean upon. But it would warm his spirits
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To hear from me you had left Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And put yourself under his shroud,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The universal landlord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. What's your name?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. My name is Thyreus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Most kind messenger,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Say to great Caesar this: in deputation
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    I kiss his conquring hand. Tell him I am prompt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To lay my crown at 's feet, and there to kneel.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Tell him from his all-obeying breath I hear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The doom of Egypt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. 'Tis your noblest course.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Wisdom and fortune combating together,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    If that the former dare but what it can,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    No chance may shake it. Give me grace to lay
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    My duty on your hand.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Your Caesar's father oft,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    When he hath mus'd of taking kingdoms in,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Bestow'd his lips on that unworthy place,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    As it rain'd kisses.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|                Re-enter ANTONY and ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Favours, by Jove that thunders!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    What art thou, fellow?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYREUS. One that but performs
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The bidding of the fullest man, and worthiest
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To have command obey'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. [Aside] You will be whipt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Approach there.- Ah, you kite!- Now, gods and devils!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Authority melts from me. Of late, when I cried 'Ho!'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Like boys unto a muss, kings would start forth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And cry 'Your will?' Have you no ears? I am
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Antony yet.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|                       Enter servants
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Take hence this Jack and whip him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. 'Tis better playing with a lion's whelp
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Than with an old one dying.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Moon and stars!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Whip him. Were't twenty of the greatest tributaries
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    That do acknowledge Caesar, should I find them
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    So saucy with the hand of she here- what's her name  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Since she was Cleopatra? Whip him, fellows,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Till like a boy you see him cringe his face,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And whine aloud for mercy. Take him hence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  THYMUS. Mark Antony-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Tug him away. Being whipt,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Bring him again: the Jack of Caesar's shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Bear us an errand to him.       Exeunt servants with THYREUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    You were half blasted ere I knew you. Ha!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Have I my pillow left unpress'd in Rome,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Forborne the getting of a lawful race,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And by a gem of women, to be abus'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    By one that looks on feeders?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Good my lord-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. You have been a boggler ever.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    But when we in our viciousness grow hard-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    O misery on't!- the wise gods seel our eyes,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    In our own filth drop our clear judgments, make us
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Adore our errors, laugh at's while we strut
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To our confusion.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. O, is't come to this?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. I found you as a morsel cold upon
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Dead Caesar's trencher. Nay, you were a fragment
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Of Cneius Pompey's, besides what hotter hours,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Unregist'red in vulgar fame, you have
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Luxuriously pick'd out; for I am sure,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Though you can guess what temperance should be,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    You know not what it is.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Wherefore is this?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. To let a fellow that will take rewards,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And say 'God quit you!' be familiar with
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    My playfellow, your hand, this kingly seal
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And plighter of high hearts! O that I were
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Upon the hill of Basan to outroar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The horned herd! For I have savage cause,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And to proclaim it civilly were like
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    A halter'd neck which does the hangman thank
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    For being yare about him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|              Re-enter a SERVANT with THYREUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Is he whipt?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  SERVANT. Soundly, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Cried he? and begg'd 'a pardon?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  SERVANT. He did ask favour.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. If that thy father live, let him repent
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Thou wast not made his daughter; and be thou sorry
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To follow Caesar in his triumph, since
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Thou hast been whipt for following him. Henceforth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The white hand of a lady fever thee!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Shake thou to look on't. Get thee back to Caesar;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Tell him thy entertainment; look thou say
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    He makes me angry with him; for he seems
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Proud and disdainful, harping on what I am,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Not what he knew I was. He makes me angry;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And at this time most easy 'tis to do't,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    When my good stars, that were my former guides,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Have empty left their orbs and shot their fires
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Into th' abysm of hell. If he mislike
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    My speech and what is done, tell him he has
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Hipparchus, my enfranched bondman, whom  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    He may at pleasure whip or hang or torture,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    As he shall like, to quit me. Urge it thou.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Hence with thy stripes, be gone.                Exit THYREUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Have you done yet?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Alack, our terrene moon
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Is now eclips'd, and it portends alone
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The fall of Antony.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. I must stay his time.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. To flatter Caesar, would you mingle eyes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    With one that ties his points?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Not know me yet?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Cold-hearted toward me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Ah, dear, if I be so,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    From my cold heart let heaven engender hail,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And poison it in the source, and the first stone
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Drop in my neck; as it determines, so
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Dissolve my life! The next Caesarion smite!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Till by degrees the memory of my womb,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Together with my brave Egyptians all,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    By the discandying of this pelleted storm,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Lie graveless, till the flies and gnats of Nile
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Have buried them for prey.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. I am satisfied.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Caesar sits down in Alexandria, where
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    I will oppose his fate. Our force by land
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Hath nobly held; our sever'd navy to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Have knit again, and fleet, threat'ning most sea-like.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Where hast thou been, my heart? Dost thou hear, lady?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    If from the field I shall return once more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    To kiss these lips, I will appear in blood.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    I and my sword will earn our chronicle.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    There's hope in't yet.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. That's my brave lord!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. I will be treble-sinew'd, hearted, breath'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And fight maliciously. For when mine hours
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Were nice and lucky, men did ransom lives
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Of me for jests; but now I'll set my teeth,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    And send to darkness all that stop me. Come,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Let's have one other gaudy night. Call to me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    All my sad captains; fill our bowls once more;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Let's mock the midnight bell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. It is my birthday.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    I had thought t'have held it poor; but since my lord
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Is Antony again, I will be Cleopatra.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. We will yet do well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  CLEOPATRA. Call all his noble captains to my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ANTONY. Do so, we'll speak to them; and to-night I'll force
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The wine peep through their scars. Come on, my queen,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    There's sap in't yet. The next time I do fight
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    I'll make death love me; for I will contend
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Even with his pestilent scythe.     Exeunt all but ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|  ENOBARBUS. Now he'll outstare the lightning. To be furious
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Is to be frighted out of fear, and in that mood
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    The dove will peck the estridge; and I see still
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    A diminution in our captain's brain
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Restores his heart. When valour preys on reason,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    It eats the sword it fights with. I will seek
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|    Some way to leave him.                                  Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|28|Act 3, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|                      ACT IV. SCENE I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|              CAESAR'S camp before Alexandria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|      Enter CAESAR, AGRIPPA, and MAECENAS, with his army;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|                 CAESAR reading a letter
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|  CAESAR. He calls me boy, and chides as he had power
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    To beat me out of Egypt. My messenger
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    He hath whipt with rods; dares me to personal combat,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Caesar to Antony. Let the old ruffian know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    I have many other ways to die, meantime
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Laugh at his challenge.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|  MAECENAS. Caesar must think
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    When one so great begins to rage, he's hunted
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Even to falling. Give him no breath, but now
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Make boot of his distraction. Never anger
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Made good guard for itself.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|  CAESAR. Let our best heads
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Know that to-morrow the last of many battles
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    We mean to fight. Within our files there are
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Of those that serv'd Mark Antony but late
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    Enough to fetch him in. See it done;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    And feast the army; we have store to do't,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|    And they have earn'd the waste. Poor Antony!          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|29|Act 4, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|                          SCENE II.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|               Alexandria. CLEOPATRA's palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|      Enter ANTONY, CLEOPATRA, ENOBARBUS, CHARMIAN, IRAS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|                     ALEXAS, with others
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. He will not fight with me, Domitius?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ENOBARBUS. No.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. Why should he not?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ENOBARBUS. He thinks, being twenty times of better fortune,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    He is twenty men to one.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. To-morrow, soldier,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    By sea and land I'll fight. Or I will live,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Or bathe my dying honour in the blood
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Shall make it live again. Woo't thou fight well?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ENOBARBUS. I'll strike, and cry 'Take all.'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. Well said; come on.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Call forth my household servants; let's to-night
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Be bounteous at our meal.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|                Enter three or four servitors
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Give me thy hand,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Thou has been rightly honest. So hast thou;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Thou, and thou, and thou. You have serv'd me well,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    And kings have been your fellows.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  CLEOPATRA. [Aside to ENOBARBUS] What means this?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ENOBARBUS. [Aside to CLEOPATRA] 'Tis one of those odd tricks which
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|      sorrow shoots
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Out of the mind.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. And thou art honest too.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    I wish I could be made so many men,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    And all of you clapp'd up together in
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    An Antony, that I might do you service
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    So good as you have done.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  SERVANT. The gods forbid!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. Well, my good fellows, wait on me to-night.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Scant not my cups, and make as much of me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    As when mine empire was your fellow too,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    And suffer'd my command.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  CLEOPATRA. [Aside to ENOBARBUS] What does he mean?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    ENOBARBUS. [Aside to CLEOPATRA] To make his followers weep.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. Tend me to-night;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    May be it is the period of your duty.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Haply you shall not see me more; or if,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    A mangled shadow. Perchance to-morrow
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    You'll serve another master. I look on you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    As one that takes his leave. Mine honest friends,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    I turn you not away; but, like a master
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Married to your good service, stay till death.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Tend me to-night two hours, I ask no more,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    And the gods yield you for't!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ENOBARBUS. What mean you, sir,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    To give them this discomfort? Look, they weep;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    And I, an ass, am onion-ey'd. For shame!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Transform us not to women.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|  ANTONY. Ho, ho, ho!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Now the witch take me if I meant it thus!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Grace grow where those drops fall! My hearty friends,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    You take me in too dolorous a sense;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    For I spake to you for your comfort, did desire you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    To burn this night with torches. Know, my hearts,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    I hope well of to-morrow, and will lead you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Where rather I'll expect victorious life
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    Than death and honour. Let's to supper, come,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|    And drown consideration.                              Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|30|Act 4, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|                          SCENE III.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|             Alexandria. Before CLEOPATRA's palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|                 Enter a company of soldiers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FIRST SOLDIER. Brother, good night. To-morrow is the day.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. It will determine one way. Fare you well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    Heard you of nothing strange about the streets?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FIRST SOLDIER. Nothing. What news?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. Belike 'tis but a rumour. Good night to you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FIRST SOLDIER. Well, sir, good night.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|                                      [They meet other soldiers]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. Soldiers, have careful watch.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FIRST SOLDIER. And you. Good night, good night.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|                [The two companies separate and place themselves
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|                                   in every corner of the stage]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. Here we. And if to-morrow
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    Our navy thrive, I have an absolute hope
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    Our landmen will stand up.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. 'Tis a brave army,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    And full of purpose.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|                      [Music of the hautboys is under the stage]  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. Peace, what noise?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. List, list!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. Hark!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. Music i' th' air.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FOURTH SOLDIER. Under the earth.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. It signs well, does it not?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FOURTH SOLDIER. No.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. Peace, I say!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    What should this mean?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. 'Tis the god Hercules, whom Antony lov'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    Now leaves him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. Walk; let's see if other watchmen
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    Do hear what we do.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SECOND SOLDIER. How now, masters!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SOLDIERS. [Speaking together] How now!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    How now! Do you hear this?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FIRST SOLDIER. Ay; is't not strange?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  THIRD SOLDIER. Do you hear, masters? Do you hear?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  FIRST SOLDIER. Follow the noise so far as we have quarter;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|    Let's see how it will give off.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|  SOLDIERS. Content. 'Tis strange.                        Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|31|Act 4, Scene 3|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                           SCENE IV.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|               Alexandria. CLEOPATRA's palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|         Enter ANTONY and CLEOPATRA, CHARMIAN, IRAS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                          with others
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ANTONY. Eros! mine armour, Eros!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CLEOPATRA. Sleep a little.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ANTONY. No, my chuck. Eros! Come, mine armour, Eros!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                   Enter EROS with armour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Come, good fellow, put mine iron on.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    If fortune be not ours to-day, it is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Because we brave her. Come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CLEOPATRA. Nay, I'll help too.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    What's this for?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ANTONY. Ah, let be, let be! Thou art
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    The armourer of my heart. False, false; this, this.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CLEOPATRA. Sooth, la, I'll help. Thus it must be.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ANTONY. Well, well;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    We shall thrive now. Seest thou, my good fellow?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Go put on thy defences.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  EROS. Briefly, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CLEOPATRA. Is not this buckled well?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ANTONY. Rarely, rarely!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    He that unbuckles this, till we do please
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    To daff't for our repose, shall hear a storm.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Thou fumblest, Eros, and my queen's a squire
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    More tight at this than thou. Dispatch. O love,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    That thou couldst see my wars to-day, and knew'st
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    The royal occupation! Thou shouldst see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    A workman in't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                   Enter an armed SOLDIER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Good-morrow to thee. Welcome.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Thou look'st like him that knows a warlike charge.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    To business that we love we rise betime,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    And go to't with delight.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  SOLDIER. A thousand, sir,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Early though't be, have on their riveted trim,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    And at the port expect you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                            [Shout. Flourish of trumpets within]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                 Enter CAPTAINS and soldiers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CAPTAIN. The morn is fair. Good morrow, General.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ALL. Good morrow, General.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  ANTONY. 'Tis well blown, lads.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    This morning, like the spirit of a youth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    That means to be of note, begins betimes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    So, so. Come, give me that. This way. Well said.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Fare thee well, dame, whate'er becomes of me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    This is a soldier's kiss. Rebukeable,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    And worthy shameful check it were, to stand
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    On more mechanic compliment; I'll leave thee
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Now like a man of steel. You that will fight,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Follow me close; I'll bring you to't. Adieu.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|                      Exeunt ANTONY, EROS, CAPTAINS and soldiers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CHARMIAN. Please you retire to your chamber?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|  CLEOPATRA. Lead me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    He goes forth gallantly. That he and Caesar might
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Determine this great war in single fight!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|    Then, Antony- but now. Well, on.                      Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|32|Act 4, Scene 4|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|                          SCENE V.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|                  Alexandria. ANTONY'S camp
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|        Trumpets sound. Enter ANTONY and EROS, a SOLDIER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|                       meeting them
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  SOLDIER. The gods make this a happy day to Antony!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  ANTONY. Would thou and those thy scars had once prevail'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    To make me fight at land!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  SOLDIER. Hadst thou done so,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    The kings that have revolted, and the soldier
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    That has this morning left thee, would have still
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    Followed thy heels.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  ANTONY. Who's gone this morning?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  SOLDIER. Who?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    One ever near thee. Call for Enobarbus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    He shall not hear thee; or from Caesar's camp
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    Say 'I am none of thine.'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  ANTONY. What say'st thou?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  SOLDIER. Sir,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    He is with Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  EROS. Sir, his chests and treasure  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    He has not with him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  ANTONY. Is he gone?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  SOLDIER. Most certain.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|  ANTONY. Go, Eros, send his treasure after; do it;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    Detain no jot, I charge thee. Write to him-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    I will subscribe- gentle adieus and greetings;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    Say that I wish he never find more cause
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    To change a master. O, my fortunes have
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|    Corrupted honest men! Dispatch. Enobarbus!            Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|33|Act 4, Scene 5|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|                         SCENE VI.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|                 Alexandria. CAESAR'S camp
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|       Flourish. Enter AGRIPPA, CAESAR, With DOLABELLA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|                       and ENOBARBUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  CAESAR. Go forth, Agrippa, and begin the fight.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Our will is Antony be took alive;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Make it so known.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  AGRIPPA. Caesar, I shall.                                 Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  CAESAR. The time of universal peace is near.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Prove this a prosp'rous day, the three-nook'd world
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Shall bear the olive freely.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|                     Enter A MESSENGER
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  MESSENGER. Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Is come into the field.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  CAESAR. Go charge Agrippa
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Plant those that have revolted in the vant,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    That Antony may seem to spend his fury
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Upon himself.                       Exeunt all but ENOBARBUS  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  ENOBARBUS. Alexas did revolt and went to Jewry on
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Affairs of Antony; there did dissuade
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Great Herod to incline himself to Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    And leave his master Antony. For this pains
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Casaer hath hang'd him. Canidius and the rest
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    That fell away have entertainment, but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    No honourable trust. I have done ill,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Of which I do accuse myself so sorely
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    That I will joy no more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|                  Enter a SOLDIER of CAESAR'S
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  SOLDIER. Enobarbus, Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Hath after thee sent all thy treasure, with
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    His bounty overplus. The messenger
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Came on my guard, and at thy tent is now
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Unloading of his mules.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  ENOBARBUS. I give it you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  SOLDIER. Mock not, Enobarbus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    I tell you true. Best you saf'd the bringer  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Out of the host. I must attend mine office,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Or would have done't myself. Your emperor
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Continues still a Jove.                                 Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|  ENOBARBUS. I am alone the villain of the earth,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    And feel I am so most. O Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Thou mine of bounty, how wouldst thou have paid
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    My better service, when my turpitude
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Thou dost so crown with gold! This blows my heart.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    If swift thought break it not, a swifter mean
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Shall outstrike thought; but thought will do't, I feel.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    I fight against thee? No! I will go seek
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    Some ditch wherein to die; the foul'st best fits
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|    My latter part of life.                                 Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|34|Act 4, Scene 6|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|                          SCENE VII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|             Field of battle between the camps
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|         Alarum. Drums and trumpets. Enter AGRIPPA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|                        and others
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  AGRIPPA. Retire. We have engag'd ourselves too far.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    Caesar himself has work, and our oppression
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    Exceeds what we expected.                             Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|          Alarums. Enter ANTONY, and SCARUS wounded
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  SCARUS. O my brave Emperor, this is fought indeed!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    Had we done so at first, we had droven them home
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    With clouts about their heads.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  ANTONY. Thou bleed'st apace.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  SCARUS. I had a wound here that was like a T,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    But now 'tis made an H.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  ANTONY. They do retire.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  SCARUS. We'll beat'em into bench-holes. I have yet
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    Room for six scotches more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|                        Enter EROS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  EROS. They are beaten, sir, and our advantage serves
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    For a fair victory.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  SCARUS. Let us score their backs
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    And snatch 'em up, as we take hares, behind.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    'Tis sport to maul a runner.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|  ANTONY. I will reward thee
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    Once for thy sprightly comfort, and tenfold
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    For thy good valour. Come thee on.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|    SCARUS. I'll halt after.                              Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|35|Act 4, Scene 7|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|                         SCENE VIII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|               Under the walls of Alexandria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|        Alarum. Enter ANTONY, again in a march; SCARUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|                        with others
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|  ANTONY. We have beat him to his camp. Run one before
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    And let the Queen know of our gests. To-morrow,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Before the sun shall see's, we'll spill the blood
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    That has to-day escap'd. I thank you all;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    For doughty-handed are you, and have fought
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Not as you serv'd the cause, but as't had been
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Each man's like mine; you have shown all Hectors.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Enter the city, clip your wives, your friends,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Tell them your feats; whilst they with joyful tears
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Wash the congealment from your wounds and kiss
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    The honour'd gashes whole.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|                 Enter CLEOPATRA, attended
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    [To SCARUS] Give me thy hand-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    To this great fairy I'll commend thy acts,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Make her thanks bless thee. O thou day o' th' world,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Chain mine arm'd neck. Leap thou, attire and all,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Through proof of harness to my heart, and there
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Ride on the pants triumphing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|  CLEOPATRA. Lord of lords!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    O infinite virtue, com'st thou smiling from
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    The world's great snare uncaught?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|  ANTONY. Mine nightingale,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    We have beat them to their beds. What, girl! though grey
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Do something mingle with our younger brown, yet ha' we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    A brain that nourishes our nerves, and can
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Get goal for goal of youth. Behold this man;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Commend unto his lips thy favouring hand-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Kiss it, my warrior- he hath fought to-day
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    As if a god in hate of mankind had
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Destroyed in such a shape.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|  CLEOPATRA. I'll give thee, friend,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    An armour all of gold; it was a king's.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|  ANTONY. He has deserv'd it, were it carbuncled
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Like holy Phoebus' car. Give me thy hand.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Through Alexandria make a jolly march;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Bear our hack'd targets like the men that owe them.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Had our great palace the capacity
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    To camp this host, we all would sup together,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    And drink carouses to the next day's fate,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Which promises royal peril. Trumpeters,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    With brazen din blast you the city's ear;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Make mingle with our rattling tabourines,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    That heaven and earth may strike their sounds together
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|    Applauding our approach.                              Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|36|Act 4, Scene 8|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|                         SCENE IX.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|                      CAESAR'S camp
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|      Enter a CENTURION and his company; ENOBARBUS follows
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  CENTURION. If we be not reliev'd within this hour,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    We must return to th' court of guard. The night
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Is shiny, and they say we shall embattle
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    By th' second hour i' th' morn.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  FIRST WATCH. This last day was
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    A shrewd one to's.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  ENOBARBUS. O, bear me witness, night-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  SECOND WATCH. What man is this?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  FIRST WATCH. Stand close and list him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  ENOBARBUS. Be witness to me, O thou blessed moon,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    When men revolted shall upon record
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Bear hateful memory, poor Enobarbus did
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Before thy face repent!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  CENTURION. Enobarbus?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  SECOND WATCH. Peace!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Hark further.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  ENOBARBUS. O sovereign mistress of true melancholy,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    The poisonous damp of night disponge upon me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    That life, a very rebel to my will,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    May hang no longer on me. Throw my heart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Against the flint and hardness of my fault,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Which, being dried with grief, will break to powder,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    And finish all foul thoughts. O Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Nobler than my revolt is infamous,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Forgive me in thine own particular,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    But let the world rank me in register
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    A master-leaver and a fugitive!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    O Antony! O Antony!                                   [Dies]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  FIRST WATCH. Let's speak to him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  CENTURION. Let's hear him, for the things he speaks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    May concern Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  SECOND WATCH. Let's do so. But he sleeps.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  CENTURION. Swoons rather; for so bad a prayer as his
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Was never yet for sleep.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  FIRST WATCH. Go we to him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  SECOND WATCH. Awake, sir, awake; speak to us.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  FIRST WATCH. Hear you, sir?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  CENTURION. The hand of death hath raught him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    [Drums afar off ] Hark! the drums
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Demurely wake the sleepers. Let us bear him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    To th' court of guard; he is of note. Our hour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    Is fully out.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|  SECOND WATCH. Come on, then;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|    He may recover yet.                     Exeunt with the body
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|37|Act 4, Scene 9|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|                          SCENE X.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|                    Between the two camps
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|            Enter ANTONY and SCARUS, with their army
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|  ANTONY. Their preparation is to-day by sea;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    We please them not by land.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|  SCARUS. For both, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|  ANTONY. I would they'd fight i' th' fire or i' th' air;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    We'd fight there too. But this it is, our foot
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    Upon the hills adjoining to the city
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    Shall stay with us- Order for sea is given;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    They have put forth the haven-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    Where their appointment we may best discover
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|    And look on their endeavour.                          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|38|Act 4, Scene 10|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|                         SCENE XI.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|                    Between the camps
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|                Enter CAESAR and his army
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|  CAESAR. But being charg'd, we will be still by land,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|    Which, as I take't, we shall; for his best force
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|    Is forth to man his galleys. To the vales,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|    And hold our best advantage.                          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|39|Act 4, Scene 11|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|                         SCENE XII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|                  A hill near Alexandria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|                  Enter ANTONY and SCARUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|  ANTONY. Yet they are not join'd. Where yond pine does stand
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    I shall discover all. I'll bring thee word
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Straight how 'tis like to go.                           Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|  SCARUS. Swallows have built
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    In Cleopatra's sails their nests. The augurers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Say they know not, they cannot tell; look grimly,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    And dare not speak their knowledge. Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Is valiant and dejected; and by starts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    His fretted fortunes give him hope and fear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Of what he has and has not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|                            [Alarum afar off, as at a sea-fight]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|                      Re-enter ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|  ANTONY. All is lost!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    This foul Egyptian hath betrayed me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    My fleet hath yielded to the foe, and yonder  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    They cast their caps up and carouse together
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Like friends long lost. Triple-turn'd whore! 'tis thou
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Hast sold me to this novice; and my heart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Makes only wars on thee. Bid them all fly;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    For when I am reveng'd upon my charm,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    I have done all. Bid them all fly; begone.       Exit SCARUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    O sun, thy uprise shall I see no more!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Fortune and Antony part here; even here
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Do we shake hands. All come to this? The hearts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    That spaniel'd me at heels, to whom I gave
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Their wishes, do discandy, melt their sweets
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    On blossoming Caesar; and this pine is bark'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    That overtopp'd them all. Betray'd I am.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    O this false soul of Egypt! this grave charm-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Whose eye beck'd forth my wars and call'd them home,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Whose bosom was my crownet, my chief end-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Like a right gypsy hath at fast and loose
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Beguil'd me to the very heart of loss.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    What, Eros, Eros!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|                      Enter CLEOPATRA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Ah, thou spell! Avaunt!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|  CLEOPATRA. Why is my lord enrag'd against his love?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|  ANTONY. Vanish, or I shall give thee thy deserving
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    And blemish Caesar's triumph. Let him take thee
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    And hoist thee up to the shouting plebeians;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Follow his chariot, like the greatest spot
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Of all thy sex; most monster-like, be shown
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    For poor'st diminutives, for doits, and let
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Patient Octavia plough thy visage up
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    With her prepared nails.                      Exit CLEOPATRA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    'Tis well th'art gone,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    If it be well to live; but better 'twere
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Thou fell'st into my fury, for one death
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Might have prevented many. Eros, ho!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    The shirt of Nessus is upon me; teach me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Alcides, thou mine ancestor, thy rage;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Let me lodge Lichas on the horns o' th' moon,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    And with those hands that grasp'd the heaviest club
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Subdue my worthiest self. The witch shall die.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    To the young Roman boy she hath sold me, and I fall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|    Under this plot. She dies for't. Eros, ho!              Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|40|Act 4, Scene 12|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|                          SCENE XIII.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|               Alexandria. CLEOPATRA's palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|      Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|  CLEOPATRA. Help me, my women. O, he is more mad
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    Than Telamon for his shield; the boar of Thessaly
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    Was never so emboss'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|  CHARMIAN. To th'monument!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    There lock yourself, and send him word you are dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    The soul and body rive not more in parting
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    Than greatness going off.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|  CLEOPATRA. To th' monument!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    Mardian, go tell him I have slain myself;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    Say that the last I spoke was 'Antony'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    And word it, prithee, piteously. Hence, Mardian,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|    And bring me how he takes my death. To th' monument!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|                                                          Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|41|Act 4, Scene 13|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                          SCENE XIV.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                     CLEOPATRA'S palace
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                   Enter ANTONY and EROS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Eros, thou yet behold'st me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. Ay, noble lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Sometime we see a cloud that's dragonish;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    A vapour sometime like a bear or lion,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    A tower'd citadel, a pendent rock,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    A forked mountain, or blue promontory
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    With trees upon't that nod unto the world
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    And mock our eyes with air. Thou hast seen these signs;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    They are black vesper's pageants.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. Ay, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. That which is now a horse, even with a thought
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The rack dislimns, and makes it indistinct,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    As water is in water.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. It does, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. My good knave Eros, now thy captain is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Even such a body. Here I am Antony;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Yet cannot hold this visible shape, my knave.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I made these wars for Egypt; and the Queen-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Whose heart I thought I had, for she had mine,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Which, whilst it was mine, had annex'd unto't
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    A million moe, now lost- she, Eros, has
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Pack'd cards with Caesar, and false-play'd my glory
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Unto an enemy's triumph.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Nay, weep not, gentle Eros; there is left us
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Ourselves to end ourselves.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                         Enter MARDIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    O, thy vile lady!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    She has robb'd me of my sword.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  MARDIAN. No, Antony;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    My mistress lov'd thee, and her fortunes mingled
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    With thine entirely.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Hence, saucy eunuch; peace!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    She hath betray'd me, and shall die the death.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  MARDIAN. Death of one person can be paid but once,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    And that she has discharg'd. What thou wouldst do  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Is done unto thy hand. The last she spake
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Was 'Antony! most noble Antony!'
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Then in the midst a tearing groan did break
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The name of Antony; it was divided
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Between her heart and lips. She rend'red life,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Thy name so buried in her.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Dead then?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  MARDIAN. Dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Unarm, Eros; the long day's task is done,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    And we must sleep. That thou depart'st hence safe
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Does pay thy labour richly. Go.                 Exit MARDIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Off, pluck off!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The sevenfold shield of Ajax cannot keep
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The battery from my heart. O, cleave, my sides!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Heart, once be stronger than thy continent,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Crack thy frail case. Apace, Eros, apace.-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    No more a soldier. Bruised pieces, go;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    You have been nobly borne.- From me awhile.        Exit EROS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I will o'ertake thee, Cleopatra, and
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Weep for my pardon. So it must be, for now  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    All length is torture. Since the torch is out,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Lie down, and stray no farther. Now all labour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Mars what it does; yea, very force entangles
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Itself with strength. Seal then, and all is done.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Eros!- I come, my queen.- Eros!- Stay for me;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Where souls do couch on flowers, we'll hand in hand,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    And with our sprightly port make the ghosts gaze.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Dido and her Aeneas shall want troops,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    And all the haunt be ours.- Come, Eros, Eros!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                       Re-enter EROS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. What would my lord?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Since Cleopatra died,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I have liv'd in such dishonour that the gods
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Detest my baseness. I, that with my sword
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Quarter'd the world, and o'er green Neptune's back
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    With ships made cities, condemn myself to lack
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The courage of a woman; less noble mind
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Than she which by her death our Caesar tells  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    'I am conqueror of myself.' Thou art sworn, Eros,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    That, when the exigent should come- which now
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Is come indeed- when I should see behind me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Th' inevitable prosecution of
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Disgrace and horror, that, on my command,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Thou then wouldst kill me. Do't; the time is come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Thou strik'st not me; 'tis Caesar thou defeat'st.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Put colour in thy cheek.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. The gods withhold me!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Shall I do that which all the Parthian darts,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Though enemy, lost aim and could not?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Eros,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Wouldst thou be window'd in great Rome and see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Thy master thus with pleach'd arms, bending down
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    His corrigible neck, his face subdu'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    To penetrative shame, whilst the wheel'd seat
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Of fortunate Caesar, drawn before him, branded
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    His baseness that ensued?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. I would not see't.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Come, then; for with a wound I must be cur'd.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Draw that thy honest sword, which thou hast worn
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Most useful for thy country.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. O, sir, pardon me!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. When I did make thee free, swor'st thou not then
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    To do this when I bade thee? Do it at once,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Or thy precedent services are all
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    But accidents unpurpos'd. Draw, and come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. Turn from me then that noble countenance,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Wherein the worship of the whole world lies.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Lo thee!                            [Turning from him]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. My sword is drawn.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Then let it do at once
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The thing why thou hast drawn it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. My dear master,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    My captain and my emperor, let me say,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Before I strike this bloody stroke, farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. 'Tis said, man; and farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. Farewell, great chief. Shall I strike now?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Now, Eros.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  EROS. Why, there then! Thus do I escape the sorrow  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Of Antony's death.                            [Kills himself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Thrice nobler than myself!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Thou teachest me, O valiant Eros, what
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I should, and thou couldst not. My queen and Eros
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Have, by their brave instruction, got upon me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    A nobleness in record. But I will be
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    A bridegroom in my death, and run into't
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    As to a lover's bed. Come, then; and, Eros,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Thy master dies thy scholar. To do thus
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                                          [Falling on his sword]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I learn'd of thee. How? not dead? not dead?-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    The guard, ho! O, dispatch me!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                  Enter DERCETAS and a guard
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  FIRST GUARD. What's the noise?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. I have done my work ill, friends. O, make an end
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Of what I have begun.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  SECOND GUARD. The star is fall'n.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  FIRST GUARD. And time is at his period.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ALL. Alas, and woe!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Let him that loves me, strike me dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  FIRST GUARD. Not I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  SECOND GUARD. Nor I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  THIRD GUARD. Nor any one.                         Exeunt guard
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DERCETAS. Thy death and fortunes bid thy followers fly.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    This sword but shown to Caesar, with this tidings,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Shall enter me with him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|                       Enter DIOMEDES
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DIOMEDES. Where's Antony?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DERCETAS. There, Diomed, there.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DIOMEDES. Lives he?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Wilt thou not answer, man?                     Exit DERCETAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Art thou there, Diomed? Draw thy sword and give me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Sufficing strokes for death.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DIOMEDES. Most absolute lord,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    My mistress Cleopatra sent me to thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. When did she send thee?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DIOMEDES. Now, my lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Where is she?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DIOMEDES. Lock'd in her monument. She had a prophesying fear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Of what hath come to pass; for when she saw-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Which never shall be found- you did suspect
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    She had dispos'd with Caesar, and that your rage
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Would not be purg'd, she sent you word she was dead;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    But fearing since how it might work, hath sent
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Me to proclaim the truth; and I am come,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I dread, too late.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Too late, good Diomed. Call my guard, I prithee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  DIOMEDES. What, ho! the Emperor's guard! The guard, what ho!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Come, your lord calls!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|             Enter four or five of the guard of ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Bear me, good friends, where Cleopatra bides;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    'Tis the last service that I shall command you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  FIRST GUARD. Woe, woe are we, sir, you may not live to wear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    All your true followers out.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ALL. Most heavy day!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|  ANTONY. Nay, good my fellows, do not please sharp fate
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    To grace it with your sorrows. Bid that welcome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Which comes to punish us, and we punish it,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    Seeming to bear it lightly. Take me up.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    I have led you oft; carry me now, good friends,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|    And have my thanks for all.           Exeunt, hearing ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|42|Act 4, Scene 14|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|                         SCENE XV.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|                   Alexandria. A monument
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|      Enter CLEOPATRA and her maids aloft, with CHARMIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|                         and IRAS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. O Charmian, I will never go from hence!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CHARMIAN. Be comforted, dear madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. No, I will not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    All strange and terrible events are welcome,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    But comforts we despise; our size of sorrow,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Proportion'd to our cause, must be as great
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    As that which makes it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|                   Enter DIOMEDES, below
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    How now! Is he dead?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  DIOMEDES. His death's upon him, but not dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Look out o' th' other side your monument;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    His guard have brought him thither.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|            Enter, below, ANTONY, borne by the guard  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. O sun,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Burn the great sphere thou mov'st in! Darkling stand
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    The varying shore o' th' world. O Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Antony, Antony! Help, Charmian; help, Iras, help;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Help, friends below! Let's draw him hither.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. Peace!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Not Caesar's valour hath o'erthrown Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    But Antony's hath triumph'd on itself.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. So it should be, that none but Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Should conquer Antony; but woe 'tis so!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. I am dying, Egypt, dying; only
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    I here importune death awhile, until
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Of many thousand kisses the poor last
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    I lay upon thy lips.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. I dare not, dear.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Dear my lord, pardon! I dare not,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Lest I be taken. Not th' imperious show
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Of the full-fortun'd Caesar ever shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Be brooch'd with me. If knife, drugs, serpents, have  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Edge, sting, or operation, I am safe.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Your wife Octavia, with her modest eyes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    And still conclusion, shall acquire no honour
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Demuring upon me. But come, come, Antony-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Help me, my women- we must draw thee up;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Assist, good friends.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. O, quick, or I am gone.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. Here's sport indeed! How heavy weighs my lord!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Our strength is all gone into heaviness;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    That makes the weight. Had I great Juno's power,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    The strong-wing'd Mercury should fetch thee up,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    And set thee by Jove's side. Yet come a little.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Wishers were ever fools. O come, come,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|                          [They heave ANTONY aloft to CLEOPATRA]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    And welcome, welcome! Die where thou hast liv'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Quicken with kissing. Had my lips that power,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Thus would I wear them out.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ALL. A heavy sight!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. I am dying, Egypt, dying.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Give me some wine, and let me speak a little.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. No, let me speak; and let me rail so high
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    That the false huswife Fortune break her wheel,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Provok'd by my offence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. One word, sweet queen:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Of Caesar seek your honour, with your safety. O!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. They do not go together.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. Gentle, hear me:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    None about Caesar trust but Proculeius.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. My resolution and my hands I'll trust;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    None about Caesar
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  ANTONY. The miserable change now at my end
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Lament nor sorrow at; but please your thoughts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    In feeding them with those my former fortunes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Wherein I liv'd the greatest prince o' th' world,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    The noblest; and do now not basely die,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Not cowardly put off my helmet to
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    My countryman- a Roman by a Roman
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Valiantly vanquish'd. Now my spirit is going
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    I can no more.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. Noblest of men, woo't die?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Hast thou no care of me? Shall I abide
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    In this dull world, which in thy absence is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    No better than a sty? O, see, my women,        [Antony dies]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    The crown o' th' earth doth melt. My lord!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    O, wither'd is the garland of the war,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    The soldier's pole is fall'n! Young boys and girls
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Are level now with men. The odds is gone,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    And there is nothing left remarkable
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Beneath the visiting moon.                          [Swoons]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CHARMIAN. O, quietness, lady!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  IRAS. She's dead too, our sovereign.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CHARMIAN. Lady!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  IRAS. Madam!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CHARMIAN. O madam, madam, madam!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  IRAS. Royal Egypt, Empress!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CHARMIAN. Peace, peace, Iras!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|  CLEOPATRA. No more but e'en a woman, and commanded
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    By such poor passion as the maid that milks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    And does the meanest chares. It were for me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    To throw my sceptre at the injurious gods;  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    To tell them that this world did equal theirs
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Till they had stol'n our jewel. All's but nought;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Patience is sottish, and impatience does
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Become a dog that's mad. Then is it sin
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    To rush into the secret house of death
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Ere death dare come to us? How do you, women?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    What, what! good cheer! Why, how now, Charmian!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    My noble girls! Ah, women, women, look,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Our lamp is spent, it's out! Good sirs, take heart.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    We'll bury him; and then, what's brave, what's noble,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Let's do it after the high Roman fashion,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    And make death proud to take us. Come, away;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    This case of that huge spirit now is cold.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    Ah, women, women! Come; we have no friend
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|    But resolution and the briefest end.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|                   Exeunt; those above hearing off ANTONY'S body
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|43|Act 4, Scene 15|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|                       ACT V. SCENE I.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|                  Alexandria. CAESAR'S camp
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|      Enter CAESAR, AGRIPPA, DOLABELLA, MAECENAS, GALLUS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|          PROCULEIUS, and others, his Council of War
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Go to him, Dolabella, bid him yield;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Being so frustrate, tell him he mocks
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    The pauses that he makes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  DOLABELLA. Caesar, I shall.                               Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|             Enter DERCETAS With the sword of ANTONY
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Wherefore is that? And what art thou that dar'st
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Appear thus to us?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  DERCETAS. I am call'd Dercetas;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Mark Antony I serv'd, who best was worthy
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Best to be serv'd. Whilst he stood up and spoke,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    He was my master, and I wore my life
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    To spend upon his haters. If thou please
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    To take me to thee, as I was to him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    I'll be to Caesar; if thou pleasest not,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    I yield thee up my life.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. What is't thou say'st?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  DERCETAS. I say, O Caesar, Antony is dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. The breaking of so great a thing should make
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    A greater crack. The round world
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Should have shook lions into civil streets,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    And citizens to their dens. The death of Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Is not a single doom; in the name lay
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    A moiety of the world.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  DERCETAS. He is dead, Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Not by a public minister of justice,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Nor by a hired knife; but that self hand
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Which writ his honour in the acts it did
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Hath, with the courage which the heart did lend it,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Splitted the heart. This is his sword;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    I robb'd his wound of it; behold it stain'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    With his most noble blood.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Look you sad, friends?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    The gods rebuke me, but it is tidings
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    To wash the eyes of kings.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  AGRIPPA. And strange it is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    That nature must compel us to lament
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Our most persisted deeds.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  MAECENAS. His taints and honours
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Wag'd equal with him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  AGRIPPA. A rarer spirit never
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Did steer humanity. But you gods will give us
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Some faults to make us men. Caesar is touch'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  MAECENAS. When such a spacious mirror's set before him,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    He needs must see himself.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. O Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    I have follow'd thee to this! But we do lance
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Diseases in our bodies. I must perforce
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Have shown to thee such a declining day
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Or look on thine; we could not stall together
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    In the whole world. But yet let me lament,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    With tears as sovereign as the blood of hearts,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    That thou, my brother, my competitor
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    In top of all design, my mate in empire,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Friend and companion in the front of war,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    The arm of mine own body, and the heart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Where mine his thoughts did kindle- that our stars,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Unreconciliable, should divide
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Our equalness to this. Hear me, good friends-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|                    Enter an EGYPTIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    But I will tell you at some meeter season.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    The business of this man looks out of him;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    We'll hear him what he says. Whence are you?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  EGYPTIAN. A poor Egyptian, yet the Queen, my mistress,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Confin'd in all she has, her monument,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Of thy intents desires instruction,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    That she preparedly may frame herself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    To th' way she's forc'd to.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Bid her have good heart.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    She soon shall know of us, by some of ours,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    How honourable and how kindly we
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Determine for her; for Caesar cannot learn
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    To be ungentle.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  EGYPTIAN. So the gods preserve thee!                      Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Come hither, Proculeius. Go and say
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    We purpose her no shame. Give her what comforts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    The quality of her passion shall require,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Lest, in her greatness, by some mortal stroke
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    She do defeat us; for her life in Rome
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Would be eternal in our triumph. Go,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    And with your speediest bring us what she says,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    And how you find her.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  PROCULEIUS. Caesar, I shall.                              Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Gallus, go you along.                      Exit GALLUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Where's Dolabella, to second Proculeius?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  ALL. Dolabella!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|  CAESAR. Let him alone, for I remember now
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    How he's employ'd; he shall in time be ready.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    Go with me to my tent, where you shall see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    How hardly I was drawn into this war,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    How calm and gentle I proceeded still
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    In all my writings. Go with me, and see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|    What I can show in this.                              Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|44|Act 5, Scene 1|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                         SCENE II.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                Alexandria. The monument
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|      Enter CLEOPATRA, CHARMIAN, IRAS, and MARDIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. My desolation does begin to make
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A better life. 'Tis paltry to be Caesar:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Not being Fortune, he's but Fortune's knave,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A minister of her will; and it is great
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To do that thing that ends all other deeds,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Which shackles accidents and bolts up change,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Which sleeps, and never palates more the dug,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The beggar's nurse and Caesar's.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|       Enter, to the gates of the monument, PROCULEIUS, GALLUS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                          and soldiers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. Caesar sends greetings to the Queen of Egypt,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And bids thee study on what fair demands
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Thou mean'st to have him grant thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. What's thy name?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. My name is Proculeius.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Did tell me of you, bade me trust you; but
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I do not greatly care to be deceiv'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That have no use for trusting. If your master
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Would have a queen his beggar, you must tell him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That majesty, to keep decorum, must
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    No less beg than a kingdom. If he please
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To give me conquer'd Egypt for my son,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    He gives me so much of mine own as I
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Will kneel to him with thanks.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. Be of good cheer;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Y'are fall'n into a princely hand; fear nothing.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Make your full reference freely to my lord,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Who is so full of grace that it flows over
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    On all that need. Let me report to him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Your sweet dependency, and you shall find
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A conqueror that will pray in aid for kindness
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Where he for grace is kneel'd to.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Pray you tell him
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I am his fortune's vassal and I send him  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The greatness he has got. I hourly learn
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A doctrine of obedience, and would gladly
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Look him i' th' face.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. This I'll report, dear lady.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Have comfort, for I know your plight is pitied
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of him that caus'd it.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  GALLUS. You see how easily she may be surpris'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|      Here PROCULEIUS and two of the guard ascend the
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|       monument by a ladder placed against a window,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|       and come behind CLEOPATRA. Some of the guard
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                unbar and open the gates
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Guard her till Caesar come.                             Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  IRAS. Royal Queen!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. O Cleopatra! thou art taken, Queen!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Quick, quick, good hands.        [Drawing a dagger]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. Hold, worthy lady, hold,             [Disarms her]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Do not yourself such wrong, who are in this
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Reliev'd, but not betray'd.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. What, of death too,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That rids our dogs of languish?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. Cleopatra,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Do not abuse my master's bounty by
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Th' undoing of yourself. Let the world see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    His nobleness well acted, which your death
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Will never let come forth.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Where art thou, death?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Come hither, come! Come, come, and take a queen
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Worth many babes and beggars!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. O, temperance, lady!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Sir, I will eat no meat; I'll not drink, sir;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If idle talk will once be necessary,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I'll not sleep neither. This mortal house I'll ruin,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Do Caesar what he can. Know, sir, that I
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Will not wait pinion'd at your master's court,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Nor once be chastis'd with the sober eye
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of dull Octavia. Shall they hoist me up,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And show me to the shouting varletry
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of censuring Rome? Rather a ditch in Egypt  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Be gentle grave unto me! Rather on Nilus' mud
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Lay me stark-nak'd, and let the water-flies
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Blow me into abhorring! Rather make
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    My country's high pyramides my gibbet,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And hang me up in chains!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. You do extend
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    These thoughts of horror further than you shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Find cause in Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                      Enter DOLABELLA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Proculeius,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    What thou hast done thy master Caesar knows,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And he hath sent for thee. For the Queen,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I'll take her to my guard.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  PROCULEIUS. So, Dolabella,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    It shall content me best. Be gentle to her.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    [To CLEOPATRA] To Caesar I will speak what you shall please,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If you'll employ me to him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Say I would die.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                                  Exeunt PROCULEIUS and soldiers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Most noble Empress, you have heard of me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. I cannot tell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Assuredly you know me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. No matter, sir, what I have heard or known.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    You laugh when boys or women tell their dreams;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Is't not your trick?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. I understand not, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. I dreamt there was an Emperor Antony-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    O, such another sleep, that I might see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    But such another man!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. If it might please ye-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. His face was as the heav'ns, and therein stuck
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A sun and moon, which kept their course and lighted
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The little O, the earth.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Most sovereign creature-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. His legs bestrid the ocean; his rear'd arm
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Crested the world. His voice was propertied
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As all the tuned spheres, and that to friends;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    But when he meant to quail and shake the orb,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    He was as rattling thunder. For his bounty,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    There was no winter in't; an autumn 'twas
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That grew the more by reaping. His delights
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Were dolphin-like: they show'd his back above
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The element they liv'd in. In his livery
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Walk'd crowns and crownets; realms and islands were
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As plates dropp'd from his pocket.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Cleopatra-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Think you there was or might be such a man
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As this I dreamt of?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Gentle madam, no.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. You lie, up to the hearing of the gods.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    But if there be nor ever were one such,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    It's past the size of drearning. Nature wants stuff
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To vie strange forms with fancy; yet t' imagine
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    An Antony were nature's piece 'gainst fancy,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Condemning shadows quite.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Hear me, good madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Your loss is, as yourself, great; and you bear it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As answering to the weight. Would I might never  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    O'ertake pursu'd success, but I do feel,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    By the rebound of yours, a grief that smites
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    My very heart at root.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. I thank you, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Know you what Caesar means to do with me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. I am loath to tell you what I would you knew.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Nay, pray you, sir.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Though he be honourable-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. He'll lead me, then, in triumph?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Madam, he will. I know't.                [Flourish]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                              [Within: 'Make way there-Caesar!']
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|       Enter CAESAR; GALLUS, PROCULEIUS, MAECENAS, SELEUCUS,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                     and others of his train
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Which is the Queen of Egypt?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. It is the Emperor, madam.        [CLEOPATPA kneels]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Arise, you shall not kneel.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I pray you, rise; rise, Egypt.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Sir, the gods  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Will have it thus; my master and my lord
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I must obey.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Take to you no hard thoughts.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The record of what injuries you did us,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Though written in our flesh, we shall remember
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As things but done by chance.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Sole sir o' th' world,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I cannot project mine own cause so well
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To make it clear, but do confess I have
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Been laden with like frailties which before
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Have often sham'd our sex.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Cleopatra, know
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    We will extenuate rather than enforce.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If you apply yourself to our intents-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Which towards you are most gentle- you shall find
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A benefit in this change; but if you seek
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To lay on me a cruelty by taking
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Antony's course, you shall bereave yourself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of my good purposes, and put your children
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To that destruction which I'll guard them from,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If thereon you rely. I'll take my leave.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. And may, through all the world. 'Tis yours, and we,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Your scutcheons and your signs of conquest, shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Hang in what place you please. Here, my good lord.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. You shall advise me in all for Cleopatra.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. This is the brief of money, plate, and jewels,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I am possess'd of. 'Tis exactly valued,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Not petty things admitted. Where's Seleucus?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  SELEUCUS. Here, madam.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. This is my treasurer; let him speak, my lord,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Upon his peril, that I have reserv'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To myself nothing. Speak the truth, Seleucus.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  SELEUCUS. Madam,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I had rather seal my lips than to my peril
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Speak that which is not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. What have I kept back?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  SELEUCUS. Enough to purchase what you have made known.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Nay, blush not, Cleopatra; I approve
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Your wisdom in the deed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. See, Caesar! O, behold,  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    How pomp is followed! Mine will now be yours;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And, should we shift estates, yours would be mine.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The ingratitude of this Seleucus does
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Even make me wild. O slave, of no more trust
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Than love that's hir'd! What, goest thou back? Thou shalt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Go back, I warrant thee; but I'll catch thine eyes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Though they had wings. Slave, soulless villain, dog!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    O rarely base!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Good Queen, let us entreat you.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. O Caesar, what a wounding shame is this,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That thou vouchsafing here to visit me,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Doing the honour of thy lordliness
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To one so meek, that mine own servant should
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Parcel the sum of my disgraces by
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Addition of his envy! Say, good Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That I some lady trifles have reserv'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Immoment toys, things of such dignity
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As we greet modern friends withal; and say
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Some nobler token I have kept apart
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    For Livia and Octavia, to induce  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Their mediation- must I be unfolded
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    With one that I have bred? The gods! It smites me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Beneath the fall I have. [To SELEUCUS] Prithee go hence;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Or I shall show the cinders of my spirits
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Through th' ashes of my chance. Wert thou a man,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Thou wouldst have mercy on me.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Forbear, Seleucus.                       Exit SELEUCUS
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Be it known that we, the greatest, are misthought
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    For things that others do; and when we fall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    We answer others' merits in our name,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Are therefore to be pitied.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Cleopatra,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Not what you have reserv'd, nor what acknowledg'd,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Put we i' th' roll of conquest. Still be't yours,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Bestow it at your pleasure; and believe
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Caesar's no merchant, to make prize with you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of things that merchants sold. Therefore be cheer'd;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Make not your thoughts your prisons. No, dear Queen;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    For we intend so to dispose you as
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Yourself shall give us counsel. Feed and sleep.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Our care and pity is so much upon you
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That we remain your friend; and so, adieu.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. My master and my lord!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Not so. Adieu.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                           Flourish. Exeunt CAESAR and his train
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. He words me, girls, he words me, that I should not
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Be noble to myself. But hark thee, Charmian!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                                             [Whispers CHARMIAN]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  IRAS. Finish, good lady; the bright day is done,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And we are for the dark.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Hie thee again.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I have spoke already, and it is provided;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Go put it to the haste.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. Madam, I will.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                      Re-enter DOLABELLA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Where's the Queen?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. Behold, sir.                                    Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Dolabella!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Madam, as thereto sworn by your command,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Which my love makes religion to obey,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I tell you this: Caesar through Syria
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Intends his journey, and within three days
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    You with your children will he send before.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Make your best use of this; I have perform'd
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Your pleasure and my promise.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Dolabella,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I shall remain your debtor.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. I your servant.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Adieu, good Queen; I must attend on Caesar.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Farewell, and thanks.                Exit DOLABELLA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Now, Iras, what think'st thou?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Thou an Egyptian puppet shall be shown
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    In Rome as well as I. Mechanic slaves,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    With greasy aprons, rules, and hammers, shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Uplift us to the view; in their thick breaths,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Rank of gross diet, shall we be enclouded,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And forc'd to drink their vapour.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  IRAS. The gods forbid!  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Nay, 'tis most certain, Iras. Saucy lictors
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Will catch at us like strumpets, and scald rhymers
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Ballad us out o' tune; the quick comedians
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Extemporally will stage us, and present
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Our Alexandrian revels; Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Shall be brought drunken forth, and I shall see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Some squeaking Cleopatra boy my greatness
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I' th' posture of a whore.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  IRAS. O the good gods!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Nay, that's certain.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  IRAS. I'll never see't, for I am sure mine nails
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Are stronger than mine eyes.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Why, that's the way
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To fool their preparation and to conquer
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Their most absurd intents.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                      Enter CHARMIAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Now, Charmian!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Show me, my women, like a queen. Go fetch  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    My best attires. I am again for Cydnus,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To meet Mark Antony. Sirrah, Iras, go.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Now, noble Charmian, we'll dispatch indeed;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And when thou hast done this chare, I'll give thee leave
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To play till doomsday. Bring our crown and all.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                                       Exit IRAS. A noise within
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Wherefore's this noise?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                     Enter a GUARDSMAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  GUARDSMAN. Here is a rural fellow
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That will not be denied your Highness' presence.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    He brings you figs.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Let him come in.                     Exit GUARDSMAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    What poor an instrument
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    May do a noble deed! He brings me liberty.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    My resolution's plac'd, and I have nothing
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of woman in me. Now from head to foot
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I am marble-constant; now the fleeting moon
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    No planet is of mine.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|          Re-enter GUARDSMAN and CLOWN, with a basket
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  GUARDSMAN. This is the man.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Avoid, and leave him.                Exit GUARDSMAN
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Hast thou the pretty worm of Nilus there
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That kills and pains not?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. Truly, I have him. But I would not be the party that should
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    desire you to touch him, for his biting is immortal; those that
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    do die of it do seldom or never recover.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Remember'st thou any that have died on't?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. Very many, men and women too. I heard of one of them no
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    longer than yesterday: a very honest woman, but something given
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    to lie, as a woman should not do but in the way of honesty; how
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    she died of the biting of it, what pain she felt- truly she makes
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    a very good report o' th' worm. But he that will believe all that
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    they say shall never be saved by half that they do. But this is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    most falliable, the worm's an odd worm.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Get thee hence; farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. I wish you all joy of the worm.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                                          [Sets down the basket]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. You must think this, look you, that the worm will do his
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    kind.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Ay, ay; farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. Look you, the worm is not to be trusted but in the keeping
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    of wise people; for indeed there is no goodness in the worm.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Take thou no care; it shall be heeded.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. Very good. Give it nothing, I pray you, for it is not worth
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    the feeding.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Will it eat me?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. You must not think I am so simple but I know the devil
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    himself will not eat a woman. I know that a woman is a dish for
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    the gods, if the devil dress her not. But truly, these same
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    whoreson devils do the gods great harm in their women, for in
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    every ten that they make the devils mar five.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Well, get thee gone; farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLOWN. Yes, forsooth. I wish you joy o' th' worm.         Exit
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|             Re-enter IRAS, with a robe, crown, &c.  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Give me my robe, put on my crown; I have
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Immortal longings in me. Now no more
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The juice of Egypt's grape shall moist this lip.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Yare, yare, good Iras; quick. Methinks I hear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Antony call. I see him rouse himself
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To praise my noble act. I hear him mock
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The luck of Caesar, which the gods give men
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To excuse their after wrath. Husband, I come.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Now to that name my courage prove my title!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I am fire and air; my other elements
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I give to baser life. So, have you done?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Come then, and take the last warmth of my lips.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Farewell, kind Charmian. Iras, long farewell.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                              [Kisses them. IRAS falls and dies]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Have I the aspic in my lips? Dost fall?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If thus thou and nature can so gently part,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The stroke of death is as a lover's pinch,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Which hurts and is desir'd. Dost thou lie still?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If thou vanishest, thou tell'st the world  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    It is not worth leave-taking.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. Dissolve, thick cloud, and rain, that I may say
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The gods themselves do weep.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. This proves me base.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If she first meet the curled Antony,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    He'll make demand of her, and spend that kiss
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Which is my heaven to have. Come, thou mortal wretch,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                    [To an asp, which she applies to her breast]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    With thy sharp teeth this knot intrinsicate
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of life at once untie. Poor venomous fool,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Be angry and dispatch. O couldst thou speak,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That I might hear thee call great Caesar ass
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Unpolicied!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. O Eastern star!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. Peace, peace!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Dost thou not see my baby at my breast
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That sucks the nurse asleep?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. O, break! O, break!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CLEOPATRA. As sweet as balm, as soft as air, as gentle-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    O Antony! Nay, I will take thee too:  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                               [Applying another asp to her arm]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    What should I stay-                                   [Dies]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. In this vile world? So, fare thee well.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Now boast thee, death, in thy possession lies
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A lass unparallel'd. Downy windows, close;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And golden Phoebus never be beheld
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of eyes again so royal! Your crown's awry;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I'll mend it and then play-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                  Enter the guard, rushing in
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. Where's the Queen?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. Speak softly, wake her not.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. Caesar hath sent-
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. Too slow a messenger.               [Applies an asp]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    O, come apace, dispatch. I partly feel thee.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. Approach, ho! All's not well: Caesar's beguil'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  SECOND GUARD. There's Dolabella sent from Caesar; call him.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. What work is here! Charmian, is this well done?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CHARMIAN. It is well done, and fitting for a princes  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Descended of so many royal kings.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Ah, soldier!                                 [CHARMIAN dies]
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                      Re-enter DOLABELLA
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. How goes it here?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  SECOND GUARD. All dead.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Caesar, thy thoughts
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Touch their effects in this. Thyself art coming
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    To see perform'd the dreaded act which thou
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    So sought'st to hinder.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|                      [Within: 'A way there, a way for Caesar!']
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|              Re-enter CAESAR and all his train
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. O sir, you are too sure an augurer:
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That you did fear is done.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Bravest at the last,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    She levell'd at our purposes, and being royal,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Took her own way. The manner of their deaths?  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I do not see them bleed.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Who was last with them?
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. A simple countryman that brought her figs.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    This was his basket.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Poison'd then.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. O Caesar,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    This Charmian liv'd but now; she stood and spake.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    I found her trimming up the diadem
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    On her dead mistress. Tremblingly she stood,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And on the sudden dropp'd.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. O noble weakness!
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    If they had swallow'd poison 'twould appear
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    By external swelling; but she looks like sleep,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    As she would catch another Antony
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    In her strong toil of grace.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  DOLABELLA. Here on her breast
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    There is a vent of blood, and something blown;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    The like is on her arm.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  FIRST GUARD. This is an aspic's trail; and these fig-leaves
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Have slime upon them, such as th' aspic leaves  
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Upon the caves of Nile.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|  CAESAR. Most probable
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    That so she died; for her physician tells me
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    She hath pursu'd conclusions infinite
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Of easy ways to die. Take up her bed,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And bear her women from the monument.
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    She shall be buried by her Antony;
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    No grave upon the earth shall clip in it
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    A pair so famous. High events as these
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Strike those that make them; and their story is
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    No less in pity than his glory which
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    Brought them to be lamented. Our army shall
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    In solemn show attend this funeral,
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    And then to Rome. Come, Dolabella, see
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|    High order in this great solemnity.                   Exeunt
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|45|Act 5, Scene 2|
3|THE TRAGEDY OF ANTONY AND CLEOPATRA|46|End|THE END
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|1|title|1601
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|1|title|AS YOU LIKE IT
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|1|title|by William Shakespeare
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|1|title|
4|AS YOU LIKE IT|2|Dramatis Personae|DRAMATIS PERSONAE.
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|  DUKE, living in exile
4|AS YOU LIKE IT|2|Dramatis Personae|  FREDERICK, his brother, and usurper of his dominions
4|AS YOU LIKE IT|2|Dramatis Personae|  AMIENS, lord attending on the banished Duke
4|AS YOU LIKE IT|2|Dramatis Personae|  JAQUES,   "      "       "  "     "      "
4|AS YOU LIKE IT|2|Dramatis Personae|  LE BEAU, a courtier attending upon Frederick
4|AS YOU LIKE IT|2|Dramatis Personae|  CHARLES, wrestler to Frederick
4|AS YOU LIKE IT|2|Dramatis Personae|  OLIVER, son of Sir Rowland de Boys
4|AS YOU LIKE IT|2|Dramatis Personae|  JAQUES,   "   "  "    "     "  "
4|AS YOU LIKE IT|2|Dramatis Personae|  ORLANDO,  "   "  "    "     "  "
4|AS YOU LIKE IT|2|Dramatis Personae|  ADAM,   servant to Oliver
4|AS YOU LIKE IT|2|Dramatis Personae|  DENNIS,     "     "   "
4|AS YOU LIKE IT|2|Dramatis Personae|  TOUCHSTONE, the court jester
4|AS YOU LIKE IT|2|Dramatis Personae|  SIR OLIVER MARTEXT, a vicar
4|AS YOU LIKE IT|2|Dramatis Personae|  CORIN,    shepherd
4|AS YOU LIKE IT|2|Dramatis Personae|  SILVIUS,     "
4|AS YOU LIKE IT|2|Dramatis Personae|  WILLIAM, a country fellow, in love with Audrey
4|AS YOU LIKE IT|2|Dramatis Personae|  A person representing HYMEN
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|  ROSALIND, daughter to the banished Duke
4|AS YOU LIKE IT|2|Dramatis Personae|  CELIA, daughter to Frederick
4|AS YOU LIKE IT|2|Dramatis Personae|  PHEBE, a shepherdes  
4|AS YOU LIKE IT|2|Dramatis Personae|  AUDREY, a country wench
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|  Lords, Pages, Foresters, and Attendants
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|2|Dramatis Personae|
4|AS YOU LIKE IT|3|Scene|SCENE:
4|AS YOU LIKE IT|3|Scene|OLIVER'S house; FREDERICK'S court; and the Forest of Arden
4|AS YOU LIKE IT|3|Scene|
4|AS YOU LIKE IT|4|Act 1, Scene 1|ACT I. SCENE I.
4|AS YOU LIKE IT|4|Act 1, Scene 1|Orchard of OLIVER'S house
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|Enter ORLANDO and ADAM
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. As I remember, Adam, it was upon this fashion bequeathed
4|AS YOU LIKE IT|4|Act 1, Scene 1|    me by will but poor a thousand crowns, and, as thou say'st,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    charged my brother, on his blessing, to breed me well; and there
4|AS YOU LIKE IT|4|Act 1, Scene 1|    begins my sadness. My brother Jaques he keeps at school, and
4|AS YOU LIKE IT|4|Act 1, Scene 1|    report speaks goldenly of his profit. For my part, he keeps me
4|AS YOU LIKE IT|4|Act 1, Scene 1|    rustically at home, or, to speak more properly, stays me here at
4|AS YOU LIKE IT|4|Act 1, Scene 1|    home unkept; for call you that keeping for a gentleman of my
4|AS YOU LIKE IT|4|Act 1, Scene 1|    birth that differs not from the stalling of an ox? His horses are
4|AS YOU LIKE IT|4|Act 1, Scene 1|    bred better; for, besides that they are fair with their feeding,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    they are taught their manage, and to that end riders dearly
4|AS YOU LIKE IT|4|Act 1, Scene 1|    hir'd; but I, his brother, gain nothing under him but growth; for
4|AS YOU LIKE IT|4|Act 1, Scene 1|    the which his animals on his dunghills are as much bound to him
4|AS YOU LIKE IT|4|Act 1, Scene 1|    as I. Besides this nothing that he so plentifully gives me, the
4|AS YOU LIKE IT|4|Act 1, Scene 1|    something that nature gave me his countenance seems to take from
4|AS YOU LIKE IT|4|Act 1, Scene 1|    me. He lets me feed with his hinds, bars me the place of a
4|AS YOU LIKE IT|4|Act 1, Scene 1|    brother, and as much as in him lies, mines my gentility with my
4|AS YOU LIKE IT|4|Act 1, Scene 1|    education. This is it, Adam, that grieves me; and the spirit of  
4|AS YOU LIKE IT|4|Act 1, Scene 1|    my father, which I think is within me, begins to mutiny against
4|AS YOU LIKE IT|4|Act 1, Scene 1|    this servitude. I will no longer endure it, though yet I know no
4|AS YOU LIKE IT|4|Act 1, Scene 1|    wise remedy how to avoid it.
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|                           Enter OLIVER
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ADAM. Yonder comes my master, your brother.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. Go apart, Adam, and thou shalt hear how he will shake me
4|AS YOU LIKE IT|4|Act 1, Scene 1|    up.                                           [ADAM retires]
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Now, sir! what make you here?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. Nothing; I am not taught to make any thing.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. What mar you then, sir?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. Marry, sir, I am helping you to mar that which God made, a
4|AS YOU LIKE IT|4|Act 1, Scene 1|    poor unworthy brother of yours, with idleness.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Marry, sir, be better employed, and be nought awhile.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. Shall I keep your hogs, and eat husks with them? What
4|AS YOU LIKE IT|4|Act 1, Scene 1|    prodigal portion have I spent that I should come to such penury?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Know you where you are, sir?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. O, sir, very well; here in your orchard.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Know you before whom, sir?  
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. Ay, better than him I am before knows me. I know you are
4|AS YOU LIKE IT|4|Act 1, Scene 1|    my eldest brother; and in the gentle condition of blood, you
4|AS YOU LIKE IT|4|Act 1, Scene 1|    should so know me. The courtesy of nations allows you my better
4|AS YOU LIKE IT|4|Act 1, Scene 1|    in that you are the first-born; but the same tradition takes not
4|AS YOU LIKE IT|4|Act 1, Scene 1|    away my blood, were there twenty brothers betwixt us. I have as
4|AS YOU LIKE IT|4|Act 1, Scene 1|    much of my father in me as you, albeit I confess your coming
4|AS YOU LIKE IT|4|Act 1, Scene 1|    before me is nearer to his reverence.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. What, boy!                               [Strikes him]
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. Come, come, elder brother, you are too young in this.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Wilt thou lay hands on me, villain?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. I am no villain; I am the youngest son of Sir Rowland de
4|AS YOU LIKE IT|4|Act 1, Scene 1|    Boys. He was my father; and he is thrice a villain that says such
4|AS YOU LIKE IT|4|Act 1, Scene 1|    a father begot villains. Wert thou not my brother, I would not
4|AS YOU LIKE IT|4|Act 1, Scene 1|    take this hand from thy throat till this other had pull'd out thy
4|AS YOU LIKE IT|4|Act 1, Scene 1|    tongue for saying so. Thou has rail'd on thyself.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ADAM. [Coming forward] Sweet masters, be patient; for your father's
4|AS YOU LIKE IT|4|Act 1, Scene 1|    remembrance, be at accord.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Let me go, I say.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. I will not, till I please; you shall hear me. My father
4|AS YOU LIKE IT|4|Act 1, Scene 1|    charg'd you in his will to give me good education: you have  
4|AS YOU LIKE IT|4|Act 1, Scene 1|    train'd me like a peasant, obscuring and hiding from me all
4|AS YOU LIKE IT|4|Act 1, Scene 1|    gentleman-like qualities. The spirit of my father grows strong in
4|AS YOU LIKE IT|4|Act 1, Scene 1|    me, and I will no longer endure it; therefore allow me such
4|AS YOU LIKE IT|4|Act 1, Scene 1|    exercises as may become a gentleman, or give me the poor
4|AS YOU LIKE IT|4|Act 1, Scene 1|    allottery my father left me by testament; with that I will go buy
4|AS YOU LIKE IT|4|Act 1, Scene 1|    my fortunes.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. And what wilt thou do? Beg, when that is spent? Well, sir,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    get you in. I will not long be troubled with you; you shall have
4|AS YOU LIKE IT|4|Act 1, Scene 1|    some part of your will. I pray you leave me.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ORLANDO. I no further offend you than becomes me for my good.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Get you with him, you old dog.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  ADAM. Is 'old dog' my reward? Most true, I have lost my teeth in
4|AS YOU LIKE IT|4|Act 1, Scene 1|    your service. God be with my old master! He would not have spoke
4|AS YOU LIKE IT|4|Act 1, Scene 1|    such a word.
4|AS YOU LIKE IT|4|Act 1, Scene 1|                                         Exeunt ORLANDO and ADAM
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Is it even so? Begin you to grow upon me? I will physic
4|AS YOU LIKE IT|4|Act 1, Scene 1|    your rankness, and yet give no thousand crowns neither. Holla,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    Dennis!
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|                          Enter DENNIS  
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|  DENNIS. Calls your worship?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. not Charles, the Duke's wrestler, here to speak with me?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  DENNIS. So please you, he is here at the door and importunes access
4|AS YOU LIKE IT|4|Act 1, Scene 1|    to you.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Call him in. [Exit DENNIS] 'Twill be a good way; and
4|AS YOU LIKE IT|4|Act 1, Scene 1|    to-morrow the wrestling is.
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|                          Enter CHARLES
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|  CHARLES. Good morrow to your worship.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Good Monsieur Charles! What's the new news at the new
4|AS YOU LIKE IT|4|Act 1, Scene 1|    court?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  CHARLES. There's no news at the court, sir, but the old news; that
4|AS YOU LIKE IT|4|Act 1, Scene 1|    is, the old Duke is banished by his younger brother the new Duke;
4|AS YOU LIKE IT|4|Act 1, Scene 1|    and three or four loving lords have put themselves into voluntary
4|AS YOU LIKE IT|4|Act 1, Scene 1|    exile with him, whose lands and revenues enrich the new Duke;
4|AS YOU LIKE IT|4|Act 1, Scene 1|    therefore he gives them good leave to wander.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Can you tell if Rosalind, the Duke's daughter, be banished
4|AS YOU LIKE IT|4|Act 1, Scene 1|    with her father?  
4|AS YOU LIKE IT|4|Act 1, Scene 1|  CHARLES. O, no; for the Duke's daughter, her cousin, so loves her,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    being ever from their cradles bred together, that she would have
4|AS YOU LIKE IT|4|Act 1, Scene 1|    followed her exile, or have died to stay behind her. She is at
4|AS YOU LIKE IT|4|Act 1, Scene 1|    the court, and no less beloved of her uncle than his own
4|AS YOU LIKE IT|4|Act 1, Scene 1|    daughter; and never two ladies loved as they do.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Where will the old Duke live?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  CHARLES. They say he is already in the Forest of Arden, and a many
4|AS YOU LIKE IT|4|Act 1, Scene 1|    merry men with him; and there they live like the old Robin Hood
4|AS YOU LIKE IT|4|Act 1, Scene 1|    of England. They say many young gentlemen flock to him every day,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    and fleet the time carelessly, as they did in the golden world.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. What, you wrestle to-morrow before the new Duke?
4|AS YOU LIKE IT|4|Act 1, Scene 1|  CHARLES. Marry, do I, sir; and I came to acquaint you with a
4|AS YOU LIKE IT|4|Act 1, Scene 1|    matter. I am given, sir, secretly to understand that your younger
4|AS YOU LIKE IT|4|Act 1, Scene 1|    brother, Orlando, hath a disposition to come in disguis'd against
4|AS YOU LIKE IT|4|Act 1, Scene 1|    me to try a fall. To-morrow, sir, I wrestle for my credit; and he
4|AS YOU LIKE IT|4|Act 1, Scene 1|    that escapes me without some broken limb shall acquit him well.
4|AS YOU LIKE IT|4|Act 1, Scene 1|    Your brother is but young and tender; and, for your love, I would
4|AS YOU LIKE IT|4|Act 1, Scene 1|    be loath to foil him, as I must, for my own honour, if he come
4|AS YOU LIKE IT|4|Act 1, Scene 1|    in; therefore, out of my love to you, I came hither to acquaint
4|AS YOU LIKE IT|4|Act 1, Scene 1|    you withal, that either you might stay him from his intendment,  
4|AS YOU LIKE IT|4|Act 1, Scene 1|    or brook such disgrace well as he shall run into, in that it is
4|AS YOU LIKE IT|4|Act 1, Scene 1|    thing of his own search and altogether against my will.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Charles, I thank thee for thy love to me, which thou shalt
4|AS YOU LIKE IT|4|Act 1, Scene 1|    find I will most kindly requite. I had myself notice of my
4|AS YOU LIKE IT|4|Act 1, Scene 1|    brother's purpose herein, and have by underhand means laboured to
4|AS YOU LIKE IT|4|Act 1, Scene 1|    dissuade him from it; but he is resolute. I'll tell thee,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    Charles, it is the stubbornest young fellow of France; full of
4|AS YOU LIKE IT|4|Act 1, Scene 1|    ambition, an envious emulator of every man's good parts, a secret
4|AS YOU LIKE IT|4|Act 1, Scene 1|    and villainous contriver against me his natural brother.
4|AS YOU LIKE IT|4|Act 1, Scene 1|    Therefore use thy discretion: I had as lief thou didst break his
4|AS YOU LIKE IT|4|Act 1, Scene 1|    neck as his finger. And thou wert best look to't; for if thou
4|AS YOU LIKE IT|4|Act 1, Scene 1|    dost him any slight disgrace, or if he do not mightily grace
4|AS YOU LIKE IT|4|Act 1, Scene 1|    himself on thee, he will practise against thee by poison, entrap
4|AS YOU LIKE IT|4|Act 1, Scene 1|    thee by some treacherous device, and never leave thee till he
4|AS YOU LIKE IT|4|Act 1, Scene 1|    hath ta'en thy life by some indirect means or other; for, I
4|AS YOU LIKE IT|4|Act 1, Scene 1|    assure thee, and almost with tears I speak it, there is not one
4|AS YOU LIKE IT|4|Act 1, Scene 1|    so young and so villainous this day living. I speak but brotherly
4|AS YOU LIKE IT|4|Act 1, Scene 1|    of him; but should I anatomize him to thee as he is, I must blush
4|AS YOU LIKE IT|4|Act 1, Scene 1|    and weep, and thou must look pale and wonder.
4|AS YOU LIKE IT|4|Act 1, Scene 1|  CHARLES. I am heartily glad I came hither to you. If he come  
4|AS YOU LIKE IT|4|Act 1, Scene 1|    to-morrow I'll give him his payment. If ever he go alone again,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    I'll never wrestle for prize more. And so, God keep your worship!
4|AS YOU LIKE IT|4|Act 1, Scene 1| Exit
4|AS YOU LIKE IT|4|Act 1, Scene 1|  OLIVER. Farewell, good Charles. Now will I stir this gamester. I
4|AS YOU LIKE IT|4|Act 1, Scene 1|    hope I shall see an end of him; for my soul, yet I know not why,
4|AS YOU LIKE IT|4|Act 1, Scene 1|    hates nothing more than he. Yet he's gentle; never school'd and
4|AS YOU LIKE IT|4|Act 1, Scene 1|    yet learned; full of noble device; of all sorts enchantingly
4|AS YOU LIKE IT|4|Act 1, Scene 1|    beloved; and, indeed, so much in the heart of the world, and
4|AS YOU LIKE IT|4|Act 1, Scene 1|    especially of my own people, who best know him, that I am
4|AS YOU LIKE IT|4|Act 1, Scene 1|    altogether misprised. But it shall not be so long; this wrestler
4|AS YOU LIKE IT|4|Act 1, Scene 1|    shall clear all. Nothing remains but that I kindle the boy
4|AS YOU LIKE IT|4|Act 1, Scene 1|    thither, which now I'll go about.                       Exit
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|4|Act 1, Scene 1|
4|AS YOU LIKE IT|5|Act 1, Scene 2|SCENE II.
4|AS YOU LIKE IT|5|Act 1, Scene 2|A lawn before the DUKE'S palace
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|Enter ROSALIND and CELIA
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. I pray thee, Rosalind, sweet my coz, be merry.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Dear Celia, I show more mirth than I am mistress of; and
4|AS YOU LIKE IT|5|Act 1, Scene 2|    would you yet I were merrier? Unless you could teach me to forget
4|AS YOU LIKE IT|5|Act 1, Scene 2|    a banished father, you must not learn me how to remember any
4|AS YOU LIKE IT|5|Act 1, Scene 2|    extraordinary pleasure.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Herein I see thou lov'st me not with the full weight that I
4|AS YOU LIKE IT|5|Act 1, Scene 2|    love thee. If my uncle, thy banished father, had banished thy
4|AS YOU LIKE IT|5|Act 1, Scene 2|    uncle, the Duke my father, so thou hadst been still with me, I
4|AS YOU LIKE IT|5|Act 1, Scene 2|    could have taught my love to take thy father for mine; so wouldst
4|AS YOU LIKE IT|5|Act 1, Scene 2|    thou, if the truth of thy love to me were so righteously temper'd
4|AS YOU LIKE IT|5|Act 1, Scene 2|    as mine is to thee.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Well, I will forget the condition of my estate, to
4|AS YOU LIKE IT|5|Act 1, Scene 2|    rejoice in yours.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. You know my father hath no child but I, nor none is like to
4|AS YOU LIKE IT|5|Act 1, Scene 2|    have; and, truly, when he dies thou shalt be his heir; for what
4|AS YOU LIKE IT|5|Act 1, Scene 2|    he hath taken away from thy father perforce, I will render thee
4|AS YOU LIKE IT|5|Act 1, Scene 2|    again in affection. By mine honour, I will; and when I break that  
4|AS YOU LIKE IT|5|Act 1, Scene 2|    oath, let me turn monster; therefore, my sweet Rose, my dear
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Rose, be merry.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. From henceforth I will, coz, and devise sports.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Let me see; what think you of falling in love?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Marry, I prithee, do, to make sport withal; but love no man
4|AS YOU LIKE IT|5|Act 1, Scene 2|    in good earnest, nor no further in sport neither than with safety
4|AS YOU LIKE IT|5|Act 1, Scene 2|    of a pure blush thou mayst in honour come off again.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. What shall be our sport, then?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Let us sit and mock the good housewife Fortune from her
4|AS YOU LIKE IT|5|Act 1, Scene 2|    wheel, that her gifts may henceforth be bestowed equally.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. I would we could do so; for her benefits are mightily
4|AS YOU LIKE IT|5|Act 1, Scene 2|    misplaced; and the bountiful blind woman doth most mistake in her
4|AS YOU LIKE IT|5|Act 1, Scene 2|    gifts to women.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. 'Tis true; for those that she makes fair she scarce makes
4|AS YOU LIKE IT|5|Act 1, Scene 2|    honest; and those that she makes honest she makes very
4|AS YOU LIKE IT|5|Act 1, Scene 2|    ill-favouredly.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Nay; now thou goest from Fortune's office to Nature's:
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Fortune reigns in gifts of the world, not in the lineaments of
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Nature.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  
4|AS YOU LIKE IT|5|Act 1, Scene 2|                         Enter TOUCHSTONE
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. No; when Nature hath made a fair creature, may she not by
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Fortune fall into the fire? Though Nature hath given us wit to
4|AS YOU LIKE IT|5|Act 1, Scene 2|    flout at Fortune, hath not Fortune sent in this fool to cut off
4|AS YOU LIKE IT|5|Act 1, Scene 2|    the argument?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Indeed, there is Fortune too hard for Nature, when
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Fortune makes Nature's natural the cutter-off of Nature's wit.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Peradventure this is not Fortune's work neither, but
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Nature's, who perceiveth our natural wits too dull to reason of
4|AS YOU LIKE IT|5|Act 1, Scene 2|    such goddesses, and hath sent this natural for our whetstone; for
4|AS YOU LIKE IT|5|Act 1, Scene 2|    always the dullness of the fool is the whetstone of the wits. How
4|AS YOU LIKE IT|5|Act 1, Scene 2|    now, wit! Whither wander you?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. Mistress, you must come away to your father.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Were you made the messenger?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. No, by mine honour; but I was bid to come for you.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Where learned you that oath, fool?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. Of a certain knight that swore by his honour they were
4|AS YOU LIKE IT|5|Act 1, Scene 2|    good pancakes, and swore by his honour the mustard was naught.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Now I'll stand to it, the pancakes were naught and the mustard  
4|AS YOU LIKE IT|5|Act 1, Scene 2|    was good, and yet was not the knight forsworn.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. How prove you that, in the great heap of your knowledge?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Ay, marry, now unmuzzle your wisdom.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. Stand you both forth now: stroke your chins, and swear
4|AS YOU LIKE IT|5|Act 1, Scene 2|    by your beards that I am a knave.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. By our beards, if we had them, thou art.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. By my knavery, if I had it, then I were. But if you
4|AS YOU LIKE IT|5|Act 1, Scene 2|    swear by that that not, you are not forsworn; no more was this
4|AS YOU LIKE IT|5|Act 1, Scene 2|    knight, swearing by his honour, for he never had any; or if he
4|AS YOU LIKE IT|5|Act 1, Scene 2|    had, he had sworn it away before ever he saw those pancackes or
4|AS YOU LIKE IT|5|Act 1, Scene 2|    that mustard.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Prithee, who is't that thou mean'st?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. One that old Frederick, your father, loves.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. My father's love is enough to honour him. Enough, speak no
4|AS YOU LIKE IT|5|Act 1, Scene 2|    more of him; you'll be whipt for taxation one of these days.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. The more pity that fools may not speak wisely what wise
4|AS YOU LIKE IT|5|Act 1, Scene 2|    men do foolishly.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. By my troth, thou sayest true; for since the little wit that
4|AS YOU LIKE IT|5|Act 1, Scene 2|    fools have was silenced, the little foolery that wise men have
4|AS YOU LIKE IT|5|Act 1, Scene 2|    makes a great show. Here comes Monsieur Le Beau.  
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|                           Enter LE BEAU
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. With his mouth full of news.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Which he will put on us as pigeons feed their young.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Then shall we be news-cramm'd.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. All the better; we shall be the more marketable. Bon jour,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Monsieur Le Beau. What's the news?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Fair Princess, you have lost much good sport.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Sport! of what colour?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. What colour, madam? How shall I answer you?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. As wit and fortune will.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. Or as the Destinies decrees.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Well said; that was laid on with a trowel.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. Nay, if I keep not my rank-
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Thou losest thy old smell.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. You amaze me, ladies. I would have told you of good
4|AS YOU LIKE IT|5|Act 1, Scene 2|    wrestling, which you have lost the sight of.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Yet tell us the manner of the wrestling.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. I will tell you the beginning, and, if it please your  
4|AS YOU LIKE IT|5|Act 1, Scene 2|    ladyships, you may see the end; for the best is yet to do; and
4|AS YOU LIKE IT|5|Act 1, Scene 2|    here, where you are, they are coming to perform it.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Well, the beginning, that is dead and buried.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. There comes an old man and his three sons-
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. I could match this beginning with an old tale.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Three proper young men, of excellent growth and presence.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. With bills on their necks: 'Be it known unto all men by
4|AS YOU LIKE IT|5|Act 1, Scene 2|    these presents'-
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. The eldest of the three wrestled with Charles, the Duke's
4|AS YOU LIKE IT|5|Act 1, Scene 2|    wrestler; which Charles in a moment threw him, and broke three of
4|AS YOU LIKE IT|5|Act 1, Scene 2|    his ribs, that there is little hope of life in him. So he serv'd
4|AS YOU LIKE IT|5|Act 1, Scene 2|    the second, and so the third. Yonder they lie; the poor old man,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    their father, making such pitiful dole over them that all the
4|AS YOU LIKE IT|5|Act 1, Scene 2|    beholders take his part with weeping.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Alas!
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. But what is the sport, monsieur, that the ladies have
4|AS YOU LIKE IT|5|Act 1, Scene 2|    lost?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Why, this that I speak of.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  TOUCHSTONE. Thus men may grow wiser every day. It is the first time
4|AS YOU LIKE IT|5|Act 1, Scene 2|    that ever I heard breaking of ribs was sport for ladies.  
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Or I, I promise thee.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. But is there any else longs to see this broken music in
4|AS YOU LIKE IT|5|Act 1, Scene 2|    his sides? Is there yet another dotes upon rib-breaking? Shall we
4|AS YOU LIKE IT|5|Act 1, Scene 2|    see this wrestling, cousin?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. You must, if you stay here; for here is the place
4|AS YOU LIKE IT|5|Act 1, Scene 2|    appointed for the wrestling, and they are ready to perform it.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Yonder, sure, they are coming. Let us now stay and see it.
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|           Flourish. Enter DUKE FREDERICK, LORDS, ORLANDO,
4|AS YOU LIKE IT|5|Act 1, Scene 2|                     CHARLES, and ATTENDANTS
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. Come on; since the youth will not be entreated, his own
4|AS YOU LIKE IT|5|Act 1, Scene 2|    peril on his forwardness.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Is yonder the man?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Even he, madam.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Alas, he is too young; yet he looks successfully.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. How now, daughter and cousin! Are you crept hither to
4|AS YOU LIKE IT|5|Act 1, Scene 2|    see the wrestling?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Ay, my liege; so please you give us leave.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. You will take little delight in it, I can tell you,  
4|AS YOU LIKE IT|5|Act 1, Scene 2|    there is such odds in the man. In pity of the challenger's youth
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I would fain dissuade him, but he will not be entreated. Speak to
4|AS YOU LIKE IT|5|Act 1, Scene 2|    him, ladies; see if you can move him.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Call him hither, good Monsieur Le Beau.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. Do so; I'll not be by.
4|AS YOU LIKE IT|5|Act 1, Scene 2|                                     [DUKE FREDERICK goes apart]
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Monsieur the Challenger, the Princess calls for you.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. I attend them with all respect and duty.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Young man, have you challeng'd Charles the wrestler?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. No, fair Princess; he is the general challenger. I come
4|AS YOU LIKE IT|5|Act 1, Scene 2|    but in, as others do, to try with him the strength of my youth.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Young gentleman, your spirits are too bold for your years.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    You have seen cruel proof of this man's strength; if you saw
4|AS YOU LIKE IT|5|Act 1, Scene 2|    yourself with your eyes, or knew yourself with your judgment, the
4|AS YOU LIKE IT|5|Act 1, Scene 2|    fear of your adventure would counsel you to a more equal
4|AS YOU LIKE IT|5|Act 1, Scene 2|    enterprise. We pray you, for your own sake, to embrace your own
4|AS YOU LIKE IT|5|Act 1, Scene 2|    safety and give over this attempt.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Do, young sir; your reputation shall not therefore be
4|AS YOU LIKE IT|5|Act 1, Scene 2|    misprised: we will make it our suit to the Duke that the
4|AS YOU LIKE IT|5|Act 1, Scene 2|    wrestling might not go forward.  
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. I beseech you, punish me not with your hard thoughts,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    wherein I confess me much guilty to deny so fair and excellent
4|AS YOU LIKE IT|5|Act 1, Scene 2|    ladies any thing. But let your fair eyes and gentle wishes go
4|AS YOU LIKE IT|5|Act 1, Scene 2|    with me to my trial; wherein if I be foil'd there is but one
4|AS YOU LIKE IT|5|Act 1, Scene 2|    sham'd that was never gracious; if kill'd, but one dead that is
4|AS YOU LIKE IT|5|Act 1, Scene 2|    willing to be so. I shall do my friends no wrong, for I have none
4|AS YOU LIKE IT|5|Act 1, Scene 2|    to lament me; the world no injury, for in it I have nothing; only
4|AS YOU LIKE IT|5|Act 1, Scene 2|    in the world I fill up a place, which may be better supplied when
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I have made it empty.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. The little strength that I have, I would it were with
4|AS YOU LIKE IT|5|Act 1, Scene 2|    you.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. And mine to eke out hers.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Fare you well. Pray heaven I be deceiv'd in you!
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Your heart's desires be with you!
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CHARLES. Come, where is this young gallant that is so desirous to
4|AS YOU LIKE IT|5|Act 1, Scene 2|    lie with his mother earth?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. Ready, sir; but his will hath in it a more modest working.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. You shall try but one fall.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CHARLES. No, I warrant your Grace, you shall not entreat him to a
4|AS YOU LIKE IT|5|Act 1, Scene 2|    second, that have so mightily persuaded him from a first.  
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. You mean to mock me after; you should not have mock'd me
4|AS YOU LIKE IT|5|Act 1, Scene 2|    before; but come your ways.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Now, Hercules be thy speed, young man!
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. I would I were invisible, to catch the strong fellow by the
4|AS YOU LIKE IT|5|Act 1, Scene 2|    leg.                                          [They wrestle]
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. O excellent young man!
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. If I had a thunderbolt in mine eye, I can tell who should
4|AS YOU LIKE IT|5|Act 1, Scene 2|    down.
4|AS YOU LIKE IT|5|Act 1, Scene 2|                                      [CHARLES is thrown. Shout]
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. No more, no more.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. Yes, I beseech your Grace; I am not yet well breath'd.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. How dost thou, Charles?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. He cannot speak, my lord.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. Bear him away. What is thy name, young man?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. Orlando, my liege; the youngest son of Sir Rowland de
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Boys.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  FREDERICK. I would thou hadst been son to some man else.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    The world esteem'd thy father honourable,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But I did find him still mine enemy.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Thou shouldst have better pleas'd me with this deed,  
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Hadst thou descended from another house.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But fare thee well; thou art a gallant youth;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I would thou hadst told me of another father.
4|AS YOU LIKE IT|5|Act 1, Scene 2|                                 Exeunt DUKE, train, and LE BEAU
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Were I my father, coz, would I do this?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. I am more proud to be Sir Rowland's son,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    His youngest son- and would not change that calling
4|AS YOU LIKE IT|5|Act 1, Scene 2|    To be adopted heir to Frederick.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. My father lov'd Sir Rowland as his soul,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    And all the world was of my father's mind;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Had I before known this young man his son,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I should have given him tears unto entreaties
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Ere he should thus have ventur'd.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Gentle cousin,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Let us go thank him, and encourage him;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    My father's rough and envious disposition
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Sticks me at heart. Sir, you have well deserv'd;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    If you do keep your promises in love
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But justly as you have exceeded all promise,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Your mistress shall be happy.  
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Gentleman,        [Giving him a chain from her neck]
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Wear this for me; one out of suits with fortune,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    That could give more, but that her hand lacks means.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Shall we go, coz?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Ay. Fare you well, fair gentleman.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. Can I not say 'I thank you'? My better parts
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Are all thrown down; and that which here stands up
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Is but a quintain, a mere lifeless block.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. He calls us back. My pride fell with my fortunes;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I'll ask him what he would. Did you call, sir?
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Sir, you have wrestled well, and overthrown
4|AS YOU LIKE IT|5|Act 1, Scene 2|    More than your enemies.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  CELIA. Will you go, coz?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ROSALIND. Have with you. Fare you well.
4|AS YOU LIKE IT|5|Act 1, Scene 2|                                       Exeunt ROSALIND and CELIA
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. What passion hangs these weights upon my tongue?
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I cannot speak to her, yet she urg'd conference.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    O poor Orlando, thou art overthrown!
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Or Charles or something weaker masters thee.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  
4|AS YOU LIKE IT|5|Act 1, Scene 2|                      Re-enter LE BEAU
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Good sir, I do in friendship counsel you
4|AS YOU LIKE IT|5|Act 1, Scene 2|    To leave this place. Albeit you have deserv'd
4|AS YOU LIKE IT|5|Act 1, Scene 2|    High commendation, true applause, and love,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Yet such is now the Duke's condition
4|AS YOU LIKE IT|5|Act 1, Scene 2|    That he misconstrues all that you have done.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    The Duke is humorous; what he is, indeed,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    More suits you to conceive than I to speak of.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. I thank you, sir; and pray you tell me this:
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Which of the two was daughter of the Duke
4|AS YOU LIKE IT|5|Act 1, Scene 2|    That here was at the wrestling?
4|AS YOU LIKE IT|5|Act 1, Scene 2|  LE BEAU. Neither his daughter, if we judge by manners;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But yet, indeed, the smaller is his daughter;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    The other is daughter to the banish'd Duke,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    And here detain'd by her usurping uncle,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    To keep his daughter company; whose loves
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Are dearer than the natural bond of sisters.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But I can tell you that of late this Duke
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Hath ta'en displeasure 'gainst his gentle niece,  
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Grounded upon no other argument
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But that the people praise her for her virtues
4|AS YOU LIKE IT|5|Act 1, Scene 2|    And pity her for her good father's sake;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    And, on my life, his malice 'gainst the lady
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Will suddenly break forth. Sir, fare you well.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Hereafter, in a better world than this,
4|AS YOU LIKE IT|5|Act 1, Scene 2|    I shall desire more love and knowledge of you.
4|AS YOU LIKE IT|5|Act 1, Scene 2|  ORLANDO. I rest much bounden to you; fare you well.
4|AS YOU LIKE IT|5|Act 1, Scene 2|                                                    Exit LE BEAU
4|AS YOU LIKE IT|5|Act 1, Scene 2|    Thus must I from the smoke into the smother;
4|AS YOU LIKE IT|5|Act 1, Scene 2|    From tyrant Duke unto a tyrant brother.
4|AS YOU LIKE IT|5|Act 1, Scene 2|    But heavenly Rosalind!                                  Exit
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|5|Act 1, Scene 2|
4|AS YOU LIKE IT|6|Act 1, Scene 3|SCENE III.
4|AS YOU LIKE IT|6|Act 1, Scene 3|The DUKE's palace
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|Enter CELIA and ROSALIND
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Why, cousin! why, Rosalind! Cupid have mercy!
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Not a word?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Not one to throw at a dog.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. No, thy words are too precious to be cast away upon curs;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    throw some of them at me; come, lame me with reasons.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Then there were two cousins laid up, when the one should
4|AS YOU LIKE IT|6|Act 1, Scene 3|    be lam'd with reasons and the other mad without any.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. But is all this for your father?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. No, some of it is for my child's father. O, how full of
4|AS YOU LIKE IT|6|Act 1, Scene 3|    briers is this working-day world!
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. They are but burs, cousin, thrown upon thee in holiday
4|AS YOU LIKE IT|6|Act 1, Scene 3|    foolery; if we walk not in the trodden paths, our very petticoats
4|AS YOU LIKE IT|6|Act 1, Scene 3|    will catch them.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. I could shake them off my coat: these burs are in my
4|AS YOU LIKE IT|6|Act 1, Scene 3|    heart.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Hem them away.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. I would try, if I could cry 'hem' and have him.  
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Come, come, wrestle with thy affections.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. O, they take the part of a better wrestler than myself.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. O, a good wish upon you! You will try in time, in despite of
4|AS YOU LIKE IT|6|Act 1, Scene 3|    a fall. But, turning these jests out of service, let us talk in
4|AS YOU LIKE IT|6|Act 1, Scene 3|    good earnest. Is it possible, on such a sudden, you should fall
4|AS YOU LIKE IT|6|Act 1, Scene 3|    into so strong a liking with old Sir Rowland's youngest son?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. The Duke my father lov'd his father dearly.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Doth it therefore ensue that you should love his son dearly?
4|AS YOU LIKE IT|6|Act 1, Scene 3|    By this kind of chase I should hate him, for my father hated his
4|AS YOU LIKE IT|6|Act 1, Scene 3|    father dearly; yet I hate not Orlando.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. No, faith, hate him not, for my sake.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Why should I not? Doth he not deserve well?
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|                    Enter DUKE FREDERICK, with LORDS
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Let me love him for that; and do you love him because I
4|AS YOU LIKE IT|6|Act 1, Scene 3|    do. Look, here comes the Duke.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. With his eyes full of anger.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. Mistress, dispatch you with your safest haste,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And get you from our court.  
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Me, uncle?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. You, cousin.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Within these ten days if that thou beest found
4|AS YOU LIKE IT|6|Act 1, Scene 3|    So near our public court as twenty miles,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Thou diest for it.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. I do beseech your Grace,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Let me the knowledge of my fault bear with me.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    If with myself I hold intelligence,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Or have acquaintance with mine own desires;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    If that I do not dream, or be not frantic-
4|AS YOU LIKE IT|6|Act 1, Scene 3|    As I do trust I am not- then, dear uncle,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Never so much as in a thought unborn
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Did I offend your Highness.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. Thus do all traitors;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    If their purgation did consist in words,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    They are as innocent as grace itself.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Let it suffice thee that I trust thee not.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Yet your mistrust cannot make me a traitor.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Tell me whereon the likelihood depends.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. Thou art thy father's daughter; there's enough.  
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. SO was I when your Highness took his dukedom;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    So was I when your Highness banish'd him.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Treason is not inherited, my lord;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Or, if we did derive it from our friends,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    What's that to me? My father was no traitor.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Then, good my liege, mistake me not so much
4|AS YOU LIKE IT|6|Act 1, Scene 3|    To think my poverty is treacherous.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Dear sovereign, hear me speak.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. Ay, Celia; we stay'd her for your sake,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Else had she with her father rang'd along.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. I did not then entreat to have her stay;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    It was your pleasure, and your own remorse;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    I was too young that time to value her,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    But now I know her. If she be a traitor,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Why so am I: we still have slept together,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Rose at an instant, learn'd, play'd, eat together;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And wheresoe'er we went, like Juno's swans,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Still we went coupled and inseparable.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. She is too subtle for thee; and her smoothness,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Her very silence and her patience,  
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Speak to the people, and they pity her.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Thou art a fool. She robs thee of thy name;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And thou wilt show more bright and seem more virtuous
4|AS YOU LIKE IT|6|Act 1, Scene 3|    When she is gone. Then open not thy lips.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Firm and irrevocable is my doom
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Which I have pass'd upon her; she is banish'd.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Pronounce that sentence, then, on me, my liege;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    I cannot live out of her company.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  FREDERICK. You are a fool. You, niece, provide yourself.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    If you outstay the time, upon mine honour,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And in the greatness of my word, you die.
4|AS YOU LIKE IT|6|Act 1, Scene 3|                                           Exeunt DUKE and LORDS
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. O my poor Rosalind! Whither wilt thou go?
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Wilt thou change fathers? I will give thee mine.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    I charge thee be not thou more griev'd than I am.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. I have more cause.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Thou hast not, cousin.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Prithee be cheerful. Know'st thou not the Duke
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Hath banish'd me, his daughter?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. That he hath not.  
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. No, hath not? Rosalind lacks, then, the love
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Which teacheth thee that thou and I am one.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Shall we be sund'red? Shall we part, sweet girl?
4|AS YOU LIKE IT|6|Act 1, Scene 3|    No; let my father seek another heir.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Therefore devise with me how we may fly,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Whither to go, and what to bear with us;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And do not seek to take your charge upon you,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    To bear your griefs yourself, and leave me out;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    For, by this heaven, now at our sorrows pale,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Say what thou canst, I'll go along with thee.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Why, whither shall we go?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. To seek my uncle in the Forest of Arden.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Alas, what danger will it be to us,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Maids as we are, to travel forth so far!
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Beauty provoketh thieves sooner than gold.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. I'll put myself in poor and mean attire,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And with a kind of umber smirch my face;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    The like do you; so shall we pass along,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And never stir assailants.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. Were it not better,  
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Because that I am more than common tall,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    That I did suit me all points like a man?
4|AS YOU LIKE IT|6|Act 1, Scene 3|    A gallant curtle-axe upon my thigh,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    A boar spear in my hand; and- in my heart
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Lie there what hidden woman's fear there will-
4|AS YOU LIKE IT|6|Act 1, Scene 3|    We'll have a swashing and a martial outside,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    As many other mannish cowards have
4|AS YOU LIKE IT|6|Act 1, Scene 3|    That do outface it with their semblances.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. What shall I call thee when thou art a man?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. I'll have no worse a name than Jove's own page,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And therefore look you call me Ganymede.
4|AS YOU LIKE IT|6|Act 1, Scene 3|    But what will you be call'd?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. Something that hath a reference to my state:
4|AS YOU LIKE IT|6|Act 1, Scene 3|    No longer Celia, but Aliena.
4|AS YOU LIKE IT|6|Act 1, Scene 3|  ROSALIND. But, cousin, what if we assay'd to steal
4|AS YOU LIKE IT|6|Act 1, Scene 3|    The clownish fool out of your father's court?
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Would he not be a comfort to our travel?
4|AS YOU LIKE IT|6|Act 1, Scene 3|  CELIA. He'll go along o'er the wide world with me;
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Leave me alone to woo him. Let's away,
4|AS YOU LIKE IT|6|Act 1, Scene 3|    And get our jewels and our wealth together;  
4|AS YOU LIKE IT|6|Act 1, Scene 3|    Devise the fittest time and safest way
4|AS YOU LIKE IT|6|Act 1, Scene 3|    To hide us from pursuit that will be made
4|AS YOU LIKE IT|6|Act 1, Scene 3|    After my flight. Now go we in content
4|AS YOU LIKE IT|6|Act 1, Scene 3|    To liberty, and not to banishment.                    Exeunt
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|6|Act 1, Scene 3|
4|AS YOU LIKE IT|7|Act 2, Scene 1|ACT II. SCENE I.
4|AS YOU LIKE IT|7|Act 2, Scene 1|The Forest of Arden
4|AS YOU LIKE IT|7|Act 2, Scene 1|
4|AS YOU LIKE IT|7|Act 2, Scene 1|Enter DUKE SENIOR, AMIENS, and two or three LORDS, like foresters
4|AS YOU LIKE IT|7|Act 2, Scene 1|
4|AS YOU LIKE IT|7|Act 2, Scene 1|  DUKE SENIOR. Now, my co-mates and brothers in exile,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Hath not old custom made this life more sweet
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Than that of painted pomp? Are not these woods
4|AS YOU LIKE IT|7|Act 2, Scene 1|    More free from peril than the envious court?
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Here feel we not the penalty of Adam,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    The seasons' difference; as the icy fang
4|AS YOU LIKE IT|7|Act 2, Scene 1|    And churlish chiding of the winter's wind,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Which when it bites and blows upon my body,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Even till I shrink with cold, I smile and say
4|AS YOU LIKE IT|7|Act 2, Scene 1|    'This is no flattery; these are counsellors
4|AS YOU LIKE IT|7|Act 2, Scene 1|    That feelingly persuade me what I am.'
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Sweet are the uses of adversity,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Which, like the toad, ugly and venomous,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Wears yet a precious jewel in his head;
4|AS YOU LIKE IT|7|Act 2, Scene 1|    And this our life, exempt from public haunt,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Finds tongues in trees, books in the running brooks,  
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Sermons in stones, and good in everything.
4|AS YOU LIKE IT|7|Act 2, Scene 1|    I would not change it.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  AMIENS. Happy is your Grace,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    That can translate the stubbornness of fortune
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Into so quiet and so sweet a style.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  DUKE SENIOR. Come, shall we go and kill us venison?
4|AS YOU LIKE IT|7|Act 2, Scene 1|    And yet it irks me the poor dappled fools,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Being native burghers of this desert city,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Should, in their own confines, with forked heads
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Have their round haunches gor'd.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  FIRST LORD. Indeed, my lord,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    The melancholy Jaques grieves at that;
4|AS YOU LIKE IT|7|Act 2, Scene 1|    And, in that kind, swears you do more usurp
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Than doth your brother that hath banish'd you.
4|AS YOU LIKE IT|7|Act 2, Scene 1|    To-day my Lord of Amiens and myself
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Did steal behind him as he lay along
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Under an oak whose antique root peeps out
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Upon the brook that brawls along this wood!
4|AS YOU LIKE IT|7|Act 2, Scene 1|    To the which place a poor sequest'red stag,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    That from the hunter's aim had ta'en a hurt,  
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Did come to languish; and, indeed, my lord,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    The wretched animal heav'd forth such groans
4|AS YOU LIKE IT|7|Act 2, Scene 1|    That their discharge did stretch his leathern coat
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Almost to bursting; and the big round tears
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Cours'd one another down his innocent nose
4|AS YOU LIKE IT|7|Act 2, Scene 1|    In piteous chase; and thus the hairy fool,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Much marked of the melancholy Jaques,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Stood on th' extremest verge of the swift brook,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Augmenting it with tears.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  DUKE SENIOR. But what said Jaques?
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Did he not moralize this spectacle?
4|AS YOU LIKE IT|7|Act 2, Scene 1|  FIRST LORD. O, yes, into a thousand similes.
4|AS YOU LIKE IT|7|Act 2, Scene 1|    First, for his weeping into the needless stream:
4|AS YOU LIKE IT|7|Act 2, Scene 1|    'Poor deer,' quoth he 'thou mak'st a testament
4|AS YOU LIKE IT|7|Act 2, Scene 1|    As worldlings do, giving thy sum of more
4|AS YOU LIKE IT|7|Act 2, Scene 1|    To that which had too much.' Then, being there alone,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Left and abandoned of his velvet friends:
4|AS YOU LIKE IT|7|Act 2, Scene 1|    ''Tis right'; quoth he 'thus misery doth part
4|AS YOU LIKE IT|7|Act 2, Scene 1|    The flux of company.' Anon, a careless herd,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Full of the pasture, jumps along by him  
4|AS YOU LIKE IT|7|Act 2, Scene 1|    And never stays to greet him. 'Ay,' quoth Jaques
4|AS YOU LIKE IT|7|Act 2, Scene 1|    'Sweep on, you fat and greasy citizens;
4|AS YOU LIKE IT|7|Act 2, Scene 1|    'Tis just the fashion. Wherefore do you look
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Upon that poor and broken bankrupt there?'
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Thus most invectively he pierceth through
4|AS YOU LIKE IT|7|Act 2, Scene 1|    The body of the country, city, court,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Yea, and of this our life; swearing that we
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Are mere usurpers, tyrants, and what's worse,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    To fright the animals, and to kill them up
4|AS YOU LIKE IT|7|Act 2, Scene 1|    In their assign'd and native dwelling-place.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  DUKE SENIOR. And did you leave him in this contemplation?
4|AS YOU LIKE IT|7|Act 2, Scene 1|  SECOND LORD. We did, my lord, weeping and commenting
4|AS YOU LIKE IT|7|Act 2, Scene 1|    Upon the sobbing deer.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  DUKE SENIOR. Show me the place;
4|AS YOU LIKE IT|7|Act 2, Scene 1|    I love to cope him in these sullen fits,
4|AS YOU LIKE IT|7|Act 2, Scene 1|    For then he's full of matter.
4|AS YOU LIKE IT|7|Act 2, Scene 1|  FIRST LORD. I'll bring you to him straight.             Exeunt
4|AS YOU LIKE IT|7|Act 2, Scene 1|
4|AS YOU LIKE IT|7|Act 2, Scene 1|
4|AS YOU LIKE IT|7|Act 2, Scene 1|
4|AS YOU LIKE IT|7|Act 2, Scene 1|
4|AS YOU LIKE IT|8|Act 2, Scene 2|SCENE II.
4|AS YOU LIKE IT|8|Act 2, Scene 2|The DUKE'S palace
4|AS YOU LIKE IT|8|Act 2, Scene 2|
4|AS YOU LIKE IT|8|Act 2, Scene 2|Enter DUKE FREDERICK, with LORDS
4|AS YOU LIKE IT|8|Act 2, Scene 2|
4|AS YOU LIKE IT|8|Act 2, Scene 2|  FREDERICK. Can it be possible that no man saw them?
4|AS YOU LIKE IT|8|Act 2, Scene 2|    It cannot be; some villains of my court
4|AS YOU LIKE IT|8|Act 2, Scene 2|    Are of consent and sufferance in this.
4|AS YOU LIKE IT|8|Act 2, Scene 2|  FIRST LORD. I cannot hear of any that did see her.
4|AS YOU LIKE IT|8|Act 2, Scene 2|    The ladies, her attendants of her chamber,
4|AS YOU LIKE IT|8|Act 2, Scene 2|    Saw her abed, and in the morning early
4|AS YOU LIKE IT|8|Act 2, Scene 2|    They found the bed untreasur'd of their mistress.
4|AS YOU LIKE IT|8|Act 2, Scene 2|  SECOND LORD. My lord, the roynish clown, at whom so oft
4|AS YOU LIKE IT|8|Act 2, Scene 2|    Your Grace was wont to laugh, is also missing.
4|AS YOU LIKE IT|8|Act 2, Scene 2|    Hisperia, the Princess' gentlewoman,
4|AS YOU LIKE IT|8|Act 2, Scene 2|    Confesses that she secretly o'erheard
4|AS YOU LIKE IT|8|Act 2, Scene 2|    Your daughter and her cousin much commend
4|AS YOU LIKE IT|8|Act 2, Scene 2|    The parts and graces of the wrestler
4|AS YOU LIKE IT|8|Act 2, Scene 2|    That did but lately foil the sinewy Charles;
4|AS YOU LIKE IT|8|Act 2, Scene 2|    And she believes, wherever they are gone,
4|AS YOU LIKE IT|8|Act 2, Scene 2|    That youth is surely in their company.
4|AS YOU LIKE IT|8|Act 2, Scene 2|  FREDERICK. Send to his brother; fetch that gallant hither.  
4|AS YOU LIKE IT|8|Act 2, Scene 2|    If he be absent, bring his brother to me;
4|AS YOU LIKE IT|8|Act 2, Scene 2|    I'll make him find him. Do this suddenly;
4|AS YOU LIKE IT|8|Act 2, Scene 2|    And let not search and inquisition quail
4|AS YOU LIKE IT|8|Act 2, Scene 2|    To bring again these foolish runaways.                Exeunt
4|AS YOU LIKE IT|8|Act 2, Scene 2|
4|AS YOU LIKE IT|8|Act 2, Scene 2|
4|AS YOU LIKE IT|8|Act 2, Scene 2|
4|AS YOU LIKE IT|8|Act 2, Scene 2|
4|AS YOU LIKE IT|9|Act 2, Scene 3|SCENE III.
4|AS YOU LIKE IT|9|Act 2, Scene 3|Before OLIVER'S house
4|AS YOU LIKE IT|9|Act 2, Scene 3|
4|AS YOU LIKE IT|9|Act 2, Scene 3|Enter ORLANDO and ADAM, meeting
4|AS YOU LIKE IT|9|Act 2, Scene 3|
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ORLANDO. Who's there?
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ADAM. What, my young master? O my gentle master!
4|AS YOU LIKE IT|9|Act 2, Scene 3|    O my sweet master! O you memory
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Of old Sir Rowland! Why, what make you here?
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Why are you virtuous? Why do people love you?
4|AS YOU LIKE IT|9|Act 2, Scene 3|    And wherefore are you gentle, strong, and valiant?
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Why would you be so fond to overcome
4|AS YOU LIKE IT|9|Act 2, Scene 3|    The bonny prizer of the humorous Duke?
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Your praise is come too swiftly home before you.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Know you not, master, to some kind of men
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Their graces serve them but as enemies?
4|AS YOU LIKE IT|9|Act 2, Scene 3|    No more do yours. Your virtues, gentle master,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Are sanctified and holy traitors to you.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    O, what a world is this, when what is comely
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Envenoms him that bears it!
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ORLANDO. Why, what's the matter?
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ADAM. O unhappy youth!  
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Come not within these doors; within this roof
4|AS YOU LIKE IT|9|Act 2, Scene 3|    The enemy of all your graces lives.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Your brother- no, no brother; yet the son-
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Yet not the son; I will not call him son
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Of him I was about to call his father-
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Hath heard your praises; and this night he means
4|AS YOU LIKE IT|9|Act 2, Scene 3|    To burn the lodging where you use to lie,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    And you within it. If he fail of that,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    He will have other means to cut you off;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    I overheard him and his practices.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    This is no place; this house is but a butchery;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Abhor it, fear it, do not enter it.
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ORLANDO. Why, whither, Adam, wouldst thou have me go?
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ADAM. No matter whither, so you come not here.
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ORLANDO. What, wouldst thou have me go and beg my food,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Or with a base and boist'rous sword enforce
4|AS YOU LIKE IT|9|Act 2, Scene 3|    A thievish living on the common road?
4|AS YOU LIKE IT|9|Act 2, Scene 3|    This I must do, or know not what to do;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Yet this I will not do, do how I can.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    I rather will subject me to the malice  
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Of a diverted blood and bloody brother.
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ADAM. But do not so. I have five hundred crowns,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    The thrifty hire I sav'd under your father,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Which I did store to be my foster-nurse,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    When service should in my old limbs lie lame,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    And unregarded age in corners thrown.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Take that, and He that doth the ravens feed,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Yea, providently caters for the sparrow,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Be comfort to my age! Here is the gold;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    All this I give you. Let me be your servant;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Though I look old, yet I am strong and lusty;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    For in my youth I never did apply
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Hot and rebellious liquors in my blood,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Nor did not with unbashful forehead woo
4|AS YOU LIKE IT|9|Act 2, Scene 3|    The means of weakness and debility;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Therefore my age is as a lusty winter,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Frosty, but kindly. Let me go with you;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    I'll do the service of a younger man
4|AS YOU LIKE IT|9|Act 2, Scene 3|    In all your business and necessities.
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ORLANDO. O good old man, how well in thee appears  
4|AS YOU LIKE IT|9|Act 2, Scene 3|    The constant service of the antique world,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    When service sweat for duty, not for meed!
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Thou art not for the fashion of these times,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Where none will sweat but for promotion,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    And having that do choke their service up
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Even with the having; it is not so with thee.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    But, poor old man, thou prun'st a rotten tree
4|AS YOU LIKE IT|9|Act 2, Scene 3|    That cannot so much as a blossom yield
4|AS YOU LIKE IT|9|Act 2, Scene 3|    In lieu of all thy pains and husbandry.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    But come thy ways, we'll go along together,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    And ere we have thy youthful wages spent
4|AS YOU LIKE IT|9|Act 2, Scene 3|    We'll light upon some settled low content.
4|AS YOU LIKE IT|9|Act 2, Scene 3|  ADAM. Master, go on; and I will follow the
4|AS YOU LIKE IT|9|Act 2, Scene 3|    To the last gasp, with truth and loyalty.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    From seventeen years till now almost four-score
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Here lived I, but now live here no more.
4|AS YOU LIKE IT|9|Act 2, Scene 3|    At seventeen years many their fortunes seek,
4|AS YOU LIKE IT|9|Act 2, Scene 3|    But at fourscore it is too late a week;
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Yet fortune cannot recompense me better
4|AS YOU LIKE IT|9|Act 2, Scene 3|    Than to die well and not my master's debtor.          Exeunt
4|AS YOU LIKE IT|9|Act 2, Scene 3|
4|AS YOU LIKE IT|9|Act 2, Scene 3|
4|AS YOU LIKE IT|9|Act 2, Scene 3|
4|AS YOU LIKE IT|9|Act 2, Scene 3|
4|AS YOU LIKE IT|10|Act 2, Scene 4|SCENE IV.
4|AS YOU LIKE IT|10|Act 2, Scene 4|The Forest of Arden
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|10|Act 2, Scene 4|Enter ROSALIND for GANYMEDE, CELIA for ALIENA, and CLOWN alias TOUCHSTONE
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. O Jupiter, how weary are my spirits!
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. I Care not for my spirits, if my legs were not weary.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. I could find in my heart to disgrace my man's apparel,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    and to cry like a woman; but I must comfort the weaker vessel, as
4|AS YOU LIKE IT|10|Act 2, Scene 4|    doublet and hose ought to show itself courageous to petticoat;
4|AS YOU LIKE IT|10|Act 2, Scene 4|    therefore, courage, good Aliena.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CELIA. I pray you bear with me; I cannot go no further.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. For my part, I had rather bear with you than bear you;
4|AS YOU LIKE IT|10|Act 2, Scene 4|    yet I should bear no cross if I did bear you; for I think you
4|AS YOU LIKE IT|10|Act 2, Scene 4|    have no money in your purse.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Well,. this is the Forest of Arden.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. Ay, now am I in Arden; the more fool I; when I was at
4|AS YOU LIKE IT|10|Act 2, Scene 4|    home I was in a better place; but travellers must be content.
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|10|Act 2, Scene 4|                        Enter CORIN and SILVIUS
4|AS YOU LIKE IT|10|Act 2, Scene 4|  
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Ay, be so, good Touchstone. Look you, who comes here, a
4|AS YOU LIKE IT|10|Act 2, Scene 4|    young man and an old in solemn talk.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. That is the way to make her scorn you still.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  SILVIUS. O Corin, that thou knew'st how I do love her!
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. I partly guess; for I have lov'd ere now.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  SILVIUS. No, Corin, being old, thou canst not guess,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Though in thy youth thou wast as true a lover
4|AS YOU LIKE IT|10|Act 2, Scene 4|    As ever sigh'd upon a midnight pillow.
4|AS YOU LIKE IT|10|Act 2, Scene 4|    But if thy love were ever like to mine,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    As sure I think did never man love so,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    How many actions most ridiculous
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Hast thou been drawn to by thy fantasy?
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. Into a thousand that I have forgotten.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  SILVIUS. O, thou didst then never love so heartily!
4|AS YOU LIKE IT|10|Act 2, Scene 4|    If thou rememb'rest not the slightest folly
4|AS YOU LIKE IT|10|Act 2, Scene 4|    That ever love did make thee run into,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Thou hast not lov'd;
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Or if thou hast not sat as I do now,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Wearing thy hearer in thy mistress' praise,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Thou hast not lov'd;  
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Or if thou hast not broke from company
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Abruptly, as my passion now makes me,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Thou hast not lov'd.
4|AS YOU LIKE IT|10|Act 2, Scene 4|    O Phebe, Phebe, Phebe!                          Exit Silvius
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Alas, poor shepherd! searching of thy wound,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    I have by hard adventure found mine own.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. And I mine. I remember, when I was in love, I broke my
4|AS YOU LIKE IT|10|Act 2, Scene 4|    sword upon a stone, and bid him take that for coming a-night to
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Jane Smile; and I remember the kissing of her batler, and the
4|AS YOU LIKE IT|10|Act 2, Scene 4|    cow's dugs that her pretty chopt hands had milk'd; and I remember
4|AS YOU LIKE IT|10|Act 2, Scene 4|    the wooing of  peascod instead of her; from whom I took two cods,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    and giving her them again, said with weeping tears 'Wear these
4|AS YOU LIKE IT|10|Act 2, Scene 4|    for my sake.' We that are true lovers run into strange capers;
4|AS YOU LIKE IT|10|Act 2, Scene 4|    but as all is mortal in nature, so is all nature in love mortal
4|AS YOU LIKE IT|10|Act 2, Scene 4|    in folly.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Thou speak'st wiser than thou art ware of.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. Nay, I shall ne'er be ware of mine own wit till I break
4|AS YOU LIKE IT|10|Act 2, Scene 4|    my shins against it.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Jove, Jove! this shepherd's passion
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Is much upon my fashion.  
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. And mine; but it grows something stale with me.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CELIA. I pray you, one of you question yond man
4|AS YOU LIKE IT|10|Act 2, Scene 4|    If he for gold will give us any food;
4|AS YOU LIKE IT|10|Act 2, Scene 4|    I faint almost to death.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. Holla, you clown!
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Peace, fool; he's not thy Ensman.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. Who calls?
4|AS YOU LIKE IT|10|Act 2, Scene 4|  TOUCHSTONE. Your betters, sir.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. Else are they very wretched.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. Peace, I say. Good even to you, friend.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. And to you, gentle sir, and to you all.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. I prithee, shepherd, if that love or gold
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Can in this desert place buy entertainment,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Bring us where we may rest ourselves and feed.
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Here's a young maid with travel much oppress'd,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And faints for succour.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. Fair sir, I pity her,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And wish, for her sake more than for mine own,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    My fortunes were more able to relieve her;
4|AS YOU LIKE IT|10|Act 2, Scene 4|    But I am shepherd to another man,  
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And do not shear the fleeces that I graze.
4|AS YOU LIKE IT|10|Act 2, Scene 4|    My master is of churlish disposition,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And little recks to find the way to heaven
4|AS YOU LIKE IT|10|Act 2, Scene 4|    By doing deeds of hospitality.
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Besides, his cote, his flocks, and bounds of feed,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Are now on sale; and at our sheepcote now,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    By reason of his absence, there is nothing
4|AS YOU LIKE IT|10|Act 2, Scene 4|    That you will feed on; but what is, come see,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And in my voice most welcome shall you be.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. What is he that shall buy his flock and pasture?
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. That young swain that you saw here but erewhile,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    That little cares for buying any thing.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  ROSALIND. I pray thee, if it stand with honesty,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Buy thou the cottage, pasture, and the flock,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And thou shalt have to pay for it of us.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CELIA. And we will mend thy wages. I like this place,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And willingly could waste my time in it.
4|AS YOU LIKE IT|10|Act 2, Scene 4|  CORIN. Assuredly the thing is to be sold.
4|AS YOU LIKE IT|10|Act 2, Scene 4|    Go with me; if you like upon report
4|AS YOU LIKE IT|10|Act 2, Scene 4|    The soil, the profit, and this kind of life,  
4|AS YOU LIKE IT|10|Act 2, Scene 4|    I will your very faithful feeder be,
4|AS YOU LIKE IT|10|Act 2, Scene 4|    And buy it with your gold right suddenly.             Exeunt
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|10|Act 2, Scene 4|
4|AS YOU LIKE IT|11|Act 2, Scene 5|SCENE V.
4|AS YOU LIKE IT|11|Act 2, Scene 5|Another part of the forest
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|Enter AMIENS, JAQUES, and OTHERS
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|                       SONG
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS.    Under the greenwood tree
4|AS YOU LIKE IT|11|Act 2, Scene 5|               Who loves to lie with me,
4|AS YOU LIKE IT|11|Act 2, Scene 5|               And turn his merry note
4|AS YOU LIKE IT|11|Act 2, Scene 5|               Unto the sweet bird's throat,
4|AS YOU LIKE IT|11|Act 2, Scene 5|             Come hither, come hither, come hither.
4|AS YOU LIKE IT|11|Act 2, Scene 5|               Here shall he see
4|AS YOU LIKE IT|11|Act 2, Scene 5|               No enemy
4|AS YOU LIKE IT|11|Act 2, Scene 5|             But winter and rough weather.
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. More, more, I prithee, more.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. It will make you melancholy, Monsieur Jaques.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. I thank it. More, I prithee, more. I can suck melancholy
4|AS YOU LIKE IT|11|Act 2, Scene 5|    out of a song, as a weasel sucks eggs. More, I prithee, more.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. My voice is ragged; I know I cannot please you.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. I do not desire you to please me; I do desire you to sing.
4|AS YOU LIKE IT|11|Act 2, Scene 5|    Come, more; another stanzo. Call you 'em stanzos?  
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. What you will, Monsieur Jaques.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. Nay, I care not for their names; they owe me nothing. Will
4|AS YOU LIKE IT|11|Act 2, Scene 5|    you sing?
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. More at your request than to please myself.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. Well then, if ever I thank any man, I'll thank you; but
4|AS YOU LIKE IT|11|Act 2, Scene 5|    that they call compliment is like th' encounter of two dog-apes;
4|AS YOU LIKE IT|11|Act 2, Scene 5|    and when a man thanks me heartily, methinks have given him a
4|AS YOU LIKE IT|11|Act 2, Scene 5|    penny, and he renders me the beggarly thanks. Come, sing; and you
4|AS YOU LIKE IT|11|Act 2, Scene 5|    that will not, hold your tongues.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. Well, I'll end the song. Sirs, cover the while; the Duke
4|AS YOU LIKE IT|11|Act 2, Scene 5|    will drink under this tree. He hath been all this day to look
4|AS YOU LIKE IT|11|Act 2, Scene 5|    you.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. And I have been all this day to avoid him. He is to
4|AS YOU LIKE IT|11|Act 2, Scene 5|    disputable for my company. I think of as many matters as he; but
4|AS YOU LIKE IT|11|Act 2, Scene 5|    I give heaven thanks, and make no boast of them. Come, warble,
4|AS YOU LIKE IT|11|Act 2, Scene 5|    come.
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|                       SONG
4|AS YOU LIKE IT|11|Act 2, Scene 5|              [All together here]
4|AS YOU LIKE IT|11|Act 2, Scene 5|  
4|AS YOU LIKE IT|11|Act 2, Scene 5|           Who doth ambition shun,
4|AS YOU LIKE IT|11|Act 2, Scene 5|           And loves to live i' th' sun,
4|AS YOU LIKE IT|11|Act 2, Scene 5|           Seeking the food he eats,
4|AS YOU LIKE IT|11|Act 2, Scene 5|           And pleas'd with what he gets,
4|AS YOU LIKE IT|11|Act 2, Scene 5|         Come hither, come hither, come hither.
4|AS YOU LIKE IT|11|Act 2, Scene 5|           Here shall he see
4|AS YOU LIKE IT|11|Act 2, Scene 5|           No enemy
4|AS YOU LIKE IT|11|Act 2, Scene 5|           But winter and rough weather.
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. I'll give you a verse to this note that I made yesterday in
4|AS YOU LIKE IT|11|Act 2, Scene 5|    despite of my invention.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. And I'll sing it.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. Thus it goes:
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|             If it do come to pass
4|AS YOU LIKE IT|11|Act 2, Scene 5|             That any man turn ass,
4|AS YOU LIKE IT|11|Act 2, Scene 5|             Leaving his wealth and ease
4|AS YOU LIKE IT|11|Act 2, Scene 5|             A stubborn will to please,
4|AS YOU LIKE IT|11|Act 2, Scene 5|           Ducdame, ducdame, ducdame;
4|AS YOU LIKE IT|11|Act 2, Scene 5|             Here shall he see  
4|AS YOU LIKE IT|11|Act 2, Scene 5|             Gross fools as he,
4|AS YOU LIKE IT|11|Act 2, Scene 5|             An if he will come to me.
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. What's that 'ducdame'?
4|AS YOU LIKE IT|11|Act 2, Scene 5|  JAQUES. 'Tis a Greek invocation, to call fools into a circle. I'll
4|AS YOU LIKE IT|11|Act 2, Scene 5|    go sleep, if I can; if I cannot, I'll rail against all the
4|AS YOU LIKE IT|11|Act 2, Scene 5|    first-born of Egypt.
4|AS YOU LIKE IT|11|Act 2, Scene 5|  AMIENS. And I'll go seek the Duke; his banquet is prepar'd.
4|AS YOU LIKE IT|11|Act 2, Scene 5|                                                Exeunt severally
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|11|Act 2, Scene 5|
4|AS YOU LIKE IT|12|Act 2, Scene 6|SCENE VI.
4|AS YOU LIKE IT|12|Act 2, Scene 6|The forest
4|AS YOU LIKE IT|12|Act 2, Scene 6|
4|AS YOU LIKE IT|12|Act 2, Scene 6|Enter ORLANDO and ADAM
4|AS YOU LIKE IT|12|Act 2, Scene 6|
4|AS YOU LIKE IT|12|Act 2, Scene 6|  ADAM. Dear master, I can go no further. O, I die for food! Here lie
4|AS YOU LIKE IT|12|Act 2, Scene 6|    I down, and measure out my grave. Farewell, kind master.
4|AS YOU LIKE IT|12|Act 2, Scene 6|  ORLANDO. Why, how now, Adam! No greater heart in thee? Live a
4|AS YOU LIKE IT|12|Act 2, Scene 6|    little; comfort a little; cheer thyself a little. If this uncouth
4|AS YOU LIKE IT|12|Act 2, Scene 6|    forest yield anything savage, I will either be food for it or
4|AS YOU LIKE IT|12|Act 2, Scene 6|    bring it for food to thee. Thy conceit is nearer death than thy
4|AS YOU LIKE IT|12|Act 2, Scene 6|    powers. For my sake be comfortable; hold death awhile at the
4|AS YOU LIKE IT|12|Act 2, Scene 6|    arm's end. I will here be with the presently; and if I bring thee
4|AS YOU LIKE IT|12|Act 2, Scene 6|    not something to eat, I will give thee leave to die; but if thou
4|AS YOU LIKE IT|12|Act 2, Scene 6|    diest before I come, thou art a mocker of my labour. Well said!
4|AS YOU LIKE IT|12|Act 2, Scene 6|    thou look'st cheerly; and I'll be with thee quickly. Yet thou
4|AS YOU LIKE IT|12|Act 2, Scene 6|    liest in the bleak air. Come, I will bear thee to some shelter;
4|AS YOU LIKE IT|12|Act 2, Scene 6|    and thou shalt not die for lack of a dinner, if there live
4|AS YOU LIKE IT|12|Act 2, Scene 6|    anything in this desert. Cheerly, good Adam!          Exeunt
4|AS YOU LIKE IT|12|Act 2, Scene 6|
4|AS YOU LIKE IT|12|Act 2, Scene 6|
4|AS YOU LIKE IT|12|Act 2, Scene 6|
4|AS YOU LIKE IT|12|Act 2, Scene 6|
4|AS YOU LIKE IT|13|Act 2, Scene 7|SCENE VII.
4|AS YOU LIKE IT|13|Act 2, Scene 7|The forest
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|A table set out. Enter DUKE SENIOR, AMIENS, and LORDS, like outlaws
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. I think he be transform'd into a beast;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    For I can nowhere find him like a man.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  FIRST LORD. My lord, he is but even now gone hence;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Here was he merry, hearing of a song.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. If he, compact of jars, grow musical,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    We shall have shortly discord in the spheres.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Go seek him; tell him I would speak with him.
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|                         Enter JAQUES
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|  FIRST LORD. He saves my labour by his own approach.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Why, how now, monsieur! what a life is this,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That your poor friends must woo your company?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    What, you look merrily!
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. A fool, a fool! I met a fool i' th' forest,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    A motley fool. A miserable world!  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    As I do live by food, I met a fool,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Who laid him down and bask'd him in the sun,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And rail'd on Lady Fortune in good terms,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    In good set terms- and yet a motley fool.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    'Good morrow, fool,' quoth I; 'No, sir,' quoth he,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    'Call me not fool till heaven hath sent me fortune.'
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And then he drew a dial from his poke,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And, looking on it with lack-lustre eye,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Says very wisely, 'It is ten o'clock;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Thus we may see,' quoth he, 'how the world wags;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    'Tis but an hour ago since it was nine;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And after one hour more 'twill be eleven;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And so, from hour to hour, we ripe and ripe,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And then, from hour to hour, we rot and rot;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And thereby hangs a tale.' When I did hear
4|AS YOU LIKE IT|13|Act 2, Scene 7|    The motley fool thus moral on the time,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    My lungs began to crow like chanticleer
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That fools should be so deep contemplative;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And I did laugh sans intermission
4|AS YOU LIKE IT|13|Act 2, Scene 7|    An hour by his dial. O noble fool!  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    A worthy fool! Motley's the only wear.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. What fool is this?
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. O worthy fool! One that hath been a courtier,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And says, if ladies be but young and fair,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    They have the gift to know it; and in his brain,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Which is as dry as the remainder biscuit
4|AS YOU LIKE IT|13|Act 2, Scene 7|    After a voyage, he hath strange places cramm'd
4|AS YOU LIKE IT|13|Act 2, Scene 7|    With observation, the which he vents
4|AS YOU LIKE IT|13|Act 2, Scene 7|    In mangled forms. O that I were a fool!
4|AS YOU LIKE IT|13|Act 2, Scene 7|    I am ambitious for a motley coat.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Thou shalt have one.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. It is my only suit,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Provided that you weed your better judgments
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Of all opinion that grows rank in them
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That I am wise. I must have liberty
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Withal, as large a charter as the wind,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    To blow on whom I please, for so fools have;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And they that are most galled with my folly,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    They most must laugh. And why, sir, must they so?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    The why is plain as way to parish church:  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    He that a fool doth very wisely hit
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Doth very foolishly, although he smart,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Not to seem senseless of the bob; if not,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    The wise man's folly is anatomiz'd
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Even by the squand'ring glances of the fool.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Invest me in my motley; give me leave
4|AS YOU LIKE IT|13|Act 2, Scene 7|    To speak my mind, and I will through and through
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Cleanse the foul body of th' infected world,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    If they will patiently receive my medicine.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Fie on thee! I can tell what thou wouldst do.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. What, for a counter, would I do but good?
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Most Mischievous foul sin, in chiding sin;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    For thou thyself hast been a libertine,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    As sensual as the brutish sting itself;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And all th' embossed sores and headed evils
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That thou with license of free foot hast caught
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Wouldst thou disgorge into the general world.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. Why, who cries out on pride
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That can therein tax any private party?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Doth it not flow as hugely as the sea,  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Till that the wearer's very means do ebb?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    What woman in the city do I name
4|AS YOU LIKE IT|13|Act 2, Scene 7|    When that I say the city-woman bears
4|AS YOU LIKE IT|13|Act 2, Scene 7|    The cost of princes on unworthy shoulders?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Who can come in and say that I mean her,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    When such a one as she such is her neighbour?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Or what is he of basest function
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That says his bravery is not on my cost,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Thinking that I mean him, but therein suits
4|AS YOU LIKE IT|13|Act 2, Scene 7|    His folly to the mettle of my speech?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    There then! how then? what then? Let me see wherein
4|AS YOU LIKE IT|13|Act 2, Scene 7|    My tongue hath wrong'd him: if it do him right,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Then he hath wrong'd himself; if he be free,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Why then my taxing like a wild-goose flies,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Unclaim'd of any man. But who comes here?
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|             Enter ORLANDO with his sword drawn
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. Forbear, and eat no more.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. Why, I have eat none yet.  
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. Nor shalt not, till necessity be serv'd.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. Of what kind should this cock come of?
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Art thou thus bolden'd, man, by thy distress?
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Or else a rude despiser of good manners,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That in civility thou seem'st so empty?
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. You touch'd my vein at first: the thorny point
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Of bare distress hath ta'en from me the show
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Of smooth civility; yet arn I inland bred,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And know some nurture. But forbear, I say;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    He dies that touches any of this fruit
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Till I and my affairs are answered.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. An you will not be answer'd with reason, I must die.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. What would you have? Your gentleness shall force
4|AS YOU LIKE IT|13|Act 2, Scene 7|    More than your force move us to gentleness.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. I almost die for food, and let me have it.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Sit down and feed, and welcome to our table.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. Speak you so gently? Pardon me, I pray you;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    I thought that all things had been savage here,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And therefore put I on the countenance
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Of stern commandment. But whate'er you are  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That in this desert inaccessible,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Under the shade of melancholy boughs,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Lose and neglect the creeping hours of time;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    If ever you have look'd on better days,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    If ever been where bells have knoll'd to church,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    If ever sat at any good man's feast,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    If ever from your eyelids wip'd a tear,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And know what 'tis to pity and be pitied,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Let gentleness my strong enforcement be;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    In the which hope I blush, and hide my sword.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. True is it that we have seen better days,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And have with holy bell been knoll'd to church,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And sat at good men's feasts, and wip'd our eyes
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Of drops that sacred pity hath engend'red;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And therefore sit you down in gentleness,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And take upon command what help we have
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That to your wanting may be minist'red.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. Then but forbear your food a little while,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Whiles, like a doe, I go to find my fawn,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And give it food. There is an old poor man  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Who after me hath many a weary step
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Limp'd in pure love; till he be first suffic'd,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Oppress'd with two weak evils, age and hunger,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    I will not touch a bit.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Go find him out.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And we will nothing waste till you return.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. I thank ye; and be blest for your good comfort!
4|AS YOU LIKE IT|13|Act 2, Scene 7| Exit
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Thou seest we are not all alone unhappy:
4|AS YOU LIKE IT|13|Act 2, Scene 7|    This wide and universal theatre
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Presents more woeful pageants than the scene
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Wherein we play in.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  JAQUES. All the world's a stage,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And all the men and women merely players;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    They have their exits and their entrances;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And one man in his time plays many parts,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    His acts being seven ages. At first the infant,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Mewling and puking in the nurse's arms;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Then the whining school-boy, with his satchel
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And shining morning face, creeping like snail  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Unwillingly to school. And then the lover,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Sighing like furnace, with a woeful ballad
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Made to his mistress' eyebrow. Then a soldier,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Full of strange oaths, and bearded like the pard,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Jealous in honour, sudden and quick in quarrel,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Seeking the bubble reputation
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Even in the cannon's mouth. And then the justice,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    In fair round belly with good capon lin'd,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    With eyes severe and beard of formal cut,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Full of wise saws and modern instances;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And so he plays his part. The sixth age shifts
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Into the lean and slipper'd pantaloon,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    With spectacles on nose and pouch on side,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    His youthful hose, well sav'd, a world too wide
4|AS YOU LIKE IT|13|Act 2, Scene 7|    For his shrunk shank; and his big manly voice,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Turning again toward childish treble, pipes
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And whistles in his sound. Last scene of all,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That ends this strange eventful history,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Is second childishness and mere oblivion;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Sans teeth, sans eyes, sans taste, sans every thing.  
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|                  Re-enter ORLANDO with ADAM
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Welcome. Set down your venerable burden.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And let him feed.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ORLANDO. I thank you most for him.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  ADAM. So had you need;
4|AS YOU LIKE IT|13|Act 2, Scene 7|    I scarce can speak to thank you for myself.
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. Welcome; fall to. I will not trouble you
4|AS YOU LIKE IT|13|Act 2, Scene 7|    As yet to question you about your fortunes.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Give us some music; and, good cousin, sing.
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|                         SONG
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Blow, blow, thou winter wind,
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Thou art not so unkind
4|AS YOU LIKE IT|13|Act 2, Scene 7|              As man's ingratitude;
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Thy tooth is not so keen,
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Because thou art not seen,
4|AS YOU LIKE IT|13|Act 2, Scene 7|              Although thy breath be rude.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Heigh-ho! sing heigh-ho! unto the green holly.  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Most friendship is feigning, most loving mere folly.
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Then, heigh-ho, the holly!
4|AS YOU LIKE IT|13|Act 2, Scene 7|              This life is most jolly.
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Freeze, freeze, thou bitter sky,
4|AS YOU LIKE IT|13|Act 2, Scene 7|            That dost not bite so nigh
4|AS YOU LIKE IT|13|Act 2, Scene 7|              As benefits forgot;
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Though thou the waters warp,
4|AS YOU LIKE IT|13|Act 2, Scene 7|            Thy sting is not so sharp
4|AS YOU LIKE IT|13|Act 2, Scene 7|              As friend rememb'red not.
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Heigh-ho! sing, &c.
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|  DUKE SENIOR. If that you were the good Sir Rowland's son,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    As you have whisper'd faithfully you were,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And as mine eye doth his effigies witness
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Most truly limn'd and living in your face,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Be truly welcome hither. I am the Duke
4|AS YOU LIKE IT|13|Act 2, Scene 7|    That lov'd your father. The residue of your fortune,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Go to my cave and tell me. Good old man,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Thou art right welcome as thy master is.  
4|AS YOU LIKE IT|13|Act 2, Scene 7|    Support him by the arm. Give me your hand,
4|AS YOU LIKE IT|13|Act 2, Scene 7|    And let me all your fortunes understand.              Exeunt
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|13|Act 2, Scene 7|
4|AS YOU LIKE IT|14|Act 3, Scene 1|ACT III. SCENE I.
4|AS YOU LIKE IT|14|Act 3, Scene 1|The palace
4|AS YOU LIKE IT|14|Act 3, Scene 1|
4|AS YOU LIKE IT|14|Act 3, Scene 1|Enter DUKE FREDERICK, OLIVER, and LORDS
4|AS YOU LIKE IT|14|Act 3, Scene 1|
4|AS YOU LIKE IT|14|Act 3, Scene 1|  FREDERICK. Not see him since! Sir, sir, that cannot be.
4|AS YOU LIKE IT|14|Act 3, Scene 1|    But were I not the better part made mercy,
4|AS YOU LIKE IT|14|Act 3, Scene 1|    I should not seek an absent argument
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Of my revenge, thou present. But look to it:
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Find out thy brother wheresoe'er he is;
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Seek him with candle; bring him dead or living
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Within this twelvemonth, or turn thou no more
4|AS YOU LIKE IT|14|Act 3, Scene 1|    To seek a living in our territory.
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Thy lands and all things that thou dost call thine
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Worth seizure do we seize into our hands,
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Till thou canst quit thee by thy brother's mouth
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Of what we think against thee.
4|AS YOU LIKE IT|14|Act 3, Scene 1|  OLIVER. O that your Highness knew my heart in this!
4|AS YOU LIKE IT|14|Act 3, Scene 1|    I never lov'd my brother in my life.
4|AS YOU LIKE IT|14|Act 3, Scene 1|  FREDERICK. More villain thou. Well, push him out of doors;
4|AS YOU LIKE IT|14|Act 3, Scene 1|    And let my officers of such a nature
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Make an extent upon his house and lands.  
4|AS YOU LIKE IT|14|Act 3, Scene 1|    Do this expediently, and turn him going.              Exeunt
4|AS YOU LIKE IT|14|Act 3, Scene 1|
4|AS YOU LIKE IT|14|Act 3, Scene 1|
4|AS YOU LIKE IT|14|Act 3, Scene 1|
4|AS YOU LIKE IT|14|Act 3, Scene 1|
4|AS YOU LIKE IT|15|Act 3, Scene 2|SCENE II.
4|AS YOU LIKE IT|15|Act 3, Scene 2|The forest
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|Enter ORLANDO, with a paper
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Hang there, my verse, in witness of my love;
4|AS YOU LIKE IT|15|Act 3, Scene 2|    And thou, thrice-crowned Queen of Night, survey
4|AS YOU LIKE IT|15|Act 3, Scene 2|    With thy chaste eye, from thy pale sphere above,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Thy huntress' name that my full life doth sway.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    O Rosalind! these trees shall be my books,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    And in their barks my thoughts I'll character,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    That every eye which in this forest looks
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Shall see thy virtue witness'd every where.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Run, run, Orlando; carve on every tree,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    The fair, the chaste, and unexpressive she.             Exit
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|                     Enter CORIN and TOUCHSTONE
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. And how like you this shepherd's life, Master Touchstone?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Truly, shepherd, in respect of itself, it is a good
4|AS YOU LIKE IT|15|Act 3, Scene 2|    life; but in respect that it is a shepherd's life, it is nought.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    In respect that it is solitary, I like it very well; but in  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    respect that it is private, it is a very vile life. Now in
4|AS YOU LIKE IT|15|Act 3, Scene 2|    respect it is in the fields, it pleaseth me well; but in respect
4|AS YOU LIKE IT|15|Act 3, Scene 2|    it is not in the court, it is tedious. As it is a spare life,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    look you, it fits my humour well; but as there is no more plenty
4|AS YOU LIKE IT|15|Act 3, Scene 2|    in it, it goes much against my stomach. Hast any philosophy in
4|AS YOU LIKE IT|15|Act 3, Scene 2|    thee, shepherd?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. No more but that I know the more one sickens the worse at
4|AS YOU LIKE IT|15|Act 3, Scene 2|    ease he is; and that he that wants money, means, and content, is
4|AS YOU LIKE IT|15|Act 3, Scene 2|    without three good friends; that the property of rain is to wet,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    and fire to burn; that good pasture makes fat sheep; and that a
4|AS YOU LIKE IT|15|Act 3, Scene 2|    great cause of the night is lack of the sun; that he that hath
4|AS YOU LIKE IT|15|Act 3, Scene 2|    learned no wit by nature nor art may complain of good breeding,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    or comes of a very dull kindred.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Such a one is a natural philosopher. Wast ever in
4|AS YOU LIKE IT|15|Act 3, Scene 2|    court, shepherd?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. No, truly.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Then thou art damn'd.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. Nay, I hope.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Truly, thou art damn'd, like an ill-roasted egg, all on
4|AS YOU LIKE IT|15|Act 3, Scene 2|    one side.  
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. For not being at court? Your reason.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Why, if thou never wast at court thou never saw'st good
4|AS YOU LIKE IT|15|Act 3, Scene 2|    manners; if thou never saw'st good manners, then thy manners must
4|AS YOU LIKE IT|15|Act 3, Scene 2|    be wicked; and wickedness is sin, and sin is damnation. Thou art
4|AS YOU LIKE IT|15|Act 3, Scene 2|    in a parlous state, shepherd.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. Not a whit, Touchstone. Those that are good manners at the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    court are as ridiculous in the country as the behaviour of the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    country is most mockable at the court. You told me you salute not
4|AS YOU LIKE IT|15|Act 3, Scene 2|    at the court, but you kiss your hands; that courtesy would be
4|AS YOU LIKE IT|15|Act 3, Scene 2|    uncleanly if courtiers were shepherds.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Instance, briefly; come, instance.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. Why, we are still handling our ewes; and their fells, you
4|AS YOU LIKE IT|15|Act 3, Scene 2|    know, are greasy.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Why, do not your courtier's hands sweat? And is not the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    grease of a mutton as wholesome as the sweat of a man? Shallow,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    shallow. A better instance, I say; come.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. Besides, our hands are hard.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Your lips will feel them the sooner. Shallow again. A
4|AS YOU LIKE IT|15|Act 3, Scene 2|    more sounder instance; come.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. And they are often tarr'd over with the surgery of our  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    sheep; and would you have us kiss tar? The courtier's hands are
4|AS YOU LIKE IT|15|Act 3, Scene 2|    perfum'd with civet.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Most shallow man! thou worm's meat in respect of a good
4|AS YOU LIKE IT|15|Act 3, Scene 2|    piece of flesh indeed! Learn of the wise, and perpend: civet is
4|AS YOU LIKE IT|15|Act 3, Scene 2|    of a baser birth than tar- the very uncleanly flux of a cat. Mend
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the instance, shepherd.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. You have too courtly a wit for me; I'll rest.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Wilt thou rest damn'd? God help thee, shallow man! God
4|AS YOU LIKE IT|15|Act 3, Scene 2|    make incision in thee! thou art raw.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. Sir, I am a true labourer: I earn that I eat, get that I
4|AS YOU LIKE IT|15|Act 3, Scene 2|    wear; owe no man hate, envy no man's happiness; glad of other
4|AS YOU LIKE IT|15|Act 3, Scene 2|    men's good, content with my harm; and the greatest of my pride is
4|AS YOU LIKE IT|15|Act 3, Scene 2|    to see my ewes graze and my lambs suck.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. That is another simple sin in you: to bring the ewes
4|AS YOU LIKE IT|15|Act 3, Scene 2|    and the rams together, and to offer to get your living by the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    copulation of cattle; to be bawd to a bell-wether, and to betray
4|AS YOU LIKE IT|15|Act 3, Scene 2|    a she-lamb of a twelvemonth to crooked-pated, old, cuckoldly ram,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    out of all reasonable match. If thou beest not damn'd for this,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the devil himself will have no shepherds; I cannot see else how
4|AS YOU LIKE IT|15|Act 3, Scene 2|    thou shouldst scape.  
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CORIN. Here comes young Master Ganymede, my new mistress's brother.
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|                  Enter ROSALIND, reading a paper
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND.   'From the east to western Inde,
4|AS YOU LIKE IT|15|Act 3, Scene 2|              No jewel is like Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|              Her worth, being mounted on the wind,
4|AS YOU LIKE IT|15|Act 3, Scene 2|              Through all the world bears Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|              All the pictures fairest lin'd
4|AS YOU LIKE IT|15|Act 3, Scene 2|              Are but black to Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|              Let no face be kept in mind
4|AS YOU LIKE IT|15|Act 3, Scene 2|              But the fair of Rosalinde.'
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. I'll rhyme you so eight years together, dinners, and
4|AS YOU LIKE IT|15|Act 3, Scene 2|    suppers, and sleeping hours, excepted. It is the right
4|AS YOU LIKE IT|15|Act 3, Scene 2|    butter-women's rank to market.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Out, fool!
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE.   For a taste:
4|AS YOU LIKE IT|15|Act 3, Scene 2|                If a hart do lack a hind,
4|AS YOU LIKE IT|15|Act 3, Scene 2|                Let him seek out Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                If the cat will after kind,  
4|AS YOU LIKE IT|15|Act 3, Scene 2|                So be sure will Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                Winter garments must be lin'd,
4|AS YOU LIKE IT|15|Act 3, Scene 2|                So must slender Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                They that reap must sheaf and bind,
4|AS YOU LIKE IT|15|Act 3, Scene 2|                Then to cart with Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                Sweetest nut hath sourest rind,
4|AS YOU LIKE IT|15|Act 3, Scene 2|                Such a nut is Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                He that sweetest rose will find
4|AS YOU LIKE IT|15|Act 3, Scene 2|                Must find love's prick and Rosalinde.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    This is the very false gallop of verses; why do you infect
4|AS YOU LIKE IT|15|Act 3, Scene 2|    yourself with them?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Peace, you dull fool! I found them on a tree.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Truly, the tree yields bad fruit.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. I'll graff it with you, and then I shall graff it with a
4|AS YOU LIKE IT|15|Act 3, Scene 2|    medlar. Then it will be the earliest fruit i' th' country; for
4|AS YOU LIKE IT|15|Act 3, Scene 2|    you'll be rotten ere you be half ripe, and that's the right
4|AS YOU LIKE IT|15|Act 3, Scene 2|    virtue of the medlar.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. You have said; but whether wisely or no, let the forest
4|AS YOU LIKE IT|15|Act 3, Scene 2|    judge.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  
4|AS YOU LIKE IT|15|Act 3, Scene 2|                      Enter CELIA, with a writing
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Peace!
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Here comes my sister, reading; stand aside.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA.   'Why should this a desert be?
4|AS YOU LIKE IT|15|Act 3, Scene 2|             For it is unpeopled? No;
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Tongues I'll hang on every tree
4|AS YOU LIKE IT|15|Act 3, Scene 2|             That shall civil sayings show.
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Some, how brief the life of man
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Runs his erring pilgrimage,
4|AS YOU LIKE IT|15|Act 3, Scene 2|           That the streching of a span
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Buckles in his sum of age;
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Some, of violated vows
4|AS YOU LIKE IT|15|Act 3, Scene 2|             'Twixt the souls of friend and friend;
4|AS YOU LIKE IT|15|Act 3, Scene 2|           But upon the fairest boughs,
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Or at every sentence end,
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Will I Rosalinda write,
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Teaching all that read to know
4|AS YOU LIKE IT|15|Act 3, Scene 2|           The quintessence of every sprite
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Heaven would in little show.  
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Therefore heaven Nature charg'd
4|AS YOU LIKE IT|15|Act 3, Scene 2|             That one body should be fill'd
4|AS YOU LIKE IT|15|Act 3, Scene 2|           With all graces wide-enlarg'd.
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Nature presently distill'd
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Helen's cheek, but not her heart,
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Cleopatra's majesty,
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Atalanta's better part,
4|AS YOU LIKE IT|15|Act 3, Scene 2|             Sad Lucretia's modesty.
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Thus Rosalinde of many parts
4|AS YOU LIKE IT|15|Act 3, Scene 2|             By heavenly synod was devis'd,
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Of many faces, eyes, and hearts,
4|AS YOU LIKE IT|15|Act 3, Scene 2|             To have the touches dearest priz'd.
4|AS YOU LIKE IT|15|Act 3, Scene 2|           Heaven would that she these gifts should have,
4|AS YOU LIKE IT|15|Act 3, Scene 2|           And I to live and die her slave.'
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. O most gentle pulpiter! What tedious homily of love have
4|AS YOU LIKE IT|15|Act 3, Scene 2|    you wearied your parishioners withal, and never cried 'Have
4|AS YOU LIKE IT|15|Act 3, Scene 2|    patience, good people.'
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. How now! Back, friends; shepherd, go off a little; go with
4|AS YOU LIKE IT|15|Act 3, Scene 2|    him, sirrah.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  TOUCHSTONE. Come, shepherd, let us make an honourable retreat;  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    though not with bag and baggage, yet with scrip and scrippage.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                                     Exeunt CORIN and TOUCHSTONE
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Didst thou hear these verses?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. O, yes, I heard them all, and more too; for some of them
4|AS YOU LIKE IT|15|Act 3, Scene 2|    had in them more feet than the verses would bear.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. That's no matter; the feet might bear the verses.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Ay, but the feet were lame, and could not bear themselves
4|AS YOU LIKE IT|15|Act 3, Scene 2|    without the verse, and therefore stood lamely in the verse.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. But didst thou hear without wondering how thy name should be
4|AS YOU LIKE IT|15|Act 3, Scene 2|    hang'd and carved upon these trees?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. I was seven of the nine days out of the wonder before you
4|AS YOU LIKE IT|15|Act 3, Scene 2|    came; for look here what I found on a palm-tree. I was never so
4|AS YOU LIKE IT|15|Act 3, Scene 2|    berhym'd since Pythagoras' time that I was an Irish rat, which I
4|AS YOU LIKE IT|15|Act 3, Scene 2|    can hardly remember.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Trow you who hath done this?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Is it a man?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. And a chain, that you once wore, about his neck.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Change you colour?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. I prithee, who?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. O Lord, Lord! it is a hard matter for friends to meet; but  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    mountains may be remov'd with earthquakes, and so encounter.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Nay, but who is it?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Is it possible?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Nay, I prithee now, with most petitionary vehemence, tell
4|AS YOU LIKE IT|15|Act 3, Scene 2|    me who it is.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. O wonderful, wonderful, most wonderful wonderful, and yet
4|AS YOU LIKE IT|15|Act 3, Scene 2|    again wonderful, and after that, out of all whooping!
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Good my complexion! dost thou think, though I am
4|AS YOU LIKE IT|15|Act 3, Scene 2|    caparison'd like a man, I have a doublet and hose in my
4|AS YOU LIKE IT|15|Act 3, Scene 2|    disposition? One inch of delay more is a South Sea of discovery.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    I prithee tell me who is it quickly, and speak apace. I would
4|AS YOU LIKE IT|15|Act 3, Scene 2|    thou could'st stammer, that thou mightst pour this conceal'd man
4|AS YOU LIKE IT|15|Act 3, Scene 2|    out of thy mouth, as wine comes out of narrow-mouth'd bottle-
4|AS YOU LIKE IT|15|Act 3, Scene 2|    either too much at once or none at all. I prithee take the cork
4|AS YOU LIKE IT|15|Act 3, Scene 2|    out of thy mouth that I may drink thy tidings.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. So you may put a man in your belly.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Is he of God's making? What manner of man?
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Is his head worth a hat or his chin worth a beard?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Nay, he hath but a little beard.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Why, God will send more if the man will be thankful. Let  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    me stay the growth of his beard, if thou delay me not the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    knowledge of his chin.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. It is young Orlando, that tripp'd up the wrestler's heels
4|AS YOU LIKE IT|15|Act 3, Scene 2|    and your heart both in an instant.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Nay, but the devil take mocking! Speak sad brow and true
4|AS YOU LIKE IT|15|Act 3, Scene 2|    maid.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. I' faith, coz, 'tis he.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Orlando?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Orlando.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Alas the day! what shall I do with my doublet and hose?
4|AS YOU LIKE IT|15|Act 3, Scene 2|    What did he when thou saw'st him? What said he? How look'd he?
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Wherein went he? What makes he here? Did he ask for me? Where
4|AS YOU LIKE IT|15|Act 3, Scene 2|    remains he? How parted he with thee? And when shalt thou see him
4|AS YOU LIKE IT|15|Act 3, Scene 2|    again? Answer me in one word.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. You must borrow me Gargantua's mouth first; 'tis a word too
4|AS YOU LIKE IT|15|Act 3, Scene 2|    great for any mouth of this age's size. To say ay and no to these
4|AS YOU LIKE IT|15|Act 3, Scene 2|    particulars is more than to answer in a catechism.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. But doth he know that I am in this forest, and in man's
4|AS YOU LIKE IT|15|Act 3, Scene 2|    apparel? Looks he as freshly as he did the day he wrestled?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. It is as easy to count atomies as to resolve the  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    propositions of a lover; but take a taste of my finding him, and
4|AS YOU LIKE IT|15|Act 3, Scene 2|    relish it with good observance. I found him under a tree, like a
4|AS YOU LIKE IT|15|Act 3, Scene 2|    dropp'd acorn.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. It may well be call'd Jove's tree, when it drops forth
4|AS YOU LIKE IT|15|Act 3, Scene 2|    such fruit.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Give me audience, good madam.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Proceed.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. There lay he, stretch'd along like a wounded knight.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Though it be pity to see such a sight, it well becomes
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the ground.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. Cry 'Holla' to thy tongue, I prithee; it curvets
4|AS YOU LIKE IT|15|Act 3, Scene 2|    unseasonably. He was furnish'd like a hunter.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. O, ominous! he comes to kill my heart.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. I would sing my song without a burden; thou bring'st me out
4|AS YOU LIKE IT|15|Act 3, Scene 2|    of tune.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Do you not know I am a woman? When I think, I must speak.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Sweet, say on.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  CELIA. You bring me out. Soft! comes he not here?
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|                   Enter ORLANDO and JAQUES  
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. 'Tis he; slink by, and note him.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. I thank you for your company; but, good faith, I had as
4|AS YOU LIKE IT|15|Act 3, Scene 2|    lief have been myself alone.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. And so had I; but yet, for fashion sake, I thank you too
4|AS YOU LIKE IT|15|Act 3, Scene 2|    for your society.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. God buy you; let's meet as little as we can.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I do desire we may be better strangers.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. I pray you mar no more trees with writing love songs in
4|AS YOU LIKE IT|15|Act 3, Scene 2|    their barks.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I pray you mar no more of my verses with reading them
4|AS YOU LIKE IT|15|Act 3, Scene 2|    ill-favouredly.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. Rosalind is your love's name?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Yes, just.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. I do not like her name.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. There was no thought of pleasing you when she was
4|AS YOU LIKE IT|15|Act 3, Scene 2|    christen'd.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. What stature is she of?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Just as high as my heart.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. You are full of pretty answers. Have you not been  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    acquainted with goldsmiths' wives, and conn'd them out of rings?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Not so; but I answer you right painted cloth, from whence
4|AS YOU LIKE IT|15|Act 3, Scene 2|    you have studied your questions.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. You have a nimble wit; I think 'twas made of Atalanta's
4|AS YOU LIKE IT|15|Act 3, Scene 2|    heels. Will you sit down with me? and we two will rail against
4|AS YOU LIKE IT|15|Act 3, Scene 2|    our mistress the world, and all our misery.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I will chide no breather in the world but myself, against
4|AS YOU LIKE IT|15|Act 3, Scene 2|    whom I know most faults.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. The worst fault you have is to be in love.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. 'Tis a fault I will not change for your best virtue. I am
4|AS YOU LIKE IT|15|Act 3, Scene 2|    weary of you.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. By my troth, I was seeking for a fool when I found you.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. He is drown'd in the brook; look but in, and you shall see
4|AS YOU LIKE IT|15|Act 3, Scene 2|    him.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. There I shall see mine own figure.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Which I take to be either a fool or a cipher.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  JAQUES. I'll tarry no longer with you; farewell, good Signior Love.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I am glad of your departure; adieu, good Monsieur
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Melancholy.
4|AS YOU LIKE IT|15|Act 3, Scene 2|                                                     Exit JAQUES  
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. [Aside to CELIA] I will speak to him like a saucy lackey,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    and under that habit play the knave with him.- Do you hear,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    forester?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Very well; what would you?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. I pray you, what is't o'clock?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. You should ask me what time o' day; there's no clock in
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the forest.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Then there is no true lover in the forest, else sighing
4|AS YOU LIKE IT|15|Act 3, Scene 2|    every minute and groaning every hour would detect the lazy foot
4|AS YOU LIKE IT|15|Act 3, Scene 2|    of Time as well as a clock.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. And why not the swift foot of Time? Had not that been as
4|AS YOU LIKE IT|15|Act 3, Scene 2|    proper?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. By no means, sir. Time travels in divers paces with
4|AS YOU LIKE IT|15|Act 3, Scene 2|    divers persons. I'll tell you who Time ambles withal, who Time
4|AS YOU LIKE IT|15|Act 3, Scene 2|    trots withal, who Time gallops withal, and who he stands still
4|AS YOU LIKE IT|15|Act 3, Scene 2|    withal.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I prithee, who doth he trot withal?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Marry, he trots hard with a young maid between the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    contract of her marriage and the day it is solemniz'd; if the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    interim be but a se'nnight, Time's pace is so hard that it seems  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the length of seven year.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Who ambles Time withal?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. With a priest that lacks Latin and a rich man that hath
4|AS YOU LIKE IT|15|Act 3, Scene 2|    not the gout; for the one sleeps easily because he cannot study,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    and the other lives merrily because he feels no pain; the one
4|AS YOU LIKE IT|15|Act 3, Scene 2|    lacking the burden of lean and wasteful learning, the other
4|AS YOU LIKE IT|15|Act 3, Scene 2|    knowing no burden of heavy tedious penury. These Time ambles
4|AS YOU LIKE IT|15|Act 3, Scene 2|    withal.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Who doth he gallop withal?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. With a thief to the gallows; for though he go as softly
4|AS YOU LIKE IT|15|Act 3, Scene 2|    as foot can fall, he thinks himself too soon there.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Who stays it still withal?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. With lawyers in the vacation; for they sleep between term
4|AS YOU LIKE IT|15|Act 3, Scene 2|    and term, and then they perceive not how Time moves.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Where dwell you, pretty youth?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. With this shepherdess, my sister; here in the skirts of
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the forest, like fringe upon a petticoat.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Are you native of this place?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. As the coney that you see dwell where she is kindled.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Your accent is something finer than you could purchase in  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    so removed a dwelling.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. I have been told so of many; but indeed an old religious
4|AS YOU LIKE IT|15|Act 3, Scene 2|    uncle of mine taught me to speak, who was in his youth an inland
4|AS YOU LIKE IT|15|Act 3, Scene 2|    man; one that knew courtship too well, for there he fell in love.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    I have heard him read many lectures against it; and I thank God I
4|AS YOU LIKE IT|15|Act 3, Scene 2|    am not a woman, to be touch'd with so many giddy offences as he
4|AS YOU LIKE IT|15|Act 3, Scene 2|    hath generally tax'd their whole sex withal.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Can you remember any of the principal evils that he laid
4|AS YOU LIKE IT|15|Act 3, Scene 2|    to the charge of women?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. There were none principal; they were all like one another
4|AS YOU LIKE IT|15|Act 3, Scene 2|    as halfpence are; every one fault seeming monstrous till his
4|AS YOU LIKE IT|15|Act 3, Scene 2|    fellow-fault came to match it.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I prithee recount some of them.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. No; I will not cast away my physic but on those that are
4|AS YOU LIKE IT|15|Act 3, Scene 2|    sick. There is a man haunts the forest that abuses our young
4|AS YOU LIKE IT|15|Act 3, Scene 2|    plants with carving 'Rosalind' on their barks; hangs odes upon
4|AS YOU LIKE IT|15|Act 3, Scene 2|    hawthorns and elegies on brambles; all, forsooth, deifying the
4|AS YOU LIKE IT|15|Act 3, Scene 2|    name of Rosalind. If I could meet that fancy-monger, I would give
4|AS YOU LIKE IT|15|Act 3, Scene 2|    him some good counsel, for he seems to have the quotidian of love
4|AS YOU LIKE IT|15|Act 3, Scene 2|    upon him.  
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I am he that is so love-shak'd; I pray you tell me your
4|AS YOU LIKE IT|15|Act 3, Scene 2|    remedy.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. There is none of my uncle's marks upon you; he taught me
4|AS YOU LIKE IT|15|Act 3, Scene 2|    how to know a man in love; in which cage of rushes I am sure you
4|AS YOU LIKE IT|15|Act 3, Scene 2|    are not prisoner.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. What were his marks?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. A lean cheek, which you have not; a blue eye and sunken,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    which you have not; an unquestionable spirit, which you have not;
4|AS YOU LIKE IT|15|Act 3, Scene 2|    a beard neglected, which you have not; but I pardon you for that,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    for simply your having in beard is a younger brother's revenue.
4|AS YOU LIKE IT|15|Act 3, Scene 2|    Then your hose should be ungarter'd, your bonnet unbanded, your
4|AS YOU LIKE IT|15|Act 3, Scene 2|    sleeve unbutton'd, your shoe untied, and every thing about you
4|AS YOU LIKE IT|15|Act 3, Scene 2|    demonstrating a careless desolation. But you are no such man; you
4|AS YOU LIKE IT|15|Act 3, Scene 2|    are rather point-device in your accoutrements, as loving yourself
4|AS YOU LIKE IT|15|Act 3, Scene 2|    than seeming the lover of any other.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Fair youth, I would I could make thee believe I love.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Me believe it! You may as soon make her that you love
4|AS YOU LIKE IT|15|Act 3, Scene 2|    believe it; which, I warrant, she is apter to do than to confess
4|AS YOU LIKE IT|15|Act 3, Scene 2|    she does. That is one of the points in the which women still give
4|AS YOU LIKE IT|15|Act 3, Scene 2|    the lie to their consciences. But, in good sooth, are you he that  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    hangs the verses on the trees wherein Rosalind is so admired?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I swear to thee, youth, by the white hand of Rosalind, I
4|AS YOU LIKE IT|15|Act 3, Scene 2|    am that he, that unfortunate he.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. But are you so much in love as your rhymes speak?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Neither rhyme nor reason can express how much.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Love is merely a madness; and, I tell you, deserves as
4|AS YOU LIKE IT|15|Act 3, Scene 2|    well a dark house and a whip as madmen do; and the reason why
4|AS YOU LIKE IT|15|Act 3, Scene 2|    they are not so punish'd and cured is that the lunacy is so
4|AS YOU LIKE IT|15|Act 3, Scene 2|    ordinary that the whippers are in love too. Yet I profess curing
4|AS YOU LIKE IT|15|Act 3, Scene 2|    it by counsel.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Did you ever cure any so?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Yes, one; and in this manner. He was to imagine me his
4|AS YOU LIKE IT|15|Act 3, Scene 2|    love, his mistress; and I set him every day to woo me; at which
4|AS YOU LIKE IT|15|Act 3, Scene 2|    time would I, being but a moonish youth, grieve, be effeminate,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    changeable, longing and liking, proud, fantastical, apish,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    shallow, inconstant, full of tears, full of smiles; for every
4|AS YOU LIKE IT|15|Act 3, Scene 2|    passion something and for no passion truly anything, as boys and
4|AS YOU LIKE IT|15|Act 3, Scene 2|    women are for the most part cattle of this colour; would now like
4|AS YOU LIKE IT|15|Act 3, Scene 2|    him, now loathe him; then entertain him, then forswear him; now
4|AS YOU LIKE IT|15|Act 3, Scene 2|    weep for him, then spit at him; that I drave my suitor from his  
4|AS YOU LIKE IT|15|Act 3, Scene 2|    mad humour of love to a living humour of madness; which was, to
4|AS YOU LIKE IT|15|Act 3, Scene 2|    forswear the full stream of the world and to live in a nook
4|AS YOU LIKE IT|15|Act 3, Scene 2|    merely monastic. And thus I cur'd him; and this way will I take
4|AS YOU LIKE IT|15|Act 3, Scene 2|    upon me to wash your liver as clean as a sound sheep's heart,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    that there shall not be one spot of love in 't.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. I would not be cured, youth.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. I would cure you, if you would but call me Rosalind, and
4|AS YOU LIKE IT|15|Act 3, Scene 2|    come every day to my cote and woo me.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. Now, by the faith of my love, I will. Tell me where it is.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Go with me to it, and I'll show it you; and, by the way,
4|AS YOU LIKE IT|15|Act 3, Scene 2|    you shall tell me where in the forest you live. Will you go?
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ORLANDO. With all my heart, good youth.
4|AS YOU LIKE IT|15|Act 3, Scene 2|  ROSALIND. Nay, you must call me Rosalind. Come, sister, will you
4|AS YOU LIKE IT|15|Act 3, Scene 2|    go?                                                   Exeunt
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|15|Act 3, Scene 2|
4|AS YOU LIKE IT|16|Act 3, Scene 3|SCENE III.
4|AS YOU LIKE IT|16|Act 3, Scene 3|The forest
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|Enter TOUCHSTONE and AUDREY; JAQUES behind
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. Come apace, good Audrey; I will fetch up your goats,
4|AS YOU LIKE IT|16|Act 3, Scene 3|    Audrey. And how, Audrey, am I the man yet? Doth my simple feature
4|AS YOU LIKE IT|16|Act 3, Scene 3|    content you?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. Your features! Lord warrant us! What features?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. I am here with thee and thy goats, as the most
4|AS YOU LIKE IT|16|Act 3, Scene 3|    capricious poet, honest Ovid, was among the Goths.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. [Aside] O knowledge ill-inhabited, worse than Jove in a
4|AS YOU LIKE IT|16|Act 3, Scene 3|    thatch'd house!
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. When a man's verses cannot be understood, nor a man's
4|AS YOU LIKE IT|16|Act 3, Scene 3|    good wit seconded with the forward child understanding, it
4|AS YOU LIKE IT|16|Act 3, Scene 3|    strikes a man more dead than a great reckoning in a little room.
4|AS YOU LIKE IT|16|Act 3, Scene 3|    Truly, I would the gods had made thee poetical.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. I do not know what 'poetical' is. Is it honest in deed and
4|AS YOU LIKE IT|16|Act 3, Scene 3|    word? Is it a true thing?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. No, truly; for the truest poetry is the most feigning,
4|AS YOU LIKE IT|16|Act 3, Scene 3|    and lovers are given to poetry; and what they swear in poetry may
4|AS YOU LIKE IT|16|Act 3, Scene 3|    be said as lovers they do feign.  
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. Do you wish, then, that the gods had made me poetical?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. I do, truly, for thou swear'st to me thou art honest;
4|AS YOU LIKE IT|16|Act 3, Scene 3|    now, if thou wert a poet, I might have some hope thou didst
4|AS YOU LIKE IT|16|Act 3, Scene 3|    feign.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. Would you not have me honest?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. No, truly, unless thou wert hard-favour'd; for honesty
4|AS YOU LIKE IT|16|Act 3, Scene 3|    coupled to beauty is to have honey a sauce to sugar.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. [Aside] A material fool!
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. Well, I am not fair; and therefore I pray the gods make me
4|AS YOU LIKE IT|16|Act 3, Scene 3|    honest.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. Truly, and to cast away honesty upon a foul slut were
4|AS YOU LIKE IT|16|Act 3, Scene 3|    to put good meat into an unclean dish.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. I am not a slut, though I thank the gods I am foul.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. Well, praised be the gods for thy foulness;
4|AS YOU LIKE IT|16|Act 3, Scene 3|    sluttishness may come hereafter. But be it as it may be, I will
4|AS YOU LIKE IT|16|Act 3, Scene 3|    marry thee; and to that end I have been with Sir Oliver Martext,
4|AS YOU LIKE IT|16|Act 3, Scene 3|    the vicar of the next village, who hath promis'd to meet me in
4|AS YOU LIKE IT|16|Act 3, Scene 3|    this place of the forest, and to couple us.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. [Aside] I would fain see this meeting.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  AUDREY. Well, the gods give us joy!  
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. Amen. A man may, if he were of a fearful heart, stagger
4|AS YOU LIKE IT|16|Act 3, Scene 3|    in this attempt; for here we have no temple but the wood, no
4|AS YOU LIKE IT|16|Act 3, Scene 3|    assembly but horn-beasts. But what though? Courage! As horns are
4|AS YOU LIKE IT|16|Act 3, Scene 3|    odious, they are necessary. It is said: 'Many a man knows no end
4|AS YOU LIKE IT|16|Act 3, Scene 3|    of his goods.' Right! Many a man has good horns and knows no end
4|AS YOU LIKE IT|16|Act 3, Scene 3|    of them. Well, that is the dowry of his wife; 'tis none of his
4|AS YOU LIKE IT|16|Act 3, Scene 3|    own getting. Horns? Even so. Poor men alone? No, no; the noblest
4|AS YOU LIKE IT|16|Act 3, Scene 3|    deer hath them as huge as the rascal. Is the single man therefore
4|AS YOU LIKE IT|16|Act 3, Scene 3|    blessed? No; as a wall'd town is more worthier than a village, so
4|AS YOU LIKE IT|16|Act 3, Scene 3|    is the forehead of a married man more honourable than the bare
4|AS YOU LIKE IT|16|Act 3, Scene 3|    brow of a bachelor; and by how much defence is better than no
4|AS YOU LIKE IT|16|Act 3, Scene 3|    skill, by so much is horn more precious than to want. Here comes
4|AS YOU LIKE IT|16|Act 3, Scene 3|    Sir Oliver.
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|                       Enter SIR OLIVER MARTEXT
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|    Sir Oliver Martext, you are well met. Will you dispatch us here
4|AS YOU LIKE IT|16|Act 3, Scene 3|    under this tree, or shall we go with you to your chapel?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  MARTEXT. Is there none here to give the woman?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. I will not take her on gift of any man.  
4|AS YOU LIKE IT|16|Act 3, Scene 3|  MARTEXT. Truly, she must be given, or the marriage is not lawful.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. [Discovering himself] Proceed, proceed; I'll give her.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. Good even, good Master What-ye-call't; how do you, sir?
4|AS YOU LIKE IT|16|Act 3, Scene 3|    You are very well met. Goddild you for your last company. I am
4|AS YOU LIKE IT|16|Act 3, Scene 3|    very glad to see you. Even a toy in hand here, sir. Nay; pray be
4|AS YOU LIKE IT|16|Act 3, Scene 3|    cover'd.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. Will you be married, motley?
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. As the ox hath his bow, sir, the horse his curb, and
4|AS YOU LIKE IT|16|Act 3, Scene 3|    the falcon her bells, so man hath his desires; and as pigeons
4|AS YOU LIKE IT|16|Act 3, Scene 3|    bill, so wedlock would be nibbling.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. And will you, being a man of your breeding, be married
4|AS YOU LIKE IT|16|Act 3, Scene 3|    under a bush, like a beggar? Get you to church and have a good
4|AS YOU LIKE IT|16|Act 3, Scene 3|    priest that can tell you what marriage is; this fellow will but
4|AS YOU LIKE IT|16|Act 3, Scene 3|    join you together as they join wainscot; then one of you will
4|AS YOU LIKE IT|16|Act 3, Scene 3|    prove a shrunk panel, and like green timber warp, warp.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. [Aside] I am not in the mind but I were better to be
4|AS YOU LIKE IT|16|Act 3, Scene 3|    married of him than of another; for he is not like to marry me
4|AS YOU LIKE IT|16|Act 3, Scene 3|    well; and not being well married, it will be a good excuse for me
4|AS YOU LIKE IT|16|Act 3, Scene 3|    hereafter to leave my wife.
4|AS YOU LIKE IT|16|Act 3, Scene 3|  JAQUES. Go thou with me, and let me counsel thee.  
4|AS YOU LIKE IT|16|Act 3, Scene 3|  TOUCHSTONE. Come, sweet Audrey;
4|AS YOU LIKE IT|16|Act 3, Scene 3|    We must be married or we must live in bawdry.
4|AS YOU LIKE IT|16|Act 3, Scene 3|    Farewell, good Master Oliver. Not-
4|AS YOU LIKE IT|16|Act 3, Scene 3|               O sweet Oliver,
4|AS YOU LIKE IT|16|Act 3, Scene 3|               O brave Oliver,
4|AS YOU LIKE IT|16|Act 3, Scene 3|           Leave me not behind thee.
4|AS YOU LIKE IT|16|Act 3, Scene 3|    But-
4|AS YOU LIKE IT|16|Act 3, Scene 3|                 Wind away,
4|AS YOU LIKE IT|16|Act 3, Scene 3|               Begone, I say,
4|AS YOU LIKE IT|16|Act 3, Scene 3|           I will not to wedding with thee.
4|AS YOU LIKE IT|16|Act 3, Scene 3|                           Exeunt JAQUES, TOUCHSTONE, and AUDREY
4|AS YOU LIKE IT|16|Act 3, Scene 3|  MARTEXT. 'Tis no matter; ne'er a fantastical knave of them all
4|AS YOU LIKE IT|16|Act 3, Scene 3|    shall flout me out of my calling.                       Exit
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|16|Act 3, Scene 3|
4|AS YOU LIKE IT|17|Act 3, Scene 4|SCENE IV.
4|AS YOU LIKE IT|17|Act 3, Scene 4|The forest
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|Enter ROSALIND and CELIA
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. Never talk to me; I will weep.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. Do, I prithee; but yet have the grace to consider that tears
4|AS YOU LIKE IT|17|Act 3, Scene 4|    do not become a man.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. But have I not cause to weep?
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. As good cause as one would desire; therefore weep.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. His very hair is of the dissembling colour.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. Something browner than Judas's.
4|AS YOU LIKE IT|17|Act 3, Scene 4|    Marry, his kisses are Judas's own children.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. I' faith, his hair is of a good colour.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. An excellent colour: your chestnut was ever the only colour.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. And his kissing is as full of sanctity as the touch of
4|AS YOU LIKE IT|17|Act 3, Scene 4|    holy bread.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. He hath bought a pair of cast lips of Diana. A nun of
4|AS YOU LIKE IT|17|Act 3, Scene 4|    winter's sisterhood kisses not more religiously; the very ice of
4|AS YOU LIKE IT|17|Act 3, Scene 4|    chastity is in them.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. But why did he swear he would come this morning, and
4|AS YOU LIKE IT|17|Act 3, Scene 4|    comes not?
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. Nay, certainly, there is no truth in him.  
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. Do you think so?
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. Yes; I think he is not a pick-purse nor a horse-stealer; but
4|AS YOU LIKE IT|17|Act 3, Scene 4|    for his verity in love, I do think him as concave as covered
4|AS YOU LIKE IT|17|Act 3, Scene 4|    goblet or a worm-eaten nut.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. Not true in love?
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. Yes, when he is in; but I think he is not in.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. You have heard him swear downright he was.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. 'Was' is not 'is'; besides, the oath of a lover is no
4|AS YOU LIKE IT|17|Act 3, Scene 4|    stronger than the word of a tapster; they are both the confirmer
4|AS YOU LIKE IT|17|Act 3, Scene 4|    of false reckonings. He attends here in the forest on the Duke,
4|AS YOU LIKE IT|17|Act 3, Scene 4|    your father.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. I met the Duke yesterday, and had much question with him.
4|AS YOU LIKE IT|17|Act 3, Scene 4|    He asked me of what parentage I was; I told him, of as good as
4|AS YOU LIKE IT|17|Act 3, Scene 4|    he; so he laugh'd and let me go. But what talk we of fathers when
4|AS YOU LIKE IT|17|Act 3, Scene 4|    there is such a man as Orlando?
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. O, that's a brave man! He writes brave verses, speaks brave
4|AS YOU LIKE IT|17|Act 3, Scene 4|    words, swears brave oaths, and breaks them bravely, quite
4|AS YOU LIKE IT|17|Act 3, Scene 4|    traverse, athwart the heart of his lover; as a puny tilter, that
4|AS YOU LIKE IT|17|Act 3, Scene 4|    spurs his horse but on one side, breaks his staff like a noble
4|AS YOU LIKE IT|17|Act 3, Scene 4|    goose. But all's brave that youth mounts and folly guides. Who  
4|AS YOU LIKE IT|17|Act 3, Scene 4|    comes here?
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|                         Enter CORIN
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CORIN. Mistress and master, you have oft enquired
4|AS YOU LIKE IT|17|Act 3, Scene 4|    After the shepherd that complain'd of love,
4|AS YOU LIKE IT|17|Act 3, Scene 4|    Who you saw sitting by me on the turf,
4|AS YOU LIKE IT|17|Act 3, Scene 4|    Praising the proud disdainful shepherdess
4|AS YOU LIKE IT|17|Act 3, Scene 4|    That was his mistress.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CELIA. Well, and what of him?
4|AS YOU LIKE IT|17|Act 3, Scene 4|  CORIN. If you will see a pageant truly play'd
4|AS YOU LIKE IT|17|Act 3, Scene 4|    Between the pale complexion of true love
4|AS YOU LIKE IT|17|Act 3, Scene 4|    And the red glow of scorn and proud disdain,
4|AS YOU LIKE IT|17|Act 3, Scene 4|    Go hence a little, and I shall conduct you,
4|AS YOU LIKE IT|17|Act 3, Scene 4|    If you will mark it.
4|AS YOU LIKE IT|17|Act 3, Scene 4|  ROSALIND. O, come, let us remove!
4|AS YOU LIKE IT|17|Act 3, Scene 4|    The sight of lovers feedeth those in love.
4|AS YOU LIKE IT|17|Act 3, Scene 4|    Bring us to this sight, and you shall say
4|AS YOU LIKE IT|17|Act 3, Scene 4|    I'll prove a busy actor in their play.                Exeunt
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|17|Act 3, Scene 4|
4|AS YOU LIKE IT|18|Act 3, Scene 5|SCENE V.
4|AS YOU LIKE IT|18|Act 3, Scene 5|Another part of the forest
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|Enter SILVIUS and PHEBE
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. Sweet Phebe, do not scorn me; do not, Phebe.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Say that you love me not; but say not so
4|AS YOU LIKE IT|18|Act 3, Scene 5|    In bitterness. The common executioner,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Whose heart th' accustom'd sight of death makes hard,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Falls not the axe upon the humbled neck
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But first begs pardon. Will you sterner be
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Than he that dies and lives by bloody drops?
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|          Enter ROSALIND, CELIA, and CORIN, at a distance
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. I would not be thy executioner;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I fly thee, for I would not injure thee.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Thou tell'st me there is murder in mine eye.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    'Tis pretty, sure, and very probable,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That eyes, that are the frail'st and softest things,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Who shut their coward gates on atomies,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Should be call'd tyrants, butchers, murderers!  
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Now I do frown on thee with all my heart;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And if mine eyes can wound, now let them kill thee.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Now counterfeit to swoon; why, now fall down;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Or, if thou canst not, O, for shame, for shame,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Lie not, to say mine eyes are murderers.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Now show the wound mine eye hath made in thee.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Scratch thee but with a pin, and there remains
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Some scar of it; lean upon a rush,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    The cicatrice and capable impressure
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Thy palm some moment keeps; but now mine eyes,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Which I have darted at thee, hurt thee not;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Nor, I am sure, there is not force in eyes
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That can do hurt.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. O dear Phebe,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    If ever- as that ever may be near-
4|AS YOU LIKE IT|18|Act 3, Scene 5|    You meet in some fresh cheek the power of fancy,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Then shall you know the wounds invisible
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That love's keen arrows make.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. But till that time
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Come not thou near me; and when that time comes,  
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Afflict me with thy mocks, pity me not;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    As till that time I shall not pity thee.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  ROSALIND. [Advancing] And why, I pray you? Who might be your
4|AS YOU LIKE IT|18|Act 3, Scene 5|      mother,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That you insult, exult, and all at once,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Over the wretched? What though you have no beauty-
4|AS YOU LIKE IT|18|Act 3, Scene 5|    As, by my faith, I see no more in you
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Than without candle may go dark to bed-
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Must you be therefore proud and pitiless?
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Why, what means this? Why do you look on me?
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I see no more in you than in the ordinary
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Of nature's sale-work. 'Od's my little life,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I think she means to tangle my eyes too!
4|AS YOU LIKE IT|18|Act 3, Scene 5|    No faith, proud mistress, hope not after it;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    'Tis not your inky brows, your black silk hair,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Your bugle eyeballs, nor your cheek of cream,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That can entame my spirits to your worship.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    You foolish shepherd, wherefore do you follow her,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Like foggy south, puffing with wind and rain?
4|AS YOU LIKE IT|18|Act 3, Scene 5|    You are a thousand times a properer man  
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Than she a woman. 'Tis such fools as you
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That makes the world full of ill-favour'd children.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    'Tis not her glass, but you, that flatters her;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And out of you she sees herself more proper
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Than any of her lineaments can show her.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But, mistress, know yourself. Down on your knees,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And thank heaven, fasting, for a good man's love;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    For I must tell you friendly in your ear:
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Sell when you can; you are not for all markets.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Cry the man mercy, love him, take his offer;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Foul is most foul, being foul to be a scoffer.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    So take her to thee, shepherd. Fare you well.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Sweet youth, I pray you chide a year together;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I had rather hear you chide than this man woo.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  ROSALIND. He's fall'n in love with your foulness, and she'll fall
4|AS YOU LIKE IT|18|Act 3, Scene 5|    in love with my anger. If it be so, as fast as she answers thee
4|AS YOU LIKE IT|18|Act 3, Scene 5|    with frowning looks, I'll sauce her with bitter words. Why look
4|AS YOU LIKE IT|18|Act 3, Scene 5|    you so upon me?
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. For no ill will I bear you.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  ROSALIND. I pray you do not fall in love with me,  
4|AS YOU LIKE IT|18|Act 3, Scene 5|    For I am falser than vows made in wine;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Besides, I like you not. If you will know my house,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    'Tis at the tuft of olives here hard by.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Will you go, sister? Shepherd, ply her hard.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Come, sister. Shepherdess, look on him better,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And be not proud; though all the world could see,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    None could be so abus'd in sight as he.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Come, to our flock.        Exeunt ROSALIND, CELIA, and CORIN
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Dead shepherd, now I find thy saw of might:
4|AS YOU LIKE IT|18|Act 3, Scene 5|    'Who ever lov'd that lov'd not at first sight?'
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. Sweet Phebe.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Ha! what say'st thou, Silvius?
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. Sweet Phebe, pity me.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Why, I arn sorry for thee, gentle Silvius.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. Wherever sorrow is, relief would be.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    If you do sorrow at my grief in love,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    By giving love, your sorrow and my grief
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Were both extermin'd.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Thou hast my love; is not that neighbourly?
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. I would have you.  
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Why, that were covetousness.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Silvius, the time was that I hated thee;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And yet it is not that I bear thee love;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But since that thou canst talk of love so well,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Thy company, which erst was irksome to me,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I will endure; and I'll employ thee too.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But do not look for further recompense
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Than thine own gladness that thou art employ'd.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. So holy and so perfect is my love,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And I in such a poverty of grace,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That I shall think it a most plenteous crop
4|AS YOU LIKE IT|18|Act 3, Scene 5|    To glean the broken ears after the man
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That the main harvest reaps; loose now and then
4|AS YOU LIKE IT|18|Act 3, Scene 5|    A scatt'red smile, and that I'll live upon.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Know'st thou the youth that spoke to me erewhile?
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. Not very well; but I have met him oft;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And he hath bought the cottage and the bounds
4|AS YOU LIKE IT|18|Act 3, Scene 5|    That the old carlot once was master of.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. Think not I love him, though I ask for him;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    'Tis but a peevish boy; yet he talks well.  
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But what care I for words? Yet words do well
4|AS YOU LIKE IT|18|Act 3, Scene 5|    When he that speaks them pleases those that hear.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    It is a pretty youth- not very pretty;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But, sure, he's proud; and yet his pride becomes him.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    He'll make a proper man. The best thing in him
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Is his complexion; and faster than his tongue
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Did make offence, his eye did heal it up.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    He is not very tall; yet for his years he's tall;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    His leg is but so-so; and yet 'tis well.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    There was a pretty redness in his lip,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    A little riper and more lusty red
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Than that mix'd in his cheek; 'twas just the difference
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Betwixt the constant red and mingled damask.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    There be some women, Silvius, had they mark'd him
4|AS YOU LIKE IT|18|Act 3, Scene 5|    In parcels as I did, would have gone near
4|AS YOU LIKE IT|18|Act 3, Scene 5|    To fall in love with him; but, for my part,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I love him not, nor hate him not; and yet
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I have more cause to hate him than to love him;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    For what had he to do to chide at me?
4|AS YOU LIKE IT|18|Act 3, Scene 5|    He said mine eyes were black, and my hair black,  
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And, now I am rememb'red, scorn'd at me.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I marvel why I answer'd not again;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    But that's all one: omittance is no quittance.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I'll write to him a very taunting letter,
4|AS YOU LIKE IT|18|Act 3, Scene 5|    And thou shalt bear it; wilt thou, Silvius?
4|AS YOU LIKE IT|18|Act 3, Scene 5|  SILVIUS. Phebe, with all my heart.
4|AS YOU LIKE IT|18|Act 3, Scene 5|  PHEBE. I'll write it straight;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    The matter's in my head and in my heart;
4|AS YOU LIKE IT|18|Act 3, Scene 5|    I will be bitter with him and passing short.
4|AS YOU LIKE IT|18|Act 3, Scene 5|    Go with me, Silvius.                                  Exeunt
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|18|Act 3, Scene 5|
4|AS YOU LIKE IT|19|Act 4, Scene 1|ACT IV. SCENE I.
4|AS YOU LIKE IT|19|Act 4, Scene 1|The forest
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|Enter ROSALIND, CELIA, and JAQUES
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|  JAQUES. I prithee, pretty youth, let me be better acquainted with
4|AS YOU LIKE IT|19|Act 4, Scene 1|    thee.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. They say you are a melancholy fellow.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  JAQUES. I am so; I do love it better than laughing.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Those that are in extremity of either are abominable
4|AS YOU LIKE IT|19|Act 4, Scene 1|    fellows, and betray themselves to every modern censure worse than
4|AS YOU LIKE IT|19|Act 4, Scene 1|    drunkards.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  JAQUES. Why, 'tis good to be sad and say nothing.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Why then, 'tis good to be a post.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  JAQUES. I have neither the scholar's melancholy, which is
4|AS YOU LIKE IT|19|Act 4, Scene 1|    emulation; nor the musician's, which is fantastical; nor the
4|AS YOU LIKE IT|19|Act 4, Scene 1|    courtier's, which is proud; nor the soldier's, which is
4|AS YOU LIKE IT|19|Act 4, Scene 1|    ambitious; nor the lawyer's, which is politic; nor the lady's,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    which is nice; nor the lover's, which is all these; but it is a
4|AS YOU LIKE IT|19|Act 4, Scene 1|    melancholy of mine own, compounded of many simples, extracted
4|AS YOU LIKE IT|19|Act 4, Scene 1|    from many objects, and, indeed, the sundry contemplation of my
4|AS YOU LIKE IT|19|Act 4, Scene 1|    travels; in which my often rumination wraps me in a most humorous  
4|AS YOU LIKE IT|19|Act 4, Scene 1|    sadness.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. A traveller! By my faith, you have great reason to be
4|AS YOU LIKE IT|19|Act 4, Scene 1|    sad. I fear you have sold your own lands to see other men's; then
4|AS YOU LIKE IT|19|Act 4, Scene 1|    to have seen much and to have nothing is to have rich eyes and
4|AS YOU LIKE IT|19|Act 4, Scene 1|    poor hands.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  JAQUES. Yes, I have gain'd my experience.
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|                        Enter ORLANDO
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. And your experience makes you sad. I had rather have a
4|AS YOU LIKE IT|19|Act 4, Scene 1|    fool to make me merry than experience to make me sad- and to
4|AS YOU LIKE IT|19|Act 4, Scene 1|    travel for it too.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Good day, and happiness, dear Rosalind!
4|AS YOU LIKE IT|19|Act 4, Scene 1|  JAQUES. Nay, then, God buy you, an you talk in blank verse.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Farewell, Monsieur Traveller; look you lisp and wear
4|AS YOU LIKE IT|19|Act 4, Scene 1|    strange suits, disable all the benefits of your own country, be
4|AS YOU LIKE IT|19|Act 4, Scene 1|    out of love with your nativity, and almost chide God for making
4|AS YOU LIKE IT|19|Act 4, Scene 1|    you that countenance you are; or I will scarce think you have
4|AS YOU LIKE IT|19|Act 4, Scene 1|    swam in a gondola. [Exit JAQUES] Why, how now, Orlando! where
4|AS YOU LIKE IT|19|Act 4, Scene 1|    have you been all this while? You a lover! An you serve me such  
4|AS YOU LIKE IT|19|Act 4, Scene 1|    another trick, never come in my sight more.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. My fair Rosalind, I come within an hour of my promise.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Break an hour's promise in love! He that will divide a
4|AS YOU LIKE IT|19|Act 4, Scene 1|    minute into a thousand parts, and break but a part of the
4|AS YOU LIKE IT|19|Act 4, Scene 1|    thousand part of a minute in the affairs of love, it may be said
4|AS YOU LIKE IT|19|Act 4, Scene 1|    of him that Cupid hath clapp'd him o' th' shoulder, but I'll
4|AS YOU LIKE IT|19|Act 4, Scene 1|    warrant him heart-whole.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Pardon me, dear Rosalind.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Nay, an you be so tardy, come no more in my sight. I had
4|AS YOU LIKE IT|19|Act 4, Scene 1|    as lief be woo'd of a snail.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Of a snail!
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Ay, of a snail; for though he comes slowly, he carries
4|AS YOU LIKE IT|19|Act 4, Scene 1|    his house on his head- a better jointure, I think, than you make
4|AS YOU LIKE IT|19|Act 4, Scene 1|    a woman; besides, he brings his destiny with him.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. What's that?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Why, horns; which such as you are fain to be beholding to
4|AS YOU LIKE IT|19|Act 4, Scene 1|    your wives for; but he comes armed in his fortune, and prevents
4|AS YOU LIKE IT|19|Act 4, Scene 1|    the slander of his wife.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Virtue is no horn-maker; and my Rosalind is virtuous.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. And I am your Rosalind.  
4|AS YOU LIKE IT|19|Act 4, Scene 1|  CELIA. It pleases him to call you so; but he hath a Rosalind of a
4|AS YOU LIKE IT|19|Act 4, Scene 1|    better leer than you.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Come, woo me, woo me; for now I am in a holiday humour,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    and like enough to consent. What would you say to me now, an I
4|AS YOU LIKE IT|19|Act 4, Scene 1|    were your very very Rosalind?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I would kiss before I spoke.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Nay, you were better speak first; and when you were
4|AS YOU LIKE IT|19|Act 4, Scene 1|    gravell'd for lack of matter, you might take occasion to kiss.
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Very good orators, when they are out, they will spit; and for
4|AS YOU LIKE IT|19|Act 4, Scene 1|    lovers lacking- God warn us!- matter, the cleanliest shift is to
4|AS YOU LIKE IT|19|Act 4, Scene 1|    kiss.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. How if the kiss be denied?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Then she puts you to entreaty, and there begins new
4|AS YOU LIKE IT|19|Act 4, Scene 1|    matter.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Who could be out, being before his beloved mistress?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Marry, that should you, if I were your mistress; or I
4|AS YOU LIKE IT|19|Act 4, Scene 1|    should think my honesty ranker than my wit.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. What, of my suit?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Not out of your apparel, and yet out of your suit.
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Am not I your Rosalind?  
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I take some joy to say you are, because I would be talking
4|AS YOU LIKE IT|19|Act 4, Scene 1|    of her.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Well, in her person, I say I will not have you.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Then, in mine own person, I die.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. No, faith, die by attorney. The poor world is almost six
4|AS YOU LIKE IT|19|Act 4, Scene 1|    thousand years old, and in all this time there was not any man
4|AS YOU LIKE IT|19|Act 4, Scene 1|    died in his own person, videlicet, in a love-cause. Troilus had
4|AS YOU LIKE IT|19|Act 4, Scene 1|    his brains dash'd out with a Grecian club; yet he did what he
4|AS YOU LIKE IT|19|Act 4, Scene 1|    could to die before, and he is one of the patterns of love.
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Leander, he would have liv'd many a fair year, though Hero had
4|AS YOU LIKE IT|19|Act 4, Scene 1|    turn'd nun, if it had not been for a hot midsummer night; for,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    good youth, he went but forth to wash him in the Hellespont, and,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    being taken with the cramp, was drown'd; and the foolish
4|AS YOU LIKE IT|19|Act 4, Scene 1|    chroniclers of that age found it was- Hero of Sestos. But these
4|AS YOU LIKE IT|19|Act 4, Scene 1|    are all lies: men have died from time to time, and worms have
4|AS YOU LIKE IT|19|Act 4, Scene 1|    eaten them, but not for love.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I would not have my right Rosalind of this mind; for, I
4|AS YOU LIKE IT|19|Act 4, Scene 1|    protest, her frown might kill me.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. By this hand, it will not kill a fly. But come, now I
4|AS YOU LIKE IT|19|Act 4, Scene 1|    will be your Rosalind in a more coming-on disposition; and ask me  
4|AS YOU LIKE IT|19|Act 4, Scene 1|    what you will, I will grant it.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Then love me, Rosalind.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Yes, faith, will I, Fridays and Saturdays, and all.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. And wilt thou have me?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Ay, and twenty such.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. What sayest thou?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Are you not good?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I hope so.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Why then, can one desire too much of a good thing? Come,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    sister, you shall be the priest, and marry us. Give me your hand,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Orlando. What do you say, sister?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Pray thee, marry us.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  CELIA. I cannot say the words.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. You must begin 'Will you, Orlando'-
4|AS YOU LIKE IT|19|Act 4, Scene 1|  CELIA. Go to. Will you, Orlando, have to wife this Rosalind?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I will.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Ay, but when?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Why, now; as fast as she can marry us.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Then you must say 'I take thee, Rosalind, for wife.'
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I take thee, Rosalind, for wife.  
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. I might ask you for your commission; but- I do take thee,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Orlando, for my husband. There's a girl goes before the priest;
4|AS YOU LIKE IT|19|Act 4, Scene 1|    and, certainly, a woman's thought runs before her actions.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. So do all thoughts; they are wing'd.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Now tell me how long you would have her, after you have
4|AS YOU LIKE IT|19|Act 4, Scene 1|    possess'd her.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. For ever and a day.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Say 'a day' without the 'ever.' No, no, Orlando; men are
4|AS YOU LIKE IT|19|Act 4, Scene 1|    April when they woo, December when they wed: maids are May when
4|AS YOU LIKE IT|19|Act 4, Scene 1|    they are maids, but the sky changes when they are wives. I will
4|AS YOU LIKE IT|19|Act 4, Scene 1|    be more jealous of thee than a Barbary cock-pigeon over his hen,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    more clamorous than a parrot against rain, more new-fangled than
4|AS YOU LIKE IT|19|Act 4, Scene 1|    an ape, more giddy in my desires than a monkey. I will weep for
4|AS YOU LIKE IT|19|Act 4, Scene 1|    nothing, like Diana in the fountain, and I will do that when you
4|AS YOU LIKE IT|19|Act 4, Scene 1|    are dispos'd to be merry; I will laugh like a hyen, and that when
4|AS YOU LIKE IT|19|Act 4, Scene 1|    thou are inclin'd to sleep.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. But will my Rosalind do so?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. By my life, she will do as I do.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. O, but she is wise.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Or else she could not have the wit to do this. The wiser,  
4|AS YOU LIKE IT|19|Act 4, Scene 1|    the waywarder. Make the doors upon a woman's wit, and it will out
4|AS YOU LIKE IT|19|Act 4, Scene 1|    at the casement; shut that, and 'twill out at the key-hole; stop
4|AS YOU LIKE IT|19|Act 4, Scene 1|    that, 'twill fly with the smoke out at the chimney.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. A man that had a wife with such a wit, he might say 'Wit,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    whither wilt?' ROSALIND. Nay, you might keep that check for it, till you met your
4|AS YOU LIKE IT|19|Act 4, Scene 1|    wife's wit going to your neighbour's bed.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. And what wit could wit have to excuse that?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Marry, to say she came to seek you there. You shall never
4|AS YOU LIKE IT|19|Act 4, Scene 1|    take her without her answer, unless you take her without her
4|AS YOU LIKE IT|19|Act 4, Scene 1|    tongue. O, that woman that cannot make her fault her husband's
4|AS YOU LIKE IT|19|Act 4, Scene 1|    occasion, let her never nurse her child herself, for she will
4|AS YOU LIKE IT|19|Act 4, Scene 1|    breed it like a fool!
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. For these two hours, Rosalind, I will leave thee.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Alas, dear love, I cannot lack thee two hours!
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. I must attend the Duke at dinner; by two o'clock I will be
4|AS YOU LIKE IT|19|Act 4, Scene 1|    with thee again.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Ay, go your ways, go your ways. I knew what you would
4|AS YOU LIKE IT|19|Act 4, Scene 1|    prove; my friends told me as much, and I thought no less. That
4|AS YOU LIKE IT|19|Act 4, Scene 1|    flattering tongue of yours won me. 'Tis but one cast away, and  
4|AS YOU LIKE IT|19|Act 4, Scene 1|    so, come death! Two o'clock is your hour?
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. Ay, sweet Rosalind.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. By my troth, and in good earnest, and so God mend me, and
4|AS YOU LIKE IT|19|Act 4, Scene 1|    by all pretty oaths that are not dangerous, if you break one jot
4|AS YOU LIKE IT|19|Act 4, Scene 1|    of your promise, or come one minute behind your hour, I will
4|AS YOU LIKE IT|19|Act 4, Scene 1|    think you the most pathetical break-promise, and the most hollow
4|AS YOU LIKE IT|19|Act 4, Scene 1|    lover, and the most unworthy of her you call Rosalind, that may
4|AS YOU LIKE IT|19|Act 4, Scene 1|    be chosen out of the gross band of the unfaithful. Therefore
4|AS YOU LIKE IT|19|Act 4, Scene 1|    beware my censure, and keep your promise.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ORLANDO. With no less religion than if thou wert indeed my
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Rosalind; so, adieu.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. Well, Time is the old justice that examines all such
4|AS YOU LIKE IT|19|Act 4, Scene 1|    offenders, and let Time try. Adieu.             Exit ORLANDO
4|AS YOU LIKE IT|19|Act 4, Scene 1|  CELIA. You have simply misus'd our sex in your love-prate. We must
4|AS YOU LIKE IT|19|Act 4, Scene 1|    have your doublet and hose pluck'd over your head, and show the
4|AS YOU LIKE IT|19|Act 4, Scene 1|    world what the bird hath done to her own nest.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. O coz, coz, coz, my pretty little coz, that thou didst
4|AS YOU LIKE IT|19|Act 4, Scene 1|    know how many fathom deep I am in love! But it cannot be sounded;
4|AS YOU LIKE IT|19|Act 4, Scene 1|    my affection hath an unknown bottom, like the Bay of Portugal.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  CELIA. Or rather, bottomless; that as fast as you pour affection  
4|AS YOU LIKE IT|19|Act 4, Scene 1|    in, it runs out.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  ROSALIND. No; that same wicked bastard of Venus, that was begot of
4|AS YOU LIKE IT|19|Act 4, Scene 1|    thought, conceiv'd of spleen, and born of madness; that blind
4|AS YOU LIKE IT|19|Act 4, Scene 1|    rascally boy, that abuses every one's eyes, because his own are
4|AS YOU LIKE IT|19|Act 4, Scene 1|    out- let him be judge how deep I am in love. I'll tell thee,
4|AS YOU LIKE IT|19|Act 4, Scene 1|    Aliena, I cannot be out of the sight of Orlando. I'll go find a
4|AS YOU LIKE IT|19|Act 4, Scene 1|    shadow, and sigh till he come.
4|AS YOU LIKE IT|19|Act 4, Scene 1|  CELIA. And I'll sleep.                                  Exeunt
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|19|Act 4, Scene 1|
4|AS YOU LIKE IT|20|Act 4, Scene 2|SCENE II.
4|AS YOU LIKE IT|20|Act 4, Scene 2|The forest
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|        Enter JAQUES and LORDS, in the habit of foresters
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|  JAQUES. Which is he that killed the deer?
4|AS YOU LIKE IT|20|Act 4, Scene 2|  LORD. Sir, it was I.
4|AS YOU LIKE IT|20|Act 4, Scene 2|  JAQUES. Let's present him to the Duke, like a Roman conqueror; and
4|AS YOU LIKE IT|20|Act 4, Scene 2|    it would do well to set the deer's horns upon his head for a
4|AS YOU LIKE IT|20|Act 4, Scene 2|    branch of victory. Have you no song, forester, for this purpose?
4|AS YOU LIKE IT|20|Act 4, Scene 2|  LORD. Yes, sir.
4|AS YOU LIKE IT|20|Act 4, Scene 2|  JAQUES. Sing it; 'tis no matter how it be in tune, so it make noise
4|AS YOU LIKE IT|20|Act 4, Scene 2|    enough.
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|                    SONG.
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|      What shall he have that kill'd the deer?
4|AS YOU LIKE IT|20|Act 4, Scene 2|      His leather skin and horns to wear.
4|AS YOU LIKE IT|20|Act 4, Scene 2|                              [The rest shall hear this burden:]
4|AS YOU LIKE IT|20|Act 4, Scene 2|           Then sing him home.
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|      Take thou no scorn to wear the horn;  
4|AS YOU LIKE IT|20|Act 4, Scene 2|      It was a crest ere thou wast born.
4|AS YOU LIKE IT|20|Act 4, Scene 2|           Thy father's father wore it;
4|AS YOU LIKE IT|20|Act 4, Scene 2|           And thy father bore it.
4|AS YOU LIKE IT|20|Act 4, Scene 2|      The horn, the horn, the lusty horn,
4|AS YOU LIKE IT|20|Act 4, Scene 2|      Is not a thing to laugh to scorn.                   Exeunt
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|20|Act 4, Scene 2|
4|AS YOU LIKE IT|21|Act 4, Scene 3|SCENE III.
4|AS YOU LIKE IT|21|Act 4, Scene 3|The forest
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|Enter ROSALIND and CELIA
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. How say you now? Is it not past two o'clock?
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And here much Orlando!
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. I warrant you, with pure love and troubled brain, he hath
4|AS YOU LIKE IT|21|Act 4, Scene 3|    ta'en his bow and arrows, and is gone forth- to sleep. Look, who
4|AS YOU LIKE IT|21|Act 4, Scene 3|    comes here.
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|                      Enter SILVIUS
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|  SILVIUS. My errand is to you, fair youth;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    My gentle Phebe did bid me give you this.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    I know not the contents; but, as I guess
4|AS YOU LIKE IT|21|Act 4, Scene 3|    By the stern brow and waspish action
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Which she did use as she was writing of it,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    It bears an angry tenour. Pardon me,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    I am but as a guiltless messenger.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. Patience herself would startle at this letter,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And play the swaggerer. Bear this, bear all.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    She says I am not fair, that I lack manners;  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    She calls me proud, and that she could not love me,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Were man as rare as Phoenix. 'Od's my will!
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Her love is not the hare that I do hunt;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Why writes she so to me? Well, shepherd, well,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    This is a letter of your own device.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  SILVIUS. No, I protest, I know not the contents;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Phebe did write it.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. Come, come, you are a fool,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And turn'd into the extremity of love.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    I saw her hand; she has a leathern hand,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    A freestone-colour'd hand; I verily did think
4|AS YOU LIKE IT|21|Act 4, Scene 3|    That her old gloves were on, but 'twas her hands;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    She has a huswife's hand- but that's no matter.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    I say she never did invent this letter:
4|AS YOU LIKE IT|21|Act 4, Scene 3|    This is a man's invention, and his hand.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  SILVIUS. Sure, it is hers.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. Why, 'tis a boisterous and a cruel style;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    A style for challengers. Why, she defies me,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Like Turk to Christian. Women's gentle brain
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Could not drop forth such giant-rude invention,  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Such Ethiope words, blacker in their effect
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Than in their countenance. Will you hear the letter?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  SILVIUS. So please you, for I never heard it yet;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Yet heard too much of Phebe's cruelty.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. She Phebes me: mark how the tyrant writes.
4|AS YOU LIKE IT|21|Act 4, Scene 3|                                                         [Reads]
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|            'Art thou god to shepherd turn'd,
4|AS YOU LIKE IT|21|Act 4, Scene 3|            That a maiden's heart hath burn'd?'
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Can a woman rail thus?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  SILVIUS. Call you this railing?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. 'Why, thy godhead laid apart,
4|AS YOU LIKE IT|21|Act 4, Scene 3|             Warr'st thou with a woman's heart?'
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Did you ever hear such railing?
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|            'Whiles the eye of man did woo me,
4|AS YOU LIKE IT|21|Act 4, Scene 3|            That could do no vengeance to me.'
4|AS YOU LIKE IT|21|Act 4, Scene 3|  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Meaning me a beast.
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|            'If the scorn of your bright eyne
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Have power to raise such love in mine,
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Alack, in me what strange effect
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Would they work in mild aspect!
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Whiles you chid me, I did love;
4|AS YOU LIKE IT|21|Act 4, Scene 3|            How then might your prayers move!
4|AS YOU LIKE IT|21|Act 4, Scene 3|            He that brings this love to the
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Little knows this love in me;
4|AS YOU LIKE IT|21|Act 4, Scene 3|            And by him seal up thy mind,
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Whether that thy youth and kind
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Will the faithful offer take
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Of me and all that I can make;
4|AS YOU LIKE IT|21|Act 4, Scene 3|            Or else by him my love deny,
4|AS YOU LIKE IT|21|Act 4, Scene 3|            And then I'll study how to die.'
4|AS YOU LIKE IT|21|Act 4, Scene 3|  SILVIUS. Call you this chiding?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. Alas, poor shepherd!
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. Do you pity him? No, he deserves no pity. Wilt thou love
4|AS YOU LIKE IT|21|Act 4, Scene 3|    such a woman? What, to make thee an instrument, and play false  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    strains upon thee! Not to be endur'd! Well, go your way to her,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    for I see love hath made thee tame snake, and say this to her-
4|AS YOU LIKE IT|21|Act 4, Scene 3|    that if she love me, I charge her to love thee; if she will not,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    I will never have her unless thou entreat for her. If you be a
4|AS YOU LIKE IT|21|Act 4, Scene 3|    true lover, hence, and not a word; for here comes more company.
4|AS YOU LIKE IT|21|Act 4, Scene 3|                                                    Exit SILVIUS
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|                         Enter OLIVER
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Good morrow, fair ones; pray you, if you know,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Where in the purlieus of this forest stands
4|AS YOU LIKE IT|21|Act 4, Scene 3|    A sheep-cote fenc'd about with olive trees?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. West of this place, down in the neighbour bottom.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    The rank of osiers by the murmuring stream
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Left on your right hand brings you to the place.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    But at this hour the house doth keep itself;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    There's none within.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. If that an eye may profit by a tongue,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Then should I know you by description-
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Such garments, and such years: 'The boy is fair,  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Of female favour, and bestows himself
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Like a ripe sister; the woman low,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And browner than her brother.' Are not you
4|AS YOU LIKE IT|21|Act 4, Scene 3|    The owner of the house I did inquire for?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. It is no boast, being ask'd, to say we are.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Orlando doth commend him to you both;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And to that youth he calls his Rosalind
4|AS YOU LIKE IT|21|Act 4, Scene 3|    He sends this bloody napkin. Are you he?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. I am. What must we understand by this?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Some of my shame; if you will know of me
4|AS YOU LIKE IT|21|Act 4, Scene 3|    What man I am, and how, and why, and where,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    This handkercher was stain'd.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. I pray you, tell it.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. When last the young Orlando parted from you,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    He left a promise to return again
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Within an hour; and, pacing through the forest,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Chewing the food of sweet and bitter fancy,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Lo, what befell! He threw his eye aside,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And mark what object did present itself.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Under an oak, whose boughs were moss'd with age,  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And high top bald with dry antiquity,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    A wretched ragged man, o'ergrown with hair,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Lay sleeping on his back. About his neck
4|AS YOU LIKE IT|21|Act 4, Scene 3|    A green and gilded snake had wreath'd itself,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Who with her head nimble in threats approach'd
4|AS YOU LIKE IT|21|Act 4, Scene 3|    The opening of his mouth; but suddenly,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Seeing Orlando, it unlink'd itself,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And with indented glides did slip away
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Into a bush; under which bush's shade
4|AS YOU LIKE IT|21|Act 4, Scene 3|    A lioness, with udders all drawn dry,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Lay couching, head on ground, with catlike watch,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    When that the sleeping man should stir; for 'tis
4|AS YOU LIKE IT|21|Act 4, Scene 3|    The royal disposition of that beast
4|AS YOU LIKE IT|21|Act 4, Scene 3|    To prey on nothing that doth seem as dead.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    This seen, Orlando did approach the man,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And found it was his brother, his elder brother.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. O, I have heard him speak of that same brother;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And he did render him the most unnatural
4|AS YOU LIKE IT|21|Act 4, Scene 3|    That liv'd amongst men.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. And well he might so do,  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    For well I know he was unnatural.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. But, to Orlando: did he leave him there,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Food to the suck'd and hungry lioness?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Twice did he turn his back, and purpos'd so;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    But kindness, nobler ever than revenge,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And nature, stronger than his just occasion,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Made him give battle to the lioness,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Who quickly fell before him; in which hurtling
4|AS YOU LIKE IT|21|Act 4, Scene 3|    From miserable slumber I awak'd.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. Are you his brother?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. Was't you he rescu'd?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. Was't you that did so oft contrive to kill him?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. 'Twas I; but 'tis not I. I do not shame
4|AS YOU LIKE IT|21|Act 4, Scene 3|    To tell you what I was, since my conversion
4|AS YOU LIKE IT|21|Act 4, Scene 3|    So sweetly tastes, being the thing I am.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. But for the bloody napkin?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. By and by.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    When from the first to last, betwixt us two,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Tears our recountments had most kindly bath'd,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    As how I came into that desert place-  
4|AS YOU LIKE IT|21|Act 4, Scene 3|    In brief, he led me to the gentle Duke,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Who gave me fresh array and entertainment,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Committing me unto my brother's love;
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Who led me instantly unto his cave,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    There stripp'd himself, and here upon his arm
4|AS YOU LIKE IT|21|Act 4, Scene 3|    The lioness had torn some flesh away,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Which all this while had bled; and now he fainted,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And cried, in fainting, upon Rosalind.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Brief, I recover'd him, bound up his wound,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    And, after some small space, being strong at heart,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    He sent me hither, stranger as I am,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    To tell this story, that you might excuse
4|AS YOU LIKE IT|21|Act 4, Scene 3|    His broken promise, and to give this napkin,
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Dy'd in his blood, unto the shepherd youth
4|AS YOU LIKE IT|21|Act 4, Scene 3|    That he in sport doth call his Rosalind.
4|AS YOU LIKE IT|21|Act 4, Scene 3|                                               [ROSALIND swoons]
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. Why, how now, Ganymede! sweet Ganymede!
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Many will swoon when they do look on blood.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. There is more in it. Cousin Ganymede!
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Look, he recovers.  
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. I would I were at home.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. We'll lead you thither.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    I pray you, will you take him by the arm?
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Be of good cheer, youth. You a man!
4|AS YOU LIKE IT|21|Act 4, Scene 3|    You lack a man's heart.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. I do so, I confess it. Ah, sirrah, a body would think
4|AS YOU LIKE IT|21|Act 4, Scene 3|    this was well counterfeited. I pray you tell your brother how
4|AS YOU LIKE IT|21|Act 4, Scene 3|    well I counterfeited. Heigh-ho!
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. This was not counterfeit; there is too great testimony in
4|AS YOU LIKE IT|21|Act 4, Scene 3|    your complexion that it was a passion of earnest.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. Counterfeit, I assure you.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. Well then, take a good heart and counterfeit to be a man.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. So I do; but, i' faith, I should have been a woman by
4|AS YOU LIKE IT|21|Act 4, Scene 3|    right.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  CELIA. Come, you look paler and paler; pray you draw homewards.
4|AS YOU LIKE IT|21|Act 4, Scene 3|    Good sir, go with us.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  OLIVER. That will I, for I must bear answer back
4|AS YOU LIKE IT|21|Act 4, Scene 3|    How you excuse my brother, Rosalind.
4|AS YOU LIKE IT|21|Act 4, Scene 3|  ROSALIND. I shall devise something; but, I pray you, commend my
4|AS YOU LIKE IT|21|Act 4, Scene 3|    counterfeiting to him. Will you go?                   Exeunt
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|21|Act 4, Scene 3|
4|AS YOU LIKE IT|22|Act 5, Scene 1|ACT V. SCENE I.
4|AS YOU LIKE IT|22|Act 5, Scene 1|The forest
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|Enter TOUCHSTONE and AUDREY
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. We shall find a time, Audrey; patience, gentle Audrey.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  AUDREY. Faith, the priest was good enough, for all the old
4|AS YOU LIKE IT|22|Act 5, Scene 1|    gentleman's saying.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. A most wicked Sir Oliver, Audrey, a most vile Martext.
4|AS YOU LIKE IT|22|Act 5, Scene 1|    But, Audrey, there is a youth here in the forest lays claim to
4|AS YOU LIKE IT|22|Act 5, Scene 1|    you.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  AUDREY. Ay, I know who 'tis; he hath no interest in me in the
4|AS YOU LIKE IT|22|Act 5, Scene 1|    world; here comes the man you mean.
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|                         Enter WILLIAM
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. It is meat and drink to me to see a clown. By my troth,
4|AS YOU LIKE IT|22|Act 5, Scene 1|    we that have good wits have much to answer for: we shall be
4|AS YOU LIKE IT|22|Act 5, Scene 1|    flouting; we cannot hold.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. Good ev'n, Audrey.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  AUDREY. God ye good ev'n, William.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. And good ev'n to you, sir.  
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. Good ev'n, gentle friend. Cover thy head, cover thy
4|AS YOU LIKE IT|22|Act 5, Scene 1|    head; nay, prithee be cover'd. How old are you, friend?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. Five and twenty, sir.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. A ripe age. Is thy name William?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. William, sir.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. A fair name. Wast born i' th' forest here?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. Ay, sir, I thank God.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. 'Thank God.' A good answer.
4|AS YOU LIKE IT|22|Act 5, Scene 1|    Art rich?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. Faith, sir, so so.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. 'So so' is good, very good, very excellent good; and
4|AS YOU LIKE IT|22|Act 5, Scene 1|    yet it is not; it is but so so. Art thou wise?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. Ay, sir, I have a pretty wit.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. Why, thou say'st well. I do now remember a saying: 'The
4|AS YOU LIKE IT|22|Act 5, Scene 1|    fool doth think he is wise, but the wise man knows himself to be
4|AS YOU LIKE IT|22|Act 5, Scene 1|    a fool.' The heathen philosopher, when he had a desire to eat a
4|AS YOU LIKE IT|22|Act 5, Scene 1|    grape, would open his lips when he put it into his mouth; meaning
4|AS YOU LIKE IT|22|Act 5, Scene 1|    thereby that grapes were made to eat and lips to open. You do
4|AS YOU LIKE IT|22|Act 5, Scene 1|    love this maid?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. I do, sir.  
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. Give me your hand. Art thou learned?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. No, sir.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. Then learn this of me: to have is to have; for it is a
4|AS YOU LIKE IT|22|Act 5, Scene 1|    figure in rhetoric that drink, being pour'd out of cup into a
4|AS YOU LIKE IT|22|Act 5, Scene 1|    glass, by filling the one doth empty the other; for all your
4|AS YOU LIKE IT|22|Act 5, Scene 1|    writers do consent that ipse is he; now, you are not ipse, for I
4|AS YOU LIKE IT|22|Act 5, Scene 1|    am he.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. Which he, sir?
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. He, sir, that must marry this woman. Therefore, you
4|AS YOU LIKE IT|22|Act 5, Scene 1|    clown, abandon- which is in the vulgar leave- the society- which
4|AS YOU LIKE IT|22|Act 5, Scene 1|    in the boorish is company- of this female- which in the common is
4|AS YOU LIKE IT|22|Act 5, Scene 1|    woman- which together is: abandon the society of this female; or,
4|AS YOU LIKE IT|22|Act 5, Scene 1|    clown, thou perishest; or, to thy better understanding, diest;
4|AS YOU LIKE IT|22|Act 5, Scene 1|    or, to wit, I kill thee, make thee away, translate thy life into
4|AS YOU LIKE IT|22|Act 5, Scene 1|    death, thy liberty into bondage. I will deal in poison with thee,
4|AS YOU LIKE IT|22|Act 5, Scene 1|    or in bastinado, or in steel; I will bandy with thee in faction;
4|AS YOU LIKE IT|22|Act 5, Scene 1|    will o'er-run thee with policy; I will kill thee a hundred and
4|AS YOU LIKE IT|22|Act 5, Scene 1|    fifty ways; therefore tremble and depart.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  AUDREY. Do, good William.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  WILLIAM. God rest you merry, sir.                         Exit  
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|                          Enter CORIN
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|  CORIN. Our master and mistress seeks you; come away, away.
4|AS YOU LIKE IT|22|Act 5, Scene 1|  TOUCHSTONE. Trip, Audrey, trip, Audrey. I attend, I attend.
4|AS YOU LIKE IT|22|Act 5, Scene 1|                                                          Exeunt
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|22|Act 5, Scene 1|
4|AS YOU LIKE IT|23|Act 5, Scene 2|SCENE II.
4|AS YOU LIKE IT|23|Act 5, Scene 2|The forest
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|Enter ORLANDO and OLIVER
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. Is't possible that on so little acquaintance you should
4|AS YOU LIKE IT|23|Act 5, Scene 2|    like her? that but seeing you should love her? and loving woo?
4|AS YOU LIKE IT|23|Act 5, Scene 2|    and, wooing, she should grant? and will you persever to enjoy
4|AS YOU LIKE IT|23|Act 5, Scene 2|    her?
4|AS YOU LIKE IT|23|Act 5, Scene 2|  OLIVER. Neither call the giddiness of it in question, the poverty
4|AS YOU LIKE IT|23|Act 5, Scene 2|    of her, the small acquaintance, my sudden wooing, nor her sudden
4|AS YOU LIKE IT|23|Act 5, Scene 2|    consenting; but say with me, I love Aliena; say with her that she
4|AS YOU LIKE IT|23|Act 5, Scene 2|    loves me; consent with both that we may enjoy each other. It
4|AS YOU LIKE IT|23|Act 5, Scene 2|    shall be to your good; for my father's house and all the revenue
4|AS YOU LIKE IT|23|Act 5, Scene 2|    that was old Sir Rowland's will I estate upon you, and here live
4|AS YOU LIKE IT|23|Act 5, Scene 2|    and die a shepherd.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. You have my consent. Let your wedding be to-morrow.
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Thither will I invite the Duke and all's contented followers. Go
4|AS YOU LIKE IT|23|Act 5, Scene 2|    you and prepare Aliena; for, look you, here comes my Rosalind.
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|                        Enter ROSALIND
4|AS YOU LIKE IT|23|Act 5, Scene 2|  
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. God save you, brother.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  OLIVER. And you, fair sister.                             Exit
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. O, my dear Orlando, how it grieves me to see thee wear
4|AS YOU LIKE IT|23|Act 5, Scene 2|    thy heart in a scarf!
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. It is my arm.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. I thought thy heart had been wounded with the claws of a
4|AS YOU LIKE IT|23|Act 5, Scene 2|    lion.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. Wounded it is, but with the eyes of a lady.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. Did your brother tell you how I counterfeited to swoon
4|AS YOU LIKE IT|23|Act 5, Scene 2|    when he show'd me your handkercher?
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. Ay, and greater wonders than that.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. O, I know where you are. Nay, 'tis true. There was never
4|AS YOU LIKE IT|23|Act 5, Scene 2|    any thing so sudden but the fight of two rams and Caesar's
4|AS YOU LIKE IT|23|Act 5, Scene 2|    thrasonical brag of 'I came, saw, and overcame.' For your brother
4|AS YOU LIKE IT|23|Act 5, Scene 2|    and my sister no sooner met but they look'd; no sooner look'd but
4|AS YOU LIKE IT|23|Act 5, Scene 2|    they lov'd; no sooner lov'd but they sigh'd; no sooner sigh'd but
4|AS YOU LIKE IT|23|Act 5, Scene 2|    they ask'd one another the reason; no sooner knew the reason but
4|AS YOU LIKE IT|23|Act 5, Scene 2|    they sought the remedy- and in these degrees have they made pair
4|AS YOU LIKE IT|23|Act 5, Scene 2|    of stairs to marriage, which they will climb incontinent, or else
4|AS YOU LIKE IT|23|Act 5, Scene 2|    be incontinent before marriage. They are in the very wrath of  
4|AS YOU LIKE IT|23|Act 5, Scene 2|    love, and they will together. Clubs cannot part them.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. They shall be married to-morrow; and I will bid the Duke
4|AS YOU LIKE IT|23|Act 5, Scene 2|    to the nuptial. But, O, how bitter a thing it is to look into
4|AS YOU LIKE IT|23|Act 5, Scene 2|    happiness through another man's eyes! By so much the more shall I
4|AS YOU LIKE IT|23|Act 5, Scene 2|    to-morrow be at the height of heart-heaviness, by how much I
4|AS YOU LIKE IT|23|Act 5, Scene 2|    shall think my brother happy in having what he wishes for.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. Why, then, to-morrow I cannot serve your turn for
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Rosalind?
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. I can live no longer by thinking.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. I will weary you, then, no longer with idle talking. Know
4|AS YOU LIKE IT|23|Act 5, Scene 2|    of me then- for now I speak to some purpose- that I know you are
4|AS YOU LIKE IT|23|Act 5, Scene 2|    a gentleman of good conceit. I speak not this that you should
4|AS YOU LIKE IT|23|Act 5, Scene 2|    bear a good opinion of my knowledge, insomuch I say I know you
4|AS YOU LIKE IT|23|Act 5, Scene 2|    are; neither do I labour for a greater esteem than may in some
4|AS YOU LIKE IT|23|Act 5, Scene 2|    little measure draw a belief from you, to do yourself good, and
4|AS YOU LIKE IT|23|Act 5, Scene 2|    not to grace me. Believe then, if you please, that I can do
4|AS YOU LIKE IT|23|Act 5, Scene 2|    strange things. I have, since I was three year old, convers'd
4|AS YOU LIKE IT|23|Act 5, Scene 2|    with a magician, most profound in his art and yet not damnable.
4|AS YOU LIKE IT|23|Act 5, Scene 2|    If you do love Rosalind so near the heart as your gesture cries
4|AS YOU LIKE IT|23|Act 5, Scene 2|    it out, when your brother marries Aliena shall you marry her. I  
4|AS YOU LIKE IT|23|Act 5, Scene 2|    know into what straits of fortune she is driven; and it is not
4|AS YOU LIKE IT|23|Act 5, Scene 2|    impossible to me, if it appear not inconvenient to you, to set
4|AS YOU LIKE IT|23|Act 5, Scene 2|    her before your eyes to-morrow, human as she is, and without any
4|AS YOU LIKE IT|23|Act 5, Scene 2|    danger.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. Speak'st thou in sober meanings?
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. By my life, I do; which I tender dearly, though I say I
4|AS YOU LIKE IT|23|Act 5, Scene 2|    am a magician. Therefore put you in your best array, bid your
4|AS YOU LIKE IT|23|Act 5, Scene 2|    friends; for if you will be married to-morrow, you shall; and to
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Rosalind, if you will.
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|                     Enter SILVIUS and PHEBE
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Look, here comes a lover of mine, and a lover of hers.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. Youth, you have done me much ungentleness
4|AS YOU LIKE IT|23|Act 5, Scene 2|    To show the letter that I writ to you.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. I care not if I have. It is my study
4|AS YOU LIKE IT|23|Act 5, Scene 2|    To seem despiteful and ungentle to you.
4|AS YOU LIKE IT|23|Act 5, Scene 2|    You are there follow'd by a faithful shepherd;
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Look upon him, love him; he worships you.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. Good shepherd, tell this youth what 'tis to love.  
4|AS YOU LIKE IT|23|Act 5, Scene 2|  SILVIUS. It is to be all made of sighs and tears;
4|AS YOU LIKE IT|23|Act 5, Scene 2|    And so am I for Phebe.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. And I for Ganymede.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. And I for Rosalind.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. And I for no woman.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  SILVIUS. It is to be all made of faith and service;
4|AS YOU LIKE IT|23|Act 5, Scene 2|    And so am I for Phebe.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. And I for Ganymede.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. And I for Rosalind.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. And I for no woman.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  SILVIUS. It is to be all made of fantasy,
4|AS YOU LIKE IT|23|Act 5, Scene 2|    All made of passion, and all made of wishes;
4|AS YOU LIKE IT|23|Act 5, Scene 2|    All adoration, duty, and observance,
4|AS YOU LIKE IT|23|Act 5, Scene 2|    All humbleness, all patience, and impatience,
4|AS YOU LIKE IT|23|Act 5, Scene 2|    All purity, all trial, all obedience;
4|AS YOU LIKE IT|23|Act 5, Scene 2|    And so am I for Phebe.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. And so am I for Ganymede.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. And so am I for Rosalind.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. And so am I for no woman.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. If this be so, why blame you me to love you?  
4|AS YOU LIKE IT|23|Act 5, Scene 2|  SILVIUS. If this be so, why blame you me to love you?
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. If this be so, why blame you me to love you?
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. Why do you speak too, 'Why blame you me to love you?'
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. To her that is not here, nor doth not hear.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ROSALIND. Pray you, no more of this; 'tis like the howling of Irish
4|AS YOU LIKE IT|23|Act 5, Scene 2|    wolves against the moon. [To SILVIUS] I will help you if I can.
4|AS YOU LIKE IT|23|Act 5, Scene 2|    [To PHEBE] I would love you if I could.- To-morrow meet me all
4|AS YOU LIKE IT|23|Act 5, Scene 2|    together. [ To PHEBE ] I will marry you if ever I marry woman,
4|AS YOU LIKE IT|23|Act 5, Scene 2|    and I'll be married to-morrow. [To ORLANDO] I will satisfy you if
4|AS YOU LIKE IT|23|Act 5, Scene 2|    ever I satisfied man, and you shall be married to-morrow. [To
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Silvius] I will content you if what pleases you contents you, and
4|AS YOU LIKE IT|23|Act 5, Scene 2|    you shall be married to-morrow. [To ORLANDO] As you love
4|AS YOU LIKE IT|23|Act 5, Scene 2|    Rosalind, meet. [To SILVIUS] As you love Phebe, meet;- and as I
4|AS YOU LIKE IT|23|Act 5, Scene 2|    love no woman, I'll meet. So, fare you well; I have left you
4|AS YOU LIKE IT|23|Act 5, Scene 2|    commands.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  SILVIUS. I'll not fail, if I live.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  PHEBE. Nor I.
4|AS YOU LIKE IT|23|Act 5, Scene 2|  ORLANDO. Nor I.                                         Exeunt
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|23|Act 5, Scene 2|
4|AS YOU LIKE IT|24|Act 5, Scene 3|SCENE III.
4|AS YOU LIKE IT|24|Act 5, Scene 3|The forest
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|Enter TOUCHSTONE and AUDREY
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|  TOUCHSTONE. To-morrow is the joyful day, Audre'y; to-morrow will we
4|AS YOU LIKE IT|24|Act 5, Scene 3|    be married.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  AUDREY. I do desire it with all my heart; and I hope it is no
4|AS YOU LIKE IT|24|Act 5, Scene 3|    dishonest desire to desire to be a woman of the world. Here come
4|AS YOU LIKE IT|24|Act 5, Scene 3|    two of the banish'd Duke's pages.
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|                            Enter two PAGES
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|  FIRST PAGE. Well met, honest gentleman.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  TOUCHSTONE. By my troth, well met. Come sit, sit, and a song.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  SECOND PAGE. We are for you; sit i' th' middle.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  FIRST PAGE. Shall we clap into't roundly, without hawking, or
4|AS YOU LIKE IT|24|Act 5, Scene 3|    spitting, or saying we are hoarse, which are the only prologues
4|AS YOU LIKE IT|24|Act 5, Scene 3|    to a bad voice?
4|AS YOU LIKE IT|24|Act 5, Scene 3|  SECOND PAGE. I'faith, i'faith; and both in a tune, like two gipsies
4|AS YOU LIKE IT|24|Act 5, Scene 3|    on a horse.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  
4|AS YOU LIKE IT|24|Act 5, Scene 3|                      SONG.
4|AS YOU LIKE IT|24|Act 5, Scene 3|        It was a lover and his lass,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          With a hey, and a ho, and a hey nonino,
4|AS YOU LIKE IT|24|Act 5, Scene 3|        That o'er the green corn-field did pass
4|AS YOU LIKE IT|24|Act 5, Scene 3|          In the spring time, the only pretty ring time,
4|AS YOU LIKE IT|24|Act 5, Scene 3|        When birds do sing, hey ding a ding, ding.
4|AS YOU LIKE IT|24|Act 5, Scene 3|        Sweet lovers love the spring.
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|        Between the acres of the rye,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          With a hey, and a ho, and a hey nonino,
4|AS YOU LIKE IT|24|Act 5, Scene 3|        These pretty country folks would lie,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          In the spring time, &c.
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|        This carol they began that hour,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          With a hey, and a ho, and a hey nonino,
4|AS YOU LIKE IT|24|Act 5, Scene 3|        How that a life was but a flower,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          In the spring time, &c.
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|        And therefore take the present time,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          With a hey, and a ho, and a hey nonino,  
4|AS YOU LIKE IT|24|Act 5, Scene 3|        For love is crowned with the prime,
4|AS YOU LIKE IT|24|Act 5, Scene 3|          In the spring time, &c.
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|  TOUCHSTONE. Truly, young gentlemen, though there was no great
4|AS YOU LIKE IT|24|Act 5, Scene 3|    matter in the ditty, yet the note was very untuneable.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  FIRST PAGE. YOU are deceiv'd, sir; we kept time, we lost not our
4|AS YOU LIKE IT|24|Act 5, Scene 3|    time.
4|AS YOU LIKE IT|24|Act 5, Scene 3|  TOUCHSTONE. By my troth, yes; I count it but time lost to hear such
4|AS YOU LIKE IT|24|Act 5, Scene 3|    a foolish song. God buy you; and God mend your voices. Come,
4|AS YOU LIKE IT|24|Act 5, Scene 3|    Audrey.                                               Exeunt
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|24|Act 5, Scene 3|
4|AS YOU LIKE IT|25|Act 5, Scene 4|SCENE IV.
4|AS YOU LIKE IT|25|Act 5, Scene 4|The forest
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|Enter DUKE SENIOR, AMIENS, JAQUES, ORLANDO, OLIVER, and CELIA
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. Dost thou believe, Orlando, that the boy
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Can do all this that he hath promised?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ORLANDO. I sometimes do believe and sometimes do not:
4|AS YOU LIKE IT|25|Act 5, Scene 4|    As those that fear they hope, and know they fear.
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|               Enter ROSALIND, SILVIUS, and PHEBE
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. Patience once more, whiles our compact is urg'd:
4|AS YOU LIKE IT|25|Act 5, Scene 4|    You say, if I bring in your Rosalind,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    You will bestow her on Orlando here?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. That would I, had I kingdoms to give with her.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. And you say you will have her when I bring her?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ORLANDO. That would I, were I of all kingdoms king.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. You say you'll marry me, if I be willing?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  PHEBE. That will I, should I die the hour after.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. But if you do refuse to marry me,  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    You'll give yourself to this most faithful shepherd?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  PHEBE. So is the bargain.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. You say that you'll have Phebe, if she will?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  SILVIUS. Though to have her and death were both one thing.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. I have promis'd to make all this matter even.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Keep you your word, O Duke, to give your daughter;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    You yours, Orlando, to receive his daughter;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Keep your word, Phebe, that you'll marry me,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Or else, refusing me, to wed this shepherd;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Keep your word, Silvius, that you'll marry her
4|AS YOU LIKE IT|25|Act 5, Scene 4|    If she refuse me; and from hence I go,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    To make these doubts all even.
4|AS YOU LIKE IT|25|Act 5, Scene 4|                                       Exeunt ROSALIND and CELIA
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. I do remember in this shepherd boy
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Some lively touches of my daughter's favour.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ORLANDO. My lord, the first time that I ever saw him
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Methought he was a brother to your daughter.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    But, my good lord, this boy is forest-born,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    And hath been tutor'd in the rudiments
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Of many desperate studies by his uncle,  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Whom he reports to be a great magician,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Obscured in the circle of this forest.
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|                    Enter TOUCHSTONE and AUDREY
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. There is, sure, another flood toward, and these couples are
4|AS YOU LIKE IT|25|Act 5, Scene 4|    coming to the ark. Here comes a pair of very strange beasts which
4|AS YOU LIKE IT|25|Act 5, Scene 4|    in all tongues are call'd fools.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. Salutation and greeting to you all!
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. Good my lord, bid him welcome. This is the motley-minded
4|AS YOU LIKE IT|25|Act 5, Scene 4|    gentleman that I have so often met in the forest. He hath been a
4|AS YOU LIKE IT|25|Act 5, Scene 4|     courtier, he swears.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. If any man doubt that, let him put me to my purgation.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    I have trod a measure; I have flatt'red a lady; I have been
4|AS YOU LIKE IT|25|Act 5, Scene 4|    politic with my friend, smooth with mine enemy; I have undone
4|AS YOU LIKE IT|25|Act 5, Scene 4|    three tailors; I have had four quarrels, and like to have fought
4|AS YOU LIKE IT|25|Act 5, Scene 4|    one.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. And how was that ta'en up?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. Faith, we met, and found the quarrel was upon the
4|AS YOU LIKE IT|25|Act 5, Scene 4|    seventh cause.  
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. How seventh cause? Good my lord, like this fellow.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. I like him very well.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. God 'ild you, sir; I desire you of the like. I press in
4|AS YOU LIKE IT|25|Act 5, Scene 4|    here, sir, amongst the rest of the country copulatives, to swear
4|AS YOU LIKE IT|25|Act 5, Scene 4|    and to forswear, according as marriage binds and blood breaks. A
4|AS YOU LIKE IT|25|Act 5, Scene 4|    poor virgin, sir, an ill-favour'd thing, sir, but mine own; a
4|AS YOU LIKE IT|25|Act 5, Scene 4|    poor humour of mine, sir, to take that that man else will. Rich
4|AS YOU LIKE IT|25|Act 5, Scene 4|    honesty dwells like a miser, sir, in a poor house; as your pearl
4|AS YOU LIKE IT|25|Act 5, Scene 4|    in your foul oyster.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. By my faith, he is very swift and sententious.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. According to the fool's bolt, sir, and such dulcet
4|AS YOU LIKE IT|25|Act 5, Scene 4|    diseases.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. But, for the seventh cause: how did you find the quarrel on
4|AS YOU LIKE IT|25|Act 5, Scene 4|    the seventh cause?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. Upon a lie seven times removed- bear your body more
4|AS YOU LIKE IT|25|Act 5, Scene 4|    seeming, Audrey- as thus, sir. I did dislike the cut of a certain
4|AS YOU LIKE IT|25|Act 5, Scene 4|    courtier's beard; he sent me word, if I said his beard was not
4|AS YOU LIKE IT|25|Act 5, Scene 4|    cut well, he was in the mind it was. This is call'd the Retort
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Courteous. If I sent him word again it was not well cut, he would
4|AS YOU LIKE IT|25|Act 5, Scene 4|    send me word he cut it to please himself. This is call'd the Quip  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Modest. If again it was not well cut, he disabled my judgment.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    This is call'd the Reply Churlish. If again it was not well cut,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    he would answer I spake not true. This is call'd the Reproof
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Valiant. If again it was not well cut, he would say I lie. This
4|AS YOU LIKE IT|25|Act 5, Scene 4|    is call'd the Countercheck Quarrelsome. And so to the Lie
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Circumstantial and the Lie Direct.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. And how oft did you say his beard was not well cut?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. I durst go no further than the Lie Circumstantial, nor
4|AS YOU LIKE IT|25|Act 5, Scene 4|    he durst not give me the Lie Direct; and so we measur'd swords
4|AS YOU LIKE IT|25|Act 5, Scene 4|    and parted.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. Can you nominate in order now the degrees of the lie?
4|AS YOU LIKE IT|25|Act 5, Scene 4|  TOUCHSTONE. O, sir, we quarrel in print by the book, as you have
4|AS YOU LIKE IT|25|Act 5, Scene 4|    books for good manners. I will name you the degrees. The first,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    the Retort Courteous; the second, the Quip Modest; the third, the
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Reply Churlish; the fourth, the Reproof Valiant; the fifth, the
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Countercheck Quarrelsome; the sixth, the Lie with Circumstance;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    the seventh, the Lie Direct. All these you may avoid but the Lie
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Direct; and you may avoid that too with an If. I knew when seven
4|AS YOU LIKE IT|25|Act 5, Scene 4|    justices could not take up a quarrel; but when the parties were
4|AS YOU LIKE IT|25|Act 5, Scene 4|    met themselves, one of them thought but of an If, as: 'If you  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    said so, then I said so.' And they shook hands, and swore
4|AS YOU LIKE IT|25|Act 5, Scene 4|    brothers. Your If is the only peace-maker; much virtue in If.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. Is not this a rare fellow, my lord?
4|AS YOU LIKE IT|25|Act 5, Scene 4|    He's as good at any thing, and yet a fool.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. He uses his folly like a stalking-horse, and under the
4|AS YOU LIKE IT|25|Act 5, Scene 4|    presentation of that he shoots his wit:
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|          Enter HYMEN, ROSALIND, and CELIA. Still MUSIC
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|    HYMEN.    Then is there mirth in heaven,
4|AS YOU LIKE IT|25|Act 5, Scene 4|              When earthly things made even
4|AS YOU LIKE IT|25|Act 5, Scene 4|                Atone together.
4|AS YOU LIKE IT|25|Act 5, Scene 4|              Good Duke, receive thy daughter;
4|AS YOU LIKE IT|25|Act 5, Scene 4|              Hymen from heaven brought her,
4|AS YOU LIKE IT|25|Act 5, Scene 4|                Yea, brought her hither,
4|AS YOU LIKE IT|25|Act 5, Scene 4|              That thou mightst join her hand with his,
4|AS YOU LIKE IT|25|Act 5, Scene 4|              Whose heart within his bosom is.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. [To DUKE] To you I give myself, for I am yours.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    [To ORLANDO] To you I give myself, for I am yours.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. If there be truth in sight, you are my daughter.  
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ORLANDO. If there be truth in sight, you are my Rosalind.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  PHEBE. If sight and shape be true,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Why then, my love adieu!
4|AS YOU LIKE IT|25|Act 5, Scene 4|  ROSALIND. I'll have no father, if you be not he;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    I'll have no husband, if you be not he;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Nor ne'er wed woman, if you be not she.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  HYMEN.    Peace, ho! I bar confusion;
4|AS YOU LIKE IT|25|Act 5, Scene 4|            'Tis I must make conclusion
4|AS YOU LIKE IT|25|Act 5, Scene 4|              Of these most strange events.
4|AS YOU LIKE IT|25|Act 5, Scene 4|            Here's eight that must take hands
4|AS YOU LIKE IT|25|Act 5, Scene 4|            To join in Hymen's bands,
4|AS YOU LIKE IT|25|Act 5, Scene 4|              If truth holds true contents.
4|AS YOU LIKE IT|25|Act 5, Scene 4|            You and you no cross shall part;
4|AS YOU LIKE IT|25|Act 5, Scene 4|            You and you are heart in heart;
4|AS YOU LIKE IT|25|Act 5, Scene 4|            You to his love must accord,
4|AS YOU LIKE IT|25|Act 5, Scene 4|            Or have a woman to your lord;
4|AS YOU LIKE IT|25|Act 5, Scene 4|            You and you are sure together,
4|AS YOU LIKE IT|25|Act 5, Scene 4|            As the winter to foul weather.
4|AS YOU LIKE IT|25|Act 5, Scene 4|            Whiles a wedlock-hymn we sing,
4|AS YOU LIKE IT|25|Act 5, Scene 4|            Feed yourselves with questioning,  
4|AS YOU LIKE IT|25|Act 5, Scene 4|            That reason wonder may diminish,
4|AS YOU LIKE IT|25|Act 5, Scene 4|            How thus we met, and these things finish.
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|                       SONG
4|AS YOU LIKE IT|25|Act 5, Scene 4|            Wedding is great Juno's crown;
4|AS YOU LIKE IT|25|Act 5, Scene 4|              O blessed bond of board and bed!
4|AS YOU LIKE IT|25|Act 5, Scene 4|            'Tis Hymen peoples every town;
4|AS YOU LIKE IT|25|Act 5, Scene 4|              High wedlock then be honoured.
4|AS YOU LIKE IT|25|Act 5, Scene 4|            Honour, high honour, and renown,
4|AS YOU LIKE IT|25|Act 5, Scene 4|            To Hymen, god of every town!
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. O my dear niece, welcome thou art to me!
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Even daughter, welcome in no less degree.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  PHEBE. I will not eat my word, now thou art mine;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Thy faith my fancy to thee doth combine.
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|                 Enter JAQUES de BOYS
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES de BOYS. Let me have audience for a word or two.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    I am the second son of old Sir Rowland,  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    That bring these tidings to this fair assembly.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Duke Frederick, hearing how that every day
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Men of great worth resorted to this forest,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Address'd a mighty power; which were on foot,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    In his own conduct, purposely to take
4|AS YOU LIKE IT|25|Act 5, Scene 4|    His brother here, and put him to the sword;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    And to the skirts of this wild wood he came,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Where, meeting with an old religious man,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    After some question with him, was converted
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Both from his enterprise and from the world;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    His crown bequeathing to his banish'd brother,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    And all their lands restor'd to them again
4|AS YOU LIKE IT|25|Act 5, Scene 4|    That were with him exil'd. This to be true
4|AS YOU LIKE IT|25|Act 5, Scene 4|    I do engage my life.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. Welcome, young man.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Thou offer'st fairly to thy brothers' wedding:
4|AS YOU LIKE IT|25|Act 5, Scene 4|    To one, his lands withheld; and to the other,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    A land itself at large, a potent dukedom.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    First, in this forest let us do those ends
4|AS YOU LIKE IT|25|Act 5, Scene 4|    That here were well begun and well begot;  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    And after, every of this happy number,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    That have endur'd shrewd days and nights with us,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Shall share the good of our returned fortune,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    According to the measure of their states.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Meantime, forget this new-fall'n dignity,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    And fall into our rustic revelry.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Play, music; and you brides and bridegrooms all,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    With measure heap'd in joy, to th' measures fall.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. Sir, by your patience. If I heard you rightly,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    The Duke hath put on a religious life,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    And thrown into neglect the pompous court.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES DE BOYS. He hath.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. To him will I. Out of these convertites
4|AS YOU LIKE IT|25|Act 5, Scene 4|    There is much matter to be heard and learn'd.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    [To DUKE] You to your former honour I bequeath;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Your patience and your virtue well deserves it.
4|AS YOU LIKE IT|25|Act 5, Scene 4|    [To ORLANDO] You to a love that your true faith doth merit;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    [To OLIVER] You to your land, and love, and great allies
4|AS YOU LIKE IT|25|Act 5, Scene 4|    [To SILVIUS] You to a long and well-deserved bed;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    [To TOUCHSTONE] And you to wrangling; for thy loving voyage  
4|AS YOU LIKE IT|25|Act 5, Scene 4|    Is but for two months victuall'd.- So to your pleasures;
4|AS YOU LIKE IT|25|Act 5, Scene 4|    I am for other than for dancing measures.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. Stay, Jaques, stay.
4|AS YOU LIKE IT|25|Act 5, Scene 4|  JAQUES. To see no pastime I. What you would have
4|AS YOU LIKE IT|25|Act 5, Scene 4|    I'll stay to know at your abandon'd cave.               Exit
4|AS YOU LIKE IT|25|Act 5, Scene 4|  DUKE SENIOR. Proceed, proceed. We will begin these rites,
4|AS YOU LIKE IT|25|Act 5, Scene 4|    As we do trust they'll end, in true delights.    [A dance] Exeunt
4|AS YOU LIKE IT|25|Act 5, Scene 4|
4|AS YOU LIKE IT|26|Epilogue|EPILOGUE
4|AS YOU LIKE IT|26|Epilogue|                           EPILOGUE.
4|AS YOU LIKE IT|26|Epilogue|  ROSALIND. It is not the fashion to see the lady the epilogue; but
4|AS YOU LIKE IT|26|Epilogue|    it is no more unhandsome than to see the lord the prologue. If it
4|AS YOU LIKE IT|26|Epilogue|    be true that good wine needs no bush, 'tis true that a good play
4|AS YOU LIKE IT|26|Epilogue|    needs no epilogue. Yet to good wine they do use good bushes; and
4|AS YOU LIKE IT|26|Epilogue|    good plays prove the better by the help of good epilogues. What a
4|AS YOU LIKE IT|26|Epilogue|    case am I in then, that am neither a good epilogue, nor cannot
4|AS YOU LIKE IT|26|Epilogue|    insinuate with you in the behalf of a good play! I am not
4|AS YOU LIKE IT|26|Epilogue|    furnish'd like a beggar; therefore to beg will not become me. My
4|AS YOU LIKE IT|26|Epilogue|    way is to conjure you; and I'll begin with the women. I charge
4|AS YOU LIKE IT|26|Epilogue|    you, O women, for the love you bear to men, to like as much of
4|AS YOU LIKE IT|26|Epilogue|    this play as please you; and I charge you, O men, for the love
4|AS YOU LIKE IT|26|Epilogue|    you bear to women- as I perceive by your simp'ring none of you
4|AS YOU LIKE IT|26|Epilogue|    hates them- that between you and the women the play may please.
4|AS YOU LIKE IT|26|Epilogue|    If I were a woman, I would kiss as many of you as had beards that
4|AS YOU LIKE IT|26|Epilogue|    pleas'd me, complexions that lik'd me, and breaths that I defied
4|AS YOU LIKE IT|26|Epilogue|    not; and, I am sure, as many as have good beards, or good faces,
4|AS YOU LIKE IT|26|Epilogue|    or sweet breaths, will, for my kind offer, when I make curtsy,
4|AS YOU LIKE IT|26|Epilogue|    bid me farewell.
4|AS YOU LIKE IT|26|Epilogue|
4|AS YOU LIKE IT|27|End|THE END
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|1593
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|THE COMEDY OF ERRORS
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|by William Shakespeare
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|1|title|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|DRAMATIS PERSONAE
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|SOLINUS, Duke of Ephesus
5|THE COMEDY OF ERRORS|2|Dramatis Personae|AEGEON, a merchant of Syracuse
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|ANTIPHOLUS OF EPHESUS twin brothers and sons to
5|THE COMEDY OF ERRORS|2|Dramatis Personae|ANTIPHOLUS OF SYRACUSE Aegion and Aemelia
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|DROMIO OF EPHESUS twin brothers, and attendants on
5|THE COMEDY OF ERRORS|2|Dramatis Personae|DROMIO OF SYRACUSE the two Antipholuses
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|BALTHAZAR, a merchant
5|THE COMEDY OF ERRORS|2|Dramatis Personae|ANGELO, a goldsmith
5|THE COMEDY OF ERRORS|2|Dramatis Personae|FIRST MERCHANT, friend to Antipholus of Syracuse
5|THE COMEDY OF ERRORS|2|Dramatis Personae|SECOND MERCHANT, to whom Angelo is a debtor
5|THE COMEDY OF ERRORS|2|Dramatis Personae|PINCH, a schoolmaster
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|AEMILIA, wife to AEgeon; an abbess at Ephesus
5|THE COMEDY OF ERRORS|2|Dramatis Personae|ADRIANA, wife to Antipholus of Ephesus
5|THE COMEDY OF ERRORS|2|Dramatis Personae|LUCIANA, her sister
5|THE COMEDY OF ERRORS|2|Dramatis Personae|LUCE, servant to Adriana
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|A COURTEZAN
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|Gaoler, Officers, Attendants
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|2|Dramatis Personae|
5|THE COMEDY OF ERRORS|3|Scene|SCENE:
5|THE COMEDY OF ERRORS|3|Scene|Ephesus
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|3|Scene|THE COMEDY OF ERRORS
5|THE COMEDY OF ERRORS|3|Scene|
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|ACT I. SCENE 1
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|A hall in the DUKE'S palace
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|Enter the DUKE OF EPHESUS, AEGEON, the Merchant
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|of Syracuse, GAOLER, OFFICERS, and other ATTENDANTS
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. Proceed, Solinus, to procure my fall,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And by the doom of death end woes and all.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Merchant of Syracuse, plead no more;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  I am not partial to infringe our laws.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  The enmity and discord which of late
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Sprung from the rancorous outrage of your duke
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To merchants, our well-dealing countrymen,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Who, wanting guilders to redeem their lives,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Have seal'd his rigorous statutes with their bloods,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Excludes all pity from our threat'ning looks.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  For, since the mortal and intestine jars
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  'Twixt thy seditious countrymen and us,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  It hath in solemn synods been decreed,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Both by the Syracusians and ourselves,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To admit no traffic to our adverse towns;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Nay, more: if any born at Ephesus
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Be seen at any Syracusian marts and fairs;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Again, if any Syracusian born
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Come to the bay of Ephesus-he dies,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  His goods confiscate to the Duke's dispose,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Unless a thousand marks be levied,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To quit the penalty and to ransom him.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Thy substance, valued at the highest rate,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Cannot amount unto a hundred marks;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Therefore by law thou art condemn'd to die.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. Yet this my comfort: when your words are done,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  My woes end likewise with the evening sun.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Well, Syracusian, say in brief the cause
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Why thou departed'st from thy native home,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And for what cause thou cam'st to Ephesus.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. A heavier task could not have been impos'd
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Than I to speak my griefs unspeakable;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Yet, that the world may witness that my end
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Was wrought by nature, not by vile offence,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  I'll utter what my sorrow gives me leave.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  In Syracuse was I born, and wed
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Unto a woman, happy but for me,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And by me, had not our hap been bad.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  With her I liv'd in joy; our wealth increas'd
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  By prosperous voyages I often made
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To Epidamnum; till my factor's death,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And the great care of goods at random left,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Drew me from kind embracements of my spouse:
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  From whom my absence was not six months old,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Before herself, almost at fainting under
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  The pleasing punishment that women bear,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Had made provision for her following me,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And soon and safe arrived where I was.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  There had she not been long but she became
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  A joyful mother of two goodly sons;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And, which was strange, the one so like the other
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  As could not be disdnguish'd but by names.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  That very hour, and in the self-same inn,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  A mean woman was delivered
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Of such a burden, male twins, both alike.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Those, for their parents were exceeding poor,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  I bought, and brought up to attend my sons.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  My wife, not meanly proud of two such boys,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Made daily motions for our home return;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Unwilling, I agreed. Alas! too soon
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  We came aboard.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  A league from Epidamnum had we sail'd
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Before the always-wind-obeying deep
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Gave any tragic instance of our harm:
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  But longer did we not retain much hope,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  For what obscured light the heavens did grant
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Did but convey unto our fearful minds
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  A doubtful warrant of immediate death;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Which though myself would gladly have embrac'd,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Yet the incessant weepings of my wife,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Weeping before for what she saw must come,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And piteous plainings of the pretty babes,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  That mourn'd for fashion, ignorant what to fear,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Forc'd me to seek delays for them and me.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And this it was, for other means was none:
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  The sailors sought for safety by our boat,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And left the ship, then sinking-ripe, to us;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  My wife, more careful for the latter-born,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Had fast'ned him unto a small spare mast,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Such as sea-faring men provide for storms;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To him one of the other twins was bound,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Whilst I had been like heedful of the other.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  The children thus dispos'd, my wife and I,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Fixing our eyes on whom our care was fix'd,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Fast'ned ourselves at either end the mast,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And, floating straight, obedient to the stream,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Was carried towards Corinth, as we thought.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  At length the sun, gazing upon the earth,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Dispers'd those vapours that offended us;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And, by the benefit of his wished light,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  The seas wax'd calm, and we discovered
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Two ships from far making amain to us-
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Of Corinth that, of Epidaurus this.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  But ere they came-O, let me say no more!
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Gather the sequel by that went before.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Nay, forward, old man, do not break off so;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  For we may pity, though not pardon thee.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. O, had the gods done so, I had not now
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Worthily term'd them merciless to us!
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  For, ere the ships could meet by twice five leagues,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  We were encount'red by a mighty rock,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Which being violently borne upon,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Our helpful ship was splitted in the midst;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  So that, in this unjust divorce of us,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Fortune had left to both of us alike
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  What to delight in, what to sorrow for.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Her part, poor soul, seeming as burdened
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  With lesser weight, but not with lesser woe,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Was carried with more speed before the wind;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And in our sight they three were taken up
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  By fishermen of Corinth, as we thought.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  At length another ship had seiz'd on us;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And, knowing whom it was their hap to save,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Gave healthful welcome to their ship-wreck'd guests,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And would have reft the fishers of their prey,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Had not their bark been very slow of sail;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And therefore homeward did they bend their course.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Thus have you heard me sever'd from my bliss,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  That by misfortunes was my life prolong'd,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To tell sad stories of my own mishaps.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. And, for the sake of them thou sorrowest for,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Do me the favour to dilate at full
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  What have befall'n of them and thee till now.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. My youngest boy, and yet my eldest care,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  At eighteen years became inquisitive
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  After his brother, and importun'd me
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  That his attendant-so his case was like,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Reft of his brother, but retain'd his name-
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Might bear him company in the quest of him;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Whom whilst I laboured of a love to see,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  I hazarded the loss of whom I lov'd.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Five summers have I spent in farthest Greece,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Roaming clean through the bounds of Asia,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And, coasting homeward, came to Ephesus;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Hopeless to find, yet loath to leave unsought
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Or that or any place that harbours men.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  But here must end the story of my life;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And happy were I in my timely death,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Could all my travels warrant me they live.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|DUKE. Hapless, Aegeon, whom the fates have mark'd
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To bear the extremity of dire mishap!
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Now, trust me, were it not against our laws,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Against my crown, my oath, my dignity,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Which princes, would they, may not disannul,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  My soul should sue as advocate for thee.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  But though thou art adjudged to the death,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And passed sentence may not be recall'd
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  But to our honour's great disparagement,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Yet will I favour thee in what I can.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Therefore, merchant, I'll limit thee this day
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  To seek thy help by beneficial hap.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Try all the friends thou hast in Ephesus;
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Beg thou, or borrow, to make up the sum,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  And live; if no, then thou art doom'd to die.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  Gaoler, take him to thy custody.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|GAOLER. I will, my lord.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|AEGEON. Hopeless and helpless doth Aegeon wend,
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|  But to procrastinate his lifeless end.
5|THE COMEDY OF ERRORS|4|Act 1, Scene 1|